Medien Wiki - User contributions [en]

PDCON:Schedule

2011-08-10T07:27:15Z

Marcodonnarumma: /* Saturday 13. Aug. 2011 */

===Legend===
{|align="left" {{Prettytable}}
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference|Conference Panels]]
|-
|style="background:#ffb5d0"|[[PDCON:Workshops|Workshops]]
|style="background:#ff68b3"|Workshops exclusive for Bauhaus Summer School [http://www.uni-weimar.de/summerschool/en/welcome/culture-media/creating-interactive-art-and-music Sign up here](€!)
|-
|colspan="2" style="background:#c1c6ff"|[[PDCON:Concerts|Concerts]]
|}

Not included in the schedule: [[PDCON:Exhibition|Exhibition]]

 

===Sunday 07. Aug. 2011===
{|align="left" {{Prettytable}}
|18:30 - 20:30
|opening ceremony and reception of the Bauhaus Summer School Auditorium maximum, university library Steubenstraße 6
|}

===Monday 08. Aug 2011===
{|align="left" {{Prettytable}}
|10:30 - 12:30
|colspan="3"|coffee, welcome reception, registration [[PDCON:Venues/Marienstraße 18|Marienstraße 18]] - Café
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Data Structures|Data Structures]] João Pais [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ffb5d0"|[[PDCON:Workshops/Xth Sense, Biophysical Music|Xth Sense, Biophysical Music]] Marco Donnarumma [[PDCON:Venues/SeaM Werkstattstudio|Cudraystraße 13a, SeaM Werkstattstudio]]
|style="background:#ff68b3"|[[PDCON:Workshops/Pd for beginners|Pd for beginners]] Frank Barknecht [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/RjDj|RjDj]] Frank Barknecht [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ffb5d0"|[[PDCON:Workshops/Xth Sense, Biophysical Music|Xth Sense, Biophysical Music]] Marco Donnarumma [[PDCON:Venues/SeaM Werkstattstudio|Cudraystraße 13a, SeaM Werkstattstudio]]
|style="background:#ff68b3"|[[PDCON:Workshops/Build your own USB-MIDI-Interface|Build your own USB-MIDI-Interface for Pd]] Felix Krüger, Felix Pfeifer & Georg Werner [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|17:30 - 18:30
|colspan="3"|dinner break
|-
|18:30 - 18:45
|colspan = "3" style="background:#c1c6ff"|[[PDCON:Porcelain carillon|Bileam Kümper]]: ''Clockwork, 24 *60 canons for each minute of the day'' (12 min) [[PDCON:Venues/Marktplatz|Marketplace]], tower of the weimar city hall
|-
|19:00 - 22:30
|colspan="3" style="background:#c1c6ff"|Words of welcome, Keynote by Prof. Winfried Ritsch [[PDCON:Concerts/Chikashi Miyama|Chikashi Miyama: Black Vox]] [[PDCON:Concerts/Endphase: João Pais, Alberto C. Bernal, Enrique Tomás|Endphase-João Pais, Alberto C. Bernal, Enrique Tomás: Endphase 18-2 “Mixed Cities”]] [[PDCON:Concerts/Thomas Grill|Thomas Grill: Points of View]] [[PDCON:Concerts/Tim Vets|Tim Vets: Extended Guitar Duo]] Platz der Demokratie, Fürstenhaus [[PDCON:Venues/Fürstensaal|Fürstensaal]]
|}

 

=== Tuesday 09. Aug. 2011 ===
Topic: [[Spatialisation]], [[General]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Self-replication: how to do more using less|Self-replication: how to do more using less]] Krzysztof Czaja [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour|A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour]] Marco Donnarumma [[Marienstraße 13|Auditorium B]]
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/AUDIENCE for Pd, a scene-oriented library for spatial audio|AUDIENCE for Pd, a scene-oriented library for spatial audio]] Regis Faria [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Dynamic Time Warping for Pure Data|Dynamic Time Warping for Pure Data]] Pedro Lopez and Joaquim Jorge [[Marienstraße 13|Auditorium B]]
|-
|10:30 - 11:00
|colspan="3"|coffee break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation|Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation]] Richard Thomas [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Using Pure Data in Spore and Darkspore - successes and failures|Using Pure Data in Spore and Darkspore - successes and failures]] Kent Jolly [[Marienstraße 13|Auditorium B]]
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/Custom Spatialisation PD Patch for a Large Non-conventional Area|Custom Spatialisation PD Patch for a Large Non-conventional Area]] José Rafael Subía Valdez [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Music in expression - A DSP based compositional methodology|Music in expression - A DSP based compositional methodology]] Chun Lee [[Marienstraße 13|Auditorium B]]
|-
|12:00 - 13:00
|colspan="3"|lunch break [[Mensa am Park]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Data Structures|Data Structures]] João Pais [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/Build your own USB-MIDI-Interface|Build your own USB-MIDI-Interface for Pd]] Felix Krüger, Felix Pfeifer & Georg Werner [[Marienstraße 7b|Marienstraße 7b - room 204]]
|rowspan="3"|excursion to Fraunhofer IDMT Ilmenau approx. 15 seats available: [[/Excursion Ilmenau|more info & sign up]]
|-
|15:00 - 15:30
|colspan="2"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/RjDj|RjDj]] Frank Barknecht [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ff68b3"|[[PDCON:Laptop Orchestra|Laptop Orchestra]] Quim Llimona, John O'connell, William Goutfreind [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|17:30 - 18:30
|colspan="3"|dinner break
|-
|18:30 - 18:45
|colspan = "3" style="background:#c1c6ff"|[[PDCON:Porcelain carillon|Rich Thomas]]: ''Race, War, and a Failed Treaty'' (11:49 min) [[PDCON:Venues/Marktplatz|Marketplace]], tower of the weimar city hall
|-
|19:00 - 20:00
|colspan="2" style="background:#c1c6ff"|Opening of the Exhibition [[PDCON:Concerts/Tad Bisaha, Sitan Adele K|Tad Bisaha, Sitan Adele K: Rock-Art2noise]] [[PDCON:Venues/Nietzsche Gedächnishalle|Nietzsche Gedächnishalle]]
|rowspan="2"|[http://www.uni-weimar.de/summerschool/en/welcome/accompanying-programme/parties Bauhaus Summer School welcome party] Geschwister Scholl Str. 8, Campus Hint: free food and drinks
|-
|20:30 - 22:00
|colspan="2" style="background:#c1c6ff"|[[PDCON:Concerts/Koray Tahiroğlu|Koray Tahiroğlu: Live Audio Cues]] [[PDCON:Concerts/Richard Graham|Richard Graham: Axon]] [[PDCON:Concerts/Hsin-jen Wang|Hsin-jen Wang: Moving Resonance]] [[PDCON:Concerts/Eduardo Flores Abad|Eduardo Flores Abad: Poder y Resistencia]] [[PDCON:Concerts/Marco Donnarumma|Marco Donnarumma: Music for Flesh II < PdCon 2011 >]] [[PDCON:Venues/SeaM Werkstattstudio|Cudraystraße 13a, SeaM Werkstattstudio]]
|}

 

