GMU:Immersive Essays/Luka Friedland - Revision history

Lukafriedland: changed formatting, fixed errors

2023-05-08T11:54:08Z

changed formatting, fixed errors

Lukafriedland at 11:28, 8 May 2023

2023-05-08T11:28:04Z

← Older revision		Revision as of 11:28, 8 May 2023
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	== '''I.'''		== '''I. [https://youtu.be/wI33z-Vku10 At first: a trailer]''' ==

	~~[https://youtu.be/wI33z-Vku10'''At first: a trailer'''] ==~~		[[File:RICHTUNGSLEGUNG Trailer Image.png\|400px]]

	[[File:RICHTUNGSLEGUNG Trailer Image.png\|~~600px~~]]

	The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.		The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.
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	A short announcement with the overarching title<ref name="ftn5">Titles are always a difficult thing and, according to Rudi Nuss, an art form in themselves. Generally, I prefer longer titles/poetic lines that open up ''Assoziationsräume'' over short and bold and boring ones (for these kinds of titles I would criticize for example most AAA-games). I think that a title should convince in itself, even if the actual content maybe doesn’t. The art of giving a title to an artwork is very much underappreciated.</ref> is then displayed. I chose RICHTUNGSLEGUNG (idk how to translate that, it’s not even a “real” German word, but a poetic neologism) for this, inspired by me remembering Anja Utler’s poem ''Rechnungslegung'', that I came across in 2017<ref name="ftn6">See: '''Utler, Anja (2017):''' ''Rechnungslegung.'' Republished from: Utler, Anja (2011): ''ausgeübt. Eine Kurskorrektur.'' Edition Korrespondenzen, Wien 2011. In: www.bundeswettbewerb-lyrix.de. URL: https://www.bundeswettbewerb-lyrix.de/wettbewerb/teile-plastik [19.02.2023, 18:24].</ref>. This rather conceptual poem consists of a table with the task to form 10 correct sentences out of the fragments about loss of species, nature destruction and pollution. It is a very open form for a poem, which I really like, kind of a construction kit that like a game requires active participation by its audience. And with its open-ness and unfininished-ness I thought that this really fits for my stumbling into 360 videos and video essays and so on, eventhough I opened up the title even more by replacing the Rechnung/calculation part of it with Richtung/direction, because I also thought about one of the most Alman/German things to do, which is hiking, and the hiking trail signs, pointing in lots of directions, while also remaining a bit cryptic and even imprecise at times.		A short announcement with the overarching title<ref name="ftn5">Titles are always a difficult thing and, according to Rudi Nuss, an art form in themselves. Generally, I prefer longer titles/poetic lines that open up ''Assoziationsräume'' over short and bold and boring ones (for these kinds of titles I would criticize for example most AAA-games). I think that a title should convince in itself, even if the actual content maybe doesn’t. The art of giving a title to an artwork is very much underappreciated.</ref> is then displayed. I chose RICHTUNGSLEGUNG (idk how to translate that, it’s not even a “real” German word, but a poetic neologism) for this, inspired by me remembering Anja Utler’s poem ''Rechnungslegung'', that I came across in 2017<ref name="ftn6">See: '''Utler, Anja (2017):''' ''Rechnungslegung.'' Republished from: Utler, Anja (2011): ''ausgeübt. Eine Kurskorrektur.'' Edition Korrespondenzen, Wien 2011. In: www.bundeswettbewerb-lyrix.de. URL: https://www.bundeswettbewerb-lyrix.de/wettbewerb/teile-plastik [19.02.2023, 18:24].</ref>. This rather conceptual poem consists of a table with the task to form 10 correct sentences out of the fragments about loss of species, nature destruction and pollution. It is a very open form for a poem, which I really like, kind of a construction kit that like a game requires active participation by its audience. And with its open-ness and unfininished-ness I thought that this really fits for my stumbling into 360 videos and video essays and so on, eventhough I opened up the title even more by replacing the Rechnung/calculation part of it with Richtung/direction, because I also thought about one of the most Alman/German things to do, which is hiking, and the hiking trail signs, pointing in lots of directions, while also remaining a bit cryptic and even imprecise at times.

