Medien Wiki - User contributions [en]

GMU:Istanbul/city faces

2012-09-30T21:07:29Z

Sebastianprince:

'''INTRODUCTION.'''
When we create this project, we think about the society in Istanbul, for us was really important to create a conection with the people of Istanbul. At the beggining of this project we ask our self what can we do to get in touch with the “real” people of Turkey. As foreigners of this country, we try to saw the daily life of the city in the short period that we were there. Knowing people taking to them and as well trying to be part of them, we discover how different is the culture as we imagine (stereotypes). Is hard to describe a daily life in a city in a short time but we can say that this city impressed us.
Is a city where the economical contrast is very present, also where the religion a enormous power has but at the same time he contradicts himself. All of this situations inspired us to make intervensions in the public areas of istanbul
We meet incredible students from the marmara university who help us to develop our city faces project.

[[File:juls1.png]]

'''CONCEPT.'''
The main concept of this project was to show the expirinces that we experiment there. We catch in video the most impresive moments of our stay in Istanbul. we try to collect many videos to show the culture and the daily life in this huge city. After one week we take the city as a museum and with a projector we reproduced those images in the streets that some how were conected with this videos. We saw the reaction of the people in a positive way, the students of the marmara university give us the idea to recreate the same idea in germany. thats why we decide to project the same images in Weimar. For us was a really nice experience to show those videos in a different country. This project was made with a lot of feelings inside and therefor we received the positive aceptation in the two countries.

[[File:juls2.png]]

'''PROBLEMS.'''
Evidently the projections on public spaces needs to be make it during the night. A small problem was that many of the stores were closed. We needed the support of many stores to get electricity for the technic (proyector and computer). We walked trought the city in the night searching for the perfect places to proyect. We made some test from our window in hostel and like that get to know how can we work faster. This test helped us to recognize in wish point of the proyect we need technical help, therefore we decided to make the proyections with the help of one of our classmate (Regina Raush) who fix the projection with the program (mapping). As well we discover the best position for the proyector, many angles, hight and several changes for the projection in the points that we wanted to do it. At the end we get the support that we need it for, electricity and a place to put the projector.

[[File:juls3.png]]

'''CONCLUSIONS.'''
With this project we realized that the perception of life in many countries is different. It is not just about Germany and Turkey. The cultural diferences are also between our native countries (Colombia and Spain).
Something that untill now catch our attention is the time, the time in each city in different and move in different ways. The little details are in general dificult to see. We were really lucky to get to know the people from the marmara University and for this reason was easier to get in contact with the people there not as turist. They helped us not only with the language, they were the whole time with us, walking, visitng the people, and showing us the most interesting places in the city (where they work and where they live).
The fact to know one city in this way, expand our visions of the world and also in the artistic way. For us art is also to get into different cultures and work with them.

[[File:juls4.png]]

'''FINAL PRESENTATION.'''
For the final presentation in the bauhaus university (summery 2012). We prepared a video documentation showing the proyections that we did in istanbul. In this documentation we includ the test of the proyect and how was the days during our stay there.

[[File:juls5.png]]

File:Juls5.png

2012-09-30T21:04:17Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:Juls4.png

2012-09-30T21:03:38Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:Juls3.png

2012-09-30T21:02:47Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:Juls2.png

2012-09-30T21:00:38Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:Juls1.png

2012-09-30T20:59:34Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Istanbul/city faces

2012-09-30T20:53:37Z

Sebastianprince:

'''INTRODUCTION.'''
When we create this project, we think about the society in Istanbul, for us was really important to create a conection with the people of Istanbul. At the beggining of this project we ask our self what can we do to get in touch with the “real” people of Turkey. As foreigners of this country, we try to saw the daily life of the city in the short period that we were there. Knowing people taking to them and as well trying to be part of them, we discover how different is the culture as we imagine (stereotypes). Is hard to describe a daily life in a city in a short time but we can say that this city impressed us.
Is a city where the economical contrast is very present, also where the religion a enormous power has but at the same time he contradicts himself. All of this situations inspired us to make intervensions in the public areas of istanbul
We meet incredible students from the marmara university who help us to develop our city faces project.
[[File:Istan1.jpg]]

'''CONCEPT.'''
The main concept of this project was to show the expirinces that we experiment there. We catch in video the most impresive moments of our stay in Istanbul. we try to collect many videos to show the culture and the daily life in this huge city. After one week we take the city as a museum and with a projector we reproduced those images in the streets that some how were conected with this videos. We saw the reaction of the people in a positive way, the students of the marmara university give us the idea to recreate the same idea in germany. thats why we decide to project the same images in Weimar. For us was a really nice experience to show those videos in a different country. This project was made with a lot of feelings inside and therefor we received the positive aceptation in the two countries.

'''PROBLEMS.'''
Evidently the projections on public spaces needs to be make it during the night. A small problem was that many of the stores were closed. We needed the support of many stores to get electricity for the technic (proyector and computer). We walked trought the city in the night searching for the perfect places to proyect. We made some test from our window in hostel and like that get to know how can we work faster. This test helped us to recognize in wish point of the proyect we need technical help, therefore we decided to make the proyections with the help of one of our classmate (Regina Raush) who fix the projection with the program (mapping). As well we discover the best position for the proyector, many angles, hight and several changes for the projection in the points that we wanted to do it. At the end we get the support that we need it for, electricity and a place to put the projector.

'''CONCLUSIONS.'''
With this project we realized that the perception of life in many countries is different. It is not just about Germany and Turkey. The cultural diferences are also between our native countries (Colombia and Spain).
Something that untill now catch our attention is the time, the time in each city in different and move in different ways. The little details are in general dificult to see. We were really lucky to get to know the people from the marmara University and for this reason was easier to get in contact with the people there not as turist. They helped us not only with the language, they were the whole time with us, walking, visitng the people, and showing us the most interesting places in the city (where they work and where they live).
The fact to know one city in this way, expand our visions of the world and also in the artistic way. For us art is also to get into different cultures and work with them.

'''FINAL PRESENTATION.'''
For the final presentation in the bauhaus university (summery 2012). We prepared a video documentation showing the proyections that we did in istanbul. In this documentation we includ the test of the proyect and how was the days during our stay there.

GMU:Istanbul/city faces

2012-09-30T20:45:50Z

Sebastianprince:

'''INTRODUCTION.'''
When we create this project, we think about the society in Istanbul, for us was really important to create a conection with the people of Istanbul. At the beggining of this project we ask our self what can we do to get in touch with the “real” people of Turkey. As foreigners of this country, we try to saw the daily life of the city in the short period that we were there. Knowing people taking to them and as well trying to be part of them, we discover how different is the culture as we imagine (stereotypes). Is hard to describe a daily life in a city in a short time but we can say that this city impressed us.
Is a city where the economical contrast is very present, also where the religion a enormous power has but at the same time he contradicts himself. All of this situations inspired us to make intervensions in the public areas of istanbul
We meet incredible students from the marmara university who help us to develop our city faces project.

'''CONCEPT.'''
The main concept of this project was to show the expirinces that we experiment there. We catch in video the most impresive moments of our stay in Istanbul. we try to collect many videos to show the culture and the daily life in this huge city. After one week we take the city as a museum and with a projector we reproduced those images in the streets that some how were conected with this videos. We saw the reaction of the people in a positive way, the students of the marmara university give us the idea to recreate the same idea in germany. thats why we decide to project the same images in Weimar. For us was a really nice experience to show those videos in a different country. This project was made with a lot of feelings inside and therefor we received the positive aceptation in the two countries.

'''PROBLEMS.'''
Evidently the projections on public spaces needs to be make it during the night. A small problem was that many of the stores were closed. We needed the support of many stores to get electricity for the technic (proyector and computer). We walked trought the city in the night searching for the perfect places to proyect. We made some test from our window in hostel and like that get to know how can we work faster. This test helped us to recognize in wish point of the proyect we need technical help, therefore we decided to make the proyections with the help of one of our classmate (Regina Raush) who fix the projection with the program (mapping). As well we discover the best position for the proyector, many angles, hight and several changes for the projection in the points that we wanted to do it. At the end we get the support that we need it for, electricity and a place to put the projector.

'''CONCLUSIONS.'''
With this project we realized that the perception of life in many countries is different. It is not just about Germany and Turkey. The cultural diferences are also between our native countries (Colombia and Spain).
Something that untill now catch our attention is the time, the time in each city in different and move in different ways. The little details are in general dificult to see. We were really lucky to get to know the people from the marmara University and for this reason was easier to get in contact with the people there not as turist. They helped us not only with the language, they were the whole time with us, walking, visitng the people, and showing us the most interesting places in the city (where they work and where they live).
The fact to know one city in this way, expand our visions of the world and also in the artistic way. For us art is also to get into different cultures and work with them.

'''FINAL PRESENTATION.'''
For the final presentation in the bauhaus university (summery 2012). We prepared a video documentation showing the proyections that we did in istanbul. In this documentation we includ the test of the proyect and how was the days during our stay there.

GMU:Istanbul/city faces

2012-09-30T20:41:48Z

Sebastianprince:

File:Istan1.jpg

2012-09-30T20:33:13Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Istanbul/all in one second

2012-05-16T19:01:53Z

Sebastianprince: Created page with "What happens in only one second? As in, if you blink, you will miss it...... - 425 people are drinking alcohol - 1,978 videos are watched on YouTube. - 173,611 cigarettes are sm..."

What happens in only one second? As in, if you blink, you will miss it......

- 425 people are drinking alcohol
- 1,978 videos are watched on YouTube.
- 173,611 cigarettes are smoked in the world.
- 107 deaths
- 9 new AIDS/HIV infections
- someone working in a nike factory in vietnam makes $0.0014
- Nike makes $36.505
- 250 baby are born

I just want somehow to create a installation, video, performance or something that shows this in istanbul...........

GMU:Istanbul

2012-05-16T18:44:53Z

Sebastianprince: /* Work in Progress */

'''Das Projekt Istanbul beinhaltet ein Projekt, ein wissenschaftliches Modul entweder ein Fach oder ein Werkmodul. Wer sich für das Projekt inclusive der Exkursion im Juli entscheidet kann keine anderen Kurse mehr besuchen. Montag und Dienstag sind komplett für die Kurse einzuplanen, der Rest der Woche ist für die eigene Arbeit reserviert.'''

Beschreibung des Projektmoduls:

[[:Category:Projektmodul|Projektmodul]] 
''Lehrperson:'' [[Ursula Damm]] 
''Bewertung:'' 18 [[ECTS]], 6 [[SWS]] 
''Termin:'' Dienstag, 15:15 bis 18:30 Uhr 
''Ort:'' [[Marienstraße 7b]], Raum 204 
''Erster Termin:'' t.b.a.

===English description===
Through the project we aim to explore interactive practices and media formats, that are suitable to shape common experiences in public space.
In contrast to the one-way communication of mass media spectacles we aim to explore processes that allow different types of participation. On a concrete level we aim to experiment with a range of sensor modules, for example the citizen sensor (http://citizensensor.cc/) as well as "perception devices"‚ that employ multiple sensors and cameras, sensors for animals in public space, video and photo traps, video mapping and so on.
The project will be commonly prepared by students of Urban Development and
students of Media Art and Design. During the first part of the semester we will be working towards a two-week study trip to Istanbul. On-site the students from Weimar will collaborate with local students from Istanbul in groups of two or three.
Each group will develop and execute their own project idea within a more general assignment.

