GMU:Performance Platform Introduction/Etienne Colin - Revision history

Tiji3841 at 10:46, 14 February 2019

2019-02-14T10:46:08Z

← Older revision		Revision as of 10:46, 14 February 2019
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	My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).		My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).

	The Performance Platform of the Bauhaus University was for me a great opportunity to discover new working methods in immersive and interactive Medias. I ~~Had~~ the opportunity to be initiated to Max, Pure Data and OSC.		The Performance Platform of the Bauhaus University was for me a great opportunity to discover new working methods in immersive and interactive Medias. I had the opportunity to be initiated to Max, Pure Data and OSC data.

	I was eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.		I was eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.

Tiji3841 at 10:43, 14 February 2019

2019-02-14T10:43:59Z

← Older revision		Revision as of 10:43, 14 February 2019
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	I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.		I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.
	Besides,		Besides, the elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.

	[[File:subscriber_EColin_1.jpg]]		[[File:subscriber_EColin_1.jpg]]

	The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.

	I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously into it.		I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously into it.

Tiji3841 at 10:34, 14 February 2019

2019-02-14T10:34:18Z

← Older revision		Revision as of 10:34, 14 February 2019
Line 14:		Line 14:
	I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.		I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.
	Besides,		Besides,
	[[File:subscriber_EColin_1.~~png~~]]		[[File:subscriber_EColin_1.jpg]]

	The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.		The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.
	~~[[File:Delay.jpg]]~~

			I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously into it.
	I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it.

Tiji3841 at 10:32, 14 February 2019

2019-02-14T10:32:08Z

← Older revision		Revision as of 10:32, 14 February 2019
Line 14:		Line 14:
	I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.		I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.
	Besides,		Besides,
			[[File:subscriber_EColin_1.png]]

	The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.		The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.
			[[File:Delay.jpg]]

	~~[[Image:subscriber_EColin_1.png]]~~

	I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it.		I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it.

Tiji3841 at 10:29, 14 February 2019

2019-02-14T10:29:38Z

← Older revision		Revision as of 10:29, 14 February 2019
Line 17:		Line 17:
	The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.		The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.

	[[~~File~~:subscriber_EColin_1.png]]		[[Image:subscriber_EColin_1.png]]

	I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it.		I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it.

Tiji3841 at 10:28, 14 February 2019

2019-02-14T10:28:13Z

@@ Line 2: / Line 2: @@
 My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).
-The Performance Platform of the Bauhaus University is a great opportunity to discover new working methods in immersive and interactive Medias. I would really like to improve my knowledge in learning how to use software that goes with it and also be initiated to Max, Pure Data and OSC.
+The Performance Platform of the Bauhaus University was for me a great opportunity to discover new working methods in immersive and interactive Medias. I Had the opportunity to be initiated to Max, Pure Data and OSC.
-I am eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.
+I was eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.

Tiji3841 at 15:12, 12 October 2018

2018-10-12T15:12:48Z

← Older revision		Revision as of 15:12, 12 October 2018
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	My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).		My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).

Tiji3841: /* Etienne COLIN */

2018-10-12T15:11:58Z

Etienne COLIN

← Older revision		Revision as of 15:11, 12 October 2018
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	My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).		My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).

	The Performance ~~platform~~ of the Bauhaus University is a great opportunity to discover new working methods in immersive and interactive Medias. I would really like to improve my knowledge in learning how to use software that goes with it and also be initiated to Max, Pure Data and OSC.		The Performance Platform of the Bauhaus University is a great opportunity to discover new working methods in immersive and interactive Medias. I would really like to improve my knowledge in learning how to use software that goes with it and also be initiated to Max, Pure Data and OSC.

	I am eager to familiarize myself with the state-of-the-art equipment of the Performance ~~platform~~ in order to experiment on interactions between a performer and a video and especially its potential regarding sound.		I am eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.

Tiji3841: Created page with "My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-M..."

2018-10-12T15:10:34Z

Created page with "My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-M..."

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My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).

The Performance platform of the Bauhaus University is a great opportunity to discover new working methods in immersive and interactive Medias. I would really like to improve my knowledge in learning how to use software that goes with it and also be initiated to Max, Pure Data and OSC.

I am eager to familiarize myself with the state-of-the-art equipment of the Performance platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.