Medien Wiki - User contributions [en]

EKK:LoFi Sounds in HiFi Spaces/Making connection/netsend~

2013-04-29T14:34:59Z

Paul Haas: Created page with "==Working with the PureData-object netsend and netsend~== '''Experiences''' At first we tried sending numbers and message using netsend. We took UDP as our network protocol. To ..."

==Working with the PureData-object netsend and netsend~==
'''Experiences'''

At first we tried sending numbers and message using netsend. We took UDP as our network protocol. To make sure there is no router between sender and receiver we used PortForwarding. Additionally the both of us were connected via cable to the router so that we assured ourselves of a steady internet connection sending and receiving equal packages. After we had overcome all these obstacles we were able to send and receive numbers and messages. Not constantly though: At this point of time netsend seemed to work instable/buggy already. Sending and receiving audio was in fact possible, but full of glitches. If you’d send a sine wave the one at the other end of the line would hear it is a sine wave with glitches. Trying the same with spoken word so that you might be able to chat was a disaster. We’ve tried bigger and smaller blocksizes – nothing changed. And once you disconnected (cause changing a parameter like the blocksize affords disconnecting) it is not promised that you’ll reconnect. At first we used Mac and Windows, then both of us used Windows – it had no effect. There is one last thing we’d like to try: Connecting via the Uni-network. Results are about to follow.

[[Image:PureDatanetsend_setup.JPG]]

The setup of netsend as well as netsend~ is easy to understand.
You'll need the WAN-IP (and yours too of course) of the one you want to connect to and a port (port forwarding!) which PD can use to transfer whatever you want to be transferred.

[[Image:PureDatanetsend~_setup.JPG]]

File:PureDatanetsend~ setup.JPG

2013-04-29T14:24:04Z

Paul Haas: netsend~

== Summary ==
netsend~
== Copyright status: ==

== Source: ==

File:PureDatanetsend setup.JPG

2013-04-29T14:23:27Z

Paul Haas: The setup of netsend as well as netsend~ is easy to understand. You'll need the WAN-IP (and yours too of course) of the one you want to connect to and a port (port forwarding!) which PD can use to transfer whatever you want to be transferred.

== Summary ==
The setup of netsend as well as netsend~ is easy to understand. You'll need the WAN-IP (and yours too of course) of the one you want to connect to and a port (port forwarding!) which PD can use to transfer whatever you want to be transferred.
== Copyright status: ==

== Source: ==

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:15:42Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by their functions but moreover by their impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction: Modifying each other by using different media.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred sound while seeing a video/picture etc. of a certain place does not appear to be real. But assuming that there is no such thing we could call actual reality, it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.

San Diego with Audio from Weimar:
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]

Weimar with Audio from San Diego:
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:08:03Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.

San Diego with Audio from Weimar:
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]

Weimar with Audio from San Diego:
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:07:40Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.

'''San Diego with Audio from Weimar'''
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]

'''Weimar with Audio from San Diego'''
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:06:55Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.
'San Diego with Audio from Weimar'
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]
==Weimar with Audio from San Diego==
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:06:23Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.
=San Diego with Audio from Weimar=
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]
==Weimar with Audio from San Diego==
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T14:06:05Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.
==San Diego with Audio from Weimar==
[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]
==Weimar with Audio from San Diego==
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T13:58:26Z

Paul Haas:

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.

[https://dl.dropboxusercontent.com/u/73458536/SanDiego_WeimarSound.mpg]
[https://dl.dropboxusercontent.com/u/73458536/Weimar_SanDiegoSound.mpg]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Paul Colin

2013-04-29T13:01:21Z

Paul Haas: Created page with "==Paul== '''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in rega..."

==Paul==

'''How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

- Working with the medium as one that has an impact on its environment is more interesting to me than only considering its simple function (e.g.: the microphone records sound, but it also works as an subjective extension of our hearing). For this reason the medium not only determines our way of working with things by its functions but moreover by its impact on an environment. So that there is a certain frame in which we are supposed to work. Every modification we apply to the medium changes this frame. Maybe we’ll modify not our own frames but these of the others and maybe this is what you simply call interaction.

- I considered something that McLuhan regarding this sentence (“The medium is the message”) said to be very interesting (no quote!): Finding the “basic medium” of an era makes you understand, control and influence the basis of culture and society (of exactly this era).

'''American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

- Hearing a transferred soundscape does not appear to be real. But assuming that there is no such thing we could call actual reality it also does not have to have the claim to be real. It’s task may be to transfer a feeling, maybe to be an opportunity to find yourself in another place on the earth without being there. Therefore it is not necessary to determine if the sound (linked with video) is the actual sound of the place or if it fits because there is no reality. Becoming aware of this could make us able to relocate ourselves in other places with feelings we would actually feel there.

'''How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

- If our expectation of a sound transmitted through a loudspeaker is not met, I maintain we still will try to understand what’s the content of the sound (what is its message?) so that we might consider the e.g. LoFi to be part of what is meant.

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-16T09:57:40Z

Paul Haas:

==Paul==

I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance

A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
Windows. I started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

Skype: paul.turbostaat
E-Mail: paul.haas@uni-weimar.de

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-16T00:12:13Z

Paul Haas:

==Paul==

I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
Windows. I started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

Skype: paul.turbostaat
E-Mail: paul.haas@uni-weimar.de

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-15T21:47:46Z

Paul Haas:

==Paul==

I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
I work with Windows and started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-15T21:47:21Z

Paul Haas:

I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
I work with Windows and started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-15T21:46:58Z

Paul Haas:

[[File:paul.jpg]]
I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
I work with Windows and started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

File:Paul.jpg

2013-04-15T21:46:15Z

Paul Haas: Me

== Summary ==
Me
== Copyright status: ==

== Source: ==

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-15T21:45:08Z

Paul Haas:

[[File:paul.jpg|thumb|That's a thumbnail with caption]]
I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
I work with Windows and started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.

EKK:LoFi Sounds in HiFi Spaces/Paul

2013-04-15T21:39:00Z

Paul Haas: Created page with "That's a thumbnail with caption I am studying Media Arts in Weimar in the 2nd Bachelor semester. ==Interests== I am interested in linking sound w..."

[[File:Mn venezia.png|thumb|That's a thumbnail with caption]]
I am studying Media Arts in Weimar in the 2nd Bachelor semester.

==Interests==
I am interested in linking sound with light, so both of them are codependent. I would also like to work with sound(and also video) put into context of a performance or a theatre stage (Mediated Theatre).

===My collaboration interest===
In general: lighting and sound, Mediated Theatre, Performance
A quick idea: As I am interested in Philosophy, I consider to develop a Performance that may refer to the very same thing. May it be Marx and his term of "work" or Glasersfeld and his construction of reality. It's just a quick idea as I think it could be interesting to work with speech/written word/a philosophical text and to put those into another context.
Though all this sounds like it wouldn't fit in the project, I guess it's an exciting thing to do, very experimental and challenging.
(To me it's not yet a project idea.)

==Platforms==
I work with Windows and started working with (which I prefer) PureData (and also Max/MSP) in the 1st semester.