	[[File:stepping into 360.png\|~~600px~~]]		[[File:stepping into 360.png\|400px]]

	<span style="background-color:transparent;">depicted: </span><span style="background-color:transparent;">Luka Friedland</span><span style="background-color:transparent;">, stumbling-</span><span style="background-color:transparent;">stepping</span><span style="background-color:transparent;"> into the world of 360 videos, </span><span style="background-color:transparent;">glitching, </span><span style="background-color:transparent;">accompanied by some lines from SOPHIE’s </span><span style="background-color:transparent;">''Faceshopping''</span>		<span style="background-color:transparent;">depicted: </span><span style="background-color:transparent;">Luka Friedland</span><span style="background-color:transparent;">, stumbling-</span><span style="background-color:transparent;">stepping</span><span style="background-color:transparent;"> into the world of 360 videos, </span><span style="background-color:transparent;">glitching, </span><span style="background-color:transparent;">accompanied by some lines from SOPHIE’s </span><span style="background-color:transparent;">''Faceshopping''</span>


	== '''II.~~'''~~		== '''II. How I got here''' ==

	~~'''~~How I got here''' ==


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	== '''III.~~'''~~		== '''III. What I did during this semester for the ''Immersive Essays'' course''' ==

	~~'''~~What I did during this semester for the ''Immersive Essays'' course''' ==


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	[[File:Trailer Thumbnail.png]]		[[File:Trailer Thumbnail.png\|400px]]

	I read through lots of books and sources for my 360 video/video game essay on bathrooms, for which the script unfortunately isn’t finished and even organized yet. But the following picture shows some of my sources.		I read through lots of books and sources for my 360 video/video game essay on bathrooms, for which the script unfortunately isn’t finished and even organized yet. But the following picture shows some of my sources.

Lukafriedland at 11:25, 8 May 2023

2023-05-08T11:25:46Z

← Older revision		Revision as of 11:25, 8 May 2023
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	'''It is with great regret that I have to inform you that I also am a YouTube video essayist now: Some initializing thoughts on immersive 360 essays & whatever a video game essay is (or could be); and an immersive video essay series in progress'''		== '''It is with great regret that I have to inform you that I also am a YouTube video essayist now: Some initializing thoughts on immersive 360 essays & whatever a video game essay is (or could be); and an immersive video essay series in progress''' ==


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	'''I.'''		== '''I.'''

	[https://youtu.be/wI33z-Vku10'''At first: a trailer''']		[https://youtu.be/wI33z-Vku10'''At first: a trailer'''] ==

	[[File:RICHTUNGSLEGUNG Trailer Image.png\|~~400px~~]]		[[File:RICHTUNGSLEGUNG Trailer Image.png\|600px]]

	The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.		The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.
Line 36:		Line 36:
	A short announcement with the overarching title<ref name="ftn5">Titles are always a difficult thing and, according to Rudi Nuss, an art form in themselves. Generally, I prefer longer titles/poetic lines that open up ''Assoziationsräume'' over short and bold and boring ones (for these kinds of titles I would criticize for example most AAA-games). I think that a title should convince in itself, even if the actual content maybe doesn’t. The art of giving a title to an artwork is very much underappreciated.</ref> is then displayed. I chose RICHTUNGSLEGUNG (idk how to translate that, it’s not even a “real” German word, but a poetic neologism) for this, inspired by me remembering Anja Utler’s poem ''Rechnungslegung'', that I came across in 2017<ref name="ftn6">See: '''Utler, Anja (2017):''' ''Rechnungslegung.'' Republished from: Utler, Anja (2011): ''ausgeübt. Eine Kurskorrektur.'' Edition Korrespondenzen, Wien 2011. In: www.bundeswettbewerb-lyrix.de. URL: https://www.bundeswettbewerb-lyrix.de/wettbewerb/teile-plastik [19.02.2023, 18:24].</ref>. This rather conceptual poem consists of a table with the task to form 10 correct sentences out of the fragments about loss of species, nature destruction and pollution. It is a very open form for a poem, which I really like, kind of a construction kit that like a game requires active participation by its audience. And with its open-ness and unfininished-ness I thought that this really fits for my stumbling into 360 videos and video essays and so on, eventhough I opened up the title even more by replacing the Rechnung/calculation part of it with Richtung/direction, because I also thought about one of the most Alman/German things to do, which is hiking, and the hiking trail signs, pointing in lots of directions, while also remaining a bit cryptic and even imprecise at times.		A short announcement with the overarching title<ref name="ftn5">Titles are always a difficult thing and, according to Rudi Nuss, an art form in themselves. Generally, I prefer longer titles/poetic lines that open up ''Assoziationsräume'' over short and bold and boring ones (for these kinds of titles I would criticize for example most AAA-games). I think that a title should convince in itself, even if the actual content maybe doesn’t. The art of giving a title to an artwork is very much underappreciated.</ref> is then displayed. I chose RICHTUNGSLEGUNG (idk how to translate that, it’s not even a “real” German word, but a poetic neologism) for this, inspired by me remembering Anja Utler’s poem ''Rechnungslegung'', that I came across in 2017<ref name="ftn6">See: '''Utler, Anja (2017):''' ''Rechnungslegung.'' Republished from: Utler, Anja (2011): ''ausgeübt. Eine Kurskorrektur.'' Edition Korrespondenzen, Wien 2011. In: www.bundeswettbewerb-lyrix.de. URL: https://www.bundeswettbewerb-lyrix.de/wettbewerb/teile-plastik [19.02.2023, 18:24].</ref>. This rather conceptual poem consists of a table with the task to form 10 correct sentences out of the fragments about loss of species, nature destruction and pollution. It is a very open form for a poem, which I really like, kind of a construction kit that like a game requires active participation by its audience. And with its open-ness and unfininished-ness I thought that this really fits for my stumbling into 360 videos and video essays and so on, eventhough I opened up the title even more by replacing the Rechnung/calculation part of it with Richtung/direction, because I also thought about one of the most Alman/German things to do, which is hiking, and the hiking trail signs, pointing in lots of directions, while also remaining a bit cryptic and even imprecise at times.

