Medien Wiki - User contributions [en]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-08-29T19:53:54Z

LinaWolff:

= '''<big>''Further down the rabbit hole''</big>''' =

==== Group project by Alaina Nugnis & Lina Wolff ====
SoSe 2025
[[File:Linadocu.jpg|left|thumb|469x469px]]

This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

Multimedia Instellation

Video+Audio

Duration: 10 min

Beamer projection on wall

–––––––––––––––––––––––––––––––––––––––––––

_________________________________________________

Process Documentation

'''BACKROUND INFORMATION'''

This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

'''1- IDEA FINDING'''

[[File:Mindmap1.jpg|left|thumb|467x467px]]

We knew from the beginning that the focus would be to create something physical, to include all senses. I really wanted to use the glass which we found in Room 204. Not just to explore new materials, but because it visualizes the gender health gap perfectly. It is physically visible, see through so you know what to expect on the other side, even though you are not able to enter.

The first idea was to let an ultrasound device hallucinate. Closing the gap between reality and utopian imaginations on how a world without health gaps could look like and trying to fill these using AI generated images. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. We wanted to critically examine how both care systems and AI technologies are structured around existing assumptions.

After brainstorming the prototyping started.

====== Experiments with glass ======
[[File:Micro1.jpg|left|thumb|First try outs with printing on glass]]

After making some try outs with the glass it was clear to say that the material itself already transports a lot of information.

Along the way we started exploring the microscope in the class ''Micro- and macro worlds'', supervised by Alexander König and Alessandro Volpato. To understand how the glass functions we created collages out of multiple pictures taken with the microscope and printed them onto overhead foil and while the paint was still wet pressed it on to the glass which created abstract patterns.
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|352x352px|left|tryouts with the microscope on wild flowers]][[File:Bildschirmfoto_2025-05-20_um_14.58.50.png|alt=shots of a bee|frameless|350x350px]][[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-08-29T19:52:19Z

LinaWolff:

= '''<big>''Further down the rabbit hole''</big>''' =

==== Group project by Alaina Nugnis & Lina Wolff ====
SoSe 2025
[[File:Linadocu.jpg|left|thumb|469x469px]]

This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

Multimedia Instellation

Video+Audio

Duration: 10 min

Beamer projection on wall

––––––––––––––––––––––––––––––––––––––––––––

Process Documentation

'''BACKROUND INFORMATION'''

This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

'''1- IDEA FINDING'''

[[File:Mindmap1.jpg|left|thumb|467x467px]]

We knew from the beginning that the focus would be to create something physical, to include all senses. I really wanted to use the glass which we found in Room 204. Not just to explore new materials, but because it visualizes the gender health gap perfectly. It is physically visible, see through so you know what to expect on the other side, even though you are not able to enter.

The first idea was to let an ultrasound device hallucinate. Closing the gap between reality and utopian imaginations on how a world without health gaps could look like and trying to fill these using AI generated images. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. We wanted to critically examine how both care systems and AI technologies are structured around existing assumptions.

After brainstorming the prototyping started.

====== Experiments with glass ======
[[File:Micro1.jpg|left|thumb|First try outs with printing on glass]]

After making some try outs with the glass it was clear to say that the material itself already transports a lot of information.

Along the way we started exploring the microscope in the class ''Micro- and macro worlds'', supervised by Alexander König and Alessandro Volpato. To understand how the glass functions we created collages out of multiple pictures taken with the microscope and printed them onto overhead foil and while the paint was still wet pressed it on to the glass which created abstract patterns.
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|352x352px|left|tryouts with the microscope on wild flowers]][[File:Bildschirmfoto_2025-05-20_um_14.58.50.png|alt=shots of a bee|frameless|350x350px]][[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-08-25T15:56:33Z

LinaWolff:

= '''<big>''Further down the rabbit hole''</big>''' =

==== Group project by Alaina Nugnis & Lina Wolff ====
SoSe 2025
[[File:Linadocu.jpg|left|thumb|469x469px]]

This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

Multimedia Instellation

Video+Audio

Duration: 10 min

Beamer projection on wall

––––––––––––––––––––––––––––––––––––––––––––

=== Process Documentation ===
BACKROUND INFORMATION

This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

IDEA/FIRST STEPS

[[File:Mindmap1.jpg|left|thumb|467x467px]]

We knew from the beginning that the focus would be to create something physical, to include all senses. I really wanted to use the glass which we found in Room 204. Not just to explore new materials, but because it visualizes the gender health gap perfectly. It is physically visible, see through so you know what to expect on the other side, even though you are not able to enter.

The first idea was to let an ultrasound device hallucinate. Closing the gap between reality and utopian imaginations on how a world without health gaps could look like and trying to fill these using AI generated images. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. We wanted to critically examine how both care systems and AI technologies are structured around existing assumptions.

====== First experiments with glass: ======

[[File:Micro1.jpg|left|thumb|First try outs with printing on glass]]
[[File:Glass print.jpg|thumb|creating shadows by playing with light and gaps]]

After making some try outs with the glass it was clear to say that the material itself already transports a lot of information.

Along the way we started exploring the microscope in the class ''Micro- and macro worlds'', supervised by Alexander König and Alessandro Volpato.

