GMU:Breaking the Timeline/projects - Revision history

Max at 21:54, 25 May 2011

2011-05-25T21:54:48Z

← Older revision		Revision as of 21:54, 25 May 2011
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	== [[Kyd Campbell]]: [[/TAPE/]]==		== [[Kyd Campbell]]: [[/TAPE/]]==
	[[Image:tape1.jpg\|thumb\|250px\|TAPE]]		[[Image:tape1.jpg\|thumb\|250px\|TAPE]]
	I have recorded the [http://www.foruse.info numen/foruse] team building up a large installation of plastic packing tape in the Tempelhof airport in Berlin, for the Design fair. I am now using this footage (very short clips) and the sound from them. I will create tape sounds myself in front of my computer microphone, with a projection behind. and a PD patch will relate the sounds made to the sounds in small video clips, creating visuals which jump between different clips of my recorded footage of the designers making their tape sculpture. It will be a loud, noisy performance. I used ~~PureData~~ to analyze the volume of sounds from a microphone and call up pre-numbered audio and video files.		I have recorded the [http://www.foruse.info numen/foruse] team building up a large installation of plastic packing tape in the Tempelhof airport in Berlin, for the Design fair. I am now using this footage (very short clips) and the sound from them. I will create tape sounds myself in front of my computer microphone, with a projection behind. and a Pd patch will relate the sounds made to the sounds in small video clips, creating visuals which jump between different clips of my recorded footage of the designers making their tape sculpture. It will be a loud, noisy performance. I used Pure Data to analyze the volume of sounds from a microphone and call up pre-numbered audio and video files.

	[[/TAPE\|Project description]]		[[/TAPE\|Project description]]

Dominique at 18:58, 11 February 2011

2011-02-11T18:58:44Z

← Older revision		Revision as of 18:58, 11 February 2011
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	~~== [[Dominique Wollniok]]: ==~~
	~~[[File:Dominique Anschauung gesamt.jpg\|thumb\|250px\|Skizze]]~~

	~~===Idee===~~
	~~In einem Raum kann man durch Bewegung Geräusche auslösen.~~
	~~Von einem Bild ausgehend, liegen die Geräusche in verschiedenen Ebenen.~~
	~~Durch mehrere Lautsprecher entsteht eine räumliche Klanglandschaft.~~
	~~Der Besucher erfühlt die akustische Umwelt und kann sie durch seine Bewegungen beeinflussen.~~

	~~===Ziel===~~
	~~Ziel ist es eine akustische Topographie einer Landschaft auf ein sich im Raum befindliches Raster zu übertragen.~~
	~~Der Körper des Besuchers ist Auslöser der Geräusche.~~
	~~Inhalt ist das Zusammenspiel von akustischem Raum und dem Körper darin.~~
	~~Durch Reproduktion der Klanglandschaft in detailreiche Einzelgeräusche erlebt man eine Landschaft anders.~~
	~~Es entsteht ein anderer, interaktiver Zugang zur Landschaft.~~

	~~===Ton===~~
	~~Die Soundscape besteht aus der gesamten Geräusche-Umwelt und ihre Einzelheiten.~~
	~~Die Einzelgeräusche sollen so konstruiert werden, dass sie im Kontext zur gesamten Soundscape bestehen bleiben.~~
	~~Die Ton-Ausgabe geschieht über eine 5.1 Anlage.~~
	~~Siehe [[Spatialisation]]~~

	~~===Tracking===~~
	~~Ausgehend von einem nicht sichtbaren Raster auf dem Boden, werden bestimmte Sounds ausgelöst.~~
	~~Ist man weit vom Bild entfernt, nimmt man die Soundscape als Gesamtes wahr.~~
	~~Je näher man an das Bild herantritt, desto mehr bekommt man den räumlichen Eindruck vom Bild. Man geht sozusagen in das Bild hinein.~~
	~~Einzelne Geräusche werden durch entsprechende Positionen ausgelöst.~~
	~~Das geschieht über ein Tracking in x-y-Ausrichtung.~~
	~~Außerdem soll die Geschwindigkeit getrackt werden. Je langsamer eine Bewegung geschieht, desto länger soll der Übergang von einem Geräusch ins andere sein.~~

	~~<gallery>~~
	~~File:Dominique Anschauung gesamt-mit-lautsprechern.jpg~~
	~~File:Dominique Anschauung gesamt-mit-lautsprechern2.jpg~~
	~~</gallery>~~

