https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Jreizner 2026-05-17T18:15:36Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Kolloq_SS14&diff=65903 2014-04-14T20:36:52Z

<p>Jreizner: /* Syllabus */</p> <hr /> <div>[[:Category:Kolloquium|Kolloquium]] &lt;br/&gt;<br /> ''Lehrperson:'' [[Jens Geelhaar]], [[Michael Markert]], [[Gabriel Rausch]], [[Martin Schied]], [[User:Joatan|Joatan Preis Dutra]], [[Johannes Deich]], [[Daniela Tröger]]&lt;br/&gt;<br /> ''Bewertung:'' 0 [[ECTS]], ca. 3 [[SWS]]&lt;br/&gt;<br /> ''Termin:'' Mittwochs, 10.15 Uhr&lt;br/&gt;<br /> ''Ort:'' Marienstraße 7b, Raum 105&lt;br/&gt;<br /> <br /> ''Erster Termin:'' Mittwoch, 9. April 2014, 10:15 Uhr<br /> <br /> ==Beschreibung==<br /> Das Interface-Design Kolloquium lädt jeden Mittwoch zu einem kleinen Vortrag aus der Praxis (von Studierenden, Gästen oder Mitarbeitern) ein. Im Anschluss wird über das Thema des Vortrags diskutiert.<br /> <br /> ==English description==<br /> We are inviting students, guests and lecturers to present their works. There will be a brief discussion afterwards.<br /> <br /> == Anmeldung ==<br /> Der Besuch ist offen für alle und erfordert keine Anmeldung<br /> <br /> ==Zielgruppe==<br /> Alle Bachelor- und Master-Studenten, Absolventen und Mitarbeiter der Professur Interface-Design.<br /> <br /> == Hinweise für Vortragende ==<br /> <br /> Übrigens: Wir freuen uns über Hinweise für interessante Vorträge!<br /> <br /> Normalerweise gibt es zwei Redner pro Termin. Es gibt einen Beamer (VGA-Connector!), wenn Sie Sound oder einen Computer benötigen, melden Sie sich bitte bei [[User:Mm|Michael]]. Falls Sie die Präsentation auf einem USB-Stick mitbringen, dann bitte entweder als Mac-Keynote oder als PDF. Wir haben nur eventuell Zugriff auf einen Windows-PC mit Powerpoint.<br /> <br /> Ein Internetzugang steht über das WiFi Netzwerk &quot;eduroam&quot; zur Verfügung. Falls Sie kein Universitätslogin haben, melden Sie sich bitte rechtzeitig, damit wir einen Gastzugang beantragen können.<br /> <br /> Sie können Ihre Vortragssprache (Deutsch/Englisch) frei wählen. Es sind jedoch üblicherweise 5 bis 10% fremdsprachige Teilnehmer anwesend, die i.d.R. besser Englisch als Deutsch verstehen.<br /> <br /> Die Präsentation sollte eine Dauer von etwa ~20 Minuten haben. Bitte haben Sie Verständnis dafür, wenn wir nach spätestens 30 Minuten abbrechen, denn wir möchten noch genügend Zeit für Feedback, Fragen und kurze Anschlussdiskussionen haben.<br /> <br /> <br /> == Notes for Speakers ==<br /> <br /> If you feel you have something interesting to share, please contact us. We are always looking for interesting things to share and talk about.<br /> <br /> Typically, we have two presentations per meeting. There is a projector with VGA Connector. If you need Sound or a Computer, please contact [[User:Mm|Michael]]. If you bring your presentation on a USB-Stick, please use either Mac-Keynote or PDF, because we may or may not find a Windows-PC with Powerpoint.<br /> <br /> To connect to the internet, you can use the &quot;eduroam&quot; WiFi network. If you have no University login, please get in touch, so we can arrange a guest account.<br /> <br /> The language of your talk (German/English) is up to you to decide. Usually, there are about 5 to 10% Students that understand English better than German.<br /> <br /> The presentation should have a duration of about ~ 20 minutes. Please understand that we need to stop the talk after 30 minutes latest, because there should be time for feedback, questions and short discussions.<br /> <br /> ==Syllabus==<br /> Vorläufiger Semesterplan:<br /> BITTE MAXIMAL ZWEI VORTRÄGE PRO TERMIN!<br /> ONLY TWO PRESENTATIONS PER DAY PLEASE!<br /> # 09.04. Lisa F. (Praktikum)<br /> # 16.04. <br /> # 23.04. Jason Reizner<br /> # 30.04. <br /> # 07.05. <br /> # 14.05. <br /> # 21.05. <br /> # 28.05. <br /> # 04.06. <br /> # 11.06. <br /> # 18.06. <br /> # 25.06. <br /> # 02.07. <br /> # 09.07. <br /> BITTE MAXIMAL ZWEI VORTRÄGE PRO TERMIN!<br /> ONLY TWO PRESENTATIONS PER DAY PLEASE!<br /> <br /> == Siehe auch ==<br /> * [[IFD:Kolloq WS13]]<br /> * [[IFD:Kolloq SS12]]<br /> * [[IFD:Kolloq WS12]]<br /> * [[IFD:Kolloq SS13]]<br /> <br /> ==Links==<br /> * tba</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:Kolloq_SS14&diff=65891 2014-04-14T15:20:48Z

