GMU:The Weird/Joel - Revision history

Jo El at 01:58, 28 November 2019

2019-11-28T01:58:52Z

← Older revision		Revision as of 01:58, 28 November 2019
Line 5:		Line 5:


	"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. ~~The idea of the vr experience is to beam the viewer in~~ a future ~~time where mind~~ modulation experiences are a common entertainment thing for ~~many~~ people~~. It's just the basic idea of the background story, but this "reality" background isn't been really important~~ in ~~the scene~~. ~~Because the~~ viewer starts ~~already~~ inside such a simulation, but it hasn't really started yet. He appears in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.		"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. In a far away future, the so called "Mind modulation experiences" are a common entertainment thing for lots of people in those days. The viewer starts inside such a simulation, but it hasn't really started yet. He appears in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.
	After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the ~~person~~ in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.		After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the viewer in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.
	The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".		The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".

Jo El at 01:49, 28 November 2019

2019-11-28T01:49:51Z

← Older revision		Revision as of 01:49, 28 November 2019
Line 5:		Line 5:


	"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences ~~(so called "digital trips")~~ are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been ~~showed or~~ really important in the scene. Because the viewer starts already inside such a simulation~~/trip~~, in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.		"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been really important in the scene. Because the viewer starts already inside such a simulation, but it hasn't really started yet. He appears in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.
	After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the person in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.		After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the person in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.
	The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".		The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".

Jo El: /* Models/Objects/Environment */

2019-10-17T21:53:18Z

Models/Objects/Environment

← Older revision		Revision as of 21:53, 17 October 2019
Line 59:		Line 59:
	== '''Models/Objects/Environment''' ==		== '''Models/Objects/Environment''' ==

	[[File:initcenter.PNG\|~~400px~~]]		[[File:initcenter.PNG\|800px]]

	[[File:tunnelvortex.PNG\|~~400px~~]]		[[File:tunnelvortex.PNG\|800px]]

	[[File:core.PNG\|~~400px~~]]		[[File:core.PNG\|800px]]

	[[File:tree.PNG\|~~400px~~]]		[[File:tree.PNG\|800px]]

	[[File:world.PNG\|~~400px~~]]		[[File:world.PNG\|800px]]

	[[File:sunthing.PNG\|~~400px~~]]		[[File:sunthing.PNG\|800px]]

	[[File:tentacles.PNG\|~~400px~~]]		[[File:tentacles.PNG\|800px]]

	[[File:relicts.PNG\|~~400px~~]]		[[File:relicts.PNG\|800px]]

	[[File:alien1.PNG\|800px]]		[[File:alien1.PNG\|800px]]

	[[File:alien2.PNG\|800px]]		[[File:alien2.PNG\|800px]]

Jo El: /* Models/Objects/Environment */

2019-10-17T21:52:07Z

Models/Objects/Environment

← Older revision		Revision as of 21:52, 17 October 2019
Line 75:		Line 75:
	[[File:relicts.PNG\|400px]]		[[File:relicts.PNG\|400px]]

	[[File:alien1.PNG\|~~400px~~]]		[[File:alien1.PNG\|800px]]

	[[File:alien2.PNG\|~~400px~~]]		[[File:alien2.PNG\|800px]]

Jo El: /* Cyberdelic Escapism in Space */

2019-10-17T21:51:45Z

Cyberdelic Escapism in Space

← Older revision		Revision as of 21:51, 17 October 2019
Line 5:		Line 5:


