https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=MCanisiusMedien Wiki - User contributions [en]2026-04-21T12:38:50ZUser contributionsMediaWiki 1.39.6https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt&diff=96862GMU:Körper Raum Stadt2018-04-16T14:50:22Z<p>MCanisius: /* Student Projects */</p>
<hr />
<div>'''From the body to the city'''<br />
<br />
Abraham Moles beschrieb den Menschen als in Schalen existierend, wovon die innerste der eigene Körper ist und die äußerste die Welt beziehungsweise der Weltraum. Der erst Schritt aus dem Körper heraus erfordert den Entwurf eines Raumes: er wird Ort der Entfaltung und des Austauschs. Raum ist das, was wir mit anderen teilen und das, was wir besetzen und gegen Einflüsse abgrenzen. Was wirkt auf den Körper, und wie reagieren wir auf die mediale Auflösung der Grenzen dieser Schalen, aber auch die Auflösung der Architektur? Wie bewegen wir uns heute in der Vielzahl dieser Schalen, wobei der Körper die Grundlage jeder Erfahrung bleibt? Im Projekt sollte die sinnliche Dimension der Erfahrung Ausgangspunkt darstellen für zu produzierende Installationen, Interfaces, Performances, Objekte, Displays oder Videos. <br />
<br />
[[eng]]l:<br />
Abraham moles described the individual in a urban context embedded in shells with different reach, conditions and meanings. The inner shell is the body and the outside is the cosmos. The first step out of the body requires the construction of space: it becomes a location of unfolding and exchange. Space is what we share with others, what we occupy and differentiate from influences. Which are the influences on the body and how are we reacting to the dissolution of limits through contemporary media (internet, VR) and their spheres? How do we act within the multiplicity of these shells whereas the body remains the ultimate condition of every experience?<br />
Within the project we want to take the sensual dimension of our experience as a starting point for installations, performances, videos, objects, displays and interfaces. The project addresses Master Students and offers a frame for self-organized and responsible development of artistic artifacts and the related discourse and exchange. Deliverable is an art or design project suitable for exhibition/presentation/performance. <br />
<br />
'''BfA:''' <br />
<br />
Das Projekt wendet sich an Bachelorstudierende bietet sowohl einem strukturierten Arbeitsverlauf wie auch selbstverantworteten, freien Projekten einen Ort der Diskussion und Auseinandersetzung. Über die Etappen Sammeln / Sortieren / Konzeptualisieren übt es prototypisch das Entwickeln von Projektideen ein. Im Projekt müssen in zweiwöchigem Rhythmus die entsprechenden Abgaben erfolgen. <br />
Die Endabgabe besteht in einem Objekt/Werk, das sich zur Ausstellung/Vorführung/Aufführung eignet. <br />
<br />
'''MfA:''' <br />
<br />
Das Projekt wendet sich auch an Masterstudierende und bietet für selbstverantwortete, freie Projekte einen Ort der Diskussion und Auseinandersetzung. Der strukturierten Arbeitsweise der Bachelorstudierenden muss nicht gefolgt werden. Im Projekt soll ein Vortrag zum eigenen Thema entwickelt und gehalten werden. Die Abgabe besteht in einem Kunstprojekt, das sich zur Ausstellung/Vorführung/Aufführung eignet.<br />
<br />
Das Projekt findet Dienstags, um 9.15 im DBL, Bauhausstrasse 9a statt<br />
<br />
==Syllabus==<br />
10.04.: Introduction<br />
<br />
17.04.: Presentation of Concepts (Master Students)<br />
<br />
24.04.:<br />
<br />
01.05.: Holiday<br />
<br />
08.05.: Presentation of Collections/Compilations (Bachelor Students)<br />
<br />
15.05.: <br />
<br />
22.05.: Presentation of Categorisatons/Classifications (Bachelor Students)<br />
<br />
29.05.: <br />
<br />
05.06.: <br />
<br />
12.05.:<br />
<br />
19.05.: Presentation of Concepts (Bachelor Students)<br />
<br />
26.05.:<br />
<br />
03.07.: <br />
<br />
10.07.: Summaery Exhibition <br />
<br />
Delivery of work: 30.09.2018 (email, Wiki)<br />
==Lectures ==<br />
23.4., 7:00 pm <br />
<br />
30.4., 7:00 pm<br />
<br />
== References on Collecting ==<br />
* [https://www.gerhard-richter.com/de/art/atlas Gerhard Richters Atlas]<br />
* [https://www.google.de/search?q=hans+peter+feldmann+album&client=firefox-b&dcr=0&source=lnms&tbm=isch&sa=X&ved=0ahUKEwimr6L13LfaAhXuZpoKHQVFC1IQ_AUICigB&biw=1440&bih=734 Hans Peter Feldmann]<br />
* [http://www.peterpiller.de/ Peter Piller]<br />
* Deep Storage. Arsenale der Erinnerung. Sammeln, Speichern, Archivieren in der Kunst ISBN 978-3791318479<br />
<br />
== Texte ==<br />
(please look at our semester apparatus/'shelf' in our library)<br />
* [https://www.scara.com/~ole/literatur/bioadapter.html Der Bioadapter] english version [http://files.flageorgia.org/hkurz/wiener/ow-1-us.htm Bio-Adapter]<br />
* [https://www.spikeartmagazine.com/de/artikel/oswald-wiener-wissenschaft-und-barbarei-gehen-sehr-gut-zusammen Interview Oswald Wiener]<br />
* William H. Whythe: The Social Life Of Small Urban Spaces ISBN 978-0970632418<br />
* Henri Lefebvre: The Production of Space ISBN 978-0631181774<br />
* Jörg Heiler: Gelebter Raum Stadtlandschaft. Taktiken für Interventionen an suburbanen Orten. ISBN 9783837621983<br />
* Stephan Günzel: Texte zu Theorie des Raums ISBN 978-3150189535<br />
* Pedro Gadaho: Uneven Growth – Tactical Urbanism for Expanding Megacities ISBN 978-0-87070-914-2<br />
* Yvonne Volkart: Fluide Subjekte ISBN 3-89942-585-5<br />
* Martina Leeker, Imanuel Schipper, Timon Byes: Performing the Digital ISBN 978-3-8376-3355-9<br />
* Madeline Schwartzman: See Yourself Sensing: redefining Human Perception ISBN 978-1907317293<br />
* Madeline Schwartzman: See Yourself X: Human Futures Expanded ISBN 978-1910433225<br />
* Robert Klanten et al.: A Touch of Code ISBN 978-3-89955-331-4<br />
