GMU:Dataflow I WS12/Esther - Revision history

Ms: moved GMU:Dataflow I/Esther to GMU:Dataflow I WS12/Esther: Prepare for Dataflow I in SS 2013

2013-10-14T05:59:40Z

moved GMU:Dataflow I/Esther to GMU:Dataflow I WS12/Esther: Prepare for Dataflow I in SS 2013

← Older revision	Revision as of 05:59, 14 October 2013
(No difference)

Max at 18:28, 25 May 2013

2013-05-25T18:28:26Z

← Older revision		Revision as of 18:28, 25 May 2013
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	In his book ~~‘Tuning~~ of the ~~World’~~, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a field for study. The term may refer to actual environments, or to abstract constructions such as musical compositions and tape montages, particulary when considered as an environment.”		In his book ''Tuning of the World'', R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a field for study. The term may refer to actual environments, or to abstract constructions such as musical compositions and tape montages, particulary when considered as an environment.”

	In this patch I tried to develop an artificial soundscape with a mixture from generated sounds (copied from [http://obiwannabe.co.uk/html/sound-design/sound-design-audio.html Andy Farnell] (and modified a bit by me)) and some environmental sounds.		In this patch I tried to develop an artificial soundscape with a mixture from generated sounds (copied from [http://obiwannabe.co.uk/html/sound-design/sound-design-audio.html Andy Farnell] (and modified a bit by me)) and some environmental sounds.

Max at 18:27, 25 May 2013

2013-05-25T18:27:24Z

← Older revision		Revision as of 18:27, 25 May 2013
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	In his book ‘Tuning of the World’, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a field for study. The term may refer to actual environments, or to abstract constructions such as musical compositions and tape montages, particulary when considered as an environment.”		In his book ‘Tuning of the World’, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a field for study. The term may refer to actual environments, or to abstract constructions such as musical compositions and tape montages, particulary when considered as an environment.”

	In this patch I tried to develop an artificial soundscape with a mixture from generated sounds (copied from ~~Andy Farnell (~~http://obiwannabe.co.uk/html/sound-design/sound-design-audio.html and modified a bit by me)) and some environmental sounds.		In this patch I tried to develop an artificial soundscape with a mixture from generated sounds (copied from [http://obiwannabe.co.uk/html/sound-design/sound-design-audio.html Andy Farnell] (and modified a bit by me)) and some environmental sounds.

	At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.		At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.

	[[Media:Soundscape Esther Kronberg.zip]]		[[Media:Soundscape Esther Kronberg.zip]]

Max at 18:22, 25 May 2013

2013-05-25T18:22:56Z

← Older revision		Revision as of 18:22, 25 May 2013
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	At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.		At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.

	~~http~~:~~//www.uni-weimar.de/medien/wiki/File:Soundscape_Esther_Kronberg~~.zip		[[Media:Soundscape Esther Kronberg.zip]]

Kidu9774 at 18:31, 31 March 2013

2013-03-31T18:31:40Z

← Older revision		Revision as of 18:31, 31 March 2013
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	At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.		At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.

			http://www.uni-weimar.de/medien/wiki/File:Soundscape_Esther_Kronberg.zip

Kidu9774: Created page with "In his book ‘Tuning of the World’, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a ..."

2013-03-31T18:13:49Z

Created page with "In his book ‘Tuning of the World’, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a ..."

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In his book ‘Tuning of the World’, R. Murray Schafer defines the term Soundscape as “The sonic environment. Technically, any portion of the sonic environment regarded as a field for study. The term may refer to actual environments, or to abstract constructions such as musical compositions and tape montages, particulary when considered as an environment.”

In this patch I tried to develop an artificial soundscape with a mixture from generated sounds (copied from Andy Farnell (http://obiwannabe.co.uk/html/sound-design/sound-design-audio.html and modified a bit by me)) and some environmental sounds.

At the end you will hear a simple soundscape consisting of fire, rain, wind and crickets, whereby fire can also be interpreted as thunder and rain can also sound like fire crickling. Everybody’s ear and brain may hear and see another place. When I produced it I thought of a bushfire in the Australian desert.