Medien Wiki - User contributions [en]

GMU:Start

2014-02-07T17:38:33Z

SaintPach: /* News */

<div style="width:650px">
„...[es] sind die Bemühungen dessen, der, überflogen von Sternen, die Menschenwerk sind, .. , zeltlos in diesem bisher ungeahnten Sinne und damit auf das unheimlichste im Freien, mit seinem Dasein zur Sprache geht, wirklichkeitswund und Wirklichkeit suchend“ ''Paul Celan''

==News==
* [http://www.uni-weimar.de/de/medien/forschung-und-kunst/digital-bauhaus-lab Digital Bauhaus Lab] expected to be inaugurated in 2014
* Interactive Performance Platform with a markerless tracking system, high-speed video, sound, light and projections funded by the DFG
* DAAD funded partnership with the University of California in San Diego starting now until 2016
* We welcome Theresa Schubert as a reseacher for the [http://www.phychip.eu PhyChip Project] to our team

==Featured Projects==
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]

[[GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus |Markt und Maus]] (Market and Mouse) [[Stefan_Pach |Stefan Pach]] 

How can we make mice live by the rules of investment banking?

To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit. "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.
 
 

|-
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]
|width="26px"|
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]

|-
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]
|
|„You shall not make for yourself an idol...“

...just google it.

plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]]
|}

Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates.
 

== Research and teaching faculty ==
{|cellpadding="5"
|-
|
Chair: '''Prof. [[User:Chefin|Ursula Damm]]''' 
Marienstraße 5, Raum 304 
99423 Weimar 
Telefon:. +49 3643 / 58-3607 
E-Mail: ursula.damm [at] uni-weimar.de 
[http://www.ursuladamm.de ursuladamm.de]
|
|
'''Theresa Schubert''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: theresa.schubert-minski [at] uni-weimar.de 
[http://www.theresaschubert.org theresaschubert.org]
|
|-
|
'''[[User:Gunnar|Gunnar Green]] MA (RCA)''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: gunnar.green [at] uni-weimar.de 
[http://www.thegreeneyl.com thegreeneyl.com]
|
|
'''[[Dominique Hurth]] MA''' 
Marienstraße 5, Raum 208 
99421 Weimar 
Telefon: +49 3643 / 58-3871 
E-Mail: dominique.hurth [at] uni-weimar.de 
[http://www.dominiquehurth.com dominiquehurth.com] 
|
|}

[[GMU:Personen|other staff]]
 

==Links==
* [[GMU:Mailinglist|GMU Mailingliste]]: Anmelden über das [https://mg.medien.uni-weimar.de/mailman/listinfo/gmu web-interface]
* [[GMU:Equipment|Geräte an der Professur]] die den Studenten für ihre Arbeit zur Verfügung stehen.
** more [[Equipment]] (MediaPoint u.A.)
* [[GMU:Lehrveranstaltungen|Lehrveranstaltungen – ''current and previous courses'']]
* [[GMU:Links|more links]]

{{Template:Help}}

</div>

GMU:Start

2014-02-07T14:29:02Z

SaintPach: /* Featured Projects */

<div style="width:650px">
„...[es] sind die Bemühungen dessen, der, überflogen von Sternen, die Menschenwerk sind, .. , zeltlos in diesem bisher ungeahnten Sinne und damit auf das unheimlichste im Freien, mit seinem Dasein zur Sprache geht, wirklichkeitswund und Wirklichkeit suchend“ ''Paul Celan''

==News==
* [http://www.uni-weimar.de/de/medien/forschung-und-kunst/digital-bauhaus-lab Digital Bauhaus Lab] expected to be inagurated in 2014
* Interactive Performance Platform with a markerless tracking system, high-speed video, sound, light and projections funded by the DFG
* DAAD funded partnership with the University of California in San Diego starting now until 2016
* We welcome Theresa Schubert as a reseacher for the [http://www.phychip.eu PhyChip Project] to our team

==Featured Projects==
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]

[[GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus |Markt und Maus]] (Market and Mouse) [[Stefan_Pach |Stefan Pach]] 

How can we make mice live by the rules of investment banking?

To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit. "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.
 
 

|-
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]
|width="26px"|
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]

|-
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]
|
|„You shall not make for yourself an idol...“

...just google it.

plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]]
|}

Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates.
 

== Research and teaching faculty ==
{|cellpadding="5"
|-
|
Chair: '''Prof. [[User:Chefin|Ursula Damm]]''' 
Marienstraße 5, Raum 304 
99423 Weimar 
Telefon:. +49 3643 / 58-3607 
E-Mail: ursula.damm [at] uni-weimar.de 
[http://www.ursuladamm.de ursuladamm.de]
|
|
'''Theresa Schubert''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: theresa.schubert-minski [at] uni-weimar.de 
[http://www.theresaschubert.org theresaschubert.org]
|
|-
|
'''[[User:Gunnar|Gunnar Green]] MA (RCA)''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: gunnar.green [at] uni-weimar.de 
[http://www.thegreeneyl.com thegreeneyl.com]
|
|
'''[[Dominique Hurth]] MA''' 
Marienstraße 5, Raum 208 
99421 Weimar 
Telefon: +49 3643 / 58-3871 
E-Mail: dominique.hurth [at] uni-weimar.de 
[http://www.dominiquehurth.com dominiquehurth.com] 
|
|}

[[GMU:Personen|other staff]]
 

==Links==
* [[GMU:Mailinglist|GMU Mailingliste]]: Anmelden über das [https://mg.medien.uni-weimar.de/mailman/listinfo/gmu web-interface]
* [[GMU:Equipment|Geräte an der Professur]] die den Studenten für ihre Arbeit zur Verfügung stehen.
** more [[Equipment]] (MediaPoint u.A.)
* [[GMU:Lehrveranstaltungen|Lehrveranstaltungen – ''current and previous courses'']]
* [[GMU:Links|more links]]

{{Template:Help}}

</div>

GMU:Start

2014-02-07T14:25:59Z

SaintPach: /* Featured Projects */

<div style="width:650px">
„...[es] sind die Bemühungen dessen, der, überflogen von Sternen, die Menschenwerk sind, .. , zeltlos in diesem bisher ungeahnten Sinne und damit auf das unheimlichste im Freien, mit seinem Dasein zur Sprache geht, wirklichkeitswund und Wirklichkeit suchend“ ''Paul Celan''

==News==
* [http://www.uni-weimar.de/de/medien/forschung-und-kunst/digital-bauhaus-lab Digital Bauhaus Lab] expected to be inagurated in 2014
* Interactive Performance Platform with a markerless tracking system, high-speed video, sound, light and projections funded by the DFG
* DAAD funded partnership with the University of California in San Diego starting now until 2016
* We welcome Theresa Schubert as a reseacher for the [http://www.phychip.eu PhyChip Project] to our team

==Featured Projects==
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]

[[GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus |Markt und Maus]] (Market and Mouse) [[Stefan_Pach |Stefan Pach]] 

How can we make mice live by the rules of investment banking?

To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit. "Market and Mouse" investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.

|-
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]
|width="26px"|
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]

|-
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]
|
|„You shall not make for yourself an idol...“

...just google it.

plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]]
|}

Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates.
 

