Medien Wiki - User contributions [en]

Mina Boylu

2023-11-07T09:34:54Z

Rpsr:

My project delves into questioning the essence of reality, emphasizing the influence of time. Time, often overlooked, stands as an unchangeable force shaping our world. I believe that reality is not fixed but a continuous creation within the confines of time. While we can't change the past or entirely control the present, our current actions influence the path we take into the future.

Within the tapestry of time lies a distinct void frozen in the seconds of the present. We might not fully sense this moment, but it's passed just seconds ago. Our experiences are threads woven into a larger narrative, shaped by split-second decisions made by every individual.

I would formed my project through the interplay of water, movement, light, and imagery. It aims to visually depict how time and reality are interconnected, exploring how our decisions and the world around us are entwined with time's flow.

This project seeks to explore how time shapes our perception of reality and how our actions, even in fleeting moments, contribute to the larger story of existence.

To explore the relationship between the perception of reality and our understanding of time through water :

Water, as a reflective surface : Utilize water like rivers or lakes to reflect the surrondings. Analyze how these reflections influence our perception of reality and our sense of time. Observe how the changing scenery is reflected in water can provoke reflections on how reality is mirrored and distorted.

Water, as a transformative nature : Explore water's ability to change form (solid, lquid and gas) and how these transitions might be linked to fluidity of time. This might be lead to think about the malleability of reality and how time, like water, can exist in various states.

- - - -

https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&veranstaltung.veranstid=57795

Mina Boylu

2023-11-07T09:34:06Z

Rpsr:

My project delves into questioning the essence of reality, emphasizing the influence of time. Time, often overlooked, stands as an unchangeable force shaping our world. I believe that reality is not fixed but a continuous creation within the confines of time. While we can't change the past or entirely control the present, our current actions influence the path we take into the future.

Within the tapestry of time lies a distinct void frozen in the seconds of the present. We might not fully sense this moment, but it's passed just seconds ago. Our experiences are threads woven into a larger narrative, shaped by split-second decisions made by every individual.

I would formed my project through the interplay of water, movement, light, and imagery. It aims to visually depict how time and reality are interconnected, exploring how our decisions and the world around us are entwined with time's flow.

This project seeks to explore how time shapes our perception of reality and how our actions, even in fleeting moments, contribute to the larger story of existence.

To explore the relationship between the perception of reality and our understanding of time through water :

Water, as a reflective surface : Utilize water like rivers or lakes to reflect the surrondings. Analyze how these reflections influence our perception of reality and our sense of time. Observe how the changing scenery is reflected in water can provoke reflections on how reality is mirrored and distorted.

Water, as a transformative nature : Explore water's ability to change form (solid, lquid and gas) and how these transitions might be linked to fluidity of time. This might be lead to think about the malleability of reality and how time, like water, can exist in various states.

- - - -
https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&veranstaltung.veranstid=57795

Rpsr

2023-11-07T08:33:49Z

Rpsr:

====== ''Vorbau'' ======
[[File:Screenshot 2023-11-06 at 14.33.40.jpg|thumb|left]][[File:Scan nov.pdf|thumb]]https://imgur.com/a/OCXITBa

====== ''Idee'' ======

[[File:Screenshot 2023-11-06 .jpg|thumb|left]]The microphone listens 'alone'. It listens and aligns itself by localizing sound sources. Viewers perceive the presence of the microphone. However, it is not possible to hear what the microphone 'hears'. Communication with the viewer takes place in the direction and movement of the microphone. Viewers therefore do not perceive by means of or through the microphone, but by observing and imagining the microphone and its mode of operation. Will the viewers then listen more closely? Will they be quiet and still in order to stay under the microphone's radar?

Rpsr

2023-11-07T08:33:12Z

Rpsr:

====== ''Vorbau'' ======
[[File:Screenshot 2023-11-06 at 14.33.40.jpg|thumb|left]][[File:Scan nov.pdf|thumb]][[File:Sound-Übersicht.png|border|right|frameless|300x300px]]
https://imgur.com/a/OCXITBa

====== ''Idee'' ======

[[File:Screenshot 2023-11-06 .jpg|thumb|left]]The microphone listens 'alone'. It listens and aligns itself by localizing sound sources. Viewers perceive the presence of the microphone. However, it is not possible to hear what the microphone 'hears'. Communication with the viewer takes place in the direction and movement of the microphone. Viewers therefore do not perceive by means of or through the microphone, but by observing and imagining the microphone and its mode of operation. Will the viewers then listen more closely? Will they be quiet and still in order to stay under the microphone's radar?

