https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=MartinHesselmeier 2026-08-14T17:27:54Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Guiding_principles_for_project_documentations_in_Interface_Design_modules&diff=142621 2026-07-10T08:32:37Z

<p>MartinHesselmeier: /* Credits */</p> <hr /> <div>There are myriad ways of producing a good and professional documentation of the projects that you develop during your studies. High quality documentations of your work can strongly elevate your works reception. The quality and character of the documentation will in many cases decide, how (and if!) you work is being perceived. In many cases, good photos/videos can make or break how successful future applications will be. Also, developing your own documentation skills can make you more self-sufficient as a creative, which may save you some money in the future.<br /> <br /> So, you have finished and exhibited/performed/presented your work and now you want to document the (intermediary) result of your artistic or design process. Strategically, there are arguable (at least) two main approaches:<br /> <br /> # You're aiming for a documentation that gives a neutral insight into how your work ''naturally'' appears in space.<br /> # You're aiming for a documentation that aims to expand what one can experience with their own body in the exhibition space.<br /> <br /> <br /> While there is a tendency for attempted objectivity in the documentation from the more artistic direction, and a tendency to - to some degree - market/promote/advertise for your project in a more design direction, both are valid and intensely used strategies in different fields across art, design, architecture. <br /> <br /> This is of course just a first plateau of reflecting on what you aim for with your works -- ultimately tying together a positioning towards/against the established aesthetics of the field that you steer your career towards, the &quot;natural&quot; appearance of how your work behaves in different kinds of spaces (white cube, dark room, offspace, etc.), as well as your own idiosyncratic visual/sonic/textual vocabulary.<br /> <br /> It's strongly encouraged to make use as much as possible of the university's facilities: For smaller objects (devices, publications, PCBs, etc.) make use of the small photo station and the professional photo lights. For larger spatial installations consider either the photo studio, or temporarily setting up your work (for example for a dark room in the cellar of Marienstr. 5, or for a clean white background in Marienstr. 7b, room 002 - both may be more easily availble during the lecture-free period). Cameras and audio recorders can be borrowed from the university. Please check out the Media-Point of the university for borrowing equipment, as well as computers for editing: https://www.uni-weimar.de/de/kunst-und-gestaltung/struktur/werkstaetten-ausstattung/zentrale-werkstaetten/mediapoint-im-medienhaus/ <br /> <br /> <br /> <br /> Either way, a documentation becomes high quality through an excellent setup and in turn: good and professional photos and videos, and lastly, a well-written description. To each of these components we would like to offer some tipps:<br /> <br /> ==== High quality photos ====<br /> Use lighting with consistent color temperature. Indoors, this is achieved most reliably by shutting down curtains and working with a controllable light source (aka professional photo lights). If you are using your own LED-based light source, make sure to use LEDs with a high CRI value.<br /> <br /> Photos should be geometrically corrected. That means in spatial depictions vertical walls should be 100% parallel to the left/right edge of the image. Same goes for square motifs like a printed publications, PCB, etc.<br /> <br /> The white balance should be appropriately set: Monochrome (i.e. grey) areas in the image should be *truly* monochrome RGB values, like rgb(125,125,125). <br /> <br /> The brightest point should not be 100% white, but rather max. 95% white rgb(240, 240, 240). Apart from a more softer appearance, this will make sure that your images will not blend in too much with the background on white backgrounds (in websites for example).<br /> <br /> ==== High quality video ====<br /> Most of the tipps from the photos section are also applicable. Additionally, we do recommend:<br /> <br /> Use a tripod! Unless you're filming a running or a horror scene, don't include shaky footage.<br /> <br /> Your video should cover all relevant angles and perspectives that one would be able to inspect while viewing your work, while keeping a steady pace. Not too fast to be rushy, but also maybe not too awkwardly slow (unless that's intentionally what you're going for). <br /> <br /> Give the changes from different perspectives in your video an understandable rhythm. If you're not sure what may be a good &quot;choreography&quot; through the close ups, detail views, wide angles and full installation views, then: Watch a large amount of other documentation videos to find out what red thread through a documentation video you like.<br /> <br /> If you're documenting a media artistic work, most likely you don't want to add background music to your documentation that you wouldn't also hear when your work is exhibited. Adding an ambient or background &quot;soundtrack&quot; to your video with the intention to make your work more exciting, is most likely going to have the opposite effect. Instead, try to work with the sounds that your work is producing by itself: The noises of the motor, the sound of the air when your work is moving, the clicking of a relay, the slight humming of your PWM-controlled MOSFET, etc -- whatever sounds your work emits. And if your work is completely silence - then most likely your video should also show that.<br /> <br /> ^^^ That being said, there are occasions where complementary sound can be a good decision: A voice over, sound recordings that are conceptually relevant for your work, etc.<br /> <br /> Unless you're recording your video in a populated exhibition, try to somewhat remove background noise for your recordings to a reasonable degree.<br /> <br /> If your work involves a complex assemblage of technical processes that does not explain itself from the footage alone, one strategy to make your work more understandable could be to add text overlays and diagrams to your video. <br /> <br /> ==== Well-written project description ====<br /> Depending on how you are approaching your documentation, a well-written description can:<br /> <br /> * explain what you did<br /> * be a genuine expression of your interests in a specific material, phenomenon, event, idea, etc.<br /> * enhance the readers perception of your work<br /> * mention the technicalities of your project<br /> * give additional references<br /> * contextualize your work (and therefor your evolving practice!) in a wider discourse/field<br /> * be a smooth/fun/exciting reading experience :)<br /> <br /> ==== Credits ====<br /> Include the name that you want to be accredited as (might be your real name, your artist name, ...), as well as: the title of your work, the year/semester of development, your lecturers, the university department (Interface Design chair &amp; Media Art + Design study program), as well as the Bauhaus-Universität Weimar in the credits of the documentation. The university logo can be downloaded [https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/universitaetskommunikation/visuelle-kommunikation/logo/ here], and the Interface Design logo can be downloaded [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/images/Interface_Design_Logos.zip here].<br /> <br /> <br /> <br /> This document is part of the list of [[Conceptual Support Resources for Students]].</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142087 2026-04-02T12:56:21Z

<p>MartinHesselmeier: /* Syllabus */</p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |no class<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group II<br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group III<br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |'''Final Presentation'''<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142086 2026-04-02T12:51:36Z

