Medien Wiki - User contributions [en]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2012-05-30T11:08:10Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload days001.JPG|Caption
Image:payload daysdetail.JPG|Caption
Image:payload daysdetail002.JPG|Caption
</gallery>
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.

The butterflies in space mission used 'life in space' as a theme to engage scientific investigation. A migration to space is at a level relatively few can appreciate. Non-human biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research. The effects of the expected space vacuum, wide temperature extremes, and cosmic radiation of the space frontier, all effect how living systems might adapt to and function in the weightless of orbital space. The experiment would examine the biological development and behaviours of the species Vanessa Cardui for the duration of their lifespan in outer space.

The project was sponsored by the National Space Biomedical Research Institute in the fall of 2009 and concluded December 10.09.

STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Station.

==keywords==
space, simulation, artificial, controlled environment, habitat, migration, containment, alien. 

<gallery>
File:Cardui space.png|Caption
File:Bioserve tech.png|Caption
File:Screen-capture.png‎|Caption
</gallery>

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects

2012-05-30T10:56:26Z

Luckygirl: /* Jamie Ferguson: /Vanessa_Cardui in Space/ */

Documentation of projects from the class [[GMU:Space Is The Place|Space is the Place]] by [[Max Neupert]] in the [[:Category:WS09|winter semester 2009/2010]]:

[[../Summaery|Summaery exhibition in pictures]]

==[[Hamish John Appleby]]: [[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID/]]==
[[Image:Wexper.jpg|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorfschule in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]
 

==[[Andreas Beyer]]: The Radiostar==
Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just “lost” in space. That means the nearby outer space (100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that “radio-halo”. The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope (sorry for my bad english).
 

==[[Kyd Campbell]]: [[/In the direction of the frontier/]]==
[[Image:Snapshot 2009-11-19 00-31-29.jpg|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.
The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.
I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[/In the direction of the frontier|Read on...]]
 

==[[Fan Yu]]: [[/Reisen duch Zeit und Raum/]]==
[[Image:YuFanSIP2009.jpg|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
„Ich schlafe in Prag, arbeite in Berlin, esse in Peking, spiele in Paris.... die Welt ist nicht so groß. Ich kann irgendwohin gehen, obwohl es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein?“

„Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Sind Zeitreisen und Raumreisen möglich? Oder nur ein Menschheitstraum? Ob können die Fakten direkt vor unseren Augen sein?...” So viele Fragen sind in meinem Kopf… vielleicht steht die Lösung schon lange Zeit im Internet!!

Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können. Nach ein Sekunde Lang sind die Fakten direkt vor Augen...“

[[/Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[/Vanessa_Cardui in Space/]]==
[[Image:Iso_ftpc.jpg|thumb|250px|isometric view]]

This work began by following a project sponsored by the National Space Biomedical Research Institute. Vanessa Cardui larvae that flew aboard the Space Shuttle Atlantis to the ISS, was also an educational project that encouraged students to take part by creating their own habitats to watch life cycles over the course of aprox. 25 days. Through a process of observation and isolation, both habitats (one on earth and one in space, and the variable being gravity) would attempt to contain life in order to speculate how knowledge gained might apply to humans (and life as a living system) travelling in space and time through the solar system. Might this also effect, mediate and transform life on earth?
 
 
Images were taken every 30 minutes during daylight hours, transmitted to the web and captured here as one large chrono-sequential print.

[[/Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[/Voyageo/]]==
[[Image:Voyageo.jpg|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[/Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: [[/Der Müllmann/]] ==
[[Image:DerMüllmann.jpg|thumb|250px|Der Müllmann]]

Infinity is the topic of art works and theoretical essays. During the Romantic Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our everyday life. It represents a circuit and also the idea of repetition, with no beginning and no end. The best known moebius strip in our daily routine is the symbol of recycling circulation.

In my work I am focusing on the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor significant towards the Erfurt-Schwerborn disposal site which has witnessed radical changes over the past 5 years.

''Der Müllmann'' represents conceptual and visual the idea of circulation; the before and after - the idea of infinity.

[[/Der Müllmann|Full documentation]]
 

==[[Martin Ketelhut]], [[Sylvia Rohr]]: [[/Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Alieno_buch.jpg‎|thumb|250px|self-bounded book "alieno"]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln, ISBN 3625121417) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[/Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: [[/aren't we all aliens?/]]==
[[Image:BiankaL-web-wiki1.jpg|thumb|250px|Alien]]
Bookproject. For me space is in general is a very undefined place. As I think it encourage everybody to use their whole imagination and creativity I will use this unknown area to create my own place, figures and spacey environments. I am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselves and learn how to create their own „aliens“.
When the child is interacting with the object playing a part in the story it‘s more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. In the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. It is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about “out there”.

[[/aren't we all aliens?|Project documentation]]
 

==[[Stefan Bernhardt]], [[Christoph Schreiber]]: [[/Captain Rock'it and the Sound of Stars/]]==
[[Image:Rockit-logo.jpg|thumb|250px|Captain Rock'it and the Sound of Stars]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.

[[/Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], [[Shuo Liu]]: [[/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[/Our stars/]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewelery, names, pictures and many other uses. Have a look at our own starry sky.

[[/Our stars|Find out more]] about the project.
 

==[[Luo Yu]]: [[/Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[/Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-03T12:26:10Z

Luckygirl: /* A personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]
 
----

=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.

<gallery widths=280px heights=280px perrow=1 caption=>
File:INV_sketchup.png
</gallery>

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-03T12:24:09Z

Luckygirl: /* A personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]
 
----

=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-03T12:23:03Z

Luckygirl: /* A personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]
 
----

=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.

These objects are not yet thought to incorporate their odysseys; to tell of their various ingredients shaped and harvested over time, the transformations and trajectories they have and will undergo. Until now they do not come into my possession with any bona fide memoir to tell. The status of the autonomous object and it's coming into form recalls standardization and the mechanized means of 20th century production. These objects constitute a materials economy that runs a linear system on finite resources, where the cost of production is externalized for the most basic and luxury good. Limited and problematic, as symbols of value, status, history and power, an object's materiality is in itself defined by certain design. Seemingly distant and anonymous, intricate and estranged, these belongings become ours to mythologize.

Though a reductionist projection is dangerously simplistic and bound to summon longing. I have paid more money for some objects than others, invested much energy in their care, washing, protecting, and carrying. Some have been offered by a person I can(not) see or speak, but with whom I commune through the single object. In their present, twisted configurations these objects are mostly intended to exist as single, static versions of themselves, compounds that are imprudent, often volatile, and will after 'a long day' disperse, likely unaccounted for. As garbage, they haunt us in their afterlives (Unverzagt, 2010).

To emphasize instead the multitude of informational compositions that characterize these objects is profound as it implies their ability to endure and transform materiality. It is a willingness to accept objects as material instantiations of an immaterial system (Sterling, 2005). A means to see at once the various potentialities and their relational becoming, these objects embody a whole repository of time and energy, individual and collective biographies; they are empowered political entities, each existing as a multiple in their connectedness. The value of these objects can be measured in their relational proximity, in their spatio-temporal relationships.

Their cataloguing and tagging is not a forced augmentation but an ever changing, dynamic process that highlights their potential for becoming many things at once. These compositions may go beyond the range or limits of one boundary and permute from one object to another. To date, the best I can do is relinquish their identification as 'unique' and opt instead for a nomadic, ever changing informational system of dynamic identifiers.

[[File:INV_sketchup.png|left|thumb|]]

----

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

File:INV sketchup.png

2011-12-02T09:39:19Z

Luckygirl: uploaded a new version of "File:INV sketchup.png"

== Summary ==

== Copyright status: ==

== Source: ==

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-02T09:36:40Z

Luckygirl: /* A personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]

----
=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.

[[File:INV_sketchup.png|left|thumb|]]

----

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

File:INV sketchup.png

2011-12-02T09:33:08Z

Luckygirl: uploaded a new version of "File:INV sketchup.png"

== Summary ==

== Copyright status: ==

== Source: ==

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-02T09:30:55Z

Luckygirl: /* A personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]

----
=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.
[[File:INV_sketchup.png|left|thumb|]]

----

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

File:INV sketchup.png

2011-12-02T09:30:19Z

Luckygirl:

== Summary ==

== Copyright status: ==

== Source: ==

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-12-02T09:27:01Z

Luckygirl: /* My personal inventory- Jamie L. Ferguson */

=== The Lost Photographs of M- [[Maureen Anderson]]===

"The Lost Photographs of M--" is an archive of photographs which I have taken or were taken of me or were entrusted to me and which were subsequently lost, stolen, never turned out, neglected, locked away in an inaccessible data bank, or of which no shutter was opened in the first place. It consists of 85 photographs so far. They are printed on A3 paper and given out as a blank piece of paper with a title, description and year of the image. Periodically, the data bank is checked. When an image is missing or taken out of the archive, a new title for the image is printed, creating a unique version of each photograph using the reproductive medium of the printer.

[[File:Lost photos of m 1.JPG]] [[File:Lost fotos of m 3.JPG]]
[[File:Lost phots of m 4.JPG]] [[File:Lost photos of m 2.JPG]]

----
=== Fotoaufnahmen - [[Georgios Koumanidis]]===

The following photographs, resulted after a systematic documentation of the Fachmodul meetings ''(Inventory & Display: Mnemosyne)''
 during the semester

[[File:kamera.jpg|270px|right]]

Using two cameras, I have documentated every meeting, the camera a´ was attached to a tripod, in this case using normal lens and always from the same position, i have tooked wide shots, pictures of the general area. With the camera b´, which I held in hand, I wandered and photographed from different angles, having the opportunity for close-ups. After each meeting I archived the photo material in the computer by date and in relation to each camera. By the end of the documentation process, I chose some pictures, which I printed and rephotographed , focusing on points of interest, such as colour, or even light and shadow, contrasts.

The following photos, which I present here, are a selection of these.

<gallery widths=280px heights=280px perrow=3 caption=>
File:Mnemosyne_foto_01.jpg‎
File:Mnemosyne_foto_02.jpg‎
File:Mnemosyne_foto_03.jpg‎
File:Mnemosyne_foto_04.jpg‎
File:Mnemosyne_foto_05.jpg‎
File:Mnemosyne_foto_06.jpg‎
</gallery>

For a further approach to the nature of this work I refer to Alleida Assman who writes: <blockquote>"In particular, the individual, but generalizable artistic creation has an important part in the renewal of memory, by questioning the tightly drawn boundary between the Reminded and the Forgotten, which through surprising configurations repeatedly shifts."</blockquote>

''Assman Alleida, Individuelles und kollektives Gedächtnis-Formen, Funktionen und Medien, in: "Das Gedächtnis der Kunst, Geschichte und Erinnerung in der Kunst der Gegenwart", Hatje Cantz, Ostfildern-Ruit, 2000, p. 27.''

----
=== Mnemosyne - Sylvia Langenbrinck ===
[[File:mnemosyne_mosaik.jpg|left|thumb|Mnemosyne - Tafel]]

Warburg betitelt und widmet sein unvollendetes Werk der griechischen Schutzgöttin des Gedächtnisses und der Erinnerungskunst.
 Allerdings existiert in seinem Mnemosyne Bilderatlas
Keine Tafel über Mnemosyne.
 Ich habe es mir zur Aufgabe gemacht die fehlende Tafel zu ergänzen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Sylvia Langenbrinck|-->Beschreibung]]
 

----
=== Buchprojekt: darling the bell is ringing - [[Bianka Langnickel]]===

<gallery widths=280px heights=280px perrow=3 caption=>
File:DSC2609.jpg
File:DSC2614.jpg
File:DSC2618.jpg‎
File:DSC2620.jpg
File:DSC2627.jpg
File:DSC2497.jpg
</gallery>

Es gibt kaum etwas Materielles was uns in gleicher Weise verbindet aber dennoch erlaubt, Schlüsse auf den individuellen Lebensraum/gesellschaftlichen Stand zu ziehen.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Bianka Langnickel|'''-->''Konzeptionelle Überlegungen zur Arbeit''''']]
 

[[Media:Klingelknopfarchiv.pdf]]

----
=== Golden Record - [[Sylvia Rohr]]===

''“This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings. We are attempting to survive our time so we may live into yours.”'' Jimmy Carter, 16. Juni 1977

Die „Voyager Golden Record“ beinhaltet Bild- und Audiomaterial, das die Menschheit und das Leben auf der Erde repräsentieren soll. Sie wurde 1977 von der NASA an die Raumsonden Voyager 1 und 2 angebracht und kurz darauf ins Weltall geschickt, um extraterrestrischen Lebewesen ein Zeugnis der Menschheit zu sein.
Die Photos stammen vor allem aus den Kategorien Astronomie, Mathematik, Physik, Chemie, Biologie, Geologie oder Sport und Bildung. Die Bildersammlung sollte nicht zeigen, wie hoch entwickelt die Menschheit ist, sondern eine ungefähre Vorstellung vermitteln, was wir bisher erreicht haben, woran wir forschen und wie wir unsere Umwelt gestalten.

Da die Daten auf eine Platte gepresst und nicht als Audiosignal direkt ins All gesendet wurden, stellte ich mir diese Form der Signalübertragung zur Aufgabe. Ich wandelte das Photoarchiv in ein Tonarchiv um, das als Signal direkt ins Weltall gesendet werden könnte. Zu sehen sind hier Originalbilder sowie das Audiosignal und das Bild, was aus dem Audiosignal erzeugt wurde, um zu veranschaulichen, welche Informationen als Audiosignal gesendet werden können.

[[File:Goldenrecord1.gif|left|thumb|Originalfoto aus der Voyager Golden Record Sammlung]]
[[File:Goldenrecord2.jpg|left|thumb|Spektrum des Audiosignals]]
<flashmp3 id="Goldenrecord3">Goldenrecord3.mp3</flashmp3> 
[[Media:Goldenrecord3.mp3|Audiosignal des Fotos (mp3)]]
 

----

=== Pin up my life - [[Vanessa Walk]]===
[[File:Mybuttons.JPG|left|thumb|Sammlung]]

'Even small things can make a big impression'!

Diesem Sinnspruch zu folge entwarfen die beiden New Yorker Unternehmer León Winterford und Auguste Reymond bereits am 8. April 1889, vor über 122 Jahren,
das erste Patent für die Produktion der sogenannten 'campaign buttons'
in den USA.

Mit gerade mal 1 inch im Durchmesser revolutionierten diese gepressten kleinen Bildträger aus Metallschild, Zelluloidfolie und Sicherheitsnadel bereits kurz nach ihrer Markeinführung die Bewerbung von Wahlkampagnen, anderen Großveranstaltungen und Marken.
Denn nun konnten teure Vorgängermodelle wie das aufwendig gepresste Medallion aus Edelmetall, dass schon zu George Waschingtons Zeiten zur Wahlwerbung genutzt worden war, endlich mit Hilfe kostengünstiger Materialien und zeitsparender Technik durch lukrativen industrielle Massenproduktion abgelöst werden.

Bunte Bilder und einprägsame Slogans verhalfen den Buttons zudem einen sagenhaften Sammlerstatus bei den unterschiedlichsten Bevölkerungsgruppen zu erreichen, der seit seinen Anfangsjahren bis heute immer noch ungebrochen erscheint.

[[MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten/Wawa|Konzept]]

----
=== A personal inventory- [[Jamie L. Ferguson]]===
An inventory of my things, my so called belongings, this inventory exists as numbered, individual records of objects that I consider myself responsible, where each object inventoried is photographed and described with metadata. These annotations are a selective analysis of, and appended resource to, my objects.