Rpsr

2023-11-06T14:11:38Z

Rpsr: /* Vorbau */

====== ''Vorbau'' ======
[[File:Screenshot 2023-11-06 at 14.33.40.jpg|thumb|left]][[File:Scan nov.pdf|thumb]][[File:Sound-Übersicht.png|border|right|frameless|300x300px]]
https://imgur.com/a/OCXITBa

====== ''Idee'' ======

[[File:Screenshot 2023-11-06 .jpg|thumb|left]]Das Mikrofon hört ,alleine'. Es lauscht und richtet sich aus, indem es Klangquellen lokalisiert. Betrachter:innen nehmen die Präsenz des Mikrofons wahr. Es kann aber nicht gehört werden, was das Mikrofon ,hört'. Die Kommunikation mit den Betrachter:innen findet in der Ausrichtung und Bewegung des Mikrofons statt. Betrachter:innen nehmen also nicht mittels oder durch das Mikrofon wahr, sondern über eine Betrachtung und Imagination des Mikrofons und seiner Wirkweise. Hören die Betrachter:innen dann besser zu? Werden sie leise und still sein, um unter dem Radar des Mikrofons zu bleiben?

Rpsr

2023-11-06T14:11:00Z

Rpsr: /* Idee */

====== ''Vorbau'' ======
[[File:Screenshot 2023-11-06 at 14.33.40.jpg|thumb|left]][[File:Scan nov.pdf|thumb]][[File:Sound-Übersicht.png|border|right|frameless|300x300px]]
https://imgur.com/a/OCXITBa

====== ''Idee'' ======

[[File:Screenshot 2023-11-06 .jpg|thumb|left]]Das Mikrofon hört ,alleine'. Es lauscht und richtet sich aus, indem es Klangquellen lokalisiert. Betrachter:innen nehmen die Präsenz des Mikrofons wahr. Es kann aber nicht gehört werden, was das Mikrofon ,hört'. Die Kommunikation mit den Betrachter:innen findet in der Ausrichtung und Bewegung des Mikrofons statt. Betrachter:innen nehmen also nicht mittels oder durch das Mikrofon wahr, sondern über eine Betrachtung und Imagination des Mikrofons und seiner Wirkweise. Hören die Betrachter:innen das besser zu? Werden sie leise und still sein, um unter dem Radar des Mikrofons zu bleiben?

Rpsr

2023-11-06T14:10:13Z

Rpsr: /* Idee */

====== ''Vorbau'' ======
[[File:Screenshot 2023-11-06 at 14.33.40.jpg|thumb|left]][[File:Scan nov.pdf|thumb]][[File:Sound-Übersicht.png|border|right|frameless|300x300px]]
https://imgur.com/a/OCXITBa

====== ''Idee'' ======

[[File:Screenshot 2023-11-06 .jpg|thumb|left]]Das Mikrofon hört ,alleine'. Es lauscht und richtet sich aus, indem es Klangquellen lokalisiert. Betrachter:innen nehmen die Präsenz des Mikrofons wahr. Es kann aber nicht gehört werden, was das Mikrofon ,hört'. Die Kommunikation findet in der Ausrichtung und Bewegung der Mikrofon statt. Betrachter:innen nehmen also nicht mittels oder durch das Mikrofon wahr, sondern über eine Betrachtung und Imagination des Mikrofons und seine Wirkweise. Hören die Betrachter:innen das besser zu? Werden sie leise und still sein, um unter dem Radar des Mikrofons zu bleiben?