<p>MartinHesselmeier: /* noBatteries Not Included – Solar Energy as Artistic Material */</p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |no class<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group II<br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group III<br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142085 2026-04-02T12:50:05Z

<p>MartinHesselmeier: /* Syllabus */</p> <hr /> <div>=noBatteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |no class<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group II<br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group III<br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142084 2026-04-02T12:49:08Z

<p>MartinHesselmeier: /* Batteries Not Included – Solar Energy as Artistic Material */</p> <hr /> <div>=noBatteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |no class<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group II<br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2'''Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group III<br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142079 2026-04-01T12:49:06Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group II<br /> <br /> Projectwork<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group III<br /> <br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' <br /> <br /> Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group IIII<br /> <br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142059 2026-03-31T07:32:44Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus ==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group II<br /> <br /> Projectwork<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group III<br /> <br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' <br /> <br /> Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group IIII<br /> <br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |<br /> |<br /> |<br /> |<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142058 2026-03-31T07:32:22Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group II<br /> <br /> Projectwork<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group III<br /> <br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' <br /> <br /> Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group IIII<br /> <br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |<br /> |<br /> |<br /> |<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142039 2026-03-27T13:40:42Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group II<br /> <br /> Projectwork<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group III<br /> <br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' <br /> <br /> Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group IIII<br /> <br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> prepare exhibition<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]<br /> *Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> *Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297<br /> *Micro Energy Harvesting / Briand, Danick, Yeatman, Eric, Roundy, Shad 2015 ISBN 3527672931<br /> *Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641<br /> *Design noir : the secret life of electronic objects / Dunne, Anthony *1964-* (2001) <br /> *Transform! : designing the future of energy / Kries, Mateo *1974-* ([2024]) &lt;nowiki&gt;ISBN 978-3-945852-59-0&lt;/nowiki&gt;<br /> *A History of Solar Power Art and Design / By Alex Nathanson 2021 ISBN 9781003030683<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014<br /> *Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142038 2026-03-27T13:35:14Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |14.04.2026<br /> |09:30-12:45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |21.04.2026<br /> |09:30-12:45<br /> |Solar Power I<br /> |-<br /> |3<br /> |28.04.2026-30.04.2026<br /> |<br /> |'''Workshop by Ralf Schreiber'''<br /> |-<br /> |4<br /> |05.05.2026<br /> |09:30-12:45<br /> |Solar Power II<br /> |-<br /> |5<br /> |12.05.2026<br /> |09:30-12:45<br /> |'''Plenum 1'''<br /> |-<br /> |6<br /> |19.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group I <br /> <br /> Projectwork<br /> |-<br /> |7<br /> |26.05.2026<br /> |09:30-12:45<br /> |Student Presentation, Group II<br /> <br /> Projectwork<br /> |-<br /> |8<br /> |02.06.2026<br /> |9:30h-16.00<br /> |Student Presentation, Group III<br /> <br /> Projectwork<br /> |-<br /> |9<br /> |09.06.2026<br /> |09:30-12:45<br /> |'''Plenum 2''' <br /> <br /> Midterm Presentations<br /> |-<br /> |10<br /> |16.06.2026<br /> |09:30-12:45<br /> |Student Presentation,, Group IIII<br /> <br /> Projectwork<br /> |-<br /> |11<br /> |23.06.2026-25.06.2026<br /> |<br /> |'''Excursion Manifesta'''<br /> |-<br /> |12<br /> |30.06.2026<br /> |09:30-12:45<br /> |individual consultations, Projectwork, prepare summaery 2026<br /> |-<br /> |13<br /> |07.07.2026<br /> |09:30-12:45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> prepare exhibition<br /> |-<br /> |15<br /> |09.–12.07.2026<br /> |<br /> |Summaery 2026<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *tba</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS26&diff=142023 2026-03-25T09:46:57Z

<p>MartinHesselmeier: </p> <hr /> <div>[[File:Curriculum Overview Summer Semester 26.jpg|550x550px]]<br /> <br /> TODO: -- Update Image + Curriculum<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on _______day, 1 April 2026 from 12:15 - 12:45 on ___(link to BBB)___<br /> https://www.uni-weimar.de/en/art-and-design/news/important-information-for-students-for-suse-2026/course-selection-and-project-presentations-plenary-sessions/<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_SoSe26|Batteries Not Included – Solar Energy as Artistic Material]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_SoSe26|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier, Ting-Chun Liu, Brian L. Clark, Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SwPCS_SoSe26|Sculpting with Printed Circuit Spaces]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM_SoSe26|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_SoSe26|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe26|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS26&diff=142022 2026-03-25T09:45:27Z

<p>MartinHesselmeier: </p> <hr /> <div>[[File:Curriculum Overview Summer Semester 26.jpg|550x550px]]<br /> <br /> TODO: -- Update Image + Curriculum<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on _______day, __ April 2026 from __:__ - __:__ on ___(link to BBB)___<br /> https://www.uni-weimar.de/en/art-and-design/news/important-information-for-students-for-suse-2026/course-selection-and-project-presentations-plenary-sessions/<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_SoSe26|Batteries Not Included – Solar Energy as Artistic Material]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_SoSe26|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier, Ting-Chun Liu, Brian L. Clark, Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SwPCS_SoSe26|Sculpting with Printed Circuit Spaces]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM_SoSe26|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_SoSe26|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe26|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS26&diff=142021 2026-03-25T09:44:48Z

<p>MartinHesselmeier: </p> <hr /> <div>[[File:Curriculum Overview Summer Semester 26.jpg|550x550px]]<br /> <br /> TODO: -- Update Image + Curriculum<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on _______day, __ April 2026 from __:__ - __:__ on ___(link to BBB)___<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_SoSe26|Batteries Not Included – Solar Energy as Artistic Material]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_SoSe26|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier, Ting-Chun Liu, Brian L. Clark, Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SwPCS_SoSe26|Sculpting with Printed Circuit Spaces]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM_SoSe26|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_SoSe26|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe26|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142020 2026-03-25T09:44:22Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *tba</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142019 2026-03-25T09:43:48Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> ''Excursion:
''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *tba</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142018 2026-03-25T09:42:48Z