=== Wednesday 10. Aug. 2011 ===
Topic: [[General]], [[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework|A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework]] Kyriakos Tsoukalas Audimax
|-
|10:00 - 10:30
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/GUI Plugins in Pd 0.43|GUI Plugins in Pd 0.43]] Hans-Christoph Steiner Audimax
|-
|10:30 - 11:00
|colspan="3"|coffee break
|-
|11:00 - 11:30
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/Voice as joystick and oscillator|Voice as joystick and oscillator]] Miller Puckette Audimax
|-
|11:30 - 12:00
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/Plug your cam - extending Gem the modular way|Plug your cam - extending Gem the modular way]] IOhannes zmölnig Audimax
|-
|12:00 - 13:00
|colspan="3" style="background:#c1c6ff"|lunch break [[PDCON:Concerts/Katja Vetter|Katja Vetter: Instant Decomposer]] [[Mensa am Park|Mensa am Park]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Projection Mapping|Projection Mapping]] Ricardo Palmieri [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ffb5d0"|[[PDCON:Workshops/Audience|Audience]] Regis Faria [[PDCON:Venues/SeaM Werkstattstudio|Cudraystraße 13a, SeaM Werkstattstudio]]
|style="background:#ff68b3"|[[PDCON:Workshops/DIY electronic music using Visual Tracker|DIY electronic music using Visual Tracker]] Bérenger Recoules [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/Universal Polyphonic Player|Universal Polyphonic Player]] Thomas Grill [[Marienstraße 7b|Marienstraße 7b - room 102]]
|style="background:#ffb5d0"|[[PDCON:Workshops/ATMEL AVR|ATMEL AVR]] Chikashi Miyama [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/pmpd|pmpd for Beginners]] Cyrille Henry [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|17:30 - 18:30
|colspan="3"|dinner
|-
|18:30 - 18:45
|colspan = "3" style="background:#c1c6ff"|[[PDCON:Porcelain carillon|Thomas Grill]]: ''luscinia megarhynchos'' (12:20 min) [[PDCON:Venues/Marktplatz|Marketplace]], tower of the weimar city hall
|-
|20:00 - 22:00
|colspan="3" style="background:#c1c6ff"|DJ+Bar [[PDCON:Venues/Radio Lotte Sendesaal|Goetheplatz 12, Radio Lotte]]
|-
|22:00 - 24:00
|colspan="3" style="background:#c1c6ff"|Radio Broadcast [[PDCON:Concerts/Oscar Martin (Noish)|Oscar Martin (Noish): Eetz]] [[PDCON:Concerts/Quim Llimona, John O'connell, William Goutfreind, Alex Barrachina|Barcelona Laptop Orchestra - Quim Llimona, John O'connell, William Goutfreind, Alex Barrachina: La Roda]] [[PDCON:Venues/Radio Lotte Sendesaal|Goetheplatz 12, Radio Lotte]]
|}

 

=== Thursday 11. Aug. 2011 ===
Topic: [[Embeded]],[[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Embedding Pure Data with libpd: Design and Workflow|Embedding Pure Data with libpd]] Peter Brinkmann, Peter Kirn, Richard Lawler, Chris McCormick, Martin Roth, Hans-Christoph Steiner [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Dissonance Model Toolbox in Pure Data|Dissonance model toolbox in Pure Data]] Alexandre Porres [[Marienstraße_13|Auditorium B]]
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data|An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data]] Koray Tahiroğlu [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Framework for Real-time Instrumental Sound Segmentation and Labeling|A Framework for Real-time Instrumental Sound Segmentation and Labeling]] Adriano Monteiro [[Marienstraße_13|Auditorium B]]
|-
|10:30 - 11:00
|colspan="3"|coffee break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/rj - abstractions for getting things done|rj - abstractions for getting things done]] Frank Barknecht [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Reverb Design|Reverb Design]] Urban Schlemmer [[Marienstraße_13|Auditorium B]]
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/VisualTracker - modular pd environment for sequencing events on timeline|VisualTracker – Modular Pd Environment for sequencing events on the timeline]] Aleš Černý [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Using Pd to create a visualization instrument for percussion|Using Pd to create a visualization instrument for percussion]] John Harrison [[Marienstraße_13|Auditorium B]]
|-
|12:00 - 13:00
|colspan="3" style="background:#c1c6ff"|lunch break [[PDCON:Concerts/Alexander Senko|Alexander Senko: Acoustic Images]] [[Mensa am Park|Mensa am Park]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd for Android]] Peter Brinkmann [[Marienstraße 7b|Marienstraße 7b| - room 102]]
|style="background:#ffb5d0"|[[PDCON:Workshops/DIY_electronic_music_using_Visual_Tracker|DIY electronic music using Visual Tracker]] Bérenger Recoules [[Marienstraße 7b|Marienstraße 7b| - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/GEM|GEM Introduction]] IOhannes Zmölnig [[Marienstraße 7b|Marienstraße 7b| - room 204]]
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/pmpd|pmpd Advanced]] Cyrille Henry [[Marienstraße 7b|Marienstraße 7b| - room 102]]
|style="background:#ffb5d0"|[[PDCON:Workshops/ATMEL AVR|ATMEL AVR]] Chikashi Miyama [[Marienstraße 7b|Marienstraße 7b| - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/Spectral Analysis|Spectral Analysis]] Alexandre Porres [[Marienstraße 7b|Marienstraße 7b| - room 204]]
|-
|17:30 - 19:00
|colspan="3"|Dinner for all participants at the [[PDCON:Venues/Schießhaus|Schießhaus]]
|-
|19:00 - 21:00
|colspan="3" style="background:#c1c6ff"|[[PDCON:Concerts/Moritz Schell, Frederic Seybicke|Moritz Schell, Frederic Seybicke: Listen How It Looks Like]] [[PDCON:Concerts/Cyrille Henry, Nicolas Montgermont|Cyrille Henry, Nicolas Montgermont: Egregore]] [[PDCON:Concerts/Dan Wilcox|Dan Wilcox: Robot Cowboy]] [[PDCON:Concerts/Onyx Ashanti|Onyx Ashanti: Beatjazz]] [[PDCON:Venues/Schießhaus|Schießhaus]]
|}

 

=== Friday 12. Aug. 2011 ===
Topic: [[Audiovisual]], [[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Image Processing Algorithm Optimization with CUDA for Pure Data|Image Processing Algorithm Optimization with CUDA for Pure Data]] Rudi Giot, Jacques Tichon and Abilio Rodrigues [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture|A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture]] Richard Graham [[Marienstraße 13|Auditorium B]]
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API|GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API]] Charles Henry [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Pure Data implementation of an ESS-based impulse response acoustic measurement tool|Pure Data implementation of an ESS-based impulse response acoustic measurement tool]] Serafino Di Rosario and Katja Vetter [[Marienstraße 13|Auditorium B]]
|-
|10:30 - 11:00
|colspan="3"|coffee break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/Extended View Toolkit|Extended View Toolkit]] Peter Venus [[Marienstraße 13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Click Tracker: Performance/composition tool for metrically complex scores|Click Tracker: Performance/composition tool for metrically complex scores]] João Pais and Pedro Lopes [[Marienstraße 13|Auditorium B]]
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/Gemnotes: A Realtime music notation system for pure data|Gemnotes: A Realtime music notation system for pure data]] Edward Kelly [[Marienstraße_13|Auditorium A]]
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/DILIB: Control Data Parsing for Digital Musical Instrument Design|DILIB: Control Data Parsing for Digital Musical Instrument Design]] William Brent [[Marienstraße 13|Auditorium B]]
|-
|12:00 - 13:00
|colspan="3" style="background:#c1c6ff"|lunch break [[PDCON:Concerts/Seiichiro Matsumura|Seiichiro Matsumura: Pendulums]] [[Mensa am Park|Mensa am Park]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd for iOs]] Peter Brinkmann and Martin Roth [[Marienstraße 7b|Marienstraße 7b - room 102]]
|style="background:#ffb5d0"|[[PDCON:Workshops/GEM|Workshop Extended View Toolkit]] Marian Weger & Peter Venus [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/Pd for beginners|Pd for beginners]] Frank Barknecht [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd for open frameworks]] Dan Wilcox [[Marienstraße 7b|Marienstraße 7b - room 102]]
|style="background:#ffb5d0"|[[PDCON:Workshops/GLSL|GLSL]] Cyrille Henry [[Marienstraße 7b|Marienstraße 7b - room 201]]
|style="background:#ff68b3"|[[PDCON:Workshops/Spectral Analysis|Spectral Analysis]] Alexandre Porres [[Marienstraße 7b|Marienstraße 7b - room 204]]
|-
|17:30 - 18:30
|colspan="3"|dinner
|-
|18:30 - 18:45
|colspan = "3" style="background:#c1c6ff"|[[PDCON:Porcelain carillon|Chelsea Leventhal]]: ''Spieluhrgruss für Weimar'' (ca. 12:00 min) [[PDCON:Venues/Marktplatz|Marketplace]], tower of the weimar city hall
|-
|19:00 - 20:00
|colspan="3"|Round Table commercial application of Pd Peter Brinkmann, Google (USA) Author of libpd Kent Jolly, Electronic Arts (USA) Author of Spore Martin Roth, CTO Reality Jockey Ltd. (London) Holger Großmann, Head of Department Metadata Fraunhofer IDMT (Ilmenau) Martin Enderlein, Netlabel Headphonica (Weimar/Halle) Sebastian Dittmann, CEO Audanika (Erfurt) Location t.b.a
|-
|20:00 - 20:20
|colspan="3"|Presentation Robert Wechsler
|-
|20:30 - 21:30
|colspan="3"|Round Table future Developments 
|}