Rpsr

2023-11-06T14:05:23Z

Rpsr: /* Idee */

Rpsr

2023-11-06T14:04:42Z

Rpsr:

File:Screenshot 2023-11-06 .jpg

2023-11-06T14:04:33Z

Rpsr:

Idee

Rpsr

2023-11-06T14:02:32Z

Rpsr:

Rpsr

2023-11-06T14:02:07Z

Rpsr: /* Vorbau */

Rpsr

2023-11-06T14:01:10Z

Rpsr:

Rpsr

2023-11-06T13:57:17Z

Rpsr:

Rpsr

2023-11-06T13:55:29Z

Rpsr:

File:Scan nov.pdf

2023-11-06T13:55:16Z

Rpsr:

Idee

Rpsr

2023-11-06T13:35:02Z

Rpsr:

File:Screenshot 2023-11-06 at 14.33.40.jpg

2023-11-06T13:34:53Z

Rpsr:

Übersicht

Rpsr

2023-11-06T13:32:33Z

Rpsr:

Rpsr

2023-11-06T13:30:50Z

Rpsr:

Rpsr

2023-11-06T13:28:33Z

Rpsr:

[[File:Sound-Übersicht.png|border|right|frameless|300x300px]]

Rpsr

2023-11-06T13:27:45Z

Rpsr: Created page with "thumb"

[[File:Sound-Übersicht.png|thumb]]

File:Sound-Übersicht.png

2023-11-06T13:27:30Z

Rpsr:

Übersicht.

GMU:Beings and Machines

2023-11-06T13:26:17Z

Rpsr:

[[File:Beings and Machines.jpg|thumb|608x608px]]
The project module introduces into media that moderate the living and the digital. We look into environments in their diverse natures, and how various actors live in them, network and relate to each other. The aim is to develop interfaces, methods and practices that enable such communication between different actors. The project addresses both questions of craftsmanship in the use of sensors as well as the performative use of media as an enactment of a writing of history and culture of technologies. In the end, our physicality is and remains the central point of orientation and the measure of reference and evaluation. Subjectivity - experienced as artistic expression - remains an essential measure for artefacts in the making. But addressing the subjectivity of the other person also means taking their interests into account and planning for them.

On this basis we want to thematize ideological questions that arise from the narratives of performance with media and how these can be brought into a non-violent relation and strategy to and in the present.

The project expects participants to conceive and elaborate a self-defined work, but also offers numerous literature and digressions on the topic.

Students are expected to be able and willing to work in a self-organized manner and to actively engage in the discourses of the module.

A prerequisite is prior enrollment in a specialized module with the co-workers of GMU or the Interface Design Professorship.

An accompanying course of the modules of the professorship is recommended.

====== Syllabus ======
'''each Monday we have lecture time at DBL at 15.15'''
# 10.10.2023: Informal meeting for coffee...
# 17.10.2023: First official meeting, introduction, Topics, lecture
# 24.10.2023: Your short presentations (recent works, plans for the semester)
# 31.10.2023: Holiday, no meeting
# 07.11.2023: '''You should present your concept and a workplan for the semester!'''
# 14.11.2023: Start with your lectures related to your topic
# 21.11.2023
# 28.11.2023
# 05.12.2023: '''Midterm Presentations'''
# 12.12.2023
# 19.12.2023
# 08.01.2024-11.01: class in Siegmundsburg: Excursion to Siegmundsburg and Jena with Dr. Klaus Fritze
# 16.01.2024
# 23.01.2024
# 30.01.2024
# 06.02.2024: Final presentation

====== Artworks in presentations related to the course ======

-> Moodle!

====== Drawing examples for concepts ======

* https://www.gansterer.org/
* https://www.adelheidmers.org/
* https://www.suzannetreister.net/
* https://www.tomasschmit.com/
* Carthographies of Time: A History of the Timeline ISBN 9781568987637
* Birgit Schneider, Christoph Ernst, Jan Wöpking: Diagrammatik-Reader; Grundlegende Texte aus Theorie und Geschichte ISBN 9783110380309
======Materials======