== Research and teaching faculty ==
{|cellpadding="5"
|-
|
Chair: '''Prof. [[User:Chefin|Ursula Damm]]''' 
Marienstraße 5, Raum 304 
99423 Weimar 
Telefon:. +49 3643 / 58-3607 
E-Mail: ursula.damm [at] uni-weimar.de 
[http://www.ursuladamm.de ursuladamm.de]
|
|
'''Theresa Schubert''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: theresa.schubert-minski [at] uni-weimar.de 
[http://www.theresaschubert.org theresaschubert.org]
|
|-
|
'''[[User:Gunnar|Gunnar Green]] MA (RCA)''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: gunnar.green [at] uni-weimar.de 
[http://www.thegreeneyl.com thegreeneyl.com]
|
|
'''[[Dominique Hurth]] MA''' 
Marienstraße 5, Raum 208 
99421 Weimar 
Telefon: +49 3643 / 58-3871 
E-Mail: dominique.hurth [at] uni-weimar.de 
[http://www.dominiquehurth.com dominiquehurth.com] 
|
|}

[[GMU:Personen|other staff]]
 

==Links==
* [[GMU:Mailinglist|GMU Mailingliste]]: Anmelden über das [https://mg.medien.uni-weimar.de/mailman/listinfo/gmu web-interface]
* [[GMU:Equipment|Geräte an der Professur]] die den Studenten für ihre Arbeit zur Verfügung stehen.
** more [[Equipment]] (MediaPoint u.A.)
* [[GMU:Lehrveranstaltungen|Lehrveranstaltungen – ''current and previous courses'']]
* [[GMU:Links|more links]]

{{Template:Help}}

</div>

GMU:Start

2014-02-07T14:06:49Z

SaintPach: /* Featured Projects */

<div style="width:650px">
„...[es] sind die Bemühungen dessen, der, überflogen von Sternen, die Menschenwerk sind, .. , zeltlos in diesem bisher ungeahnten Sinne und damit auf das unheimlichste im Freien, mit seinem Dasein zur Sprache geht, wirklichkeitswund und Wirklichkeit suchend“ ''Paul Celan''

==News==
* [http://www.uni-weimar.de/de/medien/forschung-und-kunst/digital-bauhaus-lab Digital Bauhaus Lab] expected to be inagurated in 2014
* Interactive Performance Platform with a markerless tracking system, high-speed video, sound, light and projections funded by the DFG
* DAAD funded partnership with the University of California in San Diego starting now until 2016
* We welcome Theresa Schubert as a reseacher for the [http://www.phychip.eu PhyChip Project] to our team

==Featured Projects==
{|cellpadding="2px" cellspacing="2px" border="0" style="margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;"
|width="300px"|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]
|-
|width="300px"|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]
|width="26px"|
|width="300px"|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]

|-
|Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]
|
|„You shall not make for yourself an idol...“

...just google it.

plug & pray is an interactive artwork that allows believers to pray through their computer. plug & pray makes the search for God easier, with the help of the internet. plug & pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug & pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]]
|}

Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates.
 

== Research and teaching faculty ==
{|cellpadding="5"
|-
|
Chair: '''Prof. [[User:Chefin|Ursula Damm]]''' 
Marienstraße 5, Raum 304 
99423 Weimar 
Telefon:. +49 3643 / 58-3607 
E-Mail: ursula.damm [at] uni-weimar.de 
[http://www.ursuladamm.de ursuladamm.de]
|
|
'''Theresa Schubert''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: theresa.schubert-minski [at] uni-weimar.de 
[http://www.theresaschubert.org theresaschubert.org]
|
|-
|
'''[[User:Gunnar|Gunnar Green]] MA (RCA)''' 
Marienstraße 5, Raum 305 
99421 Weimar 
Telefon: +49 3643 / 58-3873 
E-Mail: gunnar.green [at] uni-weimar.de 
[http://www.thegreeneyl.com thegreeneyl.com]
|
|
'''[[Dominique Hurth]] MA''' 
Marienstraße 5, Raum 208 
99421 Weimar 
Telefon: +49 3643 / 58-3871 
E-Mail: dominique.hurth [at] uni-weimar.de 
[http://www.dominiquehurth.com dominiquehurth.com] 
|
|}

[[GMU:Personen|other staff]]
 

==Links==
* [[GMU:Mailinglist|GMU Mailingliste]]: Anmelden über das [https://mg.medien.uni-weimar.de/mailman/listinfo/gmu web-interface]
* [[GMU:Equipment|Geräte an der Professur]] die den Studenten für ihre Arbeit zur Verfügung stehen.
** more [[Equipment]] (MediaPoint u.A.)
* [[GMU:Lehrveranstaltungen|Lehrveranstaltungen – ''current and previous courses'']]
* [[GMU:Links|more links]]

{{Template:Help}}

</div>

GMU:BFA MFA Finals

2014-02-07T14:05:30Z

SaintPach: /* Stefan Pach: Markt und Maus */

==[[Katharina Kraus]]: Ich-Zeit-Raum==
''Bachelorarbeit Winter 2010/2011''
[[File:0000000006-0000000006-0000000023.JPG|thumb|250px|Katharina Kraus: Ich-Zeit-Raum]]
[[File:0000000014-0000000019-0000000005-0000000023.JPG|thumb|250px|Katharina Kraus: Ich-Zeit-Raum]]
Die Vielfältigkeit eines Momentes im Bildraum zelebrieren: 
Jedes „Jetzt“ ist längst das Vorher vor dem folgenden Jetzt und dieses dann das Nachher, 
welches bereits wächst: Davor − Danach − Davor − Danach − Davor − Danach. 
Ich will das „Da“ begreifen und ich suchte es im „ − “. 
In diesem Bindestrich, der eine Differenz enthält. 
Die Differenz ist das Ergebnis eines Vergleichs, welcher nicht nach Ähnlichkeiten forscht, 
sondern die Unterschiede ermittelt. 
Im Differenzbild findet sich das, was in der Vergangenheit anders war als es in der Zukunft sein wird. 
Vielleicht ist das der kurze Moment der Gegenwart: der Dialog von gerade eben und sogleich. 
Die Integration von Vor- und Folgezeit, von Background und Tribüne. 

Ich spielte vor der Kamera.
Dies war ein Spiel mit dem Raum und mit mir selbst. 
Den Dialog, der in den Differenzen entsteht, spielte ich, bevor es ihn gab. 
Jede der Flächen, die sich vereinigen, bespielte ich alleine. 
Ich musste davon ausgehen, dass das Spiel läuft, wenn alle Spieler, die ich war, im Match sich treffen. 
Im Körperspiel beabsichtigte ich meinem unsichtbaren Gegenüber Figur und Fläche zu finden. 
Vorher- und Nachsicht, teils Plan, teils Zufall, fügen uns an- und in- einander, in ein Anderes. 
Ich wiederholte mich im Bild. Und mit jedem neuen Bild. 
Jedes Differenzbild ist ein Nachspiel, eine Variante, eine Abwandlung. 
Die Differenz bewilligt die Transformation. 
Ich gehe im Bild in den Raum ein und über. Verwese und verorte mich dort. 
[http://katharinakraus.de/bachelorarbeit/Ich-Zeit-Raum_RGB_Doppelseiten.pdf Ich-Zeit-Raum] 
[http://www.vimeo.com/album/1560453 diaschauen]

Prüfer: Prof. [[Ursula Damm]], [[Bernhard Hopfengärtner|Bernhard Hopfengärtner]]
 

==[[Christoph Kilian]]: Tuchfühler==
[[Image:christoph kilian tuchfuehler kein kontakt.png|right|thumb|250px|Elektromechanische Einheit, kein Kontakt]]
[[Image:christoph kilian tuchfuehler seite.png|right|thumb|250px|Ein weiterer Betrachter]]
[[Image:christoph kilian tuchfuehler kontakt geschlossen.png|right|thumb|250px|Elektromechanische Einheit, Kontakt hergestellt]]
Von der Decke des Raumes hängt ein Tuch herab bis zum Boden. Bewegen sich Menschen im Raum, bewegt sich mit Ihnen auch die Luft, die sie umgibt. Das Tuch nimmt diese Bewegung auf.

Hinter dem Tuch gruppieren sich einige elektromechanische Einheiten. Die Einheiten verfügen über jeweils einen Motor, der einen dünnen Kohlefaserstab bewegt. Jeder Stab nähert sich zunächst behutsam dem Tuch. Dabei durchläuft er zwei elektrisch voneinander isolierte Stahlröhrchen. Berührt der Stab das Tuch, biegt es ihn leicht durch. Durch die Biegung verbindet er die beiden Stahlröhrchen und schließt somit einen internen Signalstromkreis. Der Stab weicht für einen Moment zurück.

Auch das Tuch verformt sich durch die Berührung. Sein Zurückweichen bewegt die umliegenden Einheiten zur weiteren Annäherung, und so zu einer stärkeren Ausbildung der anfänglichen Verformung. Der Versuch, die Position des Tuchs im Raum zu bestimmen, führt so zu einem fortwährenden Wechselspiel der Anwesenden.