 

===Saturday 13. Aug. 2011===

{|align="left" {{Prettytable}}
|10:00 - 14:00
|Transfer Weimar~Berlin [[/Coach transfer|Sign up here]]
|-
|17:00 - 20:00 
|style="background:#ffb5d0"|[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|Pd meeting “Show you patch” #1]]
Just like a normal Pd meeting, let people meet and start communicating. Show '''YOUR''' patches to others, make questions, talk, have a drink, ...

[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|INFO AND REGISTRATION]] [[PDCON:Venues/N.K.|N.K.]]
|-
|22:00 - ...
|style="background:#c1c6ff"|[[PDCON:Concerts/Ed Kelly|Ed Kelly: Synchroma Was a Broken String]] [[PDCON:Concerts/Alexandre Porres|Alexandre Porres: Something Stuck in My Throat]] [[PDCON:Concerts/Paloma Oliveira, Jaime Lobato|Paloma Oliveira, Jaime Lobato: La grand Pelea]] [[PDCON:Concerts/Jinyao Lin|Jinyao Lin: Tracks]] [[PDCON:Concerts/Anela Takac|Anela Takac: Video Organ]] [[PDCON:Venues/LEAP|LEAP]]
|-
|}

 

===Sunday 14. Aug. 2011===
{|align="left" {{Prettytable}}
|14:00 - 17:00
|style="background:#ffb5d0"|[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|Pd meeting “Show you patch” #2]]
Just like a normal Pd meeting, let people meet and start communicating. Show '''YOUR''' patches to others, make questions, talk, have a drink, ...

[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|INFO AND REGISTRATION]] [[PDCON:Venues/N.K.|N.K.]]
|-
|18:00 - 20:00
|[[PDCON:Berlin-events#Sketch pages collective improvisation|Sketch pages collective improvisation]]
A collective live-coding improvisation on foreign terrain - with '''YOUR''' participation.

[[PDCON:Berlin-events#Blanc sketch pages collective improvisation|INFO AND REGISTRATION]] [[PDCON:Venues/LEAP|LEAP]]
|-
|22:00 - open end
|style="background:#c1c6ff"|[[PDCON:Berlin-events#Late night open improvisation marathon|Late night open improvisation marathon]]
Bring anything '''YOU''' want and can do - audio, video, sensors, ... -, and join in the group. Take an empty slot, and improvise for a while; leave for a drink and give your place to someone else; and so on and so on, until it's morning again.

[[PDCON:Berlin-events#Late night open improvisation marathon|INFO AND REGISTRATION]] [[PDCON:Venues/LEAP|LEAP]]
|-
|}

 

===Monday 15. Aug. 2011===
{|align="left" {{Prettytable}}
|12:00 - ...
|Brunch
For who might still be awake from the previous night, or whoever might want to join in after having had some sleep. [[PDCON:Venues/LEAP|LEAP]]
|-
|}

{{Template:PdCon11}}

PDCON:Workshops/Xth Sense, Biophysical Music

2011-08-06T14:15:41Z

Marcodonnarumma: /* How */

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance, using DIY, low cost biosensing wearable device for muscle sounds.

See an [http://marcodonnarumma.com/works/music-for-flesh-ii/ Xth Sense performance]

Development blog can be viewed at [http://res.marcodonnarumma.com/blog XS Blog]

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

===Requirements===
Participants need to provide their own headphones, external soundcards and laptops with Pd-extended already installed.
We will work either on Linux or Mac OSX > 10.6 operating systems. If you don't have access to none of them, please download a live distribution of [http://puredyne.org/index.html Pure:Dyne]

Musicians interested in augmenting their favourite musical instrument by means of body gestures are encouraged to bring their instrument along.
No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

See also:
* [[GMU:EEG Sensoren]]

{{Template:PdCon11}}

[[Category:Pure Data]]
[[Category:Sensors]]

PDCON:Workshops/Xth Sense, Biophysical Music

2011-08-06T11:36:28Z

Marcodonnarumma: /* Requirements */

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance, using DIY, low cost biosensing wearable device for muscle sounds.

See an [http://marcodonnarumma.com/works/music-for-flesh-ii/ Xth Sense performance]

Development blog can be viewed at [http://res.marcodonnarumma.com/blog XS Blog]

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event.

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

===Requirements===
Participants need to provide their own headphones, external soundcards and laptops with Pd-extended already installed.
We will work either on Linux or Mac OSX > 10.6 operating systems. If you don't have access to none of them, please download a live distribution of [http://puredyne.org/index.html Pure:Dyne]

Musicians interested in augmenting their favourite musical instrument by means of body gestures are encouraged to bring their instrument along.
No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

See also:
* [[GMU:EEG Sensoren]]

{{Template:PdCon11}}

[[Category:Pure Data]]
[[Category:Sensors]]

PDCON:Workshops/Xth Sense, Biophysical Music

2011-08-06T11:35:38Z

Marcodonnarumma: /* Xth Sense, Biophysical Music */

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance, using DIY, low cost biosensing wearable device for muscle sounds.

See an [http://marcodonnarumma.com/works/music-for-flesh-ii/ Xth Sense performance]

Development blog can be viewed at [http://res.marcodonnarumma.com/blog XS Blog]

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event.

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

===Requirements===
Participants need to provide their own headphones, external soundcards and laptops with Pd-extended already installed.

We will work either on Linux or Mac OSX > 10.6 operating systems. If you don't have access to none of them, please download a live distribution of Pure:Dyne at: [http://puredyne.org/index.html]

Musicians interested in augmenting their favourite musical instrument by means of body gestures are encouraged to bring their instrument along.

No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

See also:
* [[GMU:EEG Sensoren]]

{{Template:PdCon11}}

[[Category:Pure Data]]
[[Category:Sensors]]

PDCON:Concerts/Marco Donnarumma

2011-08-04T14:57:25Z

Marcodonnarumma: /* Music for Flesh II */

==Music for Flesh II < PdCon 2011 >==
Artist: Marco Donnarumma

An interactive music performance for enhanced body by Marco Donnarumma.

Music for Flesh II is a seamless mediation between human biophysical potential and algorithmic composition. 
By enabling a computer to sense and interact with the muscular potential of human tissues, the work approaches the biological body as a means for computational artistry. 
Muscle movements and blood flow produce subcutaneous mechanical oscillations, which are nothing but low frequency sound waves. Two microphone sensors capture the sonic matter created by my limbs and send it to a computer. This develops an understanding of my kinetic behaviour by *listening* to the friction of my flesh. 
Specific gesture, force levels and patterns are identified in real time by the computer; then, according to this information, it manipulates algorithmically the sound of my flesh and diffuse it through a quadraphonic system.
The neural and biological signals that drive my actions become analogous expressive matter, for they emerge as a tangible sound.

