Medien Wiki - User contributions [en]

GMU:Construction - Destruction/Thai Tai Pham

2022-11-29T08:48:38Z

Thaitaipham:

Transit of Transformation

Train stations, hotel rooms, airport terminals, hospitals: places like these have long been part of our everyday lives. They are transit places - places where we stay without staying. Marc Augé calls them "non-places", Peter Sloterdijk "no-man's places".
But in times of globalization and mobility, these places, fused into hypercultural transit spaces, offer what a conventional conventional place may no longer be able to rent, a place of deceleration, a stop, a refuge.
The artistic work focuses on the dependence of man in his infrastructures on mobility and communication. High-speed trains , communication, rhythm. But also the atmosphere of transit and refuge in the so-called "no man's places".
The interest of this work initially pursues an observation of individual train stations such as in Halle (Saale), Altenburg, Greiz, Weimar, Erfurt or Eisenach.
What is the connection between acceleration and alienation, construction and destruction processes?
As possible formats of an artistic realization, performances in train stations and/or video and sound installations in public space can emerge.

[[File:IMG_1111.png|400px]]

References:
Wilhelms, Lars: Transit-Orte in der Literatur
Hartmut, Rosa: Beschleunigung und Entfremdung
Marc Augé: Nicht-Orte

File:IMG 1111.png

2022-11-29T08:46:28Z

Thaitaipham: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Construction - Destruction/Thai Tai Pham

2022-11-29T08:44:58Z

Thaitaipham: Created page with "Transit of Transformation Train stations, hotel rooms, airport terminals, hospitals: places like these have long been part of our everyday lives. They are transit places - pl..."

Transit of Transformation

Train stations, hotel rooms, airport terminals, hospitals: places like these have long been part of our everyday lives. They are transit places - places where we stay without staying. Marc Augé calls them "non-places", Peter Sloterdijk "no-man's places".
But in times of globalization and mobility, these places, fused into hypercultural transit spaces, offer what a conventional conventional place may no longer be able to rent, a place of deceleration, a stop, a refuge.
The artistic work focuses on the dependence of man in his infrastructures on mobility and communication. High-speed trains , communication, rhythm. But also the atmosphere of transit and refuge in the so-called "no man's places".
The interest of this work initially pursues an observation of individual train stations such as in Halle (Saale), Altenburg, Greiz, Weimar, Erfurt or Eisenach.
What is the connection between acceleration and alienation, construction and destruction processes?
As possible formats of an artistic realization, performances in train stations and/or video and sound installations in public space can emerge.

[[File:Example.jpg]]

References:
Wilhelms, Lars: Transit-Orte in der Literatur
Hartmut, Rosa: Beschleunigung und Entfremdung
Marc Augé: Nicht-Orte

GMU:Construction - Destruction

2022-11-29T08:42:43Z

Thaitaipham: /* Student work (your contributions) */

''[[File:Construction_destruction_s+.jpg|1000px]] ''how DALL·E interprets the topic [https://labs.openai.com/s/bkK0W2zRq1czdCo97bRJLDBF]
''

Construction and deconstruction processes can be observed in all areas of activity, there occurring as build up and dismantling. Both activities are mutually dependent. In order to be able to build up, another structure must be broken down. These activities indicate the limited availability of space and time, the need to be thought of in cycles. In their respective contexts, they develop meaning, morality, violence, hope.
They appear to us in non-ending promises of growth in capitalism, the loss of nature through climate change or massive destructions of wars, but also in the natural decay and the natural growth. We are permanently confronted with the phenomena of construction and destruction and have every reason to reflect on them.
In art, Gustav Metzger in his autodestructive art or Mierle Ladermann-Ukeles in her "Maintenance Art" have positioned themselves on this. "Politics of care" also think in a different way about the future. Where do we stand? How do we deal with construction, destruction, poiesis or decay? What processes do we use for our personal research?
The project proposes a practical approach to the topic and offers the opportunity to experiment with the different forms of constructing or destruction and to address their mechanisms of action and their impact in their environment.

I'm curious how you are interpreting construction and destruction and where you see the fields of activities for artists, designers and architects.

Besides the fach courses of my co-workers who wil, this semester, '''Christian Doeller''' will be assisting us with practical support to develop interactive artefacts within the context of the project.