These objects do not reside physically in one location and they are distributed according to a multiplicity of variables, though fundamentally, I require they maintain portability. Of course, in actuality they do, and are, across, beyond, and through portable, and so transportable, but I have difficulty to reconcile this and so their classification method is a mnemonic.

----

=== Ein Affe mit dem Fotofotz! - [[Katja Gawrilow]]===

Auf der Suche nach Spuren meiner Familienvergangenheit fand ich im Nachlass meines Großvaters Fotos aus seiner Kindheit.
Diese Bilder wirkten auf mich wie eine Erinnerung an eine Zeit, in der ich noch nicht war.
Die direkten Erinnerungen sind verschwunden, doch durch die Fotografie entstand eine Art familiäres Gedächtnis.

Im alten Rahmen, der einst das Hochzeitsfoto meiner Urgroßeltern beherbergte, lasse ich die Fotorückseiten ein Stück Lebensgeschichte erzählen, die bei bloßer Betrachtung der Bildinhalte nicht erkennbar wäre.

Die Beschriftung von Fotos, die als Zeitdokumente dienen können, ist hilfreich.
Hinweise auf Motiv, Zeit und Ort der Entstehung sind eine Erinnerungsstütze und steigern den Gebrauchswert des Bildes.
Im Privaten findet man auch Kommentare und Anekdoten, die die Stimmung einer Momentaufnahme wiedergeben.
Oder aber Botschaften wie „Lieber Schorsch, bin bei Mutti. Geld ist im Sparbuch. Gruß und Kuss! Marianne“.

<gallery widths=280px heights=280px perrow=1 caption=>
File:rahmenfotz.jpg
</gallery>

<gallery widths=280px heights=280px perrow=3 caption=>
File:Ff2.jpg‎
File:Ff3.jpg‎
File:Ff4.jpg‎
</gallery>

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-24T16:48:55Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'butterflies in space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviors of the species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The butterflies in space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own habitats in the classroom to study the life cycle of the butterfly. The greatest variable was gravity, but both aimed to contain life and further speculate how knowledge gained might apply to humans traveling farther into the solar system. A migration to space is at a level relatively few can appreciate. Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research. The effects of the expected space vacuum, wide temperature extremes, and cosmic radiation of the space frontier, all effect how living systems might adapt to and function in the weightless of orbital space.
 
 
STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Station.
 
 
The butterflies in space experiment concluded December 10.09.
 
 
keywords: 
space, simulation, artificial, controlled environment, habitat, migration, containment, alien. 

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects

2011-11-24T16:46:26Z

Luckygirl: /* Jamie Ferguson: /Vanessa_Cardui in Space/ */

Documentation of projects from the class [[GMU:Space Is The Place|Space is the Place]] by [[Max Neupert]] in the [[:Category:WS09|winter semester 2009/2010]]:

[[../Summaery|Summaery exhibition in pictures]]

==[[Hamish John Appleby]]: [[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID/]]==
[[Image:Wexper.jpg|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorfschule in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]
 

==[[Andreas Beyer]]: The Radiostar==
Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just “lost” in space. That means the nearby outer space (100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that “radio-halo”. The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope (sorry for my bad english).
 

==[[Kyd Campbell]]: [[/In the direction of the frontier/]]==
[[Image:Snapshot 2009-11-19 00-31-29.jpg|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.
The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.
I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[/In the direction of the frontier|Read on...]]
 

==[[Fan Yu]]: [[/Reisen duch Zeit und Raum/]]==
[[Image:YuFanSIP2009.jpg|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
„Ich schlafe in Prag, arbeite in Berlin, esse in Peking, spiele in Paris.... die Welt ist nicht so groß. Ich kann irgendwohin gehen, obwohl es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein?“

„Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Sind Zeitreisen und Raumreisen möglich? Oder nur ein Menschheitstraum? Ob können die Fakten direkt vor unseren Augen sein?...” So viele Fragen sind in meinem Kopf… vielleicht steht die Lösung schon lange Zeit im Internet!!

Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können. Nach ein Sekunde Lang sind die Fakten direkt vor Augen...“

[[/Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[/Vanessa_Cardui in Space/]]==
[[Image:Iso_ftpc.jpg|thumb|250px|isometric view]]

This project began following the 'butterflies in space' project sponsored by the National Space Biomedical Research Institute: Vanessa Cardui larvae that flew aboard the Space Shuttle Atlantis to the International Space Station and educational project that encouraged students to take part by creating their own habitats to watch butterflies over the course of aprox. 25 days. The greatest variable being gravity, both 'artificial habitats' (one on earth and one in space) would attempt to contain life. Both would use this process of observation and isolation in order to speculate how knowledge gained might apply to humans (and seemingly to living systems) traveling farther into the solar system and how this might effect, mediate and transform life on earth.
 
 
Images were taken every 30 minutes during daylight hours, transmitted to the web, and captured here as one large chrono-sequential poster.

[[/Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[/Voyageo/]]==
[[Image:Voyageo.jpg|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[/Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: [[/Der Müllmann/]] ==
[[Image:DerMüllmann.jpg|thumb|250px|Der Müllmann]]

Infinity is the topic of art works and theoretical essays. During the Romantic Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our everyday life. It represents a circuit and also the idea of repetition, with no beginning and no end. The best known moebius strip in our daily routine is the symbol of recycling circulation.

In my work I am focusing on the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor significant towards the Erfurt-Schwerborn disposal site which has witnessed radical changes over the past 5 years.

''Der Müllmann'' represents conceptual and visual the idea of circulation; the before and after - the idea of infinity.

[[/Der Müllmann|Full documentation]]
 

==[[Martin Ketelhut]], [[Sylvia Rohr]]: [[/Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Alieno_buch.jpg‎|thumb|250px|self-bounded book "alieno"]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln, ISBN 3625121417) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[/Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: [[/aren't we all aliens?/]]==
[[Image:BiankaL-web-wiki1.jpg|thumb|250px|Alien]]
Bookproject. For me space is in general is a very undefined place. As I think it encourage everybody to use their whole imagination and creativity I will use this unknown area to create my own place, figures and spacey environments. I am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselves and learn how to create their own „aliens“.
When the child is interacting with the object playing a part in the story it‘s more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. In the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. It is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about “out there”.

[[/aren't we all aliens?|Project documentation]]
 

==[[Stefan Bernhardt]], [[Christoph Schreiber]]: [[/Captain Rock'it and the Sound of Stars/]]==
[[Image:Rockit-logo.jpg|thumb|250px|Captain Rock'it and the Sound of Stars]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.

[[/Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], [[Shuo Liu]]: [[/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[/Our stars/]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewelery, names, pictures and many other uses. Have a look at our own starry sky.

[[/Our stars|Find out more]] about the project.
 

==[[Luo Yu]]: [[/Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[/Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

GMU:Space Is The Place/projects

2011-11-24T11:53:55Z

Luckygirl: /* Jamie Ferguson: /Vanessa_Cardui in Space/ */

Documentation of projects from the class [[GMU:Space Is The Place|Space is the Place]] by [[Max Neupert]] in the [[:Category:WS09|winter semester 2009/2010]]:

[[../Summaery|Summaery exhibition in pictures]]

==[[Hamish John Appleby]]: [[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID/]]==
[[Image:Wexper.jpg|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorfschule in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]
 

==[[Andreas Beyer]]: The Radiostar==
Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just “lost” in space. That means the nearby outer space (100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that “radio-halo”. The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope (sorry for my bad english).
 

==[[Kyd Campbell]]: [[/In the direction of the frontier/]]==
[[Image:Snapshot 2009-11-19 00-31-29.jpg|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.
The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.
I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[/In the direction of the frontier|Read on...]]
 

==[[Fan Yu]]: [[/Reisen duch Zeit und Raum/]]==
[[Image:YuFanSIP2009.jpg|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
„Ich schlafe in Prag, arbeite in Berlin, esse in Peking, spiele in Paris.... die Welt ist nicht so groß. Ich kann irgendwohin gehen, obwohl es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein?“

„Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Sind Zeitreisen und Raumreisen möglich? Oder nur ein Menschheitstraum? Ob können die Fakten direkt vor unseren Augen sein?...” So viele Fragen sind in meinem Kopf… vielleicht steht die Lösung schon lange Zeit im Internet!!

Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können. Nach ein Sekunde Lang sind die Fakten direkt vor Augen...“

[[/Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[/Vanessa_Cardui in Space/]]==
[[Image:Iso_ftpc.jpg|thumb|250px|isometric view]]

This project began following the 'butterflies in space' project sponsored by the National Space Biomedical Research Institute: Vanessa Cardui larvae that flew aboard the Space Shuttle Atlantis to the International Space Station and educational project that were encouraged students to take part by creating their own habitats to watch butterflies over the course of aprox. 25 days. The greatest variable being gravity, although both 'artificial habitats', one on earth and one in space, would attempt to contain life. Both would use this process of observation and isolation in order to speculate how knowledge gained might apply to humans (and seemingly to living systems) traveling farther into the solar system and how this might effect, mediate and transform life on earth.
 
 
Images were taken every 30 minutes during daylight hours, transmitted to the web, and captured here as one large chrono-sequential poster.

[[/Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[/Voyageo/]]==
[[Image:Voyageo.jpg|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[/Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: [[/Der Müllmann/]] ==
[[Image:DerMüllmann.jpg|thumb|250px|Der Müllmann]]

Infinity is the topic of art works and theoretical essays. During the Romantic Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our everyday life. It represents a circuit and also the idea of repetition, with no beginning and no end. The best known moebius strip in our daily routine is the symbol of recycling circulation.

In my work I am focusing on the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor significant towards the Erfurt-Schwerborn disposal site which has witnessed radical changes over the past 5 years.

''Der Müllmann'' represents conceptual and visual the idea of circulation; the before and after - the idea of infinity.

[[/Der Müllmann|Full documentation]]
 

==[[Martin Ketelhut]], [[Sylvia Rohr]]: [[/Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Alieno_buch.jpg‎|thumb|250px|self-bounded book "alieno"]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln, ISBN 3625121417) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[/Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: [[/aren't we all aliens?/]]==
[[Image:BiankaL-web-wiki1.jpg|thumb|250px|Alien]]
Bookproject. For me space is in general is a very undefined place. As I think it encourage everybody to use their whole imagination and creativity I will use this unknown area to create my own place, figures and spacey environments. I am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselves and learn how to create their own „aliens“.
When the child is interacting with the object playing a part in the story it‘s more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. In the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. It is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about “out there”.

[[/aren't we all aliens?|Project documentation]]
 

==[[Stefan Bernhardt]], [[Christoph Schreiber]]: [[/Captain Rock'it and the Sound of Stars/]]==
[[Image:Rockit-logo.jpg|thumb|250px|Captain Rock'it and the Sound of Stars]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.

[[/Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], [[Shuo Liu]]: [[/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[/Our stars/]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewelery, names, pictures and many other uses. Have a look at our own starry sky.

[[/Our stars|Find out more]] about the project.
 

==[[Luo Yu]]: [[/Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[/Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-24T11:53:17Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'butterflies in space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviors of the species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The butterflies in space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own habitats in the classroom to study the life cycle of the butterfly. The greatest variable was gravity, but both aimed to contain life and further speculate how knowledge gained might apply to humans traveling farther into the solar system. A migration to space is at a level relatively few can appreciate. Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research. The effects of the expected space vacuum, wide temperature extremes, and cosmic radiation of the space frontier effect how living systems might adapt to and function in the weightless of orbital space.
 
 
STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Station.
 
 
The butterflies in space experiment concluded December 10.09.
 
 
keywords: 
space, simulation, artificial, controlled environment, habitat, migration, containment, alien. 

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects

2011-11-24T11:46:16Z

Luckygirl: /* Jamie Ferguson: /Vanessa_Cardui in Space/ */

Documentation of projects from the class [[GMU:Space Is The Place|Space is the Place]] by [[Max Neupert]] in the [[:Category:WS09|winter semester 2009/2010]]:

[[../Summaery|Summaery exhibition in pictures]]

==[[Hamish John Appleby]]: [[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID/]]==
[[Image:Wexper.jpg|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorfschule in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[/DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]
 

==[[Andreas Beyer]]: The Radiostar==
Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just “lost” in space. That means the nearby outer space (100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that “radio-halo”. The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope (sorry for my bad english).
 

==[[Kyd Campbell]]: [[/In the direction of the frontier/]]==
[[Image:Snapshot 2009-11-19 00-31-29.jpg|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.
The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.
I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[/In the direction of the frontier|Read on...]]
 

==[[Fan Yu]]: [[/Reisen duch Zeit und Raum/]]==
[[Image:YuFanSIP2009.jpg|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
„Ich schlafe in Prag, arbeite in Berlin, esse in Peking, spiele in Paris.... die Welt ist nicht so groß. Ich kann irgendwohin gehen, obwohl es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein?“

„Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Sind Zeitreisen und Raumreisen möglich? Oder nur ein Menschheitstraum? Ob können die Fakten direkt vor unseren Augen sein?...” So viele Fragen sind in meinem Kopf… vielleicht steht die Lösung schon lange Zeit im Internet!!

Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können. Nach ein Sekunde Lang sind die Fakten direkt vor Augen...“

[[/Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[/Vanessa_Cardui in Space/]]==
[[Image:Iso_ftpc.jpg|thumb|250px|isometric view]]

This project began following the 'Life In Space' project sponsored by the National Space Biomedical Research Institute: Vanessa Cardui larvae that flew aboard the Space Shuttle Atlantis to the International Space Station and educational project that were encouraged students to take part by creating their own habitats to watch butterflies over the course of aprox. 25 days. The greatest variable being gravity, although both 'artificial habitats', one on earth and one in space, would attempt to contain life. Both would use this process of observation and isolation in order to speculate how knowledge gained might apply to humans (and seemingly to living systems) traveling farther into the solar system and how this might effect, mediate and transform life on earth.
 
 
Images were taken every 30 minutes during daylight hours, transmitted to the web, and captured here as one large chrono-sequential poster.

[[/Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[/Voyageo/]]==
[[Image:Voyageo.jpg|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[/Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: [[/Der Müllmann/]] ==
[[Image:DerMüllmann.jpg|thumb|250px|Der Müllmann]]

Infinity is the topic of art works and theoretical essays. During the Romantic Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our everyday life. It represents a circuit and also the idea of repetition, with no beginning and no end. The best known moebius strip in our daily routine is the symbol of recycling circulation.

In my work I am focusing on the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor significant towards the Erfurt-Schwerborn disposal site which has witnessed radical changes over the past 5 years.

''Der Müllmann'' represents conceptual and visual the idea of circulation; the before and after - the idea of infinity.

[[/Der Müllmann|Full documentation]]
 

==[[Martin Ketelhut]], [[Sylvia Rohr]]: [[/Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Alieno_buch.jpg‎|thumb|250px|self-bounded book "alieno"]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln, ISBN 3625121417) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[/Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: [[/aren't we all aliens?/]]==
[[Image:BiankaL-web-wiki1.jpg|thumb|250px|Alien]]
Bookproject. For me space is in general is a very undefined place. As I think it encourage everybody to use their whole imagination and creativity I will use this unknown area to create my own place, figures and spacey environments. I am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselves and learn how to create their own „aliens“.
When the child is interacting with the object playing a part in the story it‘s more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. In the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. It is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about “out there”.