[[File:Details of a fly.png|center|frameless|300x300px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|352x352px|left]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-08-25T15:55:33Z

LinaWolff:

= '''<big>''Further down the rabbit hole''</big>''' =

==== Group project by Alaina Nugnis & Lina Wolff ====
SoSe 2025
[[File:Linadocu.jpg|left|thumb|469x469px]]

This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

Multimedia Instellation

Video+Audio

Duration: 10 min

Beamer projection on wall

––––––––––––––––––––––––––––––––––––––––––––

=== Process Documentation ===
BACKROUND INFORMATION

This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

IDEA/FIRST STEPS

[[File:Mindmap1.jpg|left|thumb|467x467px]]

We knew from the beginning that the focus would be to create something physical, to include all senses. I really wanted to use the glass which we found in Room 204. Not just to explore new materials, but because it visualizes the gender health gap perfectly. It is physically visible, see through so you know what to expect on the other side, even though you are not able to enter.

The first idea was to let an ultrasound device hallucinate. Closing the gap between reality and utopian imaginations on how a world without health gaps could look like and trying to fill these using AI generated images. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. We wanted to critically examine how both care systems and AI technologies are structured around existing assumptions.

====== First experiments with glass: ======

[[File:Micro1.jpg|left|thumb|First try outs with printing on glass]]
[[File:Glass print.jpg|thumb|creating shadows by playing with light and gaps]]

After making some try outs with the glass it was clear to say that the material itself already transports a lot of information.

Along the way we started exploring the microscope in the class ''Micro- and macro worlds'', supervised by Alexander König and Alessandro Monterosso.

[[File:Details of a fly.png|center|frameless|300x300px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|352x352px|left]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

File:Details of a fly.png

2025-08-25T15:54:38Z

LinaWolff:

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-07-16T15:54:04Z

LinaWolff:

= '''<big>''Further down the rabbit hole''</big>''' =

==== Group project by Alaina Nugnis & Lina Wolff ====
SoSe 2025
[[File:Linadocu.jpg|left|thumb|469x469px]]

This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

Multimedia Instellation

Video+Audio

Duration: 10 min

Beamer projection on wall

––––––––––––––––––––––––––––––––––––––––––––

=== Process Documentation ===
BACKROUND INFORMATION

This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

IDEA/FIRST STEPS

[[File:Mindmap1.jpg|left|thumb|467x467px]]

We knew from the beginning that the focus would be to create something physical, to include all senses. I really wanted to use the glass which we found in Room 204. Not just to explore new materials, but because it visualizes the gender health gap perfectly. It is physically visible, see through so you know what to expect on the other side, even though you are not able to enter.

The first idea was to let an ultrasound device hallucinate. Closing the gap between reality and utopian imaginations on how a world without health gaps could look like and trying to fill these using AI generated images. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. We wanted to critically examine how both care systems and AI technologies are structured around existing assumptions.

The artwork is a combination of analoge as well as digital parts. Using plant structures that are explored in the BioLab and analyzed under the microscope the gabs get visible through an abstract approach. Multiple layers of glass hanging right behind each other represent the structure of AI systems.

[[File:Micro1.jpg|left|thumb|First try outs with printing on glass]]
[[File:Glass print.jpg|thumb|creating shadows by playing with light and gaps]]

After making some try outs with the glass it was clear to say that the material itself already transports a lot of information.
==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px|center]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

File:Glass print.jpg

2025-07-16T15:18:54Z

LinaWolff:

File:Micro2.1.jpg

2025-07-16T15:16:59Z

LinaWolff:

File:Micro1.jpg

2025-07-16T15:15:22Z

LinaWolff:

File:Mindmap1.jpg

2025-07-16T14:39:05Z

LinaWolff:

File:Linadocu.jpg

2025-07-16T14:31:26Z

LinaWolff:

Alaina/Lina

2025-07-16T14:16:30Z

LinaWolff: /* Background information */

== ''FURTHER DOWN THE RABBIT HOLE'' ==
This installation explores the gender data gap in medical care, where bodies outside the male norm are often overlooked. What fills the uncertainty of leaving an unbearable scar? Microscopic forms embedded in glass serve as a metaphor for the structures that surround us but remain unseen. Recordings of microscopic examinations, showing sexualised objects, are intended to evoke discomfort. The projection onto a circular surface references the microscope as a tool for (in)visibility. Separated audio and video reflect the isolation of clinical settings, raising the question: whose bodies are being seen and whose are overlooked?

[[File:Installationfdtrh.jpg|left|thumb|853x853px|[[File:Picture installation2.jpg|thumb]][[File:Text1.jpg|416x416px]]]]

====== Background information ======
This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.

====== Technical indications ======

* Multimedia installation
* short video 1920 x 1080, duration: 10 min
* Audio, two channel, duration: 10 min
* Beamer projection on wall

Alaina/Lina

2025-07-16T14:16:12Z

LinaWolff:

Alaina/Lina

2025-07-15T12:43:49Z

LinaWolff:

File:Text1.jpg

2025-07-15T12:40:58Z

LinaWolff:

Alaina/Lina

2025-07-15T12:40:21Z

LinaWolff:

File:Picture installation2.jpg

2025-07-15T12:32:24Z

LinaWolff:

File:Pic2.jpg

2025-07-15T12:28:14Z

LinaWolff:

File:Installationfdtrh.jpg

2025-07-15T12:21:04Z

LinaWolff:

File:Fdtrh.jpg

2025-07-15T12:18:11Z

LinaWolff:

Video/Audioinstallation

Alaina/Lina

2025-07-15T12:02:41Z

LinaWolff:

== ''FURTHER DOWN THE RABBIT HOLE'' ==

GMU:Hallucinating computers and dreaming non-machines/Alaina Sophie Nugnis

2025-07-15T12:02:10Z

LinaWolff: Created page with "khckhckhckhckh"

khckhckhckhckh

GMU:Hallucinating computers and dreaming non-machines

2025-07-15T12:01:51Z

LinaWolff:

[[File:Dreaming computers.png|thumb|539x539px]]
==Project Module: Hallucinating Computers and Dreaming Non-Machines==
Isabella Lee Arturo, Dr. Mindaugas Gapševičius, Prof. Ursula Damm

The course wants to stimulate and accompany projects of students dealing with emergent behavior of computers and/or their co-existence with non-machines. Non-machine is a term which has been introduced by Mindaugas Gapsevicius and names all non-technical subjects (humans, animals, plants). It inspires us to look at living things from the perspective of a machine and vice versa.

