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	<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Max</id>
	<title>Medien Wiki - User contributions [en]</title>
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	<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Special:Contributions/Max"/>
	<updated>2026-04-15T04:08:47Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141785</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141785"/>
		<updated>2025-10-27T15:38:30Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB] (Manufacturing in UK)&lt;br /&gt;
* [https://emsfactory.com EMS]&lt;br /&gt;
* [https://www.aetzwerk.de Ätzwerk]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://meineleiterplatte.de Meine Leiterplatte]&lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.leiton.de/kalkulation-prototypen.html LEITON] (Manufacturing in Berlin, Europe, India, Asia)&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Francis_K&amp;diff=141265</id>
		<title>Francis K</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Francis_K&amp;diff=141265"/>
		<updated>2025-06-21T23:33:08Z</updated>

		<summary type="html">&lt;p&gt;Max: Changed redirect target from GMU:Human and Nonhuman Performances II/Francis Kamprath to GMU:Human and Nonhuman Performances II WS15/Francis Kamprath&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:Human and Nonhuman Performances II WS15/Francis Kamprath]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141264</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141264"/>
		<updated>2025-06-20T12:45:53Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB] (Manufacturing in UK)&lt;br /&gt;
* [https://emsfactory.com EMS]&lt;br /&gt;
* [https://www.aetzwerk.de Ätzwerk]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.leiton.de/kalkulation-prototypen.html LEITON] (Manufacturing in Berlin, Europe, India, Asia)&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141258</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141258"/>
		<updated>2025-06-09T15:52:22Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://emsfactory.com EMS]&lt;br /&gt;
* [https://www.aetzwerk.de Ätzwerk]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.leiton.de/kalkulation-prototypen.html LEITON]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141257</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=141257"/>
		<updated>2025-06-08T00:17:30Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://emsfactory.com EMS]&lt;br /&gt;
* [https://www.aetzwerk.de Ätzwerk]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139048</id>
		<title>Tardigrade (water bear)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139048"/>
		<updated>2024-10-14T12:50:00Z</updated>

		<summary type="html">&lt;p&gt;Max: /* To grow them in the laboratory */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:14528515709033 546x0.jpg|thumb]]&lt;br /&gt;
&#039;&#039;&#039;Tardigrades&#039;&#039;&#039; are invertebrate microscopic animals popularly known as &#039;&#039;&#039;water bears&#039;&#039;&#039; and notorious for their incredible ability to survive in extreme conditions. These organisms measure between 0.3 mm and 0.5 mm, although some can reach up to 1 mm. They are characterised by a cylindrical body, segmented into four pairs of legs with claws at the ends. &lt;br /&gt;
&lt;br /&gt;
Their body is covered by an external cuticle, which they shed periodically. They are bilaterally symmetrical and have a complete digestive system, but lack a respiratory and circulatory system. Instead, they obtain oxygen by diffusion through their skin. They are aquatic animals and live in humid enviromets such as &#039;&#039;&#039;mosses&#039;&#039;&#039;, lichens, wet soils and even in seawater and freshwater, where they feed on plant cells or small invertebrates.[[File:Istockphoto-1295483613-612x612.jpg|thumb]]They have become truly remarkable for their &#039;&#039;&#039;high resistance&#039;&#039;&#039; to extreme environments such as freezing at temperatures close to absolute zero, high temperatures up to 150°C, extreme dehydration, starvation for decades, high levels of radiation and space vacuum, extreme pressures, both high and low... This is made possible by their ability to shut down their organs and stop their metabolism when environmental conditions are not suitable (this is called &#039;&#039;&#039;cryptobiosis&#039;&#039;&#039;) and come back to life when optimal conditions are restored.&lt;br /&gt;
&lt;br /&gt;
One of the reasons these organisms are so resilient is because of a protein that only they produce. These abundant heat-soluble cytoplasmic proteins (CAHS) cause the inside of the cells to turn into a gel, which prevents the cell from collapsing. [[File:Tardigradee.png|thumb|tardigrades in the laboratory]]The &#039;&#039;&#039;reproduction&#039;&#039;&#039; is mainly sexual, although in some species asexual reproduction by parthenogenesis is observed. Females lay their eggs during cuticle shedding, and fertilisation occurs within the cuticle, or in the external environment in some species. &lt;br /&gt;
&lt;br /&gt;
The study of tardigrades has attracted great interest due to their extraordinary resilience, which could have applications in &#039;&#039;&#039;biomedicine&#039;&#039;&#039;, &#039;&#039;&#039;astrobiology&#039;&#039;&#039; and &#039;&#039;&#039;tissue preservation technologies&#039;&#039;&#039;. They are also used as &#039;&#039;&#039;biomarkers&#039;&#039;&#039; to study the impact of climate change and pollution in extremophile environments. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
==To grow them in the laboratory==&lt;br /&gt;
we needed to reproduce their living environment and feed them. &lt;br /&gt;
&lt;br /&gt;
We cultivated the specie &#039;&#039;Hypsibius exemplaris&#039;&#039; in a 25ml plastic bottle. &lt;br /&gt;
&lt;br /&gt;
We cultivated separately a culture of the alga &amp;quot;Chlorococcum&amp;quot; in a tube containing spring water (Volvic) and 0,01% of fertilizer (Algabloom). We kept in them in the tent for the algae, with 12h light exposure cycles. &lt;br /&gt;
&lt;br /&gt;
Once a week, we fed the algae to the tardigrades as follows (each step needs a different sterile pipette tip): &lt;br /&gt;
&lt;br /&gt;
* Remove from the tardigrade culture half of the water on the top, without moving the biomass on the bottom &lt;br /&gt;
* Replace the taken amount of water with the water coming from the Chlorococcus culture, aiming at taking the algae. &lt;br /&gt;
* Refill the Chlorococcus culture with sterile cultivation medium (spring water with 0,01% of fertilizer algabloom)  &lt;br /&gt;
&lt;br /&gt;
To observe them, with a sterile tip, take 200µl of water in the biomass at the bottom, put them on a slide and use the 10x magnification lens of the microscope to see them. [[File:In the lab.png|thumb|disolving the sample]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Webgraphy_&lt;br /&gt;
&lt;br /&gt;
[https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/:~:text=Estos%20animales%20diminutos%20son%20capaces,falta%20de%20alimento%20y%20agua.&amp;amp;text=En%20escenarios%20hostiles%20o%20fatales,mostrado%20una%20resistencia%20casi%20indestructible. Fischer, A. (2022, 7 julio). &#039;&#039;Tardígrados: qué son, dónde viven y cómo caminan (osos de agua)&#039;&#039;. National Geographic En Español. https://www.ngenespanol.com/animales/tardigrados-que-son-donde-viven-como-caminan-osos-de-agua/]&lt;br /&gt;
&lt;br /&gt;
Montejo, E. (2022, 22 septiembre). &#039;&#039;Científicos revelan el secreto que hace inmortal a los tardígrados&#039;&#039;. National Geographic En Español. &amp;lt;nowiki&amp;gt;https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Wikipedia collaborators. (2024, 3 septiembre). &#039;&#039;Tardigrada&#039;&#039;. Wikipedia, la Enciclopedia Libre. &amp;lt;nowiki&amp;gt;https://es.wikipedia.org/wiki/Tardigrada&amp;lt;/nowiki&amp;gt;&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139047</id>
		<title>Tardigrade (water bear)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139047"/>
		<updated>2024-10-14T12:49:42Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:14528515709033 546x0.jpg|thumb]]&lt;br /&gt;
&#039;&#039;&#039;Tardigrades&#039;&#039;&#039; are invertebrate microscopic animals popularly known as &#039;&#039;&#039;water bears&#039;&#039;&#039; and notorious for their incredible ability to survive in extreme conditions. These organisms measure between 0.3 mm and 0.5 mm, although some can reach up to 1 mm. They are characterised by a cylindrical body, segmented into four pairs of legs with claws at the ends. &lt;br /&gt;
&lt;br /&gt;
Their body is covered by an external cuticle, which they shed periodically. They are bilaterally symmetrical and have a complete digestive system, but lack a respiratory and circulatory system. Instead, they obtain oxygen by diffusion through their skin. They are aquatic animals and live in humid enviromets such as &#039;&#039;&#039;mosses&#039;&#039;&#039;, lichens, wet soils and even in seawater and freshwater, where they feed on plant cells or small invertebrates.[[File:Istockphoto-1295483613-612x612.jpg|thumb]]They have become truly remarkable for their &#039;&#039;&#039;high resistance&#039;&#039;&#039; to extreme environments such as freezing at temperatures close to absolute zero, high temperatures up to 150°C, extreme dehydration, starvation for decades, high levels of radiation and space vacuum, extreme pressures, both high and low... This is made possible by their ability to shut down their organs and stop their metabolism when environmental conditions are not suitable (this is called &#039;&#039;&#039;cryptobiosis&#039;&#039;&#039;) and come back to life when optimal conditions are restored.&lt;br /&gt;
&lt;br /&gt;
One of the reasons these organisms are so resilient is because of a protein that only they produce. These abundant heat-soluble cytoplasmic proteins (CAHS) cause the inside of the cells to turn into a gel, which prevents the cell from collapsing. [[File:Tardigradee.png|thumb|tardigrades in the laboratory]]The &#039;&#039;&#039;reproduction&#039;&#039;&#039; is mainly sexual, although in some species asexual reproduction by parthenogenesis is observed. Females lay their eggs during cuticle shedding, and fertilisation occurs within the cuticle, or in the external environment in some species. &lt;br /&gt;
&lt;br /&gt;
The study of tardigrades has attracted great interest due to their extraordinary resilience, which could have applications in &#039;&#039;&#039;biomedicine&#039;&#039;&#039;, &#039;&#039;&#039;astrobiology&#039;&#039;&#039; and &#039;&#039;&#039;tissue preservation technologies&#039;&#039;&#039;. They are also used as &#039;&#039;&#039;biomarkers&#039;&#039;&#039; to study the impact of climate change and pollution in extremophile environments. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
==To grow them in the laboratory==&lt;br /&gt;
 we needed to reproduce their living environment and feed them. &lt;br /&gt;
&lt;br /&gt;
We cultivated the specie &#039;&#039;Hypsibius exemplaris&#039;&#039; in a 25ml plastic bottle. &lt;br /&gt;
&lt;br /&gt;
We cultivated separately a culture of the alga &amp;quot;Chlorococcum&amp;quot; in a tube containing spring water (Volvic) and 0,01% of fertilizer (Algabloom). We kept in them in the tent for the algae, with 12h light exposure cycles. &lt;br /&gt;
&lt;br /&gt;
Once a week, we fed the algae to the tardigrades as follows (each step needs a different sterile pipette tip): &lt;br /&gt;
&lt;br /&gt;
* Remove from the tardigrade culture half of the water on the top, without moving the biomass on the bottom &lt;br /&gt;
* Replace the taken amount of water with the water coming from the Chlorococcus culture, aiming at taking the algae. &lt;br /&gt;
* Refill the Chlorococcus culture with sterile cultivation medium (spring water with 0,01% of fertilizer algabloom)  &lt;br /&gt;
&lt;br /&gt;
To observe them, with a sterile tip, take 200µl of water in the biomass at the bottom, put them on a slide and use the 10x magnification lens of the microscope to see them. [[File:In the lab.png|thumb|disolving the sample]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Webgraphy_&lt;br /&gt;
&lt;br /&gt;
[https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/:~:text=Estos%20animales%20diminutos%20son%20capaces,falta%20de%20alimento%20y%20agua.&amp;amp;text=En%20escenarios%20hostiles%20o%20fatales,mostrado%20una%20resistencia%20casi%20indestructible. Fischer, A. (2022, 7 julio). &#039;&#039;Tardígrados: qué son, dónde viven y cómo caminan (osos de agua)&#039;&#039;. National Geographic En Español. https://www.ngenespanol.com/animales/tardigrados-que-son-donde-viven-como-caminan-osos-de-agua/]&lt;br /&gt;
&lt;br /&gt;
Montejo, E. (2022, 22 septiembre). &#039;&#039;Científicos revelan el secreto que hace inmortal a los tardígrados&#039;&#039;. National Geographic En Español. &amp;lt;nowiki&amp;gt;https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Wikipedia collaborators. (2024, 3 septiembre). &#039;&#039;Tardigrada&#039;&#039;. Wikipedia, la Enciclopedia Libre. &amp;lt;nowiki&amp;gt;https://es.wikipedia.org/wiki/Tardigrada&amp;lt;/nowiki&amp;gt;&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139046</id>
		<title>Tardigrade (water bear)</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Tardigrade_(water_bear)&amp;diff=139046"/>
		<updated>2024-10-14T12:49:16Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:14528515709033 546x0.jpg|thumb]]&lt;br /&gt;
&#039;&#039;&#039;Tardigrades&#039;&#039;&#039; are invertebrate microscopic animals popularly known as &#039;&#039;&#039;water bears&#039;&#039;&#039; and notorious for their incredible ability to survive in extreme conditions. These organisms measure between 0.3 mm and 0.5 mm, although some can reach up to 1 mm. They are characterised by a cylindrical body, segmented into four pairs of legs with claws at the ends. &lt;br /&gt;
&lt;br /&gt;
Their body is covered by an external cuticle, which they shed periodically. They are bilaterally symmetrical and have a complete digestive system, but lack a respiratory and circulatory system. Instead, they obtain oxygen by diffusion through their skin. They are aquatic animals and live in humid enviromets such as &#039;&#039;&#039;mosses&#039;&#039;&#039;, lichens, wet soils and even in seawater and freshwater, where they feed on plant cells or small invertebrates.[[File:Istockphoto-1295483613-612x612.jpg|thumb]]They have become truly remarkable for their &#039;&#039;&#039;high resistance&#039;&#039;&#039; to extreme environments such as freezing at temperatures close to absolute zero, high temperatures up to 150°C, extreme dehydration, starvation for decades, high levels of radiation and space vacuum, extreme pressures, both high and low... This is made possible by their ability to shut down their organs and stop their metabolism when environmental conditions are not suitable (this is called &#039;&#039;&#039;cryptobiosis&#039;&#039;&#039;) and come back to life when optimal conditions are restored.&lt;br /&gt;
&lt;br /&gt;
One of the reasons these organisms are so resilient is because of a protein that only they produce. These abundant heat-soluble cytoplasmic proteins (CAHS) cause the inside of the cells to turn into a gel, which prevents the cell from collapsing. [[File:Tardigradee.png|thumb|tardigrades in the laboratory]]The &#039;&#039;&#039;reproduction&#039;&#039;&#039; is mainly sexual, although in some species asexual reproduction by parthenogenesis is observed. Females lay their eggs during cuticle shedding, and fertilisation occurs within the cuticle, or in the external environment in some species. &lt;br /&gt;
&lt;br /&gt;
The study of tardigrades has attracted great interest due to their extraordinary resilience, which could have applications in &#039;&#039;&#039;biomedicine&#039;&#039;&#039;, &#039;&#039;&#039;astrobiology&#039;&#039;&#039; and &#039;&#039;&#039;tissue preservation technologies&#039;&#039;&#039;. They are also used as &#039;&#039;&#039;biomarkers&#039;&#039;&#039; to study the impact of climate change and pollution in extremophile environments. &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
##To grow them in the laboratory##&lt;br /&gt;
 we needed to reproduce their living environment and feed them. &lt;br /&gt;
&lt;br /&gt;
We cultivated the specie &#039;&#039;Hypsibius exemplaris&#039;&#039; in a 25ml plastic bottle. &lt;br /&gt;
&lt;br /&gt;
We cultivated separately a culture of the alga &amp;quot;Chlorococcum&amp;quot; in a tube containing spring water (Volvic) and 0,01% of fertilizer (Algabloom). We kept in them in the tent for the algae, with 12h light exposure cycles. &lt;br /&gt;
&lt;br /&gt;
Once a week, we fed the algae to the tardigrades as follows (each step needs a different sterile pipette tip): &lt;br /&gt;
&lt;br /&gt;
* Remove from the tardigrade culture half of the water on the top, without moving the biomass on the bottom &lt;br /&gt;
* Replace the taken amount of water with the water coming from the Chlorococcus culture, aiming at taking the algae. &lt;br /&gt;
* Refill the Chlorococcus culture with sterile cultivation medium (spring water with 0,01% of fertilizer algabloom)  &lt;br /&gt;
&lt;br /&gt;
To observe them, with a sterile tip, take 200µl of water in the biomass at the bottom, put them on a slide and use the 10x magnification lens of the microscope to see them. [[File:In the lab.png|thumb|disolving the sample]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Webgraphy_&lt;br /&gt;
&lt;br /&gt;
[https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/:~:text=Estos%20animales%20diminutos%20son%20capaces,falta%20de%20alimento%20y%20agua.&amp;amp;text=En%20escenarios%20hostiles%20o%20fatales,mostrado%20una%20resistencia%20casi%20indestructible. Fischer, A. (2022, 7 julio). &#039;&#039;Tardígrados: qué son, dónde viven y cómo caminan (osos de agua)&#039;&#039;. National Geographic En Español. https://www.ngenespanol.com/animales/tardigrados-que-son-donde-viven-como-caminan-osos-de-agua/]&lt;br /&gt;
&lt;br /&gt;
Montejo, E. (2022, 22 septiembre). &#039;&#039;Científicos revelan el secreto que hace inmortal a los tardígrados&#039;&#039;. National Geographic En Español. &amp;lt;nowiki&amp;gt;https://www.ngenespanol.com/animales/descubren-por-que-los-tardigrados-son-practicamente-indestructibles-y-sobreviven-a-condiciones-extremas/&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Wikipedia collaborators. (2024, 3 septiembre). &#039;&#039;Tardigrada&#039;&#039;. Wikipedia, la Enciclopedia Libre. &amp;lt;nowiki&amp;gt;https://es.wikipedia.org/wiki/Tardigrada&amp;lt;/nowiki&amp;gt;&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138977</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138977"/>
		<updated>2024-10-02T14:04:11Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Abstract */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=BLOB=&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
==Abstract==&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__FORCETOC__&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
===Background and Context===&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
===Objectives of the Project===&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Project Overview / Storyling==&lt;br /&gt;
&lt;br /&gt;
===Conceptual Framework===&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Narrative Structure===&lt;br /&gt;
&lt;br /&gt;
====Birth====&lt;br /&gt;
[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Exploration====&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Undefined====&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
====Dead End====&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
===Key Themes and Messages===&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
==Petri dish installation==&lt;br /&gt;
&lt;br /&gt;
===Method===&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Growing the Blob According to Historical Data====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Shooting for 3 weeks of growth===&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Timelapse===&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Design Process==&lt;br /&gt;
&lt;br /&gt;
===Ideation===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Inspiration===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138976</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138976"/>
		<updated>2024-10-02T13:56:35Z</updated>

