GMU:Home Made Bioelectronics/Marah Doleh - Revision history

Faxi0847 at 17:09, 31 August 2022

2022-08-31T17:09:26Z

← Older revision		Revision as of 17:09, 31 August 2022
Line 5:		Line 5:

	==Emot;on==		==Emot;on==



			Final documentation: https://docs.google.com/presentation/d/1lC8tQs1ErpGOnpXhoNKdKdskEP88pl11/edit?usp=sharing&ouid=110166379917330579365&rtpof=true&sd=true

Faxi0847: /* Emot;on */

2022-07-12T08:12:14Z

Emot;on

← Older revision		Revision as of 08:12, 12 July 2022
Line 17:		Line 17:


	[[File:~~poster1~~.jpg]]		[[File:RGB 3.jpg]]

Faxi0847 at 08:10, 12 July 2022

2022-07-12T08:10:43Z

← Older revision		Revision as of 08:10, 12 July 2022
Line 23:		Line 23:

	[[/Docummentation of progress/]]		[[/Docummentation of progress/]]



	~~==List of readings and references:==~~

	*https://www.youtube.com/watch?v=yvbThD835m0
	*https://github.com/lbugnon/emoHR
	*https://github.com/FarhatBuet14/Heart-Rate-Monitoring-with-Emotion-Detection-using-PPG-GSR-Sensors
	*https://www.youtube.com/watch?v=1clagERAiR4
	*https://link.springer.com/article/10.1007/s11042-020-09576-0
	*https://www.thinkmind.org/articles/etelemed_2016_7_40_40093.pdf
	*https://www.scitepress.org/papers/2015/52411/52411.pdf
	*https://www.researchgate.net/publication/342075389_Development_of_ECG_sensor_using_arduino_uno_and_e-health_sensor_platform_mood_detection_from_heartbeat
	*https://link.springer.com/chapter/10.1007/11941354_44

Faxi0847 at 08:09, 12 July 2022

2022-07-12T08:09:20Z

← Older revision		Revision as of 08:09, 12 July 2022
Line 19:		Line 19:
	[[File:poster1.jpg]]		[[File:poster1.jpg]]

	~~==CONCEPT==~~

	In this project, I plan to create an interactive installation that reflects this relationship between architectural space and music. While putting an emphasis on the emotional aspect of this experience.
	The installation will have a musical instrument, VR glasses, and HR sensor. The participater is is allowed to play any music he/she wants and to change the music they are playing whenever the well through the experience.
	The interaction starts after the participator starts playing and an emotional change is detected. This will trigger an audio-reactive environment to appear. The interactive environment will keep changing with respect to the emotional change during the musical performance, which will (probably) in return lead to affect the emotion of the participator. By this participator is influenced by music, changing his emotions, influencing the virtual space, followed by another emotional change, changing the music, ect.. This closed feedback loop is an embodiment of architecture, music, and emotion relationship.




	~~==TECHNICAL ASPECT==~~

	This installation will be divided into three main parts; emotion detector (HR sensor+arduino+python), music (piano or any other instrument), and audio-reactive environment (touchdesigner viewed by VR glasses).



	~~==AESTHETICAL ASPECT==~~

	Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.

Faxi0847 at 07:36, 7 July 2022

2022-07-07T07:36:04Z

← Older revision		Revision as of 07:36, 7 July 2022
Line 2:		Line 2:


	[[File:emot;on_1.mp4]]		[[File:emot;on_1.mp4\|1280px]]

	==Emot;on==		==Emot;on==
Line 12:		Line 12:

	Emot;on, an interactive VR installation that invites the participators to explore the notion of musical and emotional space in a new medium. Each participator will be transported into a space that forms depending on the music plaing and their current emotion. Hence, this user-centered experience will generate different and unique spaces from each different interaction, emotion, and music.		Emot;on, an interactive VR installation that invites the participators to explore the notion of musical and emotional space in a new medium. Each participator will be transported into a space that forms depending on the music plaing and their current emotion. Hence, this user-centered experience will generate different and unique spaces from each different interaction, emotion, and music.

			Link to Project Summaery2022 page:
			https://www.uni-weimar.de/en/university/news/annual-events/annual-events-2022/summaery/projects/my-projects/?tx_showcase_summaeryprojectprivate[project]=5204&tx_showcase_summaeryprojectprivate[action]=showPrivate&tx_showcase_summaeryprojectprivate[controller]=Summaery&cHash=ec9f88612cc7527ee8a8fb2c3291476b&fbclid=IwAR1doaV7PkU0BUIK57rJvDQXFsC1CskkH70XVuKFXVKZCrUk51yqiAvWEEE


Line 21:		Line 24:
	The installation will have a musical instrument, VR glasses, and HR sensor. The participater is is allowed to play any music he/she wants and to change the music they are playing whenever the well through the experience.		The installation will have a musical instrument, VR glasses, and HR sensor. The participater is is allowed to play any music he/she wants and to change the music they are playing whenever the well through the experience.
	The interaction starts after the participator starts playing and an emotional change is detected. This will trigger an audio-reactive environment to appear. The interactive environment will keep changing with respect to the emotional change during the musical performance, which will (probably) in return lead to affect the emotion of the participator. By this participator is influenced by music, changing his emotions, influencing the virtual space, followed by another emotional change, changing the music, ect.. This closed feedback loop is an embodiment of architecture, music, and emotion relationship.		The interaction starts after the participator starts playing and an emotional change is detected. This will trigger an audio-reactive environment to appear. The interactive environment will keep changing with respect to the emotional change during the musical performance, which will (probably) in return lead to affect the emotion of the participator. By this participator is influenced by music, changing his emotions, influencing the virtual space, followed by another emotional change, changing the music, ect.. This closed feedback loop is an embodiment of architecture, music, and emotion relationship.

