https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Schuber3Medien Wiki - User contributions [en]2026-04-18T15:50:34ZUser contributionsMediaWiki 1.39.6https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=103480GMU:Art and Biomedia2019-01-16T14:18:12Z<p>Schuber3: /* LINKS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0<br />
* Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries / talks<br />
* All Watched Over by Machines of Loving Grace - Episode 2 - The Use and Abuse of Vegetational Concepts: https://vimeo.com/groups/96331/videos/80799352<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
* Chris Salter | "Alien Agency – Techno-Science, Art and the Limits of Knowing": https://www.youtube.com/watch?v=tgE8V2aPqNg<br />
* Rosi Braidotti: Posthuman, All Too Human? A Cultural Political Cartography: https://www.youtube.com/watch?v=gNJPR78DptA&index=2&list=PL2pUtZKF8QSmLvbU3Qr6FQ5SKUBZf1Lv7<br />
<br />
Bauhaus Notebooks<br />
* Kandinsky: https://www.dropbox.com/s/b5a42s24m3hr7ve/Kandinsky.pdf?dl=0<br />
* Klee: https://www.dropbox.com/s/9y5fulakx6py2en/Klee.pdf?dl=0<br />
* Malewitsch: https://www.dropbox.com/s/2asarzrscp5o2d4/Malewitsch.pdf?dl=0<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
* [[/Frederic Blais-Belanger/]]<br />
* [[/MAE/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor) <br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | drawing and philosohpy<br><br />
<span style="color: #00af89"><br />
24 Januar: presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 20 February +<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=103475GMU:Art and Biomedia2019-01-16T13:37:15Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0<br />
* Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries / talks<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
* Chris Salter | "Alien Agency – Techno-Science, Art and the Limits of Knowing": https://www.youtube.com/watch?v=tgE8V2aPqNg<br />
* Rosi Braidotti: Posthuman, All Too Human? A Cultural Political Cartography: https://www.youtube.com/watch?v=gNJPR78DptA&index=2&list=PL2pUtZKF8QSmLvbU3Qr6FQ5SKUBZf1Lv7<br />
<br />
Bauhaus Notebooks<br />
* Kandinsky: https://www.dropbox.com/s/b5a42s24m3hr7ve/Kandinsky.pdf?dl=0<br />
* Klee: https://www.dropbox.com/s/9y5fulakx6py2en/Klee.pdf?dl=0<br />
* Malewitsch: https://www.dropbox.com/s/2asarzrscp5o2d4/Malewitsch.pdf?dl=0<br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
* [[/Frederic Blais-Belanger/]]<br />
* [[/MAE/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor) <br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | drawing and philosohpy<br><br />
<span style="color: #00af89"><br />
24 Januar: presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 20 February +<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=103252GMU:Art and Biomedia2019-01-10T12:48:24Z<p>Schuber3: /* CLASSES */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0<br />
* Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
* [[/Frederic Blais-Belanger/]]<br />
* [[/MAE/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor) <br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | design and experiences <br><br />
<span style="color: #00af89"><br />
24 Januar: presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 20 February +<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=103251GMU:Art and Biomedia2019-01-10T12:45:05Z<p>Schuber3: /* ELECTRONIC */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0<br />
* Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
* [[/Frederic Blais-Belanger/]]<br />
* [[/MAE/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: materials & agencies II<br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | design and experiences <br><br />
<span style="color: #00af89"><br />
24 Januar: project presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 20 February +<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=103250GMU:Art and Biomedia2019-01-10T12:44:49Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0<br />
Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
* [[/Frederic Blais-Belanger/]]<br />
* [[/MAE/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: materials & agencies II<br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | design and experiences <br><br />
<span style="color: #00af89"><br />
24 Januar: project presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 20 February +<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=102356GMU:Art and Biomedia2018-12-27T23:03:08Z<p>Schuber3: /* CLASSES */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND <br />
evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: materials & agencies II<br></span><br />
10 Januar afternoon: planning meeting transmediale <br><br />
17 Januar: data and nature driven | design and experiences <br><br />
<span style="color: #00af89"><br />
24 Januar: project presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br><br><br />
Final project presentations/delivery: 14 March<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=102355GMU:Art and Biomedia2018-12-27T22:44:31Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br><br />
10.01. (Homero)<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
* [[/Tamara Conde/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> <br />
10 Januar: materials & agencies II<br></span><br />
10 Januar afternoon: planning meeting transmediale <br></span><br />
17 Januar: nature driven <br><br />
<span style="color: #00af89"><br />
24 Januar: project presentations AND evening lecture<br></span><br />
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)<br />
<br />
Final project presentations/delivery: 14 March<br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=101187GMU:Art and Biomedia2018-11-22T10:50:27Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>F)<br><br />
22.11. Ralf Baecker (Analog Computing), Guy Ben-Ary (neural synth)<br><br />
06.12. Dataisnature: http://www.dataisnature.com (introduction to blog and the author/artist Paul Prudence)<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b><br />
6 Dezember: Posthuman art and design AND evening lecture (planning for transmediale)<br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span><br />
20 Dezember: Posthuman art and design II AND evening lecture <br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=101171GMU:Art and Biomedia2018-11-21T15:50:00Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
Online documentaries<br />
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA <br />
<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>F)<br><br />
22.11. Ralf Baecker (Analog Computing), Guy Ben-Ary (neural synth)<br><br />
06.12. Dataisnature: http://www.dataisnature.com (introduction to blog and the author/artist Paul Prudence)<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
* [[/Laura Giraldo/]]<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations AND evening lecture <br></span><br />
