https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=LieseEndler 2026-05-01T16:24:42Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bioelectronics,_aesthetics_and_other_interesting_things/Liese_Endler&diff=82311 2016-05-09T09:36:13Z

<p>LieseEndler: Created page with &quot;Just like last semester I am still very interested in crystals, crystalline growth and the way the growth can be manipulated. Currently I am experimenting with a sound proof box...&quot;</p> <hr /> <div>Just like last semester I am still very interested in crystals, crystalline growth and the way the growth can be manipulated. Currently I am experimenting with a sound proof box that I developed last semester [[http://www.uni-weimar.de/medien/wiki/GMU:BioArt/Liese_Endler]], crystals solutions and noises.<br /> <br /> For this class I am not yet sure what my project will be about. I am interested in building my own crystal radio, testing different crystals with it and see what noises can be detected in the urban space as well as in the woods. <br /> <br /> Here are some inspirational links:<br /> <br /> Terra Mineralia:[http://www.terra-mineralia.de/deutsch/ausstellung/dauerausstellung]<br /> <br /> Crystals as storage medium: [http://futurism.com/memory-that-lasts-forever-new-quartz-coin-can-store-360tb-of-data-for-14-billion-years/]<br /> <br /> Fun facts on crystals:[https://www.youtube.com/watch?v=XkXAaSsAlNE]</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Human_and_Nonhuman_Performances_II_WS15/Liese_Endler&diff=81337 2016-04-18T18:41:27Z

<p>LieseEndler: Created page with &quot;&#039;&#039;&#039;MTST_Collective: &quot;(e)mering properties”&#039;&#039;&#039; A performance by MTST_Collective namely: Dovilė Aleksaitė, Liese Endler, Yawen Huang, Mirce Liljehult, Eri Qubo, Tanja Szallie...&quot;</p> <hr /> <div>'''MTST_Collective: &quot;(e)mering properties”''' <br /> <br /> A performance by MTST_Collective namely: Dovilė Aleksaitė, Liese Endler, Yawen Huang, Mirce Liljehult, Eri Qubo, Tanja Szallies <br /> <br /> Performed by:<br /> Irene Anglada Espadaler, Marcelina Bozek, Molly Braun, Michaela Gerussi, Norman Glatzer, Anna-Maria Hadorn, Matilda Keizer, Efi Logginou, Sebastian Rein, N.M. Rosen, Sigrid Savi, Paula Schrötter, Danielle Simpson <br /> <br /> Colaborative work that foudn its roots during the workshop in Sauen where I participated in performative experiments with Tanja, Eri, Mirce Dovile and Yawen. We came from different perspectives but we were all especially interested in performative strategies to deal with the questions: how do we make decisions and what are they affected by, is there an intelligence within a collective that is more than just the sum of the intelligence of every individual. We decided to form an collective, work together and try things out. The MTST_collective formed and started working in Berlin.<br /> <br /> ----<br /> <br /> <br /> '''Idea''' <br /> <br /> The performative piece is inspired by the idea of universal computation and system theory (Stanislav Ulam &amp; John von Neumann/ Cornways Game of Life). This way each person/performer is understood as a similar but unique cellular-automaton-like element with his own rules. Through interaction with living or non-living objects the rules of the person change, thus creating more complex patterns. Through the performance we discuss the questions of natural / unnatural, individual / collective decision-making and the idea that all subjects and objects in the environment effect each other. <br /> Rules: PDF <br /> <br /> '''Rehearsals''' <br /> <br /> Every performer had to decide about his/her own walking pattern which consisted of steps and turns and pauses. Along with that we decided upon different rules the performers had to follow when it comes to interaction with the environment. These rules effected the behavior of the individual performer and their walking patterns. By reacting to animated and inanimate objects with certain movements or sounds the interaction with the environment leads to a more complex group pattern. <br /> <br /> [[File:Individual Walkingpattern.png]] <br /> [[File:Group Walkingpatterns.png]]<br /> <br /> [[Media:Rules-final-version.pdf]]<br /> <br /> <br /> The decision making process within the collective was not always easy. We discussed a lot about what the rules should be and how much and what kind of interaction with the audience is good. According to our background and knowledge we split some tasks: My role was to do the warm ups with the performers in order to make them familiar with the environment, both physically and conceptually. It was especially important to create a group dynamic that will allow everybody to stay concentrated and be able to be aware of ones own bodily presence as well as the the bodily presence of the group and the people around. The aim for me was to form a group that is able to act like a collective intelligence/ organism. <br /> <br /> <br /> I did some easy games that mainly focussed on one or two simple rules the performers had to follow. e.g. the enemy &amp; guardian game we also played in Sauen. This game allows the actors to become aware of their body and position within a room, to take self responsibility and to get the body circulation going. They can notice how the smallest steps can have a big impact on the group and how their individual behavior changes the movement of the whole group. It is a closed system they can not escape.<br /> <br /> To find out more about the warm up games and general feedback we got and gave during the rehearsals you can also read in my Logbook:<br /> [[Media:MTST Logbook LieseEndler.pdf]]<br /> <br /> Our last rehearsal took place at Sony center in Berlin, which was an important first contact to the public: <br /> <br /> [[File:Lastrehearsal1.png]]<br /> [[File:Lastrehearsal2.png]]<br /> [[File:LastRehearsal3.png]]<br /> [[File:LastRehearsal4.png]]<br /> <br /> <br /> <br /> ----<br /> <br /> <br /> <br /> '''Performance at Transmediale 2016''' <br /> <br /> [[File:EmerningProperties 1.png]]<br /> <br /> The performance was presented at transmediale 2016 at HKW Berlin. The venue the performance was located was the Cafe Stage. Before the performance started we gave each performer a starting position and as soon as the tickling of the metronome can be heared the performance starts. The performers are than in “automatic mode” as we called it, following their own predetermined walking-patterns. The performance took around 15 mins and was repeated 4 times at the Cafe stage. <br /> <br /> '''The Audience'''<br /> <br /> The first one started at around 3.30pm and at that time there was already a huge cue at the “freecoffee”Bar from Matthias&amp;Paul.The performance started and in the first few minutes there was not a big change in the space. People kept on exploring the other artworks and tried to avoid colliding with the performers as they sometimes were really close to some people. After a while the structure of the room had changed and the cue looked or more open and the place less crowded. <br /> <br /> [[File:Before first performance.png]]<br /> [[File:After first performance.png]] <br /> <br /> Some people stood still observing the performers or took a glimpse at them by walking across them, while others ignored them completely or simply tried to get out of their way. Though some visitors were standing really near to the performers laughing, wondering or even confronting them, they stayed in their role and followed their patterns. The most obvious interaction was the group humming from time to time. Sometimes the whole space was filled with a loud humming noise that seemed to calm down the other voices. <br /> <br /> [[File:EP1.png]]<br /> [[File:EP2.png]]<br /> <br /> <br /> '''Feedback: performers'''<br /> <br /> Some felt like after a long time of practicing and also during the performance they were in some kind of trance and behaved without thinking. They implemented their walking patterns to their body so they acted automatic as soon as the performance started. Some performers said they liked being close to people and irritate them while others told us that they were touched by people which made them uncomfortable. Still they stayed in their role. <br /> <br /> [[File:EP3.png]]<br /> [[File:EP4.png]]<br /> <br /> '''Conclusion''' <br /> <br /> Like in theater or performance art usually we had no clue how people would react to our performance. Would they like it? Would they recognize it or not? Will it have an effect on them anyhow? It was not our aim to exhibit something that would draw a lot of attention and be understood as performance in the first place but we wanted to effect the way the people behave and move through the space on a subliminal level. Some people clearly realized that there was a performance going on and they respond immediately (standing still or laughing, looking really close and look away). Their body reacted to the movement of the body of the performer in a certain way. An than there where others which might not even have recognized that there is a performance going on, but the way they move through the space was somehow effected by the performance and the way this gave structure to the space. <br /> <br /> ----<br /> <br /> links:<br /> <br /> FB-Event: https://www.facebook.com/events/616342025181136/<br /> <br /> Mess wich Tech Sense and Thinking website: http://www.messwithtech.net/ <br /> <br /> Transmediale website with event: https://2016.transmediale.de/de/content/the-mess-with-tech-sense-and-thinking <br /> <br /> Liese Endler: http://lieseendler.com/properties.html<br />  </div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EP4.png&diff=81333 2016-04-18T18:36:53Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EP3.png&diff=81332 2016-04-18T18:36:17Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EP2.png&diff=81331 2016-04-18T18:35:29Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EP1.png&diff=81330 2016-04-18T18:34:56Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EP1.jpg&diff=81329 2016-04-18T18:34:23Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:LastRehearsal4.png&diff=81325 2016-04-18T18:30:06Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:LastRehearsal3.png&diff=81324 2016-04-18T18:29:23Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Lastrehearsal2.png&diff=81323 2016-04-18T18:28:08Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Lastrehearsal1.png&diff=81322 2016-04-18T18:27:05Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:MTST_Logbook_LieseEndler.pdf&diff=81313 2016-04-18T18:09:24Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Rules-final-version.pdf&diff=81311 2016-04-18T18:01:54Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Group_Walkingpatterns.png&diff=81310 2016-04-18T17:56:40Z

<p>LieseEndler: uploaded a new version of &amp;quot;File:Group Walkingpatterns.png&amp;quot;</p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Individual_Walkingpattern.png&diff=81309 2016-04-18T17:55:53Z

<p>LieseEndler: uploaded a new version of &amp;quot;File:Individual Walkingpattern.png&amp;quot;</p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:EmerningProperties_1.png&diff=81308 2016-04-18T17:54:09Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Emering_Properties1.png&diff=81307 2016-04-18T17:50:06Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Em_pr1.png&diff=81306 2016-04-18T17:48:53Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Emeringproperties1.png&diff=81305 2016-04-18T17:48:07Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:After_first_performance.png&diff=81304 2016-04-18T17:41:10Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:After_first_performance.jpg&diff=81303 2016-04-18T17:40:49Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Before_first_performance.png&diff=81302 2016-04-18T17:40:17Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Group_Walkingpatterns.png&diff=81300 2016-04-18T17:33:42Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Group_Walkingpatterns.JPG&diff=81299 2016-04-18T17:33:27Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Individual_Walkingpattern.png&diff=81298 2016-04-18T17:32:29Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Human_and_Nonhuman_Performances_II_WS15&diff=81245 2016-04-18T10:08:54Z