Faxi0847: /* Emot;on */

2022-07-07T07:30:12Z

Emot;on

← Older revision		Revision as of 07:30, 7 July 2022
Line 1:		Line 1:



			[[File:emot;on_1.mp4]]

	==Emot;on==		==Emot;on==
Line 6:		Line 9:
	Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and driven by the architectural context that dwelled them. Due to various acoustic phenomena, music does not sound the same inside different buildings, influencing the musician when composing. Meanwhile, architecture was created around music and developed spatial-acoustical criteria to contain the music within it, with emphasis on the acoustical and emotional outcome that could be achieved. Therefore, the impact on music and architecture could be seen as a closed-loop impact on many levels; inspiring, composing/ designing, and experiencing.		Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and driven by the architectural context that dwelled them. Due to various acoustic phenomena, music does not sound the same inside different buildings, influencing the musician when composing. Meanwhile, architecture was created around music and developed spatial-acoustical criteria to contain the music within it, with emphasis on the acoustical and emotional outcome that could be achieved. Therefore, the impact on music and architecture could be seen as a closed-loop impact on many levels; inspiring, composing/ designing, and experiencing.

	~~Looking through~~ the ~~connection between these two distant fields, it may seem~~ to be a ~~direct and strong connection since they both share~~ the ~~same structure~~ and ~~principles: rhythm, harmony, hierarchy, texture, proportion, etc~~. ~~Nevertheless~~, ~~beyond~~ this ~~obvious connection~~, ~~there seem to be a major intangible connection; '''emotions'''. Both fields evoke various emotions in the receiver. These emotional experiences target~~ and ~~affect the receiver (from behavior to creation)~~.		What if music and your emotions can form a space? Will this generated space affect your emotions back and generate a new space correspondingly? Will this create an endless loop of changing emotions and spaces back and forth?

			Emot;on, an interactive VR installation that invites the participators to explore the notion of musical and emotional space in a new medium. Each participator will be transported into a space that forms depending on the music plaing and their current emotion. Hence, this user-centered experience will generate different and unique spaces from each different interaction, emotion, and music.


			[[File:poster1.jpg]]

	==CONCEPT==		==CONCEPT==

Faxi0847 at 12:30, 11 May 2022

2022-05-11T12:30:00Z

← Older revision		Revision as of 12:30, 11 May 2022
Line 27:		Line 27:

	Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.		Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.



			[[/Docummentation of progress/]]

Miga at 08:50, 5 May 2022

2022-05-05T08:50:59Z

← Older revision		Revision as of 08:50, 5 May 2022
Line 1:		Line 1:


	== ~~'''~~Emot;on~~'''~~ ==		==Emot;on==


Line 10:		Line 10:


	~~'''~~CONCEPT~~'''~~		==CONCEPT==

	In this project, I plan to create an interactive installation that reflects this relationship between architectural space and music. While putting an emphasis on the emotional aspect of this experience.		In this project, I plan to create an interactive installation that reflects this relationship between architectural space and music. While putting an emphasis on the emotional aspect of this experience.
Line 18:		Line 18:


	~~'''~~TECHNICAL ASPECT~~'''~~		==TECHNICAL ASPECT==

	This installation will be divided into three main parts; emotion detector (HR sensor+arduino+python), music (piano or any other instrument), and audio-reactive environment (touchdesigner viewed by VR glasses).		This installation will be divided into three main parts; emotion detector (HR sensor+arduino+python), music (piano or any other instrument), and audio-reactive environment (touchdesigner viewed by VR glasses).
Line 24:		Line 24:


	~~'''~~AESTHETICAL ASPECT~~'''~~		==AESTHETICAL ASPECT==

	Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.		Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.


			==List of readings and references:==

			*https://www.youtube.com/watch?v=yvbThD835m0
	~~List of readings and references:~~		*https://github.com/lbugnon/emoHR
			*https://github.com/FarhatBuet14/Heart-Rate-Monitoring-with-Emotion-Detection-using-PPG-GSR-Sensors
	https://www.youtube.com/watch?v=yvbThD835m0		*https://www.youtube.com/watch?v=1clagERAiR4
	https://github.com/lbugnon/emoHR		*https://link.springer.com/article/10.1007/s11042-020-09576-0
	https://github.com/FarhatBuet14/Heart-Rate-Monitoring-with-Emotion-Detection-using-PPG-GSR-Sensors		*https://www.thinkmind.org/articles/etelemed_2016_7_40_40093.pdf
	https://www.youtube.com/watch?v=1clagERAiR4		*https://www.scitepress.org/papers/2015/52411/52411.pdf
	https://link.springer.com/article/10.1007/s11042-020-09576-0		*https://www.researchgate.net/publication/342075389_Development_of_ECG_sensor_using_arduino_uno_and_e-health_sensor_platform_mood_detection_from_heartbeat
	https://www.thinkmind.org/articles/etelemed_2016_7_40_40093.pdf		*https://link.springer.com/chapter/10.1007/11941354_44
	https://www.scitepress.org/papers/2015/52411/52411.pdf
	https://www.researchgate.net/publication/342075389_Development_of_ECG_sensor_using_arduino_uno_and_e-health_sensor_platform_mood_detection_from_heartbeat
	https://link.springer.com/chapter/10.1007/11941354_44

Faxi0847 at 17:29, 4 May 2022

2022-05-04T17:29:07Z

← Older revision		Revision as of 17:29, 4 May 2022
Line 1:		Line 1:

	Emot;on
			== '''Emot;on''' ==


	Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and driven by the architectural context that dwelled them. Due to various acoustic phenomena, music does not sound the same inside different buildings, influencing the musician when composing. Meanwhile, architecture was created around music and developed spatial-acoustical criteria to contain the music within it, with emphasis on the acoustical and emotional outcome that could be achieved. Therefore, the impact on music and architecture could be seen as a closed-loop impact on many levels; inspiring, composing/ designing, and experiencing.		Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and driven by the architectural context that dwelled them. Due to various acoustic phenomena, music does not sound the same inside different buildings, influencing the musician when composing. Meanwhile, architecture was created around music and developed spatial-acoustical criteria to contain the music within it, with emphasis on the acoustical and emotional outcome that could be achieved. Therefore, the impact on music and architecture could be seen as a closed-loop impact on many levels; inspiring, composing/ designing, and experiencing.

Faxi0847: Created page with " Emot;on Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and drive..."

2022-05-04T17:28:18Z

Created page with " Emot;on Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and drive..."

New page

Emot;on

Music and architecture have been a great influence on each other. Many architects have been influenced by music, and so did musicians as they were inspired and driven by the architectural context that dwelled them. Due to various acoustic phenomena, music does not sound the same inside different buildings, influencing the musician when composing. Meanwhile, architecture was created around music and developed spatial-acoustical criteria to contain the music within it, with emphasis on the acoustical and emotional outcome that could be achieved. Therefore, the impact on music and architecture could be seen as a closed-loop impact on many levels; inspiring, composing/ designing, and experiencing.

Looking through the connection between these two distant fields, it may seem to be a direct and strong connection since they both share the same structure and principles: rhythm, harmony, hierarchy, texture, proportion, etc. Nevertheless, beyond this obvious connection, there seem to be a major intangible connection; '''emotions'''. Both fields evoke various emotions in the receiver. These emotional experiences target and affect the receiver (from behavior to creation).

'''CONCEPT'''

In this project, I plan to create an interactive installation that reflects this relationship between architectural space and music. While putting an emphasis on the emotional aspect of this experience.
The installation will have a musical instrument, VR glasses, and HR sensor. The participater is is allowed to play any music he/she wants and to change the music they are playing whenever the well through the experience.
The interaction starts after the participator starts playing and an emotional change is detected. This will trigger an audio-reactive environment to appear. The interactive environment will keep changing with respect to the emotional change during the musical performance, which will (probably) in return lead to affect the emotion of the participator. By this participator is influenced by music, changing his emotions, influencing the virtual space, followed by another emotional change, changing the music, ect.. This closed feedback loop is an embodiment of architecture, music, and emotion relationship.

'''TECHNICAL ASPECT'''

This installation will be divided into three main parts; emotion detector (HR sensor+arduino+python), music (piano or any other instrument), and audio-reactive environment (touchdesigner viewed by VR glasses).

'''AESTHETICAL ASPECT'''

Although the program that will be used and the general vision of the visual outcome of this interaction is predetermined; an interactive architectural space that is changed by emotions and music. The design is not yet clear, and will be worked on during this semester in the Touchdesigner course I am currently taking.

List of readings and references:

https://www.youtube.com/watch?v=yvbThD835m0
https://github.com/lbugnon/emoHR
https://github.com/FarhatBuet14/Heart-Rate-Monitoring-with-Emotion-Detection-using-PPG-GSR-Sensors
https://www.youtube.com/watch?v=1clagERAiR4
https://link.springer.com/article/10.1007/s11042-020-09576-0
https://www.thinkmind.org/articles/etelemed_2016_7_40_40093.pdf
https://www.scitepress.org/papers/2015/52411/52411.pdf
https://www.researchgate.net/publication/342075389_Development_of_ECG_sensor_using_arduino_uno_and_e-health_sensor_platform_mood_detection_from_heartbeat
https://link.springer.com/chapter/10.1007/11941354_44