20 Dezember: Posthuman art and design II<br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99175GMU:Art and Biomedia2018-10-16T12:30:52Z<p>Schuber3: /* STUDENT PRESENTATIONS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>F)<br><br />
22.11. Ralf Baecker (Analog Computing), Guy Ben-Ary (neural synth)<br><br />
06.12. Dataisnature: http://www.dataisnature.com (introduction to blog and the author/artist Paul Prudence)<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations AND evening lecture <br></span><br />
20 Dezember: Posthuman art and design II<br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99174GMU:Art and Biomedia2018-10-16T12:30:35Z<p>Schuber3: /* STUDENT PRESENTATIONS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 [[ECTS]]<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html<br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456<br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609<br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320<br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852<br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br />
<br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
* http://www.badaward.nl/artists-scientists<br />
* http://archive.aec.at/prix/ (hybrid art / interactive art)<br />
* https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br />
<br />
Online Journals / Blogs<br><br />
* http://www.clotmag.com/ (artist interviews/reviews)<br />
* http://www.antennae.org.uk/ (theory, artist presentations)<br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) <br><br />
15.11. Haraway (cyborg > Chtulucene) (>F)<br><br />
22.11. Ralf Baecker (Analog Computing), Guy Ben-Ary (neural synth)<br />
06.12. Dataisnature: http://www.dataisnature.com (introduction to blog and the author/artist Paul Prudence)<br><br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations AND evening lecture <br></span><br />
20 Dezember: Posthuman art and design II<br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99050GMU:Art and Biomedia2018-10-12T13:24:28Z<p>Schuber3: /* CLASSES */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations AND evening lecture <br></span><br />
20 Dezember: Posthuman art and design II<br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99049GMU:Art and Biomedia2018-10-12T13:23:59Z<p>Schuber3: /* CLASSES */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
<span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span><br />
25 Oktober: materials & agencies <br><br />
<span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
<span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span><br />
22 November: Nonhuman Intelligence, Analogue Computing <br><br />
<span style="color: #00af89"> <b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b></span><br />
6 Dezember: Posthuman art and design <br><br />
<span style="color: #00af89"> 13 Dezember: Mid-term presentations AND evening lecture <br></span><br />
20 Dezember: Posthuman art and design II<br><br />
<span style="color: #00af89"> 10 Januar: materials & agencies II<br></span><br />
17 Januar: software <> wetware AND evening lecture <br><br />
<span style="color: #00af89"> 24 Januar: nature driven <br></span><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99048GMU:Art and Biomedia2018-10-12T12:55:54Z<p>Schuber3: /* LINKS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99031GMU:Art and Biomedia2018-10-11T05:30:56Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW <br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99030GMU:Art and Biomedia2018-10-11T05:30:14Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
[[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung|Bison-Portal]]<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW <br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99029GMU:Art and Biomedia2018-10-11T05:28:43Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW <br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
==CLASSES==<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99028GMU:Art and Biomedia2018-10-11T05:27:21Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
<h2> Art and Biomedia: agencies of being(s)</h2><br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW <br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
===CLASSES===<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99027GMU:Art and Biomedia2018-10-11T05:25:25Z<p>Schuber3: /* STUDENT PRESENTATIONS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW <br><br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br><br />
01.11<br><br />
15.11.<br><br />
22.11.<br><br />
06.12.<br><br />
13.12.<br><br />
20.12.<br><br />
<br />
==STUDENT WORKS ==<br />
<br />
===CLASSES===<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99026GMU:Art and Biomedia2018-10-11T05:24:44Z<p>Schuber3: /* STUDENT PRESENTATIONS */</p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW<br />
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1)<br />
01.11. <br />
15.11.<br />
22.11.<br />
06.12.<br />
13.12.<br />
20.12.<br />
<br />
==STUDENT WORKS ==<br />
<br />
===CLASSES===<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=99025GMU:Art and Biomedia2018-10-11T05:16:06Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
[[:Category:Projektmodul|Project Module]] (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
==EVALUATION==<br />
* regular attendance to classes and active participation through short presentations is mandatory<br />
* development of an individul research project / exhibitable artwork<br />
* documentation of your project on the GMU Wiki<br />
<br />
==LITERATURE==<br />
===ELECTRONIC===<br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory<br><br />
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf<br><br />
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art<br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf<br><br />
<br />
===BIBLIOTHEK / SEMESTERAPPARAT===<br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
==LINKS==<br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
==STUDENT PRESENTATIONS==<br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW<br />
<br />
<br />
==STUDENT WORKS ==<br />
<br />
===CLASSES===<br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br><br />
<br />
<br />
[[Category:Theresa Schubert]]<br />
[[Category:WS18]]<br />
[[Category:Projektmodul]]</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:TheresaSchubert&diff=98997GMU:TheresaSchubert2018-10-10T19:13:49Z<p>Schuber3: </p>
<hr />
<div>Guest Researcher (Substitution of Professorship)<br />'''Theresa Schubert'''<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
<br />
Theresa Schubert is an artist exploring unconventional visions of nature, technology and the self. She holds a Ph.D. in Media Arts from the Bauhaus University Weimar. A key element in her artistic practice is the experiment, whereas she exceeds traditional boundaries of the visual arts by including new technologies and life sciences. Organic materials and living organisms become part of the artworks and collaborators in the work process. This manifests in various media, from video, photography and performance to algorithmic installations as well as drawings. <br />