	"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences (so called "digital trips") are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been showed or really important in the scene. Because the viewer starts already inside ~~this~~ simulation, in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.		"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences (so called "digital trips") are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been showed or really important in the scene. Because the viewer starts already inside such a simulation/trip, in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.
	After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the person in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.		After a short break of this instruction and look-around time the "init. process" starts. I implemented a kind of tunnel-vortex, in which the viewer got pulled into. Starting slow, getting faster. At the end of the tunnel is an dome-like room, in which the viewer starts to rotate. Again the movement getting more and more fast. Parallel are some flashing red lights and an distorted, robotic voice telling and showing that there are some serious errors in the process of initialization. So from the start of the tunnel until the point when the viewer leaves the dome, i build up an more or less exponential klimax of the atmosphere. Machine sounds getting louder and faster, same happens with the movement of the camera rig. When the klimax is coming near to the peak there are happening some camera glitches which should represent the errors which the simulation system got when modulating or manupulating the visual cortex of the person in this scene. Afterwards this "Upload Scene" is done. Then the real simulation starts. I implemented a scene switch here because both scenes in one would have been maybe too big i guess.
	The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".		The real simulation plays, like the name says, in space. I tried to create the feeling of being in an living environment. The environment itself is a dark, mystical until psychedelic kind of small planet system in which u fly around unfreely. So the whole experience of this scene is also like the introduction scene bounded to an linear timeline. So it's more like a movie then a game, thats why i talk the whole time about a "viewer" instead of a "player".
Line 31:		Line 31:
	-the tentacles keep on growing out of the planet, but also the planet itself is moving slowly upwards (together with the viewer)		-the tentacles keep on growing out of the planet, but also the planet itself is moving slowly upwards (together with the viewer)

	-some trailed ~~particles~~ systems appear and grow in random directions		-some trailed particle systems appear and grow in random directions

	-coming close to the upper environment		-coming close to the upper environment
Line 55:		Line 55:


	Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog ~~modular-~~synthesizers. The final editing and mixing of sounds ~~i did~~ in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature.		Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog synthesizers. The final editing and mixing of sounds happened in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature.

	== '''Models/Objects/Environment''' ==		== '''Models/Objects/Environment''' ==

Jo El: /* Cyberdelic Escapism in Space */

2019-09-30T20:45:14Z

Cyberdelic Escapism in Space

← Older revision		Revision as of 20:45, 30 September 2019
Line 1:		Line 1:
	== Cyberdelic Escapism in Space ==		== Cyberdelic Escapism in Space ==

	{{#ev:youtube\|BteXb7vpzZ4\|560\|left~~\|frame~~}}		{{#ev:youtube\|BteXb7vpzZ4\|560\|left}}
	<br clear="all">		<br clear="all">

Jo El: /* Cyberdelic Escapism in Space */

2019-09-30T20:45:02Z

Cyberdelic Escapism in Space

← Older revision		Revision as of 20:45, 30 September 2019
Line 1:		Line 1:
	== Cyberdelic Escapism in Space ==		== Cyberdelic Escapism in Space ==

	{{#ev:youtube\|BteXb7vpzZ4\|560\|left~~\|Record~~\|frame}}		{{#ev:youtube\|BteXb7vpzZ4\|560\|left\|frame}}
	<br clear="all">		<br clear="all">

Jo El: /* Cyberdelic Escapism in Space */

2019-09-30T20:43:16Z

Cyberdelic Escapism in Space

← Older revision		Revision as of 20:43, 30 September 2019
Line 1:		Line 1:
	== Cyberdelic Escapism in Space ==		== Cyberdelic Escapism in Space ==

	{{#ev:youtube\|BteXb7vpzZ4\|560\|left\|~~glitches and harmonics~~\|frame}}		{{#ev:youtube\|BteXb7vpzZ4\|560\|left\|Record\|frame}}
	<br clear="all">		<br clear="all">

	~~https://www.youtube.com/watch?v=PECjTK3wTEk~~

	~~https://www.youtube.com/watch?v=BteXb7vpzZ4&feature=youtu.be~~

	"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences (so called "digital trips") are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been showed or really important in the scene. Because the viewer starts already inside this simulation, in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.		"Cyberdelic Escapism in Space" plays in a surreal and futuristic environment. The idea of the vr experience is to beam the viewer in a future time where mind modulation experiences (so called "digital trips") are a common entertainment thing for many people. It's just the basic idea of the background story, but this "reality" background isn't been showed or really important in the scene. Because the viewer starts already inside this simulation, in the so called "initialization center". There he get some instructions and, for sure, advertisement from an generic voice.

Jo El: /* Cyberdelic Escapism in Space */

2019-09-30T20:42:36Z

Cyberdelic Escapism in Space

← Older revision		Revision as of 20:42, 30 September 2019
Line 1:		Line 1:
	== Cyberdelic Escapism in Space ==		== Cyberdelic Escapism in Space ==

			{{#ev:youtube\|BteXb7vpzZ4\|560\|left\|glitches and harmonics\|frame}}
			<br clear="all">

			https://www.youtube.com/watch?v=PECjTK3wTEk

	https://www.youtube.com/watch?v=BteXb7vpzZ4&feature=youtu.be		https://www.youtube.com/watch?v=BteXb7vpzZ4&feature=youtu.be
Line 53:		Line 58:


	Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog modular-synthesizers. The final editing and mixing of sounds i did in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature.		Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog modular-synthesizers. The final editing and mixing of sounds i did in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature.

	== '''Models/Objects/Environment''' ==		== '''Models/Objects/Environment''' ==

Jo El at 13:20, 26 September 2019

2019-09-26T13:20:01Z

← Older revision		Revision as of 13:20, 26 September 2019
Line 53:		Line 53:


	Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog modular-synthesizers. The final editing and mixing of sounds i did in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature~~. The space skybox i found in the unity asset store~~.		Below follows a little picture series of some objects from the scene(s). I made all 3D objects that can be seen in the scene in Blender (2.79). For texturing, bump mapping, emission texturing and so on i used some textures from the Unity Standard Assets Pack, but most of them i painted myself in Blender (2.8). The mechanic voices are made with a vst which emulates the old SAM algorithm, known from the commodore 64 and with an online text-to-speech generator. All other sounds in the scenes were made with different digital and analog modular-synthesizers. The final editing and mixing of sounds i did in Ableton 10. The final arrangement of the sounds (and animations) i did with the Unity Timeline feature.

	== '''Models/Objects/Environment''' ==		== '''Models/Objects/Environment''' ==
Line 76:		Line 76:

	[[File:alien2.PNG\|400px]]		[[File:alien2.PNG\|400px]]



	~~Reflection:~~
	~~As this is my first vr scene with unity im pretty happy with the final result.~~

← Older revision		Revision as of 21:53, 17 October 2019
Line 59:		Line 59:
	== '''Models/Objects/Environment''' ==		== '''Models/Objects/Environment''' ==

	[[File:initcenter.PNG\|~~400px~~]]		[[File:initcenter.PNG\|800px]]

	[[File:tunnelvortex.PNG\|~~400px~~]]		[[File:tunnelvortex.PNG\|800px]]

	[[File:core.PNG\|~~400px~~]]		[[File:core.PNG\|800px]]

	[[File:tree.PNG\|~~400px~~]]		[[File:tree.PNG\|800px]]

	[[File:world.PNG\|~~400px~~]]		[[File:world.PNG\|800px]]

	[[File:sunthing.PNG\|~~400px~~]]		[[File:sunthing.PNG\|800px]]

	[[File:tentacles.PNG\|~~400px~~]]		[[File:tentacles.PNG\|800px]]

	[[File:relicts.PNG\|~~400px~~]]		[[File:relicts.PNG\|800px]]

	[[File:alien1.PNG\|800px]]		[[File:alien1.PNG\|800px]]

	[[File:alien2.PNG\|800px]]		[[File:alien2.PNG\|800px]]

← Older revision		Revision as of 21:52, 17 October 2019
Line 75:		Line 75:
	[[File:relicts.PNG\|400px]]		[[File:relicts.PNG\|400px]]

	[[File:alien1.PNG\|~~400px~~]]		[[File:alien1.PNG\|800px]]

	[[File:alien2.PNG\|~~400px~~]]		[[File:alien2.PNG\|800px]]