Medien Wiki - User contributions [en]

GMU:Bits, Beats & Pieces

2018-10-22T07:54:46Z

Zebi6174: /* Student Works */

''Lecturer:'' [[GMU:Max Neupert|Max Neupert]] 
''Credits:'' 6 [[ECTS]], 4 [[SWS]] 
''Date:'' Mondays, 09:15-12:30 
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Raum 204]] 
''First meeting:'' Monday, 15th of October 09:00-12:30

==Bits, Beats & Pieces - Video Cut-Up in Echtzeit==

Als der Experimentalfilmer Martin Arnold 1989 mit „Pièce Touchée“ Micro-editing mit Found-Footage betrieb, war dieser Begriff noch nicht erfunden. Steina Vasulka, Granular Synthesis und viele weiter Künstler folgten in der Untersuchung einer Ästhetik der zeitlichen Dekonstruktion und Neu-Zusammensetzung von Bewegtbildern. In der Popkultur wurde dieses „audiovisuelle Cut-Up“ genutzt um das Bildsprache des Musikvideo zu erweitern und das Publikum von Live-Performances in den Bann zu ziehen. Cut Chemist und Ninja Tunes’ Coldcut und Hextatic wurden mit ihren audiovisuellen Shows und Videoclips bekannt.
Heute ist digitales Video eine schier unerschöpfliche Quelle an „Found Footage“ welche durch Plattformen wie YouTube, als eine Datenbank an bewegtem Bildern fast aller Art jederzeit und jedem zugänglich ist. Sie machten popkulturelle Phänomene wie Supercuts möglich: Aneinanderreihungen von kurzen sich gleichenden Szenen. Martin Arnolds mühsame Montagen von vor 30 Jahren erscheinen im Kontext dieser Subkulturen wie archaischer YouTube Poop.

Im Kurs Bits, Beats & Pieces - Video Cut-Up in Echtzeit schlagen wir die Brücke von Audio zu Video. Wir untersuchen und besprechen Beispiele künstlerischer Arbeiten aus Medienkunst, Experimentalfilm und Popkultur und schaffen eigene Arbeiten mit den Möglichkeiten von heute. Dabei lernen wir die Werkzeuge kennen die uns diese Arbeiten ermöglichen: Pure Data und Open Frameworks.

==Bits, Beats & Pieces - Video Cut-Up in Realtime==

When experimental filmmaker Martin Arnold 1989 made “Pièce Touchée” from found-footage, it was micro-editing before the term was invented. Steina Vasulka, Granular Synthesis and many other artists followed in exploring an aesthetic of deconstruction and reassembly of the timeline in moving images. In pop culture this “audiovisual cut-up” was used to expand the visual language of music clips and to have the audiences of live performances spellbound. Cut Chemist and Ninja Tunes’ Coldcut and Hextatic became famous for their audiovisual Shows and Videoclips.
Today digital video is an almost infinite source of found footage which has been made accessible to anyone, anytime through platforms like YouTube, essentially databases for moving images of almost any kind. They enabled pop culture phenomenons like supercuts: compilations of short shots of the same action. In the context of those subcultures Arnolds’ tedious montages from 30 years ago appear like archaic YouTube Poop.

In the class Bits, Beats & Pieces - Video Cut-Up in Realtime we are working with audiovisual material bridging Audio and Video. We will survey and discuss examples of creative Works from media art, experimental filmmaking and popular culture and create own works with the possibilities of today. On the way we will learn the tools which enable us to do so: Pure Data and Open Frameworks.

==Syllabus==

===2018-10-15===
Discussed:
* [http://www.gabrielshalom.com/#/house/ Gabriel Shalom: House]
* [https://www.youtube.com/watch?v=B8-QDCKdVO4 Coldcut/Hextatic: Timber]
* [https://www.youtube.com/watch?v=eRlhKaxcKpA Sven König: sCrAmBlEd?HaCkZ!]
* [https://www.youtube.com/watch?v=JzqumbhfxRo Lasse Gjertsen: Amateur]

===2018-10-22===

* [https://www.youtube.com/watch?v=AnDagpv4kUk Martin Arnold]

==Student Works==

* [[/Max Neupert/]]
*[[/Pedro Ramos/]]
* [[/Sarah Pacheco Alvim/]]
* [[/Sandra Anhalt/]]
* [[/Lalalolo/]]
*[[/FangSheng Chou/]]
* [[/Joel Schäfer/]]
* [[/Clemens/]]
*[[/Paloma Llambias/]]
[[Category:Max Neupert]]
[[Category:WS18]]
[[Category:Werkmodul]]
[[Category:Fachmodul]]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:09:08Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec

 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:08:42Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec

 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:07:34Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec

 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:06:57Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec
 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:06:45Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec
 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-23T14:05:59Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Exhibition'']]

[[File:her_2.jpg|thumb|300px|'' Video Frame'']]

Video / Stop Motion 
3min 40sec
 There is nothing left from her, but memories. From him we have this video. This video is the intend of
constructing two identities. A small story of people trying to back up a family history. With everyone being
able to easily store their moments with the help of smartphones how fast has the way we remember
changed? 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:17:22Z