== Beschreibung ==
Kunst hat eine große Bedeutung für die Selbstdarstellung und Selbstwahrnehmung einer Gesellschaft. Traditionelle Kunst-Praktiken jedoch finden in ausgewählten Institutionen, besseren Stadtvierteln und meist auch vor und mit einer exklusiven gesellschaftlichen Schicht statt. Medien und ihre Methoden lösen diese historisch gewachsenen Verbünde und ermöglichen Kommunikation jenseits von festgelegten Orten, jenseits einer beschränkten Adressatenschaft. Mediale Praktiken werden verhandelt über neue Kanäle, sie definieren sich in einem Zusammenspiel von Künstler und Publikum.

Istanbul ist wie keine andere Stadt geprägt ist von komplexen historischen Bedingungen. Innerhalb dieser steingewordenen Fakten lebt sie die ständige Bewältigung ethnischer wie sozialer Unterschiede. Istanbul verbindet nicht nur Europa und Asien, auch für die Verständigung zwischen uns und der Arabischen Welt wird der Stadt eine Schlüsselrolle zugeschrieben.

Neben dieser sozio-politischen Komplexität hat sich Istanbul spätestens als Kulturhauptstadt Europas in der zeitgenössischen Kunstszene etabliert. All dies macht Istanbul attraktiv für mediale Experimente und Untersuchungen im öffentlichen Raum.

Im Projekt möchten wir interaktiven Praktiken und mediale Formate erproben, die geeignet sind, das gemeinsame Erleben im öffentlichen Raum zu gestalten. Anders als bei massenmedialen Spektakeln und deren einseitiger Kommunikation sollen Verfahren getestet werden, die unterschiedliche Formen der Partizipation ermöglichen.
Solche Praktiken basieren auf Sensormodulen wie z.B. der [http://citizensensor.cc Citizensensor], kombinierte Wahrnehmnungsapparate aus mehreren Sensoren und Kameras, Sensoren für Stadttiere, Video- oder Fotofallen, reaktive und interaktive Formen des Videomapping etc.
Das Projekt wird gemeinsam von Studierenden der Urbanistik zusammen mit Studierenden der Medienkunst/Mediengestaltung in Weimar vorbereitet.
In einem zweiwöchigen Studienaufenthalt in Istanbul sollen jeweils zwischen türkischen und deutschen Studierenden Zweier - oder Dreier-Arbeitsgruppen gebildet werden. Diese einigen sich auf ein eigenständiges Vorhaben im Rahmen des Gesamtprojektes.

=== Wissentschaftliches Modul ===
Das verpflichtende wissentschaftliche Modul ''Understanding Istanbul'' bei Prof Eckhard findet Montags 17:00 – 18:30 in der Geschwister-Scholl-Str. 8a (Hauptgebäude) in Raum 105 statt.
==== Topics/Syllabus ====
* April 30th: Urban governance/planning
* May 7th: Migrants, informal economy
* May 14th: Urban poverty,. housing
* May 21th: ISmaic city, gender
* May 28th: cultural identiy,
* June 4th: design shops/gentification
* June 11th: Gloablisation/ Urban protest
* June 18th: Exkursion
* June 25th: Auswertung

=== Werk- und Fachmodul ===
Undergraduates schreiben sich bitte für das Wekmodul, Graudates für das Fachmodul ein. Beide Module finden immer Dienstags 9:15-12:30 statt.
* Werkmodul: [[GMU:I, Sensor]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green
* Fachmodul: [[GMU:The Device is not the Territory]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green

==Leistungsnachweis==
Aktive Teilnahme, Präsentation, künstlerische Prüfung, Dokumentation, Eintrag im Wiki.

==Zielgruppe==
Studierende der Fakultäten Medien, Gestaltung und des Studiengangs Medienarchitektur

==Mailinglist==
You should be subscribed to our Mailinglist to receive updates and be part of the diescussion.
* [https://mg.medien.uni-weimar.de/mailman/listinfo/istanbul Mailinglist for this class]

==Syllabus==
Termine des Semesters
vorraussichtlicher Termin der Exkursion:
* 15.-24.6.2012

==Work in Progress==
*[[/Cramped Conditions/]], [[Eva Thinius]]
*[[/Knowing the Unknown/]], Jorgelina Garcia
*[[/Asymmetrical Patterns/]], Myrsini Aristidou
*[[/Doner/]], Lu Jin
*[[/Guess who/]], [[Alva Gamula]]
*[[/And the Colour is.../]], Raphael Kittell
*[[/Little Big Places/]], Estel Martínez / Leonardo Cannizzo
*[[/city sound/]], Júlia Palao
*[[/all in one second/]], Sebastian Prince

== Literatur und Film ==
* [http://www.uni-weimar.de/cms/universitaet/zentrale-einrichtungen/universitaetsbibliothek/recherche/semesterapparate/semesterapparate-medien/neu-medien-semesterapparate/ms-2012-21.html Semesterapparat]

=== Fachliteratur ===
* Deniz Göturk, Levent Soysal, Ipek Türeli: Orienting Istanbul: Cultural Capital of Europe? ISBN 978-0415580113
* Frank Eckardt, Kathrin Wildner: Public Istanbul: Spaces and Spheres of the Urban ISBN 978-3899428650
* Frank Eckardt: Die komplexe Stadt: Orientierungen im urbanen Labyrinth ISBN 978-3-531-16507-3
* Deniz Götktürk, Levent Soysal aud Ipek Türeli: Orienting Istanbul – Cultural Capital of Europe? ISBN 9780515580113
* Antje Feger, Benjamin F Stumpf: Public Idea Artistic Approaches to the Urban Sphere of Istanbul ISBN 9-783868-951479
* Christoph Bürkle: Istanbul: hippe Stadt am Horn ISBN 3-03-717019-0
* Berliner Atlas paradoxaler Mobilität: ISBN 978-3-88396-304-4
* William H. Whyte, The social life of small urban spaces, 1980 [https://vimeo.com/6821934 Video]
* Simon Sadler, The Situationist City, ISBN 0262692252
* Kazys Varnelis Hg., Networked Publics, ISBN 0262220857
* Kazys Varnelis, Blue Monday, Stories of Absurd Realities and Natural Philosophies, ISBN 8496540537

===Romane===
* Orhan Pamuk: Istanbul. Erinnerungen an eine Stadt ISBN 978-3446208261
* Orhan Pamuk: Rot ist mein Name ISBN 978-3596156603
* Esmahan Aykol: Hotel Bosporus. ISBN 978-3257234435
* Mario Levi: Istanbul war ein Märchen ISBN 978-3518461372
* Unser Istanbul: Junge türkische Literatur, Constanze Letsch [Herausgeberin] ISBN 978-3833305573

===Filme===
* [[wikipedia:de:Crossing The Bridge – The Sound of Istanbul|Crossing the Bridge – The Sound of Istanbul (İstanbul Hatırası – Köprüyü Geçmek)]]
* [[wikipedia:Istanbul Tales|Istanbul Tales]] [http://www.anlatistanbul.com/german/default.asp A nlat İstanbul (Istanbul Tales)]
* [[wikipedia:A Touch of Spice|Bir Tutam Baharat (A Touch of Spice)]]
* [http://film.iksv.org/en/film/79 Unutma beni Istanbul (Do not forget me Istanbul)]
* [http://film.iksv.org/en/film/80 Haliç, Altın Boynuz (Haliç Golden Horn)]
* [http://film.iksv.org/en/film/81 İstanbul’da Aşk (Love in Istanbul) ]
* [[wikipedia:Uzak|Uzak (Distant)]]
* [[wikipedia:Hamam (film)|Hamam]]
* [[wikipedia:Istanbul Beneath My Wings|İstanbul Kanatlarımın Altında (Istanbul beneath my wings)]]
* [http://www.10to11.com 11’e 10 kala (10 to 11)]

==Links==
* [[wikipedia:Istanbul]]
* [[wikipedia:de:Istanbul]]
* [[Walks]] Audio and Video walks
* [http://www.zeit.de/themen/reisen/cityguide-istanbul/index THEMENPORTAL ZEIT-ONLINE: City Guide Istanbul]
* [http://www.perlentaucher.de/ptautoren/1/1.html Constanze Letsch. Post aus Istanbul.]
* [http://senseable.mit.edu/ senseable city lab]

=== Künstlerpositionen zum Thema Stadt ===
* [http://web.mit.edu/vap/people/faculty/faculty_wodiczko.html Krzysztof Wodiczko]
* [http://www.yolandeharris.net Yolande Harris]
* [http://www.ubermatic.org Michelle Teran]
* [http://mileschalcraft.net Miles Chalcraft]
* [http://michaelrakowitz.com/ Michael Rakowitz]
* [[wikipedia:de:Walid Raad|Walid Raad]]
* [http://www.ft-contemporary.com/artists/dionisiogonzlez Dionisio Gonzalez]
* [http://www.lozano-hemmer.com Rafael Lozano-Hemmer]
* [http://www.willembesselink.nl/read/kiezwege_berlin?submenu=4255 Willem Besselink]
* [http://www.raumlabor.net/ Raumlabor]
* [http://www.andinc.org/v3/ Mark Shepard]
* [http://www.blasttheory.co.uk/bt/index.php Blast Theory]
* [http://burak-arikan.com/ Burak Arikan]

=== Architektonische Utopien zur Stadt ===
* [http://archigram.westminster.ac.uk/project.php?id=56 Archigrams plug-in city]
* [http://www.medienkunstnetz.de/artist/archizoom/biography Archizoom]
* [http://iasl.uni-muenchen.de/links/GCA-II.3.html#Seek Architecture Machine v. N. Negroponte]

=== aktuelle künstlerische Aktivitäten ===
* [http://vimeo.com/antivj/videos AntiVJ]
* [http://www.urbanscreen.com Urban screen]
* [http://www.rimini-protokoll.de/website/en/index.php Rimini Protokoll]
* [http://2009.paraflows.at/index.php?id=121&L=iBZzQin2 Urban Hacking 2009]
* [http://www.hacking-the-city.org/ Hacking the City]
* [http://www.ted.com/talks/charlie_todd_the_shared_experience_of_absurdity.html Charlie Todd]
* [https://vimeo.com/20412632 Timo Arnall]
* [http://www.sentientcity.net/exhibit/?p=5 Amphibious Architecture]

=== Kunsttheorie ===
* [http://dreher.netzliteratur.net/1_Aktions-u.Konzeptkunst.html Aktions- und Konzeptkunst]
* [http://www.emotionalcartography.net Emotionalcartography]

== Map ==
{{
#display_point:
Istanbul, Turkey
| service=openlayers
| layers=osm-mapnik,osmarender,osm-cyclemap,osm-oepnv,bing
}}

GMU:Istanbul/life in a second

2012-05-16T18:43:10Z

Sebastianprince: Created page with "jkasjkasjkasjksa"

jkasjkasjkasjksa

GMU:Istanbul

2012-05-16T18:41:01Z

Sebastianprince: /* Work in Progress */

'''Das Projekt Istanbul beinhaltet ein Projekt, ein wissenschaftliches Modul entweder ein Fach oder ein Werkmodul. Wer sich für das Projekt inclusive der Exkursion im Juli entscheidet kann keine anderen Kurse mehr besuchen. Montag und Dienstag sind komplett für die Kurse einzuplanen, der Rest der Woche ist für die eigene Arbeit reserviert.'''

