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	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138949</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138949"/>
		<updated>2024-09-21T11:22:03Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=== 1. Introduction ===&lt;br /&gt;
[[File:Daphnia Pulex .jpg|thumb|264x264px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Source]]]&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;&#039;&#039;&#039;, known as water fleas, are freshwater crustaceans closely related to shrimp. Though microscopic, Daphnia are among the most visible small crustaceans, ranging in size from 0.2 to 5 mm. Their reproduction alternates between asexual and sexual cycles, with females laying eggs in warmer conditions, while males are produced under stressful circumstances like overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia belongs to the group of metazoans, which also includes nematodes, bristle worms, and tardigrades. Metazoans feed on algae, bacteria, and protozoa, such as amoebas, flagellates, and ciliates, which help regulate bacterial populations, cycle nutrients, and enhance water clarity. Metazoans play a role in controlling protozoa and bacteria levels.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Physical Characteristic&#039;&#039;&#039;&lt;br /&gt;
[[File:Anatomy of Daphnia.png|thumb|210x210px|&#039;&#039;&#039;Image 2.&#039;&#039;&#039; Anatomy of Daphnia. Science in School. [https://www.scienceinschool.org/article/2022/hands-on-experiments-daphnia/ Image Source]]]&lt;br /&gt;
Daphnia pulex has a characteristic translucent carapace, which allows scientists to observe internal processes such as heart rate, digestion, and reproduction in real time. Daphnia has a simple, open circulatory system with a single, small heart located dorsally. The heart rate is susceptible to changes in environmental factors such as temperature and oxygen levels, which makes them useful for toxicological studies. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Environmental Factors&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Daphnia are highly sensitive to oxygen levels, the pH and the temperature of the water. When the oxygen is low, they may suffer physiological stress, which affects their heart rate and survival. Cooler temperatures slow their metabolism and reproduction. Acidic or fundamental conditions can be detrimental to their survival. They prefer a neutral to slightly alkaline pH and can be sensitive to changes in water hardness and salinity.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Life Cycle and Reproduction&#039;&#039;&#039; &lt;br /&gt;
[[File:The Reproduction Cycle of Daphnia.png|thumb|203x203px|&#039;&#039;&#039;Image 3&#039;&#039;&#039;. The reproduction cycle of Daphnia magna. [https://doi.org/10.1007/s11356-023-26169-0 Image Source]]]&lt;br /&gt;
For most of the year, especially in favourable conditions, female Daphnia pulex reproduce through &#039;&#039;&#039;parthenogenesis&#039;&#039;&#039;, producing genetically identical offspring. This allows rapid population growth, which is crucial for their survival in fluctuating environments. &lt;br /&gt;
&lt;br /&gt;
When environmental conditions become unfavourable, like in colder temperatures or overcrowded populations, Daphnia shifts to &#039;&#039;&#039;sexual reproduction.&#039;&#039;&#039; This involves producing males and mating to form resting eggs or ephippia. These eggs are capable of surviving extreme conditions like drying out or freezing, allowing the species to persist through harsh periods. &lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;2. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|210x210px]]  [[File:Daphnia 8.jpg|frameless|210x210px]]  [[File:Daphnia 5.jpg|frameless|210x210px]]  [[File:Snails.jpg|frameless|210x210px]]  [[File:Daphnia 11.jpg|frameless|210x210px]]&lt;br /&gt;
&lt;br /&gt;
=== 3. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  [[File:Daphnia 4.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
=== 4. Feeding the Daphnia ===&lt;br /&gt;
2-3 small pinch of &#039;&#039;&#039;baker’s yeast&#039;&#039;&#039; were dissolved in water. Afterwards, the water started to get cloudy. &lt;br /&gt;
&lt;br /&gt;
[[File:Yeast Daphnia.jpg|frameless|250x250px]]  [[File:Daphnia 2.jpg|frameless|250x250px]]  [[File:Daphnia 1.jpg|frameless|333x333px]]&lt;br /&gt;
&lt;br /&gt;
The culture was fed every 1-2 days.&lt;br /&gt;
&lt;br /&gt;
=== 5. Troubleshooting ===&lt;br /&gt;
Unfortunately, the amount of yeast caused the overfeeding of fleas. For the further process, the amount of it must be less than before and the water clarity should be taken into consideration to avoid overfeeding.&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;&amp;lt;small&amp;gt;6. References&amp;lt;/small&amp;gt;&#039;&#039;&#039; ===&lt;br /&gt;
&amp;lt;small&amp;gt;Colbourne, J.K., et al. (2011). &#039;&#039;The Ecoresponsive Genome of Daphnia pulex&#039;&#039;. &#039;&#039;Science&#039;&#039;, 331(6017), 555-561.&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Daphnia pulex. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Guo, J., Ren, J., Chang, C., Duan, Q., Li, J., Kanerva, M., Yang, F., &amp;amp; Mo, J. (2023). Freshwater crustaceans exposed to active pharmaceutical ingredients: ecotoxicological effects and mechanisms. &#039;&#039;Environmental Science and Pollution Research&#039;&#039;, &#039;&#039;30&#039;&#039;(17), 48868–48902. Retrieved on 06.09.2024 from https://doi.org/10.1007/s11356-023-26169-0&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Science in School. (2024, June 26). &#039;&#039;From drugs to climate change: hands-on experiments with Daphnia as a model organism – Science in School&#039;&#039;. Retrieved on 06.09.2024 from https://www.scienceinschool.org/article/2022/hands-on-experiments-daphnia/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:The_Reproduction_Cycle_of_Daphnia.png&amp;diff=138948</id>
		<title>File:The Reproduction Cycle of Daphnia.png</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:The_Reproduction_Cycle_of_Daphnia.png&amp;diff=138948"/>
		<updated>2024-09-21T11:15:16Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The Reproduction Cycle of Daphnia&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Anatomy_of_Daphnia.png&amp;diff=138947</id>
		<title>File:Anatomy of Daphnia.png</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Anatomy_of_Daphnia.png&amp;diff=138947"/>
		<updated>2024-09-21T11:06:20Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Female Daphnia magna from a laboratory culture of a clone originating in Lake Oued Mellah (Morocco), photo taken by Hugo Miguel Faria, António Pedro Fonseca&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138946</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138946"/>