[[/aren't we all aliens?|Project documentation]]
 

==[[Stefan Bernhardt]], [[Christoph Schreiber]]: [[/Captain Rock'it and the Sound of Stars/]]==
[[Image:Rockit-logo.jpg|thumb|250px|Captain Rock'it and the Sound of Stars]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.

[[/Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], [[Shuo Liu]]: [[/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[/Our stars/]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewelery, names, pictures and many other uses. Have a look at our own starry sky.

[[/Our stars|Find out more]] about the project.
 

==[[Luo Yu]]: [[/Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[/Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T14:08:20Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
 
The experiment concluded December 10.09.
 
 
keywords: 
space, simulation, artificial, controlled environment, habitat, migration, containment, alien. 

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T14:07:38Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
The experiment concluded December 10.09.
 
keywords: 
space, simulation, artificial, controlled environment, habitat, migration, containment, alien. 

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T13:24:24Z

Luckygirl:

Launch date November 16.09. 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
The experiment concluded December 10.09.
 
keywords: 
space, simulation, artificial, controlled environment, habitat, containment, alien. 

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T13:22:26Z

Luckygirl:

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
 
keywords: 
space, simulation, artificial, controlled environment, habitat, containment, alien. 

The experiment concluded December 10, 2009.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T13:21:25Z

Luckygirl:

Life in Space 
 
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
 
 
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
 
keywords: 
space, simulation, artificial, controlled environment, habitat, containment, alien. 

The experiment concluded December 10, 2009.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T13:19:17Z

Luckygirl:

Life in Space 
 
Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
 
 
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
 
The experiment concluded December 10, 2009.

<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>
 
keywords: 
space, simulation, artificial, controlled environment, habitat, containment, alien. 

The experiment concluded December 10, 2009.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-23T13:16:22Z

Luckygirl:

Life in Space 
keywords: 
space, simulation, artificial, controlled environment, habitat, containment, alien. 

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.
 
The 'Butterflies In Space' project was sponsored by the National Space Biomedical Research Institute in the fall of 2009. Several Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. The experiment would examine the biological development and behaviours of the butterfly species Vanessa Cardui for the duration of their lifespan in outer space.
 
Both flight certified scientific insert (or payload) taken aboard the shuttle to house the larvae and the module at the ISS called the Commercial Generic Bioprocessing Apparatus were developed at BioServe Space Technologies at the University of Colorado at Boulder. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator..." The module would provide the necessary climate to sustain life in microgravity and featured a self-contained camera that would transmit images every 30 minutes during daylight hours to the web.
 
The Butterflies in Space mission used 'life in space' as a theme to engage students to conduct scientific investigation by constructing their own butterfly habitats in the classroom to watch the butterflies live, grow, and die over the course of their life span. The greatest variable was gravity, but both aimed to contain life and further speculate how the knowledge gained might apply to humans travelling farther into the solar system. A migration to space is at a level relatively few can appreciate.
 
Non humans biological organism were the first beings to experience the conditions of space for the purpose of biotechnological research.
The effects of the expected space vacuum, wide temperature extremes, and cosmic raditaion of the space fontier effect how living systems might adapt to and function in the weightless of orbital space. STS-129, the 31st shuttle mission to the ISS was slated to be the final shuttle crew rotation flight to or from the Space Staion.
 
The experiment concluded December 10, 2009.

<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>

The experiment concluded December 10, 2009.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2011-11-02T15:56:49Z

Luckygirl:

These are the plans and documentation for the simulated copy of the habitat to be exhibited. Relatively resilient considering their predicament, as environmental sensors the butterflies soon revealed the shortcomings of their situation.

Migration to space is at a level few can appreciate. The distance, this 'alien-ness' bridged by an 'artificial' habitat. A habitat has been constructed and employed to domesticate and house, observe, experiment, and transport life. How do we fabricate this idealized place in relation to the 'other', the world, and life, in essence, in relation to 'nature' -something we have gradually constructed as being outside of, or other than ourselves.

<gallery>
Image:Kibo lab.jpg|
Image:Kibo lab2.jpg|
</gallery>
<gallery>
Image:iso_bkpc.jpg|
Image:iso_ftpc.jpg|
Image:frt_bkpc.jpg|
Image:rt_bkpc.jpg|
Image:bk_bkpc.jpg|
Image:iso_sdpc.jpg|
</gallery>
<gallery>
Image:P1140769.JPG|
Image:P1140775.JPG|
Image:P1140776.JPG|
Image:P1140783.JPG|
Image:P1140784.JPG|
Image:P1140789.JPG|
Image:P1140792.jpg|
</gallery>
<gallery>
Image:bk_cldims.jpg|
Image:ft_cldims.jpg|
Image:lf_cl.jpg|
Image:tp_clmats.jpg|
</gallery>
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

File:Metadata.png

2011-06-12T20:40:05Z

Luckygirl:

== Summary ==

== Copyright status: ==

== Source: ==

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:39:29Z

Luckygirl: /* My personal inventory- Jamie L. Ferguson */

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:30:38Z

Luckygirl: /* My personal inventory- Jamie L. Ferguson */

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:29:18Z

Luckygirl: /* My personal inventory- Jamie L. Ferguson */

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:26:48Z

Luckygirl:

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:26:23Z

Luckygirl: /* My personal inventory- Jamie L. Ferguson */

MODEN:INVENTORY & DISPLAY: MNEMOSYNE/arbeiten

2011-06-12T20:24:55Z

Luckygirl:

MODEN:Mediengang2010

2010-07-08T13:14:46Z

Luckygirl: /* Donnerstag, 15.7 */

'''Mediengang 2010'''

#Aufsichtsplan für Raum 203 (Ampersand Atelier, Marienstr. 7b)
==Donnerstag, 15.7 ==

{|style= background-color:#FF6; align="left"; {{Prettytable}}
|'''Uhzeit'''
|2 Stunden Schichten
|'''Name, Vorname'''
|-
|[[Vormittags]]
|[[Aufbau]]
|
|-
|14:00
|
|
|-
|15:00
|Eröffnung Summaery
|
|-
|16:00
|LauraJ
|Mandy Unger
|-
|17:00
|LauraJ
|Mandy Unger
|-
|18:00
|Corraliza, Elena
|Aida Bresolí
|-
|19:00
|Corraliza, Elena
|Aida Bresolí
|-
|20:00
|Ferguson, Jamie
|
|-
|[[Abends]]
|
|
|}

 

==Freitag, 16.7 ==

{|style= background-color:#FF6; align="left"; {{Prettytable}}
|'''Uhzeit'''
|2 Stunden Schichten
|'''Name, Vorname'''
|-
|[[Vormittags]]
|
|
|-
|14:00
|
|Heinrich, Florian
|-
|15:00
|
|Heinrich, Florian
|-
|16:00
|Sylvia Langenbrinck
|Georgios Koumanidis
|-
|17:00
|Sylvia Langenbrinck
|Georgios Koumanidis
|-
|18:00
|Julius Muschalek
|Elli Schirak
|-
|19:00
|Julius Muschalek
|Elli Schirak
|-
|20:00

|
|-
|[[Abends]]
|}

 

==Samstag, 17.7 ==

{|style= background-color:#FF6; align="left"; {{Prettytable}}
|'''Uhzeit'''
|2 Stunden Schichten
|'''Name, Vorname'''
|-
|[[Vormittags]]
|
|
|-
|14:00
|
|Neubauer, Olivia
|-
|15:00
|
|Neubauer, Olivia
|-
|16:00
|
|Preuß, Christiane
|-
|17:00
|
|Preuß, Christiane
|-
|18:00
|Christiane Schlütter
|
|-
|19:00
|Christiane Schlütter
|
|-
|20:00
|
|
|-
|[[Abends]]
|
|
|}

 

==Sonntag, 18.7 ==

{|style= background-color:#FF6; align="left"; {{Prettytable}}
|'''Uhzeit'''
|2 Stunden Schichten
|'''Name, Vorname'''
|-
|[[Vormittags]]
|
|
|-
|14:00
|
|Tina Engelmann; Hofmann, Stefanie
|-
|15:00
|
|Tina Engelmann; Hofmann, Stefanie
|-
|16:00
|
|
|-
|17:00
|
|
|-
|18:00
|
|
|-
|19:00
|
|
|-
|20:00
|
|
|-
|[[Abends]]
|[[Abbau]]
|}

 

#Übersichtsplan über die Aussteller/Arbeiten
#:'''Wichtig: Mit diesen Daten werden Exponatschilder generiert'''
#:#Name
#:#Titel der Arbeit
#:#Medium
#:#Abmessungen
#:#Kurzbeschreibung (max. 1000 Zeichen)
#:#benötigte Technik
#:#Anmerkungen

z.B.

''Max Mustermann'' 
'''Musterarbeit''' 
Musterpapier 
20cm x 20cm 
Lorem ipsum blablabla..... 
Beamer, Licht, Ton 

==nach dem mediengang==
#Dokumentation der Ausstellung

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2010-07-07T16:33:41Z

Luckygirl:

These are the plans, models, and project documentation for the simulated copy of that habitat to be exhibited.

keywords:
space, simulation, artificial habitat, habitat within habitat, controlled environment, containment, migration, alien

Migration to space is at a level so few can appreciate. This distance, this 'alien-ness' bridged by an 'artificial' habitat. A habitat -anything that has been modified or made by people- have been constructed and employed to domesticate and house, observe, experiment, and transport life. How do we fabricate this ideal place in relation to ourselves, to others, the environment, in essence, in relation to 'nature'? -something we have gradually constructed as being outside of, or other than ourselves.

Relatively resilient considering their predicament, as environmental sensors the butterflies soon revealed the shortcomings of such a situation.

<gallery>
Image:Kibo lab.jpg|
Image:Kibo lab2.jpg|
</gallery>
<gallery>
Image:iso_bkpc.jpg|
Image:iso_ftpc.jpg|
Image:frt_bkpc.jpg|
Image:rt_bkpc.jpg|
Image:bk_bkpc.jpg|
Image:iso_sdpc.jpg|
</gallery>
<gallery>
Image:P1140769.JPG|
Image:P1140775.JPG|
Image:P1140776.JPG|
Image:P1140783.JPG|
Image:P1140784.JPG|
Image:P1140789.JPG|
Image:P1140792.jpg|
</gallery>
<gallery>
Image:bk_cldims.jpg|
Image:ft_cldims.jpg|
Image:lf_cl.jpg|
Image:tp_clmats.jpg|
</gallery>
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2010-07-07T16:27:31Z

Luckygirl:

These are the plans, models, and project documentation for the simulated copy of that habitat to be exhibited.

keywords:
space, simulation, artificial habitat, habitat within habitat, controlled environment, containment, migration, alien

By 'participating' in the experiment myself, situating the larvae into an 'artificial habitat', I was in a position to observe first-hand the lifespan of the butterflies in a way similar to the school children. I thought the butterflies were relatively resilient considering their predicament. As environmental sensors, the butterflies soon revealed the shortcomings of such a situation, and wondered how this affected the students. How did they perceive this inability to recognize the needs of another species?

Migration to space is at a level so few can appreciate. This distance, this 'alien-ness' bridged by an artificial habitat: anything that has been modified or made by people, habitats have been constructed and employed to domesticate and house, observe, experiment, and transport life. How do we fabricate this ideal place in relation to ourselves, to others, the environment, in essence, in relation to nature? -something we have gradually constructed as being outside of or other than ourselves.

<gallery>
Image:Kibo lab.jpg|
Image:Kibo lab2.jpg|
</gallery>
<gallery>
Image:iso_bkpc.jpg|
Image:iso_ftpc.jpg|
Image:frt_bkpc.jpg|
Image:rt_bkpc.jpg|
Image:bk_bkpc.jpg|
Image:iso_sdpc.jpg|
</gallery>
<gallery>
Image:P1140769.JPG|
Image:P1140775.JPG|
Image:P1140776.JPG|
Image:P1140783.JPG|
Image:P1140784.JPG|
Image:P1140789.JPG|
Image:P1140792.jpg|
</gallery>
<gallery>
Image:bk_cldims.jpg|
Image:ft_cldims.jpg|
Image:lf_cl.jpg|
Image:tp_clmats.jpg|
</gallery>
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.JPG|
Image:payload_daysdetail002.JPG|
</gallery>

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

File:Payload daysdetail002.JPG

2010-07-07T16:26:05Z

Luckygirl:

== Summary ==

== Copyright status: ==

== Source: ==

File:Payload daysdetail.JPG

2010-07-07T16:23:41Z

Luckygirl:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2010-07-07T16:22:38Z

Luckygirl:

These are the plans, models, and project documentation for the simulated copy of that habitat to be exhibited.

keywords:
space, simulation, artificial habitat, habitat within habitat, controlled environment, containment, migration, alien

By 'participating' in the experiment myself, situating the larvae into an 'artificial habitat', I was in a position to observe first-hand the lifespan of the butterflies in a way similar to the school children. I thought the butterflies were relatively resilient considering their predicament. As environmental sensors, the butterflies soon revealed the shortcomings of such a situation, and wondered how this affected the students. How did they perceive this inability to recognize the needs of another species?

Migration to space is at a level so few can appreciate. This distance, this 'alien-ness' bridged by an artificial habitat: anything that has been modified or made by people, habitats have been constructed and employed to domesticate and house, observe, experiment, and transport life. How do we fabricate this ideal place in relation to ourselves, to others, the environment, in essence, in relation to nature? -something we have gradually constructed as being outside of or other than ourselves.

<gallery>
Image:Kibo lab.jpg|
Image:Kibo lab2.jpg|
</gallery>
<gallery>
Image:iso_bkpc.jpg|
Image:iso_ftpc.jpg|
Image:frt_bkpc.jpg|
Image:rt_bkpc.jpg|
Image:bk_bkpc.jpg|
Image:iso_sdpc.jpg|
</gallery>
<gallery>
Image:P1140769.JPG|
Image:P1140775.JPG|
Image:P1140776.JPG|
Image:P1140783.JPG|
Image:P1140784.JPG|
Image:P1140789.JPG|
Image:P1140792.jpg|
</gallery>
<gallery>
Image:bk_cldims.jpg|
Image:ft_cldims.jpg|
Image:lf_cl.jpg|
Image:tp_clmats.jpg|
</gallery>
<gallery>
Image:payload_days001.JPG|
Image:payload_daysdetail.jpg|
Image:payload_daysdetail002.JPG|
</gallery>

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.

[[GMU:Space Is The Place/projects|Back to the list of projects]]

[[Category:WS09]]

File:Payload days001.JPG

2010-07-07T16:20:19Z

Luckygirl:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Follow The Green Rabbit/projekte

2010-05-02T21:03:20Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

Projekte aus dem Modul [[GMU:Follow The Green Rabbit|Follow The Green Rabbit]]

=== Thema/Titel - [[Andreas Beyer]]===
Bitte eigene Unterseite anlegen und verlinken

=== Marionette - [[Christoph Kilian]]===

Zwei Laufgewichtswagen bilden ein Kreuz, das von der Decke des Raumes herabhängt. Metallische Fäden an ihren Enden erzeugen elektromagnetische Felder.

Bewegen sich Menschen durch den Raum, ändern sich aufgrund der elektrischen Kapazität ihrer Körper die Frequenzen der Schwingkreise.

Entlang der Achsen des Kreuzes bewegen sich zwei Schrittmotoren. Je stärker ein Feld beeinflusst wird, desto weiter nähern sie sich den Antennen und ändern so die Neigung des Kreuzes.

