https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Lsylet 2026-05-20T21:09:34Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142386 2026-05-04T20:57:10Z

<p>Lsylet: /* 2026-05-05: Contextualising Presentation */</p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==<br /> ...</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142385 2026-05-04T20:56:08Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==<br /> ...</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142384 2026-05-04T20:55:59Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142383 2026-05-04T20:55:49Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142382 2026-05-04T20:55:40Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142381 2026-05-04T20:55:25Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee|left]]<br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142380 2026-05-04T20:55:11Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-21: Portfolio + Short Introduction ==<br /> [[File:Portfolio Short Introduction Seoyeon Lee.pdf|thumb|Portfolio Short Introduction Seoyeon Lee]]<br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Portfolio_Short_Introduction_Seoyeon_Lee.pdf&diff=142379 2026-05-04T20:55:01Z

<p>Lsylet: </p> <hr /> <div>Portfolio Short Introduction Seoyeon Lee</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142378 2026-05-04T20:51:32Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> <br /> == 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142377 2026-05-04T20:51:15Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-26: Mid term Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142376 2026-05-04T20:50:27Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-19: Contextualising Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142375 2026-05-04T20:50:09Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> 2026-05-05: Contextualising Presentation[[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> == 2026-05-19: Contextualising Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142374 2026-05-04T20:49:54Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee|left]]<br /> <br /> == 2026-05-19: Contextualising Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142373 2026-05-04T20:49:14Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==<br /> [[File:Contextualising Prensentation SeoyeonLee.pdf|thumb|Contextualising Prensentation SeoyeonLee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Contextualising_Prensentation_SeoyeonLee.pdf&diff=142372 2026-05-04T20:49:03Z

<p>Lsylet: </p> <hr /> <div>Contextualising Prensentation SeoyeonLee</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142371 2026-05-04T20:47:49Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28: Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == 2026-05-05: Contextualising Presentation ==</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142370 2026-05-04T20:46:57Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28 : Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee|left]]<br /> <br /> <br /> <br /> <br /> <br /> ssdasds</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142369 2026-05-04T20:46:19Z

<p>Lsylet: /* 2026-04-28 : Definitive Presentation */</p> <hr /> <div>== 2026-04-28 : Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee]]ssdasds</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142368 2026-05-04T20:45:55Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28 : Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Leekkkjlkj|alt=02. Definitive Presentaiton Seoyeon Lee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns&diff=142365 2026-05-04T10:10:47Z