<p>Jreizner: /* Syllabus */</p> <hr /> <div>[[:Category:Kolloquium|Kolloquium]] &lt;br/&gt;<br /> ''Lehrperson:'' [[Jens Geelhaar]], [[Michael Markert]], [[Gabriel Rausch]], [[Martin Schied]], [[User:Joatan|Joatan Preis Dutra]], [[Johannes Deich]], [[Daniela Tröger]]&lt;br/&gt;<br /> ''Bewertung:'' 0 [[ECTS]], ca. 3 [[SWS]]&lt;br/&gt;<br /> ''Termin:'' Mittwochs, 10.15 Uhr&lt;br/&gt;<br /> ''Ort:'' Marienstraße 7b, Raum 105&lt;br/&gt;<br /> <br /> ''Erster Termin:'' Mittwoch, 9. April 2014, 10:15 Uhr<br /> <br /> ==Beschreibung==<br /> Das Interface-Design Kolloquium lädt jeden Mittwoch zu einem kleinen Vortrag aus der Praxis (von Studierenden, Gästen oder Mitarbeitern) ein. Im Anschluss wird über das Thema des Vortrags diskutiert.<br /> <br /> ==English description==<br /> We are inviting students, guests and lecturers to present their works. There will be a brief discussion afterwards.<br /> <br /> == Anmeldung ==<br /> Der Besuch ist offen für alle und erfordert keine Anmeldung<br /> <br /> ==Zielgruppe==<br /> Alle Bachelor- und Master-Studenten, Absolventen und Mitarbeiter der Professur Interface-Design.<br /> <br /> == Hinweise für Vortragende ==<br /> <br /> Übrigens: Wir freuen uns über Hinweise für interessante Vorträge!<br /> <br /> Normalerweise gibt es zwei Redner pro Termin. Es gibt einen Beamer (VGA-Connector!), wenn Sie Sound oder einen Computer benötigen, melden Sie sich bitte bei [[User:Mm|Michael]]. Falls Sie die Präsentation auf einem USB-Stick mitbringen, dann bitte entweder als Mac-Keynote oder als PDF. Wir haben nur eventuell Zugriff auf einen Windows-PC mit Powerpoint.<br /> <br /> Ein Internetzugang steht über das WiFi Netzwerk &quot;eduroam&quot; zur Verfügung. Falls Sie kein Universitätslogin haben, melden Sie sich bitte rechtzeitig, damit wir einen Gastzugang beantragen können.<br /> <br /> Sie können Ihre Vortragssprache (Deutsch/Englisch) frei wählen. Es sind jedoch üblicherweise 5 bis 10% fremdsprachige Teilnehmer anwesend, die i.d.R. besser Englisch als Deutsch verstehen.<br /> <br /> Die Präsentation sollte eine Dauer von etwa ~20 Minuten haben. Bitte haben Sie Verständnis dafür, wenn wir nach spätestens 30 Minuten abbrechen, denn wir möchten noch genügend Zeit für Feedback, Fragen und kurze Anschlussdiskussionen haben.<br /> <br /> <br /> == Notes for Speakers ==<br /> <br /> If you feel you have something interesting to share, please contact us. We are always looking for interesting things to share and talk about.<br /> <br /> Typically, we have two presentations per meeting. There is a projector with VGA Connector. If you need Sound or a Computer, please contact [[User:Mm|Michael]]. If you bring your presentation on a USB-Stick, please use either Mac-Keynote or PDF, because we may or may not find a Windows-PC with Powerpoint.<br /> <br /> To connect to the internet, you can use the &quot;eduroam&quot; WiFi network. If you have no University login, please get in touch, so we can arrange a guest account.<br /> <br /> The language of your talk (German/English) is up to you to decide. Usually, there are about 5 to 10% Students that understand English better than German.<br /> <br /> The presentation should have a duration of about ~ 20 minutes. Please understand that we need to stop the talk after 30 minutes latest, because there should be time for feedback, questions and short discussions.<br /> <br /> ==Syllabus==<br /> Vorläufiger Semesterplan:<br /> BITTE MAXIMAL ZWEI VORTRÄGE PRO TERMIN!<br /> ONLY TWO PRESENTATIONS PER DAY PLEASE!<br /> # 09.04. Lisa F. (Praktikum)<br /> # 16.04. Jason Reizner<br /> # 23.04. <br /> # 30.04. <br /> # 07.05. <br /> # 14.05. <br /> # 21.05. <br /> # 28.05. <br /> # 04.06. <br /> # 11.06. <br /> # 18.06. <br /> # 25.06. <br /> # 02.07. <br /> # 09.07. <br /> BITTE MAXIMAL ZWEI VORTRÄGE PRO TERMIN!<br /> ONLY TWO PRESENTATIONS PER DAY PLEASE!<br /> <br /> == Siehe auch ==<br /> * [[IFD:Kolloq WS13]]<br /> * [[IFD:Kolloq SS12]]<br /> * [[IFD:Kolloq WS12]]<br /> * [[IFD:Kolloq SS13]]<br /> <br /> ==Links==<br /> * tba</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=41003 2012-04-19T15:04:38Z