* Gestalten, Alain Bieber et al:Art & Agenda ISBN 978-3-89955-342-0<br />
* Gestalten, M. Hübner: Urban Interventions 978-3-89955-291-1<br />
* Hans Ulrich Obrist: Do it ISBN 978-1938922015<br />
* Dietmar Offenhuber, Katja Schchtner: Inscribing a Square: Urban Data as Public Space ISBN 978-3709110539<br />
* Ursula Damm: Turnstile [http://ursuladamm.de/site/wp-content/uploads/2018/02/Turnstile_Springer_engl.pdf]<br />
* Abraham A. Moles: Informationstheorie und ästhetische Wahrnehmung ISBN 3-7701-0526-5<br />
* Abraham A. Moles, Elisabeth Rohmer: Psychologie de l'espace ISBN 978-2738469946 <br />
* Christopher Alexander: A New Theory of Urban Design ISBN 0-19-503753-7<br />
* Jürgen Schilling: Aktionskunst – Identität von Kunst und Leben? ISBN 3-7658-0266-2<br />
* Gadso Lammers: Verhalten in der Stadt, Seminarberichte 1976 Institut für Städtebau und Landesplanung Karlsruhe<br />
* Holger Kube Ventura: Politische Kunst Begriffe ISBN 978-3852661735<br />
<br />
== Materialien ==<br />
* [https://en.wikipedia.org/wiki/William_H._Whyte William H. Whyte]<br />
* [https://www.sfu.ca/~truax/wsp.html The World Soundscape Project]<br />
* [http://raumlabor.net/ Raumlabor]<br />
* [http://thedigitalage.pbworks.com/w/page/22039083/Myron%20Krueger Myron Kruger]<br />
* [http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html Thomas Dreher: Kybernetik und die Pioniere der Computerkunst]<br />
<br />
== Künstler ==<br />
'''Körper:'''<br />
* [http://www.valieexport.org/ Valie Export]<br />
* [http://www.rebecca-horn.de/ Rebekka Horn]<br />
* [https://de.wikipedia.org/wiki/Dan_Graham Dan Graham]<br />
* [https://de.wikipedia.org/wiki/Walter_Pichler_(K%C3%BCnstler) Walter Pichler]<br />
* [http://www.annegret-soltau.de/ Annegret Soltau]<br />
* [http://www.sophie-ristelhueber.fr/ Sophie Ristelhueber]<br />
* [http://www.lygiaclark.org.br/defaultpt.asp Lygia Clark]<br />
* [https://vimeo.com/35740774 Laura Beloff]<br />
'''Raum:'''<br />
<br />
* [https://en.wikipedia.org/wiki/Trisha_Brown Trisha Brown]<br />
* [https://www.benoitmaubrey.com/ Benoit Maubrey]<br />
* [https://www.alfonsschilling.net/werke/sehmaschinen/ Alfons Schilling]<br />
* [http://melhus.de/ Björn Melhus] [http://melhus.de/das-zauberglas-the-magic-glass/]<br />
* [http://leo.ok.ag/index.php/der-zermesser.html Leo Peschta]<br />
<br />
'''Stadt:'''<br />
* [http://www.spatialagency.net/database/ant.farm Ant Farm]<br />
* [http://www.rimini-protokoll.de/ Rimini Protokoll]<br />
* [http://www.ortner-ortner.com/de/haus-rucker-co Haus Rucker]<br />
* [http://www.hasucha.de/ Christian Hasucha]<br />
* [http://www.ubermatic.org/ Michelle Teran]<br />
* [http://ubermorgen.com/ Uebermorgen]<br />
* [http://www.nordenhake.com/php/artist.php?RefID=69 Franka Hörnschemeyer]<br />
* [https://ellieirons.com/ Ellie Irons]<br />
== Student Projects ==<br />
*[[/Maria Degand|Maria Degand]]<br />
*[[/Holly Kempton|Holly Kempton]]<br />
*[https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:K%C3%B6rper_Raum_Stadt:Maud_Canisius Maud Canisius]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt&diff=96859GMU:Körper Raum Stadt2018-04-16T14:44:51Z<p>MCanisius: /* Student Projects */</p>
<hr />
<div>'''From the body to the city'''<br />
<br />
Abraham Moles beschrieb den Menschen als in Schalen existierend, wovon die innerste der eigene Körper ist und die äußerste die Welt beziehungsweise der Weltraum. Der erst Schritt aus dem Körper heraus erfordert den Entwurf eines Raumes: er wird Ort der Entfaltung und des Austauschs. Raum ist das, was wir mit anderen teilen und das, was wir besetzen und gegen Einflüsse abgrenzen. Was wirkt auf den Körper, und wie reagieren wir auf die mediale Auflösung der Grenzen dieser Schalen, aber auch die Auflösung der Architektur? Wie bewegen wir uns heute in der Vielzahl dieser Schalen, wobei der Körper die Grundlage jeder Erfahrung bleibt? Im Projekt sollte die sinnliche Dimension der Erfahrung Ausgangspunkt darstellen für zu produzierende Installationen, Interfaces, Performances, Objekte, Displays oder Videos. <br />
<br />
[[eng]]l:<br />
Abraham moles described the individual in a urban context embedded in shells with different reach, conditions and meanings. The inner shell is the body and the outside is the cosmos. The first step out of the body requires the construction of space: it becomes a location of unfolding and exchange. Space is what we share with others, what we occupy and differentiate from influences. Which are the influences on the body and how are we reacting to the dissolution of limits through contemporary media (internet, VR) and their spheres? How do we act within the multiplicity of these shells whereas the body remains the ultimate condition of every experience?<br />
Within the project we want to take the sensual dimension of our experience as a starting point for installations, performances, videos, objects, displays and interfaces. The project addresses Master Students and offers a frame for self-organized and responsible development of artistic artifacts and the related discourse and exchange. Deliverable is an art or design project suitable for exhibition/presentation/performance. <br />
<br />
'''BfA:''' <br />
<br />
Das Projekt wendet sich an Bachelorstudierende bietet sowohl einem strukturierten Arbeitsverlauf wie auch selbstverantworteten, freien Projekten einen Ort der Diskussion und Auseinandersetzung. Über die Etappen Sammeln / Sortieren / Konzeptualisieren übt es prototypisch das Entwickeln von Projektideen ein. Im Projekt müssen in zweiwöchigem Rhythmus die entsprechenden Abgaben erfolgen. <br />
Die Endabgabe besteht in einem Objekt/Werk, das sich zur Ausstellung/Vorführung/Aufführung eignet. <br />
<br />
'''MfA:''' <br />
<br />