<videoflash type=vimeo>20889787</videoflash>

*http://marcodonnarumma.com/works/music-for-flesh-ii/

{{Template:PdCon11}}

PDCON:Concerts/Marco Donnarumma

2011-08-04T14:54:50Z

Marcodonnarumma: /* Music for Flesh II */

==Music for Flesh II < PdCon 2011 >==
Artist: Marco Donnarumma

An interactive music performance for enhanced body by Marco Donnarumma.

Music for Flesh II is a seamless mediation between human biophysical potential and algorithmic composition.//
By enabling a computer to sense and interact with the muscular potential of human tissues, the work approaches the biological body as a means for computational artistry.//
Muscle movements and blood flow produce subcutaneous mechanical oscillations, which are nothing but low frequency sound waves. Two microphone sensors capture the sonic matter created by my limbs and send it to a computer. This develops an understanding of my kinetic behaviour by *listening* to the friction of my flesh. //
Specific gesture, force levels and patterns are identified in real time by the computer; then, according to this information, it manipulates algorithmically the sound of my flesh and diffuse it through a quadraphonic system.
The neural and biological signals that drive my actions become analogous expressive matter, for they emerge as a tangible sound.

<videoflash type=vimeo>20889787</videoflash>

*http://marcodonnarumma.com/works/music-for-flesh-ii/

{{Template:PdCon11}}

PDCON:Concerts/Marco Donnarumma

2011-08-04T14:54:26Z

Marcodonnarumma: /* Music for Flesh II */

==Music for Flesh II < PdCon 2011 >==
Artist: Marco Donnarumma

An interactive music performance for enhanced body by Marco Donnarumma.

Music for Flesh II is a seamless mediation between human biophysical potential and algorithmic composition.
By enabling a computer to sense and interact with the muscular potential of human tissues, the work approaches the biological body as a means for computational artistry.
Muscle movements and blood flow produce subcutaneous mechanical oscillations, which are nothing but low frequency sound waves.
Two microphone sensors capture the sonic matter created by my limbs and send it to a computer. This develops an understanding of my kinetic behaviour by *listening* to the friction of my flesh.
Specific gesture, force levels and patterns are identified in real time by the computer; then, according to this information, it manipulates algorithmically the sound of my flesh and diffuse it through a quadraphonic system.
The neural and biological signals that drive my actions become analogous expressive matter, for they emerge as a tangible sound.

<videoflash type=vimeo>20889787</videoflash>

*http://marcodonnarumma.com/works/music-for-flesh-ii/

{{Template:PdCon11}}

PDCON:Concerts/Marco Donnarumma

2011-08-04T14:54:10Z

Marcodonnarumma: /* Music for Flesh II */

==Music for Flesh II < PdCon 2011 >==
Artist: Marco Donnarumma

An interactive music performance for enhanced body by Marco Donnarumma.

Music for Flesh II is a seamless mediation between human biophysical potential and algorithmic composition.

By enabling a computer to sense and interact with the muscular potential of human tissues, the work approaches the biological body as a means for computational artistry.
Muscle movements and blood flow produce subcutaneous mechanical oscillations, which are nothing but low frequency sound waves.

Two microphone sensors capture the sonic matter created by my limbs and send it to a computer. This develops an understanding of my kinetic behaviour by *listening* to the friction of my flesh.

Specific gesture, force levels and patterns are identified in real time by the computer; then, according to this information, it manipulates algorithmically the sound of my flesh and diffuse it through a quadraphonic system.
The neural and biological signals that drive my actions become analogous expressive matter, for they emerge as a tangible sound.

<videoflash type=vimeo>20889787</videoflash>

*http://marcodonnarumma.com/works/music-for-flesh-ii/

{{Template:PdCon11}}

PDCON:Workshops/Xth Sense, Biophysical Music

2011-08-04T14:51:06Z

Marcodonnarumma: /* Xth Sense, Biophysical Music */

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance, using DIY, low cost biosensing wearable device for muscle sounds.

See an [http://marcodonnarumma.com/works/music-for-flesh-ii/ Xth Sense performance]

Development blog can be viewed at [http://res.marcodonnarumma.com/blog XS Blog]

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event.

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

See also:
* [[GMU:EEG Sensoren]]

{{Template:PdCon11}}

[[Category:Pure Data]]
[[Category:Sensors]]

PDCON:Schedule/Coach transfer

2011-08-03T11:27:53Z

Marcodonnarumma:

# Björn Lindig
# Karsten Kleinert
# Funs Seelen
# Kyriakos Tsoukalas
# Dan Wilcox
# Ricardo Palmieri
# William Brent
# Giuliano Obici
# Jaime Lobato
# Paloma Oliveira
# Nicolas Montgermont
# Marco Donnarumma
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
-- more than 50 places = bigger coach needed --
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
-- more than 69 places = Bus is full --
==Alternates==
#
#
#
#
#
#

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-08-02T09:18:30Z

Marcodonnarumma: /* A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour */

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds (namely, mechanical myography or MMG) produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a [[Pure Data]] based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent (GOP) routing system for dynamic mapping of gesture to sound.

[http://marcodonnarumma.com/works/music-for-flesh-ii/ Music for Flesh II], is a solo sound piece for the Xth Sense.

== References ==
<references/>

{{Template:PdCon11}}

PDCON:Schedule

2011-08-02T09:17:36Z

Marcodonnarumma: /* Tuesday 09. Aug. 2011 */

===Legend===
{|align="left" {{Prettytable}}
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference|Conference Panels]]
|-
|style="background:#ffb5d0"|[[PDCON:Workshops|Workshops]]
|style="background:#ff68b3"|Workshops exclusive for Bauhaus Summer School [http://www.uni-weimar.de/summerschool/en/welcome/culture-media/creating-interactive-art-and-music Sign up here](€!)
|-
|colspan="2" style="background:#c1c6ff"|[[PDCON:Concerts|Concerts]]
|-
|colspan="2"|[[PDCON:Berlin-events|Berlin events (13th and 14th)]]
|}

Not included in the schedule: [[PDCON:Exhibition|Exhibition]]

 

===Sunday 07. Aug. 2011===
{|align="left" {{Prettytable}}
|18:30 - 20:30
|opening ceremony and reception of the Bauhaus-Summer School Auditorium maximum, university library Steubenstraße 6
|}

===Monday 08. Aug 2011===
{|align="left" {{Prettytable}}
|10:00 - 12:30
|colspan="3"|coffee, welcome reception, registration
|-
|12:30 - 13:00
|colspan="3"|Opening, introduction to the workshop programme
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Data Structures|Data Structures]] João Pais Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/Xth Sense, Biophysical Music|Xth Sense, Biophysical Music]] Marco Donnarumma Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/Pd for beginners|Pd for beginners]] Chun Lee Marienstraße 7b - room 204
|-
|15:00 - 15:30
|colspan="3"|coffee break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/RjDj|RjDj]] Frank Barknecht Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/Xth Sense, Biophysical Music|Xth Sense, Biophysical Music]] Marco Donnarumma Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/Build your own USB-MIDI-Interface|Build your own USB-MIDI-Interface for Pd]] Felix Krüger, Felix Pfeifer & Georg Werner Marienstraße 7b - room 204
|-
|17:30 - 19:00
|colspan="3"|break
|-
|19:00 - 22:30
|colspan="3" style="background:#c1c6ff"|Words of welcome, Keynote by ao.Univ.Prof. DI Winfried Ritsch [[PDCON:Concerts/Chikashi Miyama|Chikashi Miyama: Black Vox]] [[PDCON:Concerts/Endphase: João Pais, Alberto C. Bernal, Enrique Tomás|Endphase-João Pais, Alberto C. Bernal, Enrique Tomás: Endphase 18-2 “Mixed Cities”]] [[PDCON:Concerts/John Harrison, Mary Ellen Childs|John Harrison, Mary Ellen Childs: Still Life: Revisited]] [[PDCON:Concerts/Thomas Grill|Thomas Grill: Points of View]] [[PDCON:Concerts/Tim Vets|Tim Vets: Extended Guitar Duo]] Platz der Demokratie, Fürstenhaus [[PDCON:Venues|Fürstensaal]]
|}