Beschreibung des Projektmoduls:

[[:Category:Projektmodul|Projektmodul]] 
''Lehrperson:'' [[Ursula Damm]] 
''Bewertung:'' 18 [[ECTS]], 6 [[SWS]] 
''Termin:'' Dienstag, 15:15 bis 18:30 Uhr 
''Ort:'' [[Marienstraße 7b]], Raum 204 
''Erster Termin:'' t.b.a.

===English description===
Through the project we aim to explore interactive practices and media formats, that are suitable to shape common experiences in public space.
In contrast to the one-way communication of mass media spectacles we aim to explore processes that allow different types of participation. On a concrete level we aim to experiment with a range of sensor modules, for example the citizen sensor (http://citizensensor.cc/) as well as "perception devices"‚ that employ multiple sensors and cameras, sensors for animals in public space, video and photo traps, video mapping and so on.
The project will be commonly prepared by students of Urban Development and
students of Media Art and Design. During the first part of the semester we will be working towards a two-week study trip to Istanbul. On-site the students from Weimar will collaborate with local students from Istanbul in groups of two or three.
Each group will develop and execute their own project idea within a more general assignment.

== Beschreibung ==
Kunst hat eine große Bedeutung für die Selbstdarstellung und Selbstwahrnehmung einer Gesellschaft. Traditionelle Kunst-Praktiken jedoch finden in ausgewählten Institutionen, besseren Stadtvierteln und meist auch vor und mit einer exklusiven gesellschaftlichen Schicht statt. Medien und ihre Methoden lösen diese historisch gewachsenen Verbünde und ermöglichen Kommunikation jenseits von festgelegten Orten, jenseits einer beschränkten Adressatenschaft. Mediale Praktiken werden verhandelt über neue Kanäle, sie definieren sich in einem Zusammenspiel von Künstler und Publikum.

Istanbul ist wie keine andere Stadt geprägt ist von komplexen historischen Bedingungen. Innerhalb dieser steingewordenen Fakten lebt sie die ständige Bewältigung ethnischer wie sozialer Unterschiede. Istanbul verbindet nicht nur Europa und Asien, auch für die Verständigung zwischen uns und der Arabischen Welt wird der Stadt eine Schlüsselrolle zugeschrieben.

Neben dieser sozio-politischen Komplexität hat sich Istanbul spätestens als Kulturhauptstadt Europas in der zeitgenössischen Kunstszene etabliert. All dies macht Istanbul attraktiv für mediale Experimente und Untersuchungen im öffentlichen Raum.

Im Projekt möchten wir interaktiven Praktiken und mediale Formate erproben, die geeignet sind, das gemeinsame Erleben im öffentlichen Raum zu gestalten. Anders als bei massenmedialen Spektakeln und deren einseitiger Kommunikation sollen Verfahren getestet werden, die unterschiedliche Formen der Partizipation ermöglichen.
Solche Praktiken basieren auf Sensormodulen wie z.B. der [http://citizensensor.cc Citizensensor], kombinierte Wahrnehmnungsapparate aus mehreren Sensoren und Kameras, Sensoren für Stadttiere, Video- oder Fotofallen, reaktive und interaktive Formen des Videomapping etc.
Das Projekt wird gemeinsam von Studierenden der Urbanistik zusammen mit Studierenden der Medienkunst/Mediengestaltung in Weimar vorbereitet.
In einem zweiwöchigen Studienaufenthalt in Istanbul sollen jeweils zwischen türkischen und deutschen Studierenden Zweier - oder Dreier-Arbeitsgruppen gebildet werden. Diese einigen sich auf ein eigenständiges Vorhaben im Rahmen des Gesamtprojektes.

=== Wissentschaftliches Modul ===
Das verpflichtende wissentschaftliche Modul ''Understanding Istanbul'' bei Prof Eckhard findet Montags 17:00 – 18:30 in der Geschwister-Scholl-Str. 8a (Hauptgebäude) in Raum 105 statt.
==== Topics/Syllabus ====
* April 30th: Urban governance/planning
* May 7th: Migrants, informal economy
* May 14th: Urban poverty,. housing
* May 21th: ISmaic city, gender
* May 28th: cultural identiy,
* June 4th: design shops/gentification
* June 11th: Gloablisation/ Urban protest
* June 18th: Exkursion
* June 25th: Auswertung

=== Werk- und Fachmodul ===
Undergraduates schreiben sich bitte für das Wekmodul, Graudates für das Fachmodul ein. Beide Module finden immer Dienstags 9:15-12:30 statt.
* Werkmodul: [[GMU:I, Sensor]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green
* Fachmodul: [[GMU:The Device is not the Territory]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green

==Leistungsnachweis==
Aktive Teilnahme, Präsentation, künstlerische Prüfung, Dokumentation, Eintrag im Wiki.

==Zielgruppe==
Studierende der Fakultäten Medien, Gestaltung und des Studiengangs Medienarchitektur

==Mailinglist==
You should be subscribed to our Mailinglist to receive updates and be part of the diescussion.
* [https://mg.medien.uni-weimar.de/mailman/listinfo/istanbul Mailinglist for this class]

==Syllabus==
Termine des Semesters
vorraussichtlicher Termin der Exkursion:
* 15.-24.6.2012

==Work in Progress==
*[[/Cramped Conditions/]], [[Eva Thinius]]
*[[/Knowing the Unknown/]], Jorgelina Garcia
*[[/Asymmetrical Patterns/]], Myrsini Aristidou
*[[/Doner/]], Lu Jin
*[[/Guess who/]], [[Alva Gamula]]
*[[/And the Colour is.../]], Raphael Kittell
*[[/Little Big Places/]], Estel Martínez / Leonardo Cannizzo
*[[/city sound/]], Júlia Palao
*[[/life in a second/]], Sebastian Prince

== Literatur und Film ==
* [http://www.uni-weimar.de/cms/universitaet/zentrale-einrichtungen/universitaetsbibliothek/recherche/semesterapparate/semesterapparate-medien/neu-medien-semesterapparate/ms-2012-21.html Semesterapparat]

=== Fachliteratur ===
* Deniz Göturk, Levent Soysal, Ipek Türeli: Orienting Istanbul: Cultural Capital of Europe? ISBN 978-0415580113
* Frank Eckardt, Kathrin Wildner: Public Istanbul: Spaces and Spheres of the Urban ISBN 978-3899428650
* Frank Eckardt: Die komplexe Stadt: Orientierungen im urbanen Labyrinth ISBN 978-3-531-16507-3
* Deniz Götktürk, Levent Soysal aud Ipek Türeli: Orienting Istanbul – Cultural Capital of Europe? ISBN 9780515580113
* Antje Feger, Benjamin F Stumpf: Public Idea Artistic Approaches to the Urban Sphere of Istanbul ISBN 9-783868-951479
* Christoph Bürkle: Istanbul: hippe Stadt am Horn ISBN 3-03-717019-0
* Berliner Atlas paradoxaler Mobilität: ISBN 978-3-88396-304-4
* William H. Whyte, The social life of small urban spaces, 1980 [https://vimeo.com/6821934 Video]
* Simon Sadler, The Situationist City, ISBN 0262692252
* Kazys Varnelis Hg., Networked Publics, ISBN 0262220857
* Kazys Varnelis, Blue Monday, Stories of Absurd Realities and Natural Philosophies, ISBN 8496540537

===Romane===
* Orhan Pamuk: Istanbul. Erinnerungen an eine Stadt ISBN 978-3446208261
* Orhan Pamuk: Rot ist mein Name ISBN 978-3596156603
* Esmahan Aykol: Hotel Bosporus. ISBN 978-3257234435
* Mario Levi: Istanbul war ein Märchen ISBN 978-3518461372
* Unser Istanbul: Junge türkische Literatur, Constanze Letsch [Herausgeberin] ISBN 978-3833305573

===Filme===
* [[wikipedia:de:Crossing The Bridge – The Sound of Istanbul|Crossing the Bridge – The Sound of Istanbul (İstanbul Hatırası – Köprüyü Geçmek)]]
* [[wikipedia:Istanbul Tales|Istanbul Tales]] [http://www.anlatistanbul.com/german/default.asp A nlat İstanbul (Istanbul Tales)]
* [[wikipedia:A Touch of Spice|Bir Tutam Baharat (A Touch of Spice)]]
* [http://film.iksv.org/en/film/79 Unutma beni Istanbul (Do not forget me Istanbul)]
* [http://film.iksv.org/en/film/80 Haliç, Altın Boynuz (Haliç Golden Horn)]
* [http://film.iksv.org/en/film/81 İstanbul’da Aşk (Love in Istanbul) ]
* [[wikipedia:Uzak|Uzak (Distant)]]
* [[wikipedia:Hamam (film)|Hamam]]
* [[wikipedia:Istanbul Beneath My Wings|İstanbul Kanatlarımın Altında (Istanbul beneath my wings)]]
* [http://www.10to11.com 11’e 10 kala (10 to 11)]

==Links==
* [[wikipedia:Istanbul]]
* [[wikipedia:de:Istanbul]]
* [[Walks]] Audio and Video walks
* [http://www.zeit.de/themen/reisen/cityguide-istanbul/index THEMENPORTAL ZEIT-ONLINE: City Guide Istanbul]
* [http://www.perlentaucher.de/ptautoren/1/1.html Constanze Letsch. Post aus Istanbul.]
* [http://senseable.mit.edu/ senseable city lab]

=== Künstlerpositionen zum Thema Stadt ===
* [http://web.mit.edu/vap/people/faculty/faculty_wodiczko.html Krzysztof Wodiczko]
* [http://www.yolandeharris.net Yolande Harris]
* [http://www.ubermatic.org Michelle Teran]
* [http://mileschalcraft.net Miles Chalcraft]
* [http://michaelrakowitz.com/ Michael Rakowitz]
* [[wikipedia:de:Walid Raad|Walid Raad]]
* [http://www.ft-contemporary.com/artists/dionisiogonzlez Dionisio Gonzalez]
* [http://www.lozano-hemmer.com Rafael Lozano-Hemmer]
* [http://www.willembesselink.nl/read/kiezwege_berlin?submenu=4255 Willem Besselink]
* [http://www.raumlabor.net/ Raumlabor]
* [http://www.andinc.org/v3/ Mark Shepard]
* [http://www.blasttheory.co.uk/bt/index.php Blast Theory]
* [http://burak-arikan.com/ Burak Arikan]

=== Architektonische Utopien zur Stadt ===
* [http://archigram.westminster.ac.uk/project.php?id=56 Archigrams plug-in city]
* [http://www.medienkunstnetz.de/artist/archizoom/biography Archizoom]
* [http://iasl.uni-muenchen.de/links/GCA-II.3.html#Seek Architecture Machine v. N. Negroponte]

=== aktuelle künstlerische Aktivitäten ===
* [http://vimeo.com/antivj/videos AntiVJ]
* [http://www.urbanscreen.com Urban screen]
* [http://www.rimini-protokoll.de/website/en/index.php Rimini Protokoll]
* [http://2009.paraflows.at/index.php?id=121&L=iBZzQin2 Urban Hacking 2009]
* [http://www.hacking-the-city.org/ Hacking the City]
* [http://www.ted.com/talks/charlie_todd_the_shared_experience_of_absurdity.html Charlie Todd]
* [https://vimeo.com/20412632 Timo Arnall]
* [http://www.sentientcity.net/exhibit/?p=5 Amphibious Architecture]

=== Kunsttheorie ===
* [http://dreher.netzliteratur.net/1_Aktions-u.Konzeptkunst.html Aktions- und Konzeptkunst]
* [http://www.emotionalcartography.net Emotionalcartography]

== Map ==
{{
#display_point:
Istanbul, Turkey
| service=openlayers
| layers=osm-mapnik,osmarender,osm-cyclemap,osm-oepnv,bing
}}

GMU:Istanbul/city sound

2012-05-16T15:55:42Z

Sebastianprince: Created page with "How can the people get to know a city deeply if is a tourist. Im from barcelona and now im living in weimar. In this moment I'm part of the master program in media art and design..."