*[https://monoskop.org/log/?p=567 W. Ross Ashby: Design for a Brain]
*[https://monoskop.org/log/?p=506 Stafford Beer: Designing Freedom]
*[https://www.youtube.com/watch?v=cymMEKrKoh0 Katherine Hayles on Cybernetics]
*James Bridle: Ways of Being ISBN 9780141994260
*[https://peterasaro.org/writing/Asaro_Dissertation.pdf Peter Asaro: On the Origins of the Synthetic Mind: Working Models, Mechanisms, and Simulations] [https://journals.univie.ac.at/index.php/oezg/article/view/3917/3664 german version]
*Donna Haraway: Staying with the Trouble. Making Kin in the Chthulucene <nowiki>ISBN 978-0822362241</nowiki>
*Lynn Margulis: Symbiotic Planet: A New Look At Evolution ISBN 978-0465072729
*[https://www.hausderkunst.de/en/eintauchen/inside-other-spaces-environments Inside Other Spaces. Environments by Women Artists 1956 – 1976]
*[https://georgtrogemann.de/wp-content/uploads/2021/04/CodeArt-first-chapter.pdf Georg Trogemann, Code@Art first chapter]
*[https://mitp-arch.mitpress.mit.edu/the-architecture-machine The Architecture Machine]
*[https://www.google.com/search?q=turtle+robotics+walter+grey&client=firefox-b-d&sca_esv=567971749&ei=EfsPZarHI7TAlAafxb24DA&ved=0ahUKEwjqk4TG8cKBAxU0IMUKHZ9iD8cQ4dUDCA8&uact=5&oq=turtle+robotics+walter+grey&gs_lp=Egxnd3Mtd2l6LXNlcnAiG3R1cnRsZSByb2JvdGljcyB3YWx0ZXIgZ3JleTIFECEYoAEyBRAhGKABMgUQIRigATIIECEYFhgeGB1IxmxQuA1Y3GFwAXgBkAEAmAGLAaAB4gmqAQQxMy4yuAEDyAEA-AEBwgIKEAAYRxjWBBiwA8ICChAuGIoFGLADGEPCAgoQABiKBRiwAxhDwgIHEAAYExiABMICCBAAGBYYHhgTwgIKEAAYFhgeGBMYCsICBxAAGA0YgATCAgYQABgeGA3CAgYQABgWGB7CAgoQABgWGB4YDxgTwgIFEAAYogTiAwQYACBBiAYBkAYK&sclient=gws-wiz-serp#fpstate=ive&vld=cid:085b936b,vid:lLULRlmXkKo,st:0 Turtles by William Grey Walter]

======Recommended Artists======

*[http://adamwbrown.net/ Adam Brown]
*[http://heavythinking.org/ Verena Friedrich]
*[http://www.agnes-meyer-brandis.de/ Agnes Meyer-Brandis] [[http://www.blubblubb.net/OneTreeID/index.html One Tree ID]], [[http://www.blubblubb.net/mga/index.html The Moon Goose Analogue]] and others...
*[https://www.adachitomomi.com/ Tomomi Adachi]
*[https://niklasroy.com/ Niklas Roy] [[https://niklasroy.com/20windmills/ Windmills]]
*[https://www.felipecastelblanco.com/ Felipe Castelblanco] [[https://vimeo.com/782667500/fb0ccecdb8 Video Reporte por Ñambi Rimai Colectivo de Medios: Quemas de Páramo en el Pueblo Quillacinga]], [[https://vimeo.com/715583135 La Jungla Amazónica]]
*[https://geobodies.org/ Ursula Biemann]
*[https://www.theartstory.org/artist/clark-lygia/ Lygia Clark]
*[https://jennasutela.com/ Jenna Sutela]
*[https://hyungkoolee.com Hyungkoo Lee]
*[https://robertina.net/ Robertina Sebjanic] [[https://robertina.net/aurelia-1hz-proto-viva-sonification/ Aurelia 1-Hz]]
*[https://vimeo.com/neozoon Neozoon], [[https://vimeo.com/61511109 My BBY 8L3W] ]
* William Forsythe [https://synchronousobjects.osu.edu/<nowiki>]</nowiki>
* [http://iasl.uni-muenchen.de/links/GCA-III.2e.html Thomas Drehers Website on Computer Art]

====== Participants ======
*[[User:Mojjo|Mojjo]]
*[[Stefffen]]
*[[Amy Zimber]]
*[[Betül Peker]]
*[[Mina Boylu]]
*parisa salimi
*Çağdaş Biber
*[[Gift Lalicha Lalitsasivimol]]
*[[Rebecca]]
*[[Sabah Elhadid]]
*[[Amelia]]
*[[rpsr]]