<videoflash type="vimeo">13061710|400|300</videoflash>
 

==[[Jörg Brinkmann]]: Flugversuch ==
[[Image:Flugversuch joerg.jpg|right|thumb|250px|Jörg Brinkmann: ''Flugversuch'']]

[[Image:VON HINTEN.png|right|thumb|250px|Jörg Brinkmann: ''Flugversuch'']]

''Bachelorthesis der Professur '''[[GMU:Start|Gestaltung medialer Umgebungen]]''' Winter 2009''

This Experiment took its start from the intention to come closer to the machine. I wanted to figure out if there would be a different feeling when a machine is added to my body.

Would I myself become a machine ?

Would the machine become human ? Would the two of us band together and become something else ?

After some experiments with an ECG sensor, which I used for measuring my muscle tension, I got the idea of building mechanical wings that would be controlled by my muscle tension. This is a mechanism similar to the principle of a prosthesis. Since my project was not about replacing a missing body part (the usual function of a prosthesis) but rather about adding something to the body, the term prosthesis didn't work in this context. This project was also not about building something that would have a special function or serve an exact
purpose. So my intention was obviously not to take wing. This experiment was rather seen as a possibility to experience the machine.
The video shows this experience: as you can see, constant and measured body movements create a steady movement of the wings. So I have to conduct myself like a machine in order to achieve a synchronization. On the other hand, random movements let the machine break out and create an unpredictable life of its own.

Prüfer: Prof. [[Ursula Damm]], [[Max Neupert]]

<videoflash type"youtube">6JUGukoTRLI|430|270</videoflash>
 

==[[Moritz Wehrmann]]: ''… so schallt es heraus.''==
[[Image:Echo.jpg|right|thumb|250px|Moritz Wehrmann: ''… so schallt es heraus.'']]
[[Hört, Hört - Seht, Seht!#Moritz Wehrmann: … so schallt es heraus.]]
 

==[[Stratos Sifostratoudakis]]: Hinter dem Lid==
[[Image:ES HinterDemLid.jpg|right|thumb|250px|Hinter dem Lid]]

Eine Verbildlichung des Sehvorgangs durch historische Animationstechniken.

Das Ziel dieser Masterarbeit ist, den Vorgang der visuellen Wahrnehmung durch eine Funktionsbeschreibung des Auges autonom darzustellen. Dieser Titel wurde gewählt, weil er eine spannende Parallele zwischen der Funktion der Augenlider und der eines Bühnenvorhangs zieht. Beide verbergen etwas Rätselhaftes; eine Spiegelung der Welt.

„Hinter dem Lid“ ist eine Installation, die aus zwei an der Wand befestigten Kartonboxen besteht. Der erste Apparat ist eine Filmkiste, ähnlich zu der von „Glorious Technicolor“, mit der man das bewegte Bild eines Schmetterlings anschauen kann, indem man ein Getriebe aus Zahnrädern dreht. Der zweite Apparat, etwa 2m von dem ersten entfernt, zeigt diesen Schmetterling auf einer Blume, durch eine Animation, die einem Daumenkino ähnelt; die Einzelbilder sind Papierblätter, radial an eine Scheibe aus Pappe angebracht. Wenn ein Teilnehmer die erste Kiste benutzt, wird dieses Karussell durch einen Papierstreifen, der als Riemen dient und beide Apparate verbindet, in Drehung versetzt. Das Betrachten der Installation im Ganzen setzt also die Teilnahme von zwei Personen voraus.

* [http://www.flickr.com/photos/softlit/sets/72157608786591108/show/ Fotodokumentation]
<videoflash type="vimeo">2465952|500|300</videoflash>
 

==[[Nicole Weber]]: CUTOPHON - Ein Phonem-Instrument==
[[Image:NW Cutophon.jpg|right|thumb|250px|Cutophon - Ein Phonem-Instrument]]
Das Cutuphon ist als Instrument konzipiert – als Musikinstrument im weitesten Sinne. Die menschliche Stimme wird zum reproduzierbaren Ton. Das Cutuphon ermöglicht dem Benutzer, Laute aneinander zu reihen, die entweder ein bekanntes Wort formen oder als Lautfolge im Raum verklingen. Die Arbeit reflektiert die Strategien des Dadaismus und nutzt diese in einer zeitgemäßen Ausarbeitung.

* [[Hört, Hört - Seht, Seht!#Nicole Weber: Cutuphon]]
* [http://topotropic.de/cutuphon topotropic.de/cutuphon]
 

==[[Stefan Pach]]: Markt und Maus==
[[Image:Markt-und-Maus-1.jpg|right|thumb|250px|Private investor-mice]]
[[Image:Markt-und-Maus-2.jpg|right|thumb|250px|Bank mice]]
(Market and Mouse)

How can we make mice live by the rules of investment banking?

''Master’s thesis 2013''

To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit. "Market and Mouse" investigates how operators decide if they have to choose between high risk but high value options and less lucrative possibilities. Another part of the research are the consequences for the other market participants. In "Market and Mouse" these are institutional investors and private investors.

In most cases system analysis works with specially designed software. All system protagonists are replaced by variables and routines, which run in a predetermined manner and simulate specific situations. The dynamic parameters are determined in the beginning, before the computer starts calculating. Anomalies are only possible in the spectrum of the software. The protagonists cannot behave in any manner outside of that which the preset parameters allow.

The "Market and Mouse" system replaces the digital agents by mice. All system participants are represented by groups of mice, which contain different numbers of animals. Let these rodents surprise us with their unpredictable behaviour. Meanwhile we can investigate the dynamic in, and in between the different groups. Do the private investor mice behave differently from the bank mice? 
And if so, how?

The project was completed and exhibited during an artist-in-residence program at 
[http://www.opekta-ateliers.de/?q=de/gastatelier Opekta Ateliers Köln].

[http://www.stefanpach.de/public/Stefan-Pach-Markt-und-Maus.pdf Download the documentation (texts only in German).]

Adviser: Prof. [[Ursula Damm]], [[Dominique Hurth]], [[Lasse Scherffig]]

 
 

<videoflash type="vimeo">86072113|500|300</videoflash>

GMU:BFA MFA Finals

2014-02-07T00:52:32Z

SaintPach:

==[[Katharina Kraus]]: Ich-Zeit-Raum==
''Bachelorarbeit Winter 2010/2011''
[[File:0000000006-0000000006-0000000023.JPG|thumb|250px|Katharina Kraus: Ich-Zeit-Raum]]
[[File:0000000014-0000000019-0000000005-0000000023.JPG|thumb|250px|Katharina Kraus: Ich-Zeit-Raum]]
Die Vielfältigkeit eines Momentes im Bildraum zelebrieren: 
Jedes „Jetzt“ ist längst das Vorher vor dem folgenden Jetzt und dieses dann das Nachher, 
welches bereits wächst: Davor − Danach − Davor − Danach − Davor − Danach. 
Ich will das „Da“ begreifen und ich suchte es im „ − “. 
In diesem Bindestrich, der eine Differenz enthält. 
Die Differenz ist das Ergebnis eines Vergleichs, welcher nicht nach Ähnlichkeiten forscht, 
sondern die Unterschiede ermittelt. 
Im Differenzbild findet sich das, was in der Vergangenheit anders war als es in der Zukunft sein wird. 
Vielleicht ist das der kurze Moment der Gegenwart: der Dialog von gerade eben und sogleich. 
Die Integration von Vor- und Folgezeit, von Background und Tribüne. 