<p>Lsylet: /* Syllabus */</p> <hr /> <div>[[File:ComfyUI 00250 .png|1100x1100px]]<br /> <br /> =Patterns. Acting in complex environments=<br /> Prof. Ursula Damm, Mindaugas Gapševičius<br /> <br /> A pattern describes a regularity in the world that repeats over time or across space, enabling recognition, prediction, and the emergence of order. Patterns in data corpora gained with sensors can only be observed through processes of analysis. However, patterns are not just something that we can recognise or derive from data. Addressing patterns of behavior can be a way of bringing things together, enabling understanding between human, non-human and non-machinic actors.<br /> <br /> The use of patterns can bridge the gap between different actors by referring to a known framework through which interaction may happen. By addressing mutually recognisable behaviors, patterns enable forms of understanding, even in matters that are yet unknown.<br /> <br /> Gregory Bateson uses the term “pattern which connects” to refer to the interconnectedness and underlying structures that exist within complex systems, whether in nature, society, or mind. He describes these patterns as blueprints that enable exchange, comprehension, and continuity.<br /> <br /> One way to understand how patterns can be incorporated into our artistic practice is through the example of dance. When two people dance together, their interaction is shaped by the dances they know, have learned, and how they danced before. Dancing always exceeds what has already been learned before. One might try to understand the other's movements in the context of 'dancing' as an inherited habit. While &quot;reading&quot; the other, one draws on knowledge that has established itself as a mode of social custom. For interacting, it is important to respond directly to the behavior of the other, even when it means departing from the known patterns of dancing. By recognizing the pattern one can even modify it.<br /> <br /> The project module welcomes participants to work on self-defined projects. The projects can correspond to their own areas of focus and can move freely within the context of the subject “Patterns.” The module offers literature and a thematic framework to sharpen and intensify the respective artistic practice. Students are expected to be able and willing to work in a self-organized manner and to actively engage in the discourses of the module.<br /> <br /> Prerequisites include prior enrollment in a specialized module with the co-workers of GMU or the Interface Design Professorship. An accompanying course of the modules of the professorship is recommended.<br /> <br /> To get your credits at the end of the module, you need to deliver an artwork, the media are your choice. <br /> <br /> During the first sessions, you are asked to deliver <br /> <br /> * a text describing your project (5-10 sentences) (example)<br /> * a picture related to the possible outcome<br /> * a diagram, showing what kind of impressions/data/inputs you will use, how they will be transformed and what should be the outcome. Exampes of artists working with diagrams: [https://www.gansterer.org/ Nicolaus Gansterer,] [https://www.pierogi2000.com/artists/ward-shelley/ Ward Shelly], [https://adelheidmers.org/ Adelheid Mers] <br /> You will be asekd to contextualize your project or to define a context in which your work should resonate. About this context you should make a presentation from about 20-30 minutes during the semester. '''Please let us know on what you will do this small lecture and when it should happen.''' <br /> <br /> ==Syllabus==<br /> *14.04 [[/Introduction of topic]], presentation of students, presentation of the semester plan, Patterns I<br /> *20.04 [[/Democratisation of Art]] / Vortrag<br /> *21.04 Presentation of portfolios of students, short introduction of idea/project for the module<br /> *27.04 [[/Non-human performances]] / Vortrag<br /> *28.04 Definitive Presentation of the students projects <br /> *04.05 [[/Change of perspectives]] / Vortrag<br /> *05.05 Contextualising presentations of the students (Seoyeon, ...)<br /> *11.05 Patterns IV / Vortrag<br /> *12.05 Contextualising presentations of the students (Daria, ...)