<br /><br />
[http://www.theresaschubert.com More: theresaschubert.com]<br /><br />
<br /></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98985GMU:Art and Biomedia2018-10-10T12:25:13Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module (Master)<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW<br />
<br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:TheresaSchubert&diff=98984GMU:TheresaSchubert2018-10-10T12:23:44Z<p>Schuber3: </p>
<hr />
<div>Guest Researcher<br />'''Theresa Schubert'''<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
<br />
Theresa Schubert is an artist exploring unconventional visions of nature, technology and the self. She holds a Ph.D. in Media Arts from the Bauhaus University Weimar. A key element in her artistic practice is the experiment, whereas she exceeds traditional boundaries of the visual arts by including new technologies and life sciences. Organic materials and living organisms become part of the artworks and collaborators in the work process. This manifests in various media, from video, photography and performance to algorithmic installations as well as drawings. <br />
<br /><br />
[http://www.theresaschubert.com More: theresaschubert.com]<br /><br />
<br /></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:TheresaSchubert&diff=98983GMU:TheresaSchubert2018-10-10T12:22:40Z<p>Schuber3: </p>
<hr />
<div>Guest Researcher<br />'''Theresa Schubert'''<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
<br />
Theresa Schubert is an artist and holds a Ph.D. in Media Arts from the Bauhaus University Weimar. A key element in her artistic practice is the experiment, whereas she exceeds traditional boundaries of the visual arts by including new technologies and life sciences. Organic materials and living organisms become part of the artworks and collaborators in the work process. This manifests in various media, from video, photography and performance to algorithmic installations as well as drawings. <br />
<br /><br />
[http://www.theresaschubert.com More: theresaschubert.com]<br /><br />
<br /></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:TheresaSchubert&diff=98982GMU:TheresaSchubert2018-10-10T12:22:13Z<p>Schuber3: </p>
<hr />
<div>Guest Researcher<br />'''Theresa Schubert'''<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
Theresa Schubert is an artist and holds a Ph.D. in Media Arts from the Bauhaus University Weimar. A key element in her artistic practice is the experiment, whereas she exceeds traditional boundaries of the visual arts by including new technologies and life sciences. Organic materials and living organisms become part of the artworks and collaborators in the work process. This manifests in various media, from video, photography and performance to algorithmic installations as well as drawings. <br />
[http://www.theresaschubert.com theresaschubert.com]<br /><br />
<br /></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98981GMU:Art and Biomedia2018-10-10T12:19:06Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module Master<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW<br />
<br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98980GMU:Art and Biomedia2018-10-10T12:17:19Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module Master<br><br />
Date: Thursdays 9:15-12:30 <br><br />
additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
Consultations: Wednesdays/Thursdays by appointment <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98979GMU:Art and Biomedia2018-10-10T12:16:29Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module Master<br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br><br />
Bison-Portal: https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98968GMU:Art and Biomedia2018-10-09T13:45:07Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br></b><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98967GMU:Art and Biomedia2018-10-09T13:44:11Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art <br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies <br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br><br />
15 November: From (Bio)Cybernetics to... New Materialism <br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br><br />
6 Dezember: Posthuman art and design <br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98966GMU:Art and Biomedia2018-10-09T13:43:31Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art<br />
<br><br />
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br><br />
25 Oktober: materials & agencies<br />
<br><br />
1 November: Bioart / Art and Science AND evening lecture <br><br />
8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br><br />
15 November: From (Bio)Cybernetics to... New Materialism<br />
<br><br />
22 November: Nonhuman Intelligence, Analogue Computing AND evening lecture <br><br />
29 November: Analogue Neural Networks with GUEST Wolfgang Spahn AND evening lecture <br><br />
6 Dezember: Posthuman art and design<br />
<br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98965GMU:Art and Biomedia2018-10-09T13:42:43Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art<br />
<br><br />
18 Oktober: Walk 'n' Talk - Forest <br />
+ evening lecture <br><br />
25 Oktober: materials & agencies<br />
<br><br />
1 November: Bioart / Art and Science<br />
+ evening lecture <br><br />
8 November: Vegetal Otherness, Protoyping Tools<br />
with GUEST Spela Petric AND evening lecture <br><br />
15 November: From (Bio)Cybernetics to... New Materialism<br />
<br><br />
22 November: Nonhuman Intelligence, Analogue Computing<br />
+ evening lecture <br><br />
29 November: Analogue Neural Networks with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember: Posthuman art and design<br />
<br><br />
13 Dezember: Mid-term presentations AND evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware AND evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations AND evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98964GMU:Art and Biomedia2018-10-09T13:41:53Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober: Overview, Intro Biomedia Art<br />
<br><br />
18 Oktober: Walk 'n' Talk - Forest <br />
+ evening lecture <br><br />
25 Oktober: materials & agencies<br />
<br><br />
1 November: Bioart / Art+Science<br />
+ evening lecture <br><br />
8 November: Vegetal Otherness, Protoyping Tools<br />
with GUEST Spela Petric + evening lecture <br><br />
15 November: From (Bio)Cybernetics to... New Materialism<br />
<br><br />
22 November: Nonhuman Intelligence, Analogue Computing<br />
+ evening lecture <br><br />
29 November: Analogue Neural Networks with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember: Posthuman art and design<br />
<br><br />
13 Dezember: Mid-term presentations + evening lecture <br><br />
20 Dezember: Posthuman art and design II<br><br />
10 Januar: materials & agencies II<br><br />
17 Januar: software <> wetware + evening lecture <br><br />
24 Januar: nature driven <br><br />