In the module we want to imagine how non-humans dream or how we - humans can use our dreams for a meaningful exchange with other non-machines.

We comprehend the concept of [dreaming] as a term that connects with fictions, futuristic speculations and desires.

And what about human-shaped machines? Being confronted with hallucinations of software processes in many facets of our daily lives, we would also like to better understand the difference between computer hallucinations and our own dreaming capacity.

More and more research focuses on all the creatures which made human life possible. Millions of years of photosynthesis made it possible for us to live on earth today. The ecological crises show that we have not yet understood our dependence on our ecological embedding. Have we developed the wrong kind of technology? What can the capabilities of contemporary technology contribute to a common, intellectual and spiritual sphere?

==Syllabus==
* 14-04-2025. Lead: Isabella / miga, [[/Introduction mentors and students. Wiki]]
* 15-04-2025. Lead: Isabella / miga, [[non-machines presentation / Latinamerica Artist presentation]]
* 21-04-2025. Holidays
* 22-04-2025. Lead: Isabella, [[First Wall Presentation (Studio Tour) / Body Workshop]]
* 28-04-2025. Lead: Bethan Hughes / Miga
* 29-04-2025. Lead: Bethan Hughes / Miga
* 05-05-2025. Lead: Isabella, [[Studio Afternoon]]
* 06-05-2025. Lead: Isabella, [[Presentation Day]]
* 12-05-2025. Lead: Lia Giannakou / Miga, [[/The Conscious Body: An Emergency Act]]
* 13-05-2025. Lead: Miga, [[Reading Non-machines, Presentation Day]]
* 19-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 20-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 26-05-2025. Lead: Miga, [[Studio Afternoon]]
* 27-05-2025. Lead: Miga, [[Presentation Day]]
* 02-06-2025. Lead: Isabella, [[Studio Afternoon]]
* 03-06-2025. Lead: Isabella, Xristina [[Presentation Day]]
* 09-06-2025. Pfingsten: 09.06.2025
* 10-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 11-06-2025. Lead: Xristina
* 16-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 17-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 23-06-2025. Lead: Miga, [[Studio Afternoon]]
* 24-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 25-06-2025. Lead: Xristina
* 30-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 01-07-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 07-07-2025. Lead: Iannis Zannos. Isabella+miga, [[/Bartok as Proto-Bio-Artist]]
* 08-07-2025. Lead: miga, Xristina prep [[summaery 2025 ]]
* 09-07-2025. Xristina
* Friday 11th - Beth + Xristina Weimar Summary / final presentation
* Saturday 12th - Beth + Xristina Weimar Summary / final presentation

==Students==

* [[Alaina/Lina]]

* [[/Lina Louise Wolff]]
* [[/Alaina Sophie Nugnis]]
* [[/Buba Beboshvili]]
* [[/Negin Ehtesabian]]
* [[/Mahla Mosahaneh]]
* [[/Radu Paul Simon Reinhardt]]
* [[/David Frommhold]]
* /Oeykue Tuerkan Didinir
* [[/Theo]]

== Students Artist Presentation Schedule: ==
06-05-2025: Theo

13-05-2025: Buba

26-05-2025 (Monday/ 1.5 hour): Negin

27-05-2025: Mahla and Lina

03-06-2025: David and Alaina

== '''Midterm Presentations:''' ==
{| class="wikitable"
|+
!10-06-2025
!Oeykue Tuerkan Didinir
|-
!16-06-2025
!
|-
!17-06-2025
!Theo / Buba
|-
!23-06-2025
!
|-
!24-06-2025
!
|-
!30-06-2025
!Mahla
|-
!01-07-2025
!Alaina&Lina / Negin
|}

==Summaery==
[[/Summaery]]

==Recommended Fach courses==

* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66083&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Unexpected Imageries - programming generative art] By Ting Chun Liu
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66132&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Aesthetics of Macroworlds] by Alessandro Volpato and Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66135&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung A investigation in machine learing / "AI"] by Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66334&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Computer Aided Fabrication and the Wilderness] by Felix Bonowski
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66148&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Speech to Text to Actions] by Isabella Lee Arturo
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66172&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Technosolutionism + Silicone Nightmares] by Bethan Hughes

==Recommended Artists==
===[https://deweyhagborg.com/ Heather Dewey-Hagborg]===
* [https://deweyhagborg.com/projects/probably-chelsea Probably Chelsea]
"Probably Chelsea is a collection of thirty different possible portraits of whistleblower Chelsea Manning algorithmically-generated by an analysis of her DNA. While she was in prison, forbidden from being visited, she sent me cheek swabs from which I could extract DNA to create her portrait. Genomic data can tell a multitude of different stories about who and what you are. Probably Chelsea shows just how many ways your DNA can be interpreted as data, and how subjective the act of reading DNA really is."