 

=== Tuesday 09. Aug. 2011 ===
Topic: [[Spatialisation]], [[General]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Self-replication: how to do more using less|Self-replication: how to do more using less]] Krzysztof Czaja
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour|A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour]] Marco Donnarumma
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/Dynamic Time Warping for Pure Data|Dynamic Time Warping for Pure Data]] Pedro Lopez and Joaquim Jorge
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Self-Modifying Help Patches|Self-Modifying Help Patches]] Mathieu Bouchard
|-
|10:30 - 11:00
|colspan="3"|break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation|Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation]] Richard Thomas
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Using Pure Data in Spore and Darkspore - successes and failures|Using Pure Data in Spore and Darkspore - successes and failures]] Kent Jolly
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/Custom Spatialisation PD Patch for a Large Non-conventional Area|Custom Spatialisation PD Patch for a Large Non-conventional Area]] José Rafael Subía Valdez
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Music in expression - A DSP based compositional methodology|Music in expression - A DSP based compositional methodology]] Chun Lee
|-
|12:00 - 13:00
|colspan="3"|lunch break with buffet and performance
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Data Structures|Data Structures]] João Pais Marienstraße 7b - room 102
|style="background:#ff68b3"|[[PDCON:Laptop Orchestera|Laptop Orchestera]] Quim Llimona, John O'connell, William Goutfreind, Alex Barrachina Marienstraße 7b - room 204
|rowspan="3"|excursion to Fraunhofer IDMT Ilmenau approx. 15 seats available: [[/Excursion Ilmenau|sign up]]
|-
|15:00 - 15:30
|colspan="2"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/RjDj|RjDj]] Frank Barknecht Marienstraße 7b - room 102
|style="background:#ff68b3"|[[PDCON:Workshops/Build your own USB-MIDI-Interface|Build your own USB-MIDI-Interface for Pd]] Felix Krüger, Felix Pfeifer & Georg Werner Marienstraße 7b - room 204
|-
|17:30 - 19:00
|colspan="3"|dinner
|-
|19:00 - 20:00
|colspan="2" style="background:#c1c6ff"|Opening of the Exhibition [[PDCON:Concerts/Tad Bisaha, Sitan Adele K|Tad Bisaha, Sitan Adele K: Rock-Art2noise]] Location t.b.a.
|rowspan="2"|[http://www.uni-weimar.de/summerschool/en/welcome/accompanying-programme/parties Welcome Party Bauhaus Summer School] Geschwister Scholl Str. 8, Campus
|-
|20:00 - 22:00
|colspan="2" style="background:#c1c6ff"|[[PDCON:Concerts/Koray Tahiroğlu|Koray Tahiroğlu: Live Audio Cues]] [[PDCON:Concerts/Hsin-jen Wang|Hsin-jen Wang: Moving Resonance]] [[PDCON:Concerts/Eduardo Flores Abad|Eduardo Flores Abad: Poder y Resistencia]] [[PDCON:Concerts/Marco Donnarumma|Marco Donnarumma: Music for Flesh II < PdCon 2011 >]] [[PDCON:Concerts/Cyrille Henry, Nicolas Montgermont|Cyrille Henry, Nicolas Montgermont: Egregore]] Cudraystraße SeaM Werkstattstudio
|}

 

=== Wednesday 10. Aug. 2011 ===
Topic: [[General]], [[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/AUDIENCE for Pd, a scene-oriented library for spatial audio|AUDIENCE for Pd, a scene-oriented library for spatial audio]] Regis Faria
|style="background:#c7ffd2"|[[PDCON:Conference/A_collaboration_workflow_from_sound-based_composition_to_performance_of_electroacoustic_music_using_Pd_as_a_framework|A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework]] Kyriakos Tsoukalas
|-
|10:00 - 10:30
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/GUI Plugins in Pd 0.43|GUI Plugins in Pd 0.43]] Hans-Christoph Steiner
|-
|10:30 - 11:00
|colspan="3"|break
|-
|11:00 - 11:30
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/Voice as joystick and oscillator|Voice as joystick and oscillator]] Miller Puckette
|-
|11:30 - 12:00
|colspan="3" style="background:#c7ffd2"|[[PDCON:Conference/Plug your cam - extending Gem the modular way|Plug your cam - extending Gem the modular way]] IOhannes zmölnig
|-
|12:00 - 13:00
|colspan="3" style="background:#c1c6ff"|lunch break [[PDCON:Concerts/Katja Vetter|Katja Vetter: Instant Decomposer]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/Projection Mapping|Projection Mapping]] Ricardo Palmieri Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/Audience|Audience]] Regis Faria Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/DIY electronic music using Visual Tracker|DIY electronic music using Visual Tracker]] Bérenger Recoules Marienstraße 7b - room 204
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/Universal Polyphonic Player|Universal Polyphonic Player]] Thomas Grill Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/ATMEL AVR|ATMEL AVR]] Chikashi Miyama Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/pmpd|pmpd for Beginners]] Cyrille Henry Marienstraße 7b - room 204
|-
|17:30 - 19:00
|colspan="3"|dinner
|-
|21:00 - 23:00
|colspan="3" style="background:#c1c6ff"|[[PDCON:Concerts/Quim Llimona, John O'connell, William Goutfreind, Alex Barrachina|Quim Llimona, John O'connell, William Goutfreind, Alex Barrachina: Barcelona Laptop Orchestra]] [[PDCON:Concerts/Oscar Martin (Noish)|Oscar Martin (Noish): Eetz]] [[PDCON:Concerts/Richard Graham|Richard Graham: Axon]] Goetheplatz 12, Radio Lotte
|}

 

=== Thursday 11. Aug. 2011 ===
Topic: [[Embeded]],[[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Embedding Pure Data with libpd: Design and Workflow|Embedding Pure Data with libpd: Design and workflow]] Peter Brinkmann
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Dissonance Model Toolbox in Pure Data|Dissonance model toolbox in Pure Data]] Alexandre Porres
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data|An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data]] Koray Tahiroğlu
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Framework for Real-time Instrumental Sound Segmentation and Labeling|A Framework for Real-time Instrumental Sound Segmentation and Labeling]] Adriano Monteiro
|-
|10:30 - 11:00
|colspan="3"|break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/rj - abstractions for getting things done|rj - abstractions for getting things done]] Frank Barknecht
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Reverb Design|Reverb Design]] Urban Schlemmer
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/VisualTracker - modular pd environment for sequencing events on timeline|VisualTracker – Modular Pd Environment for sequencing events on the timeline]] Aleš Černý
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Using Pd to create a visualization instrument for percussion|Using Pd to create a visualization instrument for percussion]] John Harrison
|-
|12:00 - 13:00
|colspan="3" style="background:#c1c6ff"|lunch break [[PDCON:Concerts/Alexander Senko|Alexander Senko: Acoustic Images]] [[PDCON:Concerts/Jordi Sala|Jordi Sala: Znet Sequencer]] [[PDCON:Concerts/Seiichiro Matsumura|Seiichiro Matsumura: Pendulums]] [[PDCON:Concerts/Juergen Winderl|Juergen Winderl: Visiohypnotropical]]
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd für Android]] Peter Brinkmann Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/DIY_electronic_music_using_Visual_Tracker|DIY electronic music using Visual Tracker]] Bérenger Recoules Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/GEM|GEM Introduction]] IOhannes Zmölnig Marienstraße 7b - room 204
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/pmpd|pmpd Advanced]] Cyrille Henry Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/ATMEL AVR|ATMEL AVR]] Chikashi Miyama Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/Spectral Analysis|Spectral Analysis]] Alexandre Porres Marienstraße 7b - room 204
|-
|17:30 - 19:00
|colspan="3"|dinner
|-
|19:00 - 21:00
|colspan="3" style="background:#c1c6ff"|[[PDCON:Concerts/Moritz Schell, Frederic Seybicke|Moritz Schell, Frederic Seybicke: Listen How It Looks Like]] [[PDCON:Concerts/Dan Wilcox|Dan Wilcox: Robot Cowboy]] [[PDCON:Concerts/Onyx Ashanti|Onyx Ashanti: Beatjazz]] location t.b.a.
|}