31 Januar: Final presentations + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98963GMU:Art and Biomedia2018-10-09T13:35:48Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br><br />
STUDENT PRESENTATIONS <br><br />
<br><br />
STUDENT WORKS <br><br />
<br><br />
<b>CLASSES <br> </b><br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98962GMU:Art and Biomedia2018-10-09T13:35:10Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<p><br />
STUDENT PRESENTATIONS <br><br />
<p><br />
STUDENT WORKS <br><br />
<p><br />
<b>CLASSES <br> </b><br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98961GMU:Art and Biomedia2018-10-09T13:34:45Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
STUDENT PRESENTATIONS <br><br />
<br />
STUDENT WORKS <br><br />
<br />
<b>CLASSES <br> </b><br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98960GMU:Art and Biomedia2018-10-09T13:34:14Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<p><br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
STUDENT PRESENTATIONS <br><br />
<br />
STUDENT WORKS <br><br />
<br />
CLASSES<br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98959GMU:Art and Biomedia2018-10-09T13:33:54Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br><br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
* Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
* William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
STUDENT PRESENTATIONS <br><br />
<br />
STUDENT WORKS <br><br />
<br />
CLASSES<br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98958GMU:Art and Biomedia2018-10-09T13:33:10Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
* Karen Barad: Posthumanist Performativity<br><br />
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
* Stafford beer: Designing Freedom <br><br />
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
STUDENT PRESENTATIONS <br><br />
<br />
STUDENT WORKS <br><br />
<br />
CLASSES<br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98957GMU:Art and Biomedia2018-10-09T13:31:06Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
Karen Barad: Posthumanist Performativity<br><br />
Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
Stafford beer: Designing Freedom <br><br />
Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogs<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br><br />
<br />
STUDENT PRESENTATIONS <br><br />
<br />
STUDENT WORKS <br><br />
<br />
CLASSES<br />
11 Oktober <br><br />
18 Oktober + evening lecture <br><br />
25 Oktober <br><br />
1 November + evening lecture <br><br />
8 November with GUEST Spela Petric + evening lecture <br><br />
15 November <br><br />
22 November + evening lecture <br><br />
29 November with GUEST Wolfgang Spahn + evening lecture <br><br />
6 Dezember <br><br />
13 Dezember + evening lecture <br><br />
20 Dezember <br><br />
10 Januar <br><br />
17 Januar + evening lecture <br><br />
24 Januar <br><br />
31 Januar + evening lecture <br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98956GMU:Art and Biomedia2018-10-09T13:24:43Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
EVALUATION<br><br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki<br />
<br />
<b>LITERATURE<br></b><br />
ELECTRONIC<br><br />
Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br><br />
Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br><br />
Karen Barad: Posthumanist Performativity<br><br />
Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br><br />
Stafford beer: Designing Freedom <br><br />
Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br><br />
D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br><br />
Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br><br />
Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br><br />
Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br><br />
Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br><br />
<br />
BIBLIOTHEK / SEMESTERAPPARAT<br><br />
Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br><br />
Rosi Braidotti, The Posthuman ISBN 978-0745641584<br><br />
Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br><br />
George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br><br />
Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br><br />
Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br><br />
Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br><br />
Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br><br />
Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br><br />
Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br><br />
William Myers: Bio Design, ISBN 978-0-87070-952-4<br><br />
Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br><br />
Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br><br />
Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br><br />
Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br><br />
Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br><br />
<br />
LINKS<br><br />
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste <br />
<br />
Online archives / Prizes <br><br />
http://www.badaward.nl/artists-scientists<br><br />
http://archive.aec.at/prix/ (hybrid art / interactive art)<br><br />
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br><br />
<br />
Online Journals / Blogsote<br><br />
http://www.clotmag.com/ (artist interviews/reviews)<br><br />
http://www.antennae.org.uk/ (theory, artist presentations)<br></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Start&diff=98907GMU:Start2018-10-08T14:01:02Z<p>Schuber3: /* Research and Teaching Faculty */</p>
<hr />
<div>This is the wiki of the Media Environments chair. For the public website please refer to https://www.uni-weimar.de/gmu<br />
<br />
==Featured Projects==<br />
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"<br />
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]<br />
<br />
<b>[[GMU:BFA MFA Finals#Stefan Pach: Markt und Maus |Markt und Maus]] </b> (Market and Mouse) <b>[[Stefan Pach |Stefan Pach]] </b><br />
<br />
<i>How can we make mice live by the rules of investment banking?</i><br />
<br />
To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit.<br /> "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.<br />
<br /><br />
<br /><br />
<br />
|width="26px"|<br />
|width="300px"|[[File:Brume1.jpg|300px|Brume|link=GMU:BFA MFA Finals#Sebastian Wolf .26 Michael Kugler: Brume]]<br />
<br />
<b>[http://einsdreidrei.com/Brume Brume] </b> by <b>[[Sebastian Wolf]] & Michael Kugler</b><br />
<br />
In 'Brume', the artist duo Michael Kugler and Sebastian Wolf investigate immateriality by coaxing fog into a semi-geometrical, self-organizing form. The viewer becomes a catalyst for disturbance, generating turbulences that not only illustrate the carrying power of the air, but upset a perceived equilibrium, and reveal the spatial and temporal volatility of such a phenomenon. 'Brume' operates in the margins between ubiquity and the finite, symmetry and the amorphous, transience and permanence, and gesturing at the paradox of immateriality.<br />
|-<br />
<br />