===[https://afroditipsarra.com/ Afroditi Psarra]===
* [https://afroditipsarra.com/work/ventriloquist-ontology Ventriloquist Ontology]
"The project ‘Ventriloquist Ontology’ explores the limits of control and points of hybridization between the human and the machine through the relationship of a performer and a wearable entity. This ventriloquist modular soft entity speaks through text generated using a GPT-2 language model, trained on a dataset of texts around biopolitics, algo-governance, the surveillanced body, and queer theory."

===[https://www.spelapetric.org/ Špela Petrič]===
* [https://www.spelapetric.org/#/plai/ PL'AI]
"PL’AI ... embraces the notion of a play as an ontological condition of all living bodies, including plants. The act of playing, unlike games, which are limited by clear rules or goals, reflects the curiosity of existence and is therefore at the heart of (self)knowing."

===[https://annaridler.com/works Anna Ridler]===
* [https://annaridler.com/circadian-nocturne-2023 Circadian Nocturne]
"Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software"

===[https://stephanierothenberg.com/ Stephanie Rothenberg]===

==Recommended Literature==
* Wikipedia. https://en.wikipedia.org/wiki/Cybernetics
* Hui, Y. (2024). Cybernetics for the 21st Century. Vol. 1: Epistemological Reconstruction. Hong Kong: Hanart Press. Available at https://hanart.press/cybernetics-for-the-21st-century-vol-1/
* Hayles, N. K. 1999. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press. Available at http://thedigitalcommons.org/docs/hayles-posthuman-01.pdf
* AI Uncovered (2024). “Here's How AI 2.0 Will Be DIFFERENT.” Available at https://www.youtube.com/watch?v=HkS3cG3jCt0

Alaina/Lina

2025-07-15T12:00:13Z

LinaWolff: Created page with "hchhgchg"

hchhgchg

GMU:Hallucinating computers and dreaming non-machines

2025-07-15T11:59:12Z

LinaWolff:

[[File:Dreaming computers.png|thumb|539x539px]]
==Project Module: Hallucinating Computers and Dreaming Non-Machines==
Isabella Lee Arturo, Dr. Mindaugas Gapševičius, Prof. Ursula Damm

The course wants to stimulate and accompany projects of students dealing with emergent behavior of computers and/or their co-existence with non-machines. Non-machine is a term which has been introduced by Mindaugas Gapsevicius and names all non-technical subjects (humans, animals, plants). It inspires us to look at living things from the perspective of a machine and vice versa.

In the module we want to imagine how non-humans dream or how we - humans can use our dreams for a meaningful exchange with other non-machines.

We comprehend the concept of [dreaming] as a term that connects with fictions, futuristic speculations and desires.

And what about human-shaped machines? Being confronted with hallucinations of software processes in many facets of our daily lives, we would also like to better understand the difference between computer hallucinations and our own dreaming capacity.

More and more research focuses on all the creatures which made human life possible. Millions of years of photosynthesis made it possible for us to live on earth today. The ecological crises show that we have not yet understood our dependence on our ecological embedding. Have we developed the wrong kind of technology? What can the capabilities of contemporary technology contribute to a common, intellectual and spiritual sphere?

==Syllabus==
* 14-04-2025. Lead: Isabella / miga, [[/Introduction mentors and students. Wiki]]
* 15-04-2025. Lead: Isabella / miga, [[non-machines presentation / Latinamerica Artist presentation]]
* 21-04-2025. Holidays
* 22-04-2025. Lead: Isabella, [[First Wall Presentation (Studio Tour) / Body Workshop]]
* 28-04-2025. Lead: Bethan Hughes / Miga
* 29-04-2025. Lead: Bethan Hughes / Miga
* 05-05-2025. Lead: Isabella, [[Studio Afternoon]]
* 06-05-2025. Lead: Isabella, [[Presentation Day]]
* 12-05-2025. Lead: Lia Giannakou / Miga, [[/The Conscious Body: An Emergency Act]]
* 13-05-2025. Lead: Miga, [[Reading Non-machines, Presentation Day]]
* 19-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 20-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 26-05-2025. Lead: Miga, [[Studio Afternoon]]
* 27-05-2025. Lead: Miga, [[Presentation Day]]
* 02-06-2025. Lead: Isabella, [[Studio Afternoon]]
* 03-06-2025. Lead: Isabella, Xristina [[Presentation Day]]
* 09-06-2025. Pfingsten: 09.06.2025
* 10-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 11-06-2025. Lead: Xristina
* 16-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 17-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 23-06-2025. Lead: Miga, [[Studio Afternoon]]
* 24-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 25-06-2025. Lead: Xristina
* 30-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 01-07-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 07-07-2025. Lead: Iannis Zannos. Isabella+miga, [[/Bartok as Proto-Bio-Artist]]
* 08-07-2025. Lead: miga, Xristina prep [[summaery 2025 ]]
* 09-07-2025. Xristina
* Friday 11th - Beth + Xristina Weimar Summary / final presentation
* Saturday 12th - Beth + Xristina Weimar Summary / final presentation

==Students==

* Alaina/Lina

* [[/Lina Louise Wolff]]
* [[/Alaina Sophie Nugnis]]
* [[/Buba Beboshvili]]
* [[/Negin Ehtesabian]]
* [[/Mahla Mosahaneh]]
* [[/Radu Paul Simon Reinhardt]]
* [[/David Frommhold]]
* /Oeykue Tuerkan Didinir
* [[/Theo]]