		<summary type="html">&lt;p&gt;Max: /* BLOB */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=BLOB=&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
==Abstract==&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
===Background and Context===&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
===Objectives of the Project===&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Project Overview / Storyling==&lt;br /&gt;
&lt;br /&gt;
===Conceptual Framework===&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Narrative Structure===&lt;br /&gt;
&lt;br /&gt;
====Birth====&lt;br /&gt;
[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Exploration====&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Undefined====&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
====Dead End====&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
===Key Themes and Messages===&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
==Petri dish installation==&lt;br /&gt;
&lt;br /&gt;
===Method===&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Growing the Blob According to Historical Data====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Shooting for 3 weeks of growth===&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Timelapse===&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Design Process==&lt;br /&gt;
&lt;br /&gt;
===Ideation===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Inspiration===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138975</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138975"/>
		<updated>2024-10-02T13:54:33Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=BLOB=&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
##Abstract&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
===Background and Context===&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
===Objectives of the Project===&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Project Overview / Storyling==&lt;br /&gt;
&lt;br /&gt;
===Conceptual Framework===&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Narrative Structure===&lt;br /&gt;
&lt;br /&gt;
====Birth====&lt;br /&gt;
[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Exploration====&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Undefined====&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
====Dead End====&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
===Key Themes and Messages===&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
==Petri dish installation==&lt;br /&gt;
&lt;br /&gt;
===Method===&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Growing the Blob According to Historical Data====&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Shooting for 3 weeks of growth===&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Timelapse===&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Design Process==&lt;br /&gt;
&lt;br /&gt;
===Ideation===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Inspiration===&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138974</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138974"/>
		<updated>2024-10-02T13:51:55Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#BLOB&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
##Abstract&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
##Introduction&lt;br /&gt;
###Background and Context&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
###Objectives of the Project&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
##Project Overview / Storylin&lt;br /&gt;
&lt;br /&gt;
###Conceptual Framework&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Narrative Structure&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Birth:&#039;&#039;&#039;[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Exploration&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Undefined&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Dead End&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
### Key Themes and Messages&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
##Petri dish installation&lt;br /&gt;
&lt;br /&gt;
###Method&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Growing the Blob According to Historical Data&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Shooting for 3 weeks of growth&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Timelapse&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
##Design Process&lt;br /&gt;
&lt;br /&gt;
###Ideation&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Inspiration&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138973</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138973"/>
		<updated>2024-10-02T13:51:05Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#BLOB&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
##Abstract&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
##Introduction&lt;br /&gt;
###Background and Context&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
###Objectives of the Project&lt;br /&gt;
&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
##Project Overview / Storylin&lt;br /&gt;
&lt;br /&gt;
###Conceptual Framework&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Narrative Structure&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Birth:&#039;&#039;&#039;[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Exploration&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Undefined&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Dead End&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
### Key Themes and Messages&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
##Petri dish installation&lt;br /&gt;
&lt;br /&gt;
###Method&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Growing the Blob According to Historical Data&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Shooting for 3 weeks of growth&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Timelapse&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
##Design Process&lt;br /&gt;
&lt;br /&gt;
###Ideation&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Inspiration&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138972</id>
		<title>GMU:Growing microorganisms for bioart projects SoSe24 / Lidya / Blob</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Growing_microorganisms_for_bioart_projects_SoSe24_/_Lidya_/_Blob&amp;diff=138972"/>
		<updated>2024-10-02T13:49:53Z</updated>

