Time Mutations/Artworks - Revision history

Matthias.breuer: /* Katrina Boeming – I am telling you a story, home 1996-2006 */

2011-08-05T12:17:33Z

Katrina Boeming – I am telling you a story, home 1996-2006

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	My perception of time and space was exercised and altered through memory in several long sittings during the creation of this map. During these sittings I literally cut my passageways through space and time from memory. I simply placed my knife at the starting point of a walk and visualized my movements as my tool traced my footsteps. What you see when looking at the piece is a fictional map of the five boroughs of New York City as they exist in my minds eye.		My perception of time and space was exercised and altered through memory in several long sittings during the creation of this map. During these sittings I literally cut my passageways through space and time from memory. I simply placed my knife at the starting point of a walk and visualized my movements as my tool traced my footsteps. What you see when looking at the piece is a fictional map of the five boroughs of New York City as they exist in my minds eye.

			[http://katrinaboemig.tumblr.com/ See artist's website] for more information
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Matthias.breuer: /* Tommy Neuwirth – Untitled */

2011-08-02T15:38:17Z

Tommy Neuwirth – Untitled

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	==[[Tommy Neuwirth]] – ''Untitled''==		==[[Tommy Neuwirth]] – ''Untitled''==
	[[Image:Time Mutations - Tommy Neuwirth - Untitled.jpg\|thumb\|right\|[[Tommy Neuwirth]] – Untitled.jpg]]		[[Image:Time Mutations - Tommy Neuwirth - Untitled.jpg\|thumb\|right\|[[Tommy Neuwirth]] – Untitled.jpg]]
			freedom<br />
			"Background images started disappearing when logged in" "Icons started disappearing from Word tool bar" "Paragraphs suddenly started disappearing" "Have '90s songs started disappearing from the radio?" "My eyebrows have suddenly started disappearing."
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Matthias.breuer: /* Kim Beom – Untitled (News) (2002) */

2011-08-02T09:27:11Z

Kim Beom – Untitled (News) (2002)

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	Quoted from [http://trustseoul.wordpress.com/trustartists/kim-beom/ TRUSTblog]		Quoted from [http://trustseoul.wordpress.com/trustartists/kim-beom/ TRUSTblog]

	Kim Beom's work ''Untitled (News)'' was shown at the 51st Biennale in Venice.		Kim Beom's work ''Untitled (News)'' was shown at the 51st Biennale in Venice in 2005.

	==Katrina Boeming – ''I am telling you a story, home 1996-2006''==		==Katrina Boeming – ''I am telling you a story, home 1996-2006''==

Matthias.breuer: /* Kim Beom – Untitled (News) (2002) */

2011-08-02T09:26:45Z

Kim Beom – Untitled (News) (2002)

← Older revision		Revision as of 09:26, 2 August 2011
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	Quoted from [http://trustseoul.wordpress.com/trustartists/kim-beom/ TRUSTblog]		Quoted from [http://trustseoul.wordpress.com/trustartists/kim-beom/ TRUSTblog]

			Kim Beom's work ''Untitled (News)'' was shown at the 51st Biennale in Venice.

	==Katrina Boeming – ''I am telling you a story, home 1996-2006''==		==Katrina Boeming – ''I am telling you a story, home 1996-2006''==

Matthias.breuer at 23:48, 1 August 2011

2011-08-01T23:48:07Z

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	==Matthias Breuer – ''Reconstructing the Truth''==		==[[Matthias Breuer]] – ''Reconstructing the Truth''==
	[[Image:Reconstructing the Truth.jpg\|right\|thumb\|Matthias Breuer - Reconstructing the Truth]]		[[Image:Reconstructing the Truth.jpg\|right\|thumb\|[[Matthias Breuer]] - Reconstructing the Truth]]
	Nowadays reality is a highly constructed body made up of many different ideas, desires and influences. The biggest reality-producing machine, the media with all its different distribution channels, confronts us with a huge colourfulmoving mass made up of countless pictures and sounds. The question about whether what we see is real or not is neither asked nor encouraged. The catchphrase of modernity is see it and believe it, critical discourse is never held. While in ancient times, following Plato's ideas, reality to some is the dancing of shadows on a cave wall, for us it is the interplay of many differently coloured pixels on flat surfaces. Screens are our viewfinders to the world. Our perception is created by artificial interfaces. The connection between reality and man is created by copper wires and silicon plates. A very fragile umbilical cord highly dependent on those who feed it thus holding the ultimate control.		Nowadays reality is a highly constructed body made up of many different ideas, desires and influences. The biggest reality-producing machine, the media with all its different distribution channels, confronts us with a huge colourfulmoving mass made up of countless pictures and sounds. The question about whether what we see is real or not is neither asked nor encouraged. The catchphrase of modernity is see it and believe it, critical discourse is never held. While in ancient times, following Plato's ideas, reality to some is the dancing of shadows on a cave wall, for us it is the interplay of many differently coloured pixels on flat surfaces. Screens are our viewfinders to the world. Our perception is created by artificial interfaces. The connection between reality and man is created by copper wires and silicon plates. A very fragile umbilical cord highly dependent on those who feed it thus holding the ultimate control.