Das Projekt wendet sich auch an Masterstudierende und bietet für selbstverantwortete, freie Projekte einen Ort der Diskussion und Auseinandersetzung. Der strukturierten Arbeitsweise der Bachelorstudierenden muss nicht gefolgt werden. Im Projekt soll ein Vortrag zum eigenen Thema entwickelt und gehalten werden. Die Abgabe besteht in einem Kunstprojekt, das sich zur Ausstellung/Vorführung/Aufführung eignet.<br />
<br />
Das Projekt findet Dienstags, um 9.15 im DBL, Bauhausstrasse 9a statt<br />
<br />
==Syllabus==<br />
10.04.: Introduction<br />
<br />
17.04.: Presentation of Concepts (Master Students)<br />
<br />
24.04.:<br />
<br />
01.05.: Holiday<br />
<br />
08.05.: Presentation of Collections/Compilations (Bachelor Students)<br />
<br />
15.05.: <br />
<br />
22.05.: Presentation of Categorisatons/Classifications (Bachelor Students)<br />
<br />
29.05.: <br />
<br />
05.06.: <br />
<br />
12.05.:<br />
<br />
19.05.: Presentation of Concepts (Bachelor Students)<br />
<br />
26.05.:<br />
<br />
03.07.: <br />
<br />
10.07.: Summaery Exhibition <br />
<br />
Delivery of work: 30.09.2018 (email, Wiki)<br />
==Lectures ==<br />
23.4., 7:00 pm <br />
<br />
30.4., 7:00 pm<br />
<br />
== References on Collecting ==<br />
* [https://www.gerhard-richter.com/de/art/atlas Gerhard Richters Atlas]<br />
* [https://www.google.de/search?q=hans+peter+feldmann+album&client=firefox-b&dcr=0&source=lnms&tbm=isch&sa=X&ved=0ahUKEwimr6L13LfaAhXuZpoKHQVFC1IQ_AUICigB&biw=1440&bih=734 Hans Peter Feldmann]<br />
* [http://www.peterpiller.de/ Peter Piller]<br />
* Deep Storage. Arsenale der Erinnerung. Sammeln, Speichern, Archivieren in der Kunst ISBN 978-3791318479<br />
<br />
== Texte ==<br />
(please look at our semester apparatus/'shelf' in our library)<br />
* [https://www.scara.com/~ole/literatur/bioadapter.html Der Bioadapter] english version [http://files.flageorgia.org/hkurz/wiener/ow-1-us.htm Bio-Adapter]<br />
* [https://www.spikeartmagazine.com/de/artikel/oswald-wiener-wissenschaft-und-barbarei-gehen-sehr-gut-zusammen Interview Oswald Wiener]<br />
* William H. Whythe: The Social Life Of Small Urban Spaces ISBN 978-0970632418<br />
* Henri Lefebvre: The Production of Space ISBN 978-0631181774<br />
* Jörg Heiler: Gelebter Raum Stadtlandschaft. Taktiken für Interventionen an suburbanen Orten. ISBN 9783837621983<br />
* Stephan Günzel: Texte zu Theorie des Raums ISBN 978-3150189535<br />
* Pedro Gadaho: Uneven Growth – Tactical Urbanism for Expanding Megacities ISBN 978-0-87070-914-2<br />
* Yvonne Volkart: Fluide Subjekte ISBN 3-89942-585-5<br />
* Martina Leeker, Imanuel Schipper, Timon Byes: Performing the Digital ISBN 978-3-8376-3355-9<br />
* Madeline Schwartzman: See Yourself Sensing: redefining Human Perception ISBN 978-1907317293<br />
* Madeline Schwartzman: See Yourself X: Human Futures Expanded ISBN 978-1910433225<br />
* Robert Klanten et al.: A Touch of Code ISBN 978-3-89955-331-4<br />
* Gestalten, Alain Bieber et al:Art & Agenda ISBN 978-3-89955-342-0<br />
* Gestalten, M. Hübner: Urban Interventions 978-3-89955-291-1<br />
* Hans Ulrich Obrist: Do it ISBN 978-1938922015<br />
* Dietmar Offenhuber, Katja Schchtner: Inscribing a Square: Urban Data as Public Space ISBN 978-3709110539<br />
* Ursula Damm: Turnstile [http://ursuladamm.de/site/wp-content/uploads/2018/02/Turnstile_Springer_engl.pdf]<br />
* Abraham A. Moles: Informationstheorie und ästhetische Wahrnehmung ISBN 3-7701-0526-5<br />
* Abraham A. Moles, Elisabeth Rohmer: Psychologie de l'espace ISBN 978-2738469946 <br />
* Christopher Alexander: A New Theory of Urban Design ISBN 0-19-503753-7<br />
* Jürgen Schilling: Aktionskunst – Identität von Kunst und Leben? ISBN 3-7658-0266-2<br />
* Gadso Lammers: Verhalten in der Stadt, Seminarberichte 1976 Institut für Städtebau und Landesplanung Karlsruhe<br />
* Holger Kube Ventura: Politische Kunst Begriffe ISBN 978-3852661735<br />
<br />
== Materialien ==<br />
* [https://en.wikipedia.org/wiki/William_H._Whyte William H. Whyte]<br />
* [https://www.sfu.ca/~truax/wsp.html The World Soundscape Project]<br />
* [http://raumlabor.net/ Raumlabor]<br />
* [http://thedigitalage.pbworks.com/w/page/22039083/Myron%20Krueger Myron Kruger]<br />
* [http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html Thomas Dreher: Kybernetik und die Pioniere der Computerkunst]<br />
<br />
== Künstler ==<br />
'''Körper:'''<br />
* [http://www.valieexport.org/ Valie Export]<br />
* [http://www.rebecca-horn.de/ Rebekka Horn]<br />
* [https://de.wikipedia.org/wiki/Dan_Graham Dan Graham]<br />
* [https://de.wikipedia.org/wiki/Walter_Pichler_(K%C3%BCnstler) Walter Pichler]<br />
* [http://www.annegret-soltau.de/ Annegret Soltau]<br />
* [http://www.sophie-ristelhueber.fr/ Sophie Ristelhueber]<br />
* [http://www.lygiaclark.org.br/defaultpt.asp Lygia Clark]<br />
* [https://vimeo.com/35740774 Laura Beloff]<br />
'''Raum:'''<br />
<br />
* [https://en.wikipedia.org/wiki/Trisha_Brown Trisha Brown]<br />
* [https://www.benoitmaubrey.com/ Benoit Maubrey]<br />
* [https://www.alfonsschilling.net/werke/sehmaschinen/ Alfons Schilling]<br />
* [http://melhus.de/ Björn Melhus] [http://melhus.de/das-zauberglas-the-magic-glass/]<br />
* [http://leo.ok.ag/index.php/der-zermesser.html Leo Peschta]<br />
<br />
'''Stadt:'''<br />
* [http://www.spatialagency.net/database/ant.farm Ant Farm]<br />
* [http://www.rimini-protokoll.de/ Rimini Protokoll]<br />
* [http://www.ortner-ortner.com/de/haus-rucker-co Haus Rucker]<br />
* [http://www.hasucha.de/ Christian Hasucha]<br />
* [http://www.ubermatic.org/ Michelle Teran]<br />
* [http://ubermorgen.com/ Uebermorgen]<br />
* [http://www.nordenhake.com/php/artist.php?RefID=69 Franka Hörnschemeyer]<br />
* [https://ellieirons.com/ Ellie Irons]<br />
== Student Projects ==<br />
*[[/Maria Degand|Maria Degand]]<br />
*[[/Holly Kempton|Holly Kempton]]<br />