		<summary type="html">&lt;p&gt;Max: structure with mediawiki syntax&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#BLOB#&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The video artwork &#039;&#039;Blob&#039;&#039;, produced for the &amp;quot;Beyond the Screens&amp;quot; project module under the guidance of Reinhard König for the City Digital Skin Art Festival (CDSA), is a collaborative effort by Amna Chaudhry, Torben Zsagar, and Dicle Lidya Çolak.&lt;br /&gt;
&lt;br /&gt;
The creation of the slime mold installation, specifically the Petri dish setup, was carried out by Dicle Lidya Çolak in the BioLab of the Bauhaus-Universität Weimar. This installation was made possible by the expertise, skills, and equipment gained from the courses &amp;quot;DIY BioLab Driver’s License&amp;quot; and &amp;quot;Growing Microorganisms for Bioart Projects,&amp;quot; led by Alessandro Volpato. The project reflects the combined outcomes of the &amp;quot;Growing Microorganisms for Bioart Projects&amp;quot; and &amp;quot;Beyond the Screens&amp;quot; courses.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
##Abstract##&lt;br /&gt;
&lt;br /&gt;
The project &#039;&#039;Blob&#039;&#039; explores the themes of rebirth and consumption, advocating for a renewed relationship between humanity and nature to ensure future survival and prosperity. It contrasts the rapid growth fueled by AI and technology with the depletion of resources, warning of an impending collapse. Yet, it also envisions a cyclical rebirth, where the past reappears in the future, encouraging balance between human-made environments and natural ecosystems.&lt;br /&gt;
&lt;br /&gt;
Drawing from climate projections and ancient urban habitats, the project imagines a shift from a human-centered world to one focused on nature, illustrating the natural cycles of growth, decay, and renewal. The design incorporates &#039;&#039;Physarum polycephalum&#039;&#039;, a microorganism that occasionally directs the creative process, representing nature’s unpredictability and resilience. The project’s name, &#039;&#039;Blob&#039;&#039;, comes from this organism, which plays a central role in the design.&lt;br /&gt;
&lt;br /&gt;
The project centers on the Elbphilharmonie in Hamburg, a landmark merging an old warehouse with a modern glass structure, symbolizing the blend of tradition and innovation needed for sustainable development and a renewed connection with nature. Ultimately, &#039;&#039;Blob&#039;&#039; speculates on how architecture and media design can help create a harmonious future between humanity and the natural world.&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
##Introduction##&lt;br /&gt;
###Background and Context###&lt;br /&gt;
&lt;br /&gt;
“The &amp;quot;Beyond the Screens&amp;quot; project module explores the potential of large-scale urban screens and media facades as platforms for visualizing ecological processes, aiming to make climate change tangible, visible, and experiential in public spaces. The project challenges the anthropocentric viewpoint by asking how we can design environments that recognize the needs and dynamics of non-human organisms, extending beyond human understanding and interests. By mapping, tracking, and narrating interactions within urban ecologies, the project seeks to give a voice to beyond-human species, using digital screens and media architecture to bridge the gap between art, science, and technology.”&lt;br /&gt;
&lt;br /&gt;
For our investigation, an environment was prepared for &#039;&#039;Physarum polycephalum&#039;&#039;—commonly known as &amp;quot;Blob&amp;quot;—a microscopic organism frequently used in bioart due to its similarities to human social behavior. This experiment allowed Blob to rediscover the city of Hamburg, where the selected screen is located. By viewing the city through the perspective of a non-human actor, we aimed to examine its past and future, moving beyond the human-centered transformations that have shaped Hamburg over time.&lt;br /&gt;
&lt;br /&gt;
###Objectives of the Project###&lt;br /&gt;
&lt;br /&gt;
The project aims to explore how urban screens can serve as ecological visualization zones, making climate change perceptible and experiential to the public. By engaging a non-human actor like Blob, the project seeks to reimagine urban environments, highlighting the often-overlooked dynamics of non-human organisms. Our goal is to create a narrative that informs and inspires a re-evaluation of humanity&#039;s relationship with the natural world, fostering greater public awareness at the crossroads of art, science, and technology.&lt;br /&gt;
&lt;br /&gt;
In order to make the artwork more impactful, we chose to maintain a strong connection to the city context. Our intention was for participants to engage with a work that directly reflects the location they are in, as they view it on the screen. To achieve this, we analyzed the historical development of Hamburg within the region surrounding the Elbphilharmonie building. Blob follows the city’s growth along a historical timeline and, at a certain point, begins to determine how the city will evolve in the future.[[File:Figure1.jpg|center|400x400px|frameless|&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Man-Made Cubic Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human vs. Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Survival of the Fittest&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure2.jpg|center|frameless|400x400px|Content made by: Dicle Lidya Çolak]]&#039;&#039;&#039;&amp;lt;small&amp;gt;Organic Folding Evolving Structures /&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Human with Nature&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;/&amp;lt;/small&amp;gt;&#039;&#039;&#039; &#039;&#039;&#039;&amp;lt;small&amp;gt;Coevolution&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
##Project Overview / Storyline##&lt;br /&gt;
&lt;br /&gt;
###Conceptual Framework###&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Blob&#039;&#039; project is rooted in the exploration of humanity&#039;s relationship with nature, particularly focusing on themes of rebirth, consumption, and the cyclical nature of life. By replacing the human actor with &#039;&#039;Physarum polycephalum&#039;&#039; (Blob), the project shifts the narrative from a human-centered perspective to one that considers the agency and behavior of a non-human organism. The Elbphilharmonie in Hamburg, a symbol of architectural evolution and adaptation, serves as the starting point for this exploration. Through Blob’s movements and interactions within the city, the project reveals how urban environments can be understood and shaped by non-human actors, challenging conventional design practices and encouraging a rethinking of human impact on nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Narrative Structure###&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Birth:&#039;&#039;&#039;[[File:Sequence 01 blob.gif|center|frameless|400x400px|content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak / edit made by: Amna Chaudhry]]The storyline begins with the emergence of Blob, replacing the human as the central actor. Starting from the Elbphilharmonie building, Blob begins to spread across the city of Hamburg, mirroring its natural growth patterns observed in Petri dish experiments. This initial phase symbolizes the birth of a new perspective, where the city is viewed through the eyes of a non-human organism.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Exploration:####&lt;br /&gt;
[File:Sequence 02 blob.gif|center|frameless|400x400px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the next phase, a timelapse of a three-week-old Petri dish growth overlaps with a map of Hamburg, illustrating Blob’s exploration of the city. The Blob’s movements are tracked, revealing how it navigates, splits, congregates, consumes, and moves through different areas. This exploration phase highlights the organic, unpredictable nature of Blob&#039;s behavior, drawing parallels to how ecosystems evolve and adapt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Content made by: Torben Zsagar &amp;amp; Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
####Undefined####&lt;br /&gt;
[[File:Sequence 3 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Torben Zsagar&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As Blob continues to move, it leaves traces of itself behind, marking these points as memories. These traces signify areas that are no longer suitable for the Blob, preventing it from revisiting them. However, in leaving these marks, Blob disrupts the environment, transforming the texture of the city. The familiar pattern of Hamburg becomes undefined, symbolizing the dissolution of human-centric urban structures and the emergence of a new, undefined landscape shaped by non-human agency.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Dead End####&lt;br /&gt;
[[File:Sequence 04 blob.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;Content made by: Dicle Lidya Çolak&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;Editing made by: Amna Chaudhry&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The final phase follows Blob’s ongoing journey through the city, guided by the actual movements recorded in the timelapse of the Petri dish installation.&lt;br /&gt;
&lt;br /&gt;
As it moves, Blob encounters challenges, undergoes transformations, and occasionally retreats to new areas, only to repeat the cycle. This phase reflects the cyclical nature of life, where growth and decay are intertwined, and where the search for a sustainable future is ongoing but fraught with obstacles.&lt;br /&gt;
&lt;br /&gt;
### Key Themes and Messages###&lt;br /&gt;
&lt;br /&gt;
Rebirth and Transformation: The project emphasizes the need for humanity to rethink its relationship with nature. By replacing the human with Blob, the project illustrates how urban environments might evolve if guided by non-human perspectives. The transformation of the city into an undefined space speaks to the possibility of rebirth and the potential for a more harmonious coexistence between human-made and natural environments.&lt;br /&gt;
&lt;br /&gt;
Nature of Life: The narrative highlights the cyclical process of growth, consumption, decay, and rebirth. Blob’s journey through Hamburg serves as a metaphor for this cycle, illustrating how ecosystems and urban environments are in a constant state of flux.&lt;br /&gt;
&lt;br /&gt;
Non-Human Agency: By focusing on Blob, the project challenges the anthropocentric view that has dominated urban design and development. It calls attention to the importance of considering non-human actors in shaping the future of our cities, advocating for a more inclusive and sustainable approach to design.&lt;br /&gt;
&lt;br /&gt;
##Petri dish installation##&lt;br /&gt;
&lt;br /&gt;
### Method###&lt;br /&gt;
&lt;br /&gt;
To enable the Blob to replicate the historical growth of Hamburg up to the present day, we began by analyzing the city’s population density distribution from its earliest settlement to the present. Understanding how Hamburg had developed over time was crucial for guiding the Blob&#039;s growth and enabling it to simulate potential future expansion.&lt;br /&gt;
&lt;br /&gt;
To achieve this, extensive historical research was conducted, focusing on the city’s development. Based on this research, we selected three key maps representing Hamburg in 1300, 1892, and 2018, which provided data on the population density distribution across different eras.&lt;br /&gt;
&lt;br /&gt;
These maps were then used to mark the development of the selected area in Hamburg on a city plan. The diagrams derived from this plan were first scaled to match the control group petri dishes (10 cm diameter) and then adjusted for the petri dish used in the timelapse photography (20 cm diameter). This method allowed us to guide the Blob’s growth in a way that mirrored Hamburg’s historical evolution, ensuring that the experiment was both visually and conceptually aligned with the project’s objectives.[[File:Figure 7.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;diagram based on 1300’s map&#039;&#039;&#039;&amp;lt;/small&amp;gt;[[File:Figure 8.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 1892’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;&amp;lt;small&amp;gt;             &amp;lt;/small&amp;gt;[[File:Figure 9.jpg|center|frameless|400x400px]]&#039;&#039;&#039;&amp;lt;small&amp;gt;diagram based on 2018’s map&amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 11.jpg|center|frameless|400x400px]]&amp;lt;small&amp;gt;&#039;&#039;&#039;first control group petri dish, based on 1300’s map diagram&#039;&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
####Growing the Blob According to Historical Data####&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Step 1 - Initial Placement&#039;&#039;&#039;: The Blob was initially placed on the site representing the Elbphilharmonie building in the petri dish. To simulate the settlement depicted in the first diagram, dating back to the 1300s, food sources were strategically positioned to help orient and sustain the Blob’s growth.[[File:Figure 12.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 2 - Two Days of Growth&#039;&#039;&#039;: Over the course of two days, the Blob fully explored the designated settlement area, effectively replicating the development of Hamburg up to the 1300s.[[File:Figure12.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 3 - First Food Replacement&#039;&#039;&#039;: To simulate Hamburg’s growth between 1300 and 1892, a second set of food sources was introduced in the laboratory. This placement followed the population density diagram from the 1892 map.[[File:Figure 13.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 4 - Eight Days of Growth&#039;&#039;&#039;: Within eight days, the Blob expanded to cover the areas corresponding to the population density of Hamburg in 1892.[[File:Figure16.jpg|frameless|301x301px|center]]&#039;&#039;&#039;Step 5 - Second Food Replacement&#039;&#039;&#039;: The final set of food sources was introduced based on the dense urban fabric map from 2018, representing the present-day population distribution of Hamburg.[[File:Figure15.jpg|frameless|300x300px|center]]&#039;&#039;&#039;Step 6 - Sixteen Days of Growth&#039;&#039;&#039;: At this stage, the Blob was no longer guided by external intervention. Instead, it was left to determine the future overpopulation and consumption scenario of the city on its own. The experiment continued until the 16th day, when the Blob began to weaken due to stress, marking the end of the timelapse.[[File:Figure 17.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;11 days of growth            &amp;lt;/small&amp;gt;&#039;&#039;&#039; [[File:Figure 19.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;14 days of growth              &amp;lt;/small&amp;gt;&#039;&#039;&#039;[[File:Figure 20.jpg|frameless|300x300px|center]]&#039;&#039;&#039;&amp;lt;small&amp;gt;16 days of growth&amp;lt;/small&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Shooting for 3 weeks of growth###&lt;br /&gt;
&lt;br /&gt;
The process of cultivating the Blob required careful attention and time to ensure strong and visible growth. Over three weeks, photos were taken every 15 minutes to document the Blob&#039;s growth. The project aimed to align the Blob’s growth with a symbolic timeline reflecting Hamburg’s historical expansion from the 1300s to the present. This approach allowed the Blob’s growth pattern to mimic the city’s development, adding a deeper layer of meaning to the visual narrative. However, the process was not without challenges, as the risk of contamination could lead to mold formation in the Petri dish, potentially compromising the results.[[File:Figure 22.jpg|center|frameless|267x267px]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Timelapse###&lt;br /&gt;
[[File:Sequence 1 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=X7vDehMDgdI&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;lt;/small&amp;gt;[[File:Sequence 2 timelapse.gif|center|frameless|400x400px]]&amp;lt;small&amp;gt;https://www.youtube.com/watch?v=PJEMDSNxfdg&amp;amp;list=PLdUPcma_TIKAQtHGJT5HqQPzl3DyyC90i&amp;amp;index=3&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
After capturing the images over the three-week period, Adobe Lightroom was used to compile and organize the photos. This phase was crucial in preparing the raw visual data for further refinement. The next step involved using Adobe Premiere, where contrast and overlap adjustments were made to enhance the visuals and ensure consistency across the sequence. These adjustments were necessary to prepare the images for final processing in TouchDesigner, where the visual narrative of the Blob’s growth would be fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
##Design Process##&lt;br /&gt;
&lt;br /&gt;
###Ideation###&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Future in a Petri Dish&amp;quot;:&#039;&#039;&#039; The project&#039;s ideation began with the concept of using primitive organisms like &#039;&#039;Physarum polycephalum&#039;&#039; to explore how a non-human perspective could influence urban development. The idea was to allow these creatures, which act purely on instinct, to process environmental inputs and take action in a way unclouded by human ego. The steps involved in this process were:&lt;br /&gt;
#&#039;&#039;&#039;Contextual Analysis&#039;&#039;&#039;: Collecting and analyzing data related to the city’s characteristics, including weather, population density, and sociological connections.&lt;br /&gt;
#&#039;&#039;&#039;Coding the Environment:&#039;&#039;&#039; Adapting this data into a simplified form that can be translated into a suitable environment for the petri dish, essentially creating a “micro-conceptual city” for the Blob.&lt;br /&gt;
#&#039;&#039;&#039;Microbial Growth&#039;&#039;&#039;: Allowing the Blob to build and develop within this micro-city, observing its natural behavior and growth patterns.&lt;br /&gt;
#&#039;&#039;&#039;Observation&#039;&#039;&#039;: Monitoring the Blob’s progress using microscopes and installed cameras.&lt;br /&gt;
#&#039;&#039;&#039;Decoding Visuals&#039;&#039;&#039;: Translating the Blob’s growth patterns back into the real city’s image, reversing the initial coding process to inform urban design.&lt;br /&gt;
#&#039;&#039;&#039;Visualization&#039;&#039;&#039;: Exploring the duality between natural micro-scale growth and artificial macro-scale urban development, potentially highlighting the contrasts through visual glitches.&lt;br /&gt;
This approach seeks to minimize human influence and empower non-human actors in shaping urban environments.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
###Inspiration###&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Man-Nahāta&amp;quot; by Neri Oxman:&#039;&#039;&#039; The project draws significant inspiration from Neri Oxman’s &#039;&#039;Man-Nahata&#039;&#039;, a visionary exploration of the synergy between Manhattan’s cultural diversity and Mannahatta’s natural ecosystems. Oxman’s work proposes a future where urban and natural environments are balanced harmoniously, transitioning from a human-centric to a nature-centric landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Man-Nahata&#039;&#039; imagines the year 2100, where climate change necessitates a re-balancing of the landscape and its inhabitants. The project introduces a circular system where four essential elements—shelter, nutrients, energy, and society—self-organize, integrating human and natural systems.&amp;lt;sup&amp;gt;3&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The parallels between &#039;&#039;Man-Nahata&#039;&#039; and &#039;&#039;Blob&#039;&#039; lie in the shared theme of rebalancing human influence with natural growth. Both projects aim to create harmony between built environments and organic processes, proposing that future urban development must integrate and respond to ecological systems. By allowing &#039;&#039;Physarum polycephalum&#039;&#039; to influence the design, the &#039;&#039;Blob&#039;&#039; project echoes Oxman’s vision of a distributed, nature-centric urban landscape.&lt;br /&gt;
&lt;br /&gt;
https://oxman.com/projects/man-nahata&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138769</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138769"/>
		<updated>2024-09-03T09:34:32Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://emsfactory.com EMS]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138768</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138768"/>
		<updated>2024-09-03T09:34:01Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://soniclab.com/Calculator Soniclab]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138712</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138712"/>
		<updated>2024-08-18T00:47:56Z</updated>

		<summary type="html">&lt;p&gt;Max: /* China */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.allpcb.com ALLPCB]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;br /&gt;
* [https://dirtypcbs.com/store/pcbs DirtyPCBs]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138637</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138637"/>
		<updated>2024-08-12T10:42:10Z</updated>

		<summary type="html">&lt;p&gt;Max: /* China */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.pcbx.com pcbx]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138543</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138543"/>
		<updated>2024-08-04T20:54:16Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Manufacturing with online quote and processing */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites and Directories====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138542</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138542"/>
		<updated>2024-08-04T20:48:33Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Americas */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
* [https://www.digikey.de/de/pcb-builder/?p=dkred DigiKey Red]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138541</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138541"/>
		<updated>2024-08-04T20:43:25Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Americas */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
* [https://circuithub.com CircuitHub]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138540</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138540"/>
		<updated>2024-08-04T20:40:52Z</updated>

		<summary type="html">&lt;p&gt;Max: /* China */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
&lt;br /&gt;
====Republic of Korea====&lt;br /&gt;
* [https://quickturnpcb.co.kr U&amp;amp;I]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138539</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138539"/>
		<updated>2024-08-04T20:37:17Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Americas */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
* [https://www.protoexpress.com Sierra Circuits]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138538</id>
		<title>Template:PCB Manufacturing</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:PCB_Manufacturing&amp;diff=138538"/>
		<updated>2024-08-04T20:36:43Z</updated>