		<updated>2024-09-20T18:28:10Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Daphnia Pulex .jpg|thumb|210x210px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource]]]&lt;br /&gt;
[Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;&#039;&#039;&#039;, commonly known as water fleas, are freshwater crustaceans closely related to shrimp. Though microscopic, Daphnia are among the most visible small crustaceans, ranging in size from 0.2 to 5 mm. Their reproduction alternates between asexual and sexual cycles, with females laying eggs in warmer conditions, while males are produced under stressful circumstances like overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia belong to the group of metazoans, which also includes nematodes, bristle worms, and tardigrades. Metazoans feed on algae, bacteria, and protozoa, such as amoebas, flagellates, and ciliates, which help regulate bacterial populations, cycle nutrients, and enhance water clarity. Metazoans play a role in controlling protozoa and bacteria levels.&lt;br /&gt;
&lt;br /&gt;
===== Physical Characteristic =====&lt;br /&gt;
Daphnia pulex has a characteristic translucent carapace, which allows scientists to observe internal processes such as heart rate, digestion, and reproduction in real-time. &lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;1. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|210x210px]]  [[File:Daphnia 8.jpg|frameless|210x210px]]  [[File:Daphnia 5.jpg|frameless|210x210px]]  [[File:Snails.jpg|frameless|210x210px]]  [[File:Daphnia 11.jpg|frameless|210x210px]]&lt;br /&gt;
&lt;br /&gt;
=== 2. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  [[File:Daphnia 4.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
=== 3. Feeding the Daphnia ===&lt;br /&gt;
2-3 small pinch of &#039;&#039;&#039;baker’s yeast&#039;&#039;&#039; was dissolved in water. Afterwards the water started to get cloudy. &lt;br /&gt;
&lt;br /&gt;
[[File:Yeast Daphnia.jpg|frameless|250x250px]]  [[File:Daphnia 2.jpg|frameless|250x250px]]  [[File:Daphnia 1.jpg|frameless|333x333px]]&lt;br /&gt;
&lt;br /&gt;
The culture was fed in every 1-2 days.&lt;br /&gt;
&lt;br /&gt;
=== 4.Troubleshooting ===&lt;br /&gt;
Unfourtanetly, the amount of the yeast caused the overfeeding for fleas. For the further process the amount of it must be less than before and the water clarity should be take into consediration to avoid overfeeding.&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;&amp;lt;small&amp;gt;5.References&amp;lt;/small&amp;gt;&#039;&#039;&#039; ===&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;Daphnia pulex&#039;&#039;. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138945</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138945"/>
		<updated>2024-09-20T18:27:20Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Daphnia Pulex .jpg|thumb|210x210px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource]]]&lt;br /&gt;
[Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;&#039;&#039;&#039;, commonly known as water fleas, are freshwater crustaceans closely related to shrimp. Though microscopic, Daphnia are among the most visible small crustaceans, ranging in size from 0.2 to 5 mm. Their reproduction alternates between asexual and sexual cycles, with females laying eggs in warmer conditions, while males are produced under stressful circumstances like overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia belong to the group of metazoans, which also includes nematodes, bristle worms, and tardigrades. Metazoans feed on algae, bacteria, and protozoa, such as amoebas, flagellates, and ciliates, which help regulate bacterial populations, cycle nutrients, and enhance water clarity. Metazoans play a role in controlling protozoa and bacteria levels.&lt;br /&gt;
&lt;br /&gt;
===== Physical Characteristic =====&lt;br /&gt;
Daphnia pulex has a characteristic translucent carapace, which allows scientists to observe internal processes such as heart rate, digestion, and reproduction in real-time. &lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;1. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|210x210px]]  [[File:Daphnia 8.jpg|frameless|210x210px]]  [[File:Daphnia 5.jpg|frameless|210x210px]]  [[File:Snails.jpg|frameless|210x210px]]  [[File:Daphnia 11.jpg|frameless|210x210px]]&lt;br /&gt;
&lt;br /&gt;
=== 2. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  [[File:Daphnia 4.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
=== 3. Feeding the Daphnia ===&lt;br /&gt;
2-3 small pinch of &#039;&#039;&#039;baker’s yeast&#039;&#039;&#039; was dissolved in water. Afterwards the water started to get cloudy. &lt;br /&gt;
&lt;br /&gt;
[[File:Yeast Daphnia.jpg|frameless|250x250px]]  [[File:Daphnia 2.jpg|frameless|250x250px]]  [[File:Daphnia 1.jpg|frameless|333x333px]]&lt;br /&gt;
&lt;br /&gt;
The culture was fed in every 1-2 days.&lt;br /&gt;
&lt;br /&gt;
=== 4.Troubleshooting ===&lt;br /&gt;
Unfourtanetly, the amount of the yeast caused the overfeeding for fleas. For the further process the amount of it must be less than before and the water clarity should be take into consediration to avoid overfeeding.&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;small&amp;gt;References&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;Daphnia pulex&#039;&#039;. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138944</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138944"/>
		<updated>2024-09-20T17:35:31Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Daphnia Pulex .jpg|thumb|225x225px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource]]]&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;,&#039;&#039;&#039; although often called water fleas, are freshwater crustaceans closely related to shrimp. Daphnia, the most common microscopic crustacean, can be visible to the naked eye, with lengths ranging from 0.2–5 mm. Their reproduction alternates between asexual and sexual reproduction, with females laying eggs during the warmer season and males only being produced during stressed conditions, such as overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia are metazoan organisms, like nematodes, bristle worms, and tardigrades. Metazoa feeds on algae and bacteria, and algae- and bacteria-consuming protozoa like amoeba, flagellates, and ciliates. Protozoa control the bacterial population and pathogens, cycle nutrients, and improve water clarity. Metazoa keeps protozoa and bacterial populations in check.&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;1. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|210x210px]]  [[File:Daphnia 8.jpg|frameless|210x210px]]  [[File:Daphnia 5.jpg|frameless|210x210px]]  [[File:Snails.jpg|frameless|210x210px]]  [[File:Daphnia 11.jpg|frameless|210x210px]]&lt;br /&gt;
&lt;br /&gt;
=== 2. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  [[File:Daphnia 4.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
