https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?action=history&feed=atom&title=GMU%3AProvokative_Architektur%2FJeremy
GMU:Provokative Architektur/Jeremy - Revision history
2026-04-17T06:43:44Z
Revision history for this page on the wiki
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https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=53995&oldid=prev
Coci5624 at 14:43, 21 February 2013
2013-02-21T14:43:52Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:43, 21 February 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My art practice looks to explore ideas of representation using strategies of re-examining and appropriation. To this end I make use of a variety of different media including sculpture, photography, and publishing, often working towards an analogue feel and incorporating subtle aesthetics. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My art practice looks to explore ideas of representation using strategies of re-examining and appropriation. To this end I make use of a variety of different media including sculpture, photography, and publishing, often working towards an analogue feel and incorporating subtle aesthetics. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>With this particular project I'm interested in exploring ideas surrounding the representation of cultural and historic value; including the nature of this 'value' and the dynamics of borrowing and appropriation that surround it<del style="font-weight: bold; text-decoration: none;">. My project takes the faces and names of canonical German cultural figures and looks to use not only their forms, but also their legacies and associations as my working materials</del>. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>With this particular project I'm interested in exploring ideas surrounding the representation of cultural and historic value; including the nature of this 'value' and the dynamics of borrowing and appropriation that surround it. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The </del>'collection' takes form as a series of objects made from plaster, clay and paper<del style="font-weight: bold; text-decoration: none;">. The objects include </del>miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. <del style="font-weight: bold; text-decoration: none;">Including </del>figures such as Goethe and Liszt, the collection invokes a significance particular to the locality of Weimar, and yet it could be taken anywhere and displayed as the spoils or curiosities of another place. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">My project takes the faces and names of canonical German cultural figures and looks to use not only their forms, but also their legacies and associations as my working materials. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Together, this </ins>'collection' takes form as a series of objects made from plaster, clay and paper<ins style="font-weight: bold; text-decoration: none;">; including </ins>miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. <ins style="font-weight: bold; text-decoration: none;">With </ins>figures such as Goethe and Liszt, the collection invokes a significance particular to the locality of Weimar <ins style="font-weight: bold; text-decoration: none;">or Germany more widely</ins>, and yet it could be taken anywhere and displayed as the spoils or curiosities of another place. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice. With no interest in fabricating or fostering a narrative, the objects remain honest to an abject sense of irony that also seeks to remain earnest.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice. With no interest in fabricating or fostering a narrative, the objects remain honest to an abject sense of irony that also seeks to remain earnest.</div></td></tr>
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Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=53992&oldid=prev
Coci5624 at 14:40, 21 February 2013
2013-02-21T14:40:08Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:40, 21 February 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Masks2.jpg]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Masks2.jpg]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>untitled, a collection of objects, (working title)</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>untitled, <ins style="font-weight: bold; text-decoration: none;">(</ins>a collection of objects<ins style="font-weight: bold; text-decoration: none;">)</ins>, (working title)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>My <del style="font-weight: bold; text-decoration: none;">work </del>looks to explore ideas <del style="font-weight: bold; text-decoration: none;">surrounding cultural </del>and <del style="font-weight: bold; text-decoration: none;">historic value and dynamics</del>. <del style="font-weight: bold; text-decoration: none;">The construction </del>of <del style="font-weight: bold; text-decoration: none;">identity, place, politics and economy are implicated</del>, <del style="font-weight: bold; text-decoration: none;">as are references to museology</del>, <del style="font-weight: bold; text-decoration: none;">the Romantic </del>and <del style="font-weight: bold; text-decoration: none;">Classical periods</del>, and <del style="font-weight: bold; text-decoration: none;">contemporary art practice</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>My <ins style="font-weight: bold; text-decoration: none;">art practice </ins>looks to explore ideas <ins style="font-weight: bold; text-decoration: none;">of representation using strategies of re-examining </ins>and <ins style="font-weight: bold; text-decoration: none;">appropriation</ins>. <ins style="font-weight: bold; text-decoration: none;">To this end I make use of a variety </ins>of <ins style="font-weight: bold; text-decoration: none;">different media including sculpture</ins>, <ins style="font-weight: bold; text-decoration: none;">photography</ins>, and <ins style="font-weight: bold; text-decoration: none;">publishing</ins>, <ins style="font-weight: bold; text-decoration: none;">often working towards an analogue feel </ins>and <ins style="font-weight: bold; text-decoration: none;">incorporating subtle aesthetics</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The collection takes form as a series </del>of <del style="font-weight: bold; text-decoration: none;">objects made from plaster, paper, </del>and <del style="font-weight: bold; text-decoration: none;">wax</del>. <del style="font-weight: bold; text-decoration: none;">The objects include miniature masks taken from statuettes </del>of German cultural figures, as <del style="font-weight: bold; text-decoration: none;">well as traces of other common items and imagery</del>. <del style="font-weight: bold; text-decoration: none;"> </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">With this particular project I'm interested in exploring ideas surrounding the representation of cultural and historic value; including the nature of this 'value' and the dynamics </ins>of <ins style="font-weight: bold; text-decoration: none;">borrowing </ins>and <ins style="font-weight: bold; text-decoration: none;">appropriation that surround it</ins>. <ins style="font-weight: bold; text-decoration: none;">My project takes the faces and names </ins>of <ins style="font-weight: bold; text-decoration: none;">canonical </ins>German cultural figures <ins style="font-weight: bold; text-decoration: none;">and looks to use not only their forms</ins>, <ins style="font-weight: bold; text-decoration: none;">but also their legacies and associations </ins>as <ins style="font-weight: bold; text-decoration: none;">my working materials</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">At once</del>, the <del style="font-weight: bold; text-decoration: none;">objects invoke </del>a significance particular to the locality of Weimar, and yet <del style="font-weight: bold; text-decoration: none;">they </del>could be taken anywhere and displayed as the spoils or curiosities of another place. <del style="font-weight: bold; text-decoration: none;">Not being interested </del>in fabricating or fostering a narrative, the objects remain honest to an abject sense of irony.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The 'collection' takes form as a series of objects made from plaster, clay and paper. The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. Including figures such as Goethe and Liszt</ins>, the <ins style="font-weight: bold; text-decoration: none;">collection invokes </ins>a significance particular to the locality of Weimar, and yet <ins style="font-weight: bold; text-decoration: none;">it </ins>could be taken anywhere and displayed as the spoils or curiosities of another place. </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice. With no interest </ins>in fabricating or fostering a narrative, the objects remain honest to an abject sense of irony <ins style="font-weight: bold; text-decoration: none;">that also seeks to remain earnest</ins>.</div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=53948&oldid=prev
Coci5624 at 19:19, 18 February 2013
2013-02-18T19:19:20Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:19, 18 February 2013</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:<del style="font-weight: bold; text-decoration: none;">Der-wanderer-ueber-dem-nebelmeer</del>.jpg]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:<ins style="font-weight: bold; text-decoration: none;">Masks2</ins>.jpg]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">''Der Wanderer über dem Nebelmeer'' </del>(<del style="font-weight: bold; text-decoration: none;">Wanderer Above the Mist</del>) <del style="font-weight: bold; text-decoration: none;">by Caspar David Friedrich, 1818.</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">untitled, a collection of objects, </ins>(<ins style="font-weight: bold; text-decoration: none;">working title</ins>)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">untitled (a collection </del>of <del style="font-weight: bold; text-decoration: none;">objects)</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">My work looks to explore ideas surrounding cultural and historic value and dynamics. The construction </ins>of <ins style="font-weight: bold; text-decoration: none;">identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">My work looks to explore ideas surrounding cultural and historic value. </del>The <del style="font-weight: bold; text-decoration: none;">construction </del>of <del style="font-weight: bold; text-decoration: none;">identity</del>, <del style="font-weight: bold; text-decoration: none;">place</del>, <del style="font-weight: bold; text-decoration: none;">politics </del>and <del style="font-weight: bold; text-decoration: none;">economy are implicated</del>, as <del style="font-weight: bold; text-decoration: none;">are references to museology, the Romantic and Classical periods, </del>and <del style="font-weight: bold; text-decoration: none;">contemporary art practice</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The <ins style="font-weight: bold; text-decoration: none;">collection takes form as a series </ins>of <ins style="font-weight: bold; text-decoration: none;">objects made from plaster</ins>, <ins style="font-weight: bold; text-decoration: none;">paper</ins>, and <ins style="font-weight: bold; text-decoration: none;">wax. The objects include miniature masks taken from statuettes of German cultural figures</ins>, as <ins style="font-weight: bold; text-decoration: none;">well as traces of other common items </ins>and <ins style="font-weight: bold; text-decoration: none;">imagery</ins>. <ins style="font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The collection takes form as a series of objects made from plaster, paper, and wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At once, the objects invoke a significance particular to the locality of Weimar, and yet they could be taken anywhere and displayed as the spoils or curiosities of another place. Not being interested in fabricating or fostering a narrative, the objects remain honest to an abject sense of irony.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At once, the objects invoke a significance particular to <del style="font-weight: bold; text-decoration: none;">central Germany and </del>the locality of Weimar, and yet they could be taken anywhere and displayed as the spoils or curiosities of another place. Not being interested in fabricating or fostering a narrative, the objects <del style="font-weight: bold; text-decoration: none;">instead </del>remain honest to an abject sense of irony.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[File:Jeremy.pdf]]</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52485&oldid=prev
Coci5624 at 16:34, 29 January 2013
2013-01-29T16:34:09Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:34, 29 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">My work, an </del>untitled collection of objects<del style="font-weight: bold; text-decoration: none;">, </del>looks to explore ideas surrounding cultural and historic value. The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>untitled <ins style="font-weight: bold; text-decoration: none;">(a </ins>collection of objects<ins style="font-weight: bold; text-decoration: none;">)</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">My work </ins>looks to explore ideas surrounding cultural and historic value. The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of objects made from plaster, paper, and wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of objects made from plaster, paper, and wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. </div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52290&oldid=prev
Coci5624 at 19:52, 28 January 2013
2013-01-28T19:52:45Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:52, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8">Line 8:</td>
<td colspan="2" class="diff-lineno">Line 8:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At once, the objects invoke a significance particular to central Germany and the locality of Weimar, and yet they could be taken anywhere and displayed as the spoils or curiosities of another place. Not being interested in fabricating or fostering a narrative, the objects instead remain honest to an abject sense of irony.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At once, the objects invoke a significance particular to central Germany and the locality of Weimar, and yet they could be taken anywhere and displayed as the spoils or curiosities of another place. Not being interested in fabricating or fostering a narrative, the objects instead remain honest to an abject sense of irony.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[File:Jeremy.pdf]]</ins></div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52286&oldid=prev
Coci5624 at 19:39, 28 January 2013
2013-01-28T19:39:52Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:39, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of objects made from plaster, paper, and wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of objects made from plaster, paper, and wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and imagery. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At once, <del style="font-weight: bold; text-decoration: none;">these </del>objects <del style="font-weight: bold; text-decoration: none;">are significant </del>to central Germany and the locality of Weimar, and yet they <del style="font-weight: bold; text-decoration: none;">speak more widely to a negotiation of </del>the <del style="font-weight: bold; text-decoration: none;">dynamics </del>of <del style="font-weight: bold; text-decoration: none;">culture and history</del>. <del style="font-weight: bold; text-decoration: none;">The collection does not seek to fabricate </del>or <del style="font-weight: bold; text-decoration: none;">foster </del>a narrative, instead <del style="font-weight: bold; text-decoration: none;">remaining </del>honest to <del style="font-weight: bold; text-decoration: none;">the </del>abject sense of irony <del style="font-weight: bold; text-decoration: none;">it puts forward</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At once, <ins style="font-weight: bold; text-decoration: none;">the </ins>objects <ins style="font-weight: bold; text-decoration: none;">invoke a significance particular </ins>to central Germany and the locality of Weimar, and yet they <ins style="font-weight: bold; text-decoration: none;">could be taken anywhere and displayed as </ins>the <ins style="font-weight: bold; text-decoration: none;">spoils or curiosities </ins>of <ins style="font-weight: bold; text-decoration: none;">another place</ins>. <ins style="font-weight: bold; text-decoration: none;">Not being interested in fabricating </ins>or <ins style="font-weight: bold; text-decoration: none;">fostering </ins>a narrative, <ins style="font-weight: bold; text-decoration: none;">the objects </ins>instead <ins style="font-weight: bold; text-decoration: none;">remain </ins>honest to <ins style="font-weight: bold; text-decoration: none;">an </ins>abject sense of irony.</div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52264&oldid=prev
Coci5624 at 19:19, 28 January 2013
2013-01-28T19:19:01Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:19, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Der-wanderer-ueber-dem-nebelmeer.jpg]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Der-wanderer-ueber-dem-nebelmeer.jpg]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. <del style="font-weight: bold; text-decoration: none;">Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of Young Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historic value. The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historic value. The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52247&oldid=prev
Coci5624 at 19:09, 28 January 2013
2013-01-28T19:09:26Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:09, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of Young Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of Young Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and <del style="font-weight: bold; text-decoration: none;">historical </del>value. <del style="font-weight: bold; text-decoration: none;">I'm interested in objects and other forms of representation that appropriate cultural value as simply another material:</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and <ins style="font-weight: bold; text-decoration: none;">historic </ins>value. The construction of identity, place, politics and economy are implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The construction of identity, place, politics and economy are <del style="font-weight: bold; text-decoration: none;">naturally </del>implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of <del style="font-weight: bold; text-decoration: none;">small </del>objects made from plaster<del style="font-weight: bold; text-decoration: none;">-of-Paris</del>, paper, wax, and voice recordings (audible through headphones). The objects include <del style="font-weight: bold; text-decoration: none;">a number of </del>miniature masks taken from statuettes of <del style="font-weight: bold; text-decoration: none;">canonical </del>German cultural figures, as well as traces of other common items and <del style="font-weight: bold; text-decoration: none;">an image-based exploration of representations of exotic wildlife from the GDR</del>. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The collection takes form as a series of objects made from plaster, paper, <ins style="font-weight: bold; text-decoration: none;">and </ins>wax, and voice recordings (audible through headphones). The objects include miniature masks taken from statuettes of German cultural figures, as well as traces of other common items and <ins style="font-weight: bold; text-decoration: none;">imagery</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At once these objects are <del style="font-weight: bold; text-decoration: none;">particularly </del>significant to central Germany <del style="font-weight: bold; text-decoration: none;">because </del>of <del style="font-weight: bold; text-decoration: none;">the cummulative dialogue they foster</del>, and yet they <del style="font-weight: bold; text-decoration: none;">remain poignant </del>more widely <del style="font-weight: bold; text-decoration: none;">as part </del>of <del style="font-weight: bold; text-decoration: none;">an ongoing negotiation with </del>the dynamics of culture and history <del style="font-weight: bold; text-decoration: none;">and our relationship to them</del>. The collection does not seek to fabricate or foster a narrative, instead remaining honest to the abject sense of irony it puts forward.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At once<ins style="font-weight: bold; text-decoration: none;">, </ins>these objects are significant to central Germany <ins style="font-weight: bold; text-decoration: none;">and the locality </ins>of <ins style="font-weight: bold; text-decoration: none;">Weimar</ins>, and yet they <ins style="font-weight: bold; text-decoration: none;">speak </ins>more widely <ins style="font-weight: bold; text-decoration: none;">to a negotiation </ins>of the dynamics of culture and history. The collection does not seek to fabricate or foster a narrative, instead remaining honest to the abject sense of irony it puts forward.</div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52170&oldid=prev
Coci5624 at 16:29, 28 January 2013
2013-01-28T16:29:08Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:29, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of Young Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of Young Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historical value. I <del style="font-weight: bold; text-decoration: none;">am </del>interested in objects and other forms of representation that appropriate <del style="font-weight: bold; text-decoration: none;">ideas of </del>value as simply another material<del style="font-weight: bold; text-decoration: none;">. </del>The construction of identity, place, politics and economy are naturally implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historical value. I<ins style="font-weight: bold; text-decoration: none;">'m </ins>interested in objects and other forms of representation that appropriate <ins style="font-weight: bold; text-decoration: none;">cultural </ins>value as simply another material<ins style="font-weight: bold; text-decoration: none;">:</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The construction of identity, place, politics and economy are naturally implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">This </del>collection takes form as a series of small objects made from plaster-of-Paris, paper, wax, and voice recordings audible through <del style="font-weight: bold; text-decoration: none;">a single pair of </del>headphones. The objects include a number of miniature masks taken from statuettes of canonical German cultural figures, as well as <del style="font-weight: bold; text-decoration: none;"> </del>traces of other common items and an image-based exploration of representations of exotic wildlife from the GDR. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The </ins>collection takes form as a series of small objects made from plaster-of-Paris, paper, wax, and voice recordings <ins style="font-weight: bold; text-decoration: none;">(</ins>audible through headphones<ins style="font-weight: bold; text-decoration: none;">)</ins>. The objects include a number of miniature masks taken from statuettes of canonical German cultural figures, as well as traces of other common items and an image-based exploration of representations of exotic wildlife from the GDR. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At once these objects are particularly significant to central Germany because of the cummulative dialogue they foster, and yet they remain poignant more widely as part of an ongoing negotiation with the dynamics of culture and history and our relationship to <del style="font-weight: bold; text-decoration: none;">it</del>. The collection does not seek to fabricate or foster a narrative, instead remaining honest to the abject sense of irony it puts forward.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At once these objects are particularly significant to central Germany because of the cummulative dialogue they foster, and yet they remain poignant more widely as part of an ongoing negotiation with the dynamics of culture and history and our relationship to <ins style="font-weight: bold; text-decoration: none;">them</ins>. The collection does not seek to fabricate or foster a narrative, instead remaining honest to the abject sense of irony it puts forward.</div></td></tr>
</table>
Coci5624
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Provokative_Architektur/Jeremy&diff=52029&oldid=prev
Coci5624 at 12:19, 28 January 2013
2013-01-28T12:19:17Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:19, 28 January 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Der-wanderer-ueber-dem-nebelmeer.jpg]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Der-wanderer-ueber-dem-nebelmeer.jpg]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of <del style="font-weight: bold; text-decoration: none;">Youg </del>Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Der Wanderer über dem Nebelmeer'' (Wanderer Above the Mist) by Caspar David Friedrich, 1818. Cover image from the 1902 English-language edition of Goethe's ''The Sorrows of <ins style="font-weight: bold; text-decoration: none;">Young </ins>Werther'', translated by R.D. Boylan, Edited by Nathen Haskell Dole</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historical value. I am interested in objects and other forms of representation that appropriate ideas of value as simply another material. The construction of identity, place, politics and economy are naturally implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>My work, an untitled collection of objects, looks to explore ideas surrounding cultural and historical value. I am interested in objects and other forms of representation that appropriate ideas of value as simply another material. The construction of identity, place, politics and economy are naturally implicated, as are references to museology, the Romantic and Classical periods, and contemporary art practice.</div></td></tr>
</table>
Coci5624