		<summary type="html">&lt;p&gt;Max: /* EU */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;===Manufacturing with online quote and processing===&lt;br /&gt;
====Comparison Sites====&lt;br /&gt;
* [https://www.pcb.market PCB Market] PCB comparison&lt;br /&gt;
* [https://pcbshopper.com PCBshopper] PCB comparison&lt;br /&gt;
====EU====&lt;br /&gt;
* [https://beta-layout.com BETA Layout]&lt;br /&gt;
* [https://aisler.net Aisler]&lt;br /&gt;
* [https://portal.multi-circuit-boards.eu Multi-CB]&lt;br /&gt;
* [https://shop.precoplat.de/de Precoplat] / [https://shop.microcirtec.de/de MicroCirtec] &lt;br /&gt;
* [https://www.pcb-supermarkt.de Fischer Leiterplatten GmbH]&lt;br /&gt;
* [https://www.eurocircuits.de EUROcircuits]&lt;br /&gt;
* [https://www.pcb-joker.com PCB Joker] using leftover space on production, but no control over parameters&lt;br /&gt;
* [https://www.rufenach24.de/leiterplatten.htm Omnitronik]&lt;br /&gt;
* Directories: [https://www.wlw.de/de/firmen/leiterplatten WLW], [https://www.pcbdirectory.com/manufacturers?country=Germany PCBdirectory]&lt;br /&gt;
* [https://schaeffer-ag.de Schaeffer Front panels]&lt;br /&gt;
* [https://www.frontpanels.de frontpanels.de]&lt;br /&gt;
&lt;br /&gt;
====Americas====&lt;br /&gt;
* [https://oshpark.com OSH Park]&lt;br /&gt;
* [https://www.sunstone.com American Standard Circuits (ASC) / Sunstone Circuits]&lt;br /&gt;
&lt;br /&gt;
====China====&lt;br /&gt;
* [https://jlcpcb.com JLCPCB]&lt;br /&gt;
* [https://www.pcbway.com PCBway]&lt;br /&gt;
* [https://www.nextpcb.com/pcb-quote#/pcb-quote NEXTPCB]&lt;br /&gt;
* [https://www.makerfabs.com/pcb-prototyping-service.html Makerfabs]&lt;br /&gt;
* [https://www.cnospcb.com Ocean Smile pcb]&lt;br /&gt;
* [https://www.eecart.com eecart]&lt;br /&gt;
* [https://www.elecrow.com/pcb-manufacturing.html Elecrow]&lt;br /&gt;
* [https://www.pcbbuy.com PCBBUY] Special: Two colored mask and silkscreen&lt;br /&gt;
* [https://www.pcbgogo.com pcbgogo]&lt;br /&gt;
* [https://www.wellpcb.com wellpcb]&lt;br /&gt;
* [https://www.seeedstudio.com/fusion_pcb.html FUSION PCB (Seeed Studio)]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Prost&amp;diff=138105</id>
		<title>Prost</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Prost&amp;diff=138105"/>
		<updated>2024-06-21T11:37:04Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Bier-Provider */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Kaffee-Provider ==&lt;br /&gt;
&lt;br /&gt;
=== Cafés in Uni-Nähe ===&lt;br /&gt;
* [https://www.uni-weimar.de/de/universitaet/profil/besuch-und-orientierung/bauhausatelier-info-shop-cafe Bauhaus Atelier Café]&lt;br /&gt;
* Café PAJO (Marienstrasse 1)&lt;br /&gt;
* [https://www.uni-weimar.de/de/universitaet/struktur/gremien/studierendenvertretung/studentische-initiativen/s140/ Café s140] (Marienstrasse 18)&lt;br /&gt;
* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/cafeteria-mensa-am-park.html Cafeteria in der Mensa am Park]&lt;br /&gt;
* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/cafeteria-anna-amalia-bibliothek.html Cafeteria in der Amalien-Bibliothek]&lt;br /&gt;
&lt;br /&gt;
=== Kaffee und Kuchen ===&lt;br /&gt;
* [http://www.brotklappe.de Brotklappe] (Frauenplan 8 / Trierer Str. 46)&lt;br /&gt;
* [http://www.koriat.de/ Koriat] (Steubenstraße 48)&lt;br /&gt;
* [http://www.cafe-frauentor.de/ Café Frauentor] (Schillerstraße 2)&lt;br /&gt;
&lt;br /&gt;
== Mate-Provider ==&lt;br /&gt;
&lt;br /&gt;
=== Uni-Matés ===&lt;br /&gt;
* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/cafeteria-mensa-am-park.html Cafeteria in der Mensa am Park]&lt;br /&gt;
* [http://blog.maschinenraum.tk/2013/02/17/neuer-mate-automat/ Mate-Automat] vor dem Maschinenraum (Marienstrasse 18)&lt;br /&gt;
&lt;br /&gt;
=== Mate und Mehr ===&lt;br /&gt;
* [https://www.nahkauf.de/maerkte/weimar-42618192-nahkauf-siegfried-heyer-steubenstr-2 Nahkauf Heyer] &#039;&#039;Mo - Fr: 07:00 - 24:00, Sa: 07:00 - 20:00&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Bier-Provider ==&lt;br /&gt;
&lt;br /&gt;
* [http://www.bock-getraenkemarkt.de Bock Getränkemarkt] (Prellerstraße 1)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Siehe auch==&lt;br /&gt;
* [[Mahlzeit]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=138104</id>
		<title>Mahlzeit</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=138104"/>
		<updated>2024-06-21T11:36:12Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/mensa-am-park.html Mensa am Park] - [http://www.thueringen.my-mensa.de/chooser.php?v=4670314&amp;amp;hyp=1&amp;amp;mensa=all#weimar1_tage Speiseplan (Mobile)]&lt;br /&gt;
* Peperoncino Italienische Feinkost Maurizio Peronaci, Steubenstraße 14 Tel. (03643) 4899299&lt;br /&gt;
* [https://www.12s-weimar.de 12 Sterne Phò] &lt;br /&gt;
* [https://www.pizzeria-da-antonio.com Pizzeria Antonio] Windischenstraße 33 Tel. (03643) 490119 ‎ &lt;br /&gt;
* [https://giancarlo-weimar.de/mi-piace/ Mi Piace] &lt;br /&gt;
* Bim-Bim China/Thai Restaurant Steubenstr. 4 Tel. (03643) 903260 – Montag geschlossen&lt;br /&gt;
* [http://www.eckermannhaus.de Trattoria im Eckermannhaus] – Montag geschlossen&lt;br /&gt;
* [https://www.instagram.com/pause_im_dnt_weimar PAUSE im DNT] — Kantine des Nationaltheaters &lt;br /&gt;
* DAMAS — Syrische Küche&lt;br /&gt;
* Gretchens Restaurant im [https://familienhotel-weimar.de/restaurant.html Familienhotel Weimar]&lt;br /&gt;
* [http://www.ristorante-versilia.de/ Ristorante Versilia]&lt;br /&gt;
* [http://www.acc-cafe.de ACC Café-Restaurant Wochenkarte]&lt;br /&gt;
* [https://bioweimar.de/bio_bistro_rosmarin/ Suppenbar Estragon] (jetzt) Bio.&lt;br /&gt;
* [https://www.facebook.com/koi.7weimar Koi.7] Mittagstisch 11:30 - 15:00  – Sonntag geschlossen&lt;br /&gt;
* [http://sanrestaurant.de San Korea Restaurant] Eisfeld 4 – Montag geschlossen&lt;br /&gt;
* Frauentor Café und Restaurant [https://www.cafe-frauentor.de/de/speise-und-getraenkekarte.html Speisekarte]&lt;br /&gt;
* [https://trattoria-da-giuseppe-weimar.9gg.de/ Trattoria da Guiseppe]  Vorwerksgasse 3 – Samstag und Sonntag geschlossen&lt;br /&gt;
* [http://sushibar-weimar.de Shushibar] hinter der Limona – Sonntag und Montag geschlossen&lt;br /&gt;
* [http://www.indisches-restaurant-weimar.de Indisches Restaurant Weimar]&lt;br /&gt;
* [https://www.facebook.com/Ilha-Formosa-Weimar-101528142156899/ Ilha Formosa Weimar] Taiwanesische Küche – Montag geschlossen.&lt;br /&gt;
&lt;br /&gt;
===Siehe auch===&lt;br /&gt;
&lt;br /&gt;
* [[Prost]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=138103</id>
		<title>Mahlzeit</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=138103"/>
		<updated>2024-06-21T11:35:20Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/mensa-am-park.html Mensa am Park] - [http://www.thueringen.my-mensa.de/chooser.php?v=4670314&amp;amp;hyp=1&amp;amp;mensa=all#weimar1_tage Speiseplan (Mobile)]&lt;br /&gt;
* Peperoncino Italienische Feinkost Maurizio Peronaci, Steubenstraße 14 Tel. (03643) 4899299&lt;br /&gt;
* [https://www.12s-weimar.de 12 Sterne Phò] &lt;br /&gt;
* [https://www.pizzeria-da-antonio.com Pizzeria Antonio] Windischenstraße 33 Tel. (03643) 490119 ‎ &lt;br /&gt;
* [https://giancarlo-weimar.de/mi-piace/ Mi Piace] &lt;br /&gt;
* Bim-Bim China/Thai Restaurant Steubenstr. 4 Tel. (03643) 903260 – Montag geschlossen&lt;br /&gt;
* [http://www.eckermannhaus.de Trattoria im Eckermannhaus] – Montag geschlossen&lt;br /&gt;
* [https://www.instagram.com/pause_im_dnt_weimar PAUSE im DNT] — Kantine des Nationaltheaters &lt;br /&gt;
* DAMAS — Syrische Küche&lt;br /&gt;
* Gretchens Restaurant im [https://familienhotel-weimar.de/restaurant.html Familienhotel Weimar]&lt;br /&gt;
* [http://www.ristorante-versilia.de/ Ristorante Versilia]&lt;br /&gt;
* [http://www.acc-cafe.de ACC Café-Restaurant Wochenkarte]&lt;br /&gt;
* [https://bioweimar.de/bio_bistro_rosmarin/ Suppenbar Estragon] (jetzt) Bio.&lt;br /&gt;
* [https://www.facebook.com/koi.7weimar Koi.7] Mittagstisch 11:30 - 15:00  – Sonntag geschlossen&lt;br /&gt;
* [http://sanrestaurant.de San Korea Restaurant] Eisfeld 4 – Montag geschlossen&lt;br /&gt;
* Frauentor Café und Restaurant [https://www.cafe-frauentor.de/de/speise-und-getraenkekarte.html Speisekarte]&lt;br /&gt;
* [https://trattoria-da-giuseppe-weimar.9gg.de/ Trattoria da Guiseppe]  Vorwerksgasse 3 – Samstag und Sonntag geschlossen&lt;br /&gt;
* [http://sushibar-weimar.de Shushibar] hinter der Limona – Sonntag geschlossen&lt;br /&gt;
* [http://www.indisches-restaurant-weimar.de Indisches Restaurant Weimar]&lt;br /&gt;
* [https://www.facebook.com/Ilha-Formosa-Weimar-101528142156899/ Ilha Formosa Weimar] Taiwanesische Küche – Montag geschlossen.&lt;br /&gt;
&lt;br /&gt;
===Siehe auch===&lt;br /&gt;
&lt;br /&gt;
* [[Prost]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137482</id>
		<title>PDCON:Organizers</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137482"/>
		<updated>2024-03-27T15:04:05Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Partners */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Organizers ==&lt;br /&gt;
=== Sponsors ===&lt;br /&gt;
The 2011 Convention wouldn&#039;t be possible without the support of our sponsors&lt;br /&gt;
* [http://www.uni-weimar.de/cms/forschung/foerdermoeglichkeiten-bauhaus-universitaet-weimar/kreativfonds.html Kreativfonds Bauhaus-Univeristät Weimar]&lt;br /&gt;
* [http://www.uni-weimar.de/cms/en/media/media.html Bauhaus-Universität Weimar, Faculty of Media]&lt;br /&gt;
* [http://www.thueringen.de/tmwat Thuringian Ministery of Economy, Labour and Technology]&lt;br /&gt;
* [http://spielkultur.ea.de Electronic Arts Blog für digitale Spielkultur]&lt;br /&gt;
* [http://www.mozilla.org/foundation The Mozilla Foundation]&lt;br /&gt;
* [http://www.alliedvisiontec.com Allied Vision Technologies]&lt;br /&gt;
* [http://rjdj.me Reality Jockey Ltd.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Kreativfonds.jpg|link=http://www.uni-weimar.de|left|200px]]&lt;br /&gt;
|[[File:EA-BlogDigitaleSpielkultur.png|link=http://spielkultur.ea.de|left|250px]]&lt;br /&gt;
|[[File:Mozilla Foundation.png|link=http://www.mozilla.org/foundation|left|80px]]&lt;br /&gt;
|[[File:Alliedvisiontec.jpg|link=http://www.alliedvisiontec.com|left|200px]]&lt;br /&gt;
|[[File:RjDj icon.png|link=http://www.rjdj.me|left|65px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
Other [[PDCON:Potential partners|Potential partners]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Want to become a sponsor? See our [[PDCON:Sponsoring opportunities|Sponsoring opportunities]]&amp;lt;br /&amp;gt;&lt;br /&gt;
A transparent calculation is filed under [[PDCON:Funding|Funding]]&lt;br /&gt;
&lt;br /&gt;
=== Executing partners ===&lt;br /&gt;
* Bauhaus-Universität Weimar, Faculty of Media&lt;br /&gt;
* Hochschule für Musik Franz Liszt, [http://www.hfm-weimar.de/v1/studium/institute/fk2/neue_musik/studio.php Studio for electro-acoustic music]&lt;br /&gt;
* [http://www.uni-weimar.de/summerschool/index.php?L=1 Bauhaus Summer School]&lt;br /&gt;
* [http://kulturtragwerk.de KulturTragWerk e.V.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Bauhaus-Uni-dreizeilig-Pantone206.gif|link=http://www.uni-weimar.de|left]]&lt;br /&gt;
|[[File:HfM-Logo rw krz.jpg|link=http://www.hfm-weimar.de|left|240px]]&lt;br /&gt;
|[[File:KulturTragWerk.jpg|link=http://kulturtragwerk.de|left|80px]]   &lt;br /&gt;
|[[File:SeaMKonzertLogoMitText.gif|link=EKK:Start|left|150px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==== Production team ====&lt;br /&gt;
* [[Max Neupert]]: initiator – &#039;&#039;max.neupert@...&#039;&#039;&lt;br /&gt;
* [[User:Bjoern|Björn Lindig]]: conference organization&lt;br /&gt;
* [[User:Ifop1761|Karsten Kleinert]]: workshops and accomodation coodinator &lt;br /&gt;
* [[User:Hui.yuan|Hui Yuan]]: exhibition coordinator &lt;br /&gt;
* Xiaodong Zhang: concerts coordinator &lt;br /&gt;
* Chaoying Wang: lunch breaks &lt;br /&gt;
* Stefan Pach: [[PDCON:Graphic design|graphic design]]&lt;br /&gt;
* [[User:Glozt100sob|Patawat Phamuad]]: documentation and archive&lt;br /&gt;
* Dominique Wollniok: Producer – &#039;&#039;dominique.wollniok@uni-w...&#039;&#039;&lt;br /&gt;
* Yin Tsan: PR coordinator&lt;br /&gt;
* [[User:Kapitän|Moritz Schell]], [[User:Frederic|Frederic Seybicke]]: [[PDCON:Porcelain carillon|porcelain carillon]] concerts coordinators&lt;br /&gt;
* [[/Staff/]]&lt;br /&gt;
&lt;br /&gt;
=== Partners ===&lt;br /&gt;
* [http://www.idmt.fraunhofer.de Fraunhofer Institute for Digital Media Technology IDMT]&lt;br /&gt;
* [http://www.klassik-stiftung.de Klassik Stiftung Weimar]&lt;br /&gt;
* [http://www.weimar.de City of Weimar]&lt;br /&gt;
* [http://www.radio-lotte.de Radio Lotte]&lt;br /&gt;
* [https://www.hfm-weimar.de/studienfach-kulturmanagement/institut-fuer-musikwissenschaft-weimar-jena-studienfach-kulturmanagement The Course of studies Arts Management] at the Liszt School of Music&lt;br /&gt;
* [http://www.nkprojekt.de N.K.]&lt;br /&gt;
* LEAP&lt;br /&gt;
* [http://www.ak.tu-berlin.de Elektronisches Studio der TU Berlin, Fachgebiet Audiokommunikation]&lt;br /&gt;
* Palomar5 e.V.&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Fraunhofer IDMT.gif|link=http://www.idmt.fraunhofer.de|left|250px]]&lt;br /&gt;
|[[File:Nk logo.jpg|link=http://www.nkprojekt.de|left|100px]]&lt;br /&gt;
|[[File:Logo leap.jpg|link=http://www.leapknecht.de|left|50px]]&lt;br /&gt;
|[[File:TUBerlin Logo rot.png|link=http://www.ak.tu-berlin.de|left|65px]]&lt;br /&gt;
|[[File:Logo palomar.png|link=http://www.palomar5.org|left|170px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Contributors ===&lt;br /&gt;
* [http://blog.maschinenraum.tk Maschinenraum] Hackerspace Weimar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Template:PdCon11}}&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137481</id>
		<title>PDCON:Organizers</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137481"/>
		<updated>2024-03-27T15:02:12Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Partners */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Organizers ==&lt;br /&gt;
=== Sponsors ===&lt;br /&gt;
The 2011 Convention wouldn&#039;t be possible without the support of our sponsors&lt;br /&gt;
* [http://www.uni-weimar.de/cms/forschung/foerdermoeglichkeiten-bauhaus-universitaet-weimar/kreativfonds.html Kreativfonds Bauhaus-Univeristät Weimar]&lt;br /&gt;
* [http://www.uni-weimar.de/cms/en/media/media.html Bauhaus-Universität Weimar, Faculty of Media]&lt;br /&gt;
* [http://www.thueringen.de/tmwat Thuringian Ministery of Economy, Labour and Technology]&lt;br /&gt;
* [http://spielkultur.ea.de Electronic Arts Blog für digitale Spielkultur]&lt;br /&gt;
* [http://www.mozilla.org/foundation The Mozilla Foundation]&lt;br /&gt;
* [http://www.alliedvisiontec.com Allied Vision Technologies]&lt;br /&gt;
* [http://rjdj.me Reality Jockey Ltd.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Kreativfonds.jpg|link=http://www.uni-weimar.de|left|200px]]&lt;br /&gt;
|[[File:EA-BlogDigitaleSpielkultur.png|link=http://spielkultur.ea.de|left|250px]]&lt;br /&gt;
|[[File:Mozilla Foundation.png|link=http://www.mozilla.org/foundation|left|80px]]&lt;br /&gt;
|[[File:Alliedvisiontec.jpg|link=http://www.alliedvisiontec.com|left|200px]]&lt;br /&gt;
|[[File:RjDj icon.png|link=http://www.rjdj.me|left|65px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