<br /> *18.05 Vortrag Michael Fischer<br /> *19.05 <br /> *25.05 Whit Monday / Pfingstmontag<br /> *26.05 Mid term presentations of the students<br /> *01.06<br /> *02.06 Mid term presentations of the students<br /> *08.06<br /> *09.06<br /> *15.06<br /> *16.06<br /> *22.06 Vortrag Kathrin Meyer<br /> *23.06 Michael Rudolph &amp; Ursula Damm - Dusseldof Projekt<br /> *29.06<br /> *30.06<br /> *06.07 preparation Summaery Exhibition/Presentation<br /> *07.07 preparation Summaery Exhibition/Presentation<br /> <br /> ==Students==<br /> <br /> * [[/Salma Ali]]<br /> * [[/Lilas Almalla]]<br /> * [[/Melisa Aslan]]<br /> * [[/Tim Auzinger]]<br /> * [[/Özge Börekci]]<br /> * [[/Lidya Colak]]<br /> * [[/Öykü Didinir]]<br /> * [[/Aysenur Eryilmaz]]<br /> * [[/Xenia Günther]]<br /> * [[/Bilge Isguzar]]<br /> * [[/Serap Kacmaz]]<br /> * [[/Marleen Kölmel]]<br /> * [[/Yevheniia Kravchuk]]<br /> * [[/Julian Kreller]]<br /> * [[/Moritz Lang]]<br /> * [[/Seoyeon Lee]]<br /> * [[/Daria Lukianchuk]]<br /> * [[/Lisa-Maria Möller]]<br /> * [[/Maria Smirnova]]<br /> * [[User:Hannah Uhlmann|/Hannah Uhlmann]]<br /> * [[/Berkin Yesil]]<br /> <br /> ==Possible Topics for Presentations: ==<br /> <br /> * William Whythe<br /> * [https://magazin.tu-braunschweig.de/en/m-post/picture-of-the-month-chladni-figures/ Chladi Figures] <br /> * Do Ho Suh<br /> * [https://www.haineshinterding.net/ Haines Hinterdinger]<br /> * [https://www.walidraad.com/ Walid Raad]<br /> * [https://tranxxenolab.net/people/adriana_knouf/ Adriana Knouf]<br /> * [https://www.martharosler.net/ Martha Rosler]<br /> <br /> ==Inserts==<br /> *Kathi Glas: Chicks on Speed<br /> *Michael Fischer: Lecture and Workshop on Tarot as an epistemic system<br /> <br /> ==Materials==<br /> * Gregory Bateson, Steps to an Ecology of Mind, p. 470<br /> * Andrew Pickering, “The Cybernetic Brain – Sketches of another future”, The University of Chicago Press. 2011, p. 19 f<br /> * Sacha Kagan, Art and Sustainability. Connecting Patterns for a Culture of Complexity. Transcript 2011. [[File:Sacha Kagan on Bateson.pdf|thumb]]<br /> *Cornelia Sollfrank and Felix Stalder: Contemporaneity in Embodied Data Practices https://researchportal.lsbu.ac.uk/ws/portalfiles/portal/13860170/TCC_20_Sollfrank_and_Stalder_15_converted.pdf<br /> *Ursula Damm: Non-Machines Meet Art [[File:Non-Machines Meet Art-m.pdf]]<br /> *Team Scott Gilbert: As it was in the beginning, is now, and ever shall be in Microhabitable, edited by Fernando Garcia Dory and Lucia Pietroiusti [[File:Scott Gilbert.pdf]]<br /> *Andrew Pickering: Mangle of Practice [[File:10-AP-mangle of practice.pdf]]<br /> *Art and Sustainability: Connecting Patterns for a Culture of Complexity. “From Batesons’s Sensibility to the pattern which connects, to a sensibility to patterns that connect” page 225 ff<br /> *[[Cities and Complexity|Michael Batty: Cities and Complexity]] &lt;nowiki&gt;ISBN 9780262524797&lt;/nowiki&gt;<br /> *Yvonne Volkart: Plant Intelligence - Towards a Vegetal Aesthetics https://insert.art/ausgaben/plant-intelligence/editorial/<br /> *Ursula Damm Michaela Ott: Individual Interweavements https://insert.art/ausgaben/plant-intelligence/dividual-interweavements/<br /> *[https://archive.org/details/cityshapedurbanp0000kost/mode/2up Spiro Kostof: The city shaped] <br /> *William Whythe: Social Life of Small urban Spaces https://www.youtube.com/watch?v=5QkJkT3M-Us<br /> *Lizan Freijsen: The Living Surface ISBN 978-9490322779<br /> <br /> ==Artists List==<br /> *Lygia Clark https://portal.lygiaclark.org.br/en/archive<br /> *Artist Talk by Nathalie Jeremijenko https://www.youtube.com/watch?v=UT_ZjbaRw30<br /> *Dawn Corous https://www.youtube.com/watch?v=zF1uihdcZmY<br /> *Tuur van Balen Revital Cohen https://www.cohenvanbalen.com/<br /> *Martha de Menezes https://martademenezes.com/<br /> *David Bowen https://www.dwbowen.com/<br /> *William H White: Social Life of Small Urban Spaces https://www.youtube.com/watch?v=5QkJkT3M-Us<br /> *Granular Synthesis Artists https://granularsynthesis.info/Artists-1<br /> *Ryu Furusawa https://ryufurusawa.com/<br /> *Auger-Loizeau https://vimeo.com/user1914604<br /> *Thomas Thwaites https://www.thomasthwaites.com/<br /> *Hyunkoo Lee https://hyungkoolee.kr<br /> *Alan Wexler http://www.allanwexlerstudio.com/<br /> *Lozano Hemmer https://www.lozano-hemmer.com/<br /> *Disnovation https://disnovation.org/<br /> Ursula Damm's works on patterns: <br /> <br /> * [https://ursuladamm.de/spiegeln-drehen-1993 Spiegeln &amp; Drehen] <br /> * [https://ursuladamm.de/trace-pattern-ii-1998 Trace Pattern]<br /> * [https://vimeo.com/5040654 Doves] <br /> * [https://ursuladamm.de/memory-of-space-2002 Memory of Space]<br /> * [https://ursuladamm.de/zeitraum-2005 Timescape]<br /> * [https://ursuladamm.de/598 598]<br /> * [https://ursuladamm.de/transits-2012 Transits]<br /> * [https://ursuladamm.de/u-bahnhof-schadowstrasse Turnstile - Metro Station Schadowstraße]<br /> * [https://ursuladamm.de/membrane-2019 Membrane]<br /> * [https://ursuladamm.de/kontinuum-2020 Kontinuum]<br /> * [https://ursuladamm.de/lichen Lichen Intelligence]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns&diff=142364 2026-05-04T10:05:13Z

