PDCON:Concerts/Ed Kelly - Revision history

Dominique at 22:26, 4 August 2011

2011-08-04T22:26:15Z

← Older revision		Revision as of 22:26, 4 August 2011
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	“Synchroma Was a Broken String” uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.		“Synchroma Was a Broken String” uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.

			Concert: <br>
			Saturday 13. Aug. 2011 <br>
			22.00<br>
			[[PDCON:Venues/LEAP\|LEAP]]

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Max at 15:26, 29 July 2011

2011-07-29T15:26:30Z

← Older revision		Revision as of 15:26, 29 July 2011
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	Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoustic music concerning theories of perceptual time, and live performance interventions in musical structure. He creates live performance systems using Max/MSP and Pure Data, and performs improvised electronic music and video that explores deconstruction of rhythm and temporal flow.		Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoustic music concerning theories of perceptual time, and live performance interventions in musical structure. He creates live performance systems using Max/MSP and Pure Data, and performs improvised electronic music and video that explores deconstruction of rhythm and temporal flow.

	~~"Synchroma~~ Was a Broken ~~String"~~ uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.		“Synchroma Was a Broken String” uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.

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Xiaodong at 13:12, 16 July 2011

2011-07-16T13:12:15Z

← Older revision		Revision as of 13:12, 16 July 2011
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	~~'''Artist: Edward Kelly~~		==Synchroma Was a Broken String==
			Artist: Edward Kelly
	~~'''Project:~~ Synchroma Was a Broken String


	Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoustic music concerning theories of perceptual time, and live performance interventions in musical structure. He creates live performance systems using Max/MSP and Pure Data, and performs improvised electronic music and video that explores deconstruction of rhythm and temporal flow.		Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoustic music concerning theories of perceptual time, and live performance interventions in musical structure. He creates live performance systems using Max/MSP and Pure Data, and performs improvised electronic music and video that explores deconstruction of rhythm and temporal flow.

	"Synchroma Was a Broken String" uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.		"Synchroma Was a Broken String" uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.

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Xiaodong: Created page with "'''Artist: Edward Kelly '''Project: Synchroma Was a Broken String Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoust..."

2011-07-16T12:29:33Z

Created page with "'''Artist: Edward Kelly '''Project: Synchroma Was a Broken String Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoust..."

New page

'''Artist: Edward Kelly

'''Project: Synchroma Was a Broken String

Edward Kelly is a composer living and working in London, UK. His work includes instrumental and electroacoustic music concerning theories of perceptual time, and live performance interventions in musical structure. He creates live performance systems using Max/MSP and Pure Data, and performs improvised electronic music and video that explores deconstruction of rhythm and temporal flow.

"Synchroma Was a Broken String" uses concatenative synthesis, waveguide modelling, scrambled sequencing and analogue behaviour emulation. It also bangs, and should if amplified sufficiently lead to personal visions.