<p>Jreizner: /* Projektmodul: Interface Design 4 */</p> <hr /> <div>==Walls Have Ears==<br /> ===Jason Reizner===<br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]&lt;br&gt;<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbol2.jpg|200x200px]]<br /> [[File:reizner_symbol3.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbol4.jpg|200x200px]]<br /> [[File:reizner_symbol5.jpg|200x200px]]<br /> [[File:reizner_symbol6.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=40952 2012-04-17T00:43:44Z

<p>Jreizner: /* Projektmodul &#039;Zeitmaschinen&#039; */</p> <hr /> <div>==Walls Have Ears==<br /> ===Jason Reizner===<br /> ====Projektmodul: Interface Design 4====<br /> <br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]&lt;br&gt;<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbol2.jpg|200x200px]]<br /> [[File:reizner_symbol3.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbol4.jpg|200x200px]]<br /> [[File:reizner_symbol5.jpg|200x200px]]<br /> [[File:reizner_symbol6.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbol6.jpg&diff=38949 2012-02-03T10:21:17Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38944 2012-02-03T10:17:32Z

<p>Jreizner: /* Walls Have Ears */</p> <hr /> <div>==Walls Have Ears==<br /> ===Jason Reizner===<br /> ====Projektmodul 'Zeitmaschinen'====<br /> <br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]&lt;br&gt;<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbol2.jpg|200x200px]]<br /> [[File:reizner_symbol3.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbol4.jpg|200x200px]]<br /> [[File:reizner_symbol5.jpg|200x200px]]<br /> [[File:reizner_symbol6.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38943 2012-02-03T10:17:02Z

<p>Jreizner: /* Walls Have Ears */</p> <hr /> <div>==Walls Have Ears==<br /> ===Jason Reizner===<br /> ====Projektmodul 'Zeitmaschinen'====<br /> <br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]&lt;br&gt;<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbol2.jpg|200x200px]]<br /> [[File:reizner_symbol3.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbol3.jpg|200x200px]]<br /> [[File:reizner_symbol4.jpg|200x200px]]<br /> [[File:reizner_symbol5.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbol5.jpg&diff=38941 2012-02-03T10:16:05Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbol4.jpg&diff=38940 2012-02-03T10:15:22Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbol3.jpg&diff=38939 2012-02-03T10:14:28Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbol2.jpg&diff=38937 2012-02-03T10:13:56Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38935 2012-02-03T10:10:23Z