<p>MartinHesselmeier: </p> <hr /> <div>=Batteries Not Included – Solar Energy as Artistic Material=<br /> Energy is the main driving force or our society; energy is political; energy is invisible. In previous centuries, energy appeared to be an inexhaustible resouce. Today, we know that using it sustainably and efficiently is crucial for our future on planet Earth. We need to rethink our approach. Instead of looking down into the earth for oil and gas, let´s start looking up to the sky for our energy. In the project module Batteries Not Included – Solar Energy as Artistic Material, we will search for the mysterious, speculative, humorous and imaginative use of renewable energy to enable artefacts to become self-sufficient.<br /> <br /> The focus is on generating energy with the help of the sun. In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. A joint exhibition is planned and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.<br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> '''WILD WEAK ELECTRONICS''' by Ralf Schreiber<br /> <br /> A workshop using only the weakest energy sources based on light, motion and electromagnetism. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic,..<br /> <br /> All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity. In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.<br /> <br /> Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 23-25 June 2026. All students from the project module are invited to take part.<br /> <br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module:<br /> <br /> Batteries Not Included – Physical Computing by Brian Larson Clark<br /> <br /> ==Registration==<br /> *Registration via the '''BISON portal'''<br /> *Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to:<br /> :martin.hesselmeier@uni-weimar.de<br /> ==Certificate of Achievement==<br /> *Regular attendance and participation<br /> *Participation in excursions, interim, and final presentations<br /> *Participation in the jointly organised exhibition at the end of the semester<br /> *Presentation of the work/project in the '''final presentation''' of the Interface Design professorship<br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as:<br /> *Work file<br /> *Film in '''MP4 format'''<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104<br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> ==Platforms and Tools==<br /> This Wiki<br /> <br /> [https://meeting.uni-weimar.de/ BigBlueButton]<br /> <br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost <br /> <br /> [https://www.figma.com/ Figma]<br /> ==Literature==<br /> *tba</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_SoSe26&diff=142017 2026-03-25T09:36:45Z

<p>MartinHesselmeier: Created page with &quot;test&quot;</p> <hr /> <div>test</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS26&diff=142010 2026-03-10T10:25:42Z

<p>MartinHesselmeier: </p> <hr /> <div>[[File:Curriculum Overview Summer Semester 26.jpg|550x550px]]<br /> <br /> TODO: -- Update Image + Curriculum<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on _______day, __ April 2026 from __:__ - __:__ on ___(link to BBB)___<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_SoSe26|Martin PM]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_SoSe26|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier, Ting-Chun Liu, Brian L. Clark, Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SwPCS_SoSe26|Sculpting with Printed Circuit Spaces]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM_SoSe26|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_SoSe26|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe26|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS26&diff=142009 2026-03-10T10:25:20Z

<p>MartinHesselmeier: </p> <hr /> <div>[[File:Curriculum Overview Summer Semester 26.jpg|550x550px]]== Sommersemester 2026 ==<br /> <br /> TODO: -- Update Image + Curriculum<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on _______day, __ April 2026 from __:__ - __:__ on ___(link to BBB)___<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_SoSe26|Martin PM]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_SoSe26|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier, Ting-Chun Liu, Brian L. Clark, Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SwPCS_SoSe26|Sculpting with Printed Circuit Spaces]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM_SoSe26|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_SoSe26|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe26|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Curriculum_Overview_Summer_Semester_26.jpg&diff=142008 2026-03-10T10:24:49Z

<p>MartinHesselmeier: </p> <hr /> <div>Curriculum Overview Summer Semester 26</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS25&diff=141651 2025-10-08T11:06:02Z

<p>MartinHesselmeier: /* Wintersemester 2025/2026 */</p> <hr /> <div>== Wintersemester 2025/2026 ==<br /> [[File:Curriculum Overview Winter Semester 2025 26.jpg|550x550px]]<br /> <br /> &lt;br/&gt;<br /> IFD Semester Course Presentation will take place&lt;br&gt;<br /> on Wednesday, 08 October 2025 from 12:15 - 12:45 on [https://www.uni-weimar.de/de/kunst-und-gestaltung/aktuell/infos-fuer-studierende-zum-wise-202526/infos-zur-kurswahl-und-projektpraesentationen/ Big Blue Button]<br /> &lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_WiSe25|Open Photonics Makerspace]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_WiSe25|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier &amp; Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:DV_FM_WiSe25|Tools, materials and approaches for FDM Rapid Prototyping REDUX]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_WiSe25|Physical Computing: Glow with the Flow]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:RGAD_WiSe25|Re/Generative Art + Design]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:DV_FM2_WiSe25|ML-based, Generative and Volumetric Imaging]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:CC_GLITCH_WiSe25|Gʟɨȶçɦɨռɢ ȶɦɛ ƈǟռʋåš: Chaotic Coding Workshop for Beginners]]'' (Fachmodul BA/MA) - Ting-Chun Liu &amp; Lotta Stöver''<br /> * [[IFD:DW_WiSe25|SuperPro© Artists #1 - Documentation Workshop]] (Fachmodul BA/MA) - Jesús Velázquez &amp; Lotta Stöver''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_WiSe25|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141506 2025-09-09T07:50:20Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light – Open Photonics Makerspace'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 21.10.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=68292&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches. <br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *tba<br /> <br /> [[Category:WS 25]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS25&diff=141505 2025-09-09T07:48:13Z

<p>MartinHesselmeier: /* Wintersemester 2025/2026 */</p> <hr /> <div>== Wintersemester 2025/2026 ==<br /> &gt; TODO: PUT IMAGE HERE&lt;br/&gt;<br /> &gt; TODO: PUT PDF CURRICULUM OVERVIEW HERE<br /> <br /> &lt;br/&gt;&lt;br/&gt;<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;____day, __ October 2025 at _pm-_pm on &gt;LINK TO BBB&lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:PM_WiSe25|Open Photonics Makerspace]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> * [[IFD:FPM_WiSe25|Open Project Module]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier &amp; Lotta Stöver''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:DV_FM_WiSe25|Darko Fachmodul]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BLC_FM_WiSe25|Brian Fachmodul]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:RGAD_WiSe25|Re/Generative Art + Design]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:CC_GLITCH_WiSe25|Gʟɨȶçɦɨռɢ ȶɦɛ ƈǟռʋåš: Chaotic Coding Workshop for Beginners]]'' (Fachmodul BA/MA) - Ting-Chun Liu &amp; Lotta Stöver''<br /> * [[IFD:DW_WiSe25|Documentation Workshop]] (Fachmodul BA/MA) - Jesús Velázquez &amp; Lotta Stöver''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_WiSe25|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141504 2025-09-09T07:47:11Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light – Open Photonics Makerspace'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches. <br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *tba<br /> <br /> [[Category:WS 25]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141503 2025-09-09T07:37:59Z