How can the people get to know a city deeply if is a tourist.
Im from barcelona and now im living in weimar. In this moment I'm part of the master program in media art and design but before i study cello in barcelona thats why the music and the sound are a really important part in my life.

I think a person from istanbul listen the sounds of the city different than we like a foreigners people. the feeling of the sounds its different for each person and in this way the people express the sounds in his personal way.

i would like to contact somo musicians in istanbul that show me the specials parts of the city and like that also a personal meaning.after we will recreate the sounds that in this place we can hear.

Doing this project i would like to show that the reality its subjetive.

- how its the reaction of the people? they are going to take an important place in my project

- how can i do my performance? search for the perfect place to represent that.

GMU:Istanbul

2012-05-16T15:55:01Z

Sebastianprince:

'''Das Projekt Istanbul beinhaltet ein Projekt, ein wissenschaftliches Modul entweder ein Fach oder ein Werkmodul. Wer sich für das Projekt inclusive der Exkursion im Juli entscheidet kann keine anderen Kurse mehr besuchen. Montag und Dienstag sind komplett für die Kurse einzuplanen, der Rest der Woche ist für die eigene Arbeit reserviert.'''

Beschreibung des Projektmoduls:

[[:Category:Projektmodul|Projektmodul]] 
''Lehrperson:'' [[Ursula Damm]] 
''Bewertung:'' 18 [[ECTS]], 6 [[SWS]] 
''Termin:'' Dienstag, 15:15 bis 18:30 Uhr 
''Ort:'' [[Marienstraße 7b]], Raum 204 
''Erster Termin:'' t.b.a.

===English description===
Through the project we aim to explore interactive practices and media formats, that are suitable to shape common experiences in public space.
In contrast to the one-way communication of mass media spectacles we aim to explore processes that allow different types of participation. On a concrete level we aim to experiment with a range of sensor modules, for example the citizen sensor (http://citizensensor.cc/) as well as "perception devices"‚ that employ multiple sensors and cameras, sensors for animals in public space, video and photo traps, video mapping and so on.
The project will be commonly prepared by students of Urban Development and
students of Media Art and Design. During the first part of the semester we will be working towards a two-week study trip to Istanbul. On-site the students from Weimar will collaborate with local students from Istanbul in groups of two or three.
Each group will develop and execute their own project idea within a more general assignment.

== Beschreibung ==
Kunst hat eine große Bedeutung für die Selbstdarstellung und Selbstwahrnehmung einer Gesellschaft. Traditionelle Kunst-Praktiken jedoch finden in ausgewählten Institutionen, besseren Stadtvierteln und meist auch vor und mit einer exklusiven gesellschaftlichen Schicht statt. Medien und ihre Methoden lösen diese historisch gewachsenen Verbünde und ermöglichen Kommunikation jenseits von festgelegten Orten, jenseits einer beschränkten Adressatenschaft. Mediale Praktiken werden verhandelt über neue Kanäle, sie definieren sich in einem Zusammenspiel von Künstler und Publikum.

Istanbul ist wie keine andere Stadt geprägt ist von komplexen historischen Bedingungen. Innerhalb dieser steingewordenen Fakten lebt sie die ständige Bewältigung ethnischer wie sozialer Unterschiede. Istanbul verbindet nicht nur Europa und Asien, auch für die Verständigung zwischen uns und der Arabischen Welt wird der Stadt eine Schlüsselrolle zugeschrieben.

Neben dieser sozio-politischen Komplexität hat sich Istanbul spätestens als Kulturhauptstadt Europas in der zeitgenössischen Kunstszene etabliert. All dies macht Istanbul attraktiv für mediale Experimente und Untersuchungen im öffentlichen Raum.

Im Projekt möchten wir interaktiven Praktiken und mediale Formate erproben, die geeignet sind, das gemeinsame Erleben im öffentlichen Raum zu gestalten. Anders als bei massenmedialen Spektakeln und deren einseitiger Kommunikation sollen Verfahren getestet werden, die unterschiedliche Formen der Partizipation ermöglichen.
Solche Praktiken basieren auf Sensormodulen wie z.B. der [http://citizensensor.cc Citizensensor], kombinierte Wahrnehmnungsapparate aus mehreren Sensoren und Kameras, Sensoren für Stadttiere, Video- oder Fotofallen, reaktive und interaktive Formen des Videomapping etc.
Das Projekt wird gemeinsam von Studierenden der Urbanistik zusammen mit Studierenden der Medienkunst/Mediengestaltung in Weimar vorbereitet.
In einem zweiwöchigen Studienaufenthalt in Istanbul sollen jeweils zwischen türkischen und deutschen Studierenden Zweier - oder Dreier-Arbeitsgruppen gebildet werden. Diese einigen sich auf ein eigenständiges Vorhaben im Rahmen des Gesamtprojektes.

=== Wissentschaftliches Modul ===
Das verpflichtende wissentschaftliche Modul ''Understanding Istanbul'' bei Prof Eckhard findet Montags 17:00 – 18:30 in der Geschwister-Scholl-Str. 8a (Hauptgebäude) in Raum 105 statt.
==== Topics/Syllabus ====
* April 30th: Urban governance/planning
* May 7th: Migrants, informal economy
* May 14th: Urban poverty,. housing
* May 21th: ISmaic city, gender
* May 28th: cultural identiy,
* June 4th: design shops/gentification
* June 11th: Gloablisation/ Urban protest
* June 18th: Exkursion
* June 25th: Auswertung

=== Werk- und Fachmodul ===
Undergraduates schreiben sich bitte für das Wekmodul, Graudates für das Fachmodul ein. Beide Module finden immer Dienstags 9:15-12:30 statt.
* Werkmodul: [[GMU:I, Sensor]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green
* Fachmodul: [[GMU:The Device is not the Territory]] Max Neupert, Bernhard Hopfengärtner, Gunnar Green

==Leistungsnachweis==
Aktive Teilnahme, Präsentation, künstlerische Prüfung, Dokumentation, Eintrag im Wiki.

==Zielgruppe==
Studierende der Fakultäten Medien, Gestaltung und des Studiengangs Medienarchitektur

==Mailinglist==
You should be subscribed to our Mailinglist to receive updates and be part of the diescussion.
* [https://mg.medien.uni-weimar.de/mailman/listinfo/istanbul Mailinglist for this class]

==Syllabus==
Termine des Semesters
vorraussichtlicher Termin der Exkursion:
* 15.-24.6.2012

==Work in Progress==
*[[/Cramped Conditions/]], [[Eva Thinius]]
*[[/Knowing the Unknown/]], Jorgelina Garcia
*[[/Asymmetrical Patterns/]], Myrsini Aristidou
*[[/Doner/]], Lu Jin
*[[/Guess who /]], [[Alva Gamula]]
*[[/And the Colour is.../]], Raphael Kittell
*[[/Little Big Places/]], Estel Martínez / Leonardo Cannizzo
*[[/city sound/]], Júlia Palao

== Literatur und Film ==
* [http://www.uni-weimar.de/cms/universitaet/zentrale-einrichtungen/universitaetsbibliothek/recherche/semesterapparate/semesterapparate-medien/neu-medien-semesterapparate/ms-2012-21.html Semesterapparat]

=== Fachliteratur ===
* Deniz Göturk, Levent Soysal, Ipek Türeli: Orienting Istanbul: Cultural Capital of Europe? ISBN 978-0415580113
* Frank Eckardt, Kathrin Wildner: Public Istanbul: Spaces and Spheres of the Urban ISBN 978-3899428650
* Frank Eckardt: Die komplexe Stadt: Orientierungen im urbanen Labyrinth ISBN 978-3-531-16507-3
* Deniz Götktürk, Levent Soysal aud Ipek Türeli: Orienting Istanbul – Cultural Capital of Europe? ISBN 9780515580113
* Antje Feger, Benjamin F Stumpf: Public Idea Artistic Approaches to the Urban Sphere of Istanbul ISBN 9-783868-951479
* Christoph Bürkle: Istanbul: hippe Stadt am Horn ISBN 3-03-717019-0
* Berliner Atlas paradoxaler Mobilität: ISBN 978-3-88396-304-4
* William H. Whyte, The social life of small urban spaces, 1980 [https://vimeo.com/6821934 Video]
* Simon Sadler, The Situationist City, ISBN 0262692252
* Kazys Varnelis Hg., Networked Publics, ISBN 0262220857
* Kazys Varnelis, Blue Monday, Stories of Absurd Realities and Natural Philosophies, ISBN 8496540537

===Romane===
* Orhan Pamuk: Istanbul. Erinnerungen an eine Stadt ISBN 978-3446208261
* Orhan Pamuk: Rot ist mein Name ISBN 978-3596156603
* Esmahan Aykol: Hotel Bosporus. ISBN 978-3257234435
* Mario Levi: Istanbul war ein Märchen ISBN 978-3518461372
* Unser Istanbul: Junge türkische Literatur, Constanze Letsch [Herausgeberin] ISBN 978-3833305573

===Filme===
* [[wikipedia:de:Crossing The Bridge – The Sound of Istanbul|Crossing the Bridge – The Sound of Istanbul (İstanbul Hatırası – Köprüyü Geçmek)]]
* [[wikipedia:Istanbul Tales|Istanbul Tales]] [http://www.anlatistanbul.com/german/default.asp A nlat İstanbul (Istanbul Tales)]
* [[wikipedia:A Touch of Spice|Bir Tutam Baharat (A Touch of Spice)]]
* [http://film.iksv.org/en/film/79 Unutma beni Istanbul (Do not forget me Istanbul)]
* [http://film.iksv.org/en/film/80 Haliç, Altın Boynuz (Haliç Golden Horn)]
* [http://film.iksv.org/en/film/81 İstanbul’da Aşk (Love in Istanbul) ]
* [[wikipedia:Uzak|Uzak (Distant)]]
* [[wikipedia:Hamam (film)|Hamam]]
* [[wikipedia:Istanbul Beneath My Wings|İstanbul Kanatlarımın Altında (Istanbul beneath my wings)]]
* [http://www.10to11.com 11’e 10 kala (10 to 11)]

==Links==
* [[wikipedia:Istanbul]]
* [[wikipedia:de:Istanbul]]
* [[Walks]] Audio and Video walks
* [http://www.zeit.de/themen/reisen/cityguide-istanbul/index THEMENPORTAL ZEIT-ONLINE: City Guide Istanbul]
* [http://www.perlentaucher.de/ptautoren/1/1.html Constanze Letsch. Post aus Istanbul.]
* [http://senseable.mit.edu/ senseable city lab]