== Students Artist Presentation Schedule: ==
06-05-2025: Theo

13-05-2025: Buba

26-05-2025 (Monday/ 1.5 hour): Negin

27-05-2025: Mahla and Lina

03-06-2025: David and Alaina

== '''Midterm Presentations:''' ==
{| class="wikitable"
|+
!10-06-2025
!Oeykue Tuerkan Didinir
|-
!16-06-2025
!
|-
!17-06-2025
!Theo / Buba
|-
!23-06-2025
!
|-
!24-06-2025
!
|-
!30-06-2025
!Mahla
|-
!01-07-2025
!Alaina&Lina / Negin
|}

==Summaery==
[[/Summaery]]

==Recommended Fach courses==

* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66083&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Unexpected Imageries - programming generative art] By Ting Chun Liu
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66132&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Aesthetics of Macroworlds] by Alessandro Volpato and Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66135&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung A investigation in machine learing / "AI"] by Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66334&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Computer Aided Fabrication and the Wilderness] by Felix Bonowski
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66148&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Speech to Text to Actions] by Isabella Lee Arturo
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66172&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Technosolutionism + Silicone Nightmares] by Bethan Hughes

==Recommended Artists==
===[https://deweyhagborg.com/ Heather Dewey-Hagborg]===
* [https://deweyhagborg.com/projects/probably-chelsea Probably Chelsea]
"Probably Chelsea is a collection of thirty different possible portraits of whistleblower Chelsea Manning algorithmically-generated by an analysis of her DNA. While she was in prison, forbidden from being visited, she sent me cheek swabs from which I could extract DNA to create her portrait. Genomic data can tell a multitude of different stories about who and what you are. Probably Chelsea shows just how many ways your DNA can be interpreted as data, and how subjective the act of reading DNA really is."

===[https://afroditipsarra.com/ Afroditi Psarra]===
* [https://afroditipsarra.com/work/ventriloquist-ontology Ventriloquist Ontology]
"The project ‘Ventriloquist Ontology’ explores the limits of control and points of hybridization between the human and the machine through the relationship of a performer and a wearable entity. This ventriloquist modular soft entity speaks through text generated using a GPT-2 language model, trained on a dataset of texts around biopolitics, algo-governance, the surveillanced body, and queer theory."

===[https://www.spelapetric.org/ Špela Petrič]===
* [https://www.spelapetric.org/#/plai/ PL'AI]
"PL’AI ... embraces the notion of a play as an ontological condition of all living bodies, including plants. The act of playing, unlike games, which are limited by clear rules or goals, reflects the curiosity of existence and is therefore at the heart of (self)knowing."

===[https://annaridler.com/works Anna Ridler]===
* [https://annaridler.com/circadian-nocturne-2023 Circadian Nocturne]
"Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software"

===[https://stephanierothenberg.com/ Stephanie Rothenberg]===

==Recommended Literature==
* Wikipedia. https://en.wikipedia.org/wiki/Cybernetics
* Hui, Y. (2024). Cybernetics for the 21st Century. Vol. 1: Epistemological Reconstruction. Hong Kong: Hanart Press. Available at https://hanart.press/cybernetics-for-the-21st-century-vol-1/
* Hayles, N. K. 1999. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press. Available at http://thedigitalcommons.org/docs/hayles-posthuman-01.pdf
* AI Uncovered (2024). “Here's How AI 2.0 Will Be DIFFERENT.” Available at https://www.youtube.com/watch?v=HkS3cG3jCt0

GMU:Hallucinating computers and dreaming non-machines

2025-06-16T15:59:12Z

LinaWolff:

[[File:Dreaming computers.png|thumb|539x539px]]
==Project Module: Hallucinating Computers and Dreaming Non-Machines==
Isabella Lee Arturo, Dr. Mindaugas Gapševičius, Prof. Ursula Damm

The course wants to stimulate and accompany projects of students dealing with emergent behavior of computers and/or their co-existence with non-machines. Non-machine is a term which has been introduced by Mindaugas Gapsevicius and names all non-technical subjects (humans, animals, plants). It inspires us to look at living things from the perspective of a machine and vice versa.

In the module we want to imagine how non-humans dream or how we - humans can use our dreams for a meaningful exchange with other non-machines.

We comprehend the concept of [dreaming] as a term that connects with fictions, futuristic speculations and desires.

And what about human-shaped machines? Being confronted with hallucinations of software processes in many facets of our daily lives, we would also like to better understand the difference between computer hallucinations and our own dreaming capacity.

More and more research focuses on all the creatures which made human life possible. Millions of years of photosynthesis made it possible for us to live on earth today. The ecological crises show that we have not yet understood our dependence on our ecological embedding. Have we developed the wrong kind of technology? What can the capabilities of contemporary technology contribute to a common, intellectual and spiritual sphere?

