https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Tim+A. 2026-06-19T21:32:25Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142289 2026-04-27T13:53:17Z

<p>Tim A.: </p> <hr /> <div>=== '''My Introducion Presentation :)''' ===<br /> [[File:Patterns-TimAuzinger Introduction.pdf]]<br /> <br /> === My Idea for this Semester :) ===<br /> <br /> ==== in Stability - kinetic light installation using moire patterns and strobing ====<br /> [[File:Photo of digital tests.png|frameless|800x800px|center]]<br /> <br /> ===== First Words… =====<br /> [[File:Photo of Moire Lamp i created years ago.png|thumb|383x383px]]<br /> With the work in stability, I want to approach the theme of instability in an abstract and poetic way. Lately, I have encountered the concept or term of stability in many different contexts: a stable work environment, feeling mentally stable, psychological instability as a major burden. Who is politically stable — and whose arms ideally are as well. But what is it that makes being stable so appealing to us? Is this desire a constant, or is it connected to the crisis-ridden time we live in? And is there not also beauty, or even progressive potential, in instability?<br /> <br /> With fragile and unsteady patterns of light and fragments of sound, I want to embark on an abstract search for beauty and solace in instability, without obscuring the fear it can evoke.<br /> <br /> Formally, I want to work with optical interference patterns, especially with their transformation through movement and light. When two similar patterns are moved past one another, a new image emerges, moving in wave-like motion. If the movement becomes too fast, this pattern blurs into an indefinable mass. Yet through stroboscopic flashes of light at the right frequency, the image can stabilize again, and through the modulation of light, even alter its perceived direction of movement. This interplay is based on human perception and can only be digitally reproduced to a limited extent. Precisely for this reason, it is inherently unstable: even small deviations and irregularities can lead to dramatic optical effects.<br /> <br /> Here, stability or instability arise from the relationship between movement, light, rhythm, and perception. Together with a sonic layer, I want to develop from this a time-based, abstract work that renders my reflections on instability sensorially tangible. The goal for this semester is to develop an initial prototype through which both the technical parameters and the conceptual questions of the work can be explored.<br /> <br /> ===== and a Diagram... =====<br /> [[File:Diagram-v1.png|thumb|800x800px|center]]<br /> <br /> one really inspiring work that pushed my motivation to explore this phenomenon a lot<br /> <br /> '''Phaeno Museum''' by Gregory Barsamian<br /> <br /> https://vimeo.com/342832935?fl=pl&amp;fe=vl<br /> <br /> '''additionally i want to further develop the Work from last Semester especially in terms of applying for festivals and finding funding for building more Modules. This will include primarilly working with the simulation and the controll/performative system :)'''</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142288 2026-04-27T13:52:55Z

<p>Tim A.: </p> <hr /> <div>=== '''My Introducion Presentation :)''' ===<br /> [[File:Patterns-TimAuzinger Introduction.pdf]]<br /> <br /> === My Idea for this Semester :) ===<br /> <br /> ==== in Stability - kinetic light installation using moire patterns and strobing ====<br /> [[File:Photo of digital tests.png|frameless|800x800px|center]]<br /> <br /> ===== First Words… =====<br /> [[File:Photo of Moire Lamp i created years ago.png|thumb|383x383px]]<br /> With the work in stability, I want to approach the theme of instability in an abstract and poetic way. Lately, I have encountered the concept or term of stability in many different contexts: a stable work environment, feeling mentally stable, psychological instability as a major burden. Who is politically stable — and whose arms ideally are as well. But what is it that makes being stable so appealing to us? Is this desire a constant, or is it connected to the crisis-ridden time we live in? And is there not also beauty, or even progressive potential, in instability?<br /> <br /> With fragile and unsteady patterns of light and fragments of sound, I want to embark on an abstract search for beauty and solace in instability, without obscuring the fear it can evoke.<br /> <br /> Formally, I want to work with optical interference patterns, especially with their transformation through movement and light. When two similar patterns are moved past one another, a new image emerges, moving in wave-like motion. If the movement becomes too fast, this pattern blurs into an indefinable mass. Yet through stroboscopic flashes of light at the right frequency, the image can stabilize again, and through the modulation of light, even alter its perceived direction of movement. This interplay is based on human perception and can only be digitally reproduced to a limited extent. Precisely for this reason, it is inherently unstable: even small deviations and irregularities can lead to dramatic optical effects.<br /> <br /> Here, stability or instability arise from the relationship between movement, light, rhythm, and perception. Together with a sonic layer, I want to develop from this a time-based, abstract work that renders my reflections on instability sensorially tangible. The goal for this semester is to develop an initial prototype through which both the technical parameters and the conceptual questions of the work can be explored.<br /> <br /> ===== and a Diagram... =====<br /> [[File:Diagram-v1.png|thumb|800x800px|center]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> one really inspiring work that pushed my motivation to explore this phenomenon a lot<br /> <br /> '''Phaeno Museum''' by Gregory Barsamian<br /> <br /> https://vimeo.com/342832935?fl=pl&amp;fe=vl<br /> <br /> '''additionally i want to further develop the Work from last Semester especially in terms of applying for festivals and finding funding for building more Modules. This will include primarilly working with the simulation and the controll/performative system :)'''</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142287 2026-04-27T13:51:55Z

<p>Tim A.: /* First Words… */</p> <hr /> <div>=== '''My Introducion Presentation :)''' ===<br /> [[File:Patterns-TimAuzinger Introduction.pdf]]<br /> <br /> === My Idea for this Semester :) ===<br /> <br /> ==== in Stability - kinetic light installation using moire patterns and strobing ====<br /> [[File:Photo of digital tests.png|left|frameless|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> ===== First Words… =====<br /> [[File:Photo of Moire Lamp i created years ago.png|thumb|383x383px]]<br /> With the work in stability, I want to approach the theme of instability in an abstract and poetic way. Lately, I have encountered the concept or term of stability in many different contexts: a stable work environment, feeling mentally stable, psychological instability as a major burden. Who is politically stable — and whose arms ideally are as well. But what is it that makes being stable so appealing to us? Is this desire a constant, or is it connected to the crisis-ridden time we live in? And is there not also beauty, or even progressive potential, in instability?<br /> <br /> With fragile and unsteady patterns of light and fragments of sound, I want to embark on an abstract search for beauty and solace in instability, without obscuring the fear it can evoke.<br /> <br /> Formally, I want to work with optical interference patterns, especially with their transformation through movement and light. When two similar patterns are moved past one another, a new image emerges, moving in wave-like motion. If the movement becomes too fast, this pattern blurs into an indefinable mass. Yet through stroboscopic flashes of light at the right frequency, the image can stabilize again, and through the modulation of light, even alter its perceived direction of movement. This interplay is based on human perception and can only be digitally reproduced to a limited extent. Precisely for this reason, it is inherently unstable: even small deviations and irregularities can lead to dramatic optical effects.<br /> <br /> Here, stability or instability arise from the relationship between movement, light, rhythm, and perception. Together with a sonic layer, I want to develop from this a time-based, abstract work that renders my reflections on instability sensorially tangible. The goal for this semester is to develop an initial prototype through which both the technical parameters and the conceptual questions of the work can be explored.<br /> <br /> ===== and a Diagram... =====<br /> [[File:Diagram-v1.png|left|thumb|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> one really inspiring work that pushed my motivation to explore this phenomenon a lot<br /> <br /> '''Phaeno Museum''' by Gregory Barsamian<br /> <br /> https://vimeo.com/342832935?fl=pl&amp;fe=vl<br /> <br /> '''additionally i want to further develop the Work from last Semester especially in terms of applying for festivals and finding funding for building more Modules. This will include primarilly working with the simulation and the controll/performative system :)'''</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142286 2026-04-27T13:51:01Z

<p>Tim A.: added additional work i want to do this semester</p> <hr /> <div>=== '''My Introducion Presentation :)''' ===<br /> [[File:Patterns-TimAuzinger Introduction.pdf]]<br /> <br /> === My Idea for this Semester :) ===<br /> <br /> ==== in Stability - kinetic light installation using moire patterns and strobing ====<br /> [[File:Photo of digital tests.png|left|frameless|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> ===== First Words… =====<br /> [[File:Photo of Moire Lamp i created years ago.png|thumb|383x383px]]<br /> With the work in stability, I want to approach the theme of instability in an abstract and poetic way. Lately, I have encountered the concept or term of stability in many different contexts: a stable work environment, feeling mentally stable, psychological instability as a major burden. Who is politically stable — and whose arms ideally are as well. But what is it that makes being stable so appealing to us? Is this desire a constant, or is it connected to the crisis-ridden time we live in? And is there not also beauty, or even progressive potential, in instability?<br /> <br /> With fragile and unsteady patterns of light and fragments of sound, I want to embark on an abstract search for beauty and solace in instability, without obscuring the fear it can evoke.<br /> <br /> Formally, I want to work with optical interference patterns, especially with their transformation through movement and light. When two similar patterns are moved past one another, a new image emerges, moving in wave-like motion. If the movement becomes too fast, this pattern blurs into an indefinable mass. Yet through stroboscopic flashes of light at the right frequency, the image can stabilize again, and through the modulation of light, even alter its perceived direction of movement. This interplay is based on human perception and can only be digitally reproduced to a limited extent. Precisely for this reason, it is inherently unstable: even small deviations and irregularities can lead to dramatic optical effects.<br /> <br /> Here, stability or instability arise from the relationship between movement, light, rhythm, and perception. Together with a sonic layer, I want to develop from this a time-based, abstract work that renders my reflections on instability sensorially tangible. The goal for this semester is to develop an initial prototype through which both the technical parameters and the conceptual questions of the work can be explored.<br /> <br /> ===== and a Diagram... =====<br /> [[File:Diagram-v1.png|left|thumb|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> one really inspiring work that pushed my motivation to explore this phenomenon a lot<br /> <br /> '''Phaeno Museum''' by Gregory Barsamian<br /> <br /> https://vimeo.com/342832935?fl=pl&amp;fe=vl<br /> <br /> '''additionally i want to further develop the Work from last Semester especially in terms of applying for festivals and finding funding for building more Modules. This will include primarilly working with the simulation and the controll/performative system :)'''</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142285 2026-04-27T13:48:04Z

<p>Tim A.: added my inital idea</p> <hr /> <div>=== '''My Introducion Presentation :)''' ===<br /> [[File:Patterns-TimAuzinger Introduction.pdf]]<br /> <br /> === My Idea for this Semester :) ===<br /> <br /> ==== in Stability - kinetic light installation using moire patterns and strobing ====<br /> [[File:Photo of digital tests.png|left|frameless|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> ===== First Words… =====<br /> [[File:Photo of Moire Lamp i created years ago.png|thumb|383x383px]]<br /> With the work in stability, I want to approach the theme of instability in an abstract and poetic way. Lately, I have encountered the concept or term of stability in many different contexts: a stable work environment, feeling mentally stable, psychological instability as a major burden. Who is politically stable — and whose arms ideally are as well. But what is it that makes being stable so appealing to us? Is this desire a constant, or is it connected to the crisis-ridden time we live in? And is there not also beauty, or even progressive potential, in instability?<br /> <br /> With fragile and unsteady patterns of light and fragments of sound, I want to embark on an abstract search for beauty and solace in instability, without obscuring the fear it can evoke.<br /> <br /> Formally, I want to work with optical interference patterns, especially with their transformation through movement and light. When two similar patterns are moved past one another, a new image emerges, moving in wave-like motion. If the movement becomes too fast, this pattern blurs into an indefinable mass. Yet through stroboscopic flashes of light at the right frequency, the image can stabilize again, and through the modulation of light, even alter its perceived direction of movement. This interplay is based on human perception and can only be digitally reproduced to a limited extent. Precisely for this reason, it is inherently unstable: even small deviations and irregularities can lead to dramatic optical effects.<br /> <br /> Here, stability or instability arise from the relationship between movement, light, rhythm, and perception. Together with a sonic layer, I want to develop from this a time-based, abstract work that renders my reflections on instability sensorially tangible. The goal for this semester is to develop an initial prototype through which both the technical parameters and the conceptual questions of the work can be explored.<br /> <br /> ===== and a Diagram... =====<br /> [[File:Diagram-v1.png|left|thumb|800x800px]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> one really inspiring work that pushed my motivation to explore this phenomenon a lot<br /> <br /> '''Phaeno Museum''' by Gregory Barsamian<br /> <br /> https://vimeo.com/342832935?fl=pl&amp;fe=vl</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Diagram-v1.png&diff=142284 2026-04-27T13:44:50Z

<p>Tim A.: </p> <hr /> <div>a first flow of thoughts and moods</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Photo_of_Moire_Lamp_i_created_years_ago.png&diff=142283 2026-04-27T13:43:15Z

<p>Tim A.: </p> <hr /> <div>light modulated through moire pattern hits white screen</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Photo_of_digital_tests.png&diff=142282 2026-04-27T13:38:06Z

<p>Tim A.: </p> <hr /> <div>a photograph showing the digital first tests of the concept</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Tim_Auzinger&diff=142130 2026-04-20T20:00:36Z

<p>Tim A.: uploaded my Intro Presentation</p> <hr /> <div>'''My Introducion Presentation :)'''<br /> <br /> [[File:Patterns-TimAuzinger Introduction.pdf]]</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Patterns-TimAuzinger_Introduction.pdf&diff=142129 2026-04-20T19:59:50Z

<p>Tim A.: </p> <hr /> <div>My Kickoff Presentation :)</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Wetlands/Tim_Auzinger&diff=141831 2025-11-05T09:39:04Z

<p>Tim A.: /* Positioning */</p> <hr /> <div>===Positioning===<br /> [[File:TimAuzinger_Wetlands-Positioning_.jpg|border]]<br /> <br /> Coming from working as a light and sound technician in socio-culture, I am used to plugging cables, wiring devices, and mediating between imagination and reality. In this sense, I see myself as someone who seeks connections that reach beyond cabling: enabling tech use, sharing knowledge, and learning through different perspectives. I find and try to bring, joy in collaborations, in finding shared solutions, weaving ideas together and expanding my own view.<br /> <br /> Cheers, Tim (◔◡◔)</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Wetlands/Tim_Auzinger&diff=141830 2025-11-05T09:38:45Z

<p>Tim A.: Created page with &quot;===Positioning=== border Coming from working as a light and sound technician in socio-culture, I am used to plugging cables, wiring devices, and mediating between imagination and reality. In this sense, I see myself as someone who seeks connections that reach beyond cabling: enabling tech use, sharing knowledge, and learning through different perspectives. I find and try to bring, joy in collaborations, in finding shared sol...&quot;</p> <hr /> <div>===Positioning===<br /> [[File:TimAuzinger_Wetlands-Positioning_.jpg|border]]<br /> Coming from working as a light and sound technician in socio-culture, I am used to plugging cables, wiring devices, and mediating between imagination and reality. In this sense, I see myself as someone who seeks connections that reach beyond cabling: enabling tech use, sharing knowledge, and learning through different perspectives. I find and try to bring, joy in collaborations, in finding shared solutions, weaving ideas together and expanding my own view.<br /> <br /> Cheers, Tim (◔◡◔)</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:TimAuzinger_Wetlands-Positioning_.jpg&diff=141829 2025-11-05T09:35:40Z

<p>Tim A.: </p> <hr /> <div>.</div>

Tim A. https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:TimAuzinger_Wetlands-Positioning.pdf&diff=141828 2025-11-05T09:33:45Z

<p>Tim A.: </p> <hr /> <div>Coming from working as a light and sound technician in socio-culture, I am used to plugging cables, wiring devices, and mediating between imagination and reality. In this sense, I see myself as someone who seeks connections that reach beyond cabling: enabling tech use, sharing knowledge, and learning through different perspectives. I find and try to bring, joy in collaborations, in finding shared solutions, weaving ideas together and expanding my own view.</div>

Tim A.