=== Uncle Walt's Shitpie - [[Georgios Koumanidis]]===

Die Semesterarbeit mit dem Titel „UncleWalt’s Shitpie“ bezieht sich auf Walt Disney, der als eine der bedeutendste Figuren der Unterhaltungsindustrie in den USA politisch sehr aktiv war. Genauer gesagt war er an den HUAC-Verhören (House Committee on Un-American Activities) beteiligt in denen er viele seiner Partner und Künstler als Kommunisten bezeichnete. Das Ganze führte zur sogenannten Hollywood blacklist, die als Folge zur Verfolgung oder auch sogar zu Verhaftungen von Personen führte.

Die HUAC-Verhören gehören als Ereignis zur McCarthy-Ära. Nach dem zweiten Weltkrieg entwickelte sich in Amerika eine konkrete Tendenz für ihr kulturelles Produkt und dessen Export nach Europa. Walt Disney gehört zu den Produzenten, der mit den meisten Oscars (über 20) ausgezeichnet wurde und auch zu denen, die den wichtigsten Teil des kulturellen Produkts, das aus Amerika nach Europa exportiert wurde, darstellt (siehe Eurodisney).

Disney selber bestand darauf, dass sein Personal ihn nicht in der Höflichkeitsform anredet („Mr. Disney“) sondern mit seinem Vornamen Walt oder sogar mit „Uncle“ Walt.

* Videos

[http://www.youtube.com/watch?v=1HfnT3ST8gU Walt Disney and the HUAC Hearings ]
''Walt Disney- "Secret Lives" Documentary (Channel Four 1995'')

''Videolength 8:29´´''

* Literatur

[http://books.google.de/books?id=Ysn9iZWJXKUC&printsec=frontcover&dq=The+age+of+McCarthyism:+a+brief+history+with+documents&cd=1#v=onepage&q&f=false The Age of McCarthyism: A brief history with Documents by Ellen Schrecker]
''(Boston: St. Martin's Press, 1994)''

[http://www.amazon.de/Who-Paid-Piper-Cultural-Cold/dp/1862073279 Who Paid the Piper?: CIA and the Cultural Cold War by Frances Stonor Saunders.]
''(Granta Books, 2000)''

* Wikipedia

[http://en.wikipedia.org/wiki/Hollywood_blacklist The Hollywood Blacklist]

[http://en.wikipedia.org/wiki/House_Un-American_Activities_Committee House Un-American Activities Committee (HUAC)]

[http://en.wikipedia.org/wiki/Congress_for_Cultural_Freedom#Involvement_of_the_CIA Involment of CIA in the Congress for Cultural Freedom (CCF)]

=== Endosymbiosis Lynn Margulis - [[Sylvia Langenbrinck]]===
[[http://evolution.berkeley.edu/evolibrary/article/_0_0/history_24]] Understanding Evolution

=== Museum der Bioart - [[Xiaomei Wang]]===
Bioart wird ein immer populärer Kunst sein. Aber zur Zeit gibt es noch keine Museum, wo man Werke der Bioart darstellen kann. Deswegen möchte ich ein virtuelle Museum entwerfen.
*Dieser Museum würde wie eine Zelle aussehen und vom Wasser ausfüllen, wie eine echte Zelle. Natürlich wäre der 'Zellekern' die hauptsächliche Ausstellungshalle, in der drei Zonen geteilt wird.

Die erste Zone würde alle spezielle Show zeigen. Da kann man alles wissen, was die neueste Biotechnik ist.

Die zweite Zone würde die Entwicklung der Bioart ausstellen.

Die letzte Zone würde der Spielraum sein, in dem die Zuschauer individuell virtuelle Bioartswerke gestalten könnten.
*Der Tunnel würde ähnlich wie ein Spritze sein. Durch es kann man im Ausstellungshalle ankommen.
*Außer die ganze Ausstellungshalle wäre es ca.20 'Mitochondrien' geben, in der man etwas trinken oder essen kann.

=== Birdhouse for Butterflies - [[Jamie Ferguson]]===
[[Image:butterfly.JPG|400px]]
 
http://complaint-department.net/exhibit/
on flickr:
http://www.flickr.com/photos/62286352@N00/sets/72157623201878802/
 

=== noise structures 1: pristina - [[Kyd Campbell]]===
[http://kydkydkyd.blogspot.com/search/label/follow%20the%20green%20rabbit posts tagged 'follow the green rabbit' on Kyd's blog]

''Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.
'' '''Damien Hirst'''

In many places, the electricity and water systems are not currently sufficient to service the entire country 24 hours a day. Following a number of visits to Pristina, Kosova, a fun and modern place, with excellent coffee shops, fine dining, a few radio and television stations, large office building and nightclubs, I remarked a continuous cycle of noise in the city.

Every 2 hours the electricity and water is cut off. The city momentarily falls dark and quiet as ventilation, music and machinery is shut down. A few seconds later, the common sounds of the city are overtaken progressively as thousands of gas generators start up. For an hour, the whole city rumbles and those sitting at cafe terraces must yell to each other to be heard over the sounds of the engines. Pedestrians on the sidewalk must step around cables and the scent of burning petrol is everywhere. After about an hour the power returns and, also progressively, the generators shut down. In this moment one can find a second of great silence.

The whole sound scape of the city is changed cyclically.

My current work is an investigation of soundscape as a direct translation of social conditions. The conditions established by the basic functionings (and malfunctionings) of the city infrastructure translate into clearly measurable sonic vacillations. A high quality, long duration recording (planned, 7 days) will be produced and a further work will be prepared from this material.

dear friends, please post links and comments for me here or on the blog

=== Fühler - [[Jessica Wallstein]]===
 
<div>http://img34.imageshack.us/img34/4514/fhlerklein.jpg</div>
 

=== “Außer der Gotte” - [[Tao Wang]]===
meine Arbeit :

Wenn ich viele biologische Arbeiten schaue, habe ich das Gefühl, Er deckt die subtile leben, und das kleinste Beobachtung, aber jetzt die biologische Kunst wird schwer definiert.
Jede Kultur und Lebewesen haben ein Prozess von Entwicklung und Aussterben. Der neue Arten beseitigt veraltete Arten? In der Zukunft, können Menschen mit den neuen biologische Lebewesen zusamen leben? Wie definieren wir die neue Objekte? Hat die neue Konzepts eine neue Bedeutung?
in genetischen falschen oder aktualisiert Moment, es kann ein neues Express, New Style. Wahrscheinlich es scheitern, es ist ein Preis.
Wir können nicht vorhersehen, wie es die neue Form von die Gentechnik und Kunst ist? Aber von die Arbeiten haben wir die Evolution, Situation und Aussehen.

Die formelleren Bedeutung.
Kann man nicht erwarten Patterns, die Rolle und Bedeutung. Mehr Leben Formen, neue Organismen

positiv：
gibt es keinen Schaden, keine Verschmutzung für Organismen
Energie sparen
natürlichen Schutz
Fit für die menschliche und fortgeschrittene

negativ：
Nebeneffekt
Angst von Menschen
NEUE Mode, die Herausforderung der traditionellen moralische Ästhetischen,Die Menschen durch genetisch veränderte Organismen oder Pflanzengene einer neuen ästhetische Konzepte erstellen.

Als die Display Geräte, oder Autstellung gerät. Bilds， Menge：ca.20 Maß：> A2(420×594) und < A0(841×1189)

Zeitplan：

1,12 bis 15,12
Rohmaterial sammlen, (biologische-wissenschaftliche Kenntnisse, bio-Foto, usw.)
Entwurfe kreieren ,und richtig Arbeiten schon in A0Maß beginnen

15,12 bis 12,01
Malerei arbeiten

=== Thema/Titel - [[Shuo Liu]]===
Bitte eigene Unterseite anlegen und verlinken

=== Indienschock - [[Hannes Wagner]]===
Eine Lesung indischer Momente an deutschen Orten

Zu meinem Verständnis von DADA:

"Der Dadaist ist ein Künstler, bei dem das Produkt als solches nebensächlich ist. Er ist ein Geistesreisender, der immer neue Erfahrungen macht. Ein Zeichen dafür, dass Dadaismus doch produktiv im herkömmlichen Sinne der bildenden Kunst ist, zeigt der groteske Humor, der sich in den Gedichten und Bildern wieder findet. Auch die Ironie, die die Künstler in ihre Werke einfließen lassen, spricht für modale Präsenz von „Sinn im Unsinn“."

Ein sehr treffende Beschreibung, den DADA falsch zu verstehen ist in diesem Sinne unmöglich, da man ihn dadurch richtig versteht. Dem Dada Regeln aufzudichten widerspricht völlig dem Sinn dieser Kunstrichtung.

Siehe auch
* http://de.wikipedia.org/wiki/Dada
* http://de.wikipedia.org/wiki/Neo-Dada
* http://members.peak.org/~dadaist/Deutsch/Graphiken/
* http://www.lyrik.ch/lyrik/trends/dada/dada.htm
* http://projekte.free.de/dada/

Die Geschichten der Führung zum downloaden
[[File:Indien_Geschichten.pdf|Indien_Geschichten.pdf]]

[[Category:Projektliste]]

[[Category:Projektliste]]

[[Category:Projektliste]]

GMU:Follow The Green Rabbit/projekte

2010-05-02T21:02:30Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

GMU:Follow The Green Rabbit/projekte

2010-05-02T21:01:08Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

GMU:Follow The Green Rabbit/projekte

2010-05-02T21:00:37Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

Projekte aus dem Modul [[GMU:Follow The Green Rabbit|Follow The Green Rabbit]]

=== Thema/Titel - [[Andreas Beyer]]===
Bitte eigene Unterseite anlegen und verlinken

=== Marionette - [[Christoph Kilian]]===

Zwei Laufgewichtswagen bilden ein Kreuz, das von der Decke des Raumes herabhängt. Metallische Fäden an ihren Enden erzeugen elektromagnetische Felder.

Bewegen sich Menschen durch den Raum, ändern sich aufgrund der elektrischen Kapazität ihrer Körper die Frequenzen der Schwingkreise.

Entlang der Achsen des Kreuzes bewegen sich zwei Schrittmotoren. Je stärker ein Feld beeinflusst wird, desto weiter nähern sie sich den Antennen und ändern so die Neigung des Kreuzes.

=== Uncle Walt's Shitpie - [[Georgios Koumanidis]]===

Die Semesterarbeit mit dem Titel „UncleWalt’s Shitpie“ bezieht sich auf Walt Disney, der als eine der bedeutendste Figuren der Unterhaltungsindustrie in den USA politisch sehr aktiv war. Genauer gesagt war er an den HUAC-Verhören (House Committee on Un-American Activities) beteiligt in denen er viele seiner Partner und Künstler als Kommunisten bezeichnete. Das Ganze führte zur sogenannten Hollywood blacklist, die als Folge zur Verfolgung oder auch sogar zu Verhaftungen von Personen führte.

Die HUAC-Verhören gehören als Ereignis zur McCarthy-Ära. Nach dem zweiten Weltkrieg entwickelte sich in Amerika eine konkrete Tendenz für ihr kulturelles Produkt und dessen Export nach Europa. Walt Disney gehört zu den Produzenten, der mit den meisten Oscars (über 20) ausgezeichnet wurde und auch zu denen, die den wichtigsten Teil des kulturellen Produkts, das aus Amerika nach Europa exportiert wurde, darstellt (siehe Eurodisney).

Disney selber bestand darauf, dass sein Personal ihn nicht in der Höflichkeitsform anredet („Mr. Disney“) sondern mit seinem Vornamen Walt oder sogar mit „Uncle“ Walt.

* Videos

[http://www.youtube.com/watch?v=1HfnT3ST8gU Walt Disney and the HUAC Hearings ]
''Walt Disney- "Secret Lives" Documentary (Channel Four 1995'')

''Videolength 8:29´´''

* Literatur

[http://books.google.de/books?id=Ysn9iZWJXKUC&printsec=frontcover&dq=The+age+of+McCarthyism:+a+brief+history+with+documents&cd=1#v=onepage&q&f=false The Age of McCarthyism: A brief history with Documents by Ellen Schrecker]
''(Boston: St. Martin's Press, 1994)''

[http://www.amazon.de/Who-Paid-Piper-Cultural-Cold/dp/1862073279 Who Paid the Piper?: CIA and the Cultural Cold War by Frances Stonor Saunders.]
''(Granta Books, 2000)''

* Wikipedia

[http://en.wikipedia.org/wiki/Hollywood_blacklist The Hollywood Blacklist]

[http://en.wikipedia.org/wiki/House_Un-American_Activities_Committee House Un-American Activities Committee (HUAC)]

[http://en.wikipedia.org/wiki/Congress_for_Cultural_Freedom#Involvement_of_the_CIA Involment of CIA in the Congress for Cultural Freedom (CCF)]

=== Endosymbiosis Lynn Margulis - [[Sylvia Langenbrinck]]===
[[http://evolution.berkeley.edu/evolibrary/article/_0_0/history_24]] Understanding Evolution

=== Museum der Bioart - [[Xiaomei Wang]]===
Bioart wird ein immer populärer Kunst sein. Aber zur Zeit gibt es noch keine Museum, wo man Werke der Bioart darstellen kann. Deswegen möchte ich ein virtuelle Museum entwerfen.
*Dieser Museum würde wie eine Zelle aussehen und vom Wasser ausfüllen, wie eine echte Zelle. Natürlich wäre der 'Zellekern' die hauptsächliche Ausstellungshalle, in der drei Zonen geteilt wird.

Die erste Zone würde alle spezielle Show zeigen. Da kann man alles wissen, was die neueste Biotechnik ist.

Die zweite Zone würde die Entwicklung der Bioart ausstellen.

Die letzte Zone würde der Spielraum sein, in dem die Zuschauer individuell virtuelle Bioartswerke gestalten könnten.
*Der Tunnel würde ähnlich wie ein Spritze sein. Durch es kann man im Ausstellungshalle ankommen.
*Außer die ganze Ausstellungshalle wäre es ca.20 'Mitochondrien' geben, in der man etwas trinken oder essen kann.

=== Birdhouse for Butterflies - [[Jamie Ferguson]]===
[[Image:butterfly.JPG|left|400px]]
 
http://complaint-department.net/exhibit/
on flickr:
http://www.flickr.com/photos/62286352@N00/sets/72157623201878802/
 

=== noise structures 1: pristina - [[Kyd Campbell]]===
[http://kydkydkyd.blogspot.com/search/label/follow%20the%20green%20rabbit posts tagged 'follow the green rabbit' on Kyd's blog]

''Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.
'' '''Damien Hirst'''

In many places, the electricity and water systems are not currently sufficient to service the entire country 24 hours a day. Following a number of visits to Pristina, Kosova, a fun and modern place, with excellent coffee shops, fine dining, a few radio and television stations, large office building and nightclubs, I remarked a continuous cycle of noise in the city.

Every 2 hours the electricity and water is cut off. The city momentarily falls dark and quiet as ventilation, music and machinery is shut down. A few seconds later, the common sounds of the city are overtaken progressively as thousands of gas generators start up. For an hour, the whole city rumbles and those sitting at cafe terraces must yell to each other to be heard over the sounds of the engines. Pedestrians on the sidewalk must step around cables and the scent of burning petrol is everywhere. After about an hour the power returns and, also progressively, the generators shut down. In this moment one can find a second of great silence.

The whole sound scape of the city is changed cyclically.