Ich spielte vor der Kamera.
Dies war ein Spiel mit dem Raum und mit mir selbst. 
Den Dialog, der in den Differenzen entsteht, spielte ich, bevor es ihn gab. 
Jede der Flächen, die sich vereinigen, bespielte ich alleine. 
Ich musste davon ausgehen, dass das Spiel läuft, wenn alle Spieler, die ich war, im Match sich treffen. 
Im Körperspiel beabsichtigte ich meinem unsichtbaren Gegenüber Figur und Fläche zu finden. 
Vorher- und Nachsicht, teils Plan, teils Zufall, fügen uns an- und in- einander, in ein Anderes. 
Ich wiederholte mich im Bild. Und mit jedem neuen Bild. 
Jedes Differenzbild ist ein Nachspiel, eine Variante, eine Abwandlung. 
Die Differenz bewilligt die Transformation. 
Ich gehe im Bild in den Raum ein und über. Verwese und verorte mich dort. 
[http://katharinakraus.de/bachelorarbeit/Ich-Zeit-Raum_RGB_Doppelseiten.pdf Ich-Zeit-Raum] 
[http://www.vimeo.com/album/1560453 diaschauen]

Prüfer: Prof. [[Ursula Damm]], [[Bernhard Hopfengärtner|Bernhard Hopfengärtner]]
 

==[[Christoph Kilian]]: Tuchfühler==
[[Image:christoph kilian tuchfuehler kein kontakt.png|right|thumb|250px|Elektromechanische Einheit, kein Kontakt]]
[[Image:christoph kilian tuchfuehler seite.png|right|thumb|250px|Ein weiterer Betrachter]]
[[Image:christoph kilian tuchfuehler kontakt geschlossen.png|right|thumb|250px|Elektromechanische Einheit, Kontakt hergestellt]]
Von der Decke des Raumes hängt ein Tuch herab bis zum Boden. Bewegen sich Menschen im Raum, bewegt sich mit Ihnen auch die Luft, die sie umgibt. Das Tuch nimmt diese Bewegung auf.

Hinter dem Tuch gruppieren sich einige elektromechanische Einheiten. Die Einheiten verfügen über jeweils einen Motor, der einen dünnen Kohlefaserstab bewegt. Jeder Stab nähert sich zunächst behutsam dem Tuch. Dabei durchläuft er zwei elektrisch voneinander isolierte Stahlröhrchen. Berührt der Stab das Tuch, biegt es ihn leicht durch. Durch die Biegung verbindet er die beiden Stahlröhrchen und schließt somit einen internen Signalstromkreis. Der Stab weicht für einen Moment zurück.

Auch das Tuch verformt sich durch die Berührung. Sein Zurückweichen bewegt die umliegenden Einheiten zur weiteren Annäherung, und so zu einer stärkeren Ausbildung der anfänglichen Verformung. Der Versuch, die Position des Tuchs im Raum zu bestimmen, führt so zu einem fortwährenden Wechselspiel der Anwesenden.

<videoflash type="vimeo">13061710|400|300</videoflash>
 

==[[Jörg Brinkmann]]: Flugversuch ==
[[Image:Flugversuch joerg.jpg|right|thumb|250px|Jörg Brinkmann: ''Flugversuch'']]

[[Image:VON HINTEN.png|right|thumb|250px|Jörg Brinkmann: ''Flugversuch'']]

''Bachelorthesis der Professur '''[[GMU:Start|Gestaltung medialer Umgebungen]]''' Winter 2009''

This Experiment took its start from the intention to come closer to the machine. I wanted to figure out if there would be a different feeling when a machine is added to my body.

Would I myself become a machine ?

Would the machine become human ? Would the two of us band together and become something else ?

After some experiments with an ECG sensor, which I used for measuring my muscle tension, I got the idea of building mechanical wings that would be controlled by my muscle tension. This is a mechanism similar to the principle of a prosthesis. Since my project was not about replacing a missing body part (the usual function of a prosthesis) but rather about adding something to the body, the term prosthesis didn't work in this context. This project was also not about building something that would have a special function or serve an exact
purpose. So my intention was obviously not to take wing. This experiment was rather seen as a possibility to experience the machine.
The video shows this experience: as you can see, constant and measured body movements create a steady movement of the wings. So I have to conduct myself like a machine in order to achieve a synchronization. On the other hand, random movements let the machine break out and create an unpredictable life of its own.

Prüfer: Prof. [[Ursula Damm]], [[Max Neupert]]

<videoflash type"youtube">6JUGukoTRLI|430|270</videoflash>
 

==[[Moritz Wehrmann]]: ''… so schallt es heraus.''==
[[Image:Echo.jpg|right|thumb|250px|Moritz Wehrmann: ''… so schallt es heraus.'']]
[[Hört, Hört - Seht, Seht!#Moritz Wehrmann: … so schallt es heraus.]]
 

==[[Stratos Sifostratoudakis]]: Hinter dem Lid==
[[Image:ES HinterDemLid.jpg|right|thumb|250px|Hinter dem Lid]]

Eine Verbildlichung des Sehvorgangs durch historische Animationstechniken.

Das Ziel dieser Masterarbeit ist, den Vorgang der visuellen Wahrnehmung durch eine Funktionsbeschreibung des Auges autonom darzustellen. Dieser Titel wurde gewählt, weil er eine spannende Parallele zwischen der Funktion der Augenlider und der eines Bühnenvorhangs zieht. Beide verbergen etwas Rätselhaftes; eine Spiegelung der Welt.

„Hinter dem Lid“ ist eine Installation, die aus zwei an der Wand befestigten Kartonboxen besteht. Der erste Apparat ist eine Filmkiste, ähnlich zu der von „Glorious Technicolor“, mit der man das bewegte Bild eines Schmetterlings anschauen kann, indem man ein Getriebe aus Zahnrädern dreht. Der zweite Apparat, etwa 2m von dem ersten entfernt, zeigt diesen Schmetterling auf einer Blume, durch eine Animation, die einem Daumenkino ähnelt; die Einzelbilder sind Papierblätter, radial an eine Scheibe aus Pappe angebracht. Wenn ein Teilnehmer die erste Kiste benutzt, wird dieses Karussell durch einen Papierstreifen, der als Riemen dient und beide Apparate verbindet, in Drehung versetzt. Das Betrachten der Installation im Ganzen setzt also die Teilnahme von zwei Personen voraus.

* [http://www.flickr.com/photos/softlit/sets/72157608786591108/show/ Fotodokumentation]
<videoflash type="vimeo">2465952|500|300</videoflash>
 

==[[Nicole Weber]]: CUTOPHON - Ein Phonem-Instrument==
[[Image:NW Cutophon.jpg|right|thumb|250px|Cutophon - Ein Phonem-Instrument]]
Das Cutuphon ist als Instrument konzipiert – als Musikinstrument im weitesten Sinne. Die menschliche Stimme wird zum reproduzierbaren Ton. Das Cutuphon ermöglicht dem Benutzer, Laute aneinander zu reihen, die entweder ein bekanntes Wort formen oder als Lautfolge im Raum verklingen. Die Arbeit reflektiert die Strategien des Dadaismus und nutzt diese in einer zeitgemäßen Ausarbeitung.

* [[Hört, Hört - Seht, Seht!#Nicole Weber: Cutuphon]]
* [http://topotropic.de/cutuphon topotropic.de/cutuphon]
 

==[[Stefan Pach]]: Markt und Maus==
[[Image:Markt-und-Maus-1.jpg|right|thumb|250px|Private investor-mice]]
[[Image:Markt-und-Maus-2.jpg|right|thumb|250px|Bank mice]]
(Market and Mouse)

How can we make mice live by the rules of investment banking?

''Master’s thesis 2013''

To improve the understanding of the dynamics of finance markets the "Market and Mouse"-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit. "Market and Mouse" investigates how operators decide if they have to choose between high risk but high value options and less lucrative possibilities. Another part of the research are the consequences for the other market participants. In "Market and Mouse" these are institutional investors and private investors.

In most cases system analysis works with specially designed software. All system protagonists are replaced by variables and routines, which run in a predetermined manner and simulate specific situations. The dynamic parameters are determined in the beginning, before the computer starts calculating. Anomalies are only possible in the spectrum of the software. The protagonists cannot behave in any manner outside of that which the preset parameters allow.

The "Market and Mouse" system replaces the digital agents by mice. All system participants are represented by groups of mice, which contain different numbers of animals. Let these rodents surprise us with their unpredictable behaviour. Meanwhile we can investigate the dynamic in, and in between the different groups. Do the private investor mice behave differently from the bank mice? 
And if so, how?

The project was completed and exhibited during an artist-in-residence program at 
[http://www.opekta-ateliers.de/?q=de/gastatelier Opekta Ateliers Köln].

[http://www.stefanpach.de/public/Stefan-Pach-Markt-und-Maus.pdf Download the documentation (texts only in German).]