	~~===Anstehende Tests:===~~
	* Geräusch-Selektion einer Soundscape
	* Lautsprecher-Aufstellung
	* Foto oder Video der Ausgangslandschaft
	* Rasterform (Drei- oder Viereck) für Tracking
	~~<br clear="all" />~~

	== [[Anja Erdmann]]: ==		== [[Anja Erdmann]]: ==

Max: /* Hyun Ju Song: /Der Emotionsschalter/ */

2011-01-31T13:50:24Z

Hyun Ju Song: /Der Emotionsschalter/

← Older revision		Revision as of 13:50, 31 January 2011
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	== [[Hyun Ju Song]]: [[/Der Emotionsschalter/]] ==		== [[Hyun Ju Song]]: [[/Der Emotionsschalter/]] ==
	[[File:~~Ms_Beerstein_Dokumentation~~.jpg\|What's on friendly Ms.Beerstein's mind\|thumb\|250px]]		[[File:Ms Beerstein Dokumentation.jpg\|What's on friendly Ms.Beerstein's mind\|thumb\|250px]]
	# Ziel des Projekts: Entwicklung interaktiver Interfaces zur Steuerung von Videos		# Ziel des Projekts: Entwicklung interaktiver Interfaces zur Steuerung von Videos
	# Entwicklung im Sommersemester		# Entwicklung im Sommersemester

Hyunjusong: /* Hyun Ju Song: /Der Emotionsschalter/ */

2011-01-30T22:15:09Z

Hyun Ju Song: /Der Emotionsschalter/

← Older revision		Revision as of 22:15, 30 January 2011
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	== [[Hyun Ju Song]]: [[/Der Emotionsschalter/]] ==		== [[Hyun Ju Song]]: [[/Der Emotionsschalter/]] ==
	[[File:~~1-dntek-shj~~.jpg\|thumb\|250px]]		[[File:Ms_Beerstein_Dokumentation.jpg\|What's on friendly Ms.Beerstein's mind\|thumb\|250px]]
	# Ziel des Projekts: Entwicklung interaktiver Interfaces zur Steuerung von Videos		# Ziel des Projekts: Entwicklung interaktiver Interfaces zur Steuerung von Videos
	# Entwicklung im Sommersemester		# Entwicklung im Sommersemester

Max at 17:35, 24 January 2011

2011-01-24T17:35:45Z

@@ Line 7: / Line 7: @@
 [[/TAPE|Project description]]
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 == [[Dominique Wollniok]]: ==
@@ Line 48: / Line 89: @@
 * Foto oder Video der Ausgangslandschaft
 * Rasterform (Drei- oder Viereck) für Tracking
 <br clear="all" />
-== [[Matthias Breuer]]: [[/Reconstructing the truth|Reconstructing the truth]]==
+== [[Anja Erdmann]]: ==
-[[Image:Reconstructing the Truth.jpg|right|thumb|250px|Reconstructing the Truth]]
+- in this class i will get to work on "Schatten→Klang"
-In modern times reality is a highly constructed body made up of many different ideas, desires and influences. The biggest reality producing machine, the media with all its different distribution channels, confronts us with a huge moving colourful mass made of countless pictures and sounds. The question about whether what we see is real or not is neither asked nor encouraged. The catchphrase of modernity is see it and believe it, a critical discourse is never held. While in ancient times, following Platon's ideas, reality to some is the dancing of shadows on a cave wall, for us it is the play of many differently coloured pixels on flat surfaces. Screens are our viewfinders to the wold. Our perception is created by artificial interfaces. The connection between reality and man is created by copper wires and silicium plates. A very fragile umbilical cord highly dependent on those who feed it thus holding the ultimate control.
+* [[GMU:Audio+Video/projekte/Schatten→Klang]]
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@@ Line 100: / Line 106: @@
 I will also create new artwork specifically for this performance.
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Petu3224: /* Natercia Chang: /nicht blind, mute und deaf/ */

2011-01-24T16:24:46Z

Natercia Chang: /nicht blind, mute und deaf/

← Older revision		Revision as of 16:24, 24 January 2011
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	After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.		After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.