==Syllabus==
* 14-04-2025. Lead: Isabella / miga, [[/Introduction mentors and students. Wiki]]
* 15-04-2025. Lead: Isabella / miga, [[non-machines presentation / Latinamerica Artist presentation]]
* 21-04-2025. Holidays
* 22-04-2025. Lead: Isabella, [[First Wall Presentation (Studio Tour) / Body Workshop]]
* 28-04-2025. Lead: Bethan Hughes / Miga
* 29-04-2025. Lead: Bethan Hughes / Miga
* 05-05-2025. Lead: Isabella, [[Studio Afternoon]]
* 06-05-2025. Lead: Isabella, [[Presentation Day]]
* 12-05-2025. Lead: Lia Giannakou / Miga, [[/The Conscious Body: An Emergency Act]]
* 13-05-2025. Lead: Miga, [[Reading Non-machines, Presentation Day]]
* 19-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 20-05-2025. Lead: Moritz Wehrmann / Isabella, [[Workshop]]
* 26-05-2025. Lead: Miga, [[Studio Afternoon]]
* 27-05-2025. Lead: Miga, [[Presentation Day]]
* 02-06-2025. Lead: Isabella, [[Studio Afternoon]]
* 03-06-2025. Lead: Isabella, Xristina [[Presentation Day]]
* 09-06-2025. Pfingsten: 09.06.2025
* 10-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 11-06-2025. Lead: Xristina
* 16-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 17-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 23-06-2025. Lead: Miga, [[Studio Afternoon]]
* 24-06-2025. Lead: Miga, Xristina [[Mid-term Project presentation]]
* 25-06-2025. Lead: Xristina
* 30-06-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 01-07-2025. Lead: Isabella, Beth [[Mid-term Project presentation]]
* 07-07-2025. Lead: Iannis Zannos. Isabella+miga, [[/Bartok as Proto-Bio-Artist]]
* 08-07-2025. Lead: miga, Xristina prep [[summaery 2025 ]]
* 09-07-2025. Xristina
* Friday 11th - Beth + Xristina Weimar Summary / final presentation
* Saturday 12th - Beth + Xristina Weimar Summary / final presentation

==Students==
* [[/Lina Louise Wolff]]
* [[/Alaina Sophie Nugnis]]
* [[/Buba Beboshvili]]
* [[/Negin Ehtesabian]]
* [[/Mahla Mosahaneh]]
* [[/Radu Paul Simon Reinhardt]]
* [[/David Frommhold]]
* /Oeykue Tuerkan Didinir
* [[/Theo]]

== Students Artist Presentation Schedule: ==
06-05-2025: Theo

13-05-2025: Buba

26-05-2025 (Monday/ 1.5 hour): Negin

27-05-2025: Mahla and Lina

03-06-2025: David and Alaina

== '''Midterm Presentations:''' ==
{| class="wikitable"
|+
!10-06-2025
!Oeykue Tuerkan Didinir
|-
!16-06-2025
!
|-
!17-06-2025
!Theo / Buba
|-
!23-06-2025
!
|-
!24-06-2025
!
|-
!30-06-2025
!Mahla
|-
!01-07-2025
!Alaina&Lina
|}

==Recommended Fach courses==

* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66083&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Unexpected Imageries - programming generative art] By Ting Chun Liu
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66132&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Aesthetics of Macroworlds] by Alessandro Volpato and Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66135&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung A investigation in machine learing / "AI"] by Alexander König
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66334&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Computer Aided Fabrication and the Wilderness] by Felix Bonowski
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66148&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Speech to Text to Actions] by Isabella Lee Arturo
* [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66172&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Technosolutionism + Silicone Nightmares] by Bethan Hughes

==Recommended Artists==
===[https://deweyhagborg.com/ Heather Dewey-Hagborg]===
* [https://deweyhagborg.com/projects/probably-chelsea Probably Chelsea]
"Probably Chelsea is a collection of thirty different possible portraits of whistleblower Chelsea Manning algorithmically-generated by an analysis of her DNA. While she was in prison, forbidden from being visited, she sent me cheek swabs from which I could extract DNA to create her portrait. Genomic data can tell a multitude of different stories about who and what you are. Probably Chelsea shows just how many ways your DNA can be interpreted as data, and how subjective the act of reading DNA really is."

===[https://afroditipsarra.com/ Afroditi Psarra]===
* [https://afroditipsarra.com/work/ventriloquist-ontology Ventriloquist Ontology]
"The project ‘Ventriloquist Ontology’ explores the limits of control and points of hybridization between the human and the machine through the relationship of a performer and a wearable entity. This ventriloquist modular soft entity speaks through text generated using a GPT-2 language model, trained on a dataset of texts around biopolitics, algo-governance, the surveillanced body, and queer theory."

===[https://www.spelapetric.org/ Špela Petrič]===
* [https://www.spelapetric.org/#/plai/ PL'AI]
"PL’AI ... embraces the notion of a play as an ontological condition of all living bodies, including plants. The act of playing, unlike games, which are limited by clear rules or goals, reflects the curiosity of existence and is therefore at the heart of (self)knowing."

===[https://annaridler.com/works Anna Ridler]===
* [https://annaridler.com/circadian-nocturne-2023 Circadian Nocturne]
"Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software"

===[https://stephanierothenberg.com/ Stephanie Rothenberg]===

==Recommended Literature==
* Wikipedia. https://en.wikipedia.org/wiki/Cybernetics
* Hui, Y. (2024). Cybernetics for the 21st Century. Vol. 1: Epistemological Reconstruction. Hong Kong: Hanart Press. Available at https://hanart.press/cybernetics-for-the-21st-century-vol-1/
* Hayles, N. K. 1999. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press. Available at http://thedigitalcommons.org/docs/hayles-posthuman-01.pdf
* AI Uncovered (2024). “Here's How AI 2.0 Will Be DIFFERENT.” Available at https://www.youtube.com/watch?v=HkS3cG3jCt0

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T10:09:24Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
The artwork is a combination of analoge as well as digital parts. Using plant structures that are explored in the BioLab and analyzed under the microscope the gabs get visible through an abstract approach. Multiple layers of glass hanging right behind each other represent the structure of AI systems.