=== 3. Feeding the Daphnia ===&lt;br /&gt;
2-3 small pinch of &#039;&#039;&#039;baker’s yeast&#039;&#039;&#039; was dissolved in water. Afterwards the water started to get cloudy. &lt;br /&gt;
&lt;br /&gt;
[[File:Yeast Daphnia.jpg|frameless|250x250px]]  [[File:Daphnia 2.jpg|frameless|250x250px]]  [[File:Daphnia 1.jpg|frameless|333x333px]]&lt;br /&gt;
&lt;br /&gt;
The culture was fed in every 1-2 days.&lt;br /&gt;
&lt;br /&gt;
=== 4.Troubleshooting ===&lt;br /&gt;
Unfourtanetly, the amount of the yeast caused the overfeeding for fleas. For the further process the amount of it must be less than before and the water clarity should be take into consediration to avoid overfeeding.&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;small&amp;gt;References&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;Daphnia pulex&#039;&#039;. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24&amp;diff=138943</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24&amp;diff=138943"/>
		<updated>2024-09-20T17:20:28Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: /* Daphnia pulex (water flea) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== About this course ==&lt;br /&gt;
&#039;&#039;Credits:&#039;&#039; 2 [[SWS]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; DIY Biolab @ [[Marienstraße 7b]], [[Marienstraße 7b/202|Room 204/202]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; Alessandro Volpato&lt;br /&gt;
&lt;br /&gt;
In this course you will learn how to cultivate different  microorganisms that are used to produce bioart.&lt;br /&gt;
&lt;br /&gt;
Bioart is a discipline in which artists use living matter to pursue artistic research.&lt;br /&gt;
&lt;br /&gt;
During the course we will work with &#039;&#039;Physarim polycaphalum&#039;&#039; (slime mold), &#039;&#039;Daphnia pulex&#039;&#039; (water flea), Tardigrades (water bears), Euglena&#039;&#039;s&#039;&#039; and the cultivation of algae in general and design fungal composite materials with &#039;&#039;Fomes fomentarius&#039;&#039; (tinder mushroom).&lt;br /&gt;
&lt;br /&gt;
Students will learn about what has been done in the bioart scene.&lt;br /&gt;
&lt;br /&gt;
Additionally, students will have access to the lab and allowed to pursue own bioart projects.&lt;br /&gt;
&lt;br /&gt;
NOTE: Attending the BioLab Driver&#039;s Licence is mandatory to attend this course&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Calendar&#039;&#039;&#039;:&lt;br /&gt;
&lt;br /&gt;
29th Apr, 13.30 - 16:45&lt;br /&gt;
&lt;br /&gt;
6th Mai, , 13.30 - 15:00&lt;br /&gt;
&lt;br /&gt;
13th Mai, 13.30 - 18:00&lt;br /&gt;
&lt;br /&gt;
27th Mai, 13.30 - 16:45&lt;br /&gt;
&lt;br /&gt;
10th June, 13.30 - 15:00&lt;br /&gt;
&lt;br /&gt;
17th June, 13.30 - 16:45&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;u&amp;gt;TG GROUP FOR DOKU&amp;lt;/u&amp;gt;&#039;&#039;&#039;: https://t.me/+6MlFDD6fQ-U5MWQy&lt;br /&gt;
&lt;br /&gt;
== [[Physarum Policephalum (slime mold)]] ==&lt;br /&gt;
&amp;gt;put docu to explain how to grow it and description of the organism&lt;br /&gt;
&lt;br /&gt;
== [[Fomes fomentarius (Tinder Mushroom)]] ==&lt;br /&gt;
&lt;br /&gt;
== [[Daphnia pulex (water flea)|Daphnia Pulex (Water Flea)]] ==&lt;br /&gt;
&lt;br /&gt;
== [[Tardigrade (water bear)]] ==&lt;br /&gt;
&lt;br /&gt;
== Euglena ==&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138942</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138942"/>
		<updated>2024-09-20T17:19:43Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Daphnia Pulex .jpg|thumb|225x225px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource]]]&lt;br /&gt;
[DRAFT]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;,&#039;&#039;&#039; although often called water fleas, are freshwater crustaceans closely related to shrimp. Daphnia, the most common microscopic crustacean, can be visible to the naked eye, with lengths ranging from 0.2–5 mm. Their reproduction alternates between asexual and sexual reproduction, with females laying eggs during the warmer season and males only being produced during stressed conditions, such as overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia are metazoan organisms, like nematodes, bristle worms, and tardigrades. Metazoa feeds on algae and bacteria, and algae- and bacteria-consuming protozoa like amoeba, flagellates, and ciliates. Protozoa control the bacterial population and pathogens, cycle nutrients, and improve water clarity. Metazoa keeps protozoa and bacterial populations in check.&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;1. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|250x250px]]  [[File:Daphnia 8.jpg|frameless|250x250px]]  [[File:Daphnia 5.jpg|frameless|250x250px]]  [[File:Snails.jpg|frameless|250x250px]]  [[File:Daphnia 11.jpg|frameless|250x250px]]&lt;br /&gt;
&lt;br /&gt;
=== 2. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  [[File:Daphnia 4.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
=== 3. Feeding the Daphnia ===&lt;br /&gt;
2-3 small pinch of &#039;&#039;&#039;baker’s yeast&#039;&#039;&#039; was dissolved in water. Afterwards the water started to get cloudy.&lt;br /&gt;
&lt;br /&gt;
[[File:Yeast Daphnia.jpg|frameless|250x250px]]  [[File:Daphnia 2.jpg|frameless|250x250px]]  [[File:Daphnia 1.jpg|frameless|333x333px]]&lt;br /&gt;
&lt;br /&gt;
=== 4. Maintaining Water Quality ===&lt;br /&gt;
&lt;br /&gt;
5.Troubleshooting&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;small&amp;gt;References&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;Daphnia pulex&#039;&#039;. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Yeast_Daphnia.jpg&amp;diff=138941</id>
		<title>File:Yeast Daphnia.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Yeast_Daphnia.jpg&amp;diff=138941"/>
		<updated>2024-09-20T17:13:25Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Yeast_Daphnia&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_11.jpg&amp;diff=138940</id>
		<title>File:Daphnia 11.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_11.jpg&amp;diff=138940"/>
		<updated>2024-09-20T17:11:02Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_11Photo taken by Lenore Hale&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138939</id>
		<title>Daphnia pulex (water flea)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Daphnia_pulex_(water_flea)&amp;diff=138939"/>
		<updated>2024-09-20T17:09:06Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Image 1.&amp;#039;&amp;#039;&amp;#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource] [DRAFT]  &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Daphnia pulex&amp;#039;&amp;#039;,&amp;#039;&amp;#039;&amp;#039; although often called water fleas, are freshwater crustaceans closely related to shrimp. Daphnia, the most common microscopic crustacean, can be visible to the naked eye, with lengths ranging from 0.2–5 mm. Their reproduct...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Daphnia Pulex .jpg|thumb|225x225px|&#039;&#039;&#039;Image 1.&#039;&#039;&#039; Daphnia Pulex, [https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/ Image Resource]]]&lt;br /&gt;