Matthias.breuer: /* Gabriel Shalom – wash choose peel chop rinse */

2011-08-01T23:19:52Z

Gabriel Shalom – wash choose peel chop rinse

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	==Gabriel Shalom – ''wash choose peel chop rinse''==		==Gabriel Shalom – ''wash choose peel chop rinse''==
	[[Image:Time Mutations - Gabriel Shalom - wash choose peel chop rinse.jpg\|thumb\|right\|Gabriel Shalom – wash choose peel chop rinse]]		[[Image:Time Mutations - Gabriel Shalom - wash choose peel chop rinse.jpg\|thumb\|right\|Gabriel Shalom – wash choose peel chop rinse]]
			In the five movements which make up wash choose peel chop rinse, different stages of the process of making vegetable soup stock are examined in microcinematic detail. Rhythmic audiovisual compositions are revealed in the most mundane and subtle aspects of the preparation of various different vegetables. This video was premiered at the opening ceremony of Transmediale 2011, Berlin.

	Gabriel Shalom is a videomusician, hypercubist and audiovisual artist living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions. He has been an artist in residence at the ZKM \| Karlsruhe. He is the co-founder, together with [http://pavako.com/ Patrizia Kommerell], of [http://ks12.net/ KS12], a creative studio which produces original transmedia narratives. He has been a guest speaker on audiovisual trends in London, Berlin and São Paulo, and since Spring 2009 he is adjunct faculty at the Berliner Technische Kunsthochschule where he lectures on [http://analogmotiongraphics.com/ analog motion graphics] and experimental film and video. He is a contributor to opinion-leading blogs on the [http://quantumcinema.blogspot.com/ future of cinema] and [http://arsvirtuafoundation.org/research/ augmented reality].		Gabriel Shalom is a videomusician, hypercubist and audiovisual artist living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions. He has been an artist in residence at the ZKM \| Karlsruhe. He is the co-founder, together with [http://pavako.com/ Patrizia Kommerell], of [http://ks12.net/ KS12], a creative studio which produces original transmedia narratives. He has been a guest speaker on audiovisual trends in London, Berlin and São Paulo, and since Spring 2009 he is adjunct faculty at the Berliner Technische Kunsthochschule where he lectures on [http://analogmotiongraphics.com/ analog motion graphics] and experimental film and video. He is a contributor to opinion-leading blogs on the [http://quantumcinema.blogspot.com/ future of cinema] and [http://arsvirtuafoundation.org/research/ augmented reality].

	[http://www.gabrielshalom.com See artist's website] for more information		[http://www.gabrielshalom.com See artist's website] for more information

Matthias.breuer: /* Tommy Neuwirth – Untitled */

2011-08-01T21:31:05Z

Tommy Neuwirth – Untitled

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	==[[Tommy Neuwirth]] – ''Untitled''==		==[[Tommy Neuwirth]] – ''Untitled''==
	[[Image:Time Mutations - Tommy Neuwirth - Untitled.jpg\|thumb\|right\|[[Tommy Neuwirth]] – Untitled.jpg]]		[[Image:Time Mutations - Tommy Neuwirth - Untitled.jpg\|thumb\|right\|[[Tommy Neuwirth]] – Untitled.jpg]]
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	==Scott Ries – ''Aceeeh ino rrssstUv''==		==Scott Ries – ''Aceeeh ino rrssstUv''==

Matthias.breuer: /* Tommy Neuwirth – Untitled */

2011-08-01T21:28:14Z

Tommy Neuwirth – Untitled

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	==[[Tommy Neuwirth]] – ''Untitled''==		==[[Tommy Neuwirth]] – ''Untitled''==
			[[Image:Time Mutations - Tommy Neuwirth - Untitled.jpg\|thumb\|right\|[[Tommy Neuwirth]] – Untitled.jpg]]

