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	<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Seunghwan</id>
	<title>Medien Wiki - User contributions [en]</title>
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	<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Special:Contributions/Seunghwan"/>
	<updated>2026-04-20T21:29:25Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt/Seunghwan_Baek&amp;diff=97393</id>
		<title>GMU:Körper Raum Stadt/Seunghwan Baek</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt/Seunghwan_Baek&amp;diff=97393"/>
		<updated>2018-05-27T13:29:32Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;# &lt;br /&gt;
Benyamin presents two social conditions that lead to the disappearance of Aura in the ‘art works of the age of technological cloning’(Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ). It is an ardent desire of the modern crowd to bring things closer to themselves both spatially and in humans. Similarly, the modern crowd tends to overcome the monomanity of all things through cloning. – Benyamin, modernity and the city _ Theory by No myoung woo&lt;br /&gt;
&lt;br /&gt;
# &lt;br /&gt;
Industrialization, Modernization, Urban Civilization -&amp;gt; Destroying the ongoing affinity between man and things and leaving things in the realm of unfamiliar and fragmented one-time experience&lt;br /&gt;
&lt;br /&gt;
#&lt;br /&gt;
Function of monument.&lt;br /&gt;
In general – commemorate a person who is famous and born in the place or a specific accident that occurs in the place.&lt;br /&gt;
Architecture, urbanism – attract tourist, offer meeting point, share the shape(symbolic architect in the city) &lt;br /&gt;
My opinion – Urban monuments serve to transform individuals from a single person into members of a community that shares time (history) / space (city)&lt;br /&gt;
&lt;br /&gt;
#&lt;br /&gt;
An attempt to recover relationships between modern people living in an urbanized society where things, content (images, videos, sounds), and memories (in some ways, the reason for a photo shoot is used in one of the easiest ways to be physically remembered, in order to forget the relationship with the present moment) are quickly consumed, discarded and reproduced and their surroundings.&lt;br /&gt;
-&amp;gt; Make a monument out of personal minor history.&lt;br /&gt;
&amp;lt;Example&amp;gt;.&lt;br /&gt;
A Russian roommate, DimitrI, broke the red bowl i received from my friend Jung Hae-yoon by mistake. Three pieces of broken bowl.&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt/Seunghwan_Baek&amp;diff=97392</id>
		<title>GMU:Körper Raum Stadt/Seunghwan Baek</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt/Seunghwan_Baek&amp;diff=97392"/>
		<updated>2018-05-27T13:28:58Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: Created page with &amp;quot;#  Benyamin presents two social conditions that lead to the disappearance of Aura in the ‘art works of the age of technological cloning’(Das Kunstwerk im Zeitalter seiner...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;# &lt;br /&gt;
Benyamin presents two social conditions that lead to the disappearance of Aura in the ‘art works of the age of technological cloning’(Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ). It is an ardent desire of the modern crowd to bring things closer to themselves both spatially and in humans. Similarly, the modern crowd tends to overcome the monomanity of all things through cloning. – Benyamin, modernity and the city _ Theory by No myoung woo&lt;br /&gt;
&lt;br /&gt;