<p>LieseEndler: /* Student projects */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '''M.F.A.'''&lt;br&gt;<br /> ''Lecturer:'' [[Ursula Damm]] &lt;br&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br&gt;<br /> ''Date:'' Wednesday, 09:15 - 12:30 &lt;br&gt;<br /> ''Venue:'' Digital Bauhaus Lab, [[Performance Plattform]] &lt;br&gt;<br /> ''First meeting:'' 21.10.2015.<br /> <br /> <br /> '''Note:'''<br /> This is the course for the winter semester 2015. <br /> The page for the follow up course can be found [[GMU:Human_and_Nonhuman_Performances_II_SS16|here]].<br /> <br /> <br /> == Application ==<br /> <br /> '''Application per email required!'''<br /> <br /> Please send a motivation letter before tuesday, 13 October 2015 to '''ursula.damm [aet] uni-weimar.de'''<br /> <br /> == Description ==<br /> Das Projekt bietet die Möglichkeit, eigene Vorhaben mit der Performances Plattform im DBL (People Tracking) sowie mit unserem DIY Biolab (Arbeiten mit Amöben) zu entwickeln.<br /> * Wie kann die Handlungsautonomie von Performern - seien sie menschlicher, tierischer oder maschineller Natur - erfasst und beschrieben werden? <br /> * Wie können wir uns mit &quot;Agenten&quot; - seien es virtuelle oder reelle - vernetzen? <br /> * Was sind die besten Methoden, um etwas voneinander zu erfahren? <br /> * Gibt es einen Verhaltenscodex?<br /> <br /> Das Modul beinhaltet eine Exkursion in einen Gutshof (Sauen) nahe Berlin mit Studierenden der Kunsthochschule Berlin Weissensee (Klasse Hannes Brunner). Der Austausch steht unter dem Motto „Netzwerke“. Um spielerisch und effektiv mit den verschiedenen Umgebungen arbeiten zu können und aufgrund der technischen Anforderungen für beide Labore wird es dringen geraten, die Fachmodule der Professur zu besuchen:<br /> <br /> * [[GMU:The Conceptual Sensor|The Conceptual Sensor]] (Darsha Hewitt)<br /> * [[GMU:Processing im Park|Processing im Park]] (Martin Schneider)<br /> * [[GMU:The Unstrument|The Unstrument]] (Darsha Hewitt)<br /> * [[GMU:BioArt|BioArt]] (Mindaugas Gapsevicius)<br /> <br /> == Links ==<br /> * [[GMU:Bio-Lab|DIY Bio-Lab]]<br /> * [https://www.uni-weimar.de/en/media/institutes/digital-bauhaus-lab/research-labs/performance-platform Performance Platform im DBL]<br /> * [http://www.udk-berlin.de/sites/content/themen/service/standorte/gutshof_sauen/index_ger.html Gutshof Sauen]<br /> * [http://www.kh-berlin.de/personen/show/prof-hannes-brunner-2332.html Prof. Hannes Brunner]<br /> * [https://www.uni-weimar.de/medien/wiki/GMU:BioGames#Texts Information on Bioart]<br /> * [[Information on People Tracking and related artworks]]<br /> * [[Tracking Motion Detection]] Zusammenstellung von Links zu Tracking Methoden, Bibliotheken und Software<br /> <br /> == Artists ==<br /> * [http://www.davidrokeby.com/vns.html David Rockeby]<br /> * [http://www.lozano-hemmer.com/ Rafael Lozano Hemmer]<br /> * [http://www.flong.com/ Golan Levin ]<br /> * [http://www.inoutsite.de Ursula Damm's early videotracking works]<br /> * [http://camilleutterback.com/ Camille Utterback]<br /> <br /> == Books (general) ==<br /> <br /> * Die technologische Bedinung ISBN 978-3518296035<br /> * Georg Trogemann: Exkursionen ins Undingliche ISBN 978-3709101209<br /> * Georg Trogemann und Jochen Viehoff: Code@Art ISBN 978-3211204382<br /> <br /> == Books (thematic) ==<br /> * Andrew Pickering: The Cybernetic Brain - Sketches of another future ISBN 9780226667904<br /> * Stafford Beer: Designing Freedom ISBN 978-0887845475<br /> * ANThology: Ein einführendes Handbuch zur Akteur-Netzwerk-Theorie ISBN 978-3899424799<br /> * The New Media Reader ISBN 978-0262232272<br /> * A touch of code - interactive Installations and experiences ISBN 978-3899553314<br /> * See yourself sensing ISBN 978-1907317293<br /> * Nicholas Negroponte: The architecture machine ISBN 978-0262640107<br /> * William H. Whyte: The Social Life of Small Urban Spaces ISBN 978-0970632418<br /> * Paula Antonelli: Talk to me ISBN 978-0870707964<br /> * Die technologische Bedinung ISBN 978-3518296035<br /> * Andrew Pickering: The Cybernetic Brain - Sketches of another future ISBN 9780226667904<br /> * [https://www.econbiz.de/Record/verhalten-stadt-rahmenthema-vortragsreihe-veranstaltet-institut-f%C3%BCr-st%C3%A4dtebau-landesplanung-universit%C3%A4t-karlsruhe-sommersemester-1976-lammers-gadso/10000122400 Institut für Städtebau und Landesplanung: Verhalten in der Stadt, Karlsruhe 1977]<br /> * Humberto Maturana: Vom Sein zum Tun, Die Urspünge der Biologie des Erkennens ISBN 978-3896706690<br /> * Lynn Margulis: Chimeras and Consciousness: Evolution of the Sensory Self ASIN B00FBR8IQ0<br /> * Stephen Wilson: Information Arts – Intersections of Art, Science, and Technology ISBN 9780262731584<br /> * [http://www.transcript-verlag.de/OpenAccess/download/?fileName=/content/oa/oa9783839408421.pdf Uwe Seifert / Jin Hyun Kim / Anthony Moore (eds.): Paradoxes of Interactivity Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations]<br /> <br /> == Texts ==<br /> <br /> * [http://pixlpa.com/pile/sfai/cyberneticsandart.pdf Michael J. Apter: Cybernetics and Art]<br /> * [http://pl02.donau-uni.ac.at/jspui/bitstream/10002/615/1/Roy%20Ascott.pdf Roy Ascott: Behaviorist Art and the Cybernetic Vision]<br /> * [http://mujweb.cz/horvitz/burnham/aesth-sys.pdf Jack Burnham: The Aesthetics of Intelligent Systems]<br /> * [http://people.csail.mit.edu/brooks/papers/nature.pdf Rodney Brooks: The Relationship between Matter and Life]<br /> * [http://people.csail.mit.edu/brooks/papers/representation.pdf Rodney Brooks: Intelligence without Representation]<br /> * [http://www.arteclab.uni-bremen.de/publications/artec-04-BrunsRichardAestheticCybernetics.pdf Bruns &amp; Richard: Aesthetic Cybernetics – Turning towards Senses of Man and Machine]<br /> * [http://www.jstor.org/stable/1574794?seq=1#page_scan_tab_contents Sonia L. Sheridan: Generative Systems versus Copy Art: A Clarification of Terms and Ideas]<br /> * [http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf Edward A. Shanken: Cybernetics and Art: Cultural Convergence in the 1960's]<br /> * [http://opus.uni-lueneburg.de/opus/volltexte/2007/11047/pdf/Kunst_aus_der_Maschine.pdf Martin Warnke: Kunst aus der Maschine: Informationsaesthetik, Virtualitaet und Interaktivitaet, Digital Communities]<br /> * [http://www1.appstate.edu/~kms/classes/psy5150/Documents/Braitenberg1984.pdf Valentino Braitenberg: Vehicles – Experiments in Synthetic Psychology]<br /> * [http://www.scio.org.uk/sites/default/files/designing_freedom.pdf Stafford Beer: Designing Freedom]<br /> * [http://www.nickgreen.pwp.blueyonder.co.uk/beerWhatisCybernetics.pdf Stafford Beer: What is Cybernetics (Talk)]<br /> * [https://www.asis.org/History/02-pickering.pdf Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics]<br /> * [http://cyberneticserendipity.com/cybernetic_serendipity.pdf Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts]<br /> * [http://interface.khm.de/wp-content/uploads/2008/11/04-kunstprogrammierung.pdf Georg Trogemann: Muessen Medienkuenstler programmieren koennen ?]