 

=== Friday 12. Aug. 2011 ===
Topic: [[Audiovisual]], [[Tools]]

{|align="left" {{Prettytable}}
|09:30 - 10:00
|style="background:#c7ffd2"|[[PDCON:Conference/Image Processing Algorithm Optimization with CUDA for Pure Data|Image Processing Algorithm Optimization with CUDA for Pure Data]] Rudi Giot, Jacques Tichon and Abilio Rodrigues
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture|A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture]] Richard Graham
|-
|10:00 - 10:30
|style="background:#c7ffd2"|[[PDCON:Conference/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API|GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API]] Charles Henry
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Pure Data implementation of an ESS-based impulse response acoustic measurement tool|Pure Data implementation of an ESS-based impulse response acoustic measurement tool]] Serafino Di Rosario and Katja Vetter
|-
|10:30 - 11:00
|colspan="3"|break
|-
|11:00 - 11:30
|style="background:#c7ffd2"|[[PDCON:Conference/Extended View Toolkit|Extended View Toolkit]] Peter Venus
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/Click Tracker: Performance/composition tool for metrically complex scores|Click Tracker: Performance/composition tool for metrically complex scores]] João Pais and Pedro Lopes
|-
|11:30 - 12:00
|style="background:#c7ffd2"|[[PDCON:Conference/Gemnotes: A Realtime music notation system for pure data|Gemnotes: A Realtime music notation system for pure data]] Edward Kelly
|colspan="2" style="background:#c7ffd2"|[[PDCON:Conference/DILIB: Control Data Parsing for Digital Musical Instrument Design|DILIB: Control Data Parsing for Digital Musical Instrument Design]] William Brent
|-
|12:00 - 13:00
|colspan="3"|lunch break
|-
|13:00 - 15:00
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd for iOs]] Peter Brinkmann Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/GEM|GEM Advanced]] IOhannes zmölnig Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/Pd for beginners|Pd for beginners]] Frank Barknecht Marienstraße 7b - room 204
|-
|15:00 - 15:30
|colspan="3"|break
|-
|15:30 - 17:30
|style="background:#ffb5d0"|[[PDCON:Workshops/libpd|libpd for open frameworks]] Dan Wilcox Marienstraße 7b - room 102
|style="background:#ffb5d0"|[[PDCON:Workshops/GLSL|GLSL]] Cyrille Henry Marienstraße 7b - room 201
|style="background:#ff68b3"|[[PDCON:Workshops/Spectral Analysis|Spectral Analysis]] Alexandre Porres Marienstraße 7b - room 204
|-
|17:30 - 19:00
|colspan="3"|dinner
|-
|19:00 - 20:00
|colspan="3"|Round Table Session I
|-
|20:00 - 20:20
|colspan="3"|Presentation Robert Wechsler
|-
|20:30 - 21:30
|colspan="3"|Round Table Session II
|}

 

===Saturday 13. Aug. 2011===

{|align="left" {{Prettytable}}
|10h-14h
|Transfer Weimar~Berlin [[/Coach transfer|Sign up here]]
|
|-
|17h-20h
or
18h-20h30
|[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|Pd meeting “Show you patch” #1]]
Just like a normal Pd meeting, let people meet and start communicating. Show '''YOUR''' patches to others, make questions, talk, have a drink, ...

[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|INFO AND REGISTRATION]]

|[[PDCON:Venues/N.K.|N.K.]]
|-
|22h-...
|[[PDCON:Berlin-events#Concert #1|Concert with selected works]] [[PDCON:Concerts/Ed Kelly|Ed Kelly: Synchroma Was a Broken String]] [[PDCON:Concerts/Alexandre Porres|Alexandre Porres: Something Stuck in My Throat]] [[PDCON:Concerts/Paloma Oliveira, Jaime Lobato|Paloma Oliveira, Jaime Lobato: La grand Pelea]] [[PDCON:Concerts/Jinyao Lin|Jinyao Lin: Tracks]] [[PDCON:Concerts/Anela Takac|Anela Takac: Video Organ]]
|[[PDCON:Venues/LEAP|LEAP]]
|-
|}

 

===Sunday 14. Aug. 2011===
{|align="left" {{Prettytable}}
|14h-17h
|[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|Pd meeting “Show you patch” #2]]
Just like a normal Pd meeting, let people meet and start communicating. Show '''YOUR''' patches to others, make questions, talk, have a drink, ...

[[PDCON:Berlin-events#Pd meetings “Show you patch” @N.K.|INFO AND REGISTRATION]]

|[[PDCON:Venues/N.K.|N.K.]]
|-
|18h-20h
|[[PDCON:Berlin-events#Sketch pages collective improvisation|Sketch pages collective improvisation]]
A collective live-coding improvisation on foreign terrain - with '''YOUR''' participation.

[[PDCON:Berlin-events#Blanc sketch pages collective improvisation|INFO AND REGISTRATION]]

|[[PDCON:Venues/LEAP|LEAP]]
|-
|22h-open end
|[[PDCON:Berlin-events#Late night open improvisation marathon|Late night open improvisation marathon]]
Bring anything '''YOU''' want and can do - audio, video, sensors, ... -, and join in the group. Take an empty slot, and improvise for a while; leave for a drink and give your place to someone else; and so on and so on, until it's morning again.

[[PDCON:Berlin-events#Late night open improvisation marathon|INFO AND REGISTRATION]]

|[[PDCON:Venues/LEAP|LEAP]]
|-
|}

 

===Monday 15. Aug. 2011===
{|align="left" {{Prettytable}}
|12h-...
|Brunch
For who might still be awake from the previous night, or whoever might want to join in after having had some sleep.
|[[PDCON:Venues/LEAP|LEAP]]
|-
|}

{{Template:PdCon11}}

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:51:11Z

Marcodonnarumma: /* A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour */

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds (namely, mechanical myography or MMG) produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a [[Pure Data]] based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent (GOP) routing system for dynamic mapping of gesture to sound.

[http://marcodonnarumma.com/works/music-for-flesh-ii/ Music for Flesh II], is a solo sound piece for the Xth Sense.

== References ==
<references/>

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:49:34Z

Marcodonnarumma: /* A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour */

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a [[Pure Data]] based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the muscle sounds transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent (GOP) routing system for dynamic mapping of gesture to sound.

[http://marcodonnarumma.com/works/music-for-flesh-ii/ Music for Flesh II], a solo sound piece for the Xth Sense.

== References ==
<references/>

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:46:34Z

Marcodonnarumma: /* A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour */

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a [[Pure Data]] based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent (GOP) routing system for dynamic mapping of gesture to sound.

== References ==
<references/>

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:43:35Z

Marcodonnarumma: /* A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour */

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a [/Pure Data/] based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent (GOP) routing system for dynamic mapping of gesture to sound.

== References ==
<references/>

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:42:34Z

Marcodonnarumma:

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [http://res.marcodonnarumma.com/ Xth Sense] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds1 produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a Pure Data2 based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in <ref>M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011</ref>.

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent3 (GOP) routing system for dynamic mapping of gesture to sound.

== References ==
<references/>

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:39:11Z

Marcodonnarumma:

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [Xth Sense http://res.marcodonnarumma.com] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds1 produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a Pure Data2 based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in [1].

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent3 (GOP) routing system for dynamic mapping of gesture to sound.

[1] M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011.

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:38:41Z

Marcodonnarumma:

== A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The [Xth Sense:http://res.marcodonnarumma.com] is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds1 produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a Pure Data2 based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in [2].