Adviser: Prof. [[Ursula Damm]], [[Dominique Hurth]], [[Lasse Scherffig]]

<videoflash type="vimeo">86072113|500|300</videoflash>

Stefan Pach

2014-02-06T20:25:13Z

SaintPach: Created page with "* [http://www.stefanpach.de www.stefanpach.de]"

* [http://www.stefanpach.de www.stefanpach.de]

GMU:BFA MFA Finals

2014-02-06T20:23:01Z

SaintPach:

File:Markt-und-Maus-2.jpg

2014-02-06T20:14:09Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Markt-und-Maus-1.jpg

2014-02-06T20:08:22Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

Kinect

2011-12-09T09:47:30Z

SaintPach: /* Skeleton Data in Pd */

The Microsoft® XBOX 360 Kinect is a motion controller. It projects a pattern with infrared light and calculates a depth image using a camera. It also has a color camera and four microphones. The Y axis of the sensor is remote controllable with an in-build motor. The color of the LED is settable by software as well.

== About ==
* [http://www.xbox.com/kinect official site] [http://kinectforwindows.org Kinect Windows SDK]
* [[wikipedia:Kinect]]
* [http://www.dailymail.co.uk/sciencetech/article-1190240/You-controller-Microsoft-unveils-Xbox-360-device-banishes-joypad-puts-player-IN-game.html www.dailymail.co.uk/sciencetech]
=== Blogs and portals ===
* http://www.kinecthacks.com
* http://kinect.dashhacks.com
* http://www.creativeapplications.net/kinect/

== Software ==
=== Apps (ready to run) ===
* [http://fernlightning.com/doku.php?id=randd:kinect Cocoa freenect App] (OS X) by Robert Pointon
* [http://codelaboratories.com/kb/nui codelaboratories.com/kb/nui] Windows
* [https://code.google.com/p/tuiokinect TUIO Kinect] lets you define a depth range where multiple blobs can be detected. No actual depth information can be extracted.

=== Frameworks and Libraries ===
==== Depth image ====
* [http://openkinect.org openkinect.org] Drivers, Installation
* [http://www.matthiaskronlachner.com/?p=299 pix_freenect] for Pd (binaries work without any compiling)
* [https://github.com/badgeek/fux_kinect fux_kinect Object] for Pd
* [https://github.com/ofTheo/ofxKinect ofxKinect] openFramworks Kinect integration
* [http://vvvv.org/contribution/kinect vvvv kinect integration]

==== Skeleton data ====
* [http://www.openni.org/Downloads.aspx OpenNI]
* [http://pd-la.info/kinect/kinect-mac-os-x Pd-LA: Howto install Kinect] on OS X 10.6.x
* Howto install [http://kinecthesis.bakedmac.com/2011/01/11/installing-openni-kinect-drivers-and-nite-on-mac-os-x-10-6 openNI kinect drivers and NITE] on OS X 10.6
* Howto install [http://www.keyboardmods.com/2010/12/howto-kinect-openninite-skeleton.html openNI kinect drivers and NITE] on gentoo Linux
* [https://launchpad.net/~eighthave/+archive/openni Ubuntu PPA by Hans-Christoph Steiner] including OpenNI, OSCeleton, Primesense Kinect and NITE
* [https://github.com/Sensebloom/OSCeleton OSCeleton] takes kinect skeleton data from the OpenNI framework and outputs the coordinates of the skeleton's joints via OSC messages. These can can then be used on your language / framework of choice. Needs openNI.
* [https://github.com/pd-projects/pd-kinect-skeleton Pure Data patch to receive and visualize the skeleton data from osceleton] Needs OSCeleton (which needs OpenNI)
* [http://pkmital.com/home/2011/01/24/streaming-motion-capture-data-from-the-kinect-using-osc-on-mac-osx how to install openNI on OS X using macports] and visualize the skeleton in Max/MSP (or Pd)
* [http://mansteri.com/2011/01/osceleton-with-quartz-composer skeleton data in Quartz Composer via Max/MSP]

== Running depth image and skeleton data on workstation ''Rafael'' ==
Change user of the computer to admin (Apple menu: logout user/User abmelden). Make sure Kinect is connected.

=== Depth image in Pd ===
# open Pd
# open <tt>pix_freenect-help.pd</tt> in Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt>
# open gemwin and activate the accel toggle

=== Skeleton Data in Pd ===
# open the terminal and Pd
# in the terminal type: <tt>cd /Volumes/Rafael\ Data\ RAID/kinect/Sensebloom-OSCeleton</tt> OR: type: <tt>cd </tt>(+ space) and drag the folder <tt>Sensebloom-OSCeleton</tt> from Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt> into the terminal window
# Enter. Type <tt>./osceleton</tt>, then press enter again
# If you want to change the port add: "-p" and the port number
# If you want to see the picture the Kinect is tracking add: "-w"
# Because OSCeleton has some hiccups i recommend adding a "while true" loop to make sure it starts again when a problem appears. Makes the command: "while true; do ./osceleton; done"
# open <tt>OSCeleton.pd</tt> from Folder <tt>pd-skeleton</tt> in Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt> with Pd

[[Category:Pure Data]]
[[Category:3D]]
[[Category:Movement]]
[[Category:Interaktion]]
[[Category:Interfaces]]
[[Category:Interactive]]
[[Category:Max/MSP]]
[[Category:Vvvv]]

Kinect

2011-12-09T09:47:11Z

SaintPach: /* Skeleton Data in Pd */

The Microsoft® XBOX 360 Kinect is a motion controller. It projects a pattern with infrared light and calculates a depth image using a camera. It also has a color camera and four microphones. The Y axis of the sensor is remote controllable with an in-build motor. The color of the LED is settable by software as well.

== About ==
* [http://www.xbox.com/kinect official site] [http://kinectforwindows.org Kinect Windows SDK]
* [[wikipedia:Kinect]]
* [http://www.dailymail.co.uk/sciencetech/article-1190240/You-controller-Microsoft-unveils-Xbox-360-device-banishes-joypad-puts-player-IN-game.html www.dailymail.co.uk/sciencetech]
=== Blogs and portals ===
* http://www.kinecthacks.com
* http://kinect.dashhacks.com
* http://www.creativeapplications.net/kinect/

== Software ==
=== Apps (ready to run) ===
* [http://fernlightning.com/doku.php?id=randd:kinect Cocoa freenect App] (OS X) by Robert Pointon
* [http://codelaboratories.com/kb/nui codelaboratories.com/kb/nui] Windows
* [https://code.google.com/p/tuiokinect TUIO Kinect] lets you define a depth range where multiple blobs can be detected. No actual depth information can be extracted.

=== Frameworks and Libraries ===
==== Depth image ====
* [http://openkinect.org openkinect.org] Drivers, Installation
* [http://www.matthiaskronlachner.com/?p=299 pix_freenect] for Pd (binaries work without any compiling)
* [https://github.com/badgeek/fux_kinect fux_kinect Object] for Pd
* [https://github.com/ofTheo/ofxKinect ofxKinect] openFramworks Kinect integration
* [http://vvvv.org/contribution/kinect vvvv kinect integration]

==== Skeleton data ====
* [http://www.openni.org/Downloads.aspx OpenNI]
* [http://pd-la.info/kinect/kinect-mac-os-x Pd-LA: Howto install Kinect] on OS X 10.6.x
* Howto install [http://kinecthesis.bakedmac.com/2011/01/11/installing-openni-kinect-drivers-and-nite-on-mac-os-x-10-6 openNI kinect drivers and NITE] on OS X 10.6
* Howto install [http://www.keyboardmods.com/2010/12/howto-kinect-openninite-skeleton.html openNI kinect drivers and NITE] on gentoo Linux
* [https://launchpad.net/~eighthave/+archive/openni Ubuntu PPA by Hans-Christoph Steiner] including OpenNI, OSCeleton, Primesense Kinect and NITE
* [https://github.com/Sensebloom/OSCeleton OSCeleton] takes kinect skeleton data from the OpenNI framework and outputs the coordinates of the skeleton's joints via OSC messages. These can can then be used on your language / framework of choice. Needs openNI.
* [https://github.com/pd-projects/pd-kinect-skeleton Pure Data patch to receive and visualize the skeleton data from osceleton] Needs OSCeleton (which needs OpenNI)
* [http://pkmital.com/home/2011/01/24/streaming-motion-capture-data-from-the-kinect-using-osc-on-mac-osx how to install openNI on OS X using macports] and visualize the skeleton in Max/MSP (or Pd)
* [http://mansteri.com/2011/01/osceleton-with-quartz-composer skeleton data in Quartz Composer via Max/MSP]

== Running depth image and skeleton data on workstation ''Rafael'' ==
Change user of the computer to admin (Apple menu: logout user/User abmelden). Make sure Kinect is connected.