[DRAFT]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Daphnia pulex&#039;&#039;,&#039;&#039;&#039; although often called water fleas, are freshwater crustaceans closely related to shrimp. Daphnia, the most common microscopic crustacean, can be visible to the naked eye, with lengths ranging from 0.2–5 mm. Their reproduction alternates between asexual and sexual reproduction, with females laying eggs during the warmer season and males only being produced during stressed conditions, such as overcrowding or cold temperatures.&lt;br /&gt;
&lt;br /&gt;
Daphnia are metazoan organisms, like nematodes, bristle worms, and tardigrades. Metazoa feeds on algae and bacteria, and algae- and bacteria-consuming protozoa like amoeba, flagellates, and ciliates. Protozoa control the bacterial population and pathogens, cycle nutrients, and improve water clarity. Metazoa keeps protozoa and bacterial populations in check.&lt;br /&gt;
&lt;br /&gt;
=== &#039;&#039;&#039;1. Setting Up the Aquarium&#039;&#039;&#039; ===&lt;br /&gt;
A small aquarium was used to contain the daphnia. &lt;br /&gt;
&lt;br /&gt;
For the water requirement, 1.5L Volvic brand mineral water was used to maintain the pH between &#039;&#039;&#039;6.5 and 8.5&#039;&#039;&#039;. Since Daphnia are sensitive to chlorine, the water must be dechlorinated water. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The water plant&#039;&#039;&#039; and &#039;&#039;&#039;the snails&#039;&#039;&#039; were placed to regulate the oxygen inside the water and to filter.&lt;br /&gt;
&lt;br /&gt;
Also, the water temperature must be between &#039;&#039;&#039;18°C to 25°C&#039;&#039;&#039;, therefore, the tank was placed in the daylight in the lab to provide sufficient conditions.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 9.jpg|frameless|250x250px]]  [[File:Daphnia 8.jpg|frameless|250x250px]]  [[File:Daphnia 5.jpg|frameless|250x250px]]  [[File:Snails.jpg|frameless|250x250px]]  [[File:Daphnia 10.jpg|frameless|250x250px]]&lt;br /&gt;
&lt;br /&gt;
=== 2. Introducing the Culture ===&lt;br /&gt;
3x90 ml Daphnia culture was introduced to the tank.&lt;br /&gt;
&lt;br /&gt;
[[File:Daphnia 7.jpg|frameless|333x333px]]  [[File:Daphnia 6.jpg|frameless|250x250px]]  &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
3. Feeding the Daphnia&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
4. Maintaining Water Quality&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
5.Troubleshooting&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Documentation by&#039;&#039; Melisa Aslan&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;small&amp;gt;References&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;Daphnia pulex&#039;&#039;. (n.d.-b). Retrieved on 06.09.2024 from https://cfb.unh.edu/cfbkey/html/Organisms/CCladocera/FDaphnidae/GDaphnia/Daphnia_pulex/daphniapulex.html&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Hill, P. (2022, August 17). Lagoon Water fleas as indicator organisms: About Daphnia | Triplepoint Environmental. &#039;&#039;Triplepoint Environmental&#039;&#039;. Retrieved on 06.09.2024 from https://lagoons.com/blog/algae/lagoon-water-fleas/&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Wikipedia. (2023, December 3). &#039;&#039;Daphnia pulex&#039;&#039;. Retrieved on 06.09.2024 from https://en.wikipedia.org/wiki/Daphnia_pulex&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_10.jpg&amp;diff=138938</id>
		<title>File:Daphnia 10.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_10.jpg&amp;diff=138938"/>
		<updated>2024-09-20T17:08:05Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_10, Taken by Lenore Hale&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Snails.jpg&amp;diff=138937</id>
		<title>File:Snails.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Snails.jpg&amp;diff=138937"/>
		<updated>2024-09-20T17:06:10Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The photo taken by Nathalia&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_Video.mp4&amp;diff=138925</id>
		<title>File:Daphnia Video.mp4</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_Video.mp4&amp;diff=138925"/>
		<updated>2024-09-20T13:54:57Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia Video&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_9.jpg&amp;diff=138923</id>
		<title>File:Daphnia 9.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_9.jpg&amp;diff=138923"/>
		<updated>2024-09-20T13:53:56Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_9&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_8.jpg&amp;diff=138922</id>
		<title>File:Daphnia 8.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_8.jpg&amp;diff=138922"/>
		<updated>2024-09-20T13:53:25Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_8&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_7.jpg&amp;diff=138921</id>
		<title>File:Daphnia 7.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_7.jpg&amp;diff=138921"/>
		<updated>2024-09-20T13:52:57Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_7&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_6.jpg&amp;diff=138920</id>
		<title>File:Daphnia 6.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_6.jpg&amp;diff=138920"/>
		<updated>2024-09-20T13:52:20Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_6&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_5.jpg&amp;diff=138919</id>
		<title>File:Daphnia 5.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_5.jpg&amp;diff=138919"/>
		<updated>2024-09-20T13:51:34Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_5&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_4.jpg&amp;diff=138918</id>
		<title>File:Daphnia 4.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_4.jpg&amp;diff=138918"/>
		<updated>2024-09-20T13:50:53Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_4&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_3.jpg&amp;diff=138917</id>
		<title>File:Daphnia 3.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_3.jpg&amp;diff=138917"/>
		<updated>2024-09-20T13:47:25Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia_3&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_2.jpg&amp;diff=138915</id>
		<title>File:Daphnia 2.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_2.jpg&amp;diff=138915"/>
		<updated>2024-09-20T13:40:34Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia 2&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_1.jpg&amp;diff=138914</id>
		<title>File:Daphnia 1.jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_1.jpg&amp;diff=138914"/>