My current work is an investigation of soundscape as a direct translation of social conditions. The conditions established by the basic functionings (and malfunctionings) of the city infrastructure translate into clearly measurable sonic vacillations. A high quality, long duration recording (planned, 7 days) will be produced and a further work will be prepared from this material.

dear friends, please post links and comments for me here or on the blog

=== Fühler - [[Jessica Wallstein]]===
 
<div>http://img34.imageshack.us/img34/4514/fhlerklein.jpg</div>
 

=== “Außer der Gotte” - [[Tao Wang]]===
meine Arbeit :

Wenn ich viele biologische Arbeiten schaue, habe ich das Gefühl, Er deckt die subtile leben, und das kleinste Beobachtung, aber jetzt die biologische Kunst wird schwer definiert.
Jede Kultur und Lebewesen haben ein Prozess von Entwicklung und Aussterben. Der neue Arten beseitigt veraltete Arten? In der Zukunft, können Menschen mit den neuen biologische Lebewesen zusamen leben? Wie definieren wir die neue Objekte? Hat die neue Konzepts eine neue Bedeutung?
in genetischen falschen oder aktualisiert Moment, es kann ein neues Express, New Style. Wahrscheinlich es scheitern, es ist ein Preis.
Wir können nicht vorhersehen, wie es die neue Form von die Gentechnik und Kunst ist? Aber von die Arbeiten haben wir die Evolution, Situation und Aussehen.

Die formelleren Bedeutung.
Kann man nicht erwarten Patterns, die Rolle und Bedeutung. Mehr Leben Formen, neue Organismen

positiv：
gibt es keinen Schaden, keine Verschmutzung für Organismen
Energie sparen
natürlichen Schutz
Fit für die menschliche und fortgeschrittene

negativ：
Nebeneffekt
Angst von Menschen
NEUE Mode, die Herausforderung der traditionellen moralische Ästhetischen,Die Menschen durch genetisch veränderte Organismen oder Pflanzengene einer neuen ästhetische Konzepte erstellen.

Als die Display Geräte, oder Autstellung gerät. Bilds， Menge：ca.20 Maß：> A2(420×594) und < A0(841×1189)

Zeitplan：

1,12 bis 15,12
Rohmaterial sammlen, (biologische-wissenschaftliche Kenntnisse, bio-Foto, usw.)
Entwurfe kreieren ,und richtig Arbeiten schon in A0Maß beginnen

15,12 bis 12,01
Malerei arbeiten

=== Thema/Titel - [[Shuo Liu]]===
Bitte eigene Unterseite anlegen und verlinken

=== Indienschock - [[Hannes Wagner]]===
Eine Lesung indischer Momente an deutschen Orten

Zu meinem Verständnis von DADA:

"Der Dadaist ist ein Künstler, bei dem das Produkt als solches nebensächlich ist. Er ist ein Geistesreisender, der immer neue Erfahrungen macht. Ein Zeichen dafür, dass Dadaismus doch produktiv im herkömmlichen Sinne der bildenden Kunst ist, zeigt der groteske Humor, der sich in den Gedichten und Bildern wieder findet. Auch die Ironie, die die Künstler in ihre Werke einfließen lassen, spricht für modale Präsenz von „Sinn im Unsinn“."

Ein sehr treffende Beschreibung, den DADA falsch zu verstehen ist in diesem Sinne unmöglich, da man ihn dadurch richtig versteht. Dem Dada Regeln aufzudichten widerspricht völlig dem Sinn dieser Kunstrichtung.

Siehe auch
* http://de.wikipedia.org/wiki/Dada
* http://de.wikipedia.org/wiki/Neo-Dada
* http://members.peak.org/~dadaist/Deutsch/Graphiken/
* http://www.lyrik.ch/lyrik/trends/dada/dada.htm
* http://projekte.free.de/dada/

Die Geschichten der Führung zum downloaden
[[File:Indien_Geschichten.pdf|Indien_Geschichten.pdf]]

[[Category:Projektliste]]

GMU:Follow The Green Rabbit/projekte

2010-05-02T20:57:32Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

Projekte aus dem Modul [[GMU:Follow The Green Rabbit|Follow The Green Rabbit]]

=== Thema/Titel - [[Andreas Beyer]]===
Bitte eigene Unterseite anlegen und verlinken

=== Marionette - [[Christoph Kilian]]===

Zwei Laufgewichtswagen bilden ein Kreuz, das von der Decke des Raumes herabhängt. Metallische Fäden an ihren Enden erzeugen elektromagnetische Felder.

Bewegen sich Menschen durch den Raum, ändern sich aufgrund der elektrischen Kapazität ihrer Körper die Frequenzen der Schwingkreise.

Entlang der Achsen des Kreuzes bewegen sich zwei Schrittmotoren. Je stärker ein Feld beeinflusst wird, desto weiter nähern sie sich den Antennen und ändern so die Neigung des Kreuzes.

=== Uncle Walt's Shitpie - [[Georgios Koumanidis]]===

Die Semesterarbeit mit dem Titel „UncleWalt’s Shitpie“ bezieht sich auf Walt Disney, der als eine der bedeutendste Figuren der Unterhaltungsindustrie in den USA politisch sehr aktiv war. Genauer gesagt war er an den HUAC-Verhören (House Committee on Un-American Activities) beteiligt in denen er viele seiner Partner und Künstler als Kommunisten bezeichnete. Das Ganze führte zur sogenannten Hollywood blacklist, die als Folge zur Verfolgung oder auch sogar zu Verhaftungen von Personen führte.

Die HUAC-Verhören gehören als Ereignis zur McCarthy-Ära. Nach dem zweiten Weltkrieg entwickelte sich in Amerika eine konkrete Tendenz für ihr kulturelles Produkt und dessen Export nach Europa. Walt Disney gehört zu den Produzenten, der mit den meisten Oscars (über 20) ausgezeichnet wurde und auch zu denen, die den wichtigsten Teil des kulturellen Produkts, das aus Amerika nach Europa exportiert wurde, darstellt (siehe Eurodisney).

Disney selber bestand darauf, dass sein Personal ihn nicht in der Höflichkeitsform anredet („Mr. Disney“) sondern mit seinem Vornamen Walt oder sogar mit „Uncle“ Walt.

* Videos

[http://www.youtube.com/watch?v=1HfnT3ST8gU Walt Disney and the HUAC Hearings ]
''Walt Disney- "Secret Lives" Documentary (Channel Four 1995'')

''Videolength 8:29´´''

* Literatur

[http://books.google.de/books?id=Ysn9iZWJXKUC&printsec=frontcover&dq=The+age+of+McCarthyism:+a+brief+history+with+documents&cd=1#v=onepage&q&f=false The Age of McCarthyism: A brief history with Documents by Ellen Schrecker]
''(Boston: St. Martin's Press, 1994)''

[http://www.amazon.de/Who-Paid-Piper-Cultural-Cold/dp/1862073279 Who Paid the Piper?: CIA and the Cultural Cold War by Frances Stonor Saunders.]
''(Granta Books, 2000)''

* Wikipedia

[http://en.wikipedia.org/wiki/Hollywood_blacklist The Hollywood Blacklist]

[http://en.wikipedia.org/wiki/House_Un-American_Activities_Committee House Un-American Activities Committee (HUAC)]

[http://en.wikipedia.org/wiki/Congress_for_Cultural_Freedom#Involvement_of_the_CIA Involment of CIA in the Congress for Cultural Freedom (CCF)]

=== Endosymbiosis Lynn Margulis - [[Sylvia Langenbrinck]]===
[[http://evolution.berkeley.edu/evolibrary/article/_0_0/history_24]] Understanding Evolution

=== Museum der Bioart - [[Xiaomei Wang]]===
Bioart wird ein immer populärer Kunst sein. Aber zur Zeit gibt es noch keine Museum, wo man Werke der Bioart darstellen kann. Deswegen möchte ich ein virtuelle Museum entwerfen.
*Dieser Museum würde wie eine Zelle aussehen und vom Wasser ausfüllen, wie eine echte Zelle. Natürlich wäre der 'Zellekern' die hauptsächliche Ausstellungshalle, in der drei Zonen geteilt wird.

Die erste Zone würde alle spezielle Show zeigen. Da kann man alles wissen, was die neueste Biotechnik ist.

Die zweite Zone würde die Entwicklung der Bioart ausstellen.

Die letzte Zone würde der Spielraum sein, in dem die Zuschauer individuell virtuelle Bioartswerke gestalten könnten.
*Der Tunnel würde ähnlich wie ein Spritze sein. Durch es kann man im Ausstellungshalle ankommen.
*Außer die ganze Ausstellungshalle wäre es ca.20 'Mitochondrien' geben, in der man etwas trinken oder essen kann.

=== Birdhouse for Butterflies - [[Jamie Ferguson]]===
[[Image:butterfly.JPG|left|300px]]
 

=== noise structures 1: pristina - [[Kyd Campbell]]===
[http://kydkydkyd.blogspot.com/search/label/follow%20the%20green%20rabbit posts tagged 'follow the green rabbit' on Kyd's blog]

''Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.
'' '''Damien Hirst'''

In many places, the electricity and water systems are not currently sufficient to service the entire country 24 hours a day. Following a number of visits to Pristina, Kosova, a fun and modern place, with excellent coffee shops, fine dining, a few radio and television stations, large office building and nightclubs, I remarked a continuous cycle of noise in the city.

Every 2 hours the electricity and water is cut off. The city momentarily falls dark and quiet as ventilation, music and machinery is shut down. A few seconds later, the common sounds of the city are overtaken progressively as thousands of gas generators start up. For an hour, the whole city rumbles and those sitting at cafe terraces must yell to each other to be heard over the sounds of the engines. Pedestrians on the sidewalk must step around cables and the scent of burning petrol is everywhere. After about an hour the power returns and, also progressively, the generators shut down. In this moment one can find a second of great silence.

The whole sound scape of the city is changed cyclically.

My current work is an investigation of soundscape as a direct translation of social conditions. The conditions established by the basic functionings (and malfunctionings) of the city infrastructure translate into clearly measurable sonic vacillations. A high quality, long duration recording (planned, 7 days) will be produced and a further work will be prepared from this material.

dear friends, please post links and comments for me here or on the blog

=== Fühler - [[Jessica Wallstein]]===
 
<div>http://img34.imageshack.us/img34/4514/fhlerklein.jpg</div>
 

=== “Außer der Gotte” - [[Tao Wang]]===
meine Arbeit :

Wenn ich viele biologische Arbeiten schaue, habe ich das Gefühl, Er deckt die subtile leben, und das kleinste Beobachtung, aber jetzt die biologische Kunst wird schwer definiert.
Jede Kultur und Lebewesen haben ein Prozess von Entwicklung und Aussterben. Der neue Arten beseitigt veraltete Arten? In der Zukunft, können Menschen mit den neuen biologische Lebewesen zusamen leben? Wie definieren wir die neue Objekte? Hat die neue Konzepts eine neue Bedeutung?
in genetischen falschen oder aktualisiert Moment, es kann ein neues Express, New Style. Wahrscheinlich es scheitern, es ist ein Preis.
Wir können nicht vorhersehen, wie es die neue Form von die Gentechnik und Kunst ist? Aber von die Arbeiten haben wir die Evolution, Situation und Aussehen.

Die formelleren Bedeutung.
Kann man nicht erwarten Patterns, die Rolle und Bedeutung. Mehr Leben Formen, neue Organismen

positiv：
gibt es keinen Schaden, keine Verschmutzung für Organismen
Energie sparen
natürlichen Schutz
Fit für die menschliche und fortgeschrittene

negativ：
Nebeneffekt
Angst von Menschen
NEUE Mode, die Herausforderung der traditionellen moralische Ästhetischen,Die Menschen durch genetisch veränderte Organismen oder Pflanzengene einer neuen ästhetische Konzepte erstellen.

Als die Display Geräte, oder Autstellung gerät. Bilds， Menge：ca.20 Maß：> A2(420×594) und < A0(841×1189)

Zeitplan：

1,12 bis 15,12
Rohmaterial sammlen, (biologische-wissenschaftliche Kenntnisse, bio-Foto, usw.)
Entwurfe kreieren ,und richtig Arbeiten schon in A0Maß beginnen

15,12 bis 12,01
Malerei arbeiten

=== Thema/Titel - [[Shuo Liu]]===
Bitte eigene Unterseite anlegen und verlinken

=== Indienschock - [[Hannes Wagner]]===
Eine Lesung indischer Momente an deutschen Orten

Zu meinem Verständnis von DADA:

"Der Dadaist ist ein Künstler, bei dem das Produkt als solches nebensächlich ist. Er ist ein Geistesreisender, der immer neue Erfahrungen macht. Ein Zeichen dafür, dass Dadaismus doch produktiv im herkömmlichen Sinne der bildenden Kunst ist, zeigt der groteske Humor, der sich in den Gedichten und Bildern wieder findet. Auch die Ironie, die die Künstler in ihre Werke einfließen lassen, spricht für modale Präsenz von „Sinn im Unsinn“."

Ein sehr treffende Beschreibung, den DADA falsch zu verstehen ist in diesem Sinne unmöglich, da man ihn dadurch richtig versteht. Dem Dada Regeln aufzudichten widerspricht völlig dem Sinn dieser Kunstrichtung.

Siehe auch
* http://de.wikipedia.org/wiki/Dada
* http://de.wikipedia.org/wiki/Neo-Dada
* http://members.peak.org/~dadaist/Deutsch/Graphiken/
* http://www.lyrik.ch/lyrik/trends/dada/dada.htm
* http://projekte.free.de/dada/

Die Geschichten der Führung zum downloaden
[[File:Indien_Geschichten.pdf|Indien_Geschichten.pdf]]

[[Category:Projektliste]]

GMU:Follow The Green Rabbit/projekte

2010-05-02T20:56:52Z

Luckygirl: /* Birdhouse for Butterflies - Jamie Ferguson */

Projekte aus dem Modul [[GMU:Follow The Green Rabbit|Follow The Green Rabbit]]

=== Thema/Titel - [[Andreas Beyer]]===
Bitte eigene Unterseite anlegen und verlinken

=== Marionette - [[Christoph Kilian]]===

Zwei Laufgewichtswagen bilden ein Kreuz, das von der Decke des Raumes herabhängt. Metallische Fäden an ihren Enden erzeugen elektromagnetische Felder.

Bewegen sich Menschen durch den Raum, ändern sich aufgrund der elektrischen Kapazität ihrer Körper die Frequenzen der Schwingkreise.

Entlang der Achsen des Kreuzes bewegen sich zwei Schrittmotoren. Je stärker ein Feld beeinflusst wird, desto weiter nähern sie sich den Antennen und ändern so die Neigung des Kreuzes.

=== Uncle Walt's Shitpie - [[Georgios Koumanidis]]===

Die Semesterarbeit mit dem Titel „UncleWalt’s Shitpie“ bezieht sich auf Walt Disney, der als eine der bedeutendste Figuren der Unterhaltungsindustrie in den USA politisch sehr aktiv war. Genauer gesagt war er an den HUAC-Verhören (House Committee on Un-American Activities) beteiligt in denen er viele seiner Partner und Künstler als Kommunisten bezeichnete. Das Ganze führte zur sogenannten Hollywood blacklist, die als Folge zur Verfolgung oder auch sogar zu Verhaftungen von Personen führte.

Die HUAC-Verhören gehören als Ereignis zur McCarthy-Ära. Nach dem zweiten Weltkrieg entwickelte sich in Amerika eine konkrete Tendenz für ihr kulturelles Produkt und dessen Export nach Europa. Walt Disney gehört zu den Produzenten, der mit den meisten Oscars (über 20) ausgezeichnet wurde und auch zu denen, die den wichtigsten Teil des kulturellen Produkts, das aus Amerika nach Europa exportiert wurde, darstellt (siehe Eurodisney).