=== Depth image in Pd ===
# open Pd
# open <tt>pix_freenect-help.pd</tt> in Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt>
# open gemwin and activate the accel toggle

=== Skeleton Data in Pd ===
# open the terminal and Pd
# in the terminal type: <tt>cd /Volumes/Rafael\ Data\ RAID/kinect/Sensebloom-OSCeleton</tt> OR: type: <tt>cd </tt>(+ space) and drag the folder <tt>Sensebloom-OSCeleton</tt> from Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt> into the terminal window
# Enter. Type <tt>./osceleton</tt>, then press enter again
# If you want to change the port add: "-p" and the port number
# If you want to see the picture the Kinect is tracking add: "-w"
# Because OSCeleton has some hiccups i recommend adding a "while true" loop to
make sure it starts again when a problem appears. Makes the command: "while true; do ./osceleton; done"
# open <tt>OSCeleton.pd</tt> from Folder <tt>pd-skeleton</tt> in Folder <tt>kinect</tt> on harddrive <tt>Rafael Data RAID</tt> with Pd

[[Category:Pure Data]]
[[Category:3D]]
[[Category:Movement]]
[[Category:Interaktion]]
[[Category:Interfaces]]
[[Category:Interactive]]
[[Category:Max/MSP]]
[[Category:Vvvv]]

Kinect

2011-12-09T09:44:54Z

SaintPach: /* Skeleton Data in Pd */

GMU:Cybernetic Garden/Drastic measures

2011-11-24T13:58:29Z

SaintPach:

Scenario: The situation is bad - extaordinary measures must be implemented to regain a sustainable balance of human life and nature. You take action and the world will follow. What are the actions, the laws implemented and enforced? What are the consequences? What effects does it have? Proposed structure of your talk: Introducton to the problem you are going to adress - raise awareness in the audience, back up your claims with data and facts from reknown sources. Present your measures and why they are urgent and crutial. Describe the effects of your measures. Illustrate them with scenarios and/or a case study.

== Georgios ==
The Conspiracy of The Maids 

[[File:theconspiracyofthemaids.jpg|left|thumb|The Conspiracy of The Maids]]

 

== Catalina ==
What if... 
[[Media:Sun-II-Drastic measures.pdf]]

[[File:Sun-II.png]]
 

== Phillip ==
Pedocracy 
[[File:pk-ws2011-pedocracy-dm.jpg|left|thumb|kids enslave the adults]]
[[File:pk-ws2011-pedocracy-dm-2.jpg|left|thumb|they rule the palaces...]]
[[File:pk-ws2011-pedocracy-dm-3.jpg|left|thumb|...and churches everywhere]]
 

== Stefan Pach ==
ReMeat It. 
[http://www.remeatit.blogspot.com http://www.remeatit.blogspot.com]

GMU:Cybernetic Garden/Focusing on a single measure

2011-11-24T13:54:33Z

SaintPach: /* Philipp and Phillip */

== Philipp and Phillip ==
Holistic education makes the world a better place 
[[Media:pp 2011 measure education.pdf]]

== Stefan Pach ==
Meat is bad. Very, very bad. 
[[Media:stefan pach 2011 meat is bad.pdf]]

File:Stefan pach 2011 meat is bad.pdf

2011-11-24T13:53:49Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

GMU:Cybernetic Garden/Five measures to save the world

2011-11-09T02:59:39Z

SaintPach: /* Stefan Pach */

== Ressources ==
=== Wikipedia ===
* [[wikipedia:World population]]
* [[wikipedia:Peak oil]]
* [[wikipedia:Climate change]]
* [[wikipedia:Global warming]]

=== Statistical Sources, UN, WHO, EU, etc ===
* [http://data.un.org UN data]
* [http://data.worldbank.org World Bank Data]
* [https://www.cia.gov/library/publications/the-world-factbook CIA World Factbook]
* [http://earth.esa.int/applications ESA Data application]
* [http://epp.eurostat.ec.europa.eu Eurostat (European Komission)]
* [http://www.destatis.de Statistisches Bundesamt]

=== NGO information, campaigns ===
* [http://fleischfrage.wwf.de Campaign “Fleischfrage” by WWF]
* [http://www.ted.com/talks/marcel_dicke_why_not_eat_insects.html TED Talk: Marcel Dicke Why not eat insects?]
* [http://www.overpopulation.org World Population Awareness]
* [http://beta.mundraub.org Public Food Locations]
* [http://www.democracynow.org/blog/2011/10/10/stphane_hessel_on_occupy_wall_street_find_the_time_for_outrage_when_your_values_are_not_respected Interview with Stephane Hessel about his essay "Time for outrange!"]

=== Press coverage, interpretation ===
* [http://news.bbc.co.uk/2/hi/programmes/6298507.stm BBC: Five ways to save the world], [http://www.dailymotion.com/video/xarm39_five-ways-to-save-the-world-www-doc_tech online]
* [http://www.sueddeutsche.de/thema/Bev%C3%B6lkerungswachstum Süddeutsche Thema Bevölkerungswachstum]
* [http://de-bug.de/mode/archives/1942.html De:Bug about fabbing]

=== Artworks ===
* [http://www.the-incredible-shrinking-man.net shrink men to 50cm]
=== Blogs, conspiracy theories ===
* [http://www.globalissues.org/article/3/structural-adjustment-a-major-cause-of-poverty SAP by IMF and Worldbank as a cause of poverty]

== Issues to solve ==
# Overpopulation
# Food production and agriculture
#* starvation
# Climate change
#* CO2 emissions: carbon footprint
# Energy crisis
#* Peak oil

== Philipp & Phillip ==
Under the aspects of expanding the efficiency of human potential and individual satisfaction, WE HAVE...

# to change practical politics into a transparent lawgiver with equal basics
#* we have to multiply the dynamic of individual involvement in political systems
#* one should no longer be able to build the means of existence out of a political career
# to change market into a fair and useful constitution of trade
#* we have do decentralize its might
#* the development and spreading of digital fabricators (fabbers) has to be forced by law
#* pseudo-requirements have to be discovered and eliminated
# to change society into a clear, veritable and permissive band of mankind
#* we have to create a whole new way of consciousness, that is built on trust and thoughts of liberty instead of fear, opacity and mistrust
#* investing in balanced and progressive education means growth of global and individual wealth and drop of the average birthrate
# to change our understanding of food "usage"
#* eating is more than just satisfing hunger
#* radical reduction of animalistic food would reduce hunger, environmental pollution and consumtion of land and fresh water
#* come clean about our humdrum death cult
# to change the danger from generation of energy into save and clean lines
#* "Ecotropolis"
#* to build a city based on the thoughts of consistently green intentions
 

== Catalina G==
To save the world we have to:
# Stop eating beef! The cow is guilty
#* it will help to reduce the global warming: Cows are methane-making machines
#* no more deforestation (and no more McDonals): 70 percent of previous forested land in the Amazon is occupied by pastures, and feedcrops cover a large part of the remainder.
#* no more wasting and polluting water: 4,500 gallons of water to produce a cut of 300 gr. beef.
#* It could even help with people´s excess weight
# Let the earth to follow her own work (against overpopulation)
#* Diseases, plagues
#* Natural Disasters
# Understand natural balance
#* Social Inequality (everything could be worst)
 

Georgios Karagiorgos

Saving the world should be practiced by every each of us
It's important to change our behavior, and this will
lead to changes to market as well as to the whole economic
system. But this needs to be initiated along with policy making.
The sectors one needs to work on are...
1. Education (through the educational system young people will
get informed about the urgent situation, as well as about how they
can help)
2. Control of birth rates
3. Change food habits to more vegetarian ones (save resources that are needed in the case of the production of met)
4. Cut down on every kind of consumption (products, energy)/ find alternative, cheper, more eco-friendly wys to cover needs, avoid lifestyle
5. Invest on alternative energy sources
5.
1.