<br /> * [http://interface.khm.de/wp-content/uploads/2013/11/BiologicalMachines.pdf Georg Trogemann: Biological Machines and the Mechanization of Life]<br /> * [http://yaxu.org/writing/thesis.pdf Christopher A. McLean: Artist Programmers and Programming Languages for the Arts (dissertation)]<br /> * [http://www.nyu.edu/projects/nissenbaum/papers/Latour_Mixing.pdf Bruno Latour: Mixing Humans and Non–Humans Together: The Sociology of a Door Closer]<br /> * [http://philipgalanter.com/downloads/complexism_chapter.pdf Philip Galanter: Complexism and the Role of evolutionary Art]<br /> * [http://philipgalanter.com/downloads/vague_terrain_2006.pdf Philip Galanter: Generative Art and Rule Based Art]<br /> * [http://www.researchgate.net/publication/233128802_What_is_generative_art Boden &amp; Edmonds: What is Generative Art ?]<br /> <br /> == Student projects ==<br /> * Angelica Sohn<br /> * [[Paul Haas]]<br /> * [[Emilio Aguas]]<br /> * Marco Schröder<br /> * [[/Rachel Smith|Rachel Smith]]<br /> * [[Tim Vischer]]<br /> * Marcus Glahn<br /> * [[/Yvonne Götzl|Yvonne Götzl]]<br /> * [[Liese Endler]]<br /> * [[Smin Kim]]<br /> * [[Azucena Sanchez]]<br /> * [[Christian Doeller]]<br /> * [[/Meike Halle|Meike Halle]]<br /> <br /> == Collaboration between Weissensee School of Art and Weimar University for transmediale ==<br /> * [[/Emilio Aguas|Emilio Aguas]] /Interactive installation<br /> * [[/Rama Bielewski and Marco Schröder | Rama Bielewski and Marco Schröder]] /performance, relational aesthetics<br /> * [[/Stephan Isermann|Stephan Isermann]] /Virtual Reality<br /> * [[/Francis Kamprath|Francis Kamprath]] /Performance, relational aesthetics<br /> * [[Rachel Smith and Tim Vischer]] /Interactive installation<br /> * [[/Azucena Sánchez and Yvonne Götzl|Azucena Sánchez and Yvonne Götzl]] /Interactive installation<br /> * [[/Matthias Schäfer and Paul Haas| Matthias Schäfer and Paul Haas]] /Performance, relational aesthetics<br /> * [[Esben Holk Nielsen and Ingeborg Henriksen]] /Interactive video<br /> * [[Leo Koppelkamm]] /Performance, relational aesthetics<br /> * [[Sonja Ofen and Stefanie Kägi]] /Interactive installation<br /> * [[Tanja Szallies, Eri Kubo, Mirce Velarde-Liljehult, Liese Endler, Dovile Aleksaite]] /performance<br /> * [[Mirce Velarde-Liljehult]] /relational aesthetics, installation<br /> * [[Adrian Taraszkiewicz, Artur Gasior, Michal Banasik, Remi Suda]] /Interactive installation<br /> <br /> == Other projects ==<br /> * [[Dovile Aleksaite]]<br /> * [[Viktor Bone]] /Video installation<br /> * [[/Liese Endler|Liese Endler]]<br /> * Meike Halle<br /> * Maria Degand<br /> * [[/Christian Doeller|Christian Doeller]] /Interactive installation<br /> * [[Michael Fischer - TRL]]<br /> * [[/Yvonne Götzl|Yvonne Götzl]] /Interactive installation<br /> * [[/Paul Haas|Paul Haas]]<br /> * [[/Ingeborg Henriksen|Ingeborg Henriksen]] /Performance<br /> * [[Jihye Hong]]<br /> * [[Yawen Huang]]<br /> * [[Simon Kalmbach]]<br /> * [[/Sebastian Kaye|Sebastian Kaye]] /Interactive installation<br /> * [[/Eri Kubo|Eri Kubo]]<br /> * [[Susanne Schmitt]]<br /> * [[Lea Wieland]]<br /> <br /> <br /> [[Category:WS15]]<br /> [[Category:Ursula Damm]]<br /> [[Category:Projektmodul]]</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Human_and_Nonhuman_Performances_II_WS15/Liese_Endler_%2B_MTST_collective&diff=81244 2016-04-18T10:00:56Z

<p>LieseEndler: Created page with &quot;&#039;&#039;&#039;MTST_Collective: &quot;(e)mering properties”&#039;&#039;&#039; MTST_Collective consists of Dovilė Aleksaitė, Liese Endler, Yawen Huang, Mirce Liljehult, Eri Qubo, Tanja Szallies ---- &#039;&#039;&#039;Col...&quot;</p> <hr /> <div>'''MTST_Collective: &quot;(e)mering properties”'''<br /> <br /> MTST_Collective consists of Dovilė Aleksaitė, Liese Endler, Yawen Huang, Mirce Liljehult, Eri Qubo, Tanja Szallies<br /> <br /> ----<br /> '''Colaborative work'''<br /> During the workshop in Sauen I participated in performative experiments with Tanja, Eri ,Mirce and Yawen. We came from different perspectives but we were all especially interested in performative strategies to deal with the questions: how do we make decisions and what are they affected by, is there an intelligence within a collective that is more than just the sum of the intelligence of every individual. We decided to form an collective, work together and try things out. The MTST_collective. <br /> <br /> '''Idea'''<br /> The performative piece is inspired by the idea of universal computation and system theory (Stanislav Ulam &amp; John von Neumann/ Cornways Game of Life). This way each person/performer is understood as a similar but unique cellular-automaton-like element with his own rules. Through interaction with living or non-living objects the rules of the person change, thus creating more complex patterns. Through the performance we discuss the questions of natural / unnatural, individual / collective decision-making and the idea that all subjects and objects in the environment effect each other. <br /> <br /> '''Rules''': PDF<br /> <br /> '''<br /> Rehearsals'''<br /> <br /> Every performer had to decide about his/her own walking pattern which consisted of steps and turns and pauses. Along with that we decided upon different rules the performers had to follow when it comes to interaction with the environment. These rules effected the behavior of the individual performer and their walking patterns. By reacting to animated and inanimate objects with certain movements or sounds the interaction with the environment leads to a more complex group pattern.<br /> <br /> [[File:Example.jpg]]<br /> Individual walking patterns<br /> <br /> [[File:Example.jpg]]<br /> Group walking patterns<br /> <br /> The decision making process within the collective was not always easy. We discussed a lot about what the rules should be and how much and what kind of interaction with the audience is good. According to our background and knowledge we split some tasks:<br /> My role was to do the warm ups with the performers in order to make them familiar with the environment, both physically and conceptually. It was especially important to create a group dynamic that will allow everybody to stay concentrated and be able to be aware of ones own bodily presence as well as the the bodily presence of the group and the people around. The aim for me was to form a group that is able to act like a collective intelligence/ organism.<br /> <br /> Logbook_MTST_LieseEndler: PDF<br /> <br /> I did some easy games that mainly focussed on one or two simple rules the performers had to follow. e.g. the enemy &amp; guardian game we also played in Sauen. This game allows the actors to become aware of their body and position within a room, to take self responsibility and to get the body circulation going. They can notice how the smallest steps can have a big impact on the group and how their individual behavior changes the movement of the whole group. It is a closed system they can not escape.