<p>MartinHesselmeier: /* Cooperation */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches. <br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *tba<br /> <br /> [[Category:WS 25]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141502 2025-09-09T07:36:55Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> == Cooperation ==<br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. <br /> <br /> The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches.<br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *tba<br /> <br /> [[Category:WS 25]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141501 2025-09-09T07:36:32Z

<p>MartinHesselmeier: /* Literature */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> == Cooperation ==<br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. <br /> <br /> The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches.<br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *tba<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141500 2025-09-09T07:36:17Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> == Cooperation ==<br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. <br /> <br /> The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches.<br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |1<br /> |21.10.2025<br /> |09.30-12.45<br /> |Welcome<br /> <br /> Introduction<br /> |-<br /> |2<br /> |28.10.2025<br /> |09.30-12.45<br /> |Light I - Pioneers of light<br /> |-<br /> |3<br /> |04.11.2025<br /> |09.30-12.45<br /> |Workshop, Ioannis<br /> |-<br /> |4<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |5<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |6<br /> |29.11.2025 + 30.11.2025<br /> |tba<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |7<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |8<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |9<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |10<br /> |06.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |11<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |12<br /> |20.01.2026<br /> |09.30-12.45<br /> |tba Artist Talk<br /> |-<br /> |13<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |14<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |15<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141499 2025-09-09T07:32:23Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> == Cooperation ==<br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. <br /> <br /> The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches.<br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> {| class=&quot;wikitable&quot;<br /> |11.11.2025<br /> |09.30-13.45<br /> |Light II - From pigment to light / Light and movement<br /> <br /> Plenum 1<br /> |-<br /> |18.11.2025<br /> |09.30-12.45<br /> |free work (no official class)<br /> |-<br /> |25.11.2025<br /> |09.30-12.45<br /> |visit Lichtkunstzentrum, Unna<br /> |-<br /> |29.11.2025 + 30.11.2025<br /> |09.30-12.45<br /> |Workshop, Hackerton, Lichtwerkstatt Uni Jena<br /> |-<br /> |02.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |09.12.2025<br /> |09.30-12.45<br /> |Midterm Presentations<br /> |-<br /> |16.12.2025<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |06.01.2026<br /> |09.30-12.45<br /> |Artist Talk<br /> |-<br /> |13.01.2026<br /> |09.30-12.45<br /> |Projectwork<br /> |-<br /> |20.01.2026<br /> |09.30-12.45<br /> |Artist Talk<br /> |-<br /> |27.01.2026<br /> |09.30-12.45<br /> |Final Presentation<br /> |-<br /> |03.02.2026<br /> |09.30-12.45<br /> |Projectwork<br /> <br /> prepare exhibition<br /> |-<br /> |06.-08.02.2026<br /> |<br /> |Winterwerkschau<br /> |}<br /> <br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141498 2025-09-09T07:30:07Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> = Open Photonics Makerspace =<br /> <br /> ''&quot;Light is the first condition of all visibility.&quot;''<br /> <br /> This project module is dedicated to the topic of '''light as an artistic and creative material'''. <br /> Light is omnipresent: it makes things visible, yet it is transparent itself. It lends spaces tranquillity, creates spatial presence, and makes spaces disappear. <br /> It is both representation and a means of representation – a fascinating material for artists and designers. <br /> <br /> Digital technologies enable us to think of light in '''dynamic, responsive, and interactive''' ways, challenging us to develop new forms and modes of interaction.<br /> <br /> == Cooperation ==<br /> A cooperation and joint exhibition with the '''Lichtwerkstatt Jena''' at the '''Abbe Center of Photonics''', Friedrich Schiller University Jena, is planned. <br /> <br /> The makerspace works at the '''interface of knowledge and technology transfer''' between research, industry, and the regional maker community. <br /> <br /> Together with this community of students, scientists, and hobbyists, ideas are to be exchanged, experimented with, developed, and prototyped in a '''hackathon format'''. <br /> The aim is to develop the potential of the interdisciplinary perspectives of '''art, design, technology, and research''' on the topic of light and create new approaches.<br /> <br /> == Background &amp; Participation ==<br /> The '''Open Photonics Makerspace''' project module ties in with the <br /> ''“Enacted photons – exploring light as an artistic medium”'' module offered in the winter semester 2024/25, creating a new and further development of the work. <br /> <br /> * Open to all interested participants, even '''without prior technical knowledge'''. <br /> * Prerequisite: Completion of one accompanying Fachmodul:<br /> ** ''Physical Computing'' (Brian Larson Clark) <br /> ** ''Re/Generative Art + Design'' (Lotta Stöver) <br /> <br /> == Funding ==<br /> The cooperation between '''Bauhaus University Weimar''' and '''Friedrich Schiller University Jena''' is funded by the <br /> '''Bauhaus University Weimar’s Creative Fund: “Open Photonics – Light at the Intersection of Art and Science.”'''<br /> <br /> == Registration ==<br /> * Registration via the '''BISON portal''' <br /> * Additionally, send a short '''letter of motivation''' (interest in the course, choice of Fachmodul, knowledge level, background) to: <br /> : martin.hesselmeier@uni-weimar.de <br /> <br /> == Certificate of Achievement ==<br /> * Regular attendance and participation <br /> * Participation in excursions, interim, and final presentations <br /> * Participation in the jointly organised exhibition at the end of the semester <br /> * Presentation of the work/project in the '''final presentation''' of the Interface Design professorship <br /> <br /> '''Project documentation''' is required during the lecture-free period until the end of the semester as: <br /> * Work file <br /> * Film in '''MP4 format''' <br /> <br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, <br /> <br /> '''13.05.2025''' 19h Artist Talk by Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141497 2025-09-09T07:20:58Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Light'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, <br /> <br /> '''13.05.2025''' 19h Artist Talk by Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:PM_WiSe25&diff=141496 2025-09-09T07:20:21Z

<p>MartinHesselmeier: Created page with &quot;test&quot;</p> <hr /> <div>test</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=141493 2025-09-04T10:09:47Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;veranstaltung.veranstid=66163&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, <br /> <br /> '''13.05.2025''' 19h Artist Talk by Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=141001 2025-04-28T14:50:49Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=66166&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, <br /> <br /> '''13.05.2025''' 19h Artist Talk by Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=140925 2025-04-22T15:54:52Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=66166&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, <br /> <br /> '''13.05.2025''' 19h Artist Talk by Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS24&diff=140902 2025-04-16T15:47:37Z