	[[File:stepping into 360.png\|~~400px~~]]		[[File:stepping into 360.png\|600px]]

	<span style="background-color:transparent;">depicted: </span><span style="background-color:transparent;">Luka Friedland</span><span style="background-color:transparent;">, stumbling-</span><span style="background-color:transparent;">stepping</span><span style="background-color:transparent;"> into the world of 360 videos, </span><span style="background-color:transparent;">glitching, </span><span style="background-color:transparent;">accompanied by some lines from SOPHIE’s </span><span style="background-color:transparent;">''Faceshopping''</span>		<span style="background-color:transparent;">depicted: </span><span style="background-color:transparent;">Luka Friedland</span><span style="background-color:transparent;">, stumbling-</span><span style="background-color:transparent;">stepping</span><span style="background-color:transparent;"> into the world of 360 videos, </span><span style="background-color:transparent;">glitching, </span><span style="background-color:transparent;">accompanied by some lines from SOPHIE’s </span><span style="background-color:transparent;">''Faceshopping''</span>


	'''II.'''		== '''II.'''

	'''How I got here'''		'''How I got here''' ==


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	'''III.'''		== '''III.'''

	'''What I did during this semester for the ''Immersive Essays'' course'''		'''What I did during this semester for the ''Immersive Essays'' course''' ==