Zebi6174:

File:Her 2.jpg

2018-03-22T20:16:31Z

Zebi6174:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:16:07Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:07:26Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[https://player.vimeo.com/video/252397857 "Her and The Paper" Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:07:05Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:06:53Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008|2018

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[https://player.vimeo.com/video/252397857" Her and The Paper Video Link]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:06:40Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:05:41Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:05:10Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T20:04:42Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:57:51Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:56:44Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

"https://player.vimeo.com/video/252397857"|Her and The Paper Video Link

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:56:21Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

https://player.vimeo.com/video/252397857|"Her and The Paper Video Link"

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:55:57Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:55:40Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:54:53Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

<https://player.vimeo.com/video/252397857> Her and The Paper Video Link

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:47:55Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:47:31Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[["https://player.vimeo.com/video/252397857" Her and The Paper Video]]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:46:54Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:46:05Z

Zebi6174:

[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

["https://player.vimeo.com/video/252397857" Her and The Paper Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:45:40Z

Zebi6174:

[[File:Example.jpg]]==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

["https://player.vimeo.com/video/252397857" Her and The Paper Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:44:59Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

["https://player.vimeo.com/video/252397857" Her and The Paper Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:38:47Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[video src= "https://player.vimeo.com/video/252397857" Her and The Paper Video]
 </video>

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:38:00Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:33:48Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:30:41Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:28:56Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

"https://player.vimeo.com/video/252397857" "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:28:37Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[<"https://player.vimeo.com/video/252397857">| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:28:22Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[<src="https://player.vimeo.com/video/252397857">| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:27:38Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[<iframe src="https://player.vimeo.com/video/252397857" ></iframe>| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:27:12Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[<iframe src="https://player.vimeo.com/video/252397857" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>| "Her and The Paper" Video]

File:Her 1.jpg

2018-03-22T19:19:58Z

Zebi6174:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:15:13Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:her_1.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[https://vimeo.com/252397857| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:14:11Z

Zebi6174:

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:herandthepaper.jpg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[https://vimeo.com/252397857| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T19:09:49Z

Zebi6174:

==[[Paloma Llambías]]: Her and the Paper, 2008/2018==

[[File:herandthepaper.jpeg|thumb|300px|'' Video'']]

Video / Stop Motion 
3min 40sec
 

[https://vimeo.com/252397857| "Her and The Paper" Video]

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T18:46:41Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T18:46:11Z

Zebi6174:

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-03-22T18:30:58Z

Zebi6174: /* Paloma Llambías: Her and the Paper, 2008/2018 */

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-01-29T18:25:20Z

Zebi6174: /* Paloma Llambias: Her and the Paper, 2008/2018 */

GMU:AUTHENTICITY PLEASE/Paloma Llambias

2018-01-29T18:25:05Z

Zebi6174: Created page with "==Paloma Llambias: Her and the Paper, 2008/2018== ''Installationsansicht: Rechnung und Werbevideo'' File:Place-2.jpeg|thumb|300px|''In..."

GMU:AUTHENTICITY PLEASE

2018-01-29T18:18:27Z

Zebi6174:

Lecturer: [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Jörg_Brinkmann Jörg Brinkmann] 
Credits: 6 ECTS, 4 SWS 
Date: Thursdays 17:00-20:30 
Venue: Performance Platform, Digital Bauhaus Lab (Room 001) 
First meeting: Thursday, October 12th 2017, 17:00 

 

We live in weird times, where Internet memes could start a Third World War, where the Internet offers the hope of transcultural communication and at the same time creates an uncontrollable chaos of shitstorms and cyberbullying that makes it seem like we are
thrown ‘back into the future’ of the digital Middle Ages.

How do we define authenticity and sincerity in times of fake news and post-truth politics? When laptops and smartphones become an important part of self-fulfillment and identity, when everybody can be a ‘news’ reporter, who can you believe to be sincere?

This course asks the recurring, ever haunting question of what is authentic. Has the search for it always been a deceptive road? How real does authenticity need to be today?

We will investigate, question and challenge modern and historical concepts related to the topic and create performative works that can be presented in the form of live performances, video works or installations. The course supports and excercises independent,
self-motivated work. Together, we will create an environment in which students can produce and discuss their own subjects related to the matter.

'''CRITERIA FOR PASSING''' 
In order to successfully participate you will have to develop and document your own project that can be in the form of a performance, video work or installation for example. Also, regularly attend to the sessions and participation is mandatory.

'''LANGUAGE''' 
The course will be in English, unless all participants are speaking German.

'''APPLICATION''' 
Please send a motivation letter before October 10th, 2017 to [mailto:joerg.brinkmann@uni-weimar.de joerg.brinkmann@uni-weimar.de]

Subject: AUTHENTICITY PLEASE

Content:
* Your motivation to join the course
* If you have a portfolio, webpage or any links or PDFs of your own projects, please attach them. It doesn't have to relate to the class
* Name, Surname
* program and semester (Studienprogramm und Fachsemester)
* matriculation number (Matrikelnummer)

'''PROJECTS''' 
*[[/Jörg Brinkmann|Jörg Brinkmann - Place Beneath Past]]
*[[/Paloma Llambias|Paloma Llambias - Her and the Papers]]