<p>Lsylet: /* Syllabus */</p> <hr /> <div>[[File:ComfyUI 00250 .png|1100x1100px]]<br /> <br /> =Patterns. Acting in complex environments=<br /> Prof. Ursula Damm, Mindaugas Gapševičius<br /> <br /> A pattern describes a regularity in the world that repeats over time or across space, enabling recognition, prediction, and the emergence of order. Patterns in data corpora gained with sensors can only be observed through processes of analysis. However, patterns are not just something that we can recognise or derive from data. Addressing patterns of behavior can be a way of bringing things together, enabling understanding between human, non-human and non-machinic actors.<br /> <br /> The use of patterns can bridge the gap between different actors by referring to a known framework through which interaction may happen. By addressing mutually recognisable behaviors, patterns enable forms of understanding, even in matters that are yet unknown.<br /> <br /> Gregory Bateson uses the term “pattern which connects” to refer to the interconnectedness and underlying structures that exist within complex systems, whether in nature, society, or mind. He describes these patterns as blueprints that enable exchange, comprehension, and continuity.<br /> <br /> One way to understand how patterns can be incorporated into our artistic practice is through the example of dance. When two people dance together, their interaction is shaped by the dances they know, have learned, and how they danced before. Dancing always exceeds what has already been learned before. One might try to understand the other's movements in the context of 'dancing' as an inherited habit. While &quot;reading&quot; the other, one draws on knowledge that has established itself as a mode of social custom. For interacting, it is important to respond directly to the behavior of the other, even when it means departing from the known patterns of dancing. By recognizing the pattern one can even modify it.<br /> <br /> The project module welcomes participants to work on self-defined projects. The projects can correspond to their own areas of focus and can move freely within the context of the subject “Patterns.” The module offers literature and a thematic framework to sharpen and intensify the respective artistic practice. Students are expected to be able and willing to work in a self-organized manner and to actively engage in the discourses of the module.<br /> <br /> Prerequisites include prior enrollment in a specialized module with the co-workers of GMU or the Interface Design Professorship. An accompanying course of the modules of the professorship is recommended.<br /> <br /> To get your credits at the end of the module, you need to deliver an artwork, the media are your choice. <br /> <br /> During the first sessions, you are asked to deliver <br /> <br /> * a text describing your project (5-10 sentences) (example)<br /> * a picture related to the possible outcome<br /> * a diagram, showing what kind of impressions/data/inputs you will use, how they will be transformed and what should be the outcome. Exampes of artists working with diagrams: [https://www.gansterer.org/ Nicolaus Gansterer,] [https://www.pierogi2000.com/artists/ward-shelley/ Ward Shelly], [https://adelheidmers.org/ Adelheid Mers] <br /> You will be asekd to contextualize your project or to define a context in which your work should resonate. About this context you should make a presentation from about 20-30 minutes during the semester. '''Please let us know on what you will do this small lecture and when it should happen.''' <br /> <br /> ==Syllabus==<br /> *14.04 [[/Introduction of topic]], presentation of students, presentation of the semester plan, Patterns I<br /> *20.04 [[/Democratisation of Art]] / Vortrag<br /> *21.04 Presentation of portfolios of students, short introduction of idea/project for the module<br /> *27.04 [[/Non-human performances]] / Vortrag<br /> *28.04 Definitive Presentation of the students projects <br /> *04.05 [[/Change of perspectives]] / Vortrag<br /> *05.05 Contextualising presentations of the students<br /> *11.05 Patterns IV / Vortrag<br /> *12.05 Contextualising presentations of the students (Daria, Seoyeon...)