Other [[PDCON:Potential partners|Potential partners]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Want to become a sponsor? See our [[PDCON:Sponsoring opportunities|Sponsoring opportunities]]&amp;lt;br /&amp;gt;&lt;br /&gt;
A transparent calculation is filed under [[PDCON:Funding|Funding]]&lt;br /&gt;
&lt;br /&gt;
=== Executing partners ===&lt;br /&gt;
* Bauhaus-Universität Weimar, Faculty of Media&lt;br /&gt;
* Hochschule für Musik Franz Liszt, [http://www.hfm-weimar.de/v1/studium/institute/fk2/neue_musik/studio.php Studio for electro-acoustic music]&lt;br /&gt;
* [http://www.uni-weimar.de/summerschool/index.php?L=1 Bauhaus Summer School]&lt;br /&gt;
* [http://kulturtragwerk.de KulturTragWerk e.V.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Bauhaus-Uni-dreizeilig-Pantone206.gif|link=http://www.uni-weimar.de|left]]&lt;br /&gt;
|[[File:HfM-Logo rw krz.jpg|link=http://www.hfm-weimar.de|left|240px]]&lt;br /&gt;
|[[File:KulturTragWerk.jpg|link=http://kulturtragwerk.de|left|80px]]   &lt;br /&gt;
|[[File:SeaMKonzertLogoMitText.gif|link=EKK:Start|left|150px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==== Production team ====&lt;br /&gt;
* [[Max Neupert]]: initiator – &#039;&#039;max.neupert@...&#039;&#039;&lt;br /&gt;
* [[User:Bjoern|Björn Lindig]]: conference organization&lt;br /&gt;
* [[User:Ifop1761|Karsten Kleinert]]: workshops and accomodation coodinator &lt;br /&gt;
* [[User:Hui.yuan|Hui Yuan]]: exhibition coordinator &lt;br /&gt;
* Xiaodong Zhang: concerts coordinator &lt;br /&gt;
* Chaoying Wang: lunch breaks &lt;br /&gt;
* Stefan Pach: [[PDCON:Graphic design|graphic design]]&lt;br /&gt;
* [[User:Glozt100sob|Patawat Phamuad]]: documentation and archive&lt;br /&gt;
* Dominique Wollniok: Producer – &#039;&#039;dominique.wollniok@uni-w...&#039;&#039;&lt;br /&gt;
* Yin Tsan: PR coordinator&lt;br /&gt;
* [[User:Kapitän|Moritz Schell]], [[User:Frederic|Frederic Seybicke]]: [[PDCON:Porcelain carillon|porcelain carillon]] concerts coordinators&lt;br /&gt;
* [[/Staff/]]&lt;br /&gt;
&lt;br /&gt;
=== Partners ===&lt;br /&gt;
* [http://www.idmt.fraunhofer.de Fraunhofer Institute for Digital Media Technology IDMT]&lt;br /&gt;
* [http://www.klassik-stiftung.de Klassik Stiftung Weimar]&lt;br /&gt;
* [http://www.weimar.de City of Weimar]&lt;br /&gt;
* [http://www.radio-lotte.de Radio Lotte]&lt;br /&gt;
* [http://www.hfm-weimar.de/v1/studium/institute/fk3/kulturmanagement/seite.php?lang=en The Course of studies Arts Management] at the Liszt School of Music&lt;br /&gt;
* [http://www.nkprojekt.de N.K.]&lt;br /&gt;
* LEAP&lt;br /&gt;
* [http://www.ak.tu-berlin.de Elektronisches Studio der TU Berlin, Fachgebiet Audiokommunikation]&lt;br /&gt;
* Palomar5 e.V.&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Fraunhofer IDMT.gif|link=http://www.idmt.fraunhofer.de|left|250px]]&lt;br /&gt;
|[[File:Nk logo.jpg|link=http://www.nkprojekt.de|left|100px]]&lt;br /&gt;
|[[File:Logo leap.jpg|link=http://www.leapknecht.de|left|50px]]&lt;br /&gt;
|[[File:TUBerlin Logo rot.png|link=http://www.ak.tu-berlin.de|left|65px]]&lt;br /&gt;
|[[File:Logo palomar.png|link=http://www.palomar5.org|left|170px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Contributors ===&lt;br /&gt;
* [http://blog.maschinenraum.tk Maschinenraum] Hackerspace Weimar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Template:PdCon11}}&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137480</id>
		<title>PDCON:Organizers</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Organizers&amp;diff=137480"/>
		<updated>2024-03-27T15:01:36Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Partners */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Organizers ==&lt;br /&gt;
=== Sponsors ===&lt;br /&gt;
The 2011 Convention wouldn&#039;t be possible without the support of our sponsors&lt;br /&gt;
* [http://www.uni-weimar.de/cms/forschung/foerdermoeglichkeiten-bauhaus-universitaet-weimar/kreativfonds.html Kreativfonds Bauhaus-Univeristät Weimar]&lt;br /&gt;
* [http://www.uni-weimar.de/cms/en/media/media.html Bauhaus-Universität Weimar, Faculty of Media]&lt;br /&gt;
* [http://www.thueringen.de/tmwat Thuringian Ministery of Economy, Labour and Technology]&lt;br /&gt;
* [http://spielkultur.ea.de Electronic Arts Blog für digitale Spielkultur]&lt;br /&gt;
* [http://www.mozilla.org/foundation The Mozilla Foundation]&lt;br /&gt;
* [http://www.alliedvisiontec.com Allied Vision Technologies]&lt;br /&gt;
* [http://rjdj.me Reality Jockey Ltd.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Kreativfonds.jpg|link=http://www.uni-weimar.de|left|200px]]&lt;br /&gt;
|[[File:EA-BlogDigitaleSpielkultur.png|link=http://spielkultur.ea.de|left|250px]]&lt;br /&gt;
|[[File:Mozilla Foundation.png|link=http://www.mozilla.org/foundation|left|80px]]&lt;br /&gt;
|[[File:Alliedvisiontec.jpg|link=http://www.alliedvisiontec.com|left|200px]]&lt;br /&gt;
|[[File:RjDj icon.png|link=http://www.rjdj.me|left|65px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
Other [[PDCON:Potential partners|Potential partners]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Want to become a sponsor? See our [[PDCON:Sponsoring opportunities|Sponsoring opportunities]]&amp;lt;br /&amp;gt;&lt;br /&gt;
A transparent calculation is filed under [[PDCON:Funding|Funding]]&lt;br /&gt;
&lt;br /&gt;
=== Executing partners ===&lt;br /&gt;
* Bauhaus-Universität Weimar, Faculty of Media&lt;br /&gt;
* Hochschule für Musik Franz Liszt, [http://www.hfm-weimar.de/v1/studium/institute/fk2/neue_musik/studio.php Studio for electro-acoustic music]&lt;br /&gt;
* [http://www.uni-weimar.de/summerschool/index.php?L=1 Bauhaus Summer School]&lt;br /&gt;
* [http://kulturtragwerk.de KulturTragWerk e.V.]&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Bauhaus-Uni-dreizeilig-Pantone206.gif|link=http://www.uni-weimar.de|left]]&lt;br /&gt;
|[[File:HfM-Logo rw krz.jpg|link=http://www.hfm-weimar.de|left|240px]]&lt;br /&gt;
|[[File:KulturTragWerk.jpg|link=http://kulturtragwerk.de|left|80px]]   &lt;br /&gt;
|[[File:SeaMKonzertLogoMitText.gif|link=EKK:Start|left|150px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==== Production team ====&lt;br /&gt;
* [[Max Neupert]]: initiator – &#039;&#039;max.neupert@...&#039;&#039;&lt;br /&gt;
* [[User:Bjoern|Björn Lindig]]: conference organization&lt;br /&gt;
* [[User:Ifop1761|Karsten Kleinert]]: workshops and accomodation coodinator &lt;br /&gt;
* [[User:Hui.yuan|Hui Yuan]]: exhibition coordinator &lt;br /&gt;
* Xiaodong Zhang: concerts coordinator &lt;br /&gt;
* Chaoying Wang: lunch breaks &lt;br /&gt;
* Stefan Pach: [[PDCON:Graphic design|graphic design]]&lt;br /&gt;
* [[User:Glozt100sob|Patawat Phamuad]]: documentation and archive&lt;br /&gt;
* Dominique Wollniok: Producer – &#039;&#039;dominique.wollniok@uni-w...&#039;&#039;&lt;br /&gt;
* Yin Tsan: PR coordinator&lt;br /&gt;
* [[User:Kapitän|Moritz Schell]], [[User:Frederic|Frederic Seybicke]]: [[PDCON:Porcelain carillon|porcelain carillon]] concerts coordinators&lt;br /&gt;
* [[/Staff/]]&lt;br /&gt;
&lt;br /&gt;
=== Partners ===&lt;br /&gt;
* [http://www.idmt.fraunhofer.de Fraunhofer Institute for Digital Media Technology IDMT]&lt;br /&gt;
* [http://www.klassik-stiftung.de Klassik Stiftung Weimar]&lt;br /&gt;
* [http://www.weimar.de City of Weimar]&lt;br /&gt;
* [http://www.radio-lotte.de Radio Lotte]&lt;br /&gt;
* [http://www.hfm-weimar.de/v1/studium/institute/fk3/kulturmanagement/seite.php?lang=en The Course of studies Arts Management] at the Liszt School of Music&lt;br /&gt;
* [http://www.nkprojekt.de N.K.]&lt;br /&gt;
* LEAP&lt;br /&gt;
* [http://www.ak.tu-berlin.de Elektronisches Studio der TU Berlin, Fachgebiet Audiokommunikation]&lt;br /&gt;
* [http://www.palomar5.org Palomar5 e.V.]&lt;br /&gt;
{| style=&amp;quot;width:75%; height:120px&amp;quot; border=&amp;quot;0&amp;quot; valign=&amp;quot;top&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|[[File:Fraunhofer IDMT.gif|link=http://www.idmt.fraunhofer.de|left|250px]]&lt;br /&gt;
|[[File:Nk logo.jpg|link=http://www.nkprojekt.de|left|100px]]&lt;br /&gt;
|[[File:Logo leap.jpg|link=http://www.leapknecht.de|left|50px]]&lt;br /&gt;
|[[File:TUBerlin Logo rot.png|link=http://www.ak.tu-berlin.de|left|65px]]&lt;br /&gt;
|[[File:Logo palomar.png|link=http://www.palomar5.org|left|170px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Contributors ===&lt;br /&gt;
* [http://blog.maschinenraum.tk Maschinenraum] Hackerspace Weimar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Template:PdCon11}}&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Start&amp;diff=137479</id>
		<title>PDCON:Start</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=PDCON:Start&amp;diff=137479"/>
		<updated>2024-03-27T15:00:19Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Social Media + Promotion */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pure Data Convention 2011 – A festival of programmed music and art ==&lt;br /&gt;
[[File:IOhannes zmoelnig Plug In Your Cam.jpg|900px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Lecture Plug-in your cam, IOhannes zmölnig&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;[[/Kurzfassung auf Deutsch/]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The Pure Data convention is an event where users and developers of the open-source programming environment [[Pure Data]] meet, discuss and present their research and artworks. It consists of&lt;br /&gt;
* A [[PDCON:Conference|Conference]] program with [[PDCON:Conference/Reviewers|peer-reviewed]] paper presentations&lt;br /&gt;
* [[PDCON:Workshops|Workshops]] for in-depth instructions from professionals aimed at interested beginners, ambitioned users and specialists.&lt;br /&gt;
* [[PDCON:Concerts|Concerts]] and Performances with music made with Pure Data&lt;br /&gt;
* An [[PDCON:Exhibition|Exhibition]] of artworks and installations&lt;br /&gt;
[[PDCON:Schedule|Schedule]]&lt;br /&gt;
&lt;br /&gt;
The convention took place in Weimar, Germany from August 8th to 12th and continued in Berlin the 13th and 14th. After [http://puredata.info/community/projects/convention04/ Graz] (2004),  [http://puredata.info/community/conventions/convention07 Montréal] (2007) and [http://puredata.info/community/conventions/convention09 São Paulo] (2009) it has been the fourth installment of this event. More than 140 participants from 26 countries were registered. The close collaboration between Bauhaus-University and Music Academy Franz Liszt where computer science, music, media-arts and media-culture meet had created the perfect environment. [[Weimar]] is a small city with 65.000 inhabitants but many venues and places of interest. It is small enough not to get lost or to loose much time in transportation from one place to another. Read the [[PDCON:Testimonials|Testimonials]] of our visitors to get an impression on how people liked it.&lt;br /&gt;
&lt;br /&gt;
Want to know where the next Pure Data Convention will take place? [http://lists.puredata.info/listinfo/pd-announce Subscribe to the Pd-Announce Mailinglist]&lt;br /&gt;
&lt;br /&gt;
===[[PDCON:Organizers|Sponsors, Partners, Contributors &amp;amp; Organizers]]===&lt;br /&gt;
&lt;br /&gt;
== Social Media + Promotion ==&lt;br /&gt;
* follow [https://twitter.com/Pdcon2011 us on twitter] use hashtag #PdCon11&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{Template:PdCon11}}&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:GAI_SoSe24&amp;diff=137478</id>
		<title>IFD:GAI SoSe24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:GAI_SoSe24&amp;diff=137478"/>
		<updated>2024-03-27T14:57:26Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[:Category:Fachmodul|Fachmodul]] &amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;please change here:&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;Instructor:&#039;&#039; [[Funda Zeynep Ayguler]]&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;Credits:&#039;&#039; 6 [[ECTS]], 4 [[SWS]]&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;Capacity:&#039;&#039; max. 14 students&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;Language:&#039;&#039; English&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;Location:&#039;&#039; TBA&amp;lt;br/&amp;gt;&lt;br /&gt;
&#039;&#039;First Meeting:&#039;&#039; &#039;&#039;16 October 2023&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Description==&lt;br /&gt;
Stemming from a practical exploration of designing and constructing interactive systems that can sense and respond to their physical surroundings, this course delves into the captivating realm of light and its role in electronic artworks. As we extend computing beyond the paradigm of the screen, keyboard, and mouse, we will learn how to connect sensors and actuators to create devices that can interact directly with their environment. &lt;br /&gt;
&lt;br /&gt;
We will cover fundamental technical skills in electronics and embedded programming while gaining a deeper understanding of light-centered interactions and how to design interfaces for non-screen-based devices.&lt;br /&gt;
&lt;br /&gt;
This is a student-driven course. Topics will be determined by the interests/needs of the class. &lt;br /&gt;
&lt;br /&gt;
==Admission requirements==&lt;br /&gt;
For Masters students. No prior experience in electronics or programming is required.&lt;br /&gt;
&lt;br /&gt;
===Things you need===&lt;br /&gt;
* TBA&lt;br /&gt;
&lt;br /&gt;
==Evaluation==&lt;br /&gt;
Evaluation will be determined by regular class participation, and the completion of a final project.&lt;br /&gt;
&lt;br /&gt;
==Eligible participants==&lt;br /&gt;
Qualified MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates &amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Syllabus==&lt;br /&gt;
TBA&lt;br /&gt;
&lt;br /&gt;
==Course Material==&lt;br /&gt;
TBA&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category: Brian Larson Clark]]&lt;br /&gt;
[[Category:WS23]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Max_Neupert&amp;diff=137405</id>
		<title>GMU:Max Neupert</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Max_Neupert&amp;diff=137405"/>
		<updated>2024-02-23T18:23:56Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Mn venezia.png|thumb|250px|Max Neupert]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Max Neupert&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://www.maxneupert.de maxneupert.de] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Faculty member for the [[IFD:Start|Chair Interface Design]] Prof. [[Martin Hesselmeier]]&lt;br /&gt;
* Research Group Lead for Piezoelectric Strings&lt;br /&gt;
* Co Founder of [https://chair.audio The Center for Haptic Audio Interaction Research] with [[Clemens Wegener]]&lt;br /&gt;
* Interests/research fields: satellite astrology, real-time audiovisual instruments, video in the context of music production, immersive media, digital glitches, [[Pure Data]]&lt;br /&gt;
&lt;br /&gt;
* All pages in this wiki in the [[:Category:Max Neupert|category Max Neupert]]&lt;br /&gt;
&lt;br /&gt;
* [[/Reading/]]&lt;br /&gt;
&lt;br /&gt;
{{Template:User|Max}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Max Neupert]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=User_talk:Bareenparvez&amp;diff=137404</id>
		<title>User talk:Bareenparvez</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=User_talk:Bareenparvez&amp;diff=137404"/>
		<updated>2024-02-23T18:22:22Z</updated>

		<summary type="html">&lt;p&gt;Max: Created page with &amp;quot;Hi there --~~~~&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hi there --[[User:Max|Max]] ([[User talk:Max|talk]]) 18:22, 23 February 2024 (UTC)&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137329</id>
		<title>GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137329"/>
		<updated>2024-02-20T15:53:11Z</updated>

		<summary type="html">&lt;p&gt;Max: Undo revision 137328 by Max (talk)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Microbial fuel cell==&lt;br /&gt;
&lt;br /&gt;
===materials:===&lt;br /&gt;
&lt;br /&gt;
* Petri dish &lt;br /&gt;
* Hot glue/ glue gun &lt;br /&gt;
* 2 cables with 2 contacts each&lt;br /&gt;
* Crocodile cable&lt;br /&gt;
* mud&lt;br /&gt;
* water&lt;br /&gt;
* Voltmeter &lt;br /&gt;
* Agar-Agar Powder&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Experiment===&lt;br /&gt;
&lt;br /&gt;
# Mix agar-agar powder with water which will later be placed in the middle of the Petri dish. --&amp;gt; allow to set&lt;br /&gt;
# Glue both cables with contacts on opposite sides of the Petri dish with a glue gun. (pic1) --&amp;gt; Make sure that the glue does not come into contact with the end of the cable.&lt;br /&gt;
# Put the agar-agar, which has become solid in the meantime, in the middle of the petri dish, so that it will later become the connecting piece between the two sides of the petri dish. (pic2)&lt;br /&gt;
# Fix the agar-agar in the middle with the help of the glue. The glue should be applied thickly over the entire middle of the dish so that a kind of wall is created between the two cables.(pic3) --&amp;gt; Important: &#039;&#039;&#039;do not leave any gaps&#039;&#039;&#039; when glueing, otherwise the experiment will not work properly.&lt;br /&gt;
# Then pour water onto one side of the bowl and make sure that the contact of the cable is covered. --&amp;gt; Now do the same on the opposite side with the previously collected mud. --&amp;gt; Again: Make sure that the water and the mud do not mix. (pic4)&lt;br /&gt;
# Adapters can now be attached to the cables, which are connected to a voltmeter.(Pic5)&lt;br /&gt;
# At the end of the experiment, a voltage should be read off.(pic6)&lt;br /&gt;
# The aim of the experiment is to generate more and more voltage. --&amp;gt; This can be done by covering the dish after the project and letting it stand. After some time, more and more bacteria form in the sludge, which means that if you repeat the experiment after a week, a higher voltage will be measurable.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[[File:202211201.jpg|400px]] Pic1&lt;br /&gt;
[[File:202211202.jpg|400px]]Pic2&lt;br /&gt;
[[File:202211203.jpg|400px]]Pic3&lt;br /&gt;
[[File:2022112014.jpg|400px]]Pic4&lt;br /&gt;
[[File:20221025_163742.jpg|400px]]Pic5&lt;br /&gt;
[[File:20221025_163748.jpg|400px]]Pic6&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137328</id>
		<title>GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137328"/>
		<updated>2024-02-20T15:52:34Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Microbial fuel cell==&lt;br /&gt;
&lt;br /&gt;
===materials:===&lt;br /&gt;
&lt;br /&gt;
* Petri dish &lt;br /&gt;
* Hot glue/ glue gun &lt;br /&gt;
* 2 cables with 2 contacts each&lt;br /&gt;
* Crocodile cable&lt;br /&gt;
* mud&lt;br /&gt;
* water&lt;br /&gt;
* Voltmeter &lt;br /&gt;
* Agar-Agar Powder&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Experiment===&lt;br /&gt;
&lt;br /&gt;
# Mix agar-agar powder with water which will later be placed in the middle of the Petri dish. --&amp;gt; allow to set&lt;br /&gt;
# Glue both cables with contacts on opposite sides of the Petri dish with a glue gun. (pic1) --&amp;gt; Make sure that the glue does not come into contact with the end of the cable.&lt;br /&gt;
# Put the agar-agar, which has become solid in the meantime, in the middle of the petri dish, so that it will later become the connecting piece between the two sides of the petri dish. (pic2)&lt;br /&gt;
# Fix the agar-agar in the middle with the help of the glue. The glue should be applied thickly over the entire middle of the dish so that a kind of wall is created between the two cables.(pic3) --&amp;gt; Important: &#039;&#039;&#039;do not leave any gaps&#039;&#039;&#039; when glueing, otherwise the experiment will not work properly.&lt;br /&gt;
# Then pour water onto one side of the bowl and make sure that the contact of the cable is covered. --&amp;gt; Now do the same on the opposite side with the previously collected mud. --&amp;gt; Again: Make sure that the water and the mud do not mix. (pic4)&lt;br /&gt;
# Adapters can now be attached to the cables, which are connected to a voltmeter.(Pic5)&lt;br /&gt;
# At the end of the experiment, a voltage should be read off.(pic6)&lt;br /&gt;
# The aim of the experiment is to generate more and more voltage. --&amp;gt; This can be done by covering the dish after the project and letting it stand. After some time, more and more bacteria form in the sludge, which means that if you repeat the experiment after a week, a higher voltage will be measurable.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[[File:202211201.jpg|400px]] Pic1&lt;br /&gt;
[[File:202211202.jpg|400px]]Pic2&lt;br /&gt;
[[File:202211203.jpg|400px]]Pic3&lt;br /&gt;
[[File:2022112014.jpg|400px]]Pic4&lt;br /&gt;
[[File:20221025_163742.jpg]]Pic5&lt;br /&gt;
[[File:20221025_163748.jpg]]Pic6&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137327</id>
		<title>GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137327"/>
		<updated>2024-02-20T15:51:47Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Microbial fuel cell */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Microbial fuel cell==&lt;br /&gt;
&lt;br /&gt;
===materials:===&lt;br /&gt;
&lt;br /&gt;
* Petri dish &lt;br /&gt;
* Hot glue/ glue gun &lt;br /&gt;
* 2 cables with 2 contacts each&lt;br /&gt;
* Crocodile cable&lt;br /&gt;
* mud&lt;br /&gt;
* water&lt;br /&gt;
* Voltmeter &lt;br /&gt;
* Agar-Agar Powder&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Experiment===&lt;br /&gt;
&lt;br /&gt;
# Mix agar-agar powder with water which will later be placed in the middle of the Petri dish. --&amp;gt; allow to set&lt;br /&gt;
# Glue both cables with contacts on opposite sides of the Petri dish with a glue gun. (pic1) --&amp;gt; Make sure that the glue does not come into contact with the end of the cable.&lt;br /&gt;
# Put the agar-agar, which has become solid in the meantime, in the middle of the petri dish, so that it will later become the connecting piece between the two sides of the petri dish. (pic2)&lt;br /&gt;
# Fix the agar-agar in the middle with the help of the glue. The glue should be applied thickly over the entire middle of the dish so that a kind of wall is created between the two cables.(pic3) --&amp;gt; Important: &#039;&#039;&#039;do not leave any gaps&#039;&#039;&#039; when glueing, otherwise the experiment will not work properly.&lt;br /&gt;
# Then pour water onto one side of the bowl and make sure that the contact of the cable is covered. --&amp;gt; Now do the same on the opposite side with the previously collected mud. --&amp;gt; Again: Make sure that the water and the mud do not mix. (pic4)&lt;br /&gt;
# Adapters can now be attached to the cables, which are connected to a voltmeter.(Pic5)&lt;br /&gt;
# At the end of the experiment, a voltage should be read off.(pic6)&lt;br /&gt;
# The aim of the experiment is to generate more and more voltage. --&amp;gt; This can be done by covering the dish after the project and letting it stand. After some time, more and more bacteria form in the sludge, which means that if you repeat the experiment after a week, a higher voltage will be measurable.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[[File:202211201.jpg|400px]] Pic1&lt;br /&gt;
[[File:202211202.jpg|400px]]Pic2&lt;br /&gt;
[[File:202211203.jpg|400px]]Pic3&lt;br /&gt;
[[File:2022112014.jpg|400px]]Pic4&lt;br /&gt;
[[File:20221025_163742.jpg|400px]]Pic5&lt;br /&gt;
[[File:20221025_163748.jpg|400px]]Pic6&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Microbial_fuel_cell&amp;diff=137326</id>
		<title>Microbial fuel cell</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Microbial_fuel_cell&amp;diff=137326"/>
		<updated>2024-02-20T15:48:34Z</updated>