Disney selber bestand darauf, dass sein Personal ihn nicht in der Höflichkeitsform anredet („Mr. Disney“) sondern mit seinem Vornamen Walt oder sogar mit „Uncle“ Walt.

* Videos

[http://www.youtube.com/watch?v=1HfnT3ST8gU Walt Disney and the HUAC Hearings ]
''Walt Disney- "Secret Lives" Documentary (Channel Four 1995'')

''Videolength 8:29´´''

* Literatur

[http://books.google.de/books?id=Ysn9iZWJXKUC&printsec=frontcover&dq=The+age+of+McCarthyism:+a+brief+history+with+documents&cd=1#v=onepage&q&f=false The Age of McCarthyism: A brief history with Documents by Ellen Schrecker]
''(Boston: St. Martin's Press, 1994)''

[http://www.amazon.de/Who-Paid-Piper-Cultural-Cold/dp/1862073279 Who Paid the Piper?: CIA and the Cultural Cold War by Frances Stonor Saunders.]
''(Granta Books, 2000)''

* Wikipedia

[http://en.wikipedia.org/wiki/Hollywood_blacklist The Hollywood Blacklist]

[http://en.wikipedia.org/wiki/House_Un-American_Activities_Committee House Un-American Activities Committee (HUAC)]

[http://en.wikipedia.org/wiki/Congress_for_Cultural_Freedom#Involvement_of_the_CIA Involment of CIA in the Congress for Cultural Freedom (CCF)]

=== Endosymbiosis Lynn Margulis - [[Sylvia Langenbrinck]]===
[[http://evolution.berkeley.edu/evolibrary/article/_0_0/history_24]] Understanding Evolution

=== Museum der Bioart - [[Xiaomei Wang]]===
Bioart wird ein immer populärer Kunst sein. Aber zur Zeit gibt es noch keine Museum, wo man Werke der Bioart darstellen kann. Deswegen möchte ich ein virtuelle Museum entwerfen.
*Dieser Museum würde wie eine Zelle aussehen und vom Wasser ausfüllen, wie eine echte Zelle. Natürlich wäre der 'Zellekern' die hauptsächliche Ausstellungshalle, in der drei Zonen geteilt wird.

Die erste Zone würde alle spezielle Show zeigen. Da kann man alles wissen, was die neueste Biotechnik ist.

Die zweite Zone würde die Entwicklung der Bioart ausstellen.

Die letzte Zone würde der Spielraum sein, in dem die Zuschauer individuell virtuelle Bioartswerke gestalten könnten.
*Der Tunnel würde ähnlich wie ein Spritze sein. Durch es kann man im Ausstellungshalle ankommen.
*Außer die ganze Ausstellungshalle wäre es ca.20 'Mitochondrien' geben, in der man etwas trinken oder essen kann.

=== Birdhouse for Butterflies - [[Jamie Ferguson]]===
[[Image:butterfly.JPG|thumb|left|300px]]

=== noise structures 1: pristina - [[Kyd Campbell]]===
[http://kydkydkyd.blogspot.com/search/label/follow%20the%20green%20rabbit posts tagged 'follow the green rabbit' on Kyd's blog]

''Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.
'' '''Damien Hirst'''

In many places, the electricity and water systems are not currently sufficient to service the entire country 24 hours a day. Following a number of visits to Pristina, Kosova, a fun and modern place, with excellent coffee shops, fine dining, a few radio and television stations, large office building and nightclubs, I remarked a continuous cycle of noise in the city.

Every 2 hours the electricity and water is cut off. The city momentarily falls dark and quiet as ventilation, music and machinery is shut down. A few seconds later, the common sounds of the city are overtaken progressively as thousands of gas generators start up. For an hour, the whole city rumbles and those sitting at cafe terraces must yell to each other to be heard over the sounds of the engines. Pedestrians on the sidewalk must step around cables and the scent of burning petrol is everywhere. After about an hour the power returns and, also progressively, the generators shut down. In this moment one can find a second of great silence.

The whole sound scape of the city is changed cyclically.

My current work is an investigation of soundscape as a direct translation of social conditions. The conditions established by the basic functionings (and malfunctionings) of the city infrastructure translate into clearly measurable sonic vacillations. A high quality, long duration recording (planned, 7 days) will be produced and a further work will be prepared from this material.

dear friends, please post links and comments for me here or on the blog

=== Fühler - [[Jessica Wallstein]]===
 
<div>http://img34.imageshack.us/img34/4514/fhlerklein.jpg</div>
 

=== “Außer der Gotte” - [[Tao Wang]]===
meine Arbeit :

Wenn ich viele biologische Arbeiten schaue, habe ich das Gefühl, Er deckt die subtile leben, und das kleinste Beobachtung, aber jetzt die biologische Kunst wird schwer definiert.
Jede Kultur und Lebewesen haben ein Prozess von Entwicklung und Aussterben. Der neue Arten beseitigt veraltete Arten? In der Zukunft, können Menschen mit den neuen biologische Lebewesen zusamen leben? Wie definieren wir die neue Objekte? Hat die neue Konzepts eine neue Bedeutung?
in genetischen falschen oder aktualisiert Moment, es kann ein neues Express, New Style. Wahrscheinlich es scheitern, es ist ein Preis.
Wir können nicht vorhersehen, wie es die neue Form von die Gentechnik und Kunst ist? Aber von die Arbeiten haben wir die Evolution, Situation und Aussehen.

Die formelleren Bedeutung.
Kann man nicht erwarten Patterns, die Rolle und Bedeutung. Mehr Leben Formen, neue Organismen

positiv：
gibt es keinen Schaden, keine Verschmutzung für Organismen
Energie sparen
natürlichen Schutz
Fit für die menschliche und fortgeschrittene

negativ：
Nebeneffekt
Angst von Menschen
NEUE Mode, die Herausforderung der traditionellen moralische Ästhetischen,Die Menschen durch genetisch veränderte Organismen oder Pflanzengene einer neuen ästhetische Konzepte erstellen.

Als die Display Geräte, oder Autstellung gerät. Bilds， Menge：ca.20 Maß：> A2(420×594) und < A0(841×1189)

Zeitplan：

1,12 bis 15,12
Rohmaterial sammlen, (biologische-wissenschaftliche Kenntnisse, bio-Foto, usw.)
Entwurfe kreieren ,und richtig Arbeiten schon in A0Maß beginnen

15,12 bis 12,01
Malerei arbeiten

=== Thema/Titel - [[Shuo Liu]]===
Bitte eigene Unterseite anlegen und verlinken

=== Indienschock - [[Hannes Wagner]]===
Eine Lesung indischer Momente an deutschen Orten

Zu meinem Verständnis von DADA:

"Der Dadaist ist ein Künstler, bei dem das Produkt als solches nebensächlich ist. Er ist ein Geistesreisender, der immer neue Erfahrungen macht. Ein Zeichen dafür, dass Dadaismus doch produktiv im herkömmlichen Sinne der bildenden Kunst ist, zeigt der groteske Humor, der sich in den Gedichten und Bildern wieder findet. Auch die Ironie, die die Künstler in ihre Werke einfließen lassen, spricht für modale Präsenz von „Sinn im Unsinn“."

Ein sehr treffende Beschreibung, den DADA falsch zu verstehen ist in diesem Sinne unmöglich, da man ihn dadurch richtig versteht. Dem Dada Regeln aufzudichten widerspricht völlig dem Sinn dieser Kunstrichtung.

Siehe auch
* http://de.wikipedia.org/wiki/Dada
* http://de.wikipedia.org/wiki/Neo-Dada
* http://members.peak.org/~dadaist/Deutsch/Graphiken/
* http://www.lyrik.ch/lyrik/trends/dada/dada.htm
* http://projekte.free.de/dada/

Die Geschichten der Führung zum downloaden
[[File:Indien_Geschichten.pdf|Indien_Geschichten.pdf]]

[[Category:Projektliste]]

File:Butterfly.JPG

2010-05-02T20:53:14Z

Luckygirl:

GMU:Follow The Green Rabbit/projekte

2010-04-22T19:03:29Z

Luckygirl: /* Artificial Habitats - Jamie Ferguson */

Projekte aus dem Modul [[GMU:Follow The Green Rabbit|Follow The Green Rabbit]]

=== Thema/Titel - [[Andreas Beyer]]===
Bitte eigene Unterseite anlegen und verlinken

=== Marionette - [[Christoph Kilian]]===

Zwei Laufgewichtswagen bilden ein Kreuz, das von der Decke des Raumes herabhängt. Metallische Fäden an ihren Enden erzeugen elektromagnetische Felder.

Bewegen sich Menschen durch den Raum, ändern sich aufgrund der elektrischen Kapazität ihrer Körper die Frequenzen der Schwingkreise.

Entlang der Achsen des Kreuzes bewegen sich zwei Schrittmotoren. Je stärker ein Feld beeinflusst wird, desto weiter nähern sie sich den Antennen und ändern so die Neigung des Kreuzes.

=== Uncle Walt's Shitpie - [[Georgios Koumanidis]]===

Die Semesterarbeit mit dem Titel „UncleWalt’s Shitpie“ bezieht sich auf Walt Disney, der als eine der bedeutendste Figuren der Unterhaltungsindustrie in den USA politisch sehr aktiv war. Genauer gesagt war er an den HUAC-Verhören (House Committee on Un-American Activities) beteiligt in denen er viele seiner Partner und Künstler als Kommunisten bezeichnete. Das Ganze führte zur sogenannten Hollywood blacklist, die als Folge zur Verfolgung oder auch sogar zu Verhaftungen von Personen führte.

Die HUAC-Verhören gehören als Ereignis zur McCarthy-Ära. Nach dem zweiten Weltkrieg entwickelte sich in Amerika eine konkrete Tendenz für ihr kulturelles Produkt und dessen Export nach Europa. Walt Disney gehört zu den Produzenten, der mit den meisten Oscars (über 20) ausgezeichnet wurde und auch zu denen, die den wichtigsten Teil des kulturellen Produkts, das aus Amerika nach Europa exportiert wurde, darstellt (siehe Eurodisney).

Disney selber bestand darauf, dass sein Personal ihn nicht in der Höflichkeitsform anredet („Mr. Disney“) sondern mit seinem Vornamen Walt oder sogar mit „Uncle“ Walt.

* Videos

[http://www.youtube.com/watch?v=1HfnT3ST8gU Walt Disney and the HUAC Hearings ]
''Walt Disney- "Secret Lives" Documentary (Channel Four 1995'')

''Videolength 8:29´´''

* Literatur

[http://books.google.de/books?id=Ysn9iZWJXKUC&printsec=frontcover&dq=The+age+of+McCarthyism:+a+brief+history+with+documents&cd=1#v=onepage&q&f=false The Age of McCarthyism: A brief history with Documents by Ellen Schrecker]
''(Boston: St. Martin's Press, 1994)''

[http://www.amazon.de/Who-Paid-Piper-Cultural-Cold/dp/1862073279 Who Paid the Piper?: CIA and the Cultural Cold War by Frances Stonor Saunders.]
''(Granta Books, 2000)''

* Wikipedia

[http://en.wikipedia.org/wiki/Hollywood_blacklist The Hollywood Blacklist]

[http://en.wikipedia.org/wiki/House_Un-American_Activities_Committee House Un-American Activities Committee (HUAC)]

[http://en.wikipedia.org/wiki/Congress_for_Cultural_Freedom#Involvement_of_the_CIA Involment of CIA in the Congress for Cultural Freedom (CCF)]

=== Endosymbiosis Lynn Margulis - [[Sylvia Langenbrinck]]===
[[http://evolution.berkeley.edu/evolibrary/article/_0_0/history_24]] Understanding Evolution

=== Museum der Bioart - [[Xiaomei Wang]]===
Bioart wird ein immer populärer Kunst sein. Aber zur Zeit gibt es noch keine Museum, wo man Werke der Bioart darstellen kann. Deswegen möchte ich ein virtuelle Museum entwerfen.
*Dieser Museum würde wie eine Zelle aussehen und vom Wasser ausfüllen, wie eine echte Zelle. Natürlich wäre der 'Zellekern' die hauptsächliche Ausstellungshalle, in der drei Zonen geteilt wird.

Die erste Zone würde alle spezielle Show zeigen. Da kann man alles wissen, was die neueste Biotechnik ist.

Die zweite Zone würde die Entwicklung der Bioart ausstellen.

Die letzte Zone würde der Spielraum sein, in dem die Zuschauer individuell virtuelle Bioartswerke gestalten könnten.
*Der Tunnel würde ähnlich wie ein Spritze sein. Durch es kann man im Ausstellungshalle ankommen.
*Außer die ganze Ausstellungshalle wäre es ca.20 'Mitochondrien' geben, in der man etwas trinken oder essen kann.

=== Birdhouse for Butterflies - [[Jamie Ferguson]]===

=== noise structures 1: pristina - [[Kyd Campbell]]===
[http://kydkydkyd.blogspot.com/search/label/follow%20the%20green%20rabbit posts tagged 'follow the green rabbit' on Kyd's blog]

''Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.
'' '''Damien Hirst'''

In many places, the electricity and water systems are not currently sufficient to service the entire country 24 hours a day. Following a number of visits to Pristina, Kosova, a fun and modern place, with excellent coffee shops, fine dining, a few radio and television stations, large office building and nightclubs, I remarked a continuous cycle of noise in the city.

Every 2 hours the electricity and water is cut off. The city momentarily falls dark and quiet as ventilation, music and machinery is shut down. A few seconds later, the common sounds of the city are overtaken progressively as thousands of gas generators start up. For an hour, the whole city rumbles and those sitting at cafe terraces must yell to each other to be heard over the sounds of the engines. Pedestrians on the sidewalk must step around cables and the scent of burning petrol is everywhere. After about an hour the power returns and, also progressively, the generators shut down. In this moment one can find a second of great silence.

The whole sound scape of the city is changed cyclically.

My current work is an investigation of soundscape as a direct translation of social conditions. The conditions established by the basic functionings (and malfunctionings) of the city infrastructure translate into clearly measurable sonic vacillations. A high quality, long duration recording (planned, 7 days) will be produced and a further work will be prepared from this material.

dear friends, please post links and comments for me here or on the blog

=== Fühler - [[Jessica Wallstein]]===
 
<div>http://img34.imageshack.us/img34/4514/fhlerklein.jpg</div>
 

=== “Außer der Gotte” - [[Tao Wang]]===
meine Arbeit :

Wenn ich viele biologische Arbeiten schaue, habe ich das Gefühl, Er deckt die subtile leben, und das kleinste Beobachtung, aber jetzt die biologische Kunst wird schwer definiert.
Jede Kultur und Lebewesen haben ein Prozess von Entwicklung und Aussterben. Der neue Arten beseitigt veraltete Arten? In der Zukunft, können Menschen mit den neuen biologische Lebewesen zusamen leben? Wie definieren wir die neue Objekte? Hat die neue Konzepts eine neue Bedeutung?
in genetischen falschen oder aktualisiert Moment, es kann ein neues Express, New Style. Wahrscheinlich es scheitern, es ist ein Preis.
Wir können nicht vorhersehen, wie es die neue Form von die Gentechnik und Kunst ist? Aber von die Arbeiten haben wir die Evolution, Situation und Aussehen.