	It is based on my personal experience in Weimar. I came here without any knowledge of German, it was very hard and frustrating in the beginning; to communicate, to understand and to be understood. I am trying to express an imagery on one's mind (it is my mind that is presented). If things that cannot be comprehended from what one is viewing, the mind would process something intelligible from memory according to one's preference. The project aims to portray the mind as a platform where tempo and spatial can be altered, as well as its ability to separate images and sound, thus creating a new ~~scence~~ of images.		It is based on my personal experience in Weimar. I came here without any knowledge of German, it was very hard and frustrating in the beginning; to communicate, to understand and to be understood. I am trying to express an imagery on one's mind (it is my mind that is presented). If things that cannot be comprehended from what one is viewing, the mind would process something intelligible from memory according to one's preference. The project aims to portray the mind as a platform where tempo and spatial can be altered, as well as its ability to separate images and sound, thus creating a new scene of images.

	The project is visualized in a three-channel video installation, capturing the random things happened around me in Weimar. The installation is not exhibited in public yet.		The project is visualized in a three-channel video installation, capturing the random things happened around me in Weimar. The installation is not exhibited in public yet.

Max: /* Natercia Chang: nicht blind, mute und deaf */

2011-01-20T23:49:07Z

Natercia Chang: nicht blind, mute und deaf

← Older revision		Revision as of 23:49, 20 January 2011
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	== [[Natercia Chang]]: [[~~'''~~nicht blind, mute und deaf~~'''~~]] ==		== [[Natercia Chang]]: [[/nicht blind, mute und deaf/]] ==

	[[File:cover page.jpg\|thumb\|250px]]		[[File:cover page.jpg\|thumb\|250px]]

	After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.		After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.

Petu3224: /* Natercia Chang: nicht blind, mute und deaf */

2011-01-20T22:58:43Z

Natercia Chang: nicht blind, mute und deaf

← Older revision		Revision as of 22:58, 20 January 2011
Line 79:		Line 79:
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	== [[Natercia Chang]]: [['''nicht blind, mute und deaf''']] ==		== [[Natercia Chang]]: [['''nicht blind, mute und deaf''']] ==

	[[File:cover page.jpg\|thumb\|250px]]		[[File:cover page.jpg\|thumb\|250px]]

	After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.		After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.

Petu3224: /* Natercia Chang: /nicht blind, mute und deaf/ */

2011-01-20T22:57:18Z

Natercia Chang: /nicht blind, mute und deaf/

← Older revision		Revision as of 22:57, 20 January 2011
Line 79:		Line 79:
	<br clear="all" />		<br clear="all" />

	== [[Natercia Chang]]: [[/'''nicht blind, mute und deaf'''/]] ==		== [[Natercia Chang]]: [['''nicht blind, mute und deaf''']] ==
	[[File:cover page.jpg\|thumb\|250px]]		[[File:cover page.jpg\|thumb\|250px]]
	After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.		After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.

Petu3224: /* Natercia Chang: /nicht blind, mute und deaf/ */

2011-01-20T22:56:46Z

Natercia Chang: /nicht blind, mute und deaf/

← Older revision		Revision as of 22:56, 20 January 2011
Line 83:		Line 83:
	After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.		After doing some trial tests on the two ideas I came up for the project, I decided to eleborate the second idea I presented, which is about VO dubbing. The title of the work represents the difference in the visual content and audio content.

	It is based on my personal ~~expereince~~ in Weimar. I came here without any knowledge of German, it was very hard and frustrating in the beginning; to communicate, to understand and to be understood. I am trying to express an imagery on one's mind (it is my mind that is presented). If things that cannot be comprehended from what one is viewing, the mind would process something intelligible from memory according to one's preference. The project aims to portray the mind as a platform where tempo and spatial can be altered, as well as its ability to separate images and sound, thus creating a new scence of images.		It is based on my personal experience in Weimar. I came here without any knowledge of German, it was very hard and frustrating in the beginning; to communicate, to understand and to be understood. I am trying to express an imagery on one's mind (it is my mind that is presented). If things that cannot be comprehended from what one is viewing, the mind would process something intelligible from memory according to one's preference. The project aims to portray the mind as a platform where tempo and spatial can be altered, as well as its ability to separate images and sound, thus creating a new scence of images.

	The project is visualized in a three-channel video installation, capturing the random things happened around me in Weimar. The installation is not exhibited in public yet.		The project is visualized in a three-channel video installation, capturing the random things happened around me in Weimar. The installation is not exhibited in public yet.