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]<br />
|width="26px"|<br />
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]<br />
<br />
|-<br />
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]<br />
|<br />
|„You shall not make for yourself an idol...“<br />
<br />
...just google it.<br />
<br />
plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]] <br />
|}<br />
<br />
Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates. <br />
<br /><br />
<br />
== Research and Teaching Faculty ==<br />
{|cellpadding="5"<br />
|-<br />
|<br />
Professor<br />'''[[GMU:Ursula_Damm|Ursula Damm]]'''<br /> <br />
(currently on research semester)<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: ursula.damm [at] uni-weimar.de<br /><br />
[http://www.ursuladamm.de ursuladamm.de]<br /><br />
<br /><br />
|<br />
Guest Researcher<br />'''[[GMU:TheresaSchubert|Theresa Schubert]]'''<br /> <br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
[http://www.theresaschubert.com theresaschubert.com]<br /><br />
<br /><br />
|-<br />
|<br />
Artistic Associate<br /><br />
'''[[User:Dieter Laser|Jörg Brinkmann]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar<br /><br />
Telefon: +49 3643 / 58-3872<br /><br />
E-Mail: joerg.brinkmann [at] uni-weimar.de <br /><br />
[http://www.joergbrinkmann.net joergbrinkmann.net] <br /><br />
<br /><br />
<br />
|<br />
Artistic Associate<br /><br />
'''[[GMU:Mindaugas_Gapševičius|Mindaugas Gapševičius]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar <br /><br />
Telefon: +49 3643 /58-3871 <br /><br />
E-Mail: mindaugas.gapsevicius [at] uni-weimar.de <br /><br />
[http://www.triple-double-u.com triple-double-u.com] <br /><br />
<br /><br />
|}<br />
|-<br />
Artistic Associate<br /><br />
'''[[User:Darsha|Darsha Hewitt]] (currently on leave)'''<br /><br />
Marienstraße 5, Raum 201<br /><br />
99423 Weimar<br /><br />
E-Mail: darsha.hewitt [at] uni-weimar.de <br /><br />
[http://www.darsha.org darsha.org] <br /><br />
<br /><br />
|<br />
===[[GMU:Personen|other staff]]===<br />
<br /><br />
<br />
== SS 2018 – Aktuelle Lehrveranstaltungen – Current Courses ==<br />
{{GMU:Lehrveranstaltungen/SS18}}<br />
<br />
== Lehrveranstaltungen (Archiv) – Previous Courses ==<br />
<br />
<br />
{| class="wikitable"<br />
|-<br />
|<br />
[[GMU:Lehrveranstaltungen/SS18|SS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/SS17|SS 2017]] <br /><br />
[[GMU:Lehrveranstaltungen/SS16|SS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/SS15|SS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/SS14|SS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/SS13|SS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/SS12|SS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/SS11|SS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/SS10|SS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/SS09|SS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/SS08|SS 2008]] <br /><br />
|<br />
[[GMU:Lehrveranstaltungen/WS18|WS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/WS17|WS 2017]] <br /> <br />
[[GMU:Lehrveranstaltungen/WS16|WS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/WS15|WS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/WS14|WS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/WS13|WS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/WS12|WS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/WS11|WS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/WS10|WS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/WS09|WS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/WS08|WS 2008]] <br /><br />
|}<br />
<br />
== Equipment ==<br />
* [[GMU:Equipment|GMU Equipment]] – ''Equipment for Students of the Media Environments (GMU)''<br />
* [[Equipment|Mediapoint]] – ''Equipment for all Students of Media Art + Design''<br />
<br />
== Inside GMU ==<br />
* [[GMU:Mailinglist|GMU Mailingliste]] – ''sign up using the [http://listserv.uni-weimar.de/mailman/listinfo/gmu web-interface]<br />
* [[GMU:Links|GMU Linklist]]<br />
<br />
{{Template:Help}}</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Start&diff=98906GMU:Start2018-10-08T14:00:21Z<p>Schuber3: /* Research and Teaching Faculty */</p>
<hr />
<div>This is the wiki of the Media Environments chair. For the public website please refer to https://www.uni-weimar.de/gmu<br />
<br />
==Featured Projects==<br />
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"<br />
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]<br />
<br />
<b>[[GMU:BFA MFA Finals#Stefan Pach: Markt und Maus |Markt und Maus]] </b> (Market and Mouse) <b>[[Stefan Pach |Stefan Pach]] </b><br />
<br />
<i>How can we make mice live by the rules of investment banking?</i><br />
<br />
To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit.<br /> "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.<br />
<br /><br />
<br /><br />
<br />
|width="26px"|<br />
|width="300px"|[[File:Brume1.jpg|300px|Brume|link=GMU:BFA MFA Finals#Sebastian Wolf .26 Michael Kugler: Brume]]<br />
<br />
<b>[http://einsdreidrei.com/Brume Brume] </b> by <b>[[Sebastian Wolf]] & Michael Kugler</b><br />
<br />
In 'Brume', the artist duo Michael Kugler and Sebastian Wolf investigate immateriality by coaxing fog into a semi-geometrical, self-organizing form. The viewer becomes a catalyst for disturbance, generating turbulences that not only illustrate the carrying power of the air, but upset a perceived equilibrium, and reveal the spatial and temporal volatility of such a phenomenon. 'Brume' operates in the margins between ubiquity and the finite, symmetry and the amorphous, transience and permanence, and gesturing at the paradox of immateriality.<br />
|-<br />
<br />
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]<br />
|width="26px"|<br />
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]<br />
<br />
|-<br />
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]<br />
|<br />
|„You shall not make for yourself an idol...“<br />
<br />
...just google it.<br />
<br />
plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]] <br />
|}<br />
<br />
Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates. <br />
<br /><br />
<br />
== Research and Teaching Faculty ==<br />
{|cellpadding="5"<br />
|-<br />
|<br />
Professor<br />'''[[GMU:Ursula_Damm|Ursula Damm]]'''<br /> <br />
(currently on research semester)<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: ursula.damm [at] uni-weimar.de<br /><br />
[http://www.ursuladamm.de ursuladamm.de]<br /><br />
<br /><br />
|<br />
Guest Researcher<br />'''[[GMU:TheresaSchubert|Theresa Schubert]]'''<br /> <br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
[http://www.theresaschubert.com theresaschubert.com]<br /><br />
<br /><br />
|-<br />
|<br />
Artistic Associate<br /><br />
'''[[User:Dieter Laser|Jörg Brinkmann]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar<br /><br />
Telefon: +49 3643 / 58-3872<br /><br />
E-Mail: joerg.brinkmann [at] uni-weimar.de <br /><br />
[http://www.joergbrinkmann.net joergbrinkmann.net] <br /><br />
<br /><br />