=== Künstlerpositionen zum Thema Stadt ===
* [http://web.mit.edu/vap/people/faculty/faculty_wodiczko.html Krzysztof Wodiczko]
* [http://www.yolandeharris.net Yolande Harris]
* [http://www.ubermatic.org Michelle Teran]
* [http://mileschalcraft.net Miles Chalcraft]
* [http://michaelrakowitz.com/ Michael Rakowitz]
* [[wikipedia:de:Walid Raad|Walid Raad]]
* [http://www.ft-contemporary.com/artists/dionisiogonzlez Dionisio Gonzalez]
* [http://www.lozano-hemmer.com Rafael Lozano-Hemmer]
* [http://www.willembesselink.nl/read/kiezwege_berlin?submenu=4255 Willem Besselink]
* [http://www.raumlabor.net/ Raumlabor]
* [http://www.andinc.org/v3/ Mark Shepard]
* [http://www.blasttheory.co.uk/bt/index.php Blast Theory]
* [http://burak-arikan.com/ Burak Arikan]

=== Architektonische Utopien zur Stadt ===
* [http://archigram.westminster.ac.uk/project.php?id=56 Archigrams plug-in city]
* [http://www.medienkunstnetz.de/artist/archizoom/biography Archizoom]
* [http://iasl.uni-muenchen.de/links/GCA-II.3.html#Seek Architecture Machine v. N. Negroponte]

=== aktuelle künstlerische Aktivitäten ===
* [http://vimeo.com/antivj/videos AntiVJ]
* [http://www.urbanscreen.com Urban screen]
* [http://www.rimini-protokoll.de/website/en/index.php Rimini Protokoll]
* [http://2009.paraflows.at/index.php?id=121&L=iBZzQin2 Urban Hacking 2009]
* [http://www.hacking-the-city.org/ Hacking the City]
* [http://www.ted.com/talks/charlie_todd_the_shared_experience_of_absurdity.html Charlie Todd]
* [https://vimeo.com/20412632 Timo Arnall]
* [http://www.sentientcity.net/exhibit/?p=5 Amphibious Architecture]

=== Kunsttheorie ===
* [http://dreher.netzliteratur.net/1_Aktions-u.Konzeptkunst.html Aktions- und Konzeptkunst]
* [http://www.emotionalcartography.net Emotionalcartography]

== Map ==
{{
#display_point:
Istanbul, Turkey
| service=openlayers
| layers=osm-mapnik,osmarender,osm-cyclemap,osm-oepnv,bing
}}

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-26T10:48:54Z

Sebastianprince:

== Descroption ==
[[File:DESCRIPTION wiki pd.jpg|650px]]

We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== Steps ==
[[FILE:steps.jpg|650px]]
The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== Problems ==
[[FILE:PROBLEMAS.jpg|650px]]
The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

== Video ==
<videoflash type="vimeo">40592545|530|300</videoflash>

File:Edif.jpg

2012-04-25T13:32:39Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:I am a wild type/Projekte/Window a view through a glass

2012-04-25T13:06:44Z

Sebastianprince:

<gallery>
File:Portada.jpg
File:Description.jpg
File:Proyecto.jpg
File:Problemas.jpg
File:weimplt.jpg
</gallery>

Die Visuelle Kommunikation hat immer eine penetrante und direkte Wirkung. Jede Gebäude hat eine konkrete Bedeutung bei den Zuschauern. Die Architektur gibt die Stimme jeder Stadt. Wenn die „Form“ der Gebäude alteriert wird, ändert sich diese Bedeutung und bekommt diese Gebäude eine neue Information. Eine Projektion ist dann eine dieser Formen, die die Wirklichkeit einer Gebäude ändern kann.
In dem Fall unserem Projekt bekommt die graue Wand der Universitätsbibliothek Fenstern und wird einen Plattenbau. Plötzlich ist keine graue Wand mehr bzw. keinen Ort, in den die Leute geht um zu lernen und studieren, sonder einen Plattenbau von Weimarwest; in dem Menschen Wohnt und mit sein Leben und konkrete Bewegungen.
Die Fenstern haben eine tiefe Bedeutung, denn sie kommunizieren die innere und äußere Welt jeder Mensch. Durch ein Fenster kann man das eigene Lebe die Personen dort Wohnen. Wer ein Festren auf macht, lässt frische Luft, neue Erfahrungen erleben, neue Wege... rein. Und dann im Gegenteil dazu, wer ein Fenster zu macht, schlisst sich in seiner Welt und bleibt ohne Einflüsse und isoliert.

Der Ziel unseres Projektes war dieses anderes Gesicht der Stadt kennenzulernen und zeigen, dass es eine andere Wirklichkeit gibt. Die Schönheit ist im Zentrum einfach zu sehen, deswegen wird Weimar voll von Touristen, die nur diese klassische Schönheit spüren wollen. Weimar West ist aber nicht so weit entfern, nur ein paar Haltestellen vom Stadtzentrum mit der regulär Buslinie . Wir haben diese nicht entferne Wirklichkeit ganz im Zentrum gestellt um zu konfrontieren die zwei verschiedene Realitäten. Wer im Steubenstraße in dem Moment unsere Projektion lief, sah diese Konfrontation.

GMU:I am a wild type/Projekte/Window a view through a glass

2012-04-25T12:59:33Z

Sebastianprince:

<gallery>
File:Portada.jpg
File:Description.jpg
File:Proyecto.jpg
File:Problemas.jpg
File:weimplt.jpg
</gallery>

File:Plt11.pdf

2012-04-25T12:57:28Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:I am a wild type/Projekte/Window a view through a glass

2012-04-25T12:52:12Z

Sebastianprince: Created page with "<gallery> File:Portada.jpg File:Description.jpg File:Proyecto.jpg File:Problemas.jpg File:Plattenbau.jpg File:weimplt.jpg </gallery>"

<gallery>
File:Portada.jpg
File:Description.jpg
File:Proyecto.jpg
File:Problemas.jpg
File:Plattenbau.jpg
File:weimplt.jpg
</gallery>

GMU:I am a wild type/Projekte

2012-04-25T12:42:17Z

Sebastianprince:

== [[/Tobias Zeller|Tobias Zeller]]: Name der Arbeit==
Ich möchte Waldszenen nehmen und in diese „menschliche Bäume“ installieren. Die Bäume mit menschlichen Zügen werde ich in 3D erstellen und in echte Fotos montieren. Dies sehe ich als Kunstmontage in Anlehnung an die NAtur des Menschen...

english version:

“I would like to take forest scenes, and install in this «human trees». The trees with a human face, I will create in cinema 4D and put these into real photographs. I see this as an art installation based on the nature of man ...”
 

==[[Matthias Breuer]]: [[/Decaying shelters/]]==
[[File:2V geodesic cardboard dome.jpg|thumb|right|Cardboard geodesic dome model]]Our society manifests itself in concrete and steel. Most building are designed for an indefinite time span without a proper plan for each stage of its life. Often buildings get demolished simply because there is no need for them anymore, not because the old structure became unusable.

Taking nature's cycle of growth and decay as inspiration, I plan to design multiple shelters and dwellings that decay over time. Using a combination of biodegradable and sustainable materials these dwellings will completely biodegrade to soil.
 

==[[Sebastian Prince aund Júlia Palao]]: [[/Window a view through a glass/]]==
[[File:Portada.jpg|thumb|right|]]
In our project, we bring a other face from weimar into the center, to let the people know another reality.We went to eimar west to talk to the residents in this way also to get more about this area. The reaction of the people surpriced us. All of them collaboratet ,many show us the appartments and giving us the oportunity to make a video of the windows. As well we enjoy the opportunity to record some sounds.As we all the videos finished, we started to build our (Plattenbausiedlungen) .After we made a projection on the wall of the university library to watch the reaction of the people walking down the street.

==[[/Vanessa Walk|Vanessa Walk]]: [[/Mythologische Histologie/]]==
[[Image:Symbol.png|thumb|IMH]]
Tag täglich wird unsere Welt Stück für Stück ein wenig mehr entzaubert,
ihrer Mysterien, Rätsel und Wunder beraubt.
Es ist eine Zeit der Wirtschaft, Technik und Forschung.
Eine Zeit von Social Networks und Smartphones.
In der es möglich geworden ist selbst das Unerklärlichste, erklärbar zu machen und das Intimste, einsehbar. Rund um die Uhr, 24 Stunden am Tag.
Schnelllebigkeit hat daher in unserem Leben Einzug gehalten - definiert und dominiert unsere Vorstellungen von der menschlichen Fortschrittsgesellschaft und kurzfristigem persönlichem Erfolg. Gleichzeitig fallen Grenzen, verschmelzen Märkte und prallen Kulturen als Fremdkörper aufeinander.
Ohne eine gemeinsame Grundlage, ohne Vorbereitung oder Eingewöhnungszeit.
Persönlichkeit, Indidvidualität, wichtige soziale Kompetenzen ebenso wie Kreativität und kritisches Bewusstsein bleiben so auf der Strecke, werden ausgeblendet zugunsten rationaler Effizienz.

Alles was bleibt ist unser Leben, als Gefangene in einer Maschinerie die uns selisch krank macht und auslaugt. Um so mehr das Unerklärliche daher aus unserer Umwelt getilgt wird und logischen Gleichungen weichen muss,
um so mehr sehnt sich der Mensch nach dem Fantastischen und Phänomenalen.
Etwas, dass mehr beinhaltet als die Summe seiner Teile, dass sich keinen menschlichen Regeln und Normen unterwirft, etwas das höher und anders ist als man selbst, etwas an dem man sich emotional abarbeiten und in dem man sich verlieren kann, etwas das so verrückt ist und unmöglich das es den Verstand übersteigt. Unmöglich dies in der Realität umzusetzen, ziehen wir uns nicht selten in uns selbst zurück, grenzen uns ab, flüchten sich in Scheinwelten, Computerspiele, Drogen, Gewalt oder kämpfen für die indidviduelle Anerkennung und das Gefühl der Verortung/Zugehörigkeit.
 

== [[User:Dogu1029|Sandra Guzman]]: [[GMU:In_Sync/Projects/Breathing|Breathing]] ==
[[File:Breathing_Foto1.jpg|thumb|Breathing]]
'''Sound = Air = Living'''

''Breathing'' is an interactive Sculpture that creates organic movements by the interaction of sound. The sculpture is inspired by the anatomic structure of the respiratory system, such as lungs, diaphragm and thorax. The membrane as the heart of the sculpture contracts and expands representing the inhalation and exhalation. 
''Breathing'' is a visualization of the sound emitted by the living beings surrounding the sculpture. The sound waves transmitted by the air we breathe influences the movement of the membrane. The sculpture responds either to a whole room or to an interaction of a individual person.
 

== [[User:mando|m.a.]]: [[/code and decode/]] ==
[[File:Gmu code decode.jpg|thumb|idea]]
I am observing the city. Observing people. How do they move, how do they interact. I see this urban movement as a fleetly phenomenom as a choreography, which daily happens. Different people walk the same directions, ways and cross the same places. I fix these moments and try to transform this choreographies into signs, to get a notation out of it and into text or sound and again into movement! I'll hope I can find my own movement-notation.

 

==[[Eva Thinius]]: [[/Plattenbau/]] ==
[[File:Evathin plattenbau rubik1.png‎|thumb|Plattenbau facades]]
Being city-bred and raised in a Berlin Plattenbau pretty much influenced me. I'm still very attached to these concrete colossus. Through different techniques I want to reveal the aesthetics of prefabricated houses.
 

== [[Catalina Giraldo]]: [[/Winzig/]] ==
[[File:miniaturized.jpg|thumb|winzig]]
Durch den Gebrauch von Fotomontage verwandeln sich die alltäglichen Gegenstände in Landschaften, die miniaturisierte Personen enthalten. Die Menschen durchreisen die Dinge, sie erkunden sie, nähren sich von ihnen, leben in ihnen. Sie absorbieren die Gegenstände und lassen sich von ihnen absorbieren. Die Dinge ihrerseits werden lebendig und können auf die Subjekte reagieren.