<p>MartinHesselmeier: /* Sommersemester 2024 */</p> <hr /> <div>== Sommersemester 2024 ==<br /> <br /> &lt;br/&gt;&lt;br/&gt;<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;Wednesday, 3 April 2024 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:SFIO SoSe24|Sustainable Futures – Interactive Objects ]]''(Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SSLS_WiSe23|Sound Source - Light Sink]]'' (Fachmodul BFA/MFA) - Clemens Wegener''<br /> * [[IFD:DRPSN_SoSe24|Digital Realms: Photogrammetry and Sustainable Narratives]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:PC_SoSe23|Physical Computing: Designing Bright Ideas]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:GAI SoSe24|Generative AI in Physical Production]] '' (Fachmodul BFA/MFA) - Funda Zeynep Aygüler''<br /> * [[IFD:IPN SoSe24|I Puke. Now There’s Something Else on the Table – Subversive Performative Practices]] '' (Fachmodul BFA/MFA) - Martin Müller''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_SoSe24|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_SS25&diff=140901 2025-04-16T15:45:43Z

<p>MartinHesselmeier: /* Sommersemester 2025 */ pdf img deleted</p> <hr /> <div>== Sommersemester 2025 ==<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;Wednesday, 05 April 2025 from 14:00 - 15:00 [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 on BigBlueButton]&lt;br&gt;<br /> &lt;br/&gt;<br /> '''Projektmodule / Project Modules:'''<br /> * [[IFD:M_PM_SoSe25|Talk to me – Connected Things and Objects]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> &lt;br/&gt;<br /> '''Fachmodule:'''<br /> * [[IFD:DV_3DP_SoSe25|Tools, materials and approaches for FDM Rapid Prototyping]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:DV_PG_SoSe25|ML-based, Generative and Volumetric Imaging]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:BC_xyz_SoSe25|Physical Computing: The Secret Lives of Networked Objects]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:KICAD_SoSe25|How the Electron goes from A to B - KiCAD Workshop]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:PC_AP_SoSe25|The Printed Circuit Board as an Artist Publication]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> &lt;br/&gt;<br /> '''Kolloquium:'''<br /> * [[IFD:Kolloq_SoSe25|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:SS25]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=140847 2025-04-14T10:21:46Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=66166&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations, Guest critic by Prof. Andreas Muxel<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=140819 2025-04-10T12:39:05Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=66166&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • Physical Computing: The Secret Lives of Networked Objects by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=140475 2025-02-22T22:34:48Z

<p>MartinHesselmeier: </p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Talk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The specialised module by Brian Larson Clark - Physical Computing: Help! My Fridge is Smarter Than Me - offers itself as a supplement to the project module and participation is expected.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: - Physical Computing: Help! My Fridge is Smarter Than Me by Brian Larson Clark<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • xy by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations<br /> <br /> '''11.-13.06.2025''' Excursion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:M_PM_SoSe25&diff=140474 2025-02-22T22:28:08Z

<p>MartinHesselmeier: new</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Talk to me – Connected Things and Objects'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 15.04.2025, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==DescriptionTalk to me - Connected Things and Objects==<br /> Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:<br /> <br /> ''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''<br /> <br /> Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab.  A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The specialised module by Brian Larson Clark - Physical Computing: Help! My Fridge is Smarter Than Me - offers itself as a supplement to the project module and participation is expected.<br /> <br /> Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects<br /> <br /> The following teaching formats are offered:<br /> <br /> <br /> '''Lecture:'''<br /> <br /> The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.<br /> <br /> '''Workshop:
'''<br /> <br /> There will be a two-day workshop accompanying the project module by Christoph Noe &lt;nowiki&gt;https://on-guitars.com/&lt;/nowiki&gt; focussing on CNC / Shaper Origin. Participation is compulsory.<br /> <br /> '''Consultations:
'''<br /> <br /> Individual projects and personal professional development can be discussed by appointment.<br /> <br /> '''Excursion:
'''<br /> <br /> In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.<br /> <br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: - Physical Computing: Help! My Fridge is Smarter Than Me by Brian Larson Clark<br /> <br /> '''Registration:'''<br /> <br /> Registration via the BISON portal
<br /> <br /> Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de
<br /> <br /> <br /> '''Certificate of achievement:'''<br /> <br /> - Regular attendance and participation<br /> <br /> - Participation in excursions, interim and final presentations<br /> <br /> - Participation in the jointly organised exhibition at the end of the semester<br /> <br /> - The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period<br /> <br /> The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • xy by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> *Registration via the BISON portal<br /> *Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de<br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:30-12:45h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''15.04.2025''' Welcome, Introduction, Course Organization<br /> <br /> '''22.04.2025''' Talk to me I - History<br /> <br /> '''29.04.2025''' Talk to me II - Now<br /> <br /> '''06.05.2025''' free work (no official class)<br /> <br /> '''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova<br /> <br /> '''20.05.2025''' Projectwork<br /> <br /> '''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe <br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''27.05.2025''' Projectwork<br /> <br /> '''03.06.2025''' Plenum 2, Midterm Presentations<br /> <br /> '''11.-13.06.2025''' Exkusion Haus Rosenbaum<br /> <br /> '''17.06.2025''' individual consultations, Projectwork<br /> <br /> '''24.06.2025''' individual consultations, Projectwork<br /> <br /> '''01.07.2025''' Final Presentation<br /> <br /> '''08.07.2025''' preparation summaery 2025<br /> <br /> '''10.07.-13.07.2025''' Summaery 2025<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668<br /> *Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X<br /> *Vehicles: Experiments in Synthetic Psychology ISBN 0262521121<br /> *Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> *Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> *Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> *The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> *Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> *Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Start&diff=140082 2025-02-14T09:43:16Z