<br /> *18.05 Vortrag Michael Fischer<br /> *19.05 <br /> *25.05 Whit Monday / Pfingstmontag<br /> *26.05 Mid term presentations of the students<br /> *01.06<br /> *02.06 Mid term presentations of the students<br /> *08.06<br /> *09.06<br /> *15.06<br /> *16.06<br /> *22.06 Vortrag Kathrin Meyer<br /> *23.06 Michael Rudolph &amp; Ursula Damm - Dusseldof Projekt<br /> *29.06<br /> *30.06<br /> *06.07 preparation Summaery Exhibition/Presentation<br /> *07.07 preparation Summaery Exhibition/Presentation<br /> <br /> ==Students==<br /> <br /> * [[/Salma Ali]]<br /> * [[/Lilas Almalla]]<br /> * [[/Melisa Aslan]]<br /> * [[/Tim Auzinger]]<br /> * [[/Özge Börekci]]<br /> * [[/Lidya Colak]]<br /> * [[/Öykü Didinir]]<br /> * [[/Aysenur Eryilmaz]]<br /> * [[/Xenia Günther]]<br /> * [[/Bilge Isguzar]]<br /> * [[/Serap Kacmaz]]<br /> * [[/Marleen Kölmel]]<br /> * [[/Yevheniia Kravchuk]]<br /> * [[/Julian Kreller]]<br /> * [[/Moritz Lang]]<br /> * [[/Seoyeon Lee]]<br /> * [[/Daria Lukianchuk]]<br /> * [[/Lisa-Maria Möller]]<br /> * [[/Maria Smirnova]]<br /> * [[User:Hannah Uhlmann|/Hannah Uhlmann]]<br /> * [[/Berkin Yesil]]<br /> <br /> ==Possible Topics for Presentations: ==<br /> <br /> * William Whythe<br /> * [https://magazin.tu-braunschweig.de/en/m-post/picture-of-the-month-chladni-figures/ Chladi Figures] <br /> * Do Ho Suh<br /> * [https://www.haineshinterding.net/ Haines Hinterdinger]<br /> * [https://www.walidraad.com/ Walid Raad]<br /> * [https://tranxxenolab.net/people/adriana_knouf/ Adriana Knouf]<br /> * [https://www.martharosler.net/ Martha Rosler]<br /> <br /> ==Inserts==<br /> *Kathi Glas: Chicks on Speed<br /> *Michael Fischer: Lecture and Workshop on Tarot as an epistemic system<br /> <br /> ==Materials==<br /> * Gregory Bateson, Steps to an Ecology of Mind, p. 470<br /> * Andrew Pickering, “The Cybernetic Brain – Sketches of another future”, The University of Chicago Press. 2011, p. 19 f<br /> * Sacha Kagan, Art and Sustainability. Connecting Patterns for a Culture of Complexity. Transcript 2011. [[File:Sacha Kagan on Bateson.pdf|thumb]]<br /> *Cornelia Sollfrank and Felix Stalder: Contemporaneity in Embodied Data Practices https://researchportal.lsbu.ac.uk/ws/portalfiles/portal/13860170/TCC_20_Sollfrank_and_Stalder_15_converted.pdf<br /> *Ursula Damm: Non-Machines Meet Art [[File:Non-Machines Meet Art-m.pdf]]<br /> *Team Scott Gilbert: As it was in the beginning, is now, and ever shall be in Microhabitable, edited by Fernando Garcia Dory and Lucia Pietroiusti [[File:Scott Gilbert.pdf]]<br /> *Andrew Pickering: Mangle of Practice [[File:10-AP-mangle of practice.pdf]]<br /> *Art and Sustainability: Connecting Patterns for a Culture of Complexity. “From Batesons’s Sensibility to the pattern which connects, to a sensibility to patterns that connect” page 225 ff<br /> *[[Cities and Complexity|Michael Batty: Cities and Complexity]] &lt;nowiki&gt;ISBN 9780262524797&lt;/nowiki&gt;<br /> *Yvonne Volkart: Plant Intelligence - Towards a Vegetal Aesthetics https://insert.art/ausgaben/plant-intelligence/editorial/<br /> *Ursula Damm Michaela Ott: Individual Interweavements https://insert.art/ausgaben/plant-intelligence/dividual-interweavements/<br /> *[https://archive.org/details/cityshapedurbanp0000kost/mode/2up Spiro Kostof: The city shaped] <br /> *William Whythe: Social Life of Small urban Spaces https://www.youtube.com/watch?v=5QkJkT3M-Us<br /> *Lizan Freijsen: The Living Surface ISBN 978-9490322779<br /> <br /> ==Artists List==<br /> *Lygia Clark https://portal.lygiaclark.org.br/en/archive<br /> *Artist Talk by Nathalie Jeremijenko https://www.youtube.com/watch?v=UT_ZjbaRw30<br /> *Dawn Corous https://www.youtube.com/watch?v=zF1uihdcZmY<br /> *Tuur van Balen Revital Cohen https://www.cohenvanbalen.com/<br /> *Martha de Menezes https://martademenezes.com/<br /> *David Bowen https://www.dwbowen.com/<br /> *William H White: Social Life of Small Urban Spaces https://www.youtube.com/watch?v=5QkJkT3M-Us<br /> *Granular Synthesis Artists https://granularsynthesis.info/Artists-1<br /> *Ryu Furusawa https://ryufurusawa.com/<br /> *Auger-Loizeau https://vimeo.com/user1914604<br /> *Thomas Thwaites https://www.thomasthwaites.com/<br /> *Hyunkoo Lee https://hyungkoolee.kr<br /> *Alan Wexler http://www.allanwexlerstudio.com/<br /> *Lozano Hemmer https://www.lozano-hemmer.com/<br /> *Disnovation https://disnovation.org/<br /> Ursula Damm's works on patterns: <br /> <br /> * [https://ursuladamm.de/spiegeln-drehen-1993 Spiegeln &amp; Drehen] <br /> * [https://ursuladamm.de/trace-pattern-ii-1998 Trace Pattern]<br /> * [https://vimeo.com/5040654 Doves] <br /> * [https://ursuladamm.de/memory-of-space-2002 Memory of Space]<br /> * [https://ursuladamm.de/zeitraum-2005 Timescape]<br /> * [https://ursuladamm.de/598 598]<br /> * [https://ursuladamm.de/transits-2012 Transits]<br /> * [https://ursuladamm.de/u-bahnhof-schadowstrasse Turnstile - Metro Station Schadowstraße]<br /> * [https://ursuladamm.de/membrane-2019 Membrane]<br /> * [https://ursuladamm.de/kontinuum-2020 Kontinuum]<br /> * [https://ursuladamm.de/lichen Lichen Intelligence]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142299 2026-04-28T07:14:39Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28 : Definitive Presentation ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142298 2026-04-28T07:14:21Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28 ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee|alt=02. Definitive Presentaiton Seoyeon Lee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142297 2026-04-28T07:11:56Z