<br /> <br /> Last rehearsal took place at Sony center in Berlin, which was an important first contact to the public:<br /> <br /> (Last_rehearsal_SonyCeter Berlin.mov)<br /> <br /> ----<br /> <br /> Performance at Transmediale 2016<br /> <br /> [[File:Example.jpg]]<br /> Emerging properties 1<br /> <br /> We located the actors in the room so they knew which is their first position and when the ticking of the metronome starts the performance starts. The performers are than in “automatic mode” as we called it, following their own predetermined walking-patterns. The performance took around 15 mins and was repeated 4 times at the Cafe stage.<br /> <br /> '''The Audience'''<br /> The first one started at around 3.30pm and at that time there was already a huge cue at the “freecoffee”Bar from Matthias&amp;Paul.The performance started and in the first few minutes there was not a big change in the space. People kept on exploring the other artworks and tried to avoid colliding with the performers as they sometimes were really close to some people. After a while the structure of the room had changed and the cue looked or more open and the place less crowded. <br /> [[File:Example.jpg]]<br /> before first performance<br /> [[File:Example.jpg]]<br /> after first performance<br /> <br /> Some people stood still observing the performers or took a glimpse at them by walking across them, while others ignored them completely or simply tried to get out of their way.<br /> Though some visitors were standing really near to the performers laughing, wondering or even confronting them, they stayed in their role and followed their patterns.<br /> The most obvious interaction was the group humming from time to time. Sometimes the whole space was filled with a loud humming noise that seemed to calm down the other voices.<br /> <br /> [[File:Example.png]]<br /> <br /> [[File:Example.jpg]]<br /> <br /> [[File:Example.jpg]]<br /> <br /> [[File:Example.jpg]]<br /> <br /> '''Feedback: performers'''<br /> some felt like after a long time of practicing and also during the performance they were in some kind of trance and behaved without thinking. They implemented their walking patterns to their body so they acted automatic as soon as the performance started.<br /> Some performers said they liked being close to people and irritate them while others told us that they were touched by people which made them uncomfortable. Still they stayed in their role. <br /> <br /> '''Conclusion'''<br /> Like in theater or performance art usually we had no clue how people would react to our performance. Would they like it? Would they recognize it or not? Will it have an effect on them anyhow? <br /> It was not our aim to exhibit something that would draw a lot of attention and be understood as performance in the first place but we wanted to effect the way the people behave and move through the space on a subliminal level. Some people clearly realized that there was a performance going on and they respond immediately (standing still or laughing, looking really close and look away). Their body reacted to the movement of the body of the performer in a certain way. An than there where others which might not even have recognized that there is a performance going on, but the way they move through the space was somehow effected by the performance and the way this gave structure to the space.<br /> <br /> However there is one thing I would criticize: For me it would have been even more interesting to watch the effects of a performance that nobody would have recognized in the first place. The robotic, repetitive and staccato like movement revealed the actors of being actors and maybe the border between natural and unnatural or individual and collective could have been examined even better when the performers blend into the crowd more.<br /> <br /> ----<br /> <br /> links: <br /> FB-Event: https://www.facebook.com/events/616342025181136/<br /> <br /> Mess wich Tech Sense and Thinking website: http://www.messwithtech.net/<br /> <br /> Transmediale website with event: https://2016.transmediale.de/de/content/the-mess-with-tech-sense-and-thinking</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Human_and_Nonhuman_Performances_II_WS15&diff=81243 2016-04-18T09:46:46Z

<p>LieseEndler: /* Student projects */</p> <hr /> <div>[[:Category:Projektmodul|Projektmodul]] '''M.F.A.'''&lt;br&gt;<br /> ''Lecturer:'' [[Ursula Damm]] &lt;br&gt;<br /> ''Credits:'' 18 [[ECTS]], 16 [[SWS]]&lt;br&gt;<br /> ''Date:'' Wednesday, 09:15 - 12:30 &lt;br&gt;<br /> ''Venue:'' Digital Bauhaus Lab, [[Performance Plattform]] &lt;br&gt;<br /> ''First meeting:'' 21.10.2015.<br /> <br /> <br /> '''Note:'''<br /> This is the course for the winter semester 2015. <br /> The page for the follow up course can be found [[GMU:Human_and_Nonhuman_Performances_II_SS16|here]].<br /> <br /> <br /> == Application ==<br /> <br /> '''Application per email required!'''<br /> <br /> Please send a motivation letter before tuesday, 13 October 2015 to '''ursula.damm [aet] uni-weimar.de'''<br /> <br /> == Description ==<br /> Das Projekt bietet die Möglichkeit, eigene Vorhaben mit der Performances Plattform im DBL (People Tracking) sowie mit unserem DIY Biolab (Arbeiten mit Amöben) zu entwickeln.<br /> * Wie kann die Handlungsautonomie von Performern - seien sie menschlicher, tierischer oder maschineller Natur - erfasst und beschrieben werden? <br /> * Wie können wir uns mit &quot;Agenten&quot; - seien es virtuelle oder reelle - vernetzen? <br /> * Was sind die besten Methoden, um etwas voneinander zu erfahren? <br /> * Gibt es einen Verhaltenscodex?<br /> <br /> Das Modul beinhaltet eine Exkursion in einen Gutshof (Sauen) nahe Berlin mit Studierenden der Kunsthochschule Berlin Weissensee (Klasse Hannes Brunner). Der Austausch steht unter dem Motto „Netzwerke“. Um spielerisch und effektiv mit den verschiedenen Umgebungen arbeiten zu können und aufgrund der technischen Anforderungen für beide Labore wird es dringen geraten, die Fachmodule der Professur zu besuchen:<br /> <br /> * [[GMU:The Conceptual Sensor|The Conceptual Sensor]] (Darsha Hewitt)<br /> * [[GMU:Processing im Park|Processing im Park]] (Martin Schneider)<br /> * [[GMU:The Unstrument|The Unstrument]] (Darsha Hewitt)<br /> * [[GMU:BioArt|BioArt]] (Mindaugas Gapsevicius)<br /> <br /> == Links ==<br /> * [[GMU:Bio-Lab|DIY Bio-Lab]]<br /> * [https://www.uni-weimar.de/en/media/institutes/digital-bauhaus-lab/research-labs/performance-platform Performance Platform im DBL]<br /> * [http://www.udk-berlin.de/sites/content/themen/service/standorte/gutshof_sauen/index_ger.html Gutshof Sauen]<br /> * [http://www.kh-berlin.de/personen/show/prof-hannes-brunner-2332.html Prof. Hannes Brunner]<br /> * [https://www.uni-weimar.de/medien/wiki/GMU:BioGames#Texts Information on Bioart]<br /> * [[Information on People Tracking and related artworks]]<br /> * [[Tracking Motion Detection]] Zusammenstellung von Links zu Tracking Methoden, Bibliotheken und Software<br /> <br /> == Artists ==<br /> * [http://www.davidrokeby.com/vns.html David Rockeby]<br /> * [http://www.lozano-hemmer.com/ Rafael Lozano Hemmer]<br /> * [http://www.flong.com/ Golan Levin ]<br /> * [http://www.inoutsite.de Ursula Damm's early videotracking works]<br /> * [http://camilleutterback.com/ Camille Utterback]<br /> <br /> == Books (general) ==<br /> <br /> * Die technologische Bedinung ISBN 978-3518296035<br /> * Georg Trogemann: Exkursionen ins Undingliche ISBN 978-3709101209<br /> * Georg Trogemann und Jochen Viehoff: Code@Art ISBN 978-3211204382<br /> <br /> == Books (thematic) ==<br /> * Andrew Pickering: The Cybernetic Brain - Sketches of another future ISBN 9780226667904<br /> * Stafford Beer: Designing Freedom ISBN 978-0887845475<br /> * ANThology: Ein einführendes Handbuch zur Akteur-Netzwerk-Theorie ISBN 978-3899424799<br /> * The New Media Reader ISBN 978-0262232272<br /> * A touch of code - interactive Installations and experiences ISBN 978-3899553314<br /> * See yourself sensing ISBN 978-1907317293<br /> * Nicholas Negroponte: The architecture machine ISBN 978-0262640107<br /> * William H. Whyte: The Social Life of Small Urban Spaces ISBN 978-0970632418<br /> * Paula Antonelli: Talk to me ISBN 978-0870707964<br /> * Die technologische Bedinung ISBN 978-3518296035<br /> * Andrew Pickering: The Cybernetic Brain - Sketches of another future ISBN 9780226667904<br /> * [https://www.econbiz.de/Record/verhalten-stadt-rahmenthema-vortragsreihe-veranstaltet-institut-f%C3%BCr-st%C3%A4dtebau-landesplanung-universit%C3%A4t-karlsruhe-sommersemester-1976-lammers-gadso/10000122400 Institut für Städtebau und Landesplanung: Verhalten in der Stadt, Karlsruhe 1977]<br /> * Humberto Maturana: Vom Sein zum Tun, Die Urspünge der Biologie des Erkennens ISBN 978-3896706690<br /> * Lynn Margulis: Chimeras and Consciousness: Evolution of the Sensory Self ASIN B00FBR8IQ0<br /> * Stephen Wilson: Information Arts – Intersections of Art, Science, and Technology ISBN 9780262731584<br /> * [http://www.transcript-verlag.de/OpenAccess/download/?fileName=/content/oa/oa9783839408421.pdf Uwe Seifert / Jin Hyun Kim / Anthony Moore (eds.): Paradoxes of Interactivity Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations]<br /> <br /> == Texts ==<br /> <br /> * [http://pixlpa.com/pile/sfai/cyberneticsandart.pdf Michael J. Apter: Cybernetics and Art]<br /> * [http://pl02.donau-uni.ac.at/jspui/bitstream/10002/615/1/Roy%20Ascott.pdf Roy Ascott: Behaviorist Art and the Cybernetic Vision]<br /> * [http://mujweb.cz/horvitz/burnham/aesth-sys.pdf Jack Burnham: The Aesthetics of Intelligent Systems]<br /> * [http://people.csail.mit.edu/brooks/papers/nature.pdf Rodney Brooks: The Relationship between Matter and Life]<br /> * [http://people.csail.mit.edu/brooks/papers/representation.pdf Rodney Brooks: Intelligence without Representation]<br /> * [http://www.arteclab.uni-bremen.de/publications/artec-04-BrunsRichardAestheticCybernetics.pdf Bruns &amp; Richard: Aesthetic Cybernetics – Turning towards Senses of Man and Machine]<br /> * [http://www.jstor.org/stable/1574794?seq=1#page_scan_tab_contents Sonia L. Sheridan: Generative Systems versus Copy Art: A Clarification of Terms and Ideas]<br /> * [http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf Edward A. Shanken: Cybernetics and Art: Cultural Convergence in the 1960's]<br /> * [http://opus.uni-lueneburg.de/opus/volltexte/2007/11047/pdf/Kunst_aus_der_Maschine.pdf Martin Warnke: Kunst aus der Maschine: Informationsaesthetik, Virtualitaet und Interaktivitaet, Digital Communities]<br /> * [http://www1.appstate.edu/~kms/classes/psy5150/Documents/Braitenberg1984.pdf Valentino Braitenberg: Vehicles – Experiments in Synthetic Psychology]<br /> * [http://www.scio.org.uk/sites/default/files/designing_freedom.pdf Stafford Beer: Designing Freedom]<br /> * [http://www.nickgreen.pwp.blueyonder.co.uk/beerWhatisCybernetics.pdf Stafford Beer: What is Cybernetics (Talk)]<br /> * [https://www.asis.org/History/02-pickering.pdf Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics]<br /> * [http://cyberneticserendipity.com/cybernetic_serendipity.pdf Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts]<br /> * [http://interface.khm.de/wp-content/uploads/2008/11/04-kunstprogrammierung.pdf Georg Trogemann: Muessen Medienkuenstler programmieren koennen ?]<br /> * [http://interface.khm.de/wp-content/uploads/2013/11/BiologicalMachines.pdf Georg Trogemann: Biological Machines and the Mechanization of Life]<br /> * [http://yaxu.org/writing/thesis.pdf Christopher A. McLean: Artist Programmers and Programming Languages for the Arts (dissertation)]<br /> * [http://www.nyu.edu/projects/nissenbaum/papers/Latour_Mixing.pdf Bruno Latour: Mixing Humans and Non–Humans Together: The Sociology of a Door Closer]<br /> * [http://philipgalanter.com/downloads/complexism_chapter.pdf Philip Galanter: Complexism and the Role of evolutionary Art]<br /> * [http://philipgalanter.com/downloads/vague_terrain_2006.pdf Philip Galanter: Generative Art and Rule Based Art]<br /> * [http://www.researchgate.net/publication/233128802_What_is_generative_art Boden &amp; Edmonds: What is Generative Art ?]