<p>MartinHesselmeier: SS25</p> <hr /> <div>&lt;blockquote&gt;{{IFD WS24}}<br /> We design, develop and implement interfaces and applications&lt;br /&gt;that enable and facilitate access to the digital world&lt;br /&gt;in interactive, networked and physical environments.&lt;br /&gt;<br /> &lt;/blockquote&gt;<br /> <br /> '''Welcome to the Interface Design MediaWiki!'''&lt;br /&gt;<br /> '''''Willkommen im MediaWiki der Professur Interface Design!'''''&lt;br /&gt;&lt;br /&gt;<br /> * [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/ Professorship Website]<br /> * [http://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/interface-design/people/ Professorship Staff and Contact Information]<br /> &lt;!--* [https://bit.ly/3SSXGJX Interface Design Curriculum Catalog WS22/23]<br /> * [https://bit.ly/2WGNEV1 Interface Design Curriculum Catalog SS22]<br /> * [https://bit.ly/3r4MFXE Interface Design Curriculum Catalog SoS22]<br /> * [https://bit.ly/2SDd28q Interface Design Curriculum Catalog WS20/21]<br /> --&gt;<br /> &lt;!--<br /> '''Please note that due to the COVID-19 pandemic, the beginning of the Summer Semester has been postponed until at least 4. May 2020. More information is available from the university [https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/servicezentrum-sicherheitsmanagement/information-zum-coronavirus/ here].'''<br /> --&gt;<br /> &lt;!-- [[File:Idmouse.jpg|320px|right]] --&gt;<br /> &lt;!--<br /> ----<br /> &lt;br clear=&quot;all&quot; /&gt;<br /> [[File:Showreel_ws15_plakat.png|400px|right|link=IFD:ShowreelWS15]]<br /> <br /> '''Showreel WS15'''&lt;br&gt;<br /> Professur Interface Design&lt;br&gt;<br /> <br /> '''Do, 4. Februar 2015'''<br /> '''13:30 bis 16:00 Uhr'''&lt;br&gt;<br /> Audimax<br /> <br /> Die Präsentation der Professur Interface Design bietet die Möglichkeit,&lt;br&gt; einen Einblick in die Semesterarbeiten und die Inhalte der angebotenen Module zu&lt;br&gt; bekommen. Die Veranstaltung lädt nicht nur Studenten des Bereichs Interface Design &lt;br&gt;ein, sondern ist offen für alle Interessierten. [[IFD:ShowreelWS15|Mehr Informationen hier]]…<br /> <br /> The final presentations of the Interface Design Group&lt;br&gt;<br /> showcase projects created during the semester and&lt;br&gt;<br /> offer a glimpse into the content of the courses on offer.&lt;br&gt;<br /> Both students and the public are cordially invited to attend this event.&lt;br&gt;<br /> [[IFD:ShowreelWS15|More information here]]…<br /> --&gt;<br /> &lt;br clear=&quot;all&quot; /&gt;<br /> {{Template:IFD_WS24}}<br /> {{Template:IFD_SS24}}<br /> {{Template:IFD_WS23}}<br /> {{Template:IFD_SS23}}<br /> {{Template:IFD_WS22}}<br /> {{Template:IFD_SS22}}<br /> {{Template:IFD_WS21}}<br /> {{Template:IFD_SS21}}<br /> {{Template:IFD_WS20}}<br /> {{Template:IFD_SS20}}<br /> {{Template:IFD_WS19}}<br /> {{Template:IFD_SS19}}<br /> {{Template:IFD_WS18}}<br /> {{Template:IFD_SS18}}<br /> {{Template:IFD_WS17}}<br /> {{Template:IFD_SS17}}<br /> {{Template:IFD_WS16}}<br /> {{Template:IFD_SS16}}<br /> {{Template:IFD_WS15}}<br /> {{Template:IFD_SS15}}<br /> {{Template:IFD_WS14}}<br /> {{Template:IFD_SS14}}<br /> {{Template:IFD_WS13}}<br /> {{Template:IFD_SS13}}<br /> {{Template:IFD_WS12}}<br /> {{Template:IFD_SS12}}<br /> {{Template:IFD_WS11}}<br /> {{Template:IFD_SS11}}<br /> {{Template:IFD_WS10}}<br /> {{Template:IFD_SS10}}<br /> {{Template:IFD_WS09}}<br /> <br /> == Featured Content ==<br /> * [[IFD:Digital_Bauhaus_Vorkurs|Digital Bauhaus]]<br /> &lt;!--* [[Crash Course Electronics]]--&gt;<br /> * [[Crash Course Programming for Arduino|Quickstart Programming for Arduino]]<br /> * [[IFD:Grundlagen der Webprogrammierung|Basics of Web Programming]]<br /> * [[Interfaces|Interfaces Mensch-Maschine]] (Linkliste)<br /> * [[Mobile Interaction]]<br /> * [[Multitouch]]<br /> * [[Tracking Motion Detection|Übersicht Motion-Capturing/-Detection/-Tracking]]<br /> * [[:Category:Theorie|Übersicht Kategorie &quot;Theorie&quot;]]<br /> <br /> {{Template:Startseite}}<br /> <br /> [[Category:Interface-Design]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:SFIO_WiSe24&diff=139042 2024-10-10T14:42:52Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Enacted photons - exploring light as an artistic medium'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 22 October 2024, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Description==<br /> Everything we know, we know through light - Peter Weibel, 2018 <br /> <br /> For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.<br /> <br /> In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.<br /> <br /> <br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:''' <br /> <br /> A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.<br /> <br /> '''Artisttalk:'''<br /> <br /> We will receive visits from interesting designers and artists who will give an insight into their work and working processes.<br /> <br /> '''Excursion:'''<br /> <br /> As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.<br /> <br /> '''Consultation:'''<br /> <br /> Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • [https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64225&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> * Registration via the BISON portal<br /> * Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de <br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''22.10.2024''' Welcome, Introduction, Course Organization<br /> <br /> '''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum<br /> <br /> '''29.10.2024''' Light I - Pioneers of light<br /> <br /> '''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol<br /> <br /> '''12.11.2024''' Light II - From pigment to light / Light and movement<br /> <br /> '''19.11.2024''' Artist Talk: Alexandre Saunnier<br /> <br /> '''26.11.2024''' Projectwork<br /> <br /> '''03.12.2024''' free work (no official class)<br /> <br /> '''10.12.2024''' Midterm Presentations<br /> <br /> '''17.12.2024''' Projectwork<br /> <br /> '''07.01.2025''' Projectwork<br /> <br /> '''14.01.2025''' Artist Talk: Jaquline Hen<br /> <br /> '''21.01.2025''' Projectwork<br /> <br /> '''28.01.2025''' Projectwork, prepare exhibition<br /> <br /> '''04.02.2025''' Exhibition, Setup, Opening, Final Presentation<br /> <br /> '''07.02.-09.02.2024''' Exhibition, Winterwerkschau<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> * Light Art from Artificial Light, Light as a Medium in 20th and 21th Century Art, 2006<br /> * Power! Light! - Kunstmuseum Wolfsburg [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1824105126 ISBN 9783960988502]<br /> * Findings on Light, PARS, Hester Aardse and Astrid Alben, 2016<br /> * Light Show (Mit Press), Cliff Lauson, 2013<br /> * JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]<br /> * Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> * Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]<br /> * Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> * Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> * The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> * Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> * Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:SFIO_WiSe24&diff=139010 2024-10-10T09:36:33Z