Lukafriedland: fixed typo

2023-02-24T00:20:24Z

fixed typo

← Older revision		Revision as of 00:20, 24 February 2023
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	I thought about creating this specific series of video essays for several years now, and also about essayistic video games<ref name="ftn8"><span style="background-color:transparent;">When</span><span style="background-color:transparent;"> Mark Brown/Game Maker’s Toolkit released his </span><span style="background-color:transparent;">interesting </span><span style="background-color:transparent;">2D interactive video essay </span><span style="background-color:transparent;">''Platformer Toolkit''</span><span style="background-color:transparent;">, </span><span style="background-color:transparent;">judging by the title of the announcement video I was briefly worried that he could have done something similar to what I intended, but he did something completely else with this concept</span><span style="background-color:transparent;">. (</span><span style="background-color:transparent;">See: </span><span style="background-color:transparent;">'''Game Maker’s Toolkit (2022):'''</span><span style="background-color:transparent;"> </span><span style="background-color:transparent;">''I Made a Video Essay That You Can PLAY.''</span><span style="background-color:transparent;"> In: www.nebula.tv. URL: https://nebula.tv/videos/gmtk-i-made-a-video-essay-that-you-can-play [15.02.2023, 17:11] and </span><span style="background-color:transparent;">'''Game Maker’s Toolkit (2022):'''</span><span style="background-color:transparent;"> </span><span style="background-color:transparent;">''Platformer Toolkit.''</span><span style="background-color:transparent;"> In: www.itch.io. URL: https://gmtk.itch.io/platformer-toolkit [15.02.2023, 19:02].)</span><span style="background-color:transparent;"> </span>Ideas are so random and art history is so artificial, depending on which person just randomly released a thing before someone else. Luckily, theories of intertextuality challenge the idea of any “original” creator behind any artwork. I would argue, that anyone could have the same idea as you and me, but maybe just not seeing any potential in it or not having the skills to realize it etc. There really isn’t anything unique about video games as essays, lots of indie games do it, lots of very niche people somewhere do it in medial artifacts that we just didn’t notice yet etc.</ref>, and I think it’s great to finally having found the opportunity starting to work on that. And finally asking myself the questions with an intention to propose personal little “solutions” to them: What is a video essay to me? What is an immersive essay to me? What is a video game essay to me?		I thought about creating this specific series of video essays for several years now, and also about essayistic video games<ref name="ftn8"><span style="background-color:transparent;">When</span><span style="background-color:transparent;"> Mark Brown/Game Maker’s Toolkit released his </span><span style="background-color:transparent;">interesting </span><span style="background-color:transparent;">2D interactive video essay </span><span style="background-color:transparent;">''Platformer Toolkit''</span><span style="background-color:transparent;">, </span><span style="background-color:transparent;">judging by the title of the announcement video I was briefly worried that he could have done something similar to what I intended, but he did something completely else with this concept</span><span style="background-color:transparent;">. (</span><span style="background-color:transparent;">See: </span><span style="background-color:transparent;">'''Game Maker’s Toolkit (2022):'''</span><span style="background-color:transparent;"> </span><span style="background-color:transparent;">''I Made a Video Essay That You Can PLAY.''</span><span style="background-color:transparent;"> In: www.nebula.tv. URL: https://nebula.tv/videos/gmtk-i-made-a-video-essay-that-you-can-play [15.02.2023, 17:11] and </span><span style="background-color:transparent;">'''Game Maker’s Toolkit (2022):'''</span><span style="background-color:transparent;"> </span><span style="background-color:transparent;">''Platformer Toolkit.''</span><span style="background-color:transparent;"> In: www.itch.io. URL: https://gmtk.itch.io/platformer-toolkit [15.02.2023, 19:02].)</span><span style="background-color:transparent;"> </span>Ideas are so random and art history is so artificial, depending on which person just randomly released a thing before someone else. Luckily, theories of intertextuality challenge the idea of any “original” creator behind any artwork. I would argue, that anyone could have the same idea as you and me, but maybe just not seeing any potential in it or not having the skills to realize it etc. There really isn’t anything unique about video games as essays, lots of indie games do it, lots of very niche people somewhere do it in medial artifacts that we just didn’t notice yet etc.</ref>, and I think it’s great to finally having found the opportunity starting to work on that. And finally asking myself the questions with an intention to propose personal little “solutions” to them: What is a video essay to me? What is an immersive essay to me? What is a video game essay to me?

	In summer 2019 I held a workshop together with Anna Behrend as part of the summer literature week of wortbau e.V., a Berlin-based organization dedicated to providing a space for creative writing and literature to children and teens, in which we looked at several texts associated with ''écriture féminine'', such as writings of Luce Irigaray, Hélène Cixous and Clarice Lispector. Around that time, I wrote an essay for ~~Jennifer~~ Becker’s seminar on the same topic at Hildesheim university, that inspired this workshop, in which I posed the question of how something like an ''écriture trans'' could look and read like, to get away from the essentialist binaries of differential feminism (which one may also call TERF-feminism or which at least plays into the so-called “gender-critical feminist” anti-trans hate ideologies today) that ''écriture féminine'' is associated with due to its specific historical emergence. I didn’t find an answer to anything, which is a great thing in the fields of cultural studies lol, but during the workshop I referenced a video essay by Natalie Wynn / ContraPoints for its aesthetic and linguistic potentialities. It would be a rewarding process for sure to develop a playful (→ ludic, even) poetology of an immersive essay that goes beyond a pure illustration of its contents using costumes as one can see within a certain emerging tradition of contemporary video essays. (And also, as a person who is at risk of poverty/''armutsgefährdet'', I think I might couldn’t afford that financially lol.) I would love to see video essays that push the boundaries of the medium more and that operate in specific ways that wouldn’t be possible in any other medium.		In summer 2019 I held a workshop together with Anna Behrend as part of the summer literature week of wortbau e.V., a Berlin-based organization dedicated to providing a space for creative writing and literature to children and teens, in which we looked at several texts associated with ''écriture féminine'', such as writings of Luce Irigaray, Hélène Cixous and Clarice Lispector. Around that time, I wrote an essay for Jenifer Becker’s seminar on the same topic at Hildesheim university, that inspired this workshop, in which I posed the question of how something like an ''écriture trans'' could look and read like, to get away from the essentialist binaries of differential feminism (which one may also call TERF-feminism or which at least plays into the so-called “gender-critical feminist” anti-trans hate ideologies today) that ''écriture féminine'' is associated with due to its specific historical emergence. I didn’t find an answer to anything, which is a great thing in the fields of cultural studies lol, but during the workshop I referenced a video essay by Natalie Wynn / ContraPoints for its aesthetic and linguistic potentialities. It would be a rewarding process for sure to develop a playful (→ ludic, even) poetology of an immersive essay that goes beyond a pure illustration of its contents using costumes as one can see within a certain emerging tradition of contemporary video essays. (And also, as a person who is at risk of poverty/''armutsgefährdet'', I think I might couldn’t afford that financially lol.) I would love to see video essays that push the boundaries of the medium more and that operate in specific ways that wouldn’t be possible in any other medium.