<br /> <br /> == Student projects ==<br /> * Angelica Sohn<br /> * [[Paul Haas]]<br /> * [[Emilio Aguas]]<br /> * Marco Schröder<br /> * [[/Rachel Smith|Rachel Smith]]<br /> * [[Tim Vischer]]<br /> * Marcus Glahn<br /> * [[/Yvonne Götzl|Yvonne Götzl]]<br /> * [[Liese Endler]]<br /> * [[Smin Kim]]<br /> * [[Azucena Sanchez]]<br /> * [[Christian Doeller]]<br /> * [[/Meike Halle|Meike Halle]]<br /> * [[/Liese Endler + MTST_collective|Liese Endler + MTST_collective]]<br /> <br /> == Collaboration between Weissensee School of Art and Weimar University for transmediale ==<br /> * [[/Emilio Aguas|Emilio Aguas]] /Interactive installation<br /> * [[/Rama Bielewski and Marco Schröder | Rama Bielewski and Marco Schröder]] /performance, relational aesthetics<br /> * [[/Stephan Isermann|Stephan Isermann]] /Virtual Reality<br /> * [[/Francis Kamprath|Francis Kamprath]] /Performance, relational aesthetics<br /> * [[Rachel Smith and Tim Vischer]] /Interactive installation<br /> * [[/Azucena Sánchez and Yvonne Götzl|Azucena Sánchez and Yvonne Götzl]] /Interactive installation<br /> * [[/Matthias Schäfer and Paul Haas| Matthias Schäfer and Paul Haas]] /Performance, relational aesthetics<br /> * [[Esben Holk Nielsen and Ingeborg Henriksen]] /Interactive video<br /> * [[Leo Koppelkamm]] /Performance, relational aesthetics<br /> * [[Sonja Ofen and Stefanie Kägi]] /Interactive installation<br /> * [[Tanja Szallies, Eri Kubo, Mirce Velarde-Liljehult, Liese Endler, Dovile Aleksaite]] /performance<br /> * [[Mirce Velarde-Liljehult]] /relational aesthetics, installation<br /> * [[Adrian Taraszkiewicz, Artur Gasior, Michal Banasik, Remi Suda]] /Interactive installation<br /> <br /> == Other projects ==<br /> * [[Dovile Aleksaite]]<br /> * [[Viktor Bone]] /Video installation<br /> * [[/Liese Endler|Liese Endler]]<br /> * Meike Halle<br /> * Maria Degand<br /> * [[/Christian Doeller|Christian Doeller]] /Interactive installation<br /> * [[Michael Fischer - TRL]]<br /> * [[/Yvonne Götzl|Yvonne Götzl]] /Interactive installation<br /> * [[/Paul Haas|Paul Haas]]<br /> * [[/Ingeborg Henriksen|Ingeborg Henriksen]] /Performance<br /> * [[Jihye Hong]]<br /> * [[Yawen Huang]]<br /> * [[Simon Kalmbach]]<br /> * [[/Sebastian Kaye|Sebastian Kaye]] /Interactive installation<br /> * [[/Eri Kubo|Eri Kubo]]<br /> * [[Susanne Schmitt]]<br /> * [[Lea Wieland]]<br /> <br /> <br /> [[Category:WS15]]<br /> [[Category:Ursula Damm]]<br /> [[Category:Projektmodul]]</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80883 2016-04-08T00:58:59Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> <br /> To some extent crystals are claimed to be inorganic, dead material. We use crystalline minerals to built electronic devices like displays, speakers or microchips. Experimenting with different salt crystals over the last year I experienced the vivid dimension of this material. The crystal growth can be influenced by the environmental condition the solution is in. Parameters like temperature, humidity and surrounding sounds manipulate the shape of the fragile crystals. This made me think of crystals as beings with a certain kind of sensibility that I attempt to make visible in this work. The crystal growing process takes place in an environment that aims to isolated it from various environmental parameters especially noises. Within the soundproof-box the solution is than exposed to predetermined sound waves that may effect the shape of the crystalline growth and reveal petrified waves.<br /> <br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----<br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> [[File:Waveproofbox black.png]]<br /> [[File:Box and audiojack.png]]<br /> <br /> In order to be able to expose the crystal solution to specific sounds and observ if they have different impacts on the crystal growing process I built this sound proof box. It isolates the medium from an environment that is &quot;contaminated&quot; with other sonar waves e.g. voices or noise from the street. It is possible to connect an audio jack to the piezo disc. That way a variaty of different sounds can be played directly onto the solution.</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Box_and_audiojack.png&diff=80882 2016-04-08T00:54:54Z

<p>LieseEndler: uploaded a new version of &amp;quot;File:Box and audiojack.png&amp;quot;</p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80881 2016-04-08T00:53:01Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----<br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> [[File:Waveproofbox black.png]]<br /> [[File:Box and audiojack.png]]<br /> <br /> In order to be able to expose the crystal solution to specific sounds and observ if they have different impacts on the crystal growing process I built this sound proof box. It isolates the medium from an environment that is &quot;contaminated&quot; with other sonar waves e.g. voices or noise from the street. It is possible to connect an audio jack to the piezo disc. That way a variaty of different sounds can be played directly onto the solution.</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Box_and_audiojack.png&diff=80880 2016-04-08T00:52:43Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80879 2016-04-08T00:49:36Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----<br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> [[File:Waveproofbox black.png]]<br /> <br /> In order to be able to expose the crystal solution to specific sounds and observ if they have different impacts on the crystal growing process I built this sound proof box. It isolates the medium from an environment that is &quot;contaminated&quot; with other sonar waves e.g. voices or noise from the street. It is possible to connect an audio jack to the piezo disc. That way a variaty of different sounds can be played directly onto the solution.</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80878 2016-04-08T00:48:33Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----<br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> [[File:Waveproofbox black.png]]<br /> <br /> In order to be able to expose the crystal solution to specific sounds and observ if they have different impacts on the crystal growing process I built this sound proof box. It isolates the medium from an environment that is &quot;contaminated&quot; with other sonar waves e.g. voices or noise from the street. It is possible to connect an audio jack to the piezo disc, that works as a speaker. That way a variaty of different sounds can be played directly onto the solution.<br /> <br /> To keep the environmental parameters as contro</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80877 2016-04-08T00:38:36Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----<br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> [[File:Waveproofbox black.png]]</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Waveproofbox_black.png&diff=80876 2016-04-08T00:37:10Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{self|c}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80865 2016-04-07T19:03:35Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution. piezo disc is attached to the petri dish. piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> sound isolating box with magnesium sulfate solution in petri dish attached to peizo disc. piezo disk works as a loudspeaker in combination with the petri dish.<br /> <br /> <br /> ----</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80864 2016-04-07T18:58:49Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to sonic waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> [[File:Waveproof box.png]]<br /> <br /> <br /> <br /> '''Crystal solution and sound waves trapped in a box'''<br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80863 2016-04-07T18:57:21Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> <br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80862 2016-04-07T18:56:48Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Ideas on aesthetics and experiments'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> <br /> screenshot from video on Crystal formations from the 50ies<br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80861 2016-04-07T18:55:40Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [[File:1950crystalgrowing.png]]<br /> screenshot from video on Crystal formations from the 50ies<br /> Video in full length:[https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:1950crystalgrowing.png&diff=80860 2016-04-07T18:53:51Z

<p>LieseEndler: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Licensing ==<br /> {{subst:nld}}<br /> == Source: ==</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80859 2016-04-07T18:47:24Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> [https://www.youtube.com/watch?v=XkXAaSsAlNE Crystals-Formation, Atomic properties &amp; growing crystals 1950]<br /> <br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80858 2016-04-07T18:43:53Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80857 2016-04-07T18:43:29Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> '''Illustrated Thoughts on Crystals, Waves and Interference'''<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> <br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80856 2016-04-07T18:42:44Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> Illustrated Thoughts on Crystals, Waves and Interference<br /> <br /> '''Crystals'''_solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> '''Waves'''_water can lead to waves when the tide is low and raises high again.<br /> sonar waves are my favorite ones. they are loud and can be harmful or quite and gentle but get to make my body move. electric waves can have are square shape.<br /> they can turn into a stroke. they are what makes our body stay alive.<br /> <br /> '''Interference'''_People interfere when they come to close to each other. they collide and thoughts might merge. bing out new thoughts or block original thoughts.collision means destruction and mutation. means old ideas and new life<br /> It is matter that occurs at the same time same place. waves can interfere and evoke a strong crystaline growth.<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80855 2016-04-07T18:36:57Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> Illustrated Thoughts on Crystals, Waves and Interference<br /> <br /> '''Crystals'''<br /> solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80854 2016-04-07T18:36:34Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> Illustrated Thoughts on Crystals, Waves and Interference<br /> '''Crystals'''solid. still fragile enough to become a device to transmit signals. stable. to store information for years and years. sparkling. so it creates a show that immerses people into its unique structure. sensitive. oscillating and monitoring. not living but reacting. with predetermined patterns<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80853 2016-04-07T18:33:24Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> Illustrated Thoughts on Crystals, Waves and Interference<br /> <br /> Crystals<br /> solid<br /> still fragile enough<br /> to become a device<br /> to transmit signals<br /> stable<br /> to store information<br /> for years and years<br /> sparkling<br /> so it creates a show<br /> that immerses people<br /> into its unique structure<br /> sensitive<br /> oscillating&amp;monitoring<br /> not living but reacting<br /> with predetermined patterns<br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:BioArt_WS15/Liese_Endler&diff=80852 2016-04-07T18:31:42Z

<p>LieseEndler: /* Petrified Waves */</p> <hr /> <div>==Petrified Waves==<br /> <br /> [[File:Working atmo.png]]<br /> [[File:Alauncrystal.png]]<br /> [[File:Alauncrystal2.png]]<br /> [[File:Wavesanddevices.png]]<br /> Working atmosphere<br /> <br /> ----<br /> <br /> [[File:Interferencereal.png]]<br /> [[File:Waves2 .small.png]]<br /> <br /> Illustrated Thoughts on Crystals, Waves and Interference<br /> <br /> <br /> <br /> <br /> <br /> <br /> ----<br /> <br /> '''First draft of an installation setup:'''<br /> <br /> [[File:Firstsetupdraft.png]]<br /> <br /> <br /> Visitors put their mouth near the microphone and make use of their vocal cord.<br /> <br /> Microphone is atatched to a loudspeaker.<br /> <br /> Above the loudspeaker the crystal solution is arranged.<br /> <br /> Crystal solution is recorded from above with a video camera.<br /> <br /> Video camera is attached to a projector that projects the image onto a wall.<br /> <br /> The image shows the pertrified waves that are produced by the vocal cord of the visitors.<br /> <br /> <br /> ----<br /> ''' Some Experiments on aesthetics'''<br /> <br /> [[File:Magnesiumsulfat golddust.png]]<br /> <br /> Magnesiumsulfate + gold dust<br /> (crystalized after approx. 2h)<br /> <br /> <br /> [[File:Magenfy via laser.png]]<br /> <br /> Attempt to magnify a drop of crystal solution with a green laser<br /> <br /> <br /> ----<br /> <br /> [[File:Sketch1.png]]<br /> [[File:Sketch2crytsalsanddevices.png]]<br /> <br /> ----<br /> <br /> <br /> '''Setup to expose crystal solution to waves'''<br /> <br /> [[File:Solution+piezo.png]]<br /> [[File:Waveproof box.png]]<br /> <br /> <br /> petri dish contains magensiumsulfate solution <br /> <br /> piezo disc is attached to the petri dish<br /> <br /> piezo disc emits square waves produced by an oscilating circuit<br /> <br /> <br /> <br /> <br /> sound isolating box with<br /> <br /> magnesium sulfate solution<br /> <br /> in petri dish<br /> <br /> attached to peizo disc<br /> <br /> piezo disk works as a loudspeaker in combination with the petri dish<br /> <br /> <br /> ----<br /> <br /> '''Crystal solution and sound waves trapped in a box'''</div>

LieseEndler