		<summary type="html">&lt;p&gt;Max: Max moved page Microbial fuel cell to GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell: use subpages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137325</id>
		<title>GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Microbial_fuel_cell&amp;diff=137325"/>
		<updated>2024-02-20T15:48:34Z</updated>

		<summary type="html">&lt;p&gt;Max: Max moved page Microbial fuel cell to GMU:Sustainable Aesthetics/Cindy Augustin/Microbial fuel cell: use subpages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Microbial fuel cell==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;materials:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
- Petri dish &lt;br /&gt;
&lt;br /&gt;
- Hot glue/ glue gun&lt;br /&gt;
&lt;br /&gt;
- 2 cables with 2 contacts each&lt;br /&gt;
&lt;br /&gt;
- Crocodile cable&lt;br /&gt;
&lt;br /&gt;
- mud&lt;br /&gt;
&lt;br /&gt;
- water&lt;br /&gt;
&lt;br /&gt;
- Voltmeter &lt;br /&gt;
&lt;br /&gt;
- Agar- Agar Powder&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Experiment&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1.&#039;&#039;&#039; Mix agar-agar powder with water which will later be placed in the middle of the Petri dish.&lt;br /&gt;
&lt;br /&gt;
--&amp;gt; allow to set&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2.&#039;&#039;&#039; Glue both cables with contacts on opposite sides of the Petri dish with a glue gun. (pic1)&lt;br /&gt;
&lt;br /&gt;
--&amp;gt; Make sure that the glue does not come into contact with the end of the cable.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3.&#039;&#039;&#039; Put the agar-agar, which has become solid in the meantime, in the middle of the petri dish, so that it will later become the connecting piece between the two sides of the petri dish. (pic2)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4.&#039;&#039;&#039; Fix the agar-agar in the middle with the help of the glue.&lt;br /&gt;
&lt;br /&gt;
The glue should be applied thickly over the entire middle of the dish so that a kind of wall is created between the two cables.(pic3)&lt;br /&gt;
&lt;br /&gt;
--&amp;gt; Important: &#039;&#039;&#039;do not leave any gaps&#039;&#039;&#039; when glueing, otherwise the experiment will not work properly.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5.&#039;&#039;&#039; Then pour water onto one side of the bowl and make sure that the contact of the cable is covered.&lt;br /&gt;
&lt;br /&gt;
--&amp;gt; Now do the same on the opposite side with the previously collected mud. &lt;br /&gt;
&lt;br /&gt;
--&amp;gt; Again: Make sure that the water and the mud do not mix. (pic4)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;6.&#039;&#039;&#039; Adapters can now be attached to the cables, which are connected to a voltmeter.(Pic5)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;7.&#039;&#039;&#039; At the end of the experiment, a voltage should be read off.(pic6)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;8.&#039;&#039;&#039; The aim of the experiment is to generate more and more voltage.&lt;br /&gt;
&lt;br /&gt;
--&amp;gt; This can be done by covering the dish after the project and letting it stand. After some time, more and more bacteria form in the sludge, which means that if you repeat the experiment after a week, a higher voltage will be measurable.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[[File:202211201.jpg|400px]] Pic1&lt;br /&gt;
[[File:202211202.jpg|400px]]Pic2&lt;br /&gt;
[[File:202211203.jpg|400px]]Pic3&lt;br /&gt;
[[File:2022112014.jpg|400px]]Pic4&lt;br /&gt;
[[File:20221025_163742.jpg|400px]]Pic5&lt;br /&gt;
[[File:20221025_163748.jpg|400px]]Pic6&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Materials_I_bought&amp;diff=137324</id>
		<title>Materials I bought</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Materials_I_bought&amp;diff=137324"/>
		<updated>2024-02-20T15:47:44Z</updated>

		<summary type="html">&lt;p&gt;Max: Max moved page Materials I bought to GMU:Sustainable Aesthetics/Cindy Augustin/Materials I bought: use subpages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:Sustainable Aesthetics/Cindy Augustin/Materials I bought]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Materials_I_bought&amp;diff=137323</id>
		<title>GMU:Sustainable Aesthetics/Cindy Augustin/Materials I bought</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics/Cindy_Augustin/Materials_I_bought&amp;diff=137323"/>
		<updated>2024-02-20T15:47:44Z</updated>

		<summary type="html">&lt;p&gt;Max: Max moved page Materials I bought to GMU:Sustainable Aesthetics/Cindy Augustin/Materials I bought: use subpages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:20221116_174632.jpg|400px]]&lt;br /&gt;
[[File:20221116_174542.jpg|400px]]&lt;br /&gt;
[[File:20221116_174624.jpg|400px]]&lt;br /&gt;
[[File:20221125_114031.jpg|400px]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics&amp;diff=137322</id>
		<title>GMU:Sustainable Aesthetics</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sustainable_Aesthetics&amp;diff=137322"/>
		<updated>2024-02-20T15:46:28Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Students */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[:Category:Werkmodul|Werkmodul]] [[:Category:Fachmodul|Fachmodul]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Lecturer(s):&#039;&#039; [[:Category:Mindaugas Gapševičius|Mindaugas Gapševičius]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Credits:&#039;&#039; 4 [[SWS]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Date: Tuesdays 13.30-16.45&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Venue:&#039;&#039; DIY Biolab @ [[Marienstraße 7b]], [[Marienstraße 7b/202|Room 202]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;First meeting:&#039;&#039; 18.10.2022&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;BBB:&#039;&#039; https://meeting.uni-weimar.de/b/min-dvy-bzm-day&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
When humans talk about sustainability, they usually talk about sustainability in environmental, economic and social dimensions, leaving aesthetics as a means of expressing concerns in times of crisis. Documenta 15 also phrased it this way, specifically, &amp;quot;How can a globally oriented art exhibition ... minimize harm to the environment and, at the same time, be economically and socially fair?&amp;quot; While not forgetting to list the environmentally, ecologically, and socially fair solutions, the achieved aesthetic position convinces in its sustainability - the focus of the Documenta 15 is on the creation of social networks and not on production. What would be the goals of sustainable art?&lt;br /&gt;
&lt;br /&gt;
This course is an invitation to rethink sustainability in art production. Students will be invited to consider their strategies, forms, and formats for expressing themselves. We will discuss media art (including the use of computers and living matter) and try to find answers for sustainable ways in artistic methods and forms. Practically, we will experiment with energy harvesting from living matter (e.g. microbes, humans). We will also look into art projects that use ultra-low voltage solutions.&lt;br /&gt;
&lt;br /&gt;
The developed projects will be expected to be documented in detail in the GMU Wiki.&lt;br /&gt;
&lt;br /&gt;
==Students==&lt;br /&gt;
* [[/Amelia Eickhoff/]]&lt;br /&gt;
* [[/Passion Asasu/]] -- Fah&lt;br /&gt;
* [[/Cindy Augustin/]]&lt;br /&gt;
* [[/Leandra Annekathrin Maretzky/]]&lt;br /&gt;
* [[/Viviane Morais Dantas/]]&lt;br /&gt;
* [[/Alaina Sophie Nugnis/]]&lt;br /&gt;
* [[/Juyoun Oh/]]&lt;br /&gt;
* [[/Betül Peker/]]&lt;br /&gt;
* [[/Friedrich Wilhelm Albrecht Pittelkow/]]&lt;br /&gt;
* [[/Cosmo Niklas Schüppel/]]&lt;br /&gt;
* [[/Dahye Seo/]]&lt;br /&gt;
* [[/Jennifer Alice Soggia/]]&lt;br /&gt;
&lt;br /&gt;
==Syllabus==&lt;br /&gt;
* 18.10.2022 [[/Introduction]] -- Joule thief&lt;br /&gt;
* 25.10.2022 [[/MFC]] -- Microbial Fuel Cell&lt;br /&gt;
* 01.11.2022 [[/Biofeedback]] -- Capturing tiny electrical potentials in an organism&lt;br /&gt;
* 08.11.2022 [[/Slime molds]] -- How to take care of physarum polycephalum&lt;br /&gt;
* 15.11.2022 -- wrapping up individual ideas&lt;br /&gt;
* 22.11.2022 [[/Readings]] -- wrapping up individual ideas&lt;br /&gt;
* 29.11.2022 [[/Readings]] -- Reading John Dewey&lt;br /&gt;
* 06.12.2022 [[/Readings]] -- Reading Hegel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:WS22]]&lt;br /&gt;
[[Category:Werkmodul]]&lt;br /&gt;
[[Category:Fachmodul]]&lt;br /&gt;
[[Category:Mindaugas Gapševičius]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Jan_Georg_Gl%C3%B6ckner&amp;diff=137319</id>
		<title>Jan Georg Glöckner</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Jan_Georg_Gl%C3%B6ckner&amp;diff=137319"/>
		<updated>2024-02-20T12:22:00Z</updated>

		<summary type="html">&lt;p&gt;Max: remove double redirect&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:DIY Biolab “Driver’s License”/Jan Georg Glöckner]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Project_Presentation/Growing_Bacteria_for_my_Project&amp;diff=137318</id>
		<title>Project Presentation/Growing Bacteria for my Project</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Project_Presentation/Growing_Bacteria_for_my_Project&amp;diff=137318"/>
		<updated>2024-02-20T12:21:21Z</updated>

		<summary type="html">&lt;p&gt;Max: remove double redirect&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:DIY Bio: doing things with biology/Sirin Unmanee/Growing Bacteria for my Project]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Experiment&amp;diff=137317</id>
		<title>Experiment</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Experiment&amp;diff=137317"/>
		<updated>2024-02-20T12:20:44Z</updated>

		<summary type="html">&lt;p&gt;Max: remove double redirect&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[GMU:Sustaiunable Aesthetics/Experiment]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS24&amp;diff=137301</id>
		<title>Template:IFD SS24</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS24&amp;diff=137301"/>
		<updated>2024-02-19T16:52:32Z</updated>

		<summary type="html">&lt;p&gt;Max: Created page with &amp;quot;== Summer semester 2024 == 550px&amp;lt;br/&amp;gt; Curriculum Overview Winter Semester 2023 PDF  &amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt; IFD Semester Course Presentation will take place on &amp;lt;br/&amp;gt;Thursday, 5 October 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt; IFD Semester Consultations will take place on &amp;lt;br/&amp;gt;Friday, 6 October 2023 at 10am-11am on  [http...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Summer semester 2024 ==&lt;br /&gt;
[[File:Curriculum Overview Winter Semester 2023.jpeg|550px]]&amp;lt;br/&amp;gt;&lt;br /&gt;
[[Media:Curriculum Overview Winter Semester 2023 PDF.pdf|Curriculum Overview Winter Semester 2023 PDF]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
IFD Semester Course Presentation will take place on &amp;lt;br/&amp;gt;Thursday, 5 October 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
IFD Semester Consultations will take place on &amp;lt;br/&amp;gt;Friday, 6 October 2023 at 10am-11am on  [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Projektmodule / Project Modules:&lt;br /&gt;
* [[IFD:EH_WiSe23|&#039;&#039;&#039;Enlightening Narratives&#039;&#039;&#039; - artistic approach to light, sound, perception and interaction]]&#039;&#039; (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier&#039;&#039;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Fachmodule:&lt;br /&gt;
* [[IFD:SSLS_WiSe23|Sound Source - Light Sink]]&#039;&#039; (Fachmodul BFA/MFA) - Clemens Wegener&#039;&#039;&lt;br /&gt;
* [[IFD:PADH_WiSe23|Photogrammetry for Art and Digital Heritage]]&#039;&#039; (Fachmodul BFA/MFA) - Jesús Velázquez&#039;&#039;&lt;br /&gt;
* [[IFD:PC_SoSe23|Physical Computing: Designing Bright Ideas]]&#039;&#039; (Fachmodul MFA) - Brian Larson Clark&#039;&#039;&lt;br /&gt;
* [[IFD:Synthesizer Soldering Workshop]] &#039;&#039;Workshop - Max Neupert&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Kolloquium:&lt;br /&gt;
* [[IFD:Kolloq_WiSe23|Kolloquium]] &#039;&#039;- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez&#039;&#039;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;noinclude&amp;gt;[[Category:Template]]&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Start&amp;diff=137300</id>
		<title>IFD:Start</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Start&amp;diff=137300"/>
		<updated>2024-02-19T16:51:14Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;blockquote&amp;gt;We design, develop and implement interfaces and applications&amp;lt;br /&amp;gt;that enable and facilitate access to the digital world&amp;lt;br /&amp;gt;in interactive, networked and physical environments.&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome to the Interface Design MediaWiki!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Willkommen im MediaWiki der Professur Interface Design!&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
* [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/ Professorship Website]&lt;br /&gt;
* [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/people/ Professorship Staff and Contact Information]&lt;br /&gt;
*[https://bit.ly/3Z6kMzo Interface Design Curriculum Catalog SoS23]&lt;br /&gt;
&amp;lt;!--* [https://bit.ly/3SSXGJX Interface Design Curriculum Catalog WS22/23]&lt;br /&gt;
* [https://bit.ly/2WGNEV1 Interface Design Curriculum Catalog SS22]&lt;br /&gt;
* [https://bit.ly/3r4MFXE Interface Design Curriculum Catalog SoS22]&lt;br /&gt;
* [https://bit.ly/2SDd28q Interface Design Curriculum Catalog WS20/21]&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
&#039;&#039;&#039;Please note that due to the COVID-19 pandemic, the beginning of the Summer Semester has been postponed until at least 4. May 2020. More information is available from the university [https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/servicezentrum-sicherheitsmanagement/information-zum-coronavirus/ here].&#039;&#039;&#039;&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;!-- [[File:Idmouse.jpg|320px|right]] --&amp;gt;&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
----&lt;br /&gt;
&amp;lt;br clear=&amp;quot;all&amp;quot; /&amp;gt;&lt;br /&gt;
[[File:Showreel_ws15_plakat.png|400px|right|link=IFD:ShowreelWS15]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Showreel WS15&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Professur Interface Design&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Do, 4. Februar 2015&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;13:30 bis 16:00 Uhr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Audimax&lt;br /&gt;
&lt;br /&gt;
Die Präsentation der Professur Interface Design bietet die Möglichkeit,&amp;lt;br&amp;gt; einen Einblick in die Semesterarbeiten und die Inhalte der angebotenen Module zu&amp;lt;br&amp;gt; bekommen. Die Veranstaltung lädt nicht nur Studenten des Bereichs Interface Design &amp;lt;br&amp;gt;ein, sondern ist offen für alle Interessierten. [[IFD:ShowreelWS15|Mehr Informationen hier]]…&lt;br /&gt;
&lt;br /&gt;
The final presentations of the Interface Design Group&amp;lt;br&amp;gt;&lt;br /&gt;
showcase projects created during the semester and&amp;lt;br&amp;gt;&lt;br /&gt;
offer a glimpse into the content of the courses on offer.&amp;lt;br&amp;gt;&lt;br /&gt;
Both students and the public are cordially invited to attend this event.&amp;lt;br&amp;gt;&lt;br /&gt;
[[IFD:ShowreelWS15|More information here]]…&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;br clear=&amp;quot;all&amp;quot; /&amp;gt;&lt;br /&gt;
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&lt;br /&gt;
== Featured Content ==&lt;br /&gt;
* [[IFD:Digital_Bauhaus_Vorkurs|Digital Bauhaus]]&lt;br /&gt;
&amp;lt;!--* [[Crash Course Electronics]]--&amp;gt;&lt;br /&gt;
* [[Crash Course Programming for Arduino|Quickstart Programming for Arduino]]&lt;br /&gt;
* [[IFD:Grundlagen der Webprogrammierung|Basics of Web Programming]]&lt;br /&gt;
* [[Interfaces|Interfaces Mensch-Maschine]] (Linkliste)&lt;br /&gt;
* [[Mobile Interaction]]&lt;br /&gt;
* [[Multitouch]]&lt;br /&gt;
* [[Tracking Motion Detection|Übersicht Motion-Capturing/-Detection/-Tracking]]&lt;br /&gt;
* [[:Category:Theorie|Übersicht Kategorie &amp;quot;Theorie&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
{{Template:Startseite}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Interface-Design]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Start&amp;diff=137158</id>
		<title>IFD:Start</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Start&amp;diff=137158"/>
		<updated>2024-02-09T11:21:13Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;blockquote&amp;gt;We design, develop and implement interfaces and applications&amp;lt;br /&amp;gt;that enable and facilitate access to the digital world&amp;lt;br /&amp;gt;in interactive, networked and physical environments.&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome to the Interface Design MediaWiki!&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Willkommen im MediaWiki der Professur Interface Design!&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
* [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/ Professorship Website]&lt;br /&gt;
* [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/people/ Professorship Staff and Contact Information]&lt;br /&gt;
*[https://bit.ly/3Z6kMzo Interface Design Curriculum Catalog SoS23]&lt;br /&gt;
&amp;lt;!--* [https://bit.ly/3SSXGJX Interface Design Curriculum Catalog WS22/23]&lt;br /&gt;
* [https://bit.ly/2WGNEV1 Interface Design Curriculum Catalog SS22]&lt;br /&gt;
* [https://bit.ly/3r4MFXE Interface Design Curriculum Catalog SoS22]&lt;br /&gt;
* [https://bit.ly/2SDd28q Interface Design Curriculum Catalog WS20/21]&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
&#039;&#039;&#039;Please note that due to the COVID-19 pandemic, the beginning of the Summer Semester has been postponed until at least 4. May 2020. More information is available from the university [https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/servicezentrum-sicherheitsmanagement/information-zum-coronavirus/ here].&#039;&#039;&#039;&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;!-- [[File:Idmouse.jpg|320px|right]] --&amp;gt;&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
----&lt;br /&gt;
&amp;lt;br clear=&amp;quot;all&amp;quot; /&amp;gt;&lt;br /&gt;
[[File:Showreel_ws15_plakat.png|400px|right|link=IFD:ShowreelWS15]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Showreel WS15&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Professur Interface Design&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Do, 4. Februar 2015&#039;&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;13:30 bis 16:00 Uhr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Audimax&lt;br /&gt;
&lt;br /&gt;
Die Präsentation der Professur Interface Design bietet die Möglichkeit,&amp;lt;br&amp;gt; einen Einblick in die Semesterarbeiten und die Inhalte der angebotenen Module zu&amp;lt;br&amp;gt; bekommen. Die Veranstaltung lädt nicht nur Studenten des Bereichs Interface Design &amp;lt;br&amp;gt;ein, sondern ist offen für alle Interessierten. [[IFD:ShowreelWS15|Mehr Informationen hier]]…&lt;br /&gt;
&lt;br /&gt;
The final presentations of the Interface Design Group&amp;lt;br&amp;gt;&lt;br /&gt;
showcase projects created during the semester and&amp;lt;br&amp;gt;&lt;br /&gt;
offer a glimpse into the content of the courses on offer.&amp;lt;br&amp;gt;&lt;br /&gt;
Both students and the public are cordially invited to attend this event.&amp;lt;br&amp;gt;&lt;br /&gt;
[[IFD:ShowreelWS15|More information here]]…&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&amp;lt;br clear=&amp;quot;all&amp;quot; /&amp;gt;&lt;br /&gt;
{{Template:IFD_WS23}}&lt;br /&gt;
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&lt;br /&gt;
== Featured Content ==&lt;br /&gt;
* [[IFD:Digital_Bauhaus_Vorkurs|Digital Bauhaus]]&lt;br /&gt;
&amp;lt;!--* [[Crash Course Electronics]]--&amp;gt;&lt;br /&gt;
* [[Crash Course Programming for Arduino|Quickstart Programming for Arduino]]&lt;br /&gt;
* [[IFD:Grundlagen der Webprogrammierung|Basics of Web Programming]]&lt;br /&gt;
* [[Interfaces|Interfaces Mensch-Maschine]] (Linkliste)&lt;br /&gt;
* [[Mobile Interaction]]&lt;br /&gt;
* [[Multitouch]]&lt;br /&gt;
* [[Tracking Motion Detection|Übersicht Motion-Capturing/-Detection/-Tracking]]&lt;br /&gt;
* [[:Category:Theorie|Übersicht Kategorie &amp;quot;Theorie&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
{{Template:Startseite}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Interface-Design]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS23&amp;diff=137137</id>
		<title>Template:IFD WS23</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS23&amp;diff=137137"/>
		<updated>2024-02-01T16:01:08Z</updated>

		<summary type="html">&lt;p&gt;Max: /* Wintersemester 2023/2024 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Wintersemester 2023/2024 ==&lt;br /&gt;
[[File:Curriculum Overview Winter Semester 2023.jpeg|550px]]&amp;lt;br/&amp;gt;&lt;br /&gt;
[[Media:Curriculum Overview Winter Semester 2023 PDF.pdf|Curriculum Overview Winter Semester 2023 PDF]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
IFD Semester Course Presentation will take place on &amp;lt;br/&amp;gt;Thursday, 5 October 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
IFD Semester Consultations will take place on &amp;lt;br/&amp;gt;Friday, 6 October 2023 at 10am-11am on  [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Projektmodule / Project Modules:&lt;br /&gt;
* [[IFD:EH_WiSe23|&#039;&#039;&#039;Enlightening Narratives&#039;&#039;&#039; - artistic approach to light, sound, perception and interaction]]&#039;&#039; (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier&#039;&#039;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Fachmodule:&lt;br /&gt;
* [[IFD:SSLS_WiSe23|Sound Source - Light Sink]]&#039;&#039; (Fachmodul BFA/MFA) - Clemens Wegener&#039;&#039;&lt;br /&gt;
* [[IFD:PADH_WiSe23|Photogrammetry for Art and Digital Heritage]]&#039;&#039; (Fachmodul BFA/MFA) - Jesús Velázquez&#039;&#039;&lt;br /&gt;
* [[IFD:PC_SoSe23|Physical Computing: Designing Bright Ideas]]&#039;&#039; (Fachmodul MFA) - Brian Larson Clark&#039;&#039;&lt;br /&gt;
* [[IFD:Synthesizer Soldering Workshop]] &#039;&#039;Workshop - Max Neupert&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
Kolloquium:&lt;br /&gt;
* [[IFD:Kolloq_WiSe23|Kolloquium]] &#039;&#039;- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez&#039;&#039;&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;lt;noinclude&amp;gt;[[Category:Template]]&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=137071</id>
		<title>Mahlzeit</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Mahlzeit&amp;diff=137071"/>
		<updated>2024-01-15T13:45:21Z</updated>

		<summary type="html">&lt;p&gt;Max: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* [http://www.stw-thueringen.de/deutsch/mensen/einrichtungen/weimar/mensa-am-park.html Mensa am Park] - [http://www.thueringen.my-mensa.de/chooser.php?v=4670314&amp;amp;hyp=1&amp;amp;mensa=all#weimar1_tage Speiseplan (Mobile)]&lt;br /&gt;
* Peperoncino Italienische Feinkost Maurizio Peronaci, Steubenstraße 14 Tel. (03643) 4899299&lt;br /&gt;
* [https://www.12s-weimar.de 12 Sterne Phò] &lt;br /&gt;
* [https://www.pizzeria-da-antonio.com Pizzeria Antonio] Windischenstraße 33 Tel. (03643) 490119 ‎ &lt;br /&gt;
* [https://giancarlo-weimar.de/mi-piace/ Mi Piace] &lt;br /&gt;
* Bim-Bim China/Thai Restaurant Steubenstr. 4 Tel. (03643) 903260 – Montag geschlossen&lt;br /&gt;
* [http://www.eckermannhaus.de Trattoria im Eckermannhaus] – Montag geschlossen&lt;br /&gt;
* [https://www.instagram.com/pause_im_dnt_weimar PAUSE im DNT] — Kantine des Nationaltheaters &lt;br /&gt;
* DAMAS — Syrische Küche&lt;br /&gt;
* Gretchens Restaurant im [https://familienhotel-weimar.de/restaurant.html Familienhotel Weimar]&lt;br /&gt;
* [http://www.ristorante-versilia.de/ Ristorante Versilia]&lt;br /&gt;
* [http://www.acc-cafe.de ACC Café-Restaurant Wochenkarte]&lt;br /&gt;
* [https://bioweimar.de/bio_bistro_rosmarin/ Suppenbar Estragon] (jetzt) Bio.&lt;br /&gt;
* [https://www.facebook.com/koi.7weimar Koi.7] Mittagstisch 11:30 - 15:00  – Sonntag geschlossen&lt;br /&gt;
* [http://sanrestaurant.de San Korea Restaurant] Eisfeld 4 – Montag geschlossen&lt;br /&gt;
* Frauentor Café und Restaurant [https://www.cafe-frauentor.de/de/speise-und-getraenkekarte.html Speisekarte]&lt;br /&gt;
* [https://trattoria-da-giuseppe-weimar.9gg.de/ Trattoria da Guiseppe] (6EUR Mittagstisch) Vorwerksgasse 3 – Samstag und Sonntag geschlossen&lt;br /&gt;
* [http://sushibar-weimar.de Shushibar] hinter der Limona – Sonntag geschlossen&lt;br /&gt;
* [http://www.indisches-restaurant-weimar.de Indisches Restaurant Weimar]&lt;br /&gt;
* [https://www.facebook.com/Ilha-Formosa-Weimar-101528142156899/ Ilha Formosa Weimar] Taiwanesische Küche – Montag geschlossen.&lt;br /&gt;
&lt;br /&gt;
===Siehe auch===&lt;br /&gt;
&lt;br /&gt;
* [[Prost]]&lt;/div&gt;</summary>
		<author><name>Max</name></author>
	</entry>
</feed>