		<updated>2024-09-20T13:39:39Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Daphnia 1&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_Pulex_.jpg&amp;diff=138912</id>
		<title>File:Daphnia Pulex .jpg</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Daphnia_Pulex_.jpg&amp;diff=138912"/>
		<updated>2024-09-20T13:14:49Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Image from https://animaldiversity.org/accounts/Daphnia_pulex/pictures/collections/contributors/Grzimek_inverts/Cladocera/Daphnia_pulex/&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137648</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137648"/>
		<updated>2024-04-22T13:59:23Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose licen was used, to reflect the idea of symbiosis on the environment with algorithms and artificial intelligence by using sensors, computers, photos and sounds from the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, it creates an intangible figure of nature and are represented in this garden as an interface.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137645</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137645"/>
		<updated>2024-04-22T13:52:05Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose licen was used, to reflect the idea of symbiosis on the environment with algorithms and artificial intelligence by using sensors, computers, photos and sounds from the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, it creates an intangible figure of nature and are represented in this garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137643</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137643"/>
		<updated>2024-04-22T13:47:08Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose it uses licen, creates symbiosis and reflects it on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in this garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137642</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137642"/>
		<updated>2024-04-22T13:46:07Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose it uses licen and creates symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in this garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137641</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137641"/>
		<updated>2024-04-22T13:45:07Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose it uses licen and creates a garden to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in this garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137640</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137640"/>
		<updated>2024-04-22T13:44:21Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden project considers the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
For this purpose it uses licen and creates a garden to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in the speculative garden between humans and non-humans.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137639</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137639"/>
		<updated>2024-04-22T13:38:02Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The garden has been produced and needed by (wo)man for centuries and is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
The garden concept is created as a sensorial exhibition for this purpose by using licen to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in the speculative garden between humans and non-humans.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced for 3D printing and used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137638</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137638"/>
		<updated>2024-04-22T13:37:18Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The garden has been produced and needed by (wo)man for centuries and is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
The garden concept is created as a sensorial exhibition for this purpose by using licen to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in the speculative garden between humans and non-humans.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodologies was used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137637</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137637"/>
		<updated>2024-04-22T13:36:36Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The garden has been produced and needed by (wo)man for centuries and is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
The garden concept is created as a sensorial exhibition for this purpose by using licen to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and are represented in the speculative garden between humans and non-humans.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The highly consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodologies was used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137634</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137634"/>
		<updated>2024-04-22T13:35:55Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The garden is produced and needed by (wo)man for centuries is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
The garden concept is created as a sensorial exhibition for this purpose by using licen to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedback and instances from the physical to the digital space, make an intangible figure of nature and represented in the speculative garden between humans and non-humans.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The highly consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials and as a result of this, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied ones.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodologies was used to generate new and aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspect of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137625</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137625"/>
		<updated>2024-04-22T13:29:41Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The garden is produced and needed by (wo)man for centuries is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment in terms of power and control in the context of global capitalism and posthumanism.   &lt;br /&gt;
&lt;br /&gt;
The garden concept is created as a sensorial exhibition for this purpose by using licen to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment.&lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature  and represented in the speculative garden between human and non-human.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