*[[GMU: Körper Raum Stadt:Maud Canisius|Maud Canisius]]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:K%C3%B6rper_Raum_Stadt&diff=96752GMU:Körper Raum Stadt2018-04-10T08:43:39Z<p>MCanisius: /* Texte */</p>
<hr />
<div>'''From the body to the city'''<br />
<br />
Abraham Moles beschrieb den Menschen als in Schalen existierend, wovon die innerste der eigene Körper ist und die äußerste die Welt beziehungsweise der Weltraum. Der erst Schritt aus dem Körper heraus erfordert den Entwurf eines Raumes: er wird Ort der Entfaltung und des Austauschs. Raum ist das, was wir mit anderen teilen und das, was wir besetzen und gegen Einflüsse abgrenzen. Was wirkt auf den Körper, und wie reagieren wir auf die mediale Auflösung der Grenzen dieser Schalen, aber auch die Auflösung der Architektur? Wie bewegen wir uns heute in der Vielzahl dieser Schalen, wobei der Körper die Grundlage jeder Erfahrung bleibt? Im Projekt sollte die sinnliche Dimension der Erfahrung Ausgangspunkt darstellen für zu produzierende Installationen, Interfaces, Performances, Objekte, Displays oder Videos. <br />
<br />
[[eng]]l:<br />
Abraham moles described the individual in a urban context embedded in shells with different reach, conditions and meanings. The inner shell is the body and the outside is the cosmos. The first step out of the body requires the construction of space: it becomes a location of unfolding and exchange. Space is what we share with others, what we occupy and differentiate from influences. Which are the influences on the body and how are we reacting to the dissolution of limits through contemporary media (internet, VR) and their spheres? How do we act within the multiplicity of these shells whereas the body remains the ultimate condition of every experience?<br />
Within the project we want to take the sensual dimension of our experience as a starting point for installations, performances, videos, objects, displays and interfaces. The project addresses Master Students and offers a frame for self-organized and responsible development of artistic artifacts and the related discourse and exchange. Deliverable is an art or design project suitable for exhibition/presentation/performance. <br />
<br />
'''BfA:''' <br />
<br />
Das Projekt wendet sich an Bachelorstudierende bietet sowohl einem strukturierten Arbeitsverlauf wie auch selbstverantworteten, freien Projekten einen Ort der Diskussion und Auseinandersetzung. Über die Etappen Sammeln / Sortieren / Konzeptualisieren übt es prototypisch das Entwickeln von Projektideen ein. Im Projekt müssen in zweiwöchigem Rhythmus die entsprechenden Abgaben erfolgen. <br />
Die Endabgabe besteht in einem Objekt/Werk, das sich zur Ausstellung/Vorführung/Aufführung eignet. <br />
<br />
'''MfA:''' <br />
<br />
Das Projekt wendet sich auch an Masterstudierende und bietet für selbstverantwortete, freie Projekte einen Ort der Diskussion und Auseinandersetzung. Der strukturierten Arbeitsweise der Bachelorstudierenden muss nicht gefolgt werden. Im Projekt soll ein Vortrag zum eigenen Thema entwickelt und gehalten werden. Die Abgabe besteht in einem Kunstprojekt, das sich zur Ausstellung/Vorführung/Aufführung eignet.<br />
<br />
Das Projekt findet Dienstags, um 9.15 im DBL, Bauhausstrasse 9a statt<br />
<br />
==Syllabus==<br />
10.04.: Introduction<br />
<br />
17.04.: Presentation of Concepts (Master Students)<br />
<br />
24.04.:<br />
<br />
01.05.: Holiday<br />
<br />
08.05.: Presentation of Collections/Compilations (Bachelor Students)<br />
<br />
15.05.: <br />
<br />
22.05.: Presentation of Categorisatons/Classifications (Bachelor Students)<br />
<br />
29.05.: <br />
<br />
05.06.: <br />
<br />
12.05.:<br />
<br />
19.05.: Presentation of Concepts (Bachelor Students)<br />
<br />
26.05.:<br />
<br />
03.07.: <br />
<br />
10.07.: Summaery Exhibition <br />
<br />
Delivery of work: 30.09.2018 (email, Wiki)<br />
<br />
== Texte ==<br />
(please look at our semester apparatus/'shelf' in our library)<br />
* [https://www.scara.com/~ole/literatur/bioadapter.html Der Bioadapter] english version [http://files.flageorgia.org/hkurz/wiener/ow-1-us.htm Bio-Adapter]<br />
* [https://www.spikeartmagazine.com/de/artikel/oswald-wiener-wissenschaft-und-barbarei-gehen-sehr-gut-zusammen Interview Oswald Wiener]<br />
* William H. Whythe: The Social Life Of Small Urban Spaces ISBN 978-0970632418<br />
* Henri Lefebvre: The Production of Space ISBN 978-0631181774<br />
* Jörg Heiler: Gelebter Raum Stadtlandschaft. Taktiken für Interventionen an suburbanen Orten. ISBN 9783837621983<br />
* Stephan Günzel: Texte zu Theorie des Raums ISBN 978-3150189535<br />
* Pedro Gadaho: Uneven Growth – Tactical Urbanism for Expanding Megacities ISBN 978-0-87070-914-2<br />
* Yvonne Volkart: Fluide Subjekte ISBN 3-89942-585-5<br />
* Martina Leeker, Imanuel Schipper, Timon Byes: Performing the Digital ISBN 978-3-8376-3355-9<br />
* Madeline Schwartzman: See Yourself Sensing: redefining Human Perception ISBN 978-1907317293<br />
* Madeline Schwartzman: See Yourself X: Human Futures Expanded ISBN 978-1910433225<br />
* Robert Klanten et al.: A Touch of Code ISBN 978-3-89955-331-4<br />
* Gestalten, Alain Bieber et al:Art & Agenda ISBN 978-3-89955-342-0<br />
* Gestalten, M. Hübner: Urban Interventions 978-3-89955-291-1<br />
* Hans Ulrich Obrist: Do it ISBN 978-1938922015<br />
* Dietmar Offenhuber, Katja Schchtner: Inscribing a Square: Urban Data as Public Space ISBN 978-3709110539<br />
* Ursula Damm: Turnstile [http://ursuladamm.de/site/wp-content/uploads/2018/02/Turnstile_Springer_engl.pdf]<br />
* Abraham A. Moles: Informationstheorie und ästhetische Wahrnehmung ISBN 3-7701-0526-5<br />
* Abraham A. Moles, Elisabeth Rohmer: Psychologie de l'espace ISBN 978-2738469946 <br />
* Christopher Alexander: A New Theory of Urban Design ISBN 0-19-503753-7<br />
* Jürgen Schilling: Aktionskunst – Identität von Kunst und Leben? ISBN 3-7658-0266-2<br />
* Gadso Lammers: Verhalten in der Stadt, Seminarberichte 1976 Institut für Städtebau und Landesplanung Karlsruhe<br />
* Holger Kube Ventura: Politische Kunst Begriffe ISBN 978-3852661735<br />
<br />
== Materialien ==<br />
* [https://en.wikipedia.org/wiki/William_H._Whyte William H. Whyte]<br />
* [https://www.sfu.ca/~truax/wsp.html The World Soundscape Project]<br />
* [http://raumlabor.net/ Raumlabor]<br />
* [http://thedigitalage.pbworks.com/w/page/22039083/Myron%20Krueger Myron Kruger]<br />
* [http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html Thomas Dreher: Kybernetik und die Pioniere der Computerkunst]<br />
<br />
== Künstler ==<br />
'''Körper:'''<br />
* [http://www.valieexport.org/ Valie Export]<br />
* [http://www.rebecca-horn.de/ Rebekka Horn]<br />
* [https://de.wikipedia.org/wiki/Dan_Graham Dan Graham]<br />
* [https://de.wikipedia.org/wiki/Walter_Pichler_(K%C3%BCnstler) Walter Pichler]<br />
* [http://www.annegret-soltau.de/ Annegret Soltau]<br />
* [http://www.sophie-ristelhueber.fr/ Sophie Ristelhueber]<br />
* [http://www.lygiaclark.org.br/defaultpt.asp Lygia Clark]<br />
* [https://vimeo.com/35740774 Laura Beloff]<br />
'''Raum:'''<br />
<br />
* [https://en.wikipedia.org/wiki/Trisha_Brown Trisha Brown]<br />
* [https://www.benoitmaubrey.com/ Benoit Maubrey]<br />
* [https://www.alfonsschilling.net/werke/sehmaschinen/ Alfons Schilling]<br />
* [http://melhus.de/ Björn Melhus] [http://melhus.de/das-zauberglas-the-magic-glass/]<br />
* [http://leo.ok.ag/index.php/der-zermesser.html Leo Peschta]<br />
<br />
'''Stadt:'''<br />
* [http://www.spatialagency.net/database/ant.farm Ant Farm]<br />
* [http://www.rimini-protokoll.de/ Rimini Protokoll]<br />
* [http://www.ortner-ortner.com/de/haus-rucker-co Haus Rucker]<br />
* [http://www.hasucha.de/ Christian Hasucha]<br />
* [http://www.ubermatic.org/ Michelle Teran]<br />
* [http://ubermorgen.com/ Uebermorgen]<br />
* [http://www.nordenhake.com/php/artist.php?RefID=69 Franka Hörnschemeyer]<br />
* [https://ellieirons.com/ Ellie Irons]<br />
== Student Projects ==</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=95175GMU:Artists Lab:Maud Canisius2018-02-09T15:02:30Z<p>MCanisius: /* Changing Surroundings */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
[https://www.goodreads.com/book/show/12527.Pilgrim_at_Tinker_Creek Pilgrim at Tinker Creek by Annie Dillard] <br><br />
[https://www.goodreads.com/book/show/23597544-landmarks?ac=1&from_search=true Landmarks by Robert MacFarlane]<br><br />
[https://www.goodreads.com/book/show/1344371.Wildwood?ac=1&from_search=true Wildwood by Robert Deakin]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
Here are some recordings of the growth experiments<br><br />
[https://vimeo.com/247145949 Growth of Cat grass from seed]<br><br />
[https://vimeo.com/250266700 Plant reacting to light]<br><br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br> <br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate <br><br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).<br />
when does this feeling of empathie arrises?<br />
<br />
<br />
===Changing Surroundings===<br />
After asking myself what this relation between humans and plants (/natural surroundings) is, I realised that I should look at it from the opposite perspective, from the human perspective. Previous works of mine have all dealt with this question of how can we perceive our surroundings and how can we/ do we perceive it differently? It was then that I stumpled upon this phenomenon, our daily vocabulary to describe our surroundings are chaging.<br />
[https://www.theguardian.com/books/2015/jan/13/oxford-junior-dictionary-replacement-natural-words Oxford Junior Dictionary replacement Natural Words]<br><br />
If there are no more words for certain characteristics in the landscape, do we still observe them? Or do we tend to see more clearly things we know, are conscious off?<br />
So I first started to mark all the words in the dictionary that got removed, and also the ones that were newly added as their replacements. <br><br><br />
<br />
[[File:foto 1_w.JPG|300px]] [[File:foto 2.JPG|300px]] [[File:foto 4.JPG|300px]] <br><br><br />
<br />
''Holly'' & ''Fungus'' had to move because ''Drought'' was newly added<br />
''Panther'' & ''Lavender'' had to move because ''Endangered'' was newly added<br />
''Willow'' & ''Violet'' had to move because ''Vandal'' was newly added<br />
''Lobster'' & ''Hamster'' had to move because ''Chatroom'' was newly added<br />
<br />
It shows pretty poeticly how society is changing.<br />
<br />
Then I started to collect to objects to make a collage in the basement of M5 <br><br />
<br><br><br />
<br />
At the same time I decided not only to mark the removed words and to gather them again in the basement, but also to see how the environment would change if these words were not amongst our vocabulary anymore. So I made pictures of the walk I take every day from my home to the university. And started cutting out elements. first just with an utiliy knife: <br><br />
[[File:foto_cuttingouttrees1.JPG|500px]] [[File:foto_cuttingouttrees2.JPG|300px]] <br><br />
<br />
And later more precise on the computer (the light blue overlay was there to later make a clipping mask): <br><br><br />
<br />
[[File:Bildschirmfoto 2018-01-25 um 22.59.55.png|300px]] [[File:Bildschirmfoto 2018-01-29 um 17.53.47.png|300px]] [[File:Bildschirmfoto 2018-01-29 um 18.02.21.png|300px]]<br />
<br><br />
<br />
Taking these from the environment:<br><br />
[[File:Bildschirmfoto 2018-02-09 um 15.53.08.png|400px]] [[File:Bildschirmfoto 2018-02-09 um 15.53.37.png|400px]]<br><br />
<br />
Results into this: <br><br><br />
