PDCON:Concerts/Thomas Grill - Revision history

Grrrr.org at 23:17, 5 August 2011

2011-08-05T23:17:33Z

← Older revision		Revision as of 23:17, 5 August 2011
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	Electroacoustic composition in five movements, total duration 18′.		Electroacoustic composition in five movements, total duration 18′.
	16 ~~discrete audio channels~~.		For 16 groups of loudspeakers.

	The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.		The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.

Dominique at 22:55, 4 August 2011

2011-08-04T22:55:17Z

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	19.00 - 22.30<br>		19.00 - 22.30<br>
	[[PDCON:Venues/Fürstensaal\|Platz der Demokratie, Fürstenhaus Fürstensaal]]		[[PDCON:Venues/Fürstensaal\|Platz der Demokratie, Fürstenhaus Fürstensaal]]

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Dominique at 22:54, 4 August 2011

2011-08-04T22:54:39Z

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	*http://grrrr.org/points_of_view		*http://grrrr.org/points_of_view

			Concert: <br>
			Monday 08. Aug 2011<br>
			19.00 - 22.30<br>
			[[PDCON:Venues/Fürstensaal\|Platz der Demokratie, Fürstenhaus Fürstensaal]]
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Grrrr.org at 10:34, 18 July 2011

2011-07-18T10:34:20Z

← Older revision		Revision as of 10:34, 18 July 2011
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	==Points of View==		==Points of View (2010/2011)==
	Artist: Thomas Grill		Artist: [http://grrrr.org Thomas Grill]

	Electroacoustic composition in five movements, total duration 18′.		Electroacoustic composition in five movements, total duration 18′.
	16 discrete channels~~, adaptable to various loudspeaker configurations~~.		16 discrete audio channels.

	The ~~“Points~~ of ~~View”~~ feature sound materials that hardly show relations to natural-sounding objects.Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.		The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.

			*http://grrrr.org/points_of_view
	*http://grrrr.org~~/2011/03/29~~/points_of_view/

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Xiaodong at 18:37, 17 July 2011

2011-07-17T18:37:26Z

← Older revision		Revision as of 18:37, 17 July 2011
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	*http://grrrr.org/2011/03/29/points_of_view/		*http://grrrr.org/2011/03/29/points_of_view/


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Xiaodong at 18:37, 17 July 2011

2011-07-17T18:37:12Z

← Older revision		Revision as of 18:37, 17 July 2011
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	==Points of View==		==Points of View==
	Artist: Thomas Grill		Artist: Thomas Grill

			Electroacoustic composition in five movements, total duration 18′.
			16 discrete channels, adaptable to various loudspeaker configurations.

			The “Points of View” feature sound materials that hardly show relations to natural-sounding objects.Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.


			*http://grrrr.org/2011/03/29/points_of_view/


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Xiaodong: Replaced content with "==Points of View== Artist: Thomas Grill {{Template:PdCon11}}"

2011-07-17T13:22:37Z

Replaced content with "==Points of View== Artist: Thomas Grill {{Template:PdCon11}}"

← Older revision		Revision as of 13:22, 17 July 2011
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	==~~Point~~ of ~~Time~~==		==Points of View==
	Artist: Thomas Grill		Artist: Thomas Grill

	The photographic picture, as Point of Time – a mechanic glimpse – takes an event out of its context. Movement becomes standstill with the instantaneous moment of the exposure being arbitrarily stretched for deferred inspection. But what happens to the accompanying sonic environment?

	Visual and sonic snapshots have been taken simultaneously. The mathematical rectangle function of the photographic exposure operation has been applied to the sound recording completely analogous and synchronous to the optical information. By means of digital audio processing all time information is destroyed – virtually freezing the sonic image of the exposure moment.

	Out of this stagnancy new movement emerges. Just as motion is anticipated from the photographic image, the sense of hearing reconstructs sonic processes by constantly scanning the rigid spectrum and seeking for clues within the expanse of noise.


	~~<videoflash type=vimeo>6424039</videoflash>~~


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Xiaodong: Created page with "==Point of Time== Artist: Thomas Grill The photographic picture, as Point of Time – a mechanic glimpse – takes an event out of its context. Movement becomes standstill with ..."

2011-07-16T18:41:51Z

Created page with "==Point of Time== Artist: Thomas Grill The photographic picture, as Point of Time – a mechanic glimpse – takes an event out of its context. Movement becomes standstill with ..."

New page

==Point of Time==
Artist: Thomas Grill

The photographic picture, as Point of Time – a mechanic glimpse – takes an event out of its context. Movement becomes standstill with the instantaneous moment of the exposure being arbitrarily stretched for deferred inspection. But what happens to the accompanying sonic environment?

Visual and sonic snapshots have been taken simultaneously. The mathematical rectangle function of the photographic exposure operation has been applied to the sound recording completely analogous and synchronous to the optical information. By means of digital audio processing all time information is destroyed – virtually freezing the sonic image of the exposure moment.

Out of this stagnancy new movement emerges. Just as motion is anticipated from the photographic image, the sense of hearing reconstructs sonic processes by constantly scanning the rigid spectrum and seeking for clues within the expanse of noise.

<videoflash type=vimeo>6424039</videoflash>

{{Template:PdCon11}}