This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent3 (GOP) routing system for dynamic mapping of gesture to sound.

[2] M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011.

PDCON:Conference/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour

2011-07-13T16:36:55Z

Marcodonnarumma:

== A Pd framework for the Xth Sense:
enabling computers to sense human kinetic behaviour==

Author: Marco Donnarumma

The Xth Sense is an interactive system for the biophysical generation and control of music. It makes use of muscle sounds1 produced by a performer as both raw sonic material and control data. Presently the Xth Sense (XS) technology consists of low-cost, wearable biosensors and a Pure Data2 based application for capture, analysis, real time processing and playback of human muscle sounds. The technical implementation of the XS biosensors has been recently illustrated in [2].
This paper describes the design of the XS software; it is a program that enables a computer to “listen” to the MMG signals transduced by the XS biosensors, to understand the performance main features, and therefore to interact with the performer. After a brief introduction on the nature of the interaction fostered by the XS technology, I focus on the framework main features such as: the XS library, a tabbed dynamic interface (TDI), a MMG features extraction unit, and a graph-on-parent3 (GOP) routing system for dynamic mapping of gesture to sound.

[2] M. Donnarumma: “Xth Sense: researching muscle sounds for an experimental paradigm of musical performance” Proceedings of the Linux Audio Conference (LAC'11), 2011.

[http://res.marcodonnarumma.com]

PDCON:Conference

2011-07-13T16:35:08Z

Marcodonnarumma:

Papers presented at the 4th Pure Data Convention

* [[/Custom Spatialisation Pd Patch for a Large Non-conventional Area/]] José Rafael Subía Valdez
* [[/Dynamic Time Warping for Pure Data/]] Pedro Lopes and Joaquim Jorge
* [[/Click Tracker: Performance/composition tool for metrically complex scores/]] João Pais and Pedro Lopes
* [[/Dissonance Model Toolbox in Pure Data/]] Alexandre Porres
* [[/Image Processing Algorithm Optimization with CUDA for Pure Data/]] Rudi Giot
* [[/A Pd framework for the Xth Sense: enabling computers to sense human kinetic behaviour/]] Marco Donnarumma
* [[/VisualTracker - modular pd environment for sequencing events on timeline/]] Aleš Černý
* [[/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API/]] Charles Henry
* [[/Voice as joystick and oscillator/]] Miller Puckette
* [[/A Framework for Real-time Instrumental Sound Segmentation and Labeling/]] Adriano Monteiro
* [[/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data/]] Koray Tahiroğlu
* [[/Reverb Design/]] Urban Schlemmer
* [[/Extended View Toolkit/]] Peter Venus
* [[/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation/]] Richard Thomas
* [[/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture/]] Richard Graham
* [[/Using Pure Data in Spore and Darkspore - successes and failures/]] Kent Jolly
* [[/Embedding Pure Data with libpd: Design and Workflow/]] Peter Brinkmann
* [[/Pure Data implementation of an ESS-based impulse response acoustic measurement tool/]] Serafino Di Rosario
* [[/AUDIENCE for Pd, a scene-oriented library for spatial audio/]] Regis Faria
* [[/rj - abstractions for getting things done/]] Frank Barknecht
* [[/Plug your cam - extending Gem the modular way/]] IOhannes zmölnig
* [[/Music in expression - A DSP based compositional methodology/]] Chun Lee
* [[/DILIB: Control Data Parsing for Digital Musical Instrument Design/]] William Brent
* [[/A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework/]] Kyriakos Tsoukalas
* [[/Using Pd to create a visualization instrument for percussion/]] John Harrison
* [[/Gemnotes: A Realtime music notation system for pure data/]] Edward Kelly
* [[/Self-Modifying Help Patches/]] Mathieu Bouchard
* [[/Self-replication: how to do more using less/]] Krzysztof Czaja
* [[/GUI Plugins in Pd 0.43/]] Hans-Christoph Steiner
* [[/Santiago - Making music with biological neural networks in Pd-Gem/]] Hernán Kerlleñevich

For questions regarding the conference contact bjoern.lindig at this domain.

{{Template:PdCon11}}

PDCON:Conference

2011-07-13T16:34:50Z

Marcodonnarumma:

Papers presented at the 4th Pure Data Convention

* [[/Custom Spatialisation Pd Patch for a Large Non-conventional Area/]] José Rafael Subía Valdez
* [[/Dynamic Time Warping for Pure Data/]] Pedro Lopes and Joaquim Jorge
* [[/Click Tracker: Performance/composition tool for metrically complex scores/]] João Pais and Pedro Lopes
* [[/Dissonance Model Toolbox in Pure Data/]] Alexandre Porres
* [[/Image Processing Algorithm Optimization with CUDA for Pure Data/]] Rudi Giot
* [[/A Pd framework for the Xth Sense:
enabling computers to sense human kinetic behaviour/]] Marco Donnarumma
* [[/VisualTracker - modular pd environment for sequencing events on timeline/]] Aleš Černý
* [[/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API/]] Charles Henry
* [[/Voice as joystick and oscillator/]] Miller Puckette
* [[/A Framework for Real-time Instrumental Sound Segmentation and Labeling/]] Adriano Monteiro
* [[/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data/]] Koray Tahiroğlu
* [[/Reverb Design/]] Urban Schlemmer
* [[/Extended View Toolkit/]] Peter Venus
* [[/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation/]] Richard Thomas
* [[/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture/]] Richard Graham
* [[/Using Pure Data in Spore and Darkspore - successes and failures/]] Kent Jolly
* [[/Embedding Pure Data with libpd: Design and Workflow/]] Peter Brinkmann
* [[/Pure Data implementation of an ESS-based impulse response acoustic measurement tool/]] Serafino Di Rosario
* [[/AUDIENCE for Pd, a scene-oriented library for spatial audio/]] Regis Faria
* [[/rj - abstractions for getting things done/]] Frank Barknecht
* [[/Plug your cam - extending Gem the modular way/]] IOhannes zmölnig
* [[/Music in expression - A DSP based compositional methodology/]] Chun Lee
* [[/DILIB: Control Data Parsing for Digital Musical Instrument Design/]] William Brent
* [[/A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework/]] Kyriakos Tsoukalas
* [[/Using Pd to create a visualization instrument for percussion/]] John Harrison
* [[/Gemnotes: A Realtime music notation system for pure data/]] Edward Kelly
* [[/Self-Modifying Help Patches/]] Mathieu Bouchard
* [[/Self-replication: how to do more using less/]] Krzysztof Czaja
* [[/GUI Plugins in Pd 0.43/]] Hans-Christoph Steiner
* [[/Santiago - Making music with biological neural networks in Pd-Gem/]] Hernán Kerlleñevich

For questions regarding the conference contact bjoern.lindig at this domain.