[[File:Bildschirmfoto 2018-02-09 um 16.00.57.png|800px]]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-02-09_um_16.00.57.png&diff=95174File:Bildschirmfoto 2018-02-09 um 16.00.57.png2018-02-09T15:01:35Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:183001panorama.png&diff=95173File:183001panorama.png2018-02-09T14:57:25Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-02-09_um_15.53.37.png&diff=95172File:Bildschirmfoto 2018-02-09 um 15.53.37.png2018-02-09T14:54:24Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-02-09_um_15.53.08.png&diff=95171File:Bildschirmfoto 2018-02-09 um 15.53.08.png2018-02-09T14:54:22Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-01-29_um_18.02.21.png&diff=95170File:Bildschirmfoto 2018-01-29 um 18.02.21.png2018-02-09T14:49:45Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-01-29_um_17.53.47.png&diff=95169File:Bildschirmfoto 2018-01-29 um 17.53.47.png2018-02-09T14:49:36Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2018-01-25_um_22.59.55.png&diff=95168File:Bildschirmfoto 2018-01-25 um 22.59.55.png2018-02-09T14:49:33Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_cuttingouttrees2.JPG&diff=95167File:Foto cuttingouttrees2.JPG2018-02-09T14:44:06Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_cuttingouttrees1.JPG&diff=95166File:Foto cuttingouttrees1.JPG2018-02-09T14:43:41Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=95165GMU:Artists Lab:Maud Canisius2018-02-09T14:42:33Z<p>MCanisius: /* Changing Surroundings */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
[https://www.goodreads.com/book/show/12527.Pilgrim_at_Tinker_Creek Pilgrim at Tinker Creek by Annie Dillard] <br><br />
[https://www.goodreads.com/book/show/23597544-landmarks?ac=1&from_search=true Landmarks by Robert MacFarlane]<br><br />
[https://www.goodreads.com/book/show/1344371.Wildwood?ac=1&from_search=true Wildwood by Robert Deakin]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
Here are some recordings of the growth experiments<br><br />
[https://vimeo.com/247145949 Growth of Cat grass from seed]<br><br />
[https://vimeo.com/250266700 Plant reacting to light]<br><br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br> <br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate <br><br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).<br />
when does this feeling of empathie arrises?<br />
<br />
<br />
===Changing Surroundings===<br />
After asking myself what this relation between humans and plants (/natural surroundings) is, I realised that I should look at it from the opposite perspective, from the human perspective. Previous works of mine have all dealt with this question of how can we perceive our surroundings and how can we/ do we perceive it differently? It was then that I stumpled upon this phenomenon, our daily vocabulary to describe our surroundings are chaging.<br />
[https://www.theguardian.com/books/2015/jan/13/oxford-junior-dictionary-replacement-natural-words Oxford Junior Dictionary replacement Natural Words]<br><br />
If there are no more words for certain characteristics in the landscape, do we still observe them? Or do we tend to see more clearly things we know, are conscious off?<br />
So I first started to mark all the words in the dictionary that got removed, and also the ones that were newly added as their replacements. <br><br><br />
<br />
[[File:foto 1_w.JPG|300px]] [[File:foto 2.JPG|300px]] [[File:foto 4.JPG|300px]] <br><br><br />
<br />
''Holly'' & ''Fungus'' had to move because ''Drought'' was newly added<br />
''Panther'' & ''Lavender'' had to move because ''Endangered'' was newly added<br />
''Willow'' & ''Violet'' had to move because ''Vandal'' was newly added<br />
''Lobster'' & ''Hamster'' had to move because ''Chatroom'' was newly added<br />
<br />
It shows pretty poeticly how society is changing.<br />
<br />
Then I started to collect to objects to make a collage in the basement of M5 <br><br />
<br />
[[File:foto 2_b.JPG|300px]] [[File:foto 5.JPG|500px]]<br />
<br />
<br><br><br />
<br />
At the same time I decided not only to mark the removed words and to gather them again in the basement, but also to see how the environment would change if these words were not amongst our vocabulary anymore. So I made pictures of the walk I take every day from my home to the university. And started cutting out elements. first just with an utiliy knife <br></div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=95130GMU:Artists Lab:Maud Canisius2018-02-06T09:05:03Z<p>MCanisius: /* Artists Lab 17/18 */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
[https://www.goodreads.com/book/show/12527.Pilgrim_at_Tinker_Creek Pilgrim at Tinker Creek by Annie Dillard] <br><br />
[https://www.goodreads.com/book/show/23597544-landmarks?ac=1&from_search=true Landmarks by Robert MacFarlane]<br><br />
[https://www.goodreads.com/book/show/1344371.Wildwood?ac=1&from_search=true Wildwood by Robert Deakin]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
Here are some recordings of the growth experiments<br><br />
[https://vimeo.com/247145949 Growth of Cat grass from seed]<br><br />
[https://vimeo.com/250266700 Plant reacting to light]<br><br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br> <br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate <br><br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).<br />
when does this feeling of empathie arrises?<br />
<br />
<br />
===Changing Surroundings===<br />
After asking myself what this relation between humans and plants (/natural surroundings) is, I realised that I should look at it from the opposite perspective, from the human perspective. Previous works of mine have all dealt with this question of how can we perceive our surroundings and how can we/ do we perceive it differently? It was then that I stumpled upon this phenomenon, our daily vocabulary to describe our surroundings are chaging.<br />