<p>MartinHesselmeier: /* Literature */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Enacted photons - exploring light as an artistic medium'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 22 October 2024, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Description==<br /> Everything we know, we know through light - Peter Weibel, 2018 <br /> <br /> For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.<br /> <br /> In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.<br /> <br /> <br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:''' <br /> <br /> A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.<br /> <br /> '''Artisttalk:'''<br /> <br /> We will receive visits from interesting designers and artists who will give an insight into their work and working processes.<br /> <br /> '''Excursion:'''<br /> <br /> As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.<br /> <br /> '''Consultation:'''<br /> <br /> Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • [https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64225&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> * Registration via the BISON portal<br /> * Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de <br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''22.10.2024''' Welcome, Introduction, Course Organization<br /> <br /> '''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum<br /> <br /> '''29.10.2024''' Light I - Pioneers of light<br /> <br /> '''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol<br /> <br /> '''12.11.2024''' Light II - From pigment to light / Light and movement<br /> <br /> '''19.11.2024''' Artist Talk: Alexandre Saunnier<br /> <br /> '''26.11.2024''' free work (no official class)<br /> <br /> '''03.12.2024''' Projectwork<br /> <br /> '''10.12.2024''' Midterm Presentations<br /> <br /> '''17.12.2024''' Projectwork<br /> <br /> '''07.01.2025''' Projectwork<br /> <br /> '''14.01.2025''' Artist Talk: Jaquline Hen<br /> <br /> '''21.01.2025''' Projectwork<br /> <br /> '''28.01.2025''' Projectwork, prepare exhibition<br /> <br /> '''04.02.2025''' Exhibition, Setup, Opening, Final Presentation<br /> <br /> '''07.02.-09.02.2024''' Exhibition, Winterwerkschau<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> * Light Art from Artificial Light, Light as a Medium in 20th and 21th Century Art, 2006<br /> * Power! Light! - Kunstmuseum Wolfsburg [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1824105126 ISBN 9783960988502]<br /> * Findings on Light, PARS, Hester Aardse and Astrid Alben, 2016<br /> * Light Show (Mit Press), Cliff Lauson, 2013<br /> * JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]<br /> * Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> * Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]<br /> * Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> * Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> * The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> * Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> * Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:SFIO_WiSe24&diff=139007 2024-10-10T09:12:43Z

<p>MartinHesselmeier: /* Literature */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Enacted photons - exploring light as an artistic medium'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 22 October 2024, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Description==<br /> Everything we know, we know through light - Peter Weibel, 2018 <br /> <br /> For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.<br /> <br /> In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.<br /> <br /> <br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:''' <br /> <br /> A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.<br /> <br /> '''Artisttalk:'''<br /> <br /> We will receive visits from interesting designers and artists who will give an insight into their work and working processes.<br /> <br /> '''Excursion:'''<br /> <br /> As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.<br /> <br /> '''Consultation:'''<br /> <br /> Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • [https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64225&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> * Registration via the BISON portal<br /> * Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de <br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''22.10.2024''' Welcome, Introduction, Course Organization<br /> <br /> '''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum<br /> <br /> '''29.10.2024''' Light I - Pioneers of light<br /> <br /> '''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol<br /> <br /> '''12.11.2024''' Light II - From pigment to light / Light and movement<br /> <br /> '''19.11.2024''' Artist Talk: Alexandre Saunnier<br /> <br /> '''26.11.2024''' free work (no official class)<br /> <br /> '''03.12.2024''' Projectwork<br /> <br /> '''10.12.2024''' Midterm Presentations<br /> <br /> '''17.12.2024''' Projectwork<br /> <br /> '''07.01.2025''' Projectwork<br /> <br /> '''14.01.2025''' Artist Talk: Jaquline Hen<br /> <br /> '''21.01.2025''' Projectwork<br /> <br /> '''28.01.2025''' Projectwork, prepare exhibition<br /> <br /> '''04.02.2025''' Exhibition, Setup, Opening, Final Presentation<br /> <br /> '''07.02.-09.02.2024''' Exhibition, Winterwerkschau<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> * Light Art from Artificial Light, Light as a Medium in 20th and 21th Century Art, 2006<br /> * Power! Light! - Kunstmuseum Wolfsburg [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1824105126 ISBN 9783960988502]<br /> * Findings on Light, PARS, Hester Aardse and Astrid Alben, 2016<br /> * Light Show (Mit Press), Cliff Lauson, 2013<br /> * JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]<br /> * Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]<br /> * Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]<br /> * Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659<br /> * Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641<br /> * Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116<br /> * The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746<br /> * Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176<br /> * Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]<br /> * Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746<br /> * Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]<br /> * Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1698857144 Link]<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:SFIO_WiSe24&diff=139004 2024-10-09T07:24:27Z