Lukafriedland at 23:56, 21 February 2023

2023-02-21T23:56:58Z

← Older revision		Revision as of 23:56, 21 February 2023
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	[https://lukaendgames.itch.io/5-experimental-scenes-winter-semester-2022-23 a) 5 experimental scenes, collage/anthology]		[https://lukaendgames.itch.io/5-experimental-scenes-winter-semester-2022-23 a) 5 experimental scenes, collage/anthology]

			<gallery>
			File:cinematics.png
			File:poetic lines.png
			File:sphere with inverted normals.png
			File:Thumbnail edited.png
			</gallery>

Lukafriedland at 23:49, 21 February 2023

2023-02-21T23:49:26Z

← Older revision		Revision as of 23:49, 21 February 2023
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	'''b) virtual mushroom room'''		[https://youtu.be/p1qCYsLomdo'''b) virtual mushroom room''']


	~~[https://youtu.be/p1qCYsLomdo~~[[File:picture mushroom room.png\|400px]]]		[[File:picture mushroom room.png\|400px]]

Lukafriedland at 23:46, 21 February 2023

2023-02-21T23:46:17Z

← Older revision		Revision as of 23:46, 21 February 2023
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	'''I.'''		'''I.'''

	'''At first: a trailer'''		[https://youtu.be/wI33z-Vku10'''At first: a trailer''']

	~~[https://youtu.be/wI33z-Vku10~~[[File:RICHTUNGSLEGUNG Trailer Image.png\|400px]]]		[[File:RICHTUNGSLEGUNG Trailer Image.png\|400px]]

	The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.		The first thing that seems crucial to me when thinking about web video platforms and web series specifically is the initial materialization of ideas<ref name="ftn1">A person who sometimes talks in interviews about his relationship with getting ideas and ''fishing'' for ideas is David Lynch, and I’m in several aspects in line with his approach towards ideas, writing them down and connecting seemingly unrelated things over time. See for example: '''Myers, Scott (2020):''' ''How to Write a Script: David Lynch.'' In: www.gointothestory.blcklst.com. URL: https://gointothestory.blcklst.com/how-to-write-a-script-david-lynch-b20d65f3018b [09.02.2023, 02:41]; '''American Film Institute (2011):''' ''David Lynch on Ideas.'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=S2RFMCmfRmc [09.02.2023, 02:56]; '''dlftv (2009):''' ''David Lynch: ‚Ideas Are Like Fish.‘'' In: www.youtube.com. URL: https://www.youtube.com/watch?v=hQGb3WFEhLQ [15.02.2023, 16:47]. (Of course, fishing is always a very brutal cultural practice that should be forbidden entirely, but imagining your inner self sitting at a little metaphorical pond waiting for idea-fishs is a very striking visual representation in my opinion.) See also the documentary: ''David Lynch – The Art Life''. Dir.: Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen. US and DK 2016.

Lukafriedland at 23:44, 21 February 2023

2023-02-21T23:44:55Z

← Older revision		Revision as of 23:44, 21 February 2023
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	'''c) additional trailer'''		[https://youtu.be/wI33z-Vku10'''c) additional trailer''']


	[~~https://youtu.be/wI33z-Vku10~~[[:File:Trailer Thumbnail.png]]]		[[File:Trailer Thumbnail.png]]


	I read through lots of books and sources for my 360 video/video game essay on bathrooms, for which the script unfortunately isn’t finished and even organized yet. But the following picture shows some of my sources.		I read through lots of books and sources for my 360 video/video game essay on bathrooms, for which the script unfortunately isn’t finished and even organized yet. But the following picture shows some of my sources.

Lukafriedland at 23:42, 21 February 2023

2023-02-21T23:42:42Z

← Older revision		Revision as of 23:42, 21 February 2023
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	[https://lukaendgames.itch.io/5-experimental-scenes-winter-semester-2022-23 a) 5 experimental scenes, collage/anthology]		[https://lukaendgames.itch.io/5-experimental-scenes-winter-semester-2022-23 a) 5 experimental scenes, collage/anthology]

Lukafriedland at 23:39, 21 February 2023

2023-02-21T23:39:45Z

Show changes