The aim was to create a &amp;quot;victimless utopia&amp;quot; which is against to material waste of global production and animal cruelty. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products in leather production. &lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The high consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials such as plastics, which are now a significant part of landfills and oceans. As a result, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied one.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodologies, with 3D printing. and then the aim was to generate new and sophisticated aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspects of biodegradable and digital fabrication methods, a table prototype was created.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Collaborating Mushroom&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137610</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137610"/>
		<updated>2024-04-22T12:51:58Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden explores the space in terms of interrelationships between humans and more-than-humans.  The concept was to create a garden as a sensorial exhibition, because the garden is produced and needed by (wo)man for centuries, is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment.   &lt;br /&gt;
&lt;br /&gt;
By engaging with the role of media and technology in the context of global capitalism and posthumanism, the final attempt to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment. &lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature  and represented in the speculative garden between human and non-human.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
At first, clothing began as a means of protection from the external environment. Then, transformed into materials to show the attitude. Today, clothes express ideas about identity and can be seen as manifestations of global systems of production. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products. Considering all of the material waste involved, it problematises the idea that lab-grown materials can ever lad to a truly ‘victimless utopia’.&lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump originally designed by Alexis Carrel and Charles Lindbergh. The chamber has an automated system which drips into the polymers and feeds the cells with a nutrient media.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The high consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials such as plastics, which are now a significant part of landfills and oceans. As a result, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied one.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodologies, with 3D printing. and then the aim was to generate new and sophisticated aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspects of biodegradable and digital fabrication methods, a table prototype was created.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Collaborating Mushroom&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137609</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137609"/>
		<updated>2024-04-22T12:48:30Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden explores the space in terms of interrelationships between humans and more-than-humans.  The concept was to create a garden as a sensorial exhibition, because the garden is produced and needed by (wo)man for centuries, is referred to as the mirror of society that entangles nodes of power and control, but nowadays, it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment.   &lt;br /&gt;
&lt;br /&gt;
By engaging with the role of media and technology in the context of global capitalism and posthumanism, the final attempt to mediate about symbiosis is a reflection on the environment, self-awareness, algorithms and artificial intelligence with sensors, computers, photos and sounds forum the environment. &lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature  and represented in the speculative garden between human and non-human.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation &lt;br /&gt;
&lt;br /&gt;
At first, clothing began as a means of protection from the external environment. Then, transformed into materials to show the attitude. Today, clothes express ideas about identity and can be seen as manifestations of global systems of production. &lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products. Considering all of the material waste involved, it problematises the idea that lab-grown materials can ever lad to a truly ‘victimless utopia’.&lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump originally designed by Alexis Carrel and Charles Lindbergh. The chamber has an automated system which drips into the polymers and feeds the cells with a nutrient media.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The high consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials such as plastics, which are now a significant part of landfills and oceans. As a result, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied one.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodology and then the aim was to generate new and sophisticated aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspects of biodegradable and digital fabrication methods, a table prototype was created.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Collaborating Mushroom&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137595</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137595"/>
		<updated>2024-04-22T12:22:38Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden explores the space in terms of interrelationships between humans and more-than-humans.  The garden, a space produced and needed by (wo)man for centuries, is referred to as the mirror of society that entangles nodes of power and control. &lt;br /&gt;
&lt;br /&gt;
The concept of the creating a garden with lichens is a sensorial exhibition of how it has a spatial meaning, it creates networks between humans, nature and computational systems such as computers, sensors, the internet, because it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment. Data from the environment, captures of images and sounds from nature are collected. They are all connected through computer and sensors and they start to develop a space where all this information would be translated and represented. &lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature in the so called &amp;quot;Digital Era&amp;quot; and represented in the garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation&lt;br /&gt;
&lt;br /&gt;
While the humble act of adorning one’s body with cloth began as a means of protection from the external environment, clothes transformed into evocative objects that convey complex social rituals. Today, clothes express ideas about identity, class, politics and they can be seen as manifestations of global systems of production. Additionally, the use of animal hides for cloth can be seen as an expression of our attitudes toward the animal Other.&lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products. Considering all of the material waste involved, Victimless Leather problematises the idea that lab-grown materials can ever lad to a truly ‘victimless utopia’.&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump originally designed by Alexis Carrel and Charles Lindbergh. The chamber has an automated system which drips into the polymers and feeds the cells with a nutrient media.&lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
