Medien Wiki - User contributions [en]

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:54:25Z

Yvonne: /* So and how is it working? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head.

I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

==So and how is it working?==

Since technology captured the entertainment industry (- or the other way round??) both together became a bigger and well nourished Cyclopes during the last decades.
Especially the enhancement of the human body and perception through technology is a maxim we all are following and love to experiment with.
We accept buggy technology - main thing is to upgrade, and we love to discover new features that are hidden behind those plastic-touchscreen-sensor-devices.
The term of Virtual Reality, that started as a nerd-science-slot soon became socially acceptable- through devices like VR glasses or datagloves.
In the late 1980 the technological glove was a futuristic device of the 8 bit Video Games.

What would happened then if we had to choose between technology and nature?
We want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpg]] [[File:Draft.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

We want people to have the opportunity to decide which gloves they would like to wear, tell us why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:53:11Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head.

I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

==So and how is it working?==

Since technology captured the entertainment industry (- or the other way round??) both together became a bigger and well nourished Cyclopes during the last decades.
Especially the enhancement of the human body and perception through technology is a maxim we all are following and love to experiment with.
We accept buggy technology - main thing is to upgrade, and we love to discover new features that are hidden behind those plastic-touchscreen-sensor-devices.
The term of Virtual Reality, that started as a nerd-science-slot soon became socially acceptable- through devices like VR glasses or datagloves.
In the late 1980 the technological glove was a futuristic device of the 8 bit Video Games.

What would happened then if we had to choose between technology and nature?
We want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpg]] [[File:Draft.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

We want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:52:44Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head.

I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

So and how is it working?

Since technology captured the entertainment industry (- or the other way round??) both together became a bigger and well nourished Cyclopes during the last decades.
Especially the enhancement of the human body and perception through technology is a maxim we all are following and love to experiment with.
We accept buggy technology - main thing is to upgrade, and we love to discover new features that are hidden behind those plastic-touchscreen-sensor-devices.
The term of Virtual Reality, that started as a nerd-science-slot soon became socially acceptable- through devices like VR glasses or datagloves.
In the late 1980 the technological glove was a futuristic device of the 8 bit Video Games.

What would happened then if we had to choose between technology and nature?
We want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpg]] [[File:Draft.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

We want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:22:32Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpg]] [[File:Draft.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

File:Draft.jpg

2016-01-24T18:21:31Z

Yvonne:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:20:36Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:19:40Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[File:IMG-20160114-WA0004.jpg]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:18:46Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

[[File:IMG-20160114-WA0004.jpgLight_Patterns.jpg]]

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:17:42Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

IMG-20160114-WA0004.jpg

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

File:IMG-20160114-WA0004.jpg

2016-01-24T18:16:45Z

Yvonne:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Human and Nonhuman Performances II WS15/Azucena Sánchez and Yvonne Götzl

2016-01-24T18:14:31Z

Yvonne: /* Tech vs Nature. What are men more afraid of? */

==Tech vs Nature. What are men more afraid of?==

Two devices similar to gloves (big structural gloves) will be displayed for people to try them on. Both of them will do the same thing, but they will be made out of different materials. One will be made out of metals and the other one will be made out of branches and natural conductive materials.

'''Requirements'''

:'''Space'''
::* Corner of the room or just a space of 1.50m x 1.50m
::* Lights (natural or light provided by the cafe - place are alright)

:'''Display'''
::* A wooden or cardboard cube. 80cm x 80cm

:'''Time'''
::* The whole presentation
:::The piece would be display as long as the event lasts. The main idea is that both devices be available for people to play around with them.

:'''Technical aspects of the piece'''
:Use of:
::* Natural conductive materials
::* Temperature sensors
::* Metal conductive materials
::* Soft electric shocks

==Tech vs Nature. What are men more afraid of?==

We are still not used as a society to see animals or living organisms moving inside a museum. On the other hand, there is still a big generation that are not experienced with the use of multimedia screens inside a museum.
In the case of Nature we can be afraid of hurting the animal, but from other experiences I have heard, sometimes because human beings are so used to their natural environment they won’t be afraid to play with these living organisms, they can even get to harm them. We must also think that because we are so used to the idea of a museum where some things are untouchable, people respect the organisms and they even respect technology too.

This is the problem that may happen when technology is placed in museums, because they feel the given technology is part of the art piece itself they don’t want to touch it or disturb it.