<br />
|<br />
Artistic Associate<br /><br />
'''[[GMU:Mindaugas_Gapševičius|Mindaugas Gapševičius]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar <br /><br />
Telefon: +49 3643 /58-3871 <br /><br />
E-Mail: mindaugas.gapsevicius [at] uni-weimar.de <br /><br />
[http://www.triple-double-u.com triple-double-u.com] <br /><br />
<br /><br />
<br />
|-<br />
Artistic Associate<br /><br />
'''[[User:Darsha|Darsha Hewitt]] (currently on leave)'''<br /><br />
Marienstraße 5, Raum 201<br /><br />
99423 Weimar<br /><br />
E-Mail: darsha.hewitt [at] uni-weimar.de <br /><br />
[http://www.darsha.org darsha.org] <br /><br />
<br /><br />
|}<br />
===[[GMU:Personen|other staff]]===<br />
<br /><br />
<br />
== SS 2018 – Aktuelle Lehrveranstaltungen – Current Courses ==<br />
{{GMU:Lehrveranstaltungen/SS18}}<br />
<br />
== Lehrveranstaltungen (Archiv) – Previous Courses ==<br />
<br />
<br />
{| class="wikitable"<br />
|-<br />
|<br />
[[GMU:Lehrveranstaltungen/SS18|SS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/SS17|SS 2017]] <br /><br />
[[GMU:Lehrveranstaltungen/SS16|SS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/SS15|SS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/SS14|SS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/SS13|SS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/SS12|SS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/SS11|SS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/SS10|SS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/SS09|SS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/SS08|SS 2008]] <br /><br />
|<br />
[[GMU:Lehrveranstaltungen/WS18|WS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/WS17|WS 2017]] <br /> <br />
[[GMU:Lehrveranstaltungen/WS16|WS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/WS15|WS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/WS14|WS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/WS13|WS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/WS12|WS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/WS11|WS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/WS10|WS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/WS09|WS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/WS08|WS 2008]] <br /><br />
|}<br />
<br />
== Equipment ==<br />
* [[GMU:Equipment|GMU Equipment]] – ''Equipment for Students of the Media Environments (GMU)''<br />
* [[Equipment|Mediapoint]] – ''Equipment for all Students of Media Art + Design''<br />
<br />
== Inside GMU ==<br />
* [[GMU:Mailinglist|GMU Mailingliste]] – ''sign up using the [http://listserv.uni-weimar.de/mailman/listinfo/gmu web-interface]<br />
* [[GMU:Links|GMU Linklist]]<br />
<br />
{{Template:Help}}</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Start&diff=98905GMU:Start2018-10-08T13:59:29Z<p>Schuber3: /* Research and Teaching Faculty */</p>
<hr />
<div>This is the wiki of the Media Environments chair. For the public website please refer to https://www.uni-weimar.de/gmu<br />
<br />
==Featured Projects==<br />
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"<br />
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]<br />
<br />
<b>[[GMU:BFA MFA Finals#Stefan Pach: Markt und Maus |Markt und Maus]] </b> (Market and Mouse) <b>[[Stefan Pach |Stefan Pach]] </b><br />
<br />
<i>How can we make mice live by the rules of investment banking?</i><br />
<br />
To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit.<br /> "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.<br />
<br /><br />
<br /><br />
<br />
|width="26px"|<br />
|width="300px"|[[File:Brume1.jpg|300px|Brume|link=GMU:BFA MFA Finals#Sebastian Wolf .26 Michael Kugler: Brume]]<br />
<br />
<b>[http://einsdreidrei.com/Brume Brume] </b> by <b>[[Sebastian Wolf]] & Michael Kugler</b><br />
<br />
In 'Brume', the artist duo Michael Kugler and Sebastian Wolf investigate immateriality by coaxing fog into a semi-geometrical, self-organizing form. The viewer becomes a catalyst for disturbance, generating turbulences that not only illustrate the carrying power of the air, but upset a perceived equilibrium, and reveal the spatial and temporal volatility of such a phenomenon. 'Brume' operates in the margins between ubiquity and the finite, symmetry and the amorphous, transience and permanence, and gesturing at the paradox of immateriality.<br />
|-<br />
<br />
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]<br />
|width="26px"|<br />
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]<br />
<br />
|-<br />
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]<br />
|<br />
|„You shall not make for yourself an idol...“<br />
<br />
...just google it.<br />
<br />
plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]] <br />
|}<br />
<br />
Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates. <br />
<br /><br />
<br />
== Research and Teaching Faculty ==<br />
{|cellpadding="5"<br />
|-<br />
|<br />
Professor<br />'''[[GMU:Ursula_Damm|Ursula Damm]]'''<br /> <br />
(currently on research semester)<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: ursula.damm [at] uni-weimar.de<br /><br />
[http://www.ursuladamm.de ursuladamm.de]<br /><br />
<br /><br />
|<br />
Guest Researcher<br />'''[[GMU:TheresaSchubert|Theresa Schubert]]'''<br /> <br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
[http://www.theresaschubert.com theresaschubert.com]<br /><br />
<br /><br />
|-<br />
|<br />
Artistic Associate<br /><br />
'''[[User:Dieter Laser|Jörg Brinkmann]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar<br /><br />
Telefon: +49 3643 / 58-3872<br /><br />
E-Mail: joerg.brinkmann [at] uni-weimar.de <br /><br />
[http://www.joergbrinkmann.net joergbrinkmann.net] <br /><br />
<br /><br />
<br />
|<br />
Artistic Associate<br /><br />
'''[[GMU:Mindaugas_Gapševičius|Mindaugas Gapševičius]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar <br /><br />
Telefon: +49 3643 /58-3871 <br /><br />
E-Mail: mindaugas.gapsevicius [at] uni-weimar.de <br /><br />
[http://www.triple-double-u.com triple-double-u.com] <br /><br />
<br /><br />
|}<br />
|-<br />
Artistic Associate<br /><br />
'''[[User:Darsha|Darsha Hewitt]] (currently on leave)'''<br /><br />
Marienstraße 5, Raum 201<br /><br />
99423 Weimar<br /><br />
E-Mail: darsha.hewitt [at] uni-weimar.de <br /><br />
[http://www.darsha.org darsha.org] <br /><br />
<br /><br />
|<br />
===[[GMU:Personen|other staff]]===<br />
<br /><br />
<br />
== SS 2018 – Aktuelle Lehrveranstaltungen – Current Courses ==<br />
{{GMU:Lehrveranstaltungen/SS18}}<br />
<br />
== Lehrveranstaltungen (Archiv) – Previous Courses ==<br />
<br />
<br />
{| class="wikitable"<br />
|-<br />
|<br />
[[GMU:Lehrveranstaltungen/SS18|SS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/SS17|SS 2017]] <br /><br />
[[GMU:Lehrveranstaltungen/SS16|SS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/SS15|SS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/SS14|SS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/SS13|SS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/SS12|SS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/SS11|SS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/SS10|SS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/SS09|SS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/SS08|SS 2008]] <br /><br />