== Stefan Pach ==
A Poster to save the world:

[[File:StefanPachFIVEPOINTSTOSAVETHEWORLD.jpg|900px]]

GMU:Cybernetic Garden/Five measures to save the world

2011-11-09T02:57:45Z

SaintPach:

== Ressources ==
=== Wikipedia ===
* [[wikipedia:World population]]
* [[wikipedia:Peak oil]]
* [[wikipedia:Climate change]]
* [[wikipedia:Global warming]]

=== Statistical Sources, UN, WHO, EU, etc ===
* [http://data.un.org UN data]
* [http://data.worldbank.org World Bank Data]
* [https://www.cia.gov/library/publications/the-world-factbook CIA World Factbook]
* [http://earth.esa.int/applications ESA Data application]
* [http://epp.eurostat.ec.europa.eu Eurostat (European Komission)]
* [http://www.destatis.de Statistisches Bundesamt]

=== NGO information, campaigns ===
* [http://fleischfrage.wwf.de Campaign “Fleischfrage” by WWF]
* [http://www.ted.com/talks/marcel_dicke_why_not_eat_insects.html TED Talk: Marcel Dicke Why not eat insects?]
* [http://www.overpopulation.org World Population Awareness]
* [http://beta.mundraub.org Public Food Locations]
* [http://www.democracynow.org/blog/2011/10/10/stphane_hessel_on_occupy_wall_street_find_the_time_for_outrage_when_your_values_are_not_respected Interview with Stephane Hessel about his essay "Time for outrange!"]

=== Press coverage, interpretation ===
* [http://news.bbc.co.uk/2/hi/programmes/6298507.stm BBC: Five ways to save the world], [http://www.dailymotion.com/video/xarm39_five-ways-to-save-the-world-www-doc_tech online]
* [http://www.sueddeutsche.de/thema/Bev%C3%B6lkerungswachstum Süddeutsche Thema Bevölkerungswachstum]
* [http://de-bug.de/mode/archives/1942.html De:Bug about fabbing]

=== Artworks ===
* [http://www.the-incredible-shrinking-man.net shrink men to 50cm]
=== Blogs, conspiracy theories ===
* [http://www.globalissues.org/article/3/structural-adjustment-a-major-cause-of-poverty SAP by IMF and Worldbank as a cause of poverty]

== Issues to solve ==
# Overpopulation
# Food production and agriculture
#* starvation
# Climate change
#* CO2 emissions: carbon footprint
# Energy crisis
#* Peak oil

== Philipp & Phillip ==
Under the aspects of expanding the efficiency of human potential and individual satisfaction, WE HAVE...

# to change practical politics into a transparent lawgiver with equal basics
#* we have to multiply the dynamic of individual involvement in political systems
#* one should no longer be able to build the means of existence out of a political career
# to change market into a fair and useful constitution of trade
#* we have do decentralize its might
#* the development and spreading of digital fabricators (fabbers) has to be forced by law
#* pseudo-requirements have to be discovered and eliminated
# to change society into a clear, veritable and permissive band of mankind
#* we have to create a whole new way of consciousness, that is built on trust and thoughts of liberty instead of fear, opacity and mistrust
#* investing in balanced and progressive education means growth of global and individual wealth and drop of the average birthrate
# to change our understanding of food "usage"
#* eating is more than just satisfing hunger
#* radical reduction of animalistic food would reduce hunger, environmental pollution and consumtion of land and fresh water
#* come clean about our humdrum death cult
# to change the danger from generation of energy into save and clean lines
#* "Ecotropolis"
#* to build a city based on the thoughts of consistently green intentions
 

== Catalina G==
To save the world we have to:
# Stop eating beef! The cow is guilty
#* it will help to reduce the global warming: Cows are methane-making machines
#* no more deforestation (and no more McDonals): 70 percent of previous forested land in the Amazon is occupied by pastures, and feedcrops cover a large part of the remainder.
#* no more wasting and polluting water: 4,500 gallons of water to produce a cut of 300 gr. beef.
#* It could even help with people´s excess weight
# Let the earth to follow her own work (against overpopulation)
#* Diseases, plagues
#* Natural Disasters
# Understand natural balance
#* Social Inequality (everything could be worst)
 

Georgios Karagiorgos

Saving the world should be practiced by every each of us
It's important to change our behavior, and this will
lead to changes to market as well as to the whole economic
system. But this needs to be initiated along with policy making.
The sectors one needs to work on are...
1. Education (through the educational system young people will
get informed about the urgent situation, as well as about how they
can help)
2. Control of birth rates
3. Change food habits to more vegetarian ones (save resources that are needed in the case of the production of met)
4. Cut down on every kind of consumption (products, energy)/ find alternative, cheper, more eco-friendly wys to cover needs, avoid lifestyle
5. Invest on alternative energy sources
5.
1.

== Stefan Pach ==
A Poster to save the world:

[[File:STEFANPACHFIVEPOINTSTOSAVETHEWORLD.JPG|900px]]

File:StefanPachFIVEPOINTSTOSAVETHEWORLD.jpg

2011-11-09T02:52:02Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:StefanPachFIVEPOINTSTOSAVETHEWORLD.pdf

2011-11-09T02:49:04Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

PDCON:Documentation

2011-09-20T13:23:02Z

SaintPach: /* Links to flickr, picasa, etc. */

==Main Page images==
<gallery>
File:Pure Data Convention Banner.jpg|Banner
File:Listening to the Bells.jpg|Visitors listening to a concert on the carillon
File:Lanhouse concert Giuliano Obichi.jpg|Lanhouse Concert
File:Pure Data cortege.jpg|walking to the concert venue
File:Barcelona Laptop Orchestra.jpg|Barcelona Laptop Orchestra on air
File:Registration at the Pure Data Convention.jpg|Registered participants
File:Extended View Toolkit Pure Data Convention.jpg|Extended View Toolkit lecture
</gallery>

== Other Images ==
<gallery>
File:Pure Data Convention 2011 01.jpg|gathering at the marketplace
File:Pure Data Convention 2011 02.jpg|Oscar Martin performing
File:Pure Data Convention 2011 04.jpg|Barcelona Laptop Orchestera
File:Pure Data Convention 2011 05.jpg|image
File:Pure Data Convention 2011 06.jpg|Jürgen at the registration desk
File:Pure Data Convention 2011 07.jpg|Frank already registered
File:Pure Data Convention 2011 08.jpg|Ricardo with shirt
File:Pure Data Convention 2011 09.jpg|image
File:Pure Data Convention 2011 10.jpg|image
File:Pure Data Convention 2011 11.jpg|Workshop
File:Pure Data Convention 2011 12.jpg|Data structures workshop
File:Pure Data Convention 2011 13.jpg|Data structures workshop
File:Pure Data Convention 2011 14.jpg|image
File:Pure Data Convention 2011 15.jpg|image
File:Pure Data Convention 2011 16.jpg|image
File:Pure Data Convention 2011 17.jpg|image
File:Pure Data Convention 2011 18.jpg|image
File:Pure Data Convention 2011 19.jpg|image
File:Pure Data Convention 2011 20.jpg|image
File:Pure Data Convention 2011 21.jpg|image
File:Pure Data Convention 2011 22.jpg|image
File:Pure Data Convention 2011 23.jpg|image
File:Pure Data Convention 2011 24.jpg|John reads letter from Miller Puckette
File:Pure Data Convention 2011 25.jpg|Keynote by Winfred Ritsch
File:Pure Data Convention 2011 26.jpg|image
File:Pure Data Convention 2011 27.jpg|image
File:Pure Data Convention 2011 28.jpg|Endphase 18-2 "Mixed Cities"
File:Pure Data Convention 2011 29.jpg|image
File:Pure Data Convention 2011 30.jpg|image
File:Pure Data Convention 2011 31.jpg|image
File:Pure Data Convention 2011 32.jpg|image
File:Pure Data Convention 2011 33.jpg|image
File:Pure Data Convention 2011 34.jpg|image
File:Pure Data Convention 2011 35.jpg|image
File:Pure Data Convention 2011 36.jpg|image
File:Pure Data Convention 2011 37.jpg|image
</gallery>