<p>Lsylet: </p> <hr /> <div>== 2026-04-28 ==<br /> [[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Patterns/Seoyeon_Lee&diff=142296 2026-04-28T07:11:27Z

<p>Lsylet: </p> <hr /> <div>[[File:Definitive Presentaiton Seoyeon Lee.pdf|thumb|02. Definitive Presentaiton Seoyeon Lee]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Definitive_Presentaiton_Seoyeon_Lee.pdf&diff=142295 2026-04-28T07:11:09Z

<p>Lsylet: </p> <hr /> <div>02. Definitive Presentaiton Seoyeon Lee</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142263 2026-04-23T20:37:58Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> === Timeline ===<br /> 01. Midterm Presentation on Nov 24, 2025<br /> <br /> 02. Final Presentation on Jan 06, 2026<br /> <br /> 03. Literature Review on Jan 26, 2026<br /> <br /> 04. Documentation on Apr 23, 2026<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> Simulation Video: <br /> [[File:Simulation Video.mov|thumb|Simulation Video|center]]<br /> <br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142262 2026-04-23T20:37:30Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> <br /> <br /> 01. Midterm Presentation on Nov 24, 2025<br /> <br /> 02. Final Presentation on Jan 06, 2026<br /> <br /> 03. Literature Review on Jan 26, 2026<br /> <br /> 04. Documentation on Apr 23, 2026<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> Simulation Video: <br /> [[File:Simulation Video.mov|thumb|Simulation Video|center]]<br /> <br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142261 2026-04-23T20:37:19Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]01. Midterm Presentation on Nov 24, 2025<br /> <br /> 02. Final Presentation on Jan 06, 2026<br /> <br /> 03. Literature Review on Jan 26, 2026<br /> <br /> 04. Documentation on Apr 23, 2026<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> Simulation Video: <br /> [[File:Simulation Video.mov|thumb|Simulation Video|center]]<br /> <br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142260 2026-04-23T20:19:34Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> Simulation Video: <br /> [[File:Simulation Video.mov|thumb|Simulation Video|center]]<br /> <br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142259 2026-04-23T20:19:02Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> Simulation Video: <br /> [[File:Simulation Video.mov|thumb|Simulation Video]]<br /> <br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Simulation_Video.mov&diff=142258 2026-04-23T20:18:51Z