A prototype of a lab-grown jacket&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The high consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials such as plastics, which are now a significant part of landfills and oceans. As a result, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied one.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodology and then the aim was to generate new and sophisticated aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;br /&gt;
&lt;br /&gt;
To explore this aspects of biodegradable and digital fabrication methods, a table prototype was created.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137594</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137594"/>
		<updated>2024-04-22T12:20:07Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden explores the space in terms of interrelationships between humans and more-than-humans.  The garden, a space produced and needed by (wo)man for centuries, is referred to as the mirror of society that entangles nodes of power and control. &lt;br /&gt;
&lt;br /&gt;
The concept of the creating a garden with lichens is a sensorial exhibition of how it has a spatial meaning, it creates networks between humans, nature and computational systems such as computers, sensors, the internet, because it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment. Data from the environment, captures of images and sounds from nature are collected. They are all connected through computer and sensors and they start to develop a space where all this information would be translated and represented. &lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature in the so called &amp;quot;Digital Era&amp;quot; and represented in the garden.&lt;br /&gt;
&lt;br /&gt;
[https://tcaproject.net/portfolio/victimless-leather/ Victimless Leather]&lt;br /&gt;
&lt;br /&gt;
Motivation&lt;br /&gt;
&lt;br /&gt;
While the humble act of adorning one’s body with cloth began as a means of protection from the external environment, clothes transformed into evocative objects that convey complex social rituals. Today, clothes express ideas about identity, class, politics and they can be seen as manifestations of global systems of production. Additionally, the use of animal hides for cloth can be seen as an expression of our attitudes toward the animal Other.&lt;br /&gt;
&lt;br /&gt;
Plan&lt;br /&gt;
&lt;br /&gt;
Victimless Leather explores the future consequences and potentials of using tissue engineering to develop consumer products. Considering all of the material waste involved, Victimless Leather problematises the idea that lab-grown materials can ever lad to a truly ‘victimless utopia’.&lt;br /&gt;
&lt;br /&gt;
This leather is cultured inside a custom-made perfusion chamber, inspired by the organ perfusion pump originally designed by Alexis Carrel and Charles Lindbergh. The chamber has an automated system which drips into the polymers and feeds the cells with a nutrient media.&lt;br /&gt;
&lt;br /&gt;
Execution&lt;br /&gt;
&lt;br /&gt;
A prototype of a lab-grown jacket&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;br /&gt;
&lt;br /&gt;
The high consuming, disposable culture brought on by the Industrial Revolution has led to the fast production of non-renewable composite materials such as plastics, which are now a significant part of landfills and oceans. As a result, interest in biomaterials for industrial applications is growing fast and mycelium is one the most studied one.&lt;br /&gt;
&lt;br /&gt;
In this research, mycelium PLA is produced and with the new fabrication methodology and then the aim was to generate new and sophisticated aesthetic possibilities for myco-composite objects, by observing and simulating the behaviour of mycelium in various substrates.&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137590</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137590"/>
		<updated>2024-04-22T12:07:26Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;br /&gt;
&lt;br /&gt;
The speculative garden explores the space in terms of interrelationships between humans and more-than-humans. The concept of the creating a garden with lichens is a sensorial exhibition of how it has a spatial meaning. The garden, a space produced and needed by (wo)man for centuries, is referred to as the mirror of society that entangles nodes of power and control. Like lichens, the garden is a product of symbiotic relationships and together, they teach us that none of us is a single autonomous organism.&lt;br /&gt;
&lt;br /&gt;
It revolves around the interconnectedness of networks between humans, nature and computational systems such as computers, sensors, the internet, because it becomes crucial to consider the future of symbiosis with the technological object, the more-than-human and the environment. &lt;br /&gt;
&lt;br /&gt;
Data from the environment, captures of images and sounds from nature collected. They are all connected through computer and sensors and they start to develop a space where all this information would be translated and represented.&lt;br /&gt;
&lt;br /&gt;
The feedbacks and instances from the physical to the digital space, making an intangible figure of nature in the so called &amp;quot;Digital Era&amp;quot; and represented in the garden.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[https://www.iaacblog.com/programs/hyper-articulated-mycomorph/ Hyper Articulated Mycomorph]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137587</id>
		<title>GMU:Design with Fungi / Melisa and Lidya / TheProject</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_and_Lidya_/_TheProject&amp;diff=137587"/>
		<updated>2024-04-22T11:48:44Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: Created page with &amp;quot;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[https://michellebocker.com/Speculativegarden.html Speculative Garden]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137586</id>
		<title>GMU:Diy biolab drivers license SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137586"/>
		<updated>2024-04-22T11:47:51Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Credits:&#039;&#039; 2 [[SWS]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; Marienstraße 5, room 202/204&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; Alessandro Volpato (Mentoring: Prof. Ursula Damm)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;First meeting:&#039;&#039; Apr. 15th 2024&lt;br /&gt;
&lt;br /&gt;
