GMU:Provokative Architektur/Yuqiong, Yun - Revision history

Hyuqiong: /* no title */

2013-01-30T09:43:59Z

no title

← Older revision		Revision as of 09:43, 30 January 2013
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	==~~no title~~==		==untitled==
	===Yuqiong Huang, Yun Wang===		===Yuqiong Huang, Yun Wang===

Hyuqiong: /* no title */

2013-01-29T17:32:23Z

no title

← Older revision		Revision as of 17:32, 29 January 2013
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	====conception====		====conception====

	The project we are working on, which still remains ~~no title~~, is an interactive installation that ~~trying to provide~~ a certain atmosphere of the city Beijing in ~~it's~~ 1980s.		The project we are working on, which still remains untitled, is an interactive installation that imitates a certain atmosphere unique to the city of Beijing in the 1980s.

	During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price ~~somehow~~ you have to pay for ~~development~~. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, ~~form~~ which creates huge gaps in ~~sociality~~. The ~~lost~~ is not only about the ~~vanish of~~ old houses, but also the on-longer-existence of a clustered life style, which we used to valued ~~very much~~, ~~and relay very much on~~ the ~~old architectural syle~~.		During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price you have to pay for new developments. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, from which creates huge gaps in society. The loss is not only about the vanishing old houses, but also the no-longer-existence of a clustered life style. The definition of a family enclosed within the walls of the old-style family houses, which we used to valued a lot, changes along with the modifications of the new architecture style.

	In this work we ~~trying~~ to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.		In this work we try to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.


	====description====		====description====

	The installation is an attempt ~~of rebuilding~~ an old style living place. It uses several still objects for metaphorizing six independent but adjacent spaces.<br>		The installation is an attempt to rebuild an old style living place. It uses several still objects for metaphorizing six independent, but adjacent spaces.<br>
	Those objects, which could be a reflection of the old time, are forsaken memory keepers . They are silent, unless being touched will they start to mutter. ~~Since they murmur in a whispering way~~, participants need to pick them up and get close enough to listen as well as to feel the texture of those daily clips.		Those objects, which could be a reflection of the old time, are forsaken memory keepers. They are silent, unless being touched will they start to mutter. In their whisper, participants need to pick them up and get close enough to listen, as well as to feel the texture of those daily clips.

	The work functions as a ~~serious~~ of living ~~organism~~ with or without the presence and interactions of spectators. <br>		The work functions as a series of living organisms with or without the presence and interactions of spectators. <br>
	When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>		When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>
	And when participants penetrate into the work space and interact with the objects (by using a megnet), a reallife context will be substantialized by sound which comes from the hand-made coils attach to the objects.		And when participants penetrate into the work space and interact with the objects (by using a megnet), a reallife context will be substantialized by sound which comes from the hand-made coils attach to the objects.

Hyuqiong: /* description */

2013-01-28T16:40:55Z

description

← Older revision		Revision as of 16:40, 28 January 2013
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	The work functions as a serious of living organism with or without the presence and interactions of spectators. <br>		The work functions as a serious of living organism with or without the presence and interactions of spectators. <br>
	When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>		When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>
	And when participants penetrate into the work space and interact with the objects, a reallife context will be substantialized by sound.		And when participants penetrate into the work space and interact with the objects (by using a megnet), a reallife context will be substantialized by sound which comes from the hand-made coils attach to the objects.

Hyuqiong: /* no title */

2013-01-28T13:33:25Z

no title

← Older revision		Revision as of 13:33, 28 January 2013
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	==no title==		==no title==
	===Yuqiong Huang, Yun Wang===		===Yuqiong Huang, Yun Wang===


	====conception====		====conception====

Hyuqiong: /* no title */

2013-01-28T13:33:15Z

no title

← Older revision		Revision as of 13:33, 28 January 2013
Line 9:		Line 9:

	In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.		In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.


	====description====		====description====
Line 18:		Line 19:
	When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>		When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br>
	And when participants penetrate into the work space and interact with the objects, a reallife context will be substantialized by sound.		And when participants penetrate into the work space and interact with the objects, a reallife context will be substantialized by sound.


	[[File:stillnotitle_cover.jpg\|600px]]		[[File:stillnotitle_cover.jpg\|600px]]

Hyuqiong: /* description */

2013-01-28T13:31:50Z

description

← Older revision		Revision as of 13:31, 28 January 2013
Line 12:		Line 12:
	====description====		====description====

	The installation uses several still objects for metaphorizing six independent but adjacent spaces.<br>		The installation is an attempt of rebuilding an old style living place. It uses several still objects for metaphorizing six independent but adjacent spaces.<br>
	Those objects, which could be a reflection of the old time, are forsaken memory keepers . They are silent, unless being touched will they start to mutter. Since they murmur in a whispering way, participants need to pick them up and get close enough to listen as well as to feel the texture of those daily clips.		Those objects, which could be a reflection of the old time, are forsaken memory keepers . They are silent, unless being touched will they start to mutter. Since they murmur in a whispering way, participants need to pick them up and get close enough to listen as well as to feel the texture of those daily clips.

Hyuqiong: /* conception */

2013-01-28T13:30:38Z

conception

← Older revision		Revision as of 13:30, 28 January 2013
Line 8:		Line 8:
	During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.		During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.

	In this work we trying to evocate such old time ~~with rebuilding an old style living place~~, in the capacity of the last generation who witness the replacement of two eras.		In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.

	====description====		====description====

Hyuqiong: /* conception */

2013-01-28T13:30:04Z

conception

← Older revision		Revision as of 13:30, 28 January 2013
Line 8:		Line 8:
	During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.		During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.

	In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.		In this work we trying to evocate such old time with rebuilding an old style living place, in the capacity of the last generation who witness the replacement of two eras.

	====description====		====description====

Hyuqiong: /* conception */

2013-01-28T13:28:17Z

conception

← Older revision		Revision as of 13:28, 28 January 2013
Line 6:		Line 6:
	The project we are working on, which still remains no title, is an interactive installation that trying to provide a certain atmosphere of the city Beijing in it's 1980s.		The project we are working on, which still remains no title, is an interactive installation that trying to provide a certain atmosphere of the city Beijing in it's 1980s.

	During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. ~~The~~ result is, residents or aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.		During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. However, as a result, residents and aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.

	In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.		In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.

Hyuqiong: /* conception */

2013-01-28T13:27:14Z

conception

← Older revision		Revision as of 13:27, 28 January 2013
Line 6:		Line 6:
	The project we are working on, which still remains no title, is an interactive installation that trying to provide a certain atmosphere of the city Beijing in it's 1980s.		The project we are working on, which still remains no title, is an interactive installation that trying to provide a certain atmosphere of the city Beijing in it's 1980s.

	During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It ~~seem~~ like the price somehow you have to pay for development. The result is, residents or aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.		During the process of modernization and urbanization, old architectural styles are being replaced by apartment buildings and skyscrapers. It seems like the price somehow you have to pay for development. The result is, residents or aboriginal inhabitants are forced to be spectators of reforms, form which creates huge gaps in sociality. The lost is not only about the vanish of old houses, but also the on-longer-existence of a clustered life style, which we used to valued very much, and relay very much on the old architectural syle.

	In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.		In this work we trying to evocate such old time, in the capacity of the last generation who witness the replacement of two eras.