# &lt;br /&gt;
Industrialization, Modernization, Urban Civilization -&amp;gt; Destroying the ongoing affinity between man and things and leaving things in the realm of unfamiliar and fragmented one-time experience&lt;br /&gt;
&lt;br /&gt;
#&lt;br /&gt;
Function of monument.&lt;br /&gt;
In general – commemorate a person who is famous and born in the place or a specific accident that occurs in the place.&lt;br /&gt;
Architecture, urbanism – attract tourist, offer meeting point, share the shape(symbolic architect in the city) &lt;br /&gt;
My opinion – Urban monuments serve to transform individuals from a single person into members of a community that shares time (history) / space (city)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
#&lt;br /&gt;
An attempt to recover relationships between modern people living in an urbanized society where things, content (images, videos, sounds), and memories (in some ways, the reason for a photo shoot is used in one of the easiest ways to be physically remembered, in order to forget the relationship with the present moment) are quickly consumed, discarded and reproduced and their surroundings.&lt;br /&gt;
-&amp;gt; Make a monument out of personal minor history.&lt;br /&gt;
&amp;lt;Example&amp;gt;.&lt;br /&gt;
A Russian roommate, DimitrI, broke the red bowl i received from my friend Jung Hae-yoon by mistake. Three pieces of broken bowl.&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt&amp;diff=97391</id>
		<title>GMU:Körper Raum Stadt</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt&amp;diff=97391"/>
		<updated>2018-05-27T13:25:35Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: /* Student Projects */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;From the body to the city&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Abraham Moles beschrieb den Menschen als in Schalen existierend, wovon die innerste der eigene Körper ist und die äußerste die Welt beziehungsweise der Weltraum. Der erst Schritt aus dem Körper heraus erfordert den Entwurf eines Raumes: er wird Ort der Entfaltung und des Austauschs. Raum ist das, was wir mit anderen teilen und das, was wir besetzen und gegen Einflüsse abgrenzen. Was wirkt auf den Körper, und wie reagieren wir auf die mediale Auflösung der Grenzen dieser Schalen, aber auch die Auflösung der Architektur? Wie bewegen wir uns heute in der Vielzahl dieser Schalen, wobei der Körper die Grundlage jeder Erfahrung bleibt? Im Projekt sollte die sinnliche Dimension der Erfahrung Ausgangspunkt darstellen für zu produzierende Installationen, Interfaces, Performances, Objekte, Displays oder Videos. &lt;br /&gt;
&lt;br /&gt;
[[eng]]l:&lt;br /&gt;
Abraham moles described the individual in a urban context embedded in shells with different reach, conditions and meanings. The inner shell is the body and the outside is the cosmos. The first step out of the body requires the construction of space: it becomes a location of unfolding and exchange. Space is what we share with others, what we occupy and differentiate from influences. Which are the influences on the body and how are we reacting to the dissolution of limits through contemporary media (internet, VR) and their spheres? How do we act within the multiplicity of these shells whereas the body remains the ultimate condition of every experience?&lt;br /&gt;