<p>Lsylet: </p> <hr /> <div>Simulation Video</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142257 2026-04-23T20:09:28Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === Motivation ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === Experiment ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> === Outcome ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142256 2026-04-23T20:08:42Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> === OUTCOME ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> Until now, I have understood the essence of these small stones through their external appearance. I regarded elements such as the number of points they have, their width and height, and their surface area as their defining characteristics. However, in order to approach another layer of essence—not their appearance, but what constitutes them—I commissioned a scan that analyzes the individual components within the concrete.<br /> <br /> As a result, I obtained data in which elements such as Aluminum, Calcium, Copper, Iron, Silicon, Zinc, Phosphorus, Sulfur, and Titanium are visualized through color, indicating their relative presence within the concrete. The image above presents a composition of selected element maps, including Calcium (CaK), Silicon (SiK), Zinc (ZnK), Aluminum (AlK), along with a Total Count (TCnt) image that combines the signals of all detected elements.<br /> <br /> Through this, it became possible to identify the material composition within the concrete. Furthermore, these concentration-based datasets suggest the potential for further development into another form of data-driven artistic visualization.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142255 2026-04-23T19:57:03Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> === OUTCOME ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> === Further Development ===<br /> sda</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142254 2026-04-23T19:56:14Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> === OUTCOME ===<br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.<br /> <br /> [[File:Elemental Layers of Concrete.jpg|center|thumb|1208x1208px|Elemental Layers of Concrete]]<br /> <br /> <br /> fgh</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Elemental_Layers_of_Concrete.jpg&diff=142253 2026-04-23T19:55:09Z

<p>Lsylet: </p> <hr /> <div>Elemental Layers of Concrete</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142252 2026-04-23T19:40:30Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, recorded their positions within the concrete, and noted their total points—the visible protrusions observed on each stone. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''. If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?[[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> Finally, I went through the process of transferring the data of these small stones into the digital world. I began by 3D scanning the concrete, importing its form, and reducing it to only its outline. I then placed the stones according to the positions recorded in the data sheet and applied their respective widths and heights. In addition, I translated the total points—referring to the visible protrusions observed on each stone—into the digital space by assigning the same number of points to each corresponding stone. Although I transferred nearly all of the measured data, one crucial question remained: how should the points of each stone be connected? This aspect remained unknown. I decided to explore this infinite range of possibilities through simulation. The continuously generated random stones reflect the original data of real stones, yet their forms are infinitely variable. Is it truly possible to fully translate the essence of a stone into the digital realm? This question remains open.</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142251 2026-04-23T19:13:34Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, and recorded their positions within the concrete. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''.<br /> <br /> If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?<br /> [[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> [[File:Simulation3.png|center|thumb|680x680px|Data-driven simulation]]<br /> <br /> <br /> dsf</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Simulation3.png&diff=142250 2026-04-23T19:13:11Z

<p>Lsylet: </p> <hr /> <div>Data-driven simulation</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142249 2026-04-23T19:10:12Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, and recorded their positions within the concrete. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''.<br /> <br /> If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?<br /> [[File:Simulation2.png|center|thumb|678x678px|Data-driven simulation]]<br /> <br /> <br /> dsf</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Simulation2.png&diff=142248 2026-04-23T19:09:41Z