[https://www.theguardian.com/books/2015/jan/13/oxford-junior-dictionary-replacement-natural-words Oxford Junior Dictionary replacement Natural Words]<br><br />
If there are no more words for certain characteristics in the landscape, do we still observe them? Or do we tend to see more clearly things we know, are conscious off?<br />
So I first started to mark all the words in the dictionary that got removed, and also the ones that were newly added as their replacements. <br><br><br />
<br />
[[File:foto 1_w.JPG|300px]] [[File:foto 2.JPG|300px]] [[File:foto 4.JPG|300px]] <br><br><br />
<br />
''Holly'' & ''Fungus'' had to move because ''Drought'' was newly added<br />
''Panther'' & ''Lavender'' had to move because ''Endangered'' was newly added<br />
''Willow'' & ''Violet'' had to move because ''Vandal'' was newly added<br />
''Lobster'' & ''Hamster'' had to move because ''Chatroom'' was newly added<br />
<br />
It shows pretty poeticly how society is changing.<br />
<br />
Then I started to collect to objects to make a collage in the basement of M5 <br><br />
<br />
[[File:foto 2_b.JPG|300px]] [[File:foto 5.JPG|500px]]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_5.JPG&diff=95129File:Foto 5.JPG2018-02-06T09:03:39Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_2_b.JPG&diff=95128File:Foto 2 b.JPG2018-02-06T09:03:15Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_4.JPG&diff=95127File:Foto 4.JPG2018-02-06T08:57:01Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_2.JPG&diff=95126File:Foto 2.JPG2018-02-06T08:56:39Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_4_w.JPG&diff=95125File:Foto 4 w.JPG2018-02-06T08:55:25Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_2_W.JPG&diff=95124File:Foto 2 W.JPG2018-02-06T08:55:02Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Foto_1_w.JPG&diff=95123File:Foto 1 w.JPG2018-02-06T08:54:31Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93832GMU:Artists Lab:Maud Canisius2017-12-10T20:54:38Z<p>MCanisius: /* Drawing Plant Growth */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br><br />
[[File:ficus2.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br><br><br />
Other experiments: [https://www.youtube.com/playlist?list=PLby73-ltSfCYGVSv60qX_ODEFCXxjIymA youtube examples]<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate<br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).<br />
when does this feeling of empathie arrises?</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93831GMU:Artists Lab:Maud Canisius2017-12-10T20:53:43Z<p>MCanisius: /* Sensing the Plants */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br><br />
[[File:ficus2.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br><br><br />
Other experiments: [https://www.youtube.com/playlist?list=PLby73-ltSfCYGVSv60qX_ODEFCXxjIymA youtube examples]<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate<br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Ficus2.gif&diff=93830File:Ficus2.gif2017-12-10T20:53:19Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Ficus.gif&diff=93829File:Ficus.gif2017-12-10T20:50:37Z<p>MCanisius: MCanisius uploaded a new version of File:Ficus.gif</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93828GMU:Artists Lab:Maud Canisius2017-12-10T20:48:38Z<p>MCanisius: /* Growing Plants */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br><br />
[[File:ficus.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br><br><br />
Other experiments: [https://www.youtube.com/playlist?list=PLby73-ltSfCYGVSv60qX_ODEFCXxjIymA youtube examples]<br />
<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]<br />
<br />
<br />
===Drawing Plant Growth===<br />
Having done the previous experiments resulted in me wanting to understand the movements the plants make with their roots. They look so funny and clumsy how they use them to stretch the seeds out into the light. So I made some observation drawings.<br />
[[File:differentSeedShapes.jpg|900px]]<br><br><br />
And then I followed one seed from the moment it started to germinate<br />
[[File:singlePLantGrowth.jpg|900px]]<br><br />
More and more I start to question myself what the relationship is between humans and the plants. how can I justify myself portraying human characteristics on them? And Why do people feel more empathie for things that move than for static things (animal vs. plants but also moving plants like the Mimosa vs. non moving ones).</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:SinglePLantGrowth.jpg&diff=93827File:SinglePLantGrowth.jpg2017-12-10T20:46:02Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:DifferentSeedShapes.jpg&diff=93826File:DifferentSeedShapes.jpg2017-12-10T20:45:53Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93652GMU:Artists Lab:Maud Canisius2017-12-04T15:01:51Z<p>MCanisius: /* Artists Lab 17/18 */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br><br />
[[File:ficus.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br><br><br />
Other experiments: [https://www.youtube.com/playlist?list=PLby73-ltSfCYGVSv60qX_ODEFCXxjIymA youtube examples]<br />
<br />
<br />
===Growing Plants===<br />
Growing seeds of Cat Grass under different conditions. <br><br />
Hate / Love <br><br />
Telling for a week at least 4 times a day to one seed group that you love them, and the other that you hate them. In the end the one that got more love seemed to have performed better <br><br />
[[File:P1080771.JPG|300px]] [[File:P1080780.JPG|300px]] [[File:P1080791.JPG|300px]] <br><br />
no Music / Music <br><br />
During the time span of a week one group of seeds was constantly listening to the album 'Plantasia - Music or plants and the people who love them'. The other group of seeds didn't hear anything. In the end it seemed that 'Plantasia' is only aimed at the people who love plants, because the plants itself did perform worse than the reference group<br><br />
[[File:P1080763.JPG|300px]] [[File:P1080770.JPG|300px]]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:P1080770.JPG&diff=93651File:P1080770.JPG2017-12-04T15:00:00Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:P1080763.JPG&diff=93650File:P1080763.JPG2017-12-04T14:59:27Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:P1080791.JPG&diff=93649File:P1080791.JPG2017-12-04T14:51:19Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:P1080780.JPG&diff=93648File:P1080780.JPG2017-12-04T14:50:36Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:P1080771.JPG&diff=93647File:P1080771.JPG2017-12-04T14:49:55Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93496GMU:Artists Lab:Maud Canisius2017-11-09T13:17:30Z<p>MCanisius: /* Sensing the Plants */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br><br />
[[File:ficus.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br><br><br />
Other experiments: [https://www.youtube.com/playlist?list=PLby73-ltSfCYGVSv60qX_ODEFCXxjIymA youtube examples]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93495GMU:Artists Lab:Maud Canisius2017-11-09T13:14:38Z<p>MCanisius: /* Sensing the Plants */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
<br><br />
[[File:ficus.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br></div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93494GMU:Artists Lab:Maud Canisius2017-11-09T13:13:56Z<p>MCanisius: </p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
===Sensing the Plants===<br />
The more I give it some thoughts, the more I realise I want to do something with the inner systems/structures/mechanisms, the flows within the plants. As a first test I took my stereo cables to see what the effect would be.<br />
[[File:trui.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.24.png|50px]] <br><br />
[[File:ficus.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.31.png|50px]] <br><br />
[[File:vetplant.gif|400px]] [[File:Bildschirmfoto 2017-11-09 um 13.54.15.png|50px]] <br></div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Trui.gif&diff=93493File:Trui.gif2017-11-09T13:12:15Z<p>MCanisius: MCanisius uploaded a new version of File:Trui.gif</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2017-11-09_um_13.54.31.png&diff=93492File:Bildschirmfoto 2017-11-09 um 13.54.31.png2017-11-09T13:06:57Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2017-11-09_um_13.54.24.png&diff=93491File:Bildschirmfoto 2017-11-09 um 13.54.24.png2017-11-09T13:06:49Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Bildschirmfoto_2017-11-09_um_13.54.15.png&diff=93490File:Bildschirmfoto 2017-11-09 um 13.54.15.png2017-11-09T13:06:47Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Vetplant.gif&diff=93489File:Vetplant.gif2017-11-09T13:06:38Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Ficus.gif&diff=93488File:Ficus.gif2017-11-09T13:05:56Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Trui.gif&diff=93487File:Trui.gif2017-11-09T13:04:44Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93439GMU:Artists Lab:Maud Canisius2017-11-07T11:31:19Z<p>MCanisius: /* Artists Lab 17/18 */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]<br><br />
<br />
===Amongst the Trees===<br />
Being lost in my inspiration for the project I decided to go and spent some time with the topic of my interest; trees. <br />
In this first observation I realised that I was trying very hard to understand them. To identify their different personalities, to understand how they reacted on the environment and to make clear if they were passive or active beings. None of these questions I found an answer to. If only they could send us some more messages/information than this..<br />
<br />
[[File:tree1.png|200px]] [[File:tree2.png|200px]] [[File:tree3.png|200px]]<br />
<br />
It is interesting on these pictures how the trees seems as if they are reaching out to each other, as if they want contact but also avoiding each other.<br />
What seems to happen on the picture, does happen underground, they communicate with each other using their roots. Sending each other messages and helping each other in case of need.<br />
<br />
[http://www.the-scientist.com/?articles.view/articleNo/38727/title/Plant-Talk/ The Social life of Plants]</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Tree3.png&diff=93438File:Tree3.png2017-11-07T11:24:04Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Tree2.png&diff=93437File:Tree2.png2017-11-07T11:23:37Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Tree1.png&diff=93436File:Tree1.png2017-11-07T11:22:42Z<p>MCanisius: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>MCanisiushttps://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Artists_Lab:Maud_Canisius&diff=93348GMU:Artists Lab:Maud Canisius2017-10-28T09:42:49Z<p>MCanisius: /* Additional Links */</p>
<hr />
<div>==Artists Lab 17/18==<br />
<br />
<br />
===Recommended Links===<br />
[http://steinhardt.nyu.edu/faculty/Natalie_Jeremijenko Different Ted Talks] <br><br />
[https://www.amazon.de/Die-vierte-Natur-Brigitte-Franzen/dp/3883753572 Vierte Natur]<br><br />
[https://www.amazon.de/Neuland-Landschaftsarchitektur-Bettina-von-Dziembowski/dp/3764386193 Vierte Natur]<br><br />
[https://de.wikipedia.org/wiki/Lore_Kutschera Lore Kutschera]<br><br />
[https://lhwei.gbv.de/DB=1/SET=1/TTL=11/SHW?FRST=18 Guy Debord]<br><br />
[https://vimeo.com/boredomresearch Bordedom Research]<br />
<br />
===Additional Links===<br />
[https://en.wikipedia.org/wiki/Dérive Dérive]<br><br />
[https://en.wikipedia.org/wiki/Self-organization Self-Organization in Biology]<br><br />
[https://www.amazon.de/Wurzelatlas-mitteleuropäischer-Ackerunkräuter-Kulturpflanzen-Wurzelatlas-Reihe/dp/3769007581 Wurzelatlas]</div>MCanisius