Within the project we want to take the sensual dimension of our experience as a starting point for installations, performances, videos, objects, displays and interfaces. The project addresses Master Students and offers a frame for self-organized and responsible development of artistic artifacts and the related discourse and exchange. Deliverable is an art or design project suitable for exhibition/presentation/performance. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;BfA:&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Das Projekt wendet sich an Bachelorstudierende bietet sowohl einem strukturierten Arbeitsverlauf wie auch selbstverantworteten, freien Projekten einen Ort der Diskussion und Auseinandersetzung. Über die Etappen Sammeln / Sortieren / Konzeptualisieren übt es prototypisch das Entwickeln von Projektideen ein. Im Projekt müssen in zweiwöchigem Rhythmus die entsprechenden Abgaben erfolgen. &lt;br /&gt;
Die Endabgabe besteht in einem Objekt/Werk, das sich zur Ausstellung/Vorführung/Aufführung eignet. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MfA:&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Das Projekt wendet sich auch an Masterstudierende und bietet für selbstverantwortete, freie Projekte einen Ort der Diskussion und Auseinandersetzung. Der strukturierten Arbeitsweise der Bachelorstudierenden muss nicht gefolgt werden. Im Projekt soll ein Vortrag zum eigenen Thema entwickelt und gehalten werden. Die Abgabe besteht in einem Kunstprojekt, das sich zur Ausstellung/Vorführung/Aufführung eignet.&lt;br /&gt;
&lt;br /&gt;
Das Projekt findet Dienstags, um 9.15 im DBL, Bauhausstrasse 9a statt&lt;br /&gt;
&lt;br /&gt;
==Syllabus==&lt;br /&gt;
10.04.: Introduction&lt;br /&gt;
&lt;br /&gt;
17.04.: Presentation of Concepts (Master Students)&lt;br /&gt;
&lt;br /&gt;
24.04.:&lt;br /&gt;
&lt;br /&gt;
01.05.: Holiday&lt;br /&gt;
&lt;br /&gt;
03.05.: Meeting at 9.15 at DBL&lt;br /&gt;
&lt;br /&gt;
08.05.: Presentation of Collections/Compilations (Bachelor Students)&lt;br /&gt;
&lt;br /&gt;
15.05.: No class on 15.5., our meeting is postponed to Thursday, 17.5., 11.00 am!!! &lt;br /&gt;
&lt;br /&gt;
22.05.: Presentation of Categorisatons/Classifications (Bachelor Students)&lt;br /&gt;
&lt;br /&gt;
29.05.: &lt;br /&gt;
&lt;br /&gt;
05.06.: &lt;br /&gt;
&lt;br /&gt;
12.05.:&lt;br /&gt;
&lt;br /&gt;
19.05.: Presentation of Concepts (Bachelor Students)&lt;br /&gt;
&lt;br /&gt;
26.05.:&lt;br /&gt;
&lt;br /&gt;
03.07.: &lt;br /&gt;
&lt;br /&gt;
10.07.: Summaery Exhibition &lt;br /&gt;
&lt;br /&gt;
Delivery of work: 30.09.2018 (email, Wiki)&lt;br /&gt;
&lt;br /&gt;
==Lectures ==&lt;br /&gt;
23.4., 7:00 pm &lt;br /&gt;
&lt;br /&gt;
30.4., 7:00 pm&lt;br /&gt;
&lt;br /&gt;
== References on Collecting ==&lt;br /&gt;
* [https://www.gerhard-richter.com/de/art/atlas Gerhard Richters Atlas]&lt;br /&gt;
* [https://www.google.de/search?q=hans+peter+feldmann+album&amp;amp;client=firefox-b&amp;amp;dcr=0&amp;amp;source=lnms&amp;amp;tbm=isch&amp;amp;sa=X&amp;amp;ved=0ahUKEwimr6L13LfaAhXuZpoKHQVFC1IQ_AUICigB&amp;amp;biw=1440&amp;amp;bih=734 Hans Peter Feldmann]&lt;br /&gt;
* [http://www.peterpiller.de/ Peter Piller]&lt;br /&gt;
* Deep Storage. Arsenale der Erinnerung. Sammeln, Speichern, Archivieren in der Kunst ISBN 978-3791318479&lt;br /&gt;
&lt;br /&gt;
== Texte ==&lt;br /&gt;
(please look at our semester apparatus/&#039;shelf&#039; in our library)&lt;br /&gt;
* [https://www.scara.com/~ole/literatur/bioadapter.html Der Bioadapter] english version [http://files.flageorgia.org/hkurz/wiener/ow-1-us.htm Bio-Adapter]&lt;br /&gt;
* [https://www.spikeartmagazine.com/de/artikel/oswald-wiener-wissenschaft-und-barbarei-gehen-sehr-gut-zusammen Interview Oswald Wiener]&lt;br /&gt;
* William H. Whythe: The Social Life Of Small Urban Spaces ISBN 978-0970632418&lt;br /&gt;
* Henri Lefebvre: The Production of Space ISBN 978-0631181774&lt;br /&gt;
* Jörg Heiler: Gelebter Raum Stadtlandschaft. Taktiken für Interventionen an suburbanen Orten. ISBN 9783837621983&lt;br /&gt;