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px|center]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:52:20Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
This work is based on a previous semester project witch explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px|center]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:50:46Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.The unequal treatment gets visible through gaps, most common known as the gender data gap.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px|center]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:47:09Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px|center]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:41:37Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|533x533px|center]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:41:18Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Bildschirmfoto 2025-05-20 um 14.53.12.png|thumb|422x422px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|left|533x533px]]]]

File:Bildschirmfoto 2025-05-20 um 14.53.12.png

2025-05-27T09:40:48Z

LinaWolff:

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:39:58Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|left|533x533px]]]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:39:03Z

LinaWolff:

== '''Further down the rabbit hole// Project by Alaina Nugnis& Lina Wolff''' ==

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px|[[File:Bildschirmfoto 2025-05-20 um 14.58.50.png|left|491x491px]]]]

File:Bildschirmfoto 2025-05-20 um 14.58.50.png

2025-05-27T09:36:48Z

LinaWolff:

Bee

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:36:06Z

LinaWolff:

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:34:17Z

LinaWolff:

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

This work is based on a previous semester project and explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that care systems are taking better care of male bodies then of any others.

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation focuses on visualizing the blank which is created through data blind spots and takes a closer look on how AI fills these blanks. AI s function by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”, projecting its own learned patterns onto the input. This work critically examines how both care systems and AI technologies are structured around existing assumptions, ultimately asking: whose bodies are being seen, and whose are being overlooked? In an analoge way the artwork reinterprets how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream and therefore tries to close gaps.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]
[[File:ComfyUI8.png|left|thumb|174x174px]]
[[File:Plant.png|left|thumb|173x173px]]

File:Plant.png

2025-05-27T09:33:15Z

LinaWolff:

AI genratend plant

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:32:18Z

LinaWolff:

File:ComfyUI8.png

2025-05-27T09:31:03Z

LinaWolff:

AI generated plant

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-27T09:28:46Z

LinaWolff:

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-26T15:14:57Z

LinaWolff:

==Background information==
The work explores how the lack of female representation in research and clinical trials has led to disproportionate adverse drug reactions in women. These effects are the result of healthcare systems historically designed around male bodies, often treating them as the default in diagnostics, treatment, and pharmaceutical development, showing that health systems are taking better care of male bodies then of any others. The unequal treatment gets visible through gaps, most common known as the gender data gap.

In a previous

The AI functions by analyzing visual input through multiple neural network layers. With each layer, specific features are exaggerated, leading to a progressively surreal image. When the algorithm encounters ambiguity, it begins to “hallucinate”—projecting its own learned patterns onto the input.
==Idea/Concept==
The installation reinterprets in an analoge way how image dreaming AIs, like Google’s DeepDream, start to hallucinate and dream .

The Image AI Creator DeepDream from google uses multiple layers to create a surreal image. With every layer the image gets more obvious.

If the response is not clear enough for the machine, it learns to <nowiki>''hallucinate ''</nowiki> different parts of the image so to say interprets them.

In an instellation we want to recreate this machine learning technique by creating a surreal painting, which shows a Utopia, in which the gender data gap does not exist, or there are no inequalities between gender.

Additional there will be a sound design inspired by the sound artist Ryoki Ikeda, who uses errors in hard drives to create sound effects. In theory light should react to the sound. To visualize missing data the light will glitch, as well as the sound.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-12T14:26:07Z

LinaWolff:

==Background information==
We use the research we did for our last project as inspiration and information to create multiple layers, which communicate the gaps which lead to inequality and a lack of knowledge when it comes to female health.

==Idea/Concept==
Analoge reconstructing Google DeepDream .

The Image AI Creator DeepDream from google uses multiple layers to create a surreal image. With every layer the image gets more obvious.

If the response is not clear enough for the machine, it learns to <nowiki>''hallucinate ''</nowiki> different parts of the image so to say interprets them.

In an instellation we want to recreate this machine learning technique by creating a surreal painting, which shows a Utopia, in which the gender data gap does not exist, or there are no inequalities between gender.

Additional there will be a sound design inspired by the sound artist Ryoki Ikeda, who uses errors in hard drives to create sound effects. In theory light should react to the sound. To visualize missing data the light will glitch, as well as the sound.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoji Ikeda-> sound artist

Kristen Jakubek
[[File:Bildschirmfoto 2025-05-12 um 16.18.38.png|left|thumb]]

File:Bildschirmfoto 2025-05-12 um 16.18.38.png

2025-05-12T14:19:39Z

LinaWolff:

GMU:Hallucinating computers and dreaming non-machines/Lina Louise Wolff

2025-05-12T14:08:29Z

LinaWolff:

==Background information==
We use the research we did for our last project as inspiration and information to create multiple layers, which communicate the gaps which lead to inequality and a lack of knowledge when it comes to female health.

==Idea/Concept==
Analog reconstructing Google DeepDream .

The Image AI Creator DeepDream from google uses multiple layers to create a surreal image. With every layer the image gets more obvious.

If the response is not clear enough for the machine, it learns to <nowiki>''hallucinate ''</nowiki> different parts of the image so to say interprets them.

In an instellation we want to recreate this machine learning technique by creating a surreal painting, which shows a Utopia, in which the gender data gap does not exist, or there are no inequalities between gender.

Additional there will be a sound design inspired by the sound artist Ryoki Ikeda, who uses errors in hard drives to create sound effects. In theory light should react to the sound. To visualize missing data the light will glitch, as well as the sound.

==Tech implementation==
Installation exsisting of multiple layers with different textures

Glass, maybe latex, projections..