Die formelleren Bedeutung.
Kann man nicht erwarten Patterns, die Rolle und Bedeutung. Mehr Leben Formen, neue Organismen

positiv：
gibt es keinen Schaden, keine Verschmutzung für Organismen
Energie sparen
natürlichen Schutz
Fit für die menschliche und fortgeschrittene

negativ：
Nebeneffekt
Angst von Menschen
NEUE Mode, die Herausforderung der traditionellen moralische Ästhetischen,Die Menschen durch genetisch veränderte Organismen oder Pflanzengene einer neuen ästhetische Konzepte erstellen.

Als die Display Geräte, oder Autstellung gerät. Bilds， Menge：ca.20 Maß：> A2(420×594) und < A0(841×1189)

Zeitplan：

1,12 bis 15,12
Rohmaterial sammlen, (biologische-wissenschaftliche Kenntnisse, bio-Foto, usw.)
Entwurfe kreieren ,und richtig Arbeiten schon in A0Maß beginnen

15,12 bis 12,01
Malerei arbeiten

=== Thema/Titel - [[Shuo Liu]]===
Bitte eigene Unterseite anlegen und verlinken

=== Indienschock - [[Hannes Wagner]]===
Eine Lesung indischer Momente an deutschen Orten

Zu meinem Verständnis von DADA:

"Der Dadaist ist ein Künstler, bei dem das Produkt als solches nebensächlich ist. Er ist ein Geistesreisender, der immer neue Erfahrungen macht. Ein Zeichen dafür, dass Dadaismus doch produktiv im herkömmlichen Sinne der bildenden Kunst ist, zeigt der groteske Humor, der sich in den Gedichten und Bildern wieder findet. Auch die Ironie, die die Künstler in ihre Werke einfließen lassen, spricht für modale Präsenz von „Sinn im Unsinn“."

Ein sehr treffende Beschreibung, den DADA falsch zu verstehen ist in diesem Sinne unmöglich, da man ihn dadurch richtig versteht. Dem Dada Regeln aufzudichten widerspricht völlig dem Sinn dieser Kunstrichtung.

Siehe auch
* http://de.wikipedia.org/wiki/Dada
* http://de.wikipedia.org/wiki/Neo-Dada
* http://members.peak.org/~dadaist/Deutsch/Graphiken/
* http://www.lyrik.ch/lyrik/trends/dada/dada.htm
* http://projekte.free.de/dada/

Die Geschichten der Führung zum downloaden
[[File:Indien_Geschichten.pdf|Indien_Geschichten.pdf]]

[[Category:Projektliste]]

GMU:Space Is The Place/projects/Vanessa Cardui in Space

2010-04-22T18:10:33Z

Luckygirl:

These are the plans, models, and project documentation for the simulated copy of that habitat to be exhibited.

keywords:
space, simulation, artificial habitat, habitat within habitat, controlled environment, containment, migration, alien

By 'participating' in the experiment myself, situating the larvae into an 'artificial habitat', I was in a position to observe first-hand the lifespan of the butterflies in a way similar to the school children. I thought the butterflies were relatively resilient considering their predicament. As environmental sensors, the butterflies soon revealed the shortcomings of such a situation, and wondered how this affected the students. How did they perceive this inability to recognize the needs of another species?

Migration to space is at a level so few can appreciate. This distance, this 'alien-ness' bridged by an artificial habitat: anything that has been modified or made by people, habitats have been constructed and employed to domesticate and house, observe, experiment, and transport life. How do we fabricate this ideal place in relation to ourselves, to others, the environment, in essence, in relation to nature? -something we have gradually constructed as being outside of or other than ourselves.

<gallery>
Image:Kibo lab.jpg|
Image:Kibo lab2.jpg|
</gallery>
<gallery>
Image:iso_bkpc.jpg|
Image:iso_ftpc.jpg|
Image:frt_bkpc.jpg|
Image:rt_bkpc.jpg|
Image:bk_bkpc.jpg|
Image:iso_sdpc.jpg|
</gallery>
<gallery>
Image:P1140769.JPG|
Image:P1140775.JPG|
Image:P1140776.JPG|
Image:P1140783.JPG|
Image:P1140784.JPG|
Image:P1140789.JPG|
Image:P1140792.jpg|
</gallery>
<gallery>
Image:bk_cldims.jpg|
Image:ft_cldims.jpg|
Image:lf_cl.jpg|
Image:tp_clmats.jpg|
</gallery>

Launch date November 16.09.09 
STS-129 mission to ISS aboard space shuttle Atlantis 
Vanessa Cardui animal astronauts in space 
A project by NASA & NSBRI [national space biomedical research institute] 
Research Applications: 
Small organism study 
General Features: 
Passive gas exchange with cabin air (o2, co2, rH) 
Habitats packaged to provide temperature, rH and experiment-specific sensors for environmental monitoring 
Thermally controlled time course experiments 
Imaging capabilities with near real-time downlink 
Manual or automated config. control for activation and termination 
Fluorescent, LED, electroluminescent and infared lighting available 
Multiple levels of containment meet NASA safety reqs.

[[GMU:Spaceprojects|Back to the list of projects]]

[[Category:WS09]]

GMU:Space Is The Place/projects

2010-04-22T17:53:45Z

Luckygirl: /* Jamie Ferguson: Vanessa_Cardui in Space */

Documentation of projects from the class [[GMU:Space_Is_The_Place|Space is the Place]]:
==[[Hamish John Appleby]]: [[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID]]==
[[Image:Wexper.jpg|right|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorf Schüle in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]

==[[Andreas Beyer]]: The Radiostar==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]

Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just "lost" in space. That means the nearby outer space ( 100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that "radiohalo". The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope. (sorry for my bad english)

==[[Kyd Campbell]]: [[GMU:in the direction of the frontier|in the direction of the frontier]]==
[[Image:Snapshot_2009-11-19_00-31-29.jpg|right|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.

The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.

I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[GMU:in the direction of the frontier|Read on...]]

==[[Fan Yu]]: [[GMU:Reisen duch Zeit und Raum|Reisen duch Zeit und Raum]]==
[[Image:YuFanSIP2009.jpg|right|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
''Sind Zeitreisen und Raumreisen möglich? oder nur ein Menschheitstraum ....''
''Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können.''

''"Ich schlafe in Praha , arbeite in Berlin, esse in Beijing, spiele in Paris.... Welt ist nicht so groß. Ich kann irgendwohin gehe, ob es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein...''''

''Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Möchten Sie die Lösung finden? Fakten sind direkt vor Ihren Augen...” So vielen Fragen stehen in meinem Kopf… vielecht stehen die Lösung schon langer Zeit im Internet. Nach ein Sekunde Lang sind die Fakten direkt vor Augen... “''

[[GMU:Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[GMU:Vanessa_Cardui in Space|Vanessa_Cardui in Space]]==
[[Image:Iso_ftpc.jpg|right|thumb|250px|isometric view]]
This project began by following the 'Butterflies In Space' project sponsored by the National Space Biomedical Research Institute; Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. Children from American elementary schools were encouraged to take part by creating their own butterfly habitats in the class room, to watch the butterflies live and grow and die over the course of 25 days; the greatest variable being gravity. The second was possibly the 'payload', the artificial habitat taken aboard to house the larvae. The difference is not so much in its content but with the container itself. A 'flight certified scientific insert' was developed at BioServe Space Technologies at the University of Colorado. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator." This appeared a very different object from the terrariums and disposable plastic food containers the school children were promoted to use, but their aims were comparable.

[[GMU:Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[GMU:Voyageo|Voyageo]]==
[[Image:Voyageo.jpg|right|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[GMU:Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: '''Waste Circulation''' (Erfurt-Schwerborn) - ''Where is it all ending?''==
[[Image:Schafe.jpg|right|thumb|250px|Schafe]]
Since the evolution of mankind humans have struggled to grasp the idea of infinity. Leading academics including philosophers, mathematicians, scientists and artists continue to make efforts in a bid to better comprehend infinity as a concept. A particular emphasis has been directed towards debates focusing on explanations regarding the universe and its expansion.

Infinity is the topic of art works and theoretical essays. During the Romantic – Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our daily life. The moebius strip presents a circuit and also the idea of repetition, with no beginning and no end.

As evident in the picture, including planet Earth, numerous circuits exists exist within our Solar System. The Earth is rotating around the Sun, the Moon around the Earth. A sunset and a sunrise represents the start and end of a 24 hour day. We have 365 days a year, 12 months and four seasons. Those cycles are always present. Additionally such order takes various other forms. Blood, water, economic and recycling circulation is also presented through a moebius strip.

Waste remains an unsolved problem. Circulation is possible, but also goes along with environmental problems. In my work - I am focusing on the the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor to direct much attention towards the Erfurt-Schwerborn disposal site. Since 2005 significant have occurred. Furthermore several other disposal sites in Germany have been shut down due environmental related issues. No longer can one find unhandled rubbish on the landfills.

Circa 6ha of 18ha of the disposal site are renatured by now. Animals and vegetation are creating a natural environment out of a former „dead“ place. In the future there will be a natural park in conjunction with a new recycling center. As this indicates, the area Erfurt-Schwerborn is transforming dramatically.

I aim to both conceptualize and visualize the idea of circulation; the before and after - the idea of infinity. In order to do so I will use the stylistic devices of Caspar David Friedrich and the still changing area of Erfurt-Schwerborn. The protagonist of my work will be a garbage man who plays an important role regarding waste circulation, serving to be the connecting link between the old and the new.

Next to the picture I will put interview pieces. Questions, which are dealing with the problems of waste and its circulation.

==[[Martin Ketelhut]]/[[Sylvia Rohr]]: [[GMU:Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Sonne_space_is_the_place_ALIENO_MKetelhut_SRohr.jpg‎|right|thumb|250px|Sun]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[GMU:Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: Bookproject: “space is my place” – aren‘t we all aliens?==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]
for me space is in general is a very undefined place. as i think it encourage everybody to use their whole imagination and creativity i will use this unknown area to create my own place, figures and spacy environments. i am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselfs and learn how to create their own „aliens“.
when the child is interacting with the object playing a part in the story its more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. so in the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. it is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about „outhere“.

#Stage
#* making experiments with the materials related to space and the figures to construct out of this material
#* finding an ideal story
#Stage
#* creating all of the figures
#* build sets where the figures act in
#Stage
#* testing photographie equipment and lighting, composition etc.
#* final photographie work - taking pictures of the actual sets
#Stage
#* postproduction _ retusche - like making the pictures more detailed, contrasted and fix some shadow areas etc.
#Stage
#* illustrate the be-creative part
#Stage
#* search for a publisher

calculated time for all parts: 1 year

==[[Stefan Bernhardt]] and [[Christoph Schreiber]]: [[GMU:Captain Rock'it and the Sound of Stars|Captain Rock'it and the Sound of Stars]]==
[[Image:Rockit-Logo.jpg|right|thumb|250px|The Logo]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.
* [[GMU:Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], and [[Shuo Liu]]: [[GMU:Spaceprojects/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|right|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[GMU:Spaceprojects/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[GMU:Our stars|OUR STARS]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewellery, names, pictures and many other uses. Have a look at our own starry sky.

[[GMU:Our_stars|Find out more]] about the project.

 

==[[Luo Yu]]: [[GMU:Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|right|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[GMU:Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

GMU:Space Is The Place/projects

2010-04-22T17:51:08Z

Luckygirl: /* Jamie Ferguson: Vanessa_Cardui in Space */

Documentation of projects from the class [[GMU:Space_Is_The_Place|Space is the Place]]:
==[[Hamish John Appleby]]: [[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID]]==
[[Image:Wexper.jpg|right|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorf Schüle in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]

==[[Andreas Beyer]]: The Radiostar==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]

Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just "lost" in space. That means the nearby outer space ( 100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that "radiohalo". The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope. (sorry for my bad english)

==[[Kyd Campbell]]: [[GMU:in the direction of the frontier|in the direction of the frontier]]==
[[Image:Snapshot_2009-11-19_00-31-29.jpg|right|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.

The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.

I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[GMU:in the direction of the frontier|Read on...]]

==[[Fan Yu]]: [[GMU:Reisen duch Zeit und Raum|Reisen duch Zeit und Raum]]==
[[Image:YuFanSIP2009.jpg|right|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
''Sind Zeitreisen und Raumreisen möglich? oder nur ein Menschheitstraum ....''
''Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können.''

''"Ich schlafe in Praha , arbeite in Berlin, esse in Beijing, spiele in Paris.... Welt ist nicht so groß. Ich kann irgendwohin gehe, ob es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein...''''

''Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Möchten Sie die Lösung finden? Fakten sind direkt vor Ihren Augen...” So vielen Fragen stehen in meinem Kopf… vielecht stehen die Lösung schon langer Zeit im Internet. Nach ein Sekunde Lang sind die Fakten direkt vor Augen... “''

[[GMU:Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[GMU:Vanessa_Cardui in Space|Vanessa_Cardui in Space]]==
[[Image:Iso_ftpc.jpg|right|thumb|250px|isometric view]]
This project began by following the 'Butterflies In Space' project sponsored by the National Space Biomedical Research Institute; Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. Children from American elementary schools were encouraged to take part by creating their own butterfly habitats in the class room, to watch the butterflies live and grow and die over the course of 25 days; the greatest variable being gravity. The second was possibly the 'payload', the artificial habitat taken aboard to house the larvae. The difference not so much in its content but with the container itself. A 'flight certified scientific insert' was developed at BioServe Space Technologies at the University of Colorado. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator." This appeared a very different object from the terrariums and disposable plastic food containers the school children were promoted to use, but their aims were comparable.

[[GMU:Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[GMU:Voyageo|Voyageo]]==
[[Image:Voyageo.jpg|right|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[GMU:Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: '''Waste Circulation''' (Erfurt-Schwerborn) - ''Where is it all ending?''==
[[Image:Schafe.jpg|right|thumb|250px|Schafe]]
Since the evolution of mankind humans have struggled to grasp the idea of infinity. Leading academics including philosophers, mathematicians, scientists and artists continue to make efforts in a bid to better comprehend infinity as a concept. A particular emphasis has been directed towards debates focusing on explanations regarding the universe and its expansion.

Infinity is the topic of art works and theoretical essays. During the Romantic – Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our daily life. The moebius strip presents a circuit and also the idea of repetition, with no beginning and no end.

As evident in the picture, including planet Earth, numerous circuits exists exist within our Solar System. The Earth is rotating around the Sun, the Moon around the Earth. A sunset and a sunrise represents the start and end of a 24 hour day. We have 365 days a year, 12 months and four seasons. Those cycles are always present. Additionally such order takes various other forms. Blood, water, economic and recycling circulation is also presented through a moebius strip.

Waste remains an unsolved problem. Circulation is possible, but also goes along with environmental problems. In my work - I am focusing on the the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor to direct much attention towards the Erfurt-Schwerborn disposal site. Since 2005 significant have occurred. Furthermore several other disposal sites in Germany have been shut down due environmental related issues. No longer can one find unhandled rubbish on the landfills.

Circa 6ha of 18ha of the disposal site are renatured by now. Animals and vegetation are creating a natural environment out of a former „dead“ place. In the future there will be a natural park in conjunction with a new recycling center. As this indicates, the area Erfurt-Schwerborn is transforming dramatically.

I aim to both conceptualize and visualize the idea of circulation; the before and after - the idea of infinity. In order to do so I will use the stylistic devices of Caspar David Friedrich and the still changing area of Erfurt-Schwerborn. The protagonist of my work will be a garbage man who plays an important role regarding waste circulation, serving to be the connecting link between the old and the new.