Meetings in presence '''Tuesdays at 9.15 - 12.30 the Digital Bauhaus Lab Bauhaus Strasse 7''', ground floor.
Start: October 18th

== Readings ==

* [https://monoskop.org/images/c/c9/Stiles_Kristine_1987_Synopsis_of_the_Destruction_in_Art_Symposium_and_Its_Theoretical_Significance.pdf Destruction in Art Symposium]
* Anna Tsing: Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene ISBN 978-1517902360
* Bruno Latour and Peter Weibel: Critical Zones ISBN 9780262044455
* Paul Virilio: Bunker Archaeology ISBN 978-1568980157
* Andrew Pickering: The Mangle in Practice ISBN 978-0-8223-4373-8
* Mathieu Copeland, Clément Dirié (eds.), 'Gustav Metzger. Writings (1953-2016)', Geneva: JRP Editions, 2019, ill. ISBN 978-3-03764-535-2
* Ursula Damm, Mindaugas Gapsevicius: Shared Habitats ISBN 978-3-8376-5647-3
* Sacha Kagan: Art and Sustainability - Connecting Patterns for a Culture of Complexity ISBN 978-3837618037
* [https://times-of-waste.ch/wp-content/uploads/2018/01/YVolkart_From-Trash_to_Waste-1.pdf Yvonne Volkart: From Trash to Waste]
* Hannah Arendt: The freedom to be free https://www.penguin.co.uk/books/320/320067/the-freedom-to-be-free/9780241472880.html

== Artists ==
* [https://www.tate.org.uk/art/artists/gustav-metzger-7196 Gustav Metzger]
* [https://www.ardmediathek.de/video/capriccio/werkschau-der-amerikanischen-kuenstlerin-joan-jonas-in-muenchen/br-fernsehen/Y3JpZDovL2JyLmRlL3ZpZGVvL2E1NGYwMDA0LTI0ZDUtNGM0Ni1hYjQ1LWI4MWMzYmIwYmY1OA?fbclid=IwAR369QoHCAb8S6Hm9-euv4rZ5T16gOmgdQKG73jVJflTdKjlYvV4jvY2_aQ Joan Jonas in TV]
* [https://vimeo.com/106706806 Yoko Ono Cut piece]
* [https://jennasutela.com/ Jenna Sutela]
* [https://forensic-architecture.org/ Forensic-Architecture]
* [https://www.walidraad.com/ Walid Raad]
* [https://tranxxenolab.net/people/adriana_knouf/ Adriana Knouf]
* [https://archiv.adk.de/bigobjekt/17126 Lutz Dammbeck]
* [https://www.romansigner.ch/ Roman Signer]
* [https://monoskop.org/Mierle_Laderman_Ukeles Mierle Laderman Ukeles]
* [https://www.moma.org/artists/6636 Gordon Matta-Clark]
* [https://aesf.art/ AES+F]
* [http://sheldon-brown.net/ Sheldon Brown]
* [https://refikanadol.com/ Refik Anadol (as a phenomenon rather than an artist)]

== Projects ==
* [https://critical-zones.zkm.de/#!/ Critical Zones Web Platform]
* [https://critical-zones.zkm.de/#!/detail:lynn-margulis-archive-arbeitstitel Lynn Margulis: Live is a process]
* [https://critical-zones.zkm.de/#!/detail:perimeter-pfynwald-a-soundscape-observatory Marcus Maeder: Perimeter Pfynwald. A Soundscape Observatory]
* [https://www.julianrosefeldt.com/film-and-video-works/detonation-deutschland-1996/installation-views/ Julian Rosefeldt Detonation Deutschland]
* [https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjFyKe8ocb6AhWuhv0HHbjRAK44ChAWegQICBAB&url=https%3A%2F%2Fwww.archplus.net%2Fdownload%2Fartikel%2F5029%2F&usg=AOvVaw1jhIWYdcOJMwoz7aHMDm7p The Architecture Machine Group]
* [https://blogs.otis.edu/in-focus/robots-r-us/ Robotic Chair by Max Dean, Raffaello D'Andrea, Matt Donovan]
* [https://youtu.be/FXY6ocvaZyE Ant Farm Media Burn]
* [https://youtu.be/JRPUjc5jLHM Andreas Angelidakis: The walking building], [https://youtu.be/6EZvOm6zMmk The building who wants to become a mountain (Walking building II]
* [https://vimeo.com/231411671 Johann Grimonprez: dial H-I-S-T-O-R-Y]
* [https://www.sfmoma.org/watch/peter-campus-on-his-most-famous-work-and-why-he-hates-it/ Peter Campus on 3 transitions]
== Projects related to Artificial Life ==
* [https://en.wikipedia.org/wiki/Molecubes Self replicating cubes]
* [https://news.mit.edu/2019/self-transforming-robot-blocks-jump-spin-flip-identify-each-other-1030 Self-transforming robot]
* [https://alien-project.org/ Artificial Life environment]