''Objects & Apparitions (fragment) 
"''Monuments to every moment'', 
''refuse of every moment, used:'' 
''cages for infinity.''   
''Marbles, buttons, thimbles, dice, pins'', 
''stamps, and glass beads:'' 
''tales of the time.''"'' 
''-Octavio Paz-''

 

== [[User:Gunisigicihangir|Günışığı Cihangir]]: [[/Follow up Advertising/]] ==
[[File:Follow up1.jpg|200px|thumb|alt text]]
I want to make an interactive retro-future installation about advertisement. I will set a mechanism that following the people in a public space. It will work with a movement sensor on a poster and bobbin (maybe curtain rod) system. When people walking front of the poster, it will follow them along the way.

 

== [[User:Raphael Kittell |Raphael]]: [[/Bewegung existiert nicht ohne Raum/]] ==

<div style="float:right; margin-left: 9px;"><videoflash type="vimeo">40835103|200|200</videoflash></div>

Brummkreisel. Dreht und dreht sich, fällt nie um. Raum fällt um.

Ist Raum starr, oder bilden wir uns das nur ein? Mir erscheint unser Konstrukt fragwürdig, ich mache mich auf die Suche. Ausgangspunkt ist die Wahrnehmung von Bewegung. Bewegung auslöschen, übertragen, synthetisieren der Weg.

 

== [[User:karagiorgos|Georgios Karagiorgos]] : [[GMU:Cybernetic Garden/Projects]] ==

=== Paper Interiors ===

[[File:Interior Photo1.jpg|thumb]]
[[File:Interior Photo2.jpg|thumb]]
[[File:Interior Photo3.jpg|thumb]]

My personal interest during this semester lied in the complexity met in working environments. Architecture, facilities and equipment in working environments in many cases appear to be complex because of the apportionment of labor and the development of technology. The image of an interior does not always explains a lot about its character and sometimes perception is mislead

The uploaded pictures are photos of paper models of two rooms and the models's actual dimensions are about 40 x 60 x 26 cm. This interior models was used to make a video called ''AND HERE WE SIT''

===Video (excerpt) ''AND HERE WE SIT''===

<videoflash type=youtube>d58xY2b44Ro</videoflash>

File:Weimplt.jpg

2012-04-25T12:33:04Z

Sebastianprince:

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File:Proyecto.jpg

2012-04-25T12:31:33Z

Sebastianprince:

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File:Problemas.jpg

2012-04-25T12:30:04Z

Sebastianprince:

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File:Platenbau.jpg

2012-04-25T12:28:33Z

Sebastianprince:

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File:Description.jpg

2012-04-25T12:26:53Z

Sebastianprince:

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== Source: ==

File:Portada.jpg

2012-04-25T12:25:41Z

Sebastianprince: uploaded a new version of "File:Portada.jpg"

== Summary ==

== Copyright status: ==

== Source: ==

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-21T18:06:16Z

Sebastianprince: /* DESCRIPTION */

== '''DESCRIPTION''' ==

[[File:DESCRIPTION WIKI PD.JPG]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== '''STEPS''' ==

The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== '''PROBLEMS''' ==

The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

VIDEO: [https://vimeo.com/40592545]

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-21T18:05:43Z

Sebastianprince: /* DESCRIPTION */

== '''DESCRIPTION''' ==

[[File:DESCRIPTION WIKI PD.JPG|thumb|Description]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== '''STEPS''' ==

The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== '''PROBLEMS''' ==

The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

VIDEO: [https://vimeo.com/40592545]

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-21T18:00:44Z

Sebastianprince:

== '''DESCRIPTION''' ==

[[FILE:DESCRIPTION_WIKI_PD.JPG]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== '''STEPS''' ==

The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== '''PROBLEMS''' ==

The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

VIDEO: [https://vimeo.com/40592545]

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-21T17:59:57Z

Sebastianprince:

== '''DESCRIPTION''' ==

[[FILE:DESCRIPTION WIKI PD.JPG]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== '''STEPS''' ==

The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== '''PROBLEMS''' ==

The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

VIDEO: [https://vimeo.com/40592545]

File:Steps.jpg

2012-04-21T17:11:12Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:PROBLEMAS.jpg

2012-04-21T17:09:51Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

File:DESCRIPTION wiki pd.jpg

2012-04-21T17:08:28Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-18T17:18:37Z

Sebastianprince:

== '''DESCRIPTION''' ==

We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

== '''STEPS''' ==

The first step was to research for ideas, after we look if were possible to make it. by and by the experimentation taked the most important part of the project because at this point you realize what do you want to do. then we improvice with some videos that we have and with different patches that we did in the different meeting during the year. The final presentation was performed in a class room with some videos that we did in places of weimar and the university.

== '''PROBLEMS''' ==

The main problem were based in our lack of knowledge at the beginning of the course. We were very confused and we did not know were we could get. During the progress, the programation was really difficult, but with the different explications we develop our main idea.

VIDEO: [https://vimeo.com/40592545]

GMU:In Sync/Projects/Dance, Music, Media!

2012-04-18T17:15:28Z

Sebastianprince: Created page with "We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dan..."

We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.

GMU:In Sync/Projects

2012-04-18T17:11:09Z

Sebastianprince: /* Sebastian Prince and Júlia Palao: /Dance, Music, Media!/ */

== [[User:Dogu1029|Sandra Guzman]]: [[/Breathing/]] ==
[[File:Breathing_Foto1.jpg|thumb|Breathing]]
'''Sound = Air = Living'''

''Breathing'' is an interactive Sculpture that creates organic movements by the interaction of sound. The sculpture is inspired by the anatomic structure of the respiratory system, such as lungs, diaphragm and thorax. The membrane as the heart of the sculpture contracts and expands representing the inhalation and exhalation. 
''Breathing'' is a visualization of the sound emitted by the living beings surrounding the sculpture. The sound waves transmitted by the air we breathe influences the movement of the membrane. The sculpture responds either to a whole room or to an interaction of a individual person.
 

== [[User:Maknike|Michael Kugler]]: [[/Fog Installation/]] ==
[[File:Wald.jpg|thumb|Ilm at Dawn]]

PROJECT DESCRIPTION:

My work in In Sync began with an interest in developing skills in Pure Data in order to program audiovisual environments. When I arrived in Weimar, I was immediately attracted to the elusive early morning fog that inundated the Thüringian landscape. For obvious reasons, fog has long been a subject of fascination for many visual artists; it tends to obfuscate objects and erase horizons; it invokes a sense of mystery and reminds one of the power of nature. One particular aspect of the fog that attracted me was its uniformity-both in terms of density and movement. Subsequently, I began thinking about the properties of fog --in its most simple form, water particles that cling to dust/debris--and the climate conditions necessary to its formation. After several attempts to represent the effect of fog on a filmed landscape, I became interested in how its spatial and temporal existence could be recreated in an installation environment. My research culminated in a proposal for an interactive installation that provides both a real-time and mediated experience of fog. As my project evolved, I aimed to find a linchpin between the creative and technical aspects of production. Through a largely experimental approach to programming in pure data, I further shaped my concept. The following examples serve to provide insight into my research and creative processes.

 

== Sebastian Prince and [[User:JuliaPalao|Júlia Palao]]: [[/Dance, Music, Media!/]] ==

We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.
 

== [[User:Ji Kwon|Ji Kwon]]: [[/Little Life/]] ==
[[File:Little Life.jpg|thumb|Little Life]]

I would like to make a short film which is about my self. The viewers can select each video clips among 9~12 short films. I have been making many videos which is about my life in order to think about who I am and really glad that Pure Data is able to visualize what I have dreamed to make.

This work will be an interactive film which can work together with viewers.
 

== [[User:Graciousrain|Min J. Shin]]: [[/Fortune Teller/]] ==
[[File:fortuneteller.jpg|thumb|What do you want to know?]]

I don't know if you know i'm from South Korea or not, anyways the fortune tellers are really popular in Korea. I'm not sure if there are many fortune tellers in Europe, …probably not. I also like to know about my future, but just for fun!

So i made a patch named 'Fortune Teller'. If you ask about something like your future, or what if you're gonna get serious with her, etc., and then press space bar, it'll tell an answer about your problem…
 

== [[User:Martin Kohlstedt|Martin Kohlstedt]]==
=== [[/sound visualisation for music video/]]===
[[File:SoundtoColour.jpg|thumb|Sound to Colour]]

I'm working on making music video footage with inverted colours for projection with different soundvisualisation tools of Pd. I use the sigmund tool to pick out the pitch value und the loudness value to steer onward the corresponding cue points of the video...

 

=== [[/random music studies/]]===
[[File:Self composing random music.jpg|thumb|random pop music mashine Test]]
I've experimented with random music in combination with manifestations out of typical pop music patterns. The aim of the studies was to discover different borders of random music and in this way I've made many test patches about rhythm patterns, tempo changes , basslines, chord structures, pentatonic melodielines and repetitions in preparation for the master's program.

 

== [[User:Tommy Neuwirth|Tommy Neuwirth]]: [[/AUDIOVIDEOCUTUP/]] ==

[[File:Sliced drummer2.jpg|thumb|sliced drummer]]
Experiment with slicing audio/video on the basis of Tim Vets' autocutup-patch. Playing the separate slices back randomly or via MIDI. Still looking to get further with this.

 

== [[User:Ludwig|Ludwig Völker]]: [[/Ghostphone/]] ==
[[File:Telefon2.JPG|thumb|Ghostphone]]

A Movement Sensor activates the Telephone. The old Telephone start to ring, somebody will take the earcapsule and talk into it. The hook is connected with an Arduino which gives the start and stop information to the computer. At the same time it plays the recorded voice of the last person who talked to the phone. All Files are saved on Harddisk, so at the end of an exhibition you will get an experimental radio play, which contains all conversations which are made with the telephone.


 

== [[User:Regina|Regina Reusch]]: [[/Musica Poetica/]] ==
[[File:Audio to text.jpg|thumb|Audio to Text]]
If there was a universal language it probably would be music. In my project I treat this thesis literally by creating a patch witch transforms an analog audio input into text.

GMU:In Sync/Projects

2012-04-18T17:04:43Z

Sebastianprince: /* Sebastian Prince and Júlia Palao: /Dance, Music Media!/ */

== [[User:Dogu1029|Sandra Guzman]]: [[/Breathing/]] ==
[[File:Breathing_Foto1.jpg|thumb|Breathing]]
'''Sound = Air = Living'''

''Breathing'' is an interactive Sculpture that creates organic movements by the interaction of sound. The sculpture is inspired by the anatomic structure of the respiratory system, such as lungs, diaphragm and thorax. The membrane as the heart of the sculpture contracts and expands representing the inhalation and exhalation. 
''Breathing'' is a visualization of the sound emitted by the living beings surrounding the sculpture. The sound waves transmitted by the air we breathe influences the movement of the membrane. The sculpture responds either to a whole room or to an interaction of a individual person.
 

== [[User:Maknike|Michael Kugler]]: [[/Fog Installation/]] ==
[[File:Wald.jpg|thumb|Ilm at Dawn]]

PROJECT DESCRIPTION:

My work in In Sync began with an interest in developing skills in Pure Data in order to program audiovisual environments. When I arrived in Weimar, I was immediately attracted to the elusive early morning fog that inundated the Thüringian landscape. For obvious reasons, fog has long been a subject of fascination for many visual artists; it tends to obfuscate objects and erase horizons; it invokes a sense of mystery and reminds one of the power of nature. One particular aspect of the fog that attracted me was its uniformity-both in terms of density and movement. Subsequently, I began thinking about the properties of fog --in its most simple form, water particles that cling to dust/debris--and the climate conditions necessary to its formation. After several attempts to represent the effect of fog on a filmed landscape, I became interested in how its spatial and temporal existence could be recreated in an installation environment. My research culminated in a proposal for an interactive installation that provides both a real-time and mediated experience of fog. As my project evolved, I aimed to find a linchpin between the creative and technical aspects of production. Through a largely experimental approach to programming in pure data, I further shaped my concept. The following examples serve to provide insight into my research and creative processes.

 

== Sebastian Prince and [[User:JuliaPalao|Júlia Palao]]: [[/Dance, Music, Media!/]] ==
[[File:ventanas1.jpg|thumb|windows]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.
 

== [[User:Ji Kwon|Ji Kwon]]: [[/Little Life/]] ==
[[File:Little Life.jpg|thumb|Little Life]]

I would like to make a short film which is about my self. The viewers can select each video clips among 9~12 short films. I have been making many videos which is about my life in order to think about who I am and really glad that Pure Data is able to visualize what I have dreamed to make.

This work will be an interactive film which can work together with viewers.
 

== [[User:Graciousrain|Min J. Shin]]: [[/Fortune Teller/]] ==
[[File:fortuneteller.jpg|thumb|What do you want to know?]]

I don't know if you know i'm from South Korea or not, anyways the fortune tellers are really popular in Korea. I'm not sure if there are many fortune tellers in Europe, …probably not. I also like to know about my future, but just for fun!

So i made a patch named 'Fortune Teller'. If you ask about something like your future, or what if you're gonna get serious with her, etc., and then press space bar, it'll tell an answer about your problem…
 

== [[User:Martin Kohlstedt|Martin Kohlstedt]]==
=== [[/sound visualisation for music video/]]===
[[File:SoundtoColour.jpg|thumb|Sound to Colour]]

I'm working on making music video footage with inverted colours for projection with different soundvisualisation tools of Pd. I use the sigmund tool to pick out the pitch value und the loudness value to steer onward the corresponding cue points of the video...

 

=== [[/random music studies/]]===
[[File:Self composing random music.jpg|thumb|random pop music mashine Test]]
I've experimented with random music in combination with manifestations out of typical pop music patterns. The aim of the studies was to discover different borders of random music and in this way I've made many test patches about rhythm patterns, tempo changes , basslines, chord structures, pentatonic melodielines and repetitions in preparation for the master's program.

 

== [[User:Tommy Neuwirth|Tommy Neuwirth]]: [[/AUDIOVIDEOCUTUP/]] ==

[[File:Sliced drummer2.jpg|thumb|sliced drummer]]
Experiment with slicing audio/video on the basis of Tim Vets' autocutup-patch. Playing the separate slices back randomly or via MIDI. Still looking to get further with this.

 

== [[User:Ludwig|Ludwig Völker]]: [[/Ghostphone/]] ==
[[File:Telefon2.JPG|thumb|Ghostphone]]

A Movement Sensor activates the Telephone. The old Telephone start to ring, somebody will take the earcapsule and talk into it. The hook is connected with an Arduino which gives the start and stop information to the computer. At the same time it plays the recorded voice of the last person who talked to the phone. All Files are saved on Harddisk, so at the end of an exhibition you will get an experimental radio play, which contains all conversations which are made with the telephone.


 

== [[User:Regina|Regina Reusch]]: [[/Musica Poetica/]] ==
[[File:Audio to text.jpg|thumb|Audio to Text]]
If there was a universal language it probably would be music. In my project I treat this thesis literally by creating a patch witch transforms an analog audio input into text.

GMU:In Sync/Projects

2012-04-18T17:04:06Z

Sebastianprince: /* Sebastian Prince and Júlia Palao: /Windows!/ */

== [[User:Dogu1029|Sandra Guzman]]: [[/Breathing/]] ==
[[File:Breathing_Foto1.jpg|thumb|Breathing]]
'''Sound = Air = Living'''

''Breathing'' is an interactive Sculpture that creates organic movements by the interaction of sound. The sculpture is inspired by the anatomic structure of the respiratory system, such as lungs, diaphragm and thorax. The membrane as the heart of the sculpture contracts and expands representing the inhalation and exhalation. 
''Breathing'' is a visualization of the sound emitted by the living beings surrounding the sculpture. The sound waves transmitted by the air we breathe influences the movement of the membrane. The sculpture responds either to a whole room or to an interaction of a individual person.
 

== [[User:Maknike|Michael Kugler]]: [[/Fog Installation/]] ==
[[File:Wald.jpg|thumb|Ilm at Dawn]]

PROJECT DESCRIPTION:

My work in In Sync began with an interest in developing skills in Pure Data in order to program audiovisual environments. When I arrived in Weimar, I was immediately attracted to the elusive early morning fog that inundated the Thüringian landscape. For obvious reasons, fog has long been a subject of fascination for many visual artists; it tends to obfuscate objects and erase horizons; it invokes a sense of mystery and reminds one of the power of nature. One particular aspect of the fog that attracted me was its uniformity-both in terms of density and movement. Subsequently, I began thinking about the properties of fog --in its most simple form, water particles that cling to dust/debris--and the climate conditions necessary to its formation. After several attempts to represent the effect of fog on a filmed landscape, I became interested in how its spatial and temporal existence could be recreated in an installation environment. My research culminated in a proposal for an interactive installation that provides both a real-time and mediated experience of fog. As my project evolved, I aimed to find a linchpin between the creative and technical aspects of production. Through a largely experimental approach to programming in pure data, I further shaped my concept. The following examples serve to provide insight into my research and creative processes.

 

== Sebastian Prince and [[User:JuliaPalao|Júlia Palao]]: [[/Dance, Music Media!/]] ==
[[File:ventanas1.jpg|thumb|windows]]
We started with a basic idea to mix media, music and dance. Julia Palao, she is a cellist from barcelona who began to discover the media art. Sebastian Prince a professional dancer who is fascinated by the new performing arts. we need to be honest, for us was a really difficult way to start something so unknow, but in the end we achieved the result that we wanted. Our performance in simple words is basically about dance through pure date that begins to move when the music sounds. The dance was recorded in video. the music was live presented and likewise the two artistic fields created a mix between music, dance and media.
 

== [[User:Ji Kwon|Ji Kwon]]: [[/Little Life/]] ==
[[File:Little Life.jpg|thumb|Little Life]]

I would like to make a short film which is about my self. The viewers can select each video clips among 9~12 short films. I have been making many videos which is about my life in order to think about who I am and really glad that Pure Data is able to visualize what I have dreamed to make.

This work will be an interactive film which can work together with viewers.
 

== [[User:Graciousrain|Min J. Shin]]: [[/Fortune Teller/]] ==
[[File:fortuneteller.jpg|thumb|What do you want to know?]]

I don't know if you know i'm from South Korea or not, anyways the fortune tellers are really popular in Korea. I'm not sure if there are many fortune tellers in Europe, …probably not. I also like to know about my future, but just for fun!

So i made a patch named 'Fortune Teller'. If you ask about something like your future, or what if you're gonna get serious with her, etc., and then press space bar, it'll tell an answer about your problem…
 

== [[User:Martin Kohlstedt|Martin Kohlstedt]]==
=== [[/sound visualisation for music video/]]===
[[File:SoundtoColour.jpg|thumb|Sound to Colour]]

I'm working on making music video footage with inverted colours for projection with different soundvisualisation tools of Pd. I use the sigmund tool to pick out the pitch value und the loudness value to steer onward the corresponding cue points of the video...

 

=== [[/random music studies/]]===
[[File:Self composing random music.jpg|thumb|random pop music mashine Test]]
I've experimented with random music in combination with manifestations out of typical pop music patterns. The aim of the studies was to discover different borders of random music and in this way I've made many test patches about rhythm patterns, tempo changes , basslines, chord structures, pentatonic melodielines and repetitions in preparation for the master's program.

 

== [[User:Tommy Neuwirth|Tommy Neuwirth]]: [[/AUDIOVIDEOCUTUP/]] ==

[[File:Sliced drummer2.jpg|thumb|sliced drummer]]
Experiment with slicing audio/video on the basis of Tim Vets' autocutup-patch. Playing the separate slices back randomly or via MIDI. Still looking to get further with this.

 

== [[User:Ludwig|Ludwig Völker]]: [[/Ghostphone/]] ==
[[File:Telefon2.JPG|thumb|Ghostphone]]

A Movement Sensor activates the Telephone. The old Telephone start to ring, somebody will take the earcapsule and talk into it. The hook is connected with an Arduino which gives the start and stop information to the computer. At the same time it plays the recorded voice of the last person who talked to the phone. All Files are saved on Harddisk, so at the end of an exhibition you will get an experimental radio play, which contains all conversations which are made with the telephone.


 

== [[User:Regina|Regina Reusch]]: [[/Musica Poetica/]] ==
[[File:Audio to text.jpg|thumb|Audio to Text]]
If there was a universal language it probably would be music. In my project I treat this thesis literally by creating a patch witch transforms an analog audio input into text.

GMU:I am a wild type/Teilnehmerliste

2011-12-15T10:54:35Z

Sebastianprince:

18.-19.1. Köln und Düsseldorf

# Michael Kugler
# Catalina Giraldo
# Eva Thinius
# Sebastian Prince
# Júlia Palao

[[Category:Excursion]]

GMU:I am a wild type/Projekte

2011-11-07T14:34:49Z

Sebastianprince: /* Sebastian and Julia: Performance2 */

== Sebastian and Júlia==

Performance 2

this semester we would like to go forward with a performance, last semester we did somehow some experiments to mix the media the dance and the cello. In this semester we will try to mixed some programing (pure data) with the performance as well also connived the cello with some electronic music.

the movements are going to be capture for a camera and each movement reproduce a sound.

== Tobias Zeller: Titel ==

Ich möchte Waldszenen nehmen und in diese "menschliche Bäume" installieren. Die Bäume mit menschlichen Zügen werde ich in 3D erstellen und in echte Fotos montieren. Dies sehe ich als Kunstmontage in Anlehnung an die NAtur des Menschen...

english version:

"I would like to take forest scenes, and install in this "human trees". The trees with a human face, I will create in cinema 4D and put these into real photographs. I see this as an art installation based on the nature of man ..."

==[[Matthias Breuer]]: Temporary dwellings==
Usually architecture is designed to last. I want to design architecture that doesn't. Taking nature as inspiration I will design dwellings and shelters that completely decay.

==[[User:Wawa|Vanessa Walk]]: Mythologische Histologie==

Tag täglich wird unsere Welt Stück für Stück ein wenig mehr entzaubert,
ihrer Mysterien, Rätsel und Wunder beraubt.
Es ist eine Zeit der Wirtschaft, Technik und Forschung.
Eine Zeit von Social Networks und Smartphones.
In der es möglich geworden ist selbst das Unerklärlichste, erklärbar zu machen und das Intimste, einsehbar. Rund um die Uhr, 24 Stunden am Tag.
Schnelllebigkeit hat daher in unserem Leben Einzug gehalten - definiert und dominiert unsere Vorstellungen von der menschlichen Fortschrittsgesellschaft und kurzfristigem persönlichem Erfolg. Gleichzeitig fallen Grenzen, verschmelzen Märkte und prallen Kulturen als Fremdkörper aufeinander.
Ohne eine gemeinsame Grundlage, ohne Vorbereitung oder Eingewöhnungszeit.
Persönlichkeit, Indidvidualität, wichtige soziale Kompetenzen ebenso wie Kreativität und kritisches Bewusstsein bleiben so auf der Strecke, werden ausgeblendet zugunsten rationaler Effizienz.