<p>MartinHesselmeier: /* Syllabus (subject to change) */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '' / Project Module''&lt;br /&gt;<br /> '''Enacted photons - exploring light as an artistic medium'''&lt;br /&gt;<br /> ''Instructor:'' Prof. [[Martin Hesselmeier]]&lt;br /&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br /&gt;<br /> ''Capacity:'' max. 14 students&lt;br /&gt;<br /> ''Language:'' english, deutsch&lt;br /&gt;<br /> ''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment&lt;br /&gt;<br /> ''Location:'' Online/Marienstraße 7b,104&lt;br /&gt;<br /> ''First Meeting:'' 22 October 2024, 09:15&lt;br /&gt;(More information regarding the first meeting will be sent to accepted participants by email.)&lt;br /&gt;<br /> ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64126&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung&amp;noDBAction=y&amp;init=y BISON Course]'' &lt;br /&gt;<br /> <br /> ==Description==<br /> Everything we know, we know through light - Peter Weibel, 2018 <br /> <br /> For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.<br /> <br /> In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.<br /> <br /> <br /> <br /> The following teaching formats are offered:<br /> <br /> '''Lecture:''' <br /> <br /> A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.<br /> <br /> '''Artisttalk:'''<br /> <br /> We will receive visits from interesting designers and artists who will give an insight into their work and working processes.<br /> <br /> '''Excursion:'''<br /> <br /> As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.<br /> <br /> '''Consultation:'''<br /> <br /> Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.<br /> <br /> ==Admission requirements==<br /> Prerequisite for participation in the project module is the completion of the accompanying subject module: <br /> <br /> • [https://www.uni-weimar.de/qisserver/rds?state=verpublish&amp;status=init&amp;vmfile=no&amp;publishid=64225&amp;moduleCall=webInfo&amp;publishConfFile=webInfo&amp;publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark <br /> <br /> ==Application and registration procedure==<br /> <br /> * Registration via the BISON portal<br /> * Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de <br /> <br /> ==Eligible participants==<br /> BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates&lt;br /&gt;<br /> ==Syllabus (subject to change)==<br /> 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 <br /> <br /> '''22.10.2024''' Welcome, Introduction, Course Organization<br /> <br /> '''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum<br /> <br /> '''29.10.2024''' Light I - Pioneers of light<br /> <br /> '''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol<br /> <br /> '''12.11.2024''' Light II - From pigment to light / Light and movement<br /> <br /> '''19.11.2024''' Artist Talk: Alexandre Saunnier<br /> <br /> '''26.11.2024''' free work (no official class)<br /> <br /> '''03.12.2024''' Projectwork<br /> <br /> '''10.12.2024''' Midterm Presentations<br /> <br /> '''17.12.2024''' Projectwork<br /> <br /> '''07.01.2025''' Projectwork<br /> <br /> '''14.01.2025''' Artist Talk: Jaquline Hen<br /> <br /> '''21.01.2025''' Projectwork<br /> <br /> '''28.01.2025''' Projectwork, prepare exhibition<br /> <br /> '''04.02.2025''' Exhibition, Setup, Opening, Final Presentation<br /> <br /> '''07.02.-09.02.2024''' Exhibition, Winterwerkschau<br /> ==Platforms and Tools==<br /> This Wiki&lt;br /&gt;<br /> [https://meeting.uni-weimar.de/ BigBlueButton]&lt;br /&gt;<br /> [https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost &lt;br /&gt;<br /> [https://www.figma.com/ Figma]&lt;br /&gt;<br /> <br /> ==Literature==<br /> <br /> *TBA<br /> <br /> [[Category:WS 24]] <br /> [[Category:Projektmodul]]</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Curriculum_Overview_Winter_Semester_2024_25.001.jpeg&diff=139003 2024-10-09T06:50:10Z

<p>MartinHesselmeier: </p> <hr /> <div><br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS24&diff=139002 2024-10-09T06:49:19Z

<p>MartinHesselmeier: /* Wintersemester 2024/2025 */</p> <hr /> <div>== Wintersemester 2024/2025 ==<br /> [[File:Curriculum Overview Winter Semester 2024_25.001.jpeg|550px]]&lt;br/&gt;<br /> [[Media:Curriculum Overview Winter Semester 2024_25.pdf|Curriculum Overview Winter Semester 2024_25 PDF]]<br /> <br /> &lt;br/&gt;&lt;br/&gt;<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;Thursday, 10 October 2024 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:SFIO WiSe24|Enacted photons - exploring light as an artistic medium ]]''(Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:EE_INE_WiSe24|Embedded + Embodied. Interfacing within Networks on Earth]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:MIWCR_WiSe24|Machines in White Cubes Redux]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:PC_WiSe24|Physical Computing]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:SEMP_WiSe24|Soft Engineering Mechanical Parts]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_WiSe24|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS24&diff=139001 2024-10-09T06:32:08Z

<p>MartinHesselmeier: </p> <hr /> <div>== Wintersemester 2024/2025 ==<br /> [[File:Curriculum Overview Winter Semester 2025.jpeg|550px]]&lt;br/&gt;<br /> -&gt; needs an update: [[Media:Curriculum Overview Summer Semester 2024 PDF.pdf|Curriculum Overview Summer Semester 2024 PDF]]<br /> <br /> &lt;br/&gt;&lt;br/&gt;<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;Thursday, 10 October 2024 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:SFIO WiSe24|Enacted photons - exploring light as an artistic medium ]]''(Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:EE_INE_WiSe24|Embedded + Embodied. Interfacing within Networks on Earth]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> * [[IFD:MIWCR_WiSe24|Machines in White Cubes Redux]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:PC_WiSe24|Physical Computing]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> * [[IFD:SEMP_WiSe24|Soft Engineering Mechanical Parts]]'' (Fachmodul BA/MA) - Lotta Stöver''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_WiSe24|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Template:IFD_WS24&diff=138978 2024-10-07T11:20:16Z

<p>MartinHesselmeier: /* Wintersemester 2024/2025 */</p> <hr /> <div>== Wintersemester 2024/2025 ==<br /> [[File:Curriculum Overview Winter Semester 2025.jpeg|550px]]&lt;br/&gt;<br /> [[Media:Curriculum Overview Summer Semester 2024 PDF.pdf|Curriculum Overview Summer Semester 2024 PDF]]<br /> <br /> &lt;br/&gt;&lt;br/&gt;<br /> IFD Semester Course Presentation will take place on &lt;br/&gt;Thursday, 10 October 2024 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton]&lt;br/&gt;<br /> &lt;br/&gt;<br /> Projektmodule / Project Modules:<br /> * [[IFD:SFIO WiSe24|Enacted photons - exploring light as an artistic medium ]]''(Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''<br /> &lt;br/&gt;<br /> Fachmodule:<br /> * [[IFD:SSLS_WiSe24|TBA]]'' (Fachmodul BFA/MFA) - TBA''<br /> * [[IFD:MIWCR_WiSe24|Machines in White Cubes Redux]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''<br /> * [[IFD:PC_WiSe24|Physical Computing]]'' (Fachmodul MFA) - Brian Larson Clark''<br /> <br /> <br /> &lt;br/&gt;<br /> Kolloquium:<br /> * [[IFD:Kolloq_WiSe24|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, TBA, Jesús Velázquez''<br /> &lt;br/&gt;<br /> &lt;noinclude&gt;[[Category:Template]]&lt;/noinclude&gt;</div>

MartinHesselmeier