|<br />
[[GMU:Lehrveranstaltungen/WS18|WS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/WS17|WS 2017]] <br /> <br />
[[GMU:Lehrveranstaltungen/WS16|WS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/WS15|WS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/WS14|WS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/WS13|WS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/WS12|WS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/WS11|WS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/WS10|WS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/WS09|WS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/WS08|WS 2008]] <br /><br />
|}<br />
<br />
== Equipment ==<br />
* [[GMU:Equipment|GMU Equipment]] – ''Equipment for Students of the Media Environments (GMU)''<br />
* [[Equipment|Mediapoint]] – ''Equipment for all Students of Media Art + Design''<br />
<br />
== Inside GMU ==<br />
* [[GMU:Mailinglist|GMU Mailingliste]] – ''sign up using the [http://listserv.uni-weimar.de/mailman/listinfo/gmu web-interface]<br />
* [[GMU:Links|GMU Linklist]]<br />
<br />
{{Template:Help}}</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Start&diff=98904GMU:Start2018-10-08T13:59:05Z<p>Schuber3: /* Research and Teaching Faculty */</p>
<hr />
<div>This is the wiki of the Media Environments chair. For the public website please refer to https://www.uni-weimar.de/gmu<br />
<br />
==Featured Projects==<br />
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"<br />
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]<br />
<br />
<b>[[GMU:BFA MFA Finals#Stefan Pach: Markt und Maus |Markt und Maus]] </b> (Market and Mouse) <b>[[Stefan Pach |Stefan Pach]] </b><br />
<br />
<i>How can we make mice live by the rules of investment banking?</i><br />
<br />
To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit.<br /> "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.<br />
<br /><br />
<br /><br />
<br />
|width="26px"|<br />
|width="300px"|[[File:Brume1.jpg|300px|Brume|link=GMU:BFA MFA Finals#Sebastian Wolf .26 Michael Kugler: Brume]]<br />
<br />
<b>[http://einsdreidrei.com/Brume Brume] </b> by <b>[[Sebastian Wolf]] & Michael Kugler</b><br />
<br />
In 'Brume', the artist duo Michael Kugler and Sebastian Wolf investigate immateriality by coaxing fog into a semi-geometrical, self-organizing form. The viewer becomes a catalyst for disturbance, generating turbulences that not only illustrate the carrying power of the air, but upset a perceived equilibrium, and reveal the spatial and temporal volatility of such a phenomenon. 'Brume' operates in the margins between ubiquity and the finite, symmetry and the amorphous, transience and permanence, and gesturing at the paradox of immateriality.<br />
|-<br />
<br />
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]<br />
|width="26px"|<br />
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]<br />
<br />
|-<br />
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]<br />
|<br />
|„You shall not make for yourself an idol...“<br />
<br />
...just google it.<br />
<br />
plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]] <br />
|}<br />
<br />
Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates. <br />
<br /><br />
<br />
== Research and Teaching Faculty ==<br />
{|cellpadding="5"<br />
|-<br />
|<br />
Professor<br />'''[[GMU:Ursula_Damm|Ursula Damm]]'''<br /> <br />
(currently on research semester)<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: ursula.damm [at] uni-weimar.de<br /><br />
[http://www.ursuladamm.de ursuladamm.de]<br /><br />
<br /><br />
|<br />
Guest Researcher<br />'''[[GMU:TheresaSchubert|Theresa Schubert]]'''<br /> <br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
[http://www.theresaschubert.com]<br /><br />
<br /><br />
|-<br />
|<br />
Artistic Associate<br /><br />
'''[[User:Dieter Laser|Jörg Brinkmann]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar<br /><br />
Telefon: +49 3643 / 58-3872<br /><br />
E-Mail: joerg.brinkmann [at] uni-weimar.de <br /><br />
[http://www.joergbrinkmann.net joergbrinkmann.net] <br /><br />
<br /><br />
<br />
|<br />
Artistic Associate<br /><br />
'''[[GMU:Mindaugas_Gapševičius|Mindaugas Gapševičius]]'''<br /><br />
Marienstraße 5, Raum 208<br /><br />
99423 Weimar <br /><br />
Telefon: +49 3643 /58-3871 <br /><br />
E-Mail: mindaugas.gapsevicius [at] uni-weimar.de <br /><br />
[http://www.triple-double-u.com triple-double-u.com] <br /><br />
<br /><br />
|}<br />
|-<br />
Artistic Associate<br /><br />
'''[[User:Darsha|Darsha Hewitt]] (currently on leave)'''<br /><br />
Marienstraße 5, Raum 201<br /><br />
99423 Weimar<br /><br />
E-Mail: darsha.hewitt [at] uni-weimar.de <br /><br />
[http://www.darsha.org darsha.org] <br /><br />
<br /><br />
|<br />
===[[GMU:Personen|other staff]]===<br />
<br /><br />
<br />
== SS 2018 – Aktuelle Lehrveranstaltungen – Current Courses ==<br />
{{GMU:Lehrveranstaltungen/SS18}}<br />
<br />
== Lehrveranstaltungen (Archiv) – Previous Courses ==<br />
<br />
<br />
{| class="wikitable"<br />
|-<br />
|<br />
[[GMU:Lehrveranstaltungen/SS18|SS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/SS17|SS 2017]] <br /><br />
[[GMU:Lehrveranstaltungen/SS16|SS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/SS15|SS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/SS14|SS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/SS13|SS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/SS12|SS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/SS11|SS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/SS10|SS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/SS09|SS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/SS08|SS 2008]] <br /><br />
|<br />
[[GMU:Lehrveranstaltungen/WS18|WS 2018]] <br /><br />
[[GMU:Lehrveranstaltungen/WS17|WS 2017]] <br /> <br />
[[GMU:Lehrveranstaltungen/WS16|WS 2016]] <br /><br />
[[GMU:Lehrveranstaltungen/WS15|WS 2015]] <br /><br />
[[GMU:Lehrveranstaltungen/WS14|WS 2014]] <br /><br />
[[GMU:Lehrveranstaltungen/WS13|WS 2013]] <br /><br />
[[GMU:Lehrveranstaltungen/WS12|WS 2012]] <br /><br />
[[GMU:Lehrveranstaltungen/WS11|WS 2011]] <br /><br />
[[GMU:Lehrveranstaltungen/WS10|WS 2010]] <br /><br />
[[GMU:Lehrveranstaltungen/WS09|WS 2009]] <br /><br />
[[GMU:Lehrveranstaltungen/WS08|WS 2008]] <br /><br />
|}<br />
<br />
== Equipment ==<br />
* [[GMU:Equipment|GMU Equipment]] – ''Equipment for Students of the Media Environments (GMU)''<br />
* [[Equipment|Mediapoint]] – ''Equipment for all Students of Media Art + Design''<br />
<br />
== Inside GMU ==<br />
* [[GMU:Mailinglist|GMU Mailingliste]] – ''sign up using the [http://listserv.uni-weimar.de/mailman/listinfo/gmu web-interface]<br />
* [[GMU:Links|GMU Linklist]]<br />
<br />
{{Template:Help}}</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98901GMU:Art and Biomedia2018-10-08T13:57:42Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