== Student work (your contributions) ==

[[Category:WS22]]
[[Category:Projektmodul]]
[[Category:Ursula Damm]]
*[[ Amelia Eickhoff]]
* [[Nodari Gogosashvili]]
* Franziska Kraetschmar
* Claas Matti Julius Krause
* Mojjo Krenz
* [[Maximilian Götz]]
* Victoria Mikhaylova
* [[/Martin Müller]]
* Lan Nguyen
* Stefan Ralevic
* Rodrige Saad
* [[/Cosmo Niklas Schüppel]]
* Ece Sungur
* [[/Thai Tai Pham]]

User:Thaitaipham

2022-11-28T23:23:48Z

Thaitaipham: Created page with "Transit of transformation Train stations, hotel rooms, airport terminals, hospitals: places like these have long been part of our everyday lives. They are transit places - pl..."

Transit of transformation

Train stations, hotel rooms, airport terminals, hospitals: places like these have long been part of our everyday lives. They are transit places - places where we stay without staying. Marc Augé calls them "non-places", Peter Sloterdijk "no-man's places".
But in times of globalization and mobility, these places, fused into hypercultural transit spaces, offer what a conventional conventional place may no longer be able to rent, a place of deceleration, a stop, a refuge.
The artistic work focuses on the dependence of man in his infrastructures on mobility and communication. High-speed trains , communication, rhythm. But also the atmosphere of transit and refuge in the so-called "no man's places".
The interest of this work initially pursues an observation of individual train stations such as in Halle (Saale), Altenburg, Greiz, Weimar, Erfurt or Eisenach.
What is the connection between acceleration and alienation, construction and destruction processes?
As possible formats of an artistic realization, performances in train stations and/or video and sound installations in public space can emerge.

References:
+Wilhelms, Lars: Transit-Orte in der Literatur
+Hartmut, Rosa: Beschleunigung und Entfremdung
+Marc Augé: Nicht-Orte

GMU:Construction - Destruction

2022-11-28T16:08:17Z

Thaitaipham: /* Student work (your contributions) */

''[[File:Construction_destruction_s+.jpg|1000px]] ''how DALL·E interprets the topic [https://labs.openai.com/s/bkK0W2zRq1czdCo97bRJLDBF]
''

Construction and deconstruction processes can be observed in all areas of activity, there occurring as build up and dismantling. Both activities are mutually dependent. In order to be able to build up, another structure must be broken down. These activities indicate the limited availability of space and time, the need to be thought of in cycles. In their respective contexts, they develop meaning, morality, violence, hope.
They appear to us in non-ending promises of growth in capitalism, the loss of nature through climate change or massive destructions of wars, but also in the natural decay and the natural growth. We are permanently confronted with the phenomena of construction and destruction and have every reason to reflect on them.
In art, Gustav Metzger in his autodestructive art or Mierle Ladermann-Ukeles in her "Maintenance Art" have positioned themselves on this. "Politics of care" also think in a different way about the future. Where do we stand? How do we deal with construction, destruction, poiesis or decay? What processes do we use for our personal research?
The project proposes a practical approach to the topic and offers the opportunity to experiment with the different forms of constructing or destruction and to address their mechanisms of action and their impact in their environment.

I'm curious how you are interpreting construction and destruction and where you see the fields of activities for artists, designers and architects.

Besides the fach courses of my co-workers who wil, this semester, '''Christian Doeller''' will be assisting us with practical support to develop interactive artefacts within the context of the project.

Meetings in presence '''Tuesdays at 9.15 - 12.30 the Digital Bauhaus Lab Bauhaus Strasse 7''', ground floor.
Start: October 18th

== Readings ==

* [https://monoskop.org/images/c/c9/Stiles_Kristine_1987_Synopsis_of_the_Destruction_in_Art_Symposium_and_Its_Theoretical_Significance.pdf Destruction in Art Symposium]
* Anna Tsing: Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene ISBN 978-1517902360
* Bruno Latour and Peter Weibel: Critical Zones ISBN 9780262044455
* Paul Virilio: Bunker Archaeology ISBN 978-1568980157
* Andrew Pickering: The Mangle in Practice ISBN 978-0-8223-4373-8
* Mathieu Copeland, Clément Dirié (eds.), 'Gustav Metzger. Writings (1953-2016)', Geneva: JRP Editions, 2019, ill. ISBN 978-3-03764-535-2
* Ursula Damm, Mindaugas Gapsevicius: Shared Habitats ISBN 978-3-8376-5647-3
* Sacha Kagan: Art and Sustainability - Connecting Patterns for a Culture of Complexity ISBN 978-3837618037
* [https://times-of-waste.ch/wp-content/uploads/2018/01/YVolkart_From-Trash_to_Waste-1.pdf Yvonne Volkart: From Trash to Waste]
* Hannah Arendt: The freedom to be free https://www.penguin.co.uk/books/320/320067/the-freedom-to-be-free/9780241472880.html

== Artists ==
* [https://www.tate.org.uk/art/artists/gustav-metzger-7196 Gustav Metzger]
* [https://www.ardmediathek.de/video/capriccio/werkschau-der-amerikanischen-kuenstlerin-joan-jonas-in-muenchen/br-fernsehen/Y3JpZDovL2JyLmRlL3ZpZGVvL2E1NGYwMDA0LTI0ZDUtNGM0Ni1hYjQ1LWI4MWMzYmIwYmY1OA?fbclid=IwAR369QoHCAb8S6Hm9-euv4rZ5T16gOmgdQKG73jVJflTdKjlYvV4jvY2_aQ Joan Jonas in TV]
* [https://vimeo.com/106706806 Yoko Ono Cut piece]
* [https://jennasutela.com/ Jenna Sutela]
* [https://forensic-architecture.org/ Forensic-Architecture]
* [https://www.walidraad.com/ Walid Raad]
* [https://tranxxenolab.net/people/adriana_knouf/ Adriana Knouf]
* [https://archiv.adk.de/bigobjekt/17126 Lutz Dammbeck]
* [https://www.romansigner.ch/ Roman Signer]
* [https://monoskop.org/Mierle_Laderman_Ukeles Mierle Laderman Ukeles]
* [https://www.moma.org/artists/6636 Gordon Matta-Clark]
* [https://aesf.art/ AES+F]
* [http://sheldon-brown.net/ Sheldon Brown]
* [https://refikanadol.com/ Refik Anadol (as a phenomenon rather than an artist)]

== Projects ==
* [https://critical-zones.zkm.de/#!/ Critical Zones Web Platform]
* [https://critical-zones.zkm.de/#!/detail:lynn-margulis-archive-arbeitstitel Lynn Margulis: Live is a process]
* [https://critical-zones.zkm.de/#!/detail:perimeter-pfynwald-a-soundscape-observatory Marcus Maeder: Perimeter Pfynwald. A Soundscape Observatory]
* [https://www.julianrosefeldt.com/film-and-video-works/detonation-deutschland-1996/installation-views/ Julian Rosefeldt Detonation Deutschland]
* [https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjFyKe8ocb6AhWuhv0HHbjRAK44ChAWegQICBAB&url=https%3A%2F%2Fwww.archplus.net%2Fdownload%2Fartikel%2F5029%2F&usg=AOvVaw1jhIWYdcOJMwoz7aHMDm7p The Architecture Machine Group]
* [https://blogs.otis.edu/in-focus/robots-r-us/ Robotic Chair by Max Dean, Raffaello D'Andrea, Matt Donovan]
* [https://youtu.be/FXY6ocvaZyE Ant Farm Media Burn]
* [https://youtu.be/JRPUjc5jLHM Andreas Angelidakis: The walking building], [https://youtu.be/6EZvOm6zMmk The building who wants to become a mountain (Walking building II]
* [https://vimeo.com/231411671 Johann Grimonprez: dial H-I-S-T-O-R-Y]
* [https://www.sfmoma.org/watch/peter-campus-on-his-most-famous-work-and-why-he-hates-it/ Peter Campus on 3 transitions]
== Projects related to Artificial Life ==
* [https://en.wikipedia.org/wiki/Molecubes Self replicating cubes]
* [https://news.mit.edu/2019/self-transforming-robot-blocks-jump-spin-flip-identify-each-other-1030 Self-transforming robot]
* [https://alien-project.org/ Artificial Life environment]

== Student work (your contributions) ==

[[Category:WS22]]
[[Category:Projektmodul]]
[[Category:Ursula Damm]]
* Amelia Eickhoff
* Nodari Gogosashvili
* Franziska Kraetschmar
* Claas Matti Julius Krause
* Mojjo Krenz
* [[Maximilian Götz]]
* Victoria Mikhaylova
* [[/Martin Müller]]
* Lan Nguyen
* Stefan Ralevic
* Rodrige Saad
* [[/Cosmo Niklas Schüppel]]
* Ecce Sungur
* Thai Tai Pham