GMU:Composing Collaborative Choreographed Interventions - Revision history

Ms: layout

2015-06-18T15:52:24Z

layout

← Older revision		Revision as of 15:52, 18 June 2015
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	When: 22.06.2015 - 26.06.2015		When: 22.06.2015 - 26.06.2015

	~~Where~~: Room 201		First Meeting: Room 201, 10:00 AM

	In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.		In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world.

			I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more.

			As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft.

			After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.

Ms: moved Composing Collaborative Choreographed Interventions to GMU:Composing Collaborative Choreographed Interventions: GMU namespace

2015-06-18T15:49:55Z

moved Composing Collaborative Choreographed Interventions to GMU:Composing Collaborative Choreographed Interventions: GMU namespace

← Older revision	Revision as of 15:49, 18 June 2015
(No difference)

Ms: Fix the date

2015-06-17T09:41:55Z

Fix the date

← Older revision		Revision as of 09:41, 17 June 2015
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	'''Angela Washko'''		'''Angela Washko'''

	When: 25.05.2015-29.05.2015		When: 22.06.2015 - 26.06.2015

	Where: R 201		Where: Room 201

	In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.		In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.

Chefin at 15:55, 5 February 2015

2015-02-05T15:55:59Z

← Older revision		Revision as of 15:55, 5 February 2015
Line 1:		Line 1:
	'''Angela Washko'''		'''Angela Washko'''

	''When: 25.05.2015-29.05.2015		When: 25.05.2015-29.05.2015
	Where: R 201''
			Where: R 201

	In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.		In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.

Chefin at 15:55, 5 February 2015

2015-02-05T15:55:34Z

← Older revision		Revision as of 15:55, 5 February 2015
Line 1:		Line 1:
	'''Angela Washko'''		'''Angela Washko'''

			''When: 25.05.2015-29.05.2015
			Where: R 201''

	In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.		In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.

Chefin: Created page with "'''Angela Washko''' In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively mul..."

2015-02-05T15:00:59Z

Created page with "'''Angela Washko''' In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively mul..."

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'''Angela Washko'''

In the workshop students gain both art historical and technical tools to create a collaborative and performative intervention inside an MMORPG (massively multiplayer online role playing game). The territories of these densely packed and rich landscape spaces are largely unexplored by artists whose practices, schedules and political endeavors do not align with the computer gaming world. I will use tactical media artists like The Yes Men, Dara Greenwald, Institute for Applied Autonomy, Electronic Disturbance Theater, Eva and Franco Mattes, subRosa, and VNS Matrix as precedents for more recent interventions specifically in video games – highlighting works by Joseph DeLappe, Molleindustria, Anna Anthropy, Anita Sarkeesian, Kenton Sheely, Micha Cardenas, Eddo Stern, C Level, JODI, Stephanie Rothenberg, Anne-Marie Schleiner and more. As a group we will look at historical precedents and current practices as a departure point for exploring a game space as a collective. During the workshop we will wander, observe, communicate with other players and learn about the specificity of one particular game space in which I've worked extensively: World of Warcraft. After three days of exploring, learning game mechanics and the game's distinct culture as well as documenting our experiences in the space via video capture software – we will have the tools we need to collectively choreograph a site specific (within the gamespace) performative intervention inside World of Warcraft.