Day 1  Apr. 15th 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
Day 2  Apr. 22nd 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The course serves as introduction to the DIY BioLab and its routine.&lt;br /&gt;
&lt;br /&gt;
Main topics will be:&lt;br /&gt;
&lt;br /&gt;
- Safety in the BioLab&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab equipment&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab organisms, setting and taking care of cultures&lt;br /&gt;
&lt;br /&gt;
- Drafting and conceiving projects involving biological agents&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student&#039;s documentation&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Alessandro Volpato / Myco-Tetris|Alessandro Volpato - Myco-Tetris]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Herr Müller / TheProject|Herr Müller - The Project]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Frederic Schmidt / Dokumentation|Frederic Schmidt - Dokumentation]]&lt;br /&gt;
&lt;br /&gt;
[[User:Mojjo/BioLab|Mojjo Krenz]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Microorganisms/ Lucy and Hanna / TheProject|Lucy and Hanna - Project]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Melisa and Lidya / TheProject|Melisa and Lidya - The Project]]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137585</id>
		<title>GMU:Diy biolab drivers license SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137585"/>
		<updated>2024-04-22T11:46:50Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Credits:&#039;&#039; 2 [[SWS]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; Marienstraße 5, room 202/204&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; Alessandro Volpato (Mentoring: Prof. Ursula Damm)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;First meeting:&#039;&#039; Apr. 15th 2024&lt;br /&gt;
&lt;br /&gt;
Day 1  Apr. 15th 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
Day 2  Apr. 22nd 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The course serves as introduction to the DIY BioLab and its routine.&lt;br /&gt;
&lt;br /&gt;
Main topics will be:&lt;br /&gt;
&lt;br /&gt;
- Safety in the BioLab&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab equipment&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab organisms, setting and taking care of cultures&lt;br /&gt;
&lt;br /&gt;
- Drafting and conceiving projects involving biological agents&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student&#039;s documentation&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Alessandro Volpato / Myco-Tetris|Alessandro Volpato - Myco-Tetris]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Herr Müller / TheProject|Herr Müller - The Project]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Frederic Schmidt / Dokumentation|Frederic Schmidt - Dokumentation]]&lt;br /&gt;
&lt;br /&gt;
[[User:Mojjo/BioLab|Mojjo Krenz]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Microorganisms/ Lucy and Hanna / TheProject|Lucy and Hanna - Project]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Melisa and Lidya / TheProject|Melisa and Lidya]]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_Aslan_/&amp;diff=137555</id>
		<title>GMU:Design with Fungi / Melisa Aslan /</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Design_with_Fungi_/_Melisa_Aslan_/&amp;diff=137555"/>
		<updated>2024-04-15T13:21:33Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: Created page with &amp;quot;&amp;lt;nowiki&amp;gt;**&amp;lt;/nowiki&amp;gt;&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;nowiki&amp;gt;**&amp;lt;/nowiki&amp;gt;&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137553</id>
		<title>GMU:Diy biolab drivers license SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137553"/>
		<updated>2024-04-15T13:00:01Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Credits:&#039;&#039; 2 [[SWS]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; Marienstraße 5, room 202/204&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; Alessandro Volpato (Mentoring: Prof. Ursula Damm)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;First meeting:&#039;&#039; Apr. 15th 2024&lt;br /&gt;
&lt;br /&gt;
Day 1  Apr. 15th 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
Day 2  Apr. 22nd 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The course serves as introduction to the DIY BioLab and its routine.&lt;br /&gt;
&lt;br /&gt;
Main topics will be:&lt;br /&gt;
&lt;br /&gt;
- Safety in the BioLab&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab equipment&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab organisms, setting and taking care of cultures&lt;br /&gt;
&lt;br /&gt;
- Drafting and conceiving projects involving biological agents&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student&#039;s documentation&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Alessandro Volpato / Myco-Tetris|Alessandro Volpato - Myco-Tetris]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Herr Müller / TheProject|Herr Müller - The Project]]&lt;br /&gt;
&lt;br /&gt;
[[User:Mojjo/BioLab|Mojjo Krenz]]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137551</id>
		<title>GMU:Diy biolab drivers license SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Diy_biolab_drivers_license_SoSe24&amp;diff=137551"/>
		<updated>2024-04-15T12:57:28Z</updated>

		<summary type="html">&lt;p&gt;Melisaaslan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;Credits:&#039;&#039; 2 [[SWS]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; Marienstraße 5, room 202/204&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; Alessandro Volpato (Mentoring: Prof. Ursula Damm)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;First meeting:&#039;&#039; Apr. 15th 2024&lt;br /&gt;
&lt;br /&gt;
Day 1  Apr. 15th 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
Day 2  Apr. 22nd 2024, 9:15 - 12:30 and 13:30 - 16:45&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The course serves as introduction to the DIY BioLab and its routine.&lt;br /&gt;
&lt;br /&gt;
Main topics will be:&lt;br /&gt;
&lt;br /&gt;
- Safety in the BioLab&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab equipment&lt;br /&gt;
&lt;br /&gt;
- Introduction to lab organisms, setting and taking care of cultures&lt;br /&gt;
&lt;br /&gt;
- Drafting and conceiving projects involving biological agents&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student&#039;s documentation&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Alessandro Volpato / Myco-Tetris|Alessandro Volpato - Myco-Tetris]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Herr Müller / TheProject|Herr Müller - The Project]]&lt;br /&gt;
&lt;br /&gt;
[[GMU:Design with Fungi / Melisa Aslan / TheProject|Herr Müller - The Project]]&lt;/div&gt;</summary>
		<author><name>Melisaaslan</name></author>
	</entry>
</feed>