	==Scott Ries – ''Aceeeh ino rrssstUv''==		==Scott Ries – ''Aceeeh ino rrssstUv''==
	Taking the complete Beatles discography as one track arranged in chronological order (that in which they were released), I divide it into 0.1 sec segments (long enough not to produce a consistent tone, short enough to elude recognition), and then arrange those segments in order of their total energy over each of the 0.1 sec segments, from the least to the most. Each segment's first sample is zeroed at the previous segment's last sample, and the absolute value of its energy pointed towards zero. In other words, I rearrange the familiar Beatles chronology into barely recognizable segments following an entirely different chronology, that of the universe (from least energy to most, or from order to chaos), and point it, futilely, toward equilibrium. The complete track is then re-divided into the exact lengths of each album and track, and is released in the same chronology as were the correspondingly-long Beatles' albums (but could be played in its entirety and transferred easily online for an installation).		Taking the complete Beatles discography as one track arranged in chronological order (that in which they were released), I divide it into 0.1 sec segments (long enough not to produce a consistent tone, short enough to elude recognition), and then arrange those segments in order of their total energy over each of the 0.1 sec segments, from the least to the most. Each segment's first sample is zeroed at the previous segment's last sample, and the absolute value of its energy pointed towards zero. In other words, I rearrange the familiar Beatles chronology into barely recognizable segments following an entirely different chronology, that of the universe (from least energy to most, or from order to chaos), and point it, futilely, toward equilibrium. The complete track is then re-divided into the exact lengths of each album and track, and is released in the same chronology as were the correspondingly-long Beatles' albums (but could be played in its entirety and transferred easily online for an installation).

Matthias.breuer: /* Gabriel Shalom – wash choose peel chop rinse */

2011-08-01T21:25:55Z

Gabriel Shalom – wash choose peel chop rinse

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	==Gabriel Shalom – ''wash choose peel chop rinse''==		==Gabriel Shalom – ''wash choose peel chop rinse''==
	[Image:Time Mutations - Gabriel Shalom - wash choose peel chop rinse.jpg\|thumb\|right\|Gabriel Shalom – wash choose peel chop rinse]]		[[Image:Time Mutations - Gabriel Shalom - wash choose peel chop rinse.jpg\|thumb\|right\|Gabriel Shalom – wash choose peel chop rinse]]
	Gabriel Shalom is a videomusician, hypercubist and audiovisual artist living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions. He has been an artist in residence at the ZKM \| Karlsruhe. He is the co-founder, together with [http://pavako.com/ Patrizia Kommerell], of [http://ks12.net/ KS12], a creative studio which produces original transmedia narratives. He has been a guest speaker on audiovisual trends in London, Berlin and São Paulo, and since Spring 2009 he is adjunct faculty at the Berliner Technische Kunsthochschule where he lectures on [http://analogmotiongraphics.com/ analog motion graphics] and experimental film and video. He is a contributor to opinion-leading blogs on the [http://quantumcinema.blogspot.com/ future of cinema] and [http://arsvirtuafoundation.org/research/ augmented reality].		Gabriel Shalom is a videomusician, hypercubist and audiovisual artist living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions. He has been an artist in residence at the ZKM \| Karlsruhe. He is the co-founder, together with [http://pavako.com/ Patrizia Kommerell], of [http://ks12.net/ KS12], a creative studio which produces original transmedia narratives. He has been a guest speaker on audiovisual trends in London, Berlin and São Paulo, and since Spring 2009 he is adjunct faculty at the Berliner Technische Kunsthochschule where he lectures on [http://analogmotiongraphics.com/ analog motion graphics] and experimental film and video. He is a contributor to opinion-leading blogs on the [http://quantumcinema.blogspot.com/ future of cinema] and [http://arsvirtuafoundation.org/research/ augmented reality].

			[http://www.gabrielshalom.com See artist's website] for more information

Matthias.breuer at 21:24, 1 August 2011

2011-08-01T21:24:57Z

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	[http://www.perpetualtraining.com Try the project online]		[http://www.perpetualtraining.com Try the project online]

			==Gabriel Shalom – ''wash choose peel chop rinse''==
			[Image:Time Mutations - Gabriel Shalom - wash choose peel chop rinse.jpg\|thumb\|right\|Gabriel Shalom – wash choose peel chop rinse]]
			Gabriel Shalom is a videomusician, hypercubist and audiovisual artist living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions. He has been an artist in residence at the ZKM \| Karlsruhe. He is the co-founder, together with [http://pavako.com/ Patrizia Kommerell], of [http://ks12.net/ KS12], a creative studio which produces original transmedia narratives. He has been a guest speaker on audiovisual trends in London, Berlin and São Paulo, and since Spring 2009 he is adjunct faculty at the Berliner Technische Kunsthochschule where he lectures on [http://analogmotiongraphics.com/ analog motion graphics] and experimental film and video. He is a contributor to opinion-leading blogs on the [http://quantumcinema.blogspot.com/ future of cinema] and [http://arsvirtuafoundation.org/research/ augmented reality].