Next to the picture I will put interview pieces. Questions, which are dealing with the problems of waste and its circulation.

==[[Martin Ketelhut]]/[[Sylvia Rohr]]: [[GMU:Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Sonne_space_is_the_place_ALIENO_MKetelhut_SRohr.jpg‎|right|thumb|250px|Sun]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[GMU:Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: Bookproject: “space is my place” – aren‘t we all aliens?==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]
for me space is in general is a very undefined place. as i think it encourage everybody to use their whole imagination and creativity i will use this unknown area to create my own place, figures and spacy environments. i am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselfs and learn how to create their own „aliens“.
when the child is interacting with the object playing a part in the story its more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. so in the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. it is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about „outhere“.

#Stage
#* making experiments with the materials related to space and the figures to construct out of this material
#* finding an ideal story
#Stage
#* creating all of the figures
#* build sets where the figures act in
#Stage
#* testing photographie equipment and lighting, composition etc.
#* final photographie work - taking pictures of the actual sets
#Stage
#* postproduction _ retusche - like making the pictures more detailed, contrasted and fix some shadow areas etc.
#Stage
#* illustrate the be-creative part
#Stage
#* search for a publisher

calculated time for all parts: 1 year

==[[Stefan Bernhardt]] and [[Christoph Schreiber]]: [[GMU:Captain Rock'it and the Sound of Stars|Captain Rock'it and the Sound of Stars]]==
[[Image:Rockit-Logo.jpg|right|thumb|250px|The Logo]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.
* [[GMU:Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], and [[Shuo Liu]]: [[GMU:Spaceprojects/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|right|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[GMU:Spaceprojects/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[GMU:Our stars|OUR STARS]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewellery, names, pictures and many other uses. Have a look at our own starry sky.

[[GMU:Our_stars|Find out more]] about the project.

 

==[[Luo Yu]]: [[GMU:Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|right|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[GMU:Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]

GMU:Space Is The Place/projects

2010-04-22T17:49:17Z

Luckygirl: /* Jamie Ferguson: Vanessa_Cardui in Space */

Documentation of projects from the class [[GMU:Space_Is_The_Place|Space is the Place]]:
==[[Hamish John Appleby]]: [[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID]]==
[[Image:Wexper.jpg|right|thumb|250px|Hamish John Appleby: ''Mindmap'']]

===DREAMS IN SPACE, BLINDFOLDED AND BOUNDLESS - A workshop by: Hamish John Appleby===

THE PROCESS ''''“The visions we offer our children shape the future. It matters what those visions are. Often they become self-fulfilling prophecies. Dreams are maps” Carl Sagan, 1994.''''

WHERE AND WHAT I am currently running a creative workshop with the students from the Waldorf Schüle in Weimar – So far this has been a fantastic opportunity for both myself and the students(I hope) to engage in a workshop or kind of ‘mini project’ that they have probably never encountered before, with the outcome being a possible mini exhibition of drawings – or other creations.

A GREAT QUOTE “I shut my eyes in order to see”.
--Paul Gauguin

LOCATION: Waldorfschule Weimar

[[GMU:DREAMS IN INNER SPACE AND THE FRONTIER OF THE VOID|Project description and more Pictures]]

==[[Andreas Beyer]]: The Radiostar==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]

Since more than 100 years humankind uses technology for broardcasting content and for some physics reasons nearly 80% of that signals are just "lost" in space. That means the nearby outer space ( 100 ly orbit) is in a way a kind of radioarchive or a cultural documentation of hunmankinds ability to send signals with several technologies. I'm focused on the frequency band of ultra short wave radio signals. To explain this cosmic-international radioarchive, I want to create a navigationplan to "travel" through that archive. the installation will be a (selfmade) telescopebody (no tech inside) that can be moved in different directions to zoom into a model of that "radiohalo". The room, where the telescope will be placed, is prepaired with some small radiotransmitters (selfmade) to symbolize where some particularly broadcasts are “waving” in outer space. Inside that telescopebody will be some, i think maybe three, radioreceivers to get in contact with the transmitters and by moving that telescopebody the recipient can adjust the programm that sounds in the body of the telescope. (sorry for my bad english)

==[[Kyd Campbell]]: [[GMU:in the direction of the frontier|in the direction of the frontier]]==
[[Image:Snapshot_2009-11-19_00-31-29.jpg|right|thumb|250px|video maquette (pretend the cow is a pony)]]
keywords: space, frontier, dreams, dispersion, forward, ahead, distance, pathway, vibration, waves, western, cowboy, horse, self, psychedelia, utopia, horizon, beyond

Moving forwards towards towards a frontier.

The goal of this project is to produce a machine for self video recording and capturing alternate states of movement.

The image will include a subject moving into the distance. In the image, a large rope, visibly attached to the camera point will lead towards the subject, as it is pulling the camera, filming itself.

I constructed a specialized camera mount for holding and stabilising the camera on a rope. The subject is instructed to pull on the rope. Currently, the rope is tied to a fixed point.

[[GMU:in the direction of the frontier|Read on...]]

==[[Fan Yu]]: [[GMU:Reisen duch Zeit und Raum|Reisen duch Zeit und Raum]]==
[[Image:YuFanSIP2009.jpg|right|thumb|250px|Idea: Zeittunnel - “Space is The Place”]]
''Sind Zeitreisen und Raumreisen möglich? oder nur ein Menschheitstraum ....''
''Ich hoffe, dass Sie mit meine Arbeit irgendwohin gehen können.''

''"Ich schlafe in Praha , arbeite in Berlin, esse in Beijing, spiele in Paris.... Welt ist nicht so groß. Ich kann irgendwohin gehe, ob es auf dem Mond ist.” Es ist ein Traum von mir... Aber es kann sein...''''

''Haben Dinosaurier Haar? Warum ist die Maya-Kultur verschwunden? Wer tötete John F. Kennedy? Was ist der öffentlichen verkehr? Möchten Sie die Lösung finden? Fakten sind direkt vor Ihren Augen...” So vielen Fragen stehen in meinem Kopf… vielecht stehen die Lösung schon langer Zeit im Internet. Nach ein Sekunde Lang sind die Fakten direkt vor Augen... “''

[[GMU:Reisen duch Zeit und Raum|Project description]]
 

==[[Jamie Ferguson]]: [[GMU:Vanessa_Cardui in Space|Vanessa_Cardui in Space]]==
[[Image:Iso_ftpc.jpg|right|thumb|250px|isometric view]]
This project began following the 'Butterflies In Space' project sponsored by the National Space Biomedical Research Institute. Vanessa Cardui larvae that hatched six days earlier flew aboard Space Shuttle Atlantis to the International Space Station. Children from American elementary schools were encouraged to take part by creating their own butterfly habitats in the class room, to watch the butterflies live and grow and die over the course of 25 days; the greatest variable being gravity. The second was possibly the 'payload', the artificial habitat taken aboard to house the larvae. The difference not so much in its content but with the container itself. A 'flight certified scientific insert' was developed at BioServe Space Technologies at the University of Colorado. "Our…competency is enabling the conduct of space life sciences research in a highly regulated environment in such a way as to make the complicated process completely transparent to the investigator." This appeared a very different object from the terrariums and disposable plastic food containers the school children were promoted to use, but their aims were comparable.

[[GMU:Vanessa_Cardui in Space|Project description]]
 

==[[André Wünscher]], [[Anica Huck]], [[Hannes Wagner]], [[Michael Schlund]], [[Michaela Honauer]], [[Thomas Fritzsche]]: [[GMU:Voyageo|Voyageo]]==
[[Image:Voyageo.jpg|right|thumb|250px|satellite images on skin]]

VOYAGEO consists of projections of satellite pictures onto the human body. These pictures are not about act photography, but about the recognition of earth and the human body. Mankind has a high selfconfidence about itself and its reign on earth but still is not really selfaware. We are trying to produce thus selfconsciousness by showing not the beauty showed in today's media. We want to have a look on the everyday reality of body and earth.

[[GMU:Voyageo|Full documentation]]
 

==[[Henrike Schneider]]: '''Waste Circulation''' (Erfurt-Schwerborn) - ''Where is it all ending?''==
[[Image:Schafe.jpg|right|thumb|250px|Schafe]]
Since the evolution of mankind humans have struggled to grasp the idea of infinity. Leading academics including philosophers, mathematicians, scientists and artists continue to make efforts in a bid to better comprehend infinity as a concept. A particular emphasis has been directed towards debates focusing on explanations regarding the universe and its expansion.

Infinity is the topic of art works and theoretical essays. During the Romantic – Caspar David Friedrich tried to visualize the feeling of infinity in his drawings. Superiority.

The moebius strip is a visual explanation of infinity and today used as a symbol in our daily life. The moebius strip presents a circuit and also the idea of repetition, with no beginning and no end.

As evident in the picture, including planet Earth, numerous circuits exists exist within our Solar System. The Earth is rotating around the Sun, the Moon around the Earth. A sunset and a sunrise represents the start and end of a 24 hour day. We have 365 days a year, 12 months and four seasons. Those cycles are always present. Additionally such order takes various other forms. Blood, water, economic and recycling circulation is also presented through a moebius strip.

Waste remains an unsolved problem. Circulation is possible, but also goes along with environmental problems. In my work - I am focusing on the the current problem of disposal sites in Germany and its use. Focusing on the topic 'Space is the place', I endeavor to direct much attention towards the Erfurt-Schwerborn disposal site. Since 2005 significant have occurred. Furthermore several other disposal sites in Germany have been shut down due environmental related issues. No longer can one find unhandled rubbish on the landfills.

Circa 6ha of 18ha of the disposal site are renatured by now. Animals and vegetation are creating a natural environment out of a former „dead“ place. In the future there will be a natural park in conjunction with a new recycling center. As this indicates, the area Erfurt-Schwerborn is transforming dramatically.

I aim to both conceptualize and visualize the idea of circulation; the before and after - the idea of infinity. In order to do so I will use the stylistic devices of Caspar David Friedrich and the still changing area of Erfurt-Schwerborn. The protagonist of my work will be a garbage man who plays an important role regarding waste circulation, serving to be the connecting link between the old and the new.

Next to the picture I will put interview pieces. Questions, which are dealing with the problems of waste and its circulation.

==[[Martin Ketelhut]]/[[Sylvia Rohr]]: [[GMU:Alieno|Alieno - Artificial space pictures made by pure photography and montage]]==
[[Image:Sonne_space_is_the_place_ALIENO_MKetelhut_SRohr.jpg‎|right|thumb|250px|Sun]]
The plan was to produce artificial space pictures that are made by pure photography and montage. Different materials, objects, gases and liquid mixtures - directly shot or shot through a microscope with short and long exposure time - built the basis and got later arranged to those space pics.

During the work hundrets of hubble pics and images in books
(e.g. Mackowiak, Bernhard. Planeten, Sterne, Universum. Naumann & Göebel Verlagsgesellschaft mbH, Köln) inspired us. It is impressive how totally different the look of those images can be (real-looking, like drawn, false colored etc.)

*[[GMU:Alieno|Project Documentation]]
 

==[[Bianka Langnickel]]: Bookproject: “space is my place” – aren‘t we all aliens?==
[[Image:Beispiel.jpg|right|thumb|250px|Untertitel]]
for me space is in general is a very undefined place. as i think it encourage everybody to use their whole imagination and creativity i will use this unknown area to create my own place, figures and spacy environments. i am going to make an illustrated book for children which consists of these imaginary protagonists and will lead them to an abstract way of creating their own playground.
the book will give them the opportunity to reconstruct the creatures by themselfs and learn how to create their own „aliens“.
when the child is interacting with the object playing a part in the story its more easy for them to get a connection between the actual sense of making up something in addition to the creative process. they can use the „aliens“ they build before to make up further stories and play them within their family. so in the end their will be a book which provides a inter-social way of reading, listening, building and a wide range of playing effects on little children as much as on adults. it is „talking“ to different senses and invites everybody to join who loves to see the world and especially the space more open minded and in a creatively way of thinking about „outhere“.

#Stage
#* making experiments with the materials related to space and the figures to construct out of this material
#* finding an ideal story
#Stage
#* creating all of the figures
#* build sets where the figures act in
#Stage
#* testing photographie equipment and lighting, composition etc.
#* final photographie work - taking pictures of the actual sets
#Stage
#* postproduction _ retusche - like making the pictures more detailed, contrasted and fix some shadow areas etc.
#Stage
#* illustrate the be-creative part
#Stage
#* search for a publisher

calculated time for all parts: 1 year

==[[Stefan Bernhardt]] and [[Christoph Schreiber]]: [[GMU:Captain Rock'it and the Sound of Stars|Captain Rock'it and the Sound of Stars]]==
[[Image:Rockit-Logo.jpg|right|thumb|250px|The Logo]]
Imagine the universe's infinite emptiness, a place where absolute silence rules. We want to fill this space symbolical and to give the innumerably stars a special sound.
In interaction between the user with the stars and the stars among themselves, there will be different sounds create. They will picture a musically portrait of the universe.
* [[GMU:Captain Rock'it and the Sound of Stars|Project Documentation]]
 

==[[Katarina Sengstaken]], [[Timea Tofalvi]], [[Yuxiang Wen]], and [[Shuo Liu]]: [[GMU:Spaceprojects/afcp|A Faraway Cold Palace (广寒宫)]]==
[[Image:Poster.jpg|right|thumb|250px|Official Exhibit Poster]]
The moon has come into focus again in the great Space race. It has been forty years since Neil Armstrong landed on the moon, now after the recent discovery of water on the moon a new interest has been sparked about finally heading back. In this new moon race has new contenders, the US and Russia are no longer in the lead. By 2015 it might be a Chinese man to be the next to step foot on the moon.

We conceptualize our project around dissolving the western ideals and myths about the moon and working with Chinese mythology and symbolism as our focus. Our concept of the moon stems from the three Chinese moon myths the story of [http://en.wikipedia.org/wiki/Chang%27e/ Chang'e] 嫦娥, [http://en.wikipedia.org/wiki/Wu_Gang/ Wu Gang]吴刚 , and the [http://en.wikipedia.org/wiki/Moon_rabbit/ Jade Rabbit] 玉兔. These three myths revolve around a mystical laurel tree that grows on the moon.

[[GMU:Spaceprojects/afcp|Read full Project description...]]
 

==[[Jan Frederik Vogt]]: [[GMU:Our stars|OUR STARS]]==
[[Image:Sternebsp.jpg‎|right|thumb|250px|Sterne]]
We took the stars from the sky. They are used by us. You can find them in logos, distinctions, decorations, jewellery, names, pictures and many other uses. Have a look at our own starry sky.

[[GMU:Our_stars|Find out more]] about the project.

 

==[[Luo Yu]]: [[GMU:Virtual Solar System|Virtual Solar System (3D Online-Platform)]]==
[[Image:luoyubild1.jpg|right|thumb|250px|Virtual Solar System]]

Virtual Solar System is an innovative 3D online platform. Through this you will not only learn the structure and context of the solar system, but also a fantastic space that can be experienced through simple interactive
body movements. When the user visited this platform, the hand movements of user will recorded by the camera as commands. Once the system has found a projector connection, this platform is switched into the "astronaut mode", in this mode you can move in front of the screen free by own hands and feet in order to feel the spectacular of the spacewalk. Each user can even set up their own celestial bodies and share online.

[[GMU:Virtual Solar System|Project documentation]]
 

[[Category:Projektliste]]
[[Category:Dokumentation]]
[[Category:Max Neupert]]
[[Category:WS09]]