We might use the visuals which we are currently creating in the class ‘‘macro worlds‘‘

==References==
Artists:

Ryoki Ikeda-> sound artist

Kristen Jakubek

GMU:Hallucinating computers and dreaming non-machines/Non-machines presentation, Latinamerica Artist presentation

2025-04-16T10:32:33Z

LinaWolff:

* Kraftwerk, Roboter, https://www.youtube.com/watch?v=0hoa9tXnZX8
* The creative part happens when we, humans look at it. even if it is generated content, the creative part starts when it is reinterpreted by humans.
* The coin is always both, tails and heads, it is just different when we see and tell what we see. See for further references: Quantum world
* Thermodynamics, https://en.wikipedia.org/wiki/Laws_of_thermodynamics
* Norbert Wiener, https://en.wikipedia.org/wiki/Norbert_Wiener
* Martin Heidegger's fear of philosophy-turned-cybernetics in connection with his concept of "the gigantic" (das Riesige), a culture of domination or administration that operates exclusively via quantification .
* Deleuze manifesto " on Control Societies": (On how to deal with Cybernetics) "The key thing may be to create vacuoles of noncommunication, circuit breakers, so we can elude control."
* How do we avoid the binary thinking influenced from machines?
* Cybernetics is the transdiscipinary study of circular causal processes such as feedback and recursion, where the effects of a systems actions (its outputs) return as inputs to that system, influencing subsequent action".
* [[File:N. Katherine Hayles, How We Became Posthuman Virtual Bodies in Cybernetics, Literature, and Informatics, Chicago, 1999.pdf|thumb]]

==Presentations==
* [[File:Cybernetics.pdf]] -- Non-machines / Mindaugas Gapsevicius

File:N. Katherine Hayles, How We Became Posthuman Virtual Bodies in Cybernetics, Literature, and Informatics, Chicago, 1999.pdf

2025-04-16T10:32:14Z

LinaWolff:

pdf

Lina Louise Wolff

2025-03-29T11:24:45Z

LinaWolff:

== '''GMU:''' ''Cybernetic objects'' // lectured by Ursula Damm & (Georg Trogemann) // WISE2024/25 ==

Summary about my project

=== FARTS ===
I fart, you fart, everyone farts. Because we have to.

When we eat, our body dismantles the food in our digestion system, so it is easier to get it out again. During this process the gasses methane and carbon dioxide are getting produced. Depending on what we ate they can be stronger, which makes us uncomfortable and wanting to release the pressure. So we fart.We can not see the gasses but smell them and in most cases they smell like something spoiled, which of course is not pleasant to share with the public. Even tho it is a regular procedure our society claims that woman do not fart and if they do so, it smells like flowers.Regarding to this bullshit, I am creating an interactive installation, testing the shame towards farting of the audience.

The installation exists out of three parts connecting and supporting each other like a circulation.

'''First part:''' Intervention of the audience. Using the provided tools (fart pillow, smelling sensor etc.) the life data gets created and send to the screen.

'''Second part:''' The screen then visualizes the data in form of a lilie flower, which stands for cleaness and fertility. The Lillie flower can get created thru a L-System or other ways in touch designer.

'''Third part:''' Depending on the continuouinity of the audience the flower is growing and developing. If nothing happens, or the shame is to high, the flower won´t grow, so the and faints. Next to the screen or somewhere on the screen there is a counter of how often which tool is used to create the data for the flower.

===== Mindmap =====
[[File:Mindmap .png|1000x1000px]]

===== Set up =====

====== Part 1- Intervention with audience: ======
- To create data from farts-> olfactory sensors

Sensors I could use for Arduino:

- https://www.amazon.de/-/en/Warning-Sensor-Module-MQ-135-Starter/dp/B08XG1CVCG

- https://www.amazon.de/CCS811-Luftqualit%C3%A4ts-Sensor-mit-Breakout-Board/dp/B09MZDP3V7/ref=sr_1_1_sspa?crid=1B23ZMOXCNZTS&dib=eyJ2IjoiMSJ9.puwTXzZ0lRGTkB8XvIZnrDblGXjWpXcz0mP-e90vJmxAdSwx33lK_7GwIuybx_yPiizNS793Ctj65Jnvl3sGT84jhfbPSHUZ0B4ore4XL5_gVUwLj1EeOmHgMDaMs813c7BCxc4tDe1Ig38Z7dk9ByrcOU7iSOncDsLdNV1xTL9ja8OYATgTOXt-LPUMRP-PX2cWkkN5CxUs9i6DxCaHyLqOz81S27EBGB7PNwjyeTdwRUc2griXx3CLmR-KSXZcNtn2EzO6cqJxmyUBcL6ir0dkKkVVplUW73_bfQDHcTY.3TiSUTWJVoQ042AdxQkR_bNkA6oZTYnl6VxiOhX0NTo&dib_tag=se&keywords=CCS811&nsdOptOutParam=true&qid=1732704148&sprefix=ccs811&sr=8-1-spons&sp_csd=d2lkZ2V0TmFtZT1zcF9hdGY&psc=1

====== Part 2 - screen installation ======
- Screen/ Lightbox? -> connected to computer via HDMI or something else

- fake grass

- real Lillie flower?

- (printer)

===== Part3: =====
- Counter that visualizes the number of interventions

====== Things that I need to think about: ======
- how to connect Arduino?

-should I do multiple (microphone, sensor, fart pillow) or focus on one?

-olfactory sensor or sound sensor?

- should I include smell? of Lillies or fart? -> siehe Sessel Toolas Visitenkarte
[[File:Mindmap.png|left|frameless|735x735px]]

File:Mindmap.png

2025-03-29T11:22:55Z

LinaWolff: