GMU:Works - Revision history

Max: /* Keeping Track – Capturing Position and Motion */

2011-04-17T16:43:55Z

Keeping Track – Capturing Position and Motion

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	[[GMU:Keeping Track/Final project\|Documantation]]		[[GMU:Keeping Track/Final project\|Documantation]]

	''Students:'' [[Ana Alenso]], [[Frederic Seybicke]], [[Gentian Begolli]], [[Gesine Gennrich]], [[Henning Gründl]], [[Jörg Brinkmann]], [[Katre Haav]], [[Laura Fong]], [[Liana Chandra]], [[Marianne Kotulek]], [[Michaela Honauer]], [[Moritz Schell]]<br />		Students: [[Ana Alenso]], [[Frederic Seybicke]], [[Gentian Begolli]], [[Gesine Gennrich]], [[Henning Gründl]], [[Jörg Brinkmann]], [[Katre Haav]], [[Laura Fong]], [[Liana Chandra]], [[Marianne Kotulek]], [[Michaela Honauer]], [[Moritz Schell]]<br />
	''Lecturer:'' [[Max Neupert]]		Lecturer: [[Max Neupert]]
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Max: /* Keeping Track – Capturing Position and Motion */

2011-04-17T16:42:49Z

Keeping Track – Capturing Position and Motion

← Older revision		Revision as of 16:42, 17 April 2011
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	== [[GMU:Keeping Track\|Keeping Track – Capturing Position and Motion]] ==		== [[GMU:Keeping Track\|Keeping Track – Capturing Position and Motion]] ==
	[[File:Movementandvoices.jpg\|thumb\|250px\|Keeping Track]]		[[File:Movementandvoices.jpg\|thumb\|250px\|Keeping Track]]
	was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches ~~including~~ GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.		was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches from [[GMU:Keeping Track/assignment one\|manual traces]] to [[GMU:Keeping Track/assignment two\|GPS]] and [[GMU:Keeping Track/assignment four\|camera tracking]] harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.

	''Keeping Track – Capturing Position and Motion'' ist ein Kurs der verschiedene Methoden beleuchtet um Bewegungen zu verorten. In Kunst, Musik, Tanz, Performance, und Unterhaltung wird Tracking eingesetzt. Technologien wie GPS~~, RFID~~ und die Bewegungserkennung per Videobild können Bewegungen unterschiedlicher Größenordnung in Positionsdaten umwandeln, welche dann auf Visualisierungen oder Sonifizierungen abgebildet werden. Bewegungsdaten sind Eingabemethode und Instrument. Teil des Kurses war ein mehrtägiger Workshop von Frieder Weiß der die Software Lösung eyecon vorgestellt hat.		''Keeping Track – Capturing Position and Motion'' ist ein Kurs der verschiedene Methoden beleuchtet um Bewegungen zu verorten. In Kunst, Musik, Tanz, Performance, und Unterhaltung wird Tracking eingesetzt. Von [[GMU:Keeping Track/assignment one\|mechanischen Spuren]] bis zu Technologien wie [[GMU:Keeping Track/assignment two\|GPS]] und die Bewegungserkennung per [[GMU:Keeping Track/assignment four\|Videobild]] können Bewegungen unterschiedlicher Größenordnung in Positionsdaten umwandeln, welche dann auf Visualisierungen oder Sonifizierungen abgebildet werden. Bewegungsdaten sind Eingabemethode und Instrument. Teil des Kurses war ein mehrtägiger Workshop von Frieder Weiß der die Software Lösung eyecon vorgestellt hat.

			[[GMU:Keeping Track/Final project\|Documantation]]

	''Students:'' [[Ana Alenso]], [[Frederic Seybicke]], [[Gentian Begolli]], [[Gesine Gennrich]], [[Henning Gründl]], [[Jörg Brinkmann]], [[Katre Haav]], [[Laura Fong]], [[Liana Chandra]], [[Marianne Kotulek]], [[Michaela Honauer]], [[Moritz Schell]]<br />		''Students:'' [[Ana Alenso]], [[Frederic Seybicke]], [[Gentian Begolli]], [[Gesine Gennrich]], [[Henning Gründl]], [[Jörg Brinkmann]], [[Katre Haav]], [[Laura Fong]], [[Liana Chandra]], [[Marianne Kotulek]], [[Michaela Honauer]], [[Moritz Schell]]<br />

Max: /* Keeping Track – Capturing Position and Motion */

2011-04-17T15:23:29Z

Keeping Track – Capturing Position and Motion

← Older revision		Revision as of 15:23, 17 April 2011
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	was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches including GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.		was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches including GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.

			''Keeping Track – Capturing Position and Motion'' ist ein Kurs der verschiedene Methoden beleuchtet um Bewegungen zu verorten. In Kunst, Musik, Tanz, Performance, und Unterhaltung wird Tracking eingesetzt. Technologien wie GPS, RFID und die Bewegungserkennung per Videobild können Bewegungen unterschiedlicher Größenordnung in Positionsdaten umwandeln, welche dann auf Visualisierungen oder Sonifizierungen abgebildet werden. Bewegungsdaten sind Eingabemethode und Instrument. Teil des Kurses war ein mehrtägiger Workshop von Frieder Weiß der die Software Lösung eyecon vorgestellt hat.

	''~~Keeping Track – Capturing Position and Motion~~'' ~~ist ein Kurs der verschiedene Methoden beleuchtet um Bewegungen zu verorten. In Kunst~~, ~~Musik~~, ~~Tanz~~, ~~Performance~~, ~~und Unterhaltung wird Tracking eingesetzt. Technologien wie GPS~~, ~~RFID und die Bewegungserkennung per Videobild können Bewegungen unterschiedlicher Größenordnung in Positionsdaten umwandeln~~, welche dann auf Visualisierungen oder Sonifizierungen abgebildet werden. Bewegungsdaten sind Eingabemethode und Instrument. Teil des Kurses war ein mehrtägiger Workshop von Frieder Weiß der die Software Lösung eyecon vorgestellt hat.		''Students:'' [[Ana Alenso]], [[Frederic Seybicke]], [[Gentian Begolli]], [[Gesine Gennrich]], [[Henning Gründl]], [[Jörg Brinkmann]], [[Katre Haav]], [[Laura Fong]], [[Liana Chandra]], [[Marianne Kotulek]], [[Michaela Honauer]], [[Moritz Schell]]<br />
			''Lecturer:'' [[Max Neupert]]
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	== [[GMU:Netze/projekte\|Netze]] ==		== [[GMU:Netze/projekte\|Netze]] ==

Max at 15:18, 17 April 2011

2011-04-17T15:18:52Z

← Older revision		Revision as of 15:18, 17 April 2011
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	== [[GMU:Keeping Track\|Keeping Track – Capturing Position and Motion]] ==		== [[GMU:Keeping Track\|Keeping Track – Capturing Position and Motion]] ==
			[[File:Movementandvoices.jpg\|thumb\|250px\|Keeping Track]]
	was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches including GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.		was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches including GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.

Max at 15:13, 17 April 2011

2011-04-17T15:13:22Z

← Older revision		Revision as of 15:13, 17 April 2011
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	Lecturers: Prof. [[Ursula Damm]], [[Sebastian Hundertmark]], [[Bernhard Hopfengärtner]]		Lecturers: Prof. [[Ursula Damm]], [[Sebastian Hundertmark]], [[Bernhard Hopfengärtner]]
			<br clear="all" />

			== [[GMU:Keeping Track\|Keeping Track – Capturing Position and Motion]] ==
			was a class designed to shine light of different tracking methods and their uses in art, music, dance, performance and entertainment. Different tracking aproaches including GPS and camera tracking harness movement and create positioning data in varying scales which can be mapped to feed visualisation or sonification. Tracking information can serve as interface and instrument. We learned the basic principles of motion detection and capturing and worked with more complex systems. Part of the course was a two day workshop by Frieder Weiß demoing and introducing the software solution eyecon.


	~~<br clear="all" />~~		''Keeping Track – Capturing Position and Motion'' ist ein Kurs der verschiedene Methoden beleuchtet um Bewegungen zu verorten. In Kunst, Musik, Tanz, Performance, und Unterhaltung wird Tracking eingesetzt. Technologien wie GPS, RFID und die Bewegungserkennung per Videobild können Bewegungen unterschiedlicher Größenordnung in Positionsdaten umwandeln, welche dann auf Visualisierungen oder Sonifizierungen abgebildet werden. Bewegungsdaten sind Eingabemethode und Instrument. Teil des Kurses war ein mehrtägiger Workshop von Frieder Weiß der die Software Lösung eyecon vorgestellt hat.

	== [[GMU:Netze/projekte\|Netze]] ==		== [[GMU:Netze/projekte\|Netze]] ==

Max: /* SuperCell */

2011-04-16T02:06:19Z

SuperCell

← Older revision		Revision as of 02:06, 16 April 2011
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	SuperCell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. Our goal is to make possible everyday applications and implications tangible by translating them into products that could fill the supermarket shelfs. Through this we hope to foster a discussion about Synthetic Biology that includes different scientific disciplines as well as the general public.		SuperCell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. Our goal is to make possible everyday applications and implications tangible by translating them into products that could fill the supermarket shelfs. Through this we hope to foster a discussion about Synthetic Biology that includes different scientific disciplines as well as the general public.

	[[GMU:Synthetic Biology]]		[[GMU:Synthetic Biology\|Documentation]]

			Participants: [[Christian Schröder]], [[Matthias Breuer]], [[Frank Christian Kieschnick]], [[Mila Burghardt]], [[Vanessa Walk]], [[Bastian Bügler]], [[Andreas Beyer]], [[Florian Haupt]]

			Lecturers: Prof. [[Ursula Damm]], [[Sebastian Hundertmark]], [[Bernhard Hopfengärtner]]

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Max: /* SuperCell */

2011-04-16T01:58:04Z

SuperCell

← Older revision		Revision as of 01:58, 16 April 2011
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	[[GMU:Synthetic Biology]]		[[GMU:Synthetic Biology]]

			<br clear="all" />

	== [[GMU:Netze/projekte\|Netze]] ==		== [[GMU:Netze/projekte\|Netze]] ==

Max at 01:57, 16 April 2011

2011-04-16T01:57:31Z

← Older revision		Revision as of 01:57, 16 April 2011
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			== [[GMU:Synthetic Biology\|SuperCell]] ==
			[[File:Super-boxen.jpg\|thumb\|250px\|SuperCell]]
			SuperCell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. Our goal is to make possible everyday applications and implications tangible by translating them into products that could fill the supermarket shelfs. Through this we hope to foster a discussion about Synthetic Biology that includes different scientific disciplines as well as the general public.

			[[GMU:Synthetic Biology]]

	== [[GMU:Netze/projekte\|Netze]] ==		== [[GMU:Netze/projekte\|Netze]] ==
	[[File:Haare 01.jpg\|thumb\|250px\|Georgios Koumanidis: ''Mikrographien'']]		[[File:Haare 01.jpg\|thumb\|250px\|Georgios Koumanidis: ''Mikrographien'']]

Max: /* Netze */

2010-11-09T13:58:53Z

Netze

← Older revision		Revision as of 13:58, 9 November 2010
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	Teilnehmer: [[Matthias Breuer]], [[Laura Jozefini]], [[Ana Alenso]], [[Moritz Wehrmann]], [[Sebastian Wolf]], [[Tao Wang]], [[Shuo Liu]], [[Georgios Koumanidis]], [[Xiaomei Wang]], [[Bastian Buegler]], [[Stephen Nolan]], [[Max Albrecht]], [[Patrick Oscity]] und [[Michael Weiß]]		Teilnehmer: [[Matthias Breuer]], [[Laura Jozefini]], [[Ana Alenso]], [[Moritz Wehrmann]], [[Sebastian Wolf]], [[Tao Wang]], [[Shuo Liu]], [[Georgios Koumanidis]], [[Xiaomei Wang]], [[Bastian Buegler]], [[Stephen Nolan]], [[Max Albrecht]], [[Patrick Oscity]] und [[Michael Weiß]]

	''Dozent: Prof. [[Ursula Damm]]''		Dozent: Prof. [[Ursula Damm]]

	== [[GMU:Bild zu Ton, Ton zu Bild/Projekte\|Bild zu Ton, Ton zu Bild]] / [[GMU:Audio+Video\|Audio+Video]] ==		== [[GMU:Bild zu Ton, Ton zu Bild/Projekte\|Bild zu Ton, Ton zu Bild]] / [[GMU:Audio+Video\|Audio+Video]] ==

Max: /* Netze */

2010-11-09T13:58:24Z

Netze

← Older revision		Revision as of 13:58, 9 November 2010
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	Dokumentation der entstandenen Arbeiten		Dokumentation der entstandenen Arbeiten
	* [[GMU:Netze/projekte\|'''Netze''']] (Projekt) Teilnehmer: [[Matthias Breuer]], [[Laura Jozefini]], [[Ana Alenso]], [[Moritz Wehrmann]], [[Sebastian Wolf]], [[Tao Wang]], [[Shuo Liu]], [[Georgios Koumanidis]], [[Xiaomei Wang]], [[Bastian Buegler]], [[Stephen Nolan]], [[Max Albrecht]], [[Patrick Oscity]] und [[Michael Weiß]] ''Dozent: Prof. [[Ursula Damm]]''		[[GMU:Netze/projekte\|'''Netze''']] (Projekt)

			Teilnehmer: [[Matthias Breuer]], [[Laura Jozefini]], [[Ana Alenso]], [[Moritz Wehrmann]], [[Sebastian Wolf]], [[Tao Wang]], [[Shuo Liu]], [[Georgios Koumanidis]], [[Xiaomei Wang]], [[Bastian Buegler]], [[Stephen Nolan]], [[Max Albrecht]], [[Patrick Oscity]] und [[Michael Weiß]]

			''Dozent: Prof. [[Ursula Damm]]''

	== [[GMU:Bild zu Ton, Ton zu Bild/Projekte\|Bild zu Ton, Ton zu Bild]] / [[GMU:Audio+Video\|Audio+Video]] ==		== [[GMU:Bild zu Ton, Ton zu Bild/Projekte\|Bild zu Ton, Ton zu Bild]] / [[GMU:Audio+Video\|Audio+Video]] ==