Alles was bleibt ist unser Leben, als Gefangene in einer Maschinerie die uns selisch krank macht und auslaugt. Um so mehr das Unerklärliche daher aus unserer Umwelt getilgt wird und logischen Gleichungen weichen muss,
um so mehr sehnt sich der Mensch nach dem Fantastischen und Phänomenalen.
Etwas, dass mehr beinhaltet als die Summe seiner Teile, dass sich keinen menschlichen Regeln und Normen unterwirft, etwas das höher und anders ist als man selbst, etwas an dem man sich emotional abarbeiten und in dem man sich verlieren kann, etwas das so verrückt ist und unmöglich das es den Verstand übersteigt. Unmöglich dies in der Realität umzusetzen, ziehen wir uns nicht selten in uns selbst zurück, grenzen uns ab, flüchten sich in Scheinwelten, Computerspiele, Drogen, Gewalt oder kämpfen für die indidviduelle Anerkennung und das Gefühl der Verortung/Zugehörigkeit.

*****************************************

{1} Institutionalisierte Imagination oder Imaginierte Institution

Wenn das Phantastische einen festen Platz in unserer Lebenswirklichkeit erhalten könnte, wenn sie als Institution unserer Gesellschaft verankert
wäre wie das Finanzamt, die Stadtbücherei oder etwas die örtliche Schule.
Könnten wir uns dann von Burnout und Depression lossagen, selbst zudem
werden wovon wir träumen, uns geistig lösen oder müssten wir uns dennoch weiterhin nach dem Unerklärlichen und Wundersamen sehnen?

Das Institut für Mythologische Histologie, soll sich ab Herbst 2011
genau diesen Fragenstellung widmen. Als fiktive Einrichtung wird das IMH dabei zuständig sein für die Untersuchung und Auseinandersetzung mit fabelhaften Erscheinungen rund um den Globus, angefangen mit Thüringen.Das IMK geht dabei grundsätzlich von rein fiktiver Wissenschaft und Tatsachenforschung aus, dass heißt von Phänomenen, die bereits eine Existenzberechtigung im fiktiven Raum des Instituts und der fiktiven Gesellschaft besitzen.

==[[Sandra Guzman]]: Perception==

optical illusion, according to this concept I will to work with animation and mapping, the idea will be to project different animation that will transform the human eye perception of perciving an object or an space.

== [[User:mando|m.a.]]: [[/code and decode/]] ==

GMU:My favorite things/Projekte

2011-10-20T08:17:44Z

Sebastianprince:

== [[User:Anastasiya|Anastasiya]]: [[/Zucker Animation/]]==
[[File:Zucker2.jpg|thumb|Zucker Animation]]

Eine Stop-Motion über das Verhalten und die Struktur des Zuckers.
 

== [[User:sebastianprince|Sebastian und Julia]]: [[/Cello - Tanz Performance/]]==
[[File:performancejuliasebas.jpg|thumb|cello tanz performance]]

Cello Tanz PERFORMANCE.

 

== [[User:Sven|Sven]]: [[/Logo|Na Logo]] ==
[[File:Sven_logo_43.jpg|thumb]]

Eine Chonologie über meine bisherigen Werke als Corporate-Designer, die ich im Laufe des Semesters stetig erweitert, analysiert und verbessert habe. Da für mich in Zukunft das Web als ultimatives Medium gilt, habe ich mich nur auf Web-Logos konzentriert, welche bei der Gestaltung grundlegend anderen Maßstäben genügen müssen als konventionelle Print-Logos.

 

== [[User:sthofmann|Stefanie]]: [[/Camera Obscura/]]==
[[File:sthofmann landscape 1.jpg|thumb|Camera Obscura]]
„Die Vermittlung der Nähe einer uns vertrauten Welt, welche aber dabei auf eigenartige Weise fremd und rätselhaft bleibt – dies ist eine der besonderen ästhetischen Eigenschaften der Camera Obscura-Fotografie. Auf ihre spezifische Weise ermöglicht sie auch heute neue Wirklichkeitserfahrung und die Darstellung einer sehr persönlich geprägten Weltanschaung.“

Gottfried Jäger
 

== [[Sebastian Wolf|Sebastian]]: [[/FOL/]]==
<div style="float:right;"><videoflash type=vimeo>26973746|251|141</videoflash></div>

Technische Experimente und interaktive Erlebnisse zählen zu meinen wichtigsten »liebsten Dingen«. Daher werde ich mich der Mikroelektronik und dem Programmieren in verschiedenen Umgebungen widmen. Mein Fokus liegt dabei vor allem auf der Arbeit mit [[Open Frameworks]] ([[Xcode]], C++), der visuellen Programmierumgebung [[vvvv]], sowie dem OpenSource-Mikrocontroller [[Arduino]]. Ziel sind Übungen und Experimente mit diesen Werkzeugen, sowie die Umsetzung eines größeren Projektes im Laufe des Sommers.

[[/FOL/]]
 

== [[Raphael Kittell |Raphael]]: [[/Unschärfe/]] ==
<div style="float:right; margin-left: 9px;"><videoflash type="vimeo">30488004|200|200</videoflash></div>

Ein Unscharfes Foto bildet den Ausgangspunkt. Vom Foto zum Film, von Analog zu Digital, langsam zu schnell. Was steckt alles hinter einem Bild? Artefakte dehnen Inhalt und Aussage des Fotos.
 

== [[wiebke|Wiebke]]: [[/Tauben/]]==
[[File:Taubenpaar.JPG|thumb|Bildunterschrift]]
Die Taube als Symbol für Liebe und Frieden.
Oder doch die dreckige Stadttaube, die einem bloß nicht zu nah kommen soll.
Ein Shop mit Taubenprodukten.

 

== [[User:Tommy Neuwirth|Tommy]]: [[/The Door/]] ==
[[File:015 hori und verti ecke schwelle.jpg|thumb|Bildunterschrift]]
open close open close open close inside outside private not private open hello close good bye why oh why
 

== [[User:R_dh|Rubén D´hers]]: [[/cascada/]] ==
[[File:Ruben Dhers cascada 3.jpg|thumb]]
Sound installation for prepared steel-string acoustic guitars,
fabric, motors, speakers and computer.

[[/cascada/|Projektbeschreibung]]
 

== [[User:keho9844|Cindy Leuther]]: [[/Lieblingsplätze/]] ==
[[File:Mft-front.jpg|thumb|Bildunterschrift]]
Jeder von uns hat einen Ort an dem er am liebsten ist. Einen Ort an dem man die Ruhe findet die man braucht, das tun kann was man am liebsten macht oder die Personen trifft die einem wichtig sind. Da man nicht immer die Möglichkeit hat an diesen Ort zu kommen wenn man es gerade braucht, bringe ich diese Lieblingsplätze nach Hause.
 

==[[User:Benjamin Voßler|Ben]]: [[/from the edge of my mind/]] ==
[[File:smokers_spit.png|thumb|Bildunterschrift]]
 

== [[User:mando|m.a.]]: [[/urbanMovement/]] ==
[[File:rolls.jpg|thumb|up and down]]
'''STADT''' 
Wo Wann Wie bewegt sich etwas ...? 
Was nehmen wir wahr ...? 
Wie agieren wir in der Öffentlichkeit ...? 

 

== [[User:Christina Schüler|Christina]]: [[/Traumwelt/]]==
[[File:Bootwelt.jpg|thumb|Bootsfahrt]]
Eine Traumwelt soll entstehen.
Man braucht: trockenen Pflanzen, Spraydosen, Frischluft und viel Heißkleber.
 

== [[User:evathin|Eva Thinius]]: [[/Schere, Kleber, Papier|Schere, <strike>Stein</strike> Kleber, Papier ]] ==
[[File:Evathin I see double.jpg|thumb|I see double]]

Zu meinen liebsten Dingen zähle ich Papier und Pappe. Die vielen Gestaltungsmöglichkeiten, die ich mit diesen Materialien habe, lassen meine Gedanken überschlagen. Sei es das Falten, Zerscheniden, Binden, Bekleben oder Beschriften.
Im Verlaufe des Semesters habe ich mich auf verschiedenste Weise meinem Lieblingsding Papier gewidmet.
 

== [[User:Sonica|Fabia]]: [[/Fotografiestudien/]]==
[[File:Blütenzentrum03.JPG|thumb|Bildunterschrift]]
Beispiele meiner bisher noch ungeordneten und stetig wuchernden fotografischen Sammlung, die mir helfen soll, eine eigene Bildsprache zu entwickeln.
 

== [[User:andreanne|Andreanne]]: [[/Zwischen Weimar und Montréal/]]==
[[File:MontrealWeimar.jpg|thumb|Bildunterschrift]]

During my exchange year here in Weimar, I have collected a lot of letters, e-mails, drawings and other forms of messages from home. Within these letters is the story of how I tried to stay connected with my friends and family in spite of the physical distance separating us. In my project, I want to reflect upon the difficulties of staying in touch and keeping relationships alive while living far away. The I have collected, these words written by my friends, they will be the basis of my project. I want to use these words as the building blocks for my project. I want to reflect on what they mean below their definition, I want to use to them to show how I have dealt with distance.

 

== [[User:Carlo Enke|Carlo]]: [[/77 - SiebenUndSiebzig/]]==
[[File:Opa title.jpg|thumb|77]]

Vater, Opa, Weggefährte und in gewisser Hinsicht auch Idol.

Aufgrunddessen, dass mein Großvater dieses Jahr sein Leben gelassen hat, habe ich mich dazu entschieden, mehr über ihn und seine Vergangenheit zu erfahren.
 

[[Category:Dokumentation]]
[[Category:SS11]]
[[Category:Ursula Damm]]

GMU:My favorite things/Projekte/Cello - Tanz Performance

2011-10-19T23:28:31Z

Sebastianprince:

===Projekt===
[[Image:performancejuliasebas.jpg|500px|left]]
<gallery>
File:performancejuls0.jpg|Versuche
File:performancejuls2.jpg|Finger
File:performancejuls3.jpg|Baum

</gallery>

===Videography===

[http://vimeo.com/30824262 Video 1]
[http://vimeo.com/30824996 Video 2]

GMU:My favorite things/Projekte/Cello - Tanz Performance

2011-10-19T23:24:38Z

Sebastianprince:

GMU:My favorite things/Projekte/Cello - Tanz Performance

2011-10-19T22:27:18Z

Sebastianprince:

GMU:My favorite things/Projekte/Cello - Tanz Performance

2011-10-19T22:26:50Z

Sebastianprince:

File:Performancejuls0.jpg

2011-10-19T22:26:32Z

Sebastianprince:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:My favorite things/Projekte/Cello - Tanz Performance

2011-10-19T22:24:46Z

Sebastianprince: Created page with " ===Projekt=== left <gallery> File:performancejuls1.JPG|Versuche File:performancejuls2.jpg|Finger File:performancejuls3.jpg|Baum </..."