== Links to flickr, picasa, etc. ==
* [http://pcultural.multiply.com/photos/album/78 Paloma Oliviera]
* [http://www.facebook.com/media/set/?set=a.1872446745310.82613.1665396816&l=82b9786a46&type=1 Seiichiro Matsumura]
* [http://www.facebook.com/media/set/?set=a.10150371390192288.400892.758467287&l=563879d7b7&type=1 Giuliano Obici]
* [http://www.flickr.com/photos/stefanpach/sets/72157626381147967/ Stefan Pach]
{{Template:PdCon11}}

PDCON:Graphic design

2011-08-02T20:30:12Z

SaintPach: /* COLOR CODE */

== LOGO ==

Signet:

[[image:PD~CON Signet.png]]

Signet and typography:

[[image:PD~CON Signet-und-Typo.png]]

Negative:

[[image:PD~CON Signet-und-Typo-negativ.png]]

== COLOR CODE ==

BLACK:

[[image:PD~CON Color-BLACK1.png]]

ORANGE:

[[image:PD~CON Color-ORANGE1.png]]

TURQUOISE:

[[image:PD~CON Color-TURQUOISE1.png]]

== VISUALS ==

Sound wave motive 1:

[[image:PD~CON Sound-Wave-1.png]]

Sound wave motive 2:

[[image:PD~CON Sound-Wave-2.png]]

Sound wave motive 3:

[[image:PD~CON Sound-Wave-3.png]]

Sound wave motive 4:

[[image:PD~CON Sound-Wave-4.png]]

== TYPOGRAPHY ==

Titillium 1 wt:

[[image:PD~CON Typo-1wt.png]]

Titillium 400 wt:

[[image:PD~CON Typo-400wt.png]]

Titillium 800 wt:

[[image:PD~CON Typo-800wt.png]]

Titillium 999 wt:

[[image:PD~CON Typo-999wt.png]]

== APPLICATIONS ==

Poster first step:

[[image:PD~CON Poster-1.png|left|800px]]

 

=== DOWNLOADS ===

* [[Media:Pure Data Convention 2011.svg]]
* [[Media:Pure Data Convention 2011.png]]
* [http://www.campivisivi.net/old/titillium Titillium] Open Source Typography

If you have questions regarding the graphic design get in touch with Stefan Pach

For older drafts see [[GMU:Meet a digital community: Pd con~ Weimar/Design]]

{{Template:PdCon11}}

File:PD~CON Color-TURQUOISE1.png

2011-08-02T20:29:42Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Color-ORANGE1.png

2011-08-02T20:28:58Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Color-BLACK1.png

2011-08-02T20:28:11Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-BLACK.png

2011-08-02T20:26:29Z

SaintPach: uploaded a new version of "File:PD~CON Color-BLACK.png": Reverted to version as of 20:24, 2 August 2011

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-BLACK.png

2011-08-02T20:26:28Z

SaintPach: uploaded a new version of "File:PD~CON Color-BLACK.png": Reverted to version as of 20:24, 2 August 2011

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-BLACK.png

2011-08-02T20:26:07Z

SaintPach: uploaded a new version of "File:PD~CON Color-BLACK.png": Reverted to version as of 16:55, 1 August 2011

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-BLACK.png

2011-08-02T20:24:57Z

SaintPach: uploaded a new version of "File:PD~CON Color-BLACK.png"

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

PDCON:Graphic design

2011-08-02T17:04:43Z

SaintPach:

== LOGO ==

Signet:

[[image:PD~CON Signet.png]]

Signet and typography:

[[image:PD~CON Signet-und-Typo.png]]

Negative:

[[image:PD~CON Signet-und-Typo-negativ.png]]

== COLOR CODE ==

BLACK:

[[image:PD~CON Color-BLACK.png]]

ORANGE:

[[image:PD~CON Color-ORANGE.png]]

TURQUOISE:

[[image:PD~CON Color-TURQUOISE.png]]

== VISUALS ==

Sound wave motive 1:

[[image:PD~CON Sound-Wave-1.png]]

Sound wave motive 2:

[[image:PD~CON Sound-Wave-2.png]]

Sound wave motive 3:

[[image:PD~CON Sound-Wave-3.png]]

Sound wave motive 4:

[[image:PD~CON Sound-Wave-4.png]]

== TYPOGRAPHY ==

Titillium 1 wt:

[[image:PD~CON Typo-1wt.png]]

Titillium 400 wt:

[[image:PD~CON Typo-400wt.png]]

Titillium 800 wt:

[[image:PD~CON Typo-800wt.png]]

Titillium 999 wt:

[[image:PD~CON Typo-999wt.png]]

== APPLICATIONS ==

Poster first step:

[[image:PD~CON Poster-1.png|left|800px]]

=== DOWNLOADS ===

* [[Media:Pure Data Convention 2011.svg]]
* [[Media:Pure Data Convention 2011.png]]
* [http://www.campivisivi.net/old/titillium Titillium] Open Source Typography

If you have questions regarding the graphic design get in touch with Stefan Pach

For older drafts see [[GMU:Meet a digital community: Pd con~ Weimar/Design]]

{{Template:PdCon11}}

File:PD~CON Poster-1.png

2011-08-02T16:55:58Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

PDCON:Graphic design

2011-08-01T17:32:51Z

SaintPach:

== LOGO ==

Signet:

[[image:PD~CON Signet.png]]

Signet and typography:

[[image:PD~CON Signet-und-Typo.png]]

Negative:

[[image:PD~CON Signet-und-Typo-negativ.png]]

== COLOR CODE ==

BLACK:

[[image:PD~CON Color-BLACK.png]]

ORANGE:

[[image:PD~CON Color-ORANGE.png]]

TURQUOISE:

[[image:PD~CON Color-TURQUOISE.png]]

== VISUALS ==

Sound wave motive 1:

[[image:PD~CON Sound-Wave-1.png]]

Sound wave motive 2:

[[image:PD~CON Sound-Wave-2.png]]

Sound wave motive 3:

[[image:PD~CON Sound-Wave-3.png]]

Sound wave motive 4:

[[image:PD~CON Sound-Wave-4.png]]

== TYPOGRAPHY ==

Titillium 1 wt:

[[image:PD~CON Typo-1wt.png]]

Titillium 400 wt:

[[image:PD~CON Typo-400wt.png]]

Titillium 800 wt:

[[image:PD~CON Typo-800wt.png]]

Titillium 999 wt:

[[image:PD~CON Typo-999wt.png]]

== APPLICATIONS ==

in progress…

=== DOWNLOADS ===

* [[Media:Pure Data Convention 2011.svg]]
* [[Media:Pure Data Convention 2011.png]]
* [http://www.campivisivi.net/old/titillium Titillium] Open Source Typography

If you have questions regarding the graphic design get in touch with Stefan Pach

For older drafts see [[GMU:Meet a digital community: Pd con~ Weimar/Design]]

{{Template:PdCon11}}

File:PD~CON Typo-999wt.png

2011-08-01T17:30:59Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Typo-800wt.png

2011-08-01T17:30:44Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Typo-400wt.png

2011-08-01T17:30:26Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Typo-1wt.png

2011-08-01T17:30:07Z

SaintPach:

== Summary ==

== Copyright status: ==

== Source: ==

File:PD~CON Sound-Wave-4.png

2011-08-01T17:22:04Z

SaintPach: uploaded a new version of "File:PD~CON Sound-Wave-4.png"

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Sound-Wave-4.png

2011-08-01T17:20:24Z

SaintPach: uploaded a new version of "File:PD~CON Sound-Wave-4.png"

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Sound-Wave-4.png

2011-08-01T17:13:50Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Sound-Wave-3.png

2011-08-01T17:13:20Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Sound-Wave-2.png

2011-08-01T17:12:51Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Sound-Wave-1.png

2011-08-01T17:12:28Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-TURQUOISE.png

2011-08-01T16:56:29Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-ORANGE.png

2011-08-01T16:56:00Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Color-BLACK.png

2011-08-01T16:55:20Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Signet-und-Typo-negativ.png

2011-08-01T16:45:37Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Signet-und-Typo.png

2011-08-01T16:43:53Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:PD~CON Signet.png

2011-08-01T16:38:09Z

SaintPach:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==