weitere Termine: additional lectures Thursdays 19-20:30 (bi-weekly) <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
<br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Art_and_Biomedia&diff=98898GMU:Art and Biomedia2018-10-08T13:56:28Z<p>Schuber3: </p>
<hr />
<div>''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br><br />
Project Module <br><br />
Date: Thursdays 9:15-12:30 <br><br />
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br><br />
Credits: 18 SCTS<br />
<br />
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.<br />
<br />
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.<br />
<br />
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?<br />
<br />
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.<br />
<br />
<br />
<br />
– regular attendance to classes and active participation through short presentations is mandatory <br><br />
– development of an individul research project / exhibitable artwork <br><br />
– documentation of your project on the GMU Wiki</div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:TheresaSchubert&diff=98897GMU:TheresaSchubert2018-10-08T13:54:37Z<p>Schuber3: Created page with "Guest Researcher<br />'''Theresa Schubert'''<br /> Marienstraße 5, Raum 304<br /> 99423 Weimar<br /> Telefon:. +49 3643 / 58-3607<br /> E-Mail: theresa.schubert [at] uni-weim..."</p>
<hr />
<div>Guest Researcher<br />'''Theresa Schubert'''<br /><br />
Marienstraße 5, Raum 304<br /><br />
99423 Weimar<br /><br />
Telefon:. +49 3643 / 58-3607<br /><br />
E-Mail: theresa.schubert [at] uni-weimar.de<br /><br />
[http://www.theresaschubert.com theresaschubert.com]<br /><br />
<br /></div>Schuber3https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Personen&diff=98896GMU:Personen2018-10-08T13:53:24Z<p>Schuber3: </p>
<hr />
<div>===[[GMU:Ursula Damm|Ursula Damm]]===<br />
:''Professorin''<br />
:Marienstraße 5, Raum 304<br />
:99423 Weimar<br />
:Telefon:. +49 3643 / 58-3607<br />
:E-Mail: ursula.damm [at] uni-weimar.de<br />
:[http://www.ursuladamm.de ursuladamm.de] [[:Category:Ursula Damm]]<br />
<br />
===[[GMU:TheresaSchubert|Theresa Schubert]]===<br />
:''Guest Researcher''<br />
:Marienstraße 5, Raum 304<br />
:99423 Weimar<br />
:Telefon:. +49 3643 / 58-3607<br />
:E-Mail: theresa.schubert [at] uni-weimar.de<br />
:[http://www.theresaschubert.com theresaschubert.com] [[:Category:Theresa Schubert]]<br />
<br />
===[[GMU:Mindaugas Gapševičius|Mindaugas Gapševičius]]===<br />
:''Künstlerischer Mitarbeiter''<br />
:Marienstraße 5, Raum 208<br />
:99423 Weimar<br />
:Telefon: +49 3643 /58-3871<br />
:E-Mail: mindaugas.gapsevicius [at] uni-weimar.de<br />
:[http://www.triple-double-u.com triple-double-u.com] [[:Category:Mindaugas Gapševičius]]<br />
<br />
===[[GMU:Felix Bonowski|Felix Bonowski]]===<br />
:''Künstlerischer Mitarbeiter''<br />
:Marienstraße 5, Raum 303<br />
:99423 Weimar<br />
:E-Mail: felix.bonowski [at] uni-weimar.de<br />
<br />
<br />
===[[GMU:Darsha Hewitt|Darsha Hewitt (currently on leave)]]===<br />
:''Künstlerische Mitarbeiterin''<br />
:Marienstraße 5, Raum 208<br />
:99423 Weimar<br />
:Telefon: +49 3643 /58-3871<br />
:E-Mail: darsha.hewitt [at] uni-weimar.de<br />
:[http://www.darsha.org darsha.org] [[:Category:Darsha Hewitt]]<br />
<br />
===Melanie Birnschein=== <br />
:''Sekretariat''<br />
:Marienstraße 5, Raum 106<br />
:99423 Weimar<br />
:Telefon: +49 3643 / 58-3805<br />
:E-Mail: melanie.birnschein [aet] uni-weimar.de<br />
<br />
== Ehemalige Mitarbeiter ==<br />
<br />
===[[GMU:Martin Schneider|Martin Schneider]]===<br />
:''Wissenschaftlicher Mitarbeiter''<br />
:Marienstraße 5, Raum 208<br />
:99423 Weimar<br />
:Telefon: +49 3643 /58-3872<br />
:E-Mail: martin.schneider [at] uni-weimar.de<br />
:[http://www.bitcraftlab.com bitcraftlab.com] [[:Category:Martin Schneider]]<br />
<br />
===[[User:Klausfritze|Dr. Klaus Fritze]]===<br />
:''Künstlerischer/wissenschaftlicher Mitarbeiter''<br />
:Marienstraße 5, Raum 208<br />
:99423 Weimar<br />
:Telefon: +49 3643 /58-3871<br />
:E-Mail: klaus.fritze@uni-weimar.de [at] uni-weimar.de<br />
:[http://www.klausfritze.de klausfritze.de] [[:Category:Klaus Fritze]]<br />
<br />
===[[GMU:Theresa Schubert|Theresa Schubert]]===<br />
:''Künstlerisch-wissenschaftliche Mitarbeiterin''<br />
:Marienstraße 5, Raum 305 / Marienstraße 7b, Raum 202<br />
:99423 Weimar<br />
:Telefon: +49 3643 / 58-3873<br />
:E-Mail: theresa.schubert-minski [ät] uni-weimar.de<br />
:[http://theresaschubert.org theresaschubert.org] [[:Category:Theresa Schubert]]<br />
<br />
===[[User:Gunnar|Gunnar Green]]===<br />
:[http://www.thegreeneyl.com thegreeneyl.com] [[:Category:Gunnar Green]]<br />
:E-Mail: gunnar.green [at] uni-weimar.de <br />
<br />
===[[GMU:Dominique Hurth|Dominique Hurth]]===<br />
:[http://www.dominiquehurth.com dominiquehurth.com] [[:Category:Dominique Hurth]]<br />
<br />
===[[GMU:Lasse Scherffig|Lasse Scherffig]]===<br />
:[http://lassescherffig.de lassescherffig.de] [[:Category:Lasse Scherffig]]<br />
:[http://sfai.edu San Francisco Art Institute], [http://paidia-institute.org/ paidia-institute.org]<br />
<br />
===[[GMU:Max Neupert|Max Neupert]]===<br />
:[http://www.maxneupert.de maxneupert.de] [[:Category:Max Neupert]]<br />
:Interests: Satellite Astrology, Real-Time Audiovisual Expression,<br>Immersive Media, Ditigal Artefacts and Glitches, [[Pure Data]]<br />
<br />
===[[Bernhard Hopfengärtner]]===<br />
:[http://www.berndhopfengaertner.net berndhopfengaertner.net] [[:Category:Bernhard Hopfengärtner]]<br />
<br />
===[[User:Sebastian|Sebastian Hundertmark]]===<br />
:[http://www.100dm.com 100dm.com] [[:Category:Sebastian Hundertmark]]<br />
<br />
===[[User:Mm|Michael Markert]]===<br />
:[http://www.audiocommander.de audiocommander.de] [[:Category:Michael Markert]]<br />
<br />
===Ralf Becker===<br />
:[http://no-surprises.de no-surprises.de]<br />
<br />
===Micha Thies===<br />
:[http://www.khm.de/~mthies khm.de/~mthies]<br />
<br />
== Lehraufträge ==<br />
:Die Professur Gestaltung medialer Umgebungen hat an folgende Personen Lehraufträge vergeben:<br />
<br />
=== Joe Davis ===<br />
:[[wikipedia:Joe Davis (artist)|wikipedia article]]<br />
<br />
=== Thomas Hawranke ===<br />
:[http://www.thomashawranke.com thomashawranke.com ]<br />
<br />
=== Katrin Caspar ===<br />
: [[:Category:Katrin Caspar|Katrin Caspar]]<br />
<br />
=== Tom Hanke ===<br />
:[[Tom Hanke]]<br />
<br />
=== Matthias Weber ===<br />
:[[Matthias Weber]]<br />
<br />
=== Jochen Viehoff ===<br />
:[[GMU:Workshop mit Jochen Viehoff]]<br />
<br />
=== Teri Rueb ===<br />
:[[Teri Rueb]]<br />
<br />
=== Liana Franke ===<br />
:[http://www.kopflinie.de kopflinie.de]<br />
<br />
=== Niklas Roy ===<br />
:[http://www.niklasroy.com niklasroy.com]<br />
:[http://www.youtube.com/user/royrobotiks YouTube]<br />
<br />
=== Moritz Wehrmann ===<br />
:[http://www.moritzwehrmann.com moritzwehrmann.com]<br />
<br />
=== Diana Lange ===<br />
:[http://www.diana-lange.de/ diana-lange.de]<br />
:[http://bauhaus.diana-lange.de/ Self-Organization by Design]</div>Schuber3