{{Template:PdCon11}}

PDCON:Conference

2011-07-13T16:30:09Z

Marcodonnarumma:

Papers presented at the 4th Pure Data Convention

* [[/Custom Spatialisation Pd Patch for a Large Non-conventional Area/]] José Rafael Subía Valdez
* [[/Dynamic Time Warping for Pure Data/]] Pedro Lopes and Joaquim Jorge
* [[/Click Tracker: Performance/composition tool for metrically complex scores/]] João Pais and Pedro Lopes
* [[/Dissonance Model Toolbox in Pure Data/]] Alexandre Porres
* [[/Image Processing Algorithm Optimization with CUDA for Pure Data/]] Rudi Giot
* [[/Xth Sense: researching muscle sounds for an experimental paradigm of musical performance/]] Marco Donnarumma
* [[/VisualTracker - modular pd environment for sequencing events on timeline/]] Aleš Černý
* [[/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API/]] Charles Henry
* [[/Voice as joystick and oscillator/]] Miller Puckette
* [[/A Framework for Real-time Instrumental Sound Segmentation and Labeling/]] Adriano Monteiro
* [[/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data/]] Koray Tahiroğlu
* [[/Reverb Design/]] Urban Schlemmer
* [[/Extended View Toolkit/]] Peter Venus
* [[/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation/]] Richard Thomas
* [[/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture/]] Richard Graham
* [[/Using Pure Data in Spore and Darkspore - successes and failures/]] Kent Jolly
* [[/Embedding Pure Data with libpd: Design and Workflow/]] Peter Brinkmann
* [[/Pure Data implementation of an ESS-based impulse response acoustic measurement tool/]] Serafino Di Rosario
* [[/AUDIENCE for Pd, a scene-oriented library for spatial audio/]] Regis Faria
* [[/rj - abstractions for getting things done/]] Frank Barknecht
* [[/Plug your cam - extending Gem the modular way/]] IOhannes zmölnig
* [[/Music in expression - A DSP based compositional methodology/]] Chun Lee
* [[/DILIB: Control Data Parsing for Digital Musical Instrument Design/]] William Brent
* [[/A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework/]] Kyriakos Tsoukalas
* [[/Using Pd to create a visualization instrument for percussion/]] John Harrison
* [[/Gemnotes: A Realtime music notation system for pure data/]] Edward Kelly
* [[/Self-Modifying Help Patches/]] Mathieu Bouchard
* [[/Self-replication: how to do more using less/]] Krzysztof Czaja
* [[/GUI Plugins in Pd 0.43/]] Hans-Christoph Steiner
* [[/Santiago - Making music with biological neural networks in Pd-Gem/]] Hernán Kerlleñevich

For questions regarding the conference contact bjoern.lindig at this domain.

{{Template:PdCon11}}

PDCON:Conference

2011-07-13T16:26:54Z

Marcodonnarumma:

PDCON:Conference

2011-07-13T16:26:22Z

Marcodonnarumma:

Papers presented at the 4th Pure Data Convention

* [[/Custom Spatialisation Pd Patch for a Large Non-conventional Area/]] José Rafael Subía Valdez
* [[/Dynamic Time Warping for Pure Data/]] Pedro Lopes and Joaquim Jorge
* [[/Click Tracker: Performance/composition tool for metrically complex scores/]] João Pais and Pedro Lopes
* [[/Dissonance Model Toolbox in Pure Data/]] Alexandre Porres
* [[/Image Processing Algorithm Optimization with CUDA for Pure Data/]] Rudi Giot
* [[/A Pd framework for the Xth Sense:
enabling computers to sense human kinetic behaviour/]] Marco Donnarumma
* [[/VisualTracker - modular pd environment for sequencing events on timeline/]] Aleš Černý
* [[/GPU audio signals processing in Pd, and PDCUDA, an implementation with the CUDA runtime API/]] Charles Henry
* [[/Voice as joystick and oscillator/]] Miller Puckette
* [[/A Framework for Real-time Instrumental Sound Segmentation and Labeling/]] Adriano Monteiro
* [[/An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data/]] Koray Tahiroğlu
* [[/Reverb Design/]] Urban Schlemmer
* [[/Extended View Toolkit/]] Peter Venus
* [[/Electro-Acoustic Tools (EAT): High-Level Abstractions for Audio Manipulation and Spatialisation/]] Richard Thomas
* [[/A Live Performance System in Pure Data: Pitch Contour as Figurative Gesture/]] Richard Graham
* [[/Using Pure Data in Spore and Darkspore - successes and failures/]] Kent Jolly
* [[/Embedding Pure Data with libpd: Design and Workflow/]] Peter Brinkmann
* [[/Pure Data implementation of an ESS-based impulse response acoustic measurement tool/]] Serafino Di Rosario
* [[/AUDIENCE for Pd, a scene-oriented library for spatial audio/]] Regis Faria
* [[/rj - abstractions for getting things done/]] Frank Barknecht
* [[/Plug your cam - extending Gem the modular way/]] IOhannes zmölnig
* [[/Music in expression - A DSP based compositional methodology/]] Chun Lee
* [[/DILIB: Control Data Parsing for Digital Musical Instrument Design/]] William Brent
* [[/A collaboration workflow from sound-based composition to performance of electroacoustic music using Pd as a framework/]] Kyriakos Tsoukalas
* [[/Using Pd to create a visualization instrument for percussion/]] John Harrison
* [[/Gemnotes: A Realtime music notation system for pure data/]] Edward Kelly
* [[/Self-Modifying Help Patches/]] Mathieu Bouchard
* [[/Self-replication: how to do more using less/]] Krzysztof Czaja
* [[/GUI Plugins in Pd 0.43/]] Hans-Christoph Steiner
* [[/Santiago - Making music with biological neural networks in Pd-Gem/]] Hernán Kerlleñevich

For questions regarding the conference contact bjoern.lindig at this domain.

{{Template:PdCon11}}

PDCON:Concerts

2011-07-01T12:53:53Z

Marcodonnarumma:

Confirmed acts:

* Eduardo Flores Abad
* Onyx Ashanti
* Tad Bisaha
* [http://marcodonnarumma.com/works/music-for-flesh-ii Marco Donnarumma]
* Thomas Grill
* Oscar Martin
* Sei Matsumura
* Nicolas Montgermont
* Paloma Oliviera
* [[User:Korayt|Koray Tahiroğlu]]
* Tim Vets, Eric Thielemans: Extended Guitar Duo

See also [[PDCON:Porcelain carillon]]

{{Template:PdCon11}}

PDCON:Workshops/Xth Sense, Biophysical Music

2011-06-11T11:39:27Z

Marcodonnarumma:

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance, using DIY, low cost biosensing wearable device for muscle sounds.

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event.

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.

See also:
* [[GMU:EEG Sensoren]]

[[Category:Pure Data]]
[[Category:Sensors]]

PDCON:Workshops/Xth Sense, Biophysical Music

2011-05-25T22:25:46Z

Marcodonnarumma:

== Xth Sense, Biophysical Music==
Instructor: [http://marcodonnarumma.com/ Marco Donnarumma]

Hands-on training in augmentation of the body for musical performance. Creating your own low cost biosensing wearable device for muscle sounds.

===What===
 The workshop offers an hands-on experience and both theoretical and practical training in gestural control of music and bodily musical performance, deploying the brand-new biosensing technology Xth Sense.

Developed by the workshop teacher Marco Donnarumma within a research project at The University of Edinburgh, Xth Sense is a framework for the application of muscle sounds to the biophysical generation and control of music.  It consists of a low cost, DIY biosensing wearable device and an Open Source based software for capture, analysis and audio processing of biological sounds of the body (Pure Data-based).  Muscle sounds are captured in real time and used both as sonic source material and control values for sound effects, enabling the performer to control music simply with his body and kinetic energy.  Forget your mice, MIDI controllers, you will not even need to look at your laptop anymore.

The Xth Sense biosensor was designed to be easily implemented by anyone, no previous experience in electronics is required. The applications of the Xth Sense technology are manifold: from complex gestural control of samples and audio synthesis, through biophysical generation of music and sounds, to kinetic control of real time digital processing of traditional musical instruments, and more.

===How===
 Firstly, participants will be introduced to the Xth Sense Technology by its author. They will be provided with functional devices ready to be used.  Next, they will become proficient with the Xth Sense software framework: all the features of the framework will be unleashed through practical exercises.  Theoretical background on the state of art of gestural control of music and new musical instruments will be developed by means of an audiovisual review and participatory critical analysis of relevant projects selected by the instructor.  Eventually, participants will combine hardware and software to implement a solo or group performance to be presented during the closing event.

At the end of the workshop, participants will be free to keep the Xth Sense biosensors they built and the related software for their own use.

===Perspective participants===
The workshop is open to anyone passionate about sound and music. Musical background and education does not matter as long as you are ready to challenge your usual perspective on musical performance.  Composers, producers, sound designers, musicians, field recordists are all welcome to join our team for an innovative and highly creative experience.

No previous experience in electronics or programming is required, however participants should be familiar with digital music creation.