* Stephan Günzel: Texte zu Theorie des Raums ISBN 978-3150189535&lt;br /&gt;
* Pedro Gadaho: Uneven Growth – Tactical Urbanism for Expanding Megacities ISBN 978-0-87070-914-2&lt;br /&gt;
* Yvonne Volkart: Fluide Subjekte ISBN 3-89942-585-5&lt;br /&gt;
* Martina Leeker, Imanuel Schipper, Timon Byes: Performing the Digital ISBN 978-3-8376-3355-9&lt;br /&gt;
* Madeline Schwartzman: See Yourself Sensing: redefining Human Perception ISBN 978-1907317293&lt;br /&gt;
* Madeline Schwartzman: See Yourself X: Human Futures Expanded ISBN 978-1910433225&lt;br /&gt;
* Robert Klanten et al.: A Touch of Code ISBN 978-3-89955-331-4&lt;br /&gt;
* Gestalten, Alain Bieber et al:Art &amp;amp; Agenda ISBN 978-3-89955-342-0&lt;br /&gt;
* Gestalten, M. Hübner: Urban Interventions 978-3-89955-291-1&lt;br /&gt;
* Hans Ulrich Obrist: Do it ISBN 978-1938922015&lt;br /&gt;
* Dietmar Offenhuber, Katja Schchtner: Inscribing a Square: Urban Data as Public Space ISBN 978-3709110539&lt;br /&gt;
* Ursula Damm: Turnstile [http://ursuladamm.de/site/wp-content/uploads/2018/02/Turnstile_Springer_engl.pdf]&lt;br /&gt;
* Abraham A. Moles: Informationstheorie und ästhetische Wahrnehmung ISBN 3-7701-0526-5&lt;br /&gt;
* Abraham A. Moles, Elisabeth Rohmer: Psychologie de l&#039;espace ISBN 978-2738469946 &lt;br /&gt;
* Christopher Alexander: A New Theory of Urban Design ISBN 0-19-503753-7&lt;br /&gt;
* Jürgen Schilling: Aktionskunst – Identität von Kunst und Leben? ISBN 3-7658-0266-2&lt;br /&gt;
* Gadso Lammers: Verhalten in der Stadt, Seminarberichte 1976 Institut für Städtebau und Landesplanung Karlsruhe&lt;br /&gt;
* Holger Kube Ventura: Politische Kunst Begriffe ISBN 978-3852661735&lt;br /&gt;
&lt;br /&gt;
== Materialien ==&lt;br /&gt;
* [https://en.wikipedia.org/wiki/William_H._Whyte William H. Whyte]&lt;br /&gt;
* [https://www.sfu.ca/~truax/wsp.html The World Soundscape Project]&lt;br /&gt;
* [http://raumlabor.net/ Raumlabor]&lt;br /&gt;
* [http://thedigitalage.pbworks.com/w/page/22039083/Myron%20Krueger Myron Kruger]&lt;br /&gt;
* [http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html Thomas Dreher: Kybernetik und die Pioniere der Computerkunst]&lt;br /&gt;
&lt;br /&gt;
== Künstler ==&lt;br /&gt;
&#039;&#039;&#039;Körper:&#039;&#039;&#039;&lt;br /&gt;
* [http://www.valieexport.org/ Valie Export]&lt;br /&gt;
* [http://www.rebecca-horn.de/ Rebekka Horn]&lt;br /&gt;
* [https://de.wikipedia.org/wiki/Dan_Graham Dan Graham]&lt;br /&gt;
* [https://de.wikipedia.org/wiki/Walter_Pichler_(K%C3%BCnstler) Walter Pichler]&lt;br /&gt;
* [http://www.annegret-soltau.de/ Annegret Soltau]&lt;br /&gt;
* [http://www.sophie-ristelhueber.fr/ Sophie Ristelhueber]&lt;br /&gt;
* [http://www.lygiaclark.org.br/defaultpt.asp Lygia Clark]&lt;br /&gt;
* [https://vimeo.com/35740774 Laura Beloff]&lt;br /&gt;
&#039;&#039;&#039;Raum:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Trisha_Brown Trisha Brown]&lt;br /&gt;
* [https://www.benoitmaubrey.com/ Benoit Maubrey]&lt;br /&gt;
* [https://www.alfonsschilling.net/werke/sehmaschinen/ Alfons Schilling]&lt;br /&gt;
* [http://melhus.de/ Björn Melhus] [http://melhus.de/das-zauberglas-the-magic-glass/]&lt;br /&gt;
* [http://leo.ok.ag/index.php/der-zermesser.html Leo Peschta]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stadt:&#039;&#039;&#039;&lt;br /&gt;
* [http://www.spatialagency.net/database/ant.farm Ant Farm]&lt;br /&gt;
* [http://www.rimini-protokoll.de/ Rimini Protokoll]&lt;br /&gt;
* [http://www.ortner-ortner.com/de/haus-rucker-co Haus Rucker]&lt;br /&gt;
* [http://www.hasucha.de/ Christian Hasucha]&lt;br /&gt;
* [http://www.ubermatic.org/ Michelle Teran]&lt;br /&gt;
* [http://ubermorgen.com/ Uebermorgen]&lt;br /&gt;
* [http://www.nordenhake.com/php/artist.php?RefID=69 Franka Hörnschemeyer]&lt;br /&gt;
* [https://ellieirons.com/ Ellie Irons]&lt;br /&gt;
== Student Projects ==&lt;br /&gt;
*[[/Maria Degand|Maria Degand]]&lt;br /&gt;
*[[/Holly Kempton|Holly Kempton]]&lt;br /&gt;
*[https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:K%C3%B6rper_Raum_Stadt:Maud_Canisius Maud Canisius]&lt;br /&gt;
*[[/Silvana Callegari|Silvana Callegari]]&lt;br /&gt;
*[[/Jonas Obertüfer|Jonas Obertüfer]]&lt;br /&gt;
*[[/Anastasiia Nakaliuzhna|Anastasiia Nakaliuzhna]]&lt;br /&gt;
*[[/Sinan Chen|Sinan Chen]]&lt;br /&gt;
*[[/Arina Mozzherikova|Arina Mozzherikova]]&lt;br /&gt;
*[[/Donato Spinelli|Donato Spinelli]]&lt;br /&gt;
*[[/Ulas Yener|Ulas Yener]]&lt;br /&gt;
*[[/Ozan Akkoyun|Ozan Akkoyun]]&lt;br /&gt;
*[[seunghwan Baek]]&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97326</id>
		<title>GMU:Habitats SS18/Seung Hwan Baek</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97326"/>
		<updated>2018-05-22T18:29:29Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;- Nuglena /&lt;br /&gt;
Avoid light , preference color&lt;br /&gt;
&lt;br /&gt;
- Physarum /&lt;br /&gt;
Find the fastest way to food themselves  / instinct ? somehow intelligence?  &lt;br /&gt;
&lt;br /&gt;
movement of micro organism – electronic sensor – visualize&lt;br /&gt;
&lt;br /&gt;
new media (like a brush),&lt;br /&gt;
an invisible world,&lt;br /&gt;
intervene to the micro organism and interact each other,&lt;br /&gt;
Connection between city, human and micro organism&lt;br /&gt;
&lt;br /&gt;
so what do I want to do with characteristics of these organism ?&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97325</id>
		<title>GMU:Habitats SS18/Seung Hwan Baek</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97325"/>
		<updated>2018-05-22T18:28:11Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;- Nuglena&lt;br /&gt;
Avoid light , preference color&lt;br /&gt;
&lt;br /&gt;
- Physarum &lt;br /&gt;
Find the fastest way to food themselves  / instinct ? somehow intelligence?  &lt;br /&gt;
&lt;br /&gt;
movement of micro organism – electronic sensor – visualize&lt;br /&gt;
&lt;br /&gt;
new media (like a brush),&lt;br /&gt;
an invisible world,&lt;br /&gt;
intervene to the micro organism and interact each other,&lt;br /&gt;
Connection between city, human and micro organism&lt;br /&gt;
&lt;br /&gt;
so what do I want to do with characteristics of these organism ?&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97324</id>
		<title>GMU:Habitats SS18/Seung Hwan Baek</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Habitats_SS18/Seung_Hwan_Baek&amp;diff=97324"/>
		<updated>2018-05-22T18:23:32Z</updated>

		<summary type="html">&lt;p&gt;Seunghwan: Created page with &amp;quot;- Nuglena Avoid light , preference color  - Physarum  Find the fastest way to food themselves  / instinct ? somehow intelligence?    movement of micro organism – electronic...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;- Nuglena&lt;br /&gt;
Avoid light , preference color&lt;br /&gt;
&lt;br /&gt;
- Physarum &lt;br /&gt;
Find the fastest way to food themselves  / instinct ? somehow intelligence?  &lt;br /&gt;
&lt;br /&gt;
movement of micro organism – electronic sensor – visualize&lt;br /&gt;
&lt;br /&gt;
new media (like a brush)&lt;br /&gt;
an invisible world&lt;br /&gt;
intervene to the micro organism and interact each other.&lt;br /&gt;
Connection between city, human and micro organism.  &lt;br /&gt;
&lt;br /&gt;
so what do I want to do with characteristics of these organism ?&lt;/div&gt;</summary>
		<author><name>Seunghwan</name></author>
	</entry>
</feed>