Maybe we are not totally afraid of these two, technology and nature, rather we show respect to the living organism and technology, but what happens with wearable technology? Many people have treated themselves as cyborgs, some examples may be Steve Mann or Neil Harbisson. They both have helped themselves to enhance their senses and some people have rejected them thinking “it is not natural”. In the case of Steve Mann, he was once assaulted in a McDonalds in Paris because he was wearing a system called EyeTap, this system is a pair of glasses which the employees from this food chain tried to tear apart from his head. I guess we live nowadays with paranoia and we are still afraid of what we don’t know. But if you think about it, we know nothing about nature, we know nothing about technology. There is a general knowledge that people claim to be familiar with but the individual knowledge is something else, not all of us are familiar with our natural environment nor the technological environment. We are afraid of the unknown.

What would happened then if we had to choose between technology and nature?
I want to create two devices that will be attached to the hands (something similar to a glove). Both are going to give the human being the sensation of enhancing their touch. I am not very familiar with so many electronics so what I want to create is something simple. The devices will be connected directly to the fingertips through little sensors that will give the human little strokes on each one of their fingers. According to the materials that people touch the reaction of the strokes will be higher or lower.

These two devices will do that same but both will be made out of different materials, one will made out aluminum and metals to give us the idea of a tech device; the other one will be made out of branches and natural conductors found in nature, this mean the aesthetic will be natural.

I want people to have the opportunity to decide which gloves they would like to wear, tell me why and also see their reaction as they wear them, then my hypothesis will be proved or disproved.

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-16T10:46:42Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

You can find genetic material / DNA allover in plants, humans, animals and its cells. The structure of DNA is packaged as chromosomes that are present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Cell stages.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)
• duration: permanent exhibition/ activated by distance sensor/ visitors movement

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate cells of plants and work with the different stages of the cells. Cells need company to grow. In the exhibition the visitor gets in contact with the genetic material through sensors.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T09:30:05Z

Yvonne:

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

[https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl '''''More information about the project''''']

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T08:03:23Z

Yvonne:

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T08:02:43Z

Yvonne:

[http://www.example.com link title]----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

[https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl ''More information about the project:'']

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T08:00:01Z

Yvonne:

[http://www.example.com link title]----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

['''More information about the project:''' https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:59:28Z

Yvonne:

[http://www.example.com link title]----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

['''More information about the project:''' https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl]]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:58:54Z

Yvonne:

----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

['''More information about the project:''']

[https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:58:14Z

Yvonne:

----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

'''More information about the project:'''

[https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:57:55Z

Yvonne:

----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:DNA1.png|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

'''More information about the project'''
== Headline text ==

[https://www.uni-weimar.de/medien/wiki/Yvonne_Götzl]

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:55:29Z

Yvonne:

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:54:04Z

Yvonne:

File:DNA1.png

2015-12-04T07:53:32Z

Yvonne: uploaded a new version of "File:DNA1.png"

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Spacial Information Lab/Chromosome Movement

2015-12-04T07:51:05Z

Yvonne:

----

'''INSPIRATION'''

Chromosome movement and shape.

[[File:Chromosomen_grün_klein.jpg]] [[File:Chromosom.png]]

[https://www.youtube.com/watch?v=_ug2nYVfWvo Mitotic Chromosome Movements]

After watching some videos of how the chromosomes interact with each other, we immediately thought of two people dancing. Is as if a couple of people were dancing, almost merging together and then they separate one from the other but they continue dancing. The movement also reminded us of this video which is a nice reference of what we would like to accomplish but since we have a 3D recording, we can turn it and twist it as we wish.

[https://vimeo.com/16110353 Scanline Visualisation]

[[File:Chrom1.jpg|thumb|left]]
[[File:Chrom2.png|thumb|left]]

----

'''WHAT WILL WE NEED?'''

* 4 performer (2 male/ 2 female)
* 2 hours to record.
:: The performers are not going to be available next weekend so we will record on the 4th of December.

File:Chromosom.png

2015-12-04T07:50:00Z

Yvonne: uploaded a new version of "File:Chromosom.png"

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-03T13:00:18Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

DNA is allover in plant tissue, humans, animals and its cells. The compact structure of DNA is packaged as chromosomes that are present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)
• duration: permanent exhibition/ activated by distance sensor/ visitors movement

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that influences the performance.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T17:00:21Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)
• duration: permanent exhibition/ activated by distance sensor/ visitors movement

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that influences the performance.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:55:46Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)
• duration: permanent exhibition/ activated by distance sensor/ visitors movement

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:53:09Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)
• duration: permanent exhibition/ activated by distance sensor/ visitors movement

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:51:25Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

'''The Project'''

I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience.
Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:50:24Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?
Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

The Project
I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience. Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:50:05Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?

Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

The Project
I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience. Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T16:49:46Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special stages of dividing cells. This process of dividing living material leads to new forms of organisms in every step.

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Organisms appear on a screen in a digital environment. Thy are belonging to the digital and science world. They move and need attention. Are they human?

Stop and Go Signals (e. g. from walking by) changes the organisms in their shape, movement and aesthetics. The interaction in front of the screen reveals different aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

'''About the genetic code'''

''"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“''
(Jacob, Francois, La logique du vivant)

The Project
I am going to isolate chromosomes of plants and attach them to human models and make experiments with the shape and movement of the genetic material and the human organisms. In the exhibition the visitor is another instance that leads to the inverse experience. Stability and Variability: Who is changing whom and what organism decides about the `stop´ and `go´?

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:24:17Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The organisms appearing on the screen are belonging to the digital world and science world.
They move and need attention. Are they human?

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

'''Technical infrastructure:'''

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

'''About the genetic code'''

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:23:43Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The organisms appearing on the screen are belonging to the digital world and science world.
They move and need attention. Are they human?

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:22:34Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention. Are they human?

[[File:DNA3.png]] [[File:Chromosom.png]]

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

'''Human & Protoplast Interaction welcome!'''

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:21:42Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention. Are they human?

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

[[File:DNA3.png]] [[File:Chromosom.png]]

Human & Protoplast Interaction welcome!

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:20:55Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention. Are they human?

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

[[File:DNA3.png]] [[File:Chromosom.png]] Human & Protoplast Interaction welcome!

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

File:Chromosom.png

2015-12-01T13:20:15Z

Yvonne: uploaded a new version of "File:Chromosom.png"

== Summary ==

== Copyright status: ==

== Source: ==

File:Chromosom.png

2015-12-01T13:19:19Z

Yvonne: uploaded a new version of "File:Chromosom.png"

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:16:52Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention. Are they human?

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]] [[File:Chromosom.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

File:Chromosom.png

2015-12-01T13:15:56Z

Yvonne:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:15:38Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention. Are they human?

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:15:23Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human?

'''What you will see'''

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:15:12Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human?

'''What you will see'''
Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:15:02Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human?

'''What you will see''' Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:14:07Z

Yvonne: /* Project Sketch */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human? Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project documentation ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:13:19Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human? Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage.

Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project Sketch ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:12:41Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human?

[[File:DNA3.png]]

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage. Human & Protoplast Interaction welcome!

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project Sketch ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]

GMU:Human and Nonhuman Performances II WS15/Yvonne Götzl

2015-12-01T13:11:36Z

Yvonne: /* Transmediale Project */

== Transmediale Project==

'''''Protoplasmic Performance'''''

Since DNA as biochemical material is allover in plant tissue, humans, animals and its cells, the compact structure of DNA packaged as chromosomes is present in special (time) stages of dividing cells. The Organisms appearing on the screen are belonging to the digital world and science world. They move and need attention.

Are they human?

Stop and Go Signal (e. g. walking by) changes the Chromosomes in their shape and movement and reveals the aesthetics of the Chromosome stage. Human & Protoplast Interaction welcome!

[[File:DNA3.png]]

About the genetic code

"Two apparently opposed properties of living beings, stability and variability, are based on the very nature of the genetic text. The system only offers a choice between two alternatives. The only instruction that can be received from the environment through regulatory proteins is a ' go ' or ' stop ' signal. Reading the genetic message, therefore, is like getting music from a iuke-box in a cafe. By pressing one of the buttons, one can choose the desired record from those in the machine.“

(Jacob, Francois, La logique du vivant)

Technical infrastructure:

• Screen (Computer)
• Table
• Distance Sensor
• best would be a place with artificial light source (not near window)

== Project Sketch ==

'''Inspiration:'''

[[File:DNA1.png]] [[File:DNA2.png‎]]

aus: Genetik verstehen Grundlagen der molekularen Biologie von Wrba, Fritz; Dolznig, Helmut; Mannhalter, Christine UTB 2. Auflage

'''Idea:'''

[[File:Projektskizze_YGklein4.jpg]]

First Step: Isolating DNA from Parthenocissus spec.

[[File:Wilder_wein.jpg]] [[File:DNA_iso.jpg]]