<p>Lsylet: </p> <hr /> <div>Data-driven simulation</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142247 2026-04-23T19:08:27Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, and recorded their positions within the concrete. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''.<br /> <br /> If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?<br /> <br /> [[File:Simulation.png|thumb|Data-driven simulation|center|690x690px]]<br /> <br /> <br /> dsf</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142246 2026-04-23T19:07:47Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, and recorded their positions within the concrete. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''.<br /> <br /> If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?<br /> <br /> [[File:Simulation.png|thumb|Data-driven simulation]]<br /> <br /> <br /> dsf</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Simulation.png&diff=142245 2026-04-23T19:07:27Z

<p>Lsylet: </p> <hr /> <div>Data driven simulation</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142244 2026-04-23T18:56:53Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project '''''Small Stones In Concrete''''' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> <br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]<br /> <br /> <br /> Next, my way of engaging with these small stones was to create a data sheet. I measured their width and height, calculated their surface area, and recorded their positions within the concrete. Of course, since countless small stones existed within the concrete, I selected those that were relatively large, visually prominent, and easier to measure as representative samples for constructing this sheet. In the process of recording and representing this data, I referred to ''Circulating Reference: Sampling the Soil in the Amazon Forest by Bruno Latour''.<br /> <br /> If these small stones are the essence of concrete, then what would happen if their data were translated into digital form, recreating stones of the same size and in the same positions? Could such a digital mass of concrete also be considered a “real” entity that fully embodies the essence of actual concrete?</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142243 2026-04-23T18:44:20Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project ''Concrete'' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> [[File:Datasheet2.jpg|center|thumb|685x685px|Datasheet]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Datasheet2.jpg&diff=142242 2026-04-23T18:43:50Z

<p>Lsylet: </p> <hr /> <div>Datasheet</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Seoyeon_Lee&diff=142241 2026-04-23T18:41:57Z

<p>Lsylet: </p> <hr /> <div>[[File:01 Midterm Presentation SeoyeonLee.pdf|01. Midterm presentation on Nov 24, 2025|alt=|left|thumb]]<br /> <br /> [[File:02 final presentation SeoyeonLee.pdf|02. Final presentation on Jan 06, 2026|left|thumb]]<br /> <br /> [[File:03. Literature Review Seoyeon Lee.pdf|thumb|03. Literature Review on Jan 26, 2026|left]]<br /> <br /> == '''Small Stones In Concrete: A Data Research and Visualization Project''' ==<br /> [[File:Concrete image.png|center|thumb|Concrete|480x480px]]<br /> <br /> <br /> <br /> === MOTIVATION ===<br /> The project ''Concrete'' began with a simple moment: while collecting small stones in front of my house, I accidentally picked up a piece of concrete, mistaking it for a stone. When I realized that it was not a stone but concrete, I found myself thinking, “It really looks like a stone.” This led me to a series of questions: What makes a stone a stone? Why can this object not be considered a stone? Interestingly, the concrete itself contained many small, real stones. Despite holding so many stones within it, why can this mass not be a stone? As these questions accumulated in my mind, I began this project as an exploration of what fundamentally defines a stone.<br /> <br /> <br /> [[File:Microscope.jpg|center|thumb|703x703px|Microscopic view of concrete]]<br /> <br /> === EXPERIMENT ===<br /> To examine the essence of concrete, I visited a Bio Lab and observed concrete under a microscope. Inside, I found countless small stones, and around them, even traces of moss were growing, making it appear as if a small world existed within. Through this process, I became increasingly interested in these small stones. It led me to wonder whether these tiny elements might actually be what supports the concrete itself. In fact, concrete is made by mixing water, cement, and aggregates such as gravel and sand. These small stones, in particular, are essential for giving concrete its strength and durability, preventing it from easily breaking apart. Although they are too small to be clearly recognized without a microscope, the presence of these countless tiny stones ultimately makes the existence of concrete possible.<br /> <br /> [[File:Datasheet.jpg|center|thumb|676x676px|Datasheet]]</div>

Lsylet https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Datasheet.jpg&diff=142240 2026-04-23T18:41:25Z

<p>Lsylet: </p> <hr /> <div>Datasheet</div>

Lsylet