<p>Jreizner: /* Jason Reizner */</p> <hr /> <div>==Walls Have Ears==<br /> ===Jason Reizner===<br /> ====Projektmodul 'Zeitmaschinen'====<br /> <br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]&lt;br&gt;<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]&lt;br&gt;<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbol2.jpg|200x200px]]<br /> [[File:reizner_symbol3.jpg|200x200px]]&lt;br&gt;<br /> <br /> [[File:reizner_symbol3.jpg|200x200px]]<br /> [[File:reizner_symbol4.jpg|200x200px]]<br /> [[File:reizner_symbol5.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38380 2012-02-02T16:08:47Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview&lt;br&gt;<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference&lt;br&gt;<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> <br /> Improvised Footswitch Trigger&lt;br&gt;<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_wheoutput.jpg|800x600px]]<br /> <br /> <br /> Selected Quotes&lt;br&gt;&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38299 2012-02-02T15:08:43Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> <br /> Improvised Footswitch Trigger<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]<br /> <br /> <br /> Selected Quotes<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]&lt;br&gt;<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> [[File:reizner_symbolsareyou.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38296 2012-02-02T15:05:38Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> <br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> <br /> Improvised Footswitch Trigger<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]<br /> <br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38290 2012-02-02T15:03:54Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> ----<br /> <br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> <br /> Exhibition Setup, Galeria Angelica&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> <br /> Improvised Footswitch Trigger<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38288 2012-02-02T15:01:20Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. ''Walls Have Ears'' is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of ''Generative Art 2011'' in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> This environment exploits the highly subjective nature of <br /> realtime artificial speech-to-text transcription to distill a dynamic, if not <br /> somewhat idiosyncratic, living document of the proceedings. Displayed <br /> on a subtle wall-sized QR video assemblage in an adjacent exhibition,<br /> the system's understanding of what is happening is both a compelling visual <br /> abstraction, as well as a reasonably faithful account, provided, of <br /> course, one has a machine that will graciously serve as an interpreter.<br /> <br /> In much the same manner humans acquire a foreign spoken language,<br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> ----<br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> Exhibition Setup&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> Improvised Footswitch<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38284 2012-02-02T14:53:45Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> ----<br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> Exhibition Setup&lt;br&gt;<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> Improvised Footswitch<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38283 2012-02-02T14:52:38Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> ----<br /> <br /> Functional Overview<br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> <br /> Exhibition Setup<br /> [[File:reizner_whesetup.jpg|425x600px]]<br /> <br /> Eavesdropping Server, Proceedings of GA2011 Conference<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> <br /> Improvised Footswitch<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> <br /> Installation Hardware, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> <br /> Installation Output, Exhibition Vernissage, Galeria Angelica<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38282 2012-02-02T14:48:53Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> <br /> <br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> [[File:reizner_whesetup.jpg|800x600px]]<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_wheschematic2.jpg&diff=38281 2012-02-02T14:48:15Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38280 2012-02-02T14:47:49Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> [[File:reizner_symbolsareyou.jpg|200x200px]]<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_wheschematic2.jpg|800x600px]]<br /> [[File:reizner_whesetup.jpg|800x600px]]<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> [[File:reizner_wheoutput.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_whesetup.jpg&diff=38279 2012-02-02T14:43:18Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_whefootswitch.jpg&diff=38278 2012-02-02T14:42:06Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_wheserver.jpg&diff=38276 2012-02-02T14:39:40Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_wherig.jpg&diff=38274 2012-02-02T14:38:28Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38273 2012-02-02T14:37:56Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_symbolsareyou.jpg|250x250px]]<br /> <br /> [[File:reizner_wheschematic.jpg|800x600px]]<br /> [[File:reizner_wheoutput.jpg|800x600px]]<br /> [[File:reizner_wherig.jpg|800x600px]]<br /> [[File:reizner_wheserver.jpg|800x600px]]<br /> [[File:reizner_whefootswitch.jpg|800x600px]]<br /> [[File:reizner_whesetup.jpg|800x600px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_wheoutput.jpg&diff=38272 2012-02-02T14:36:16Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_wheschematic.jpg&diff=38271 2012-02-02T14:35:27Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38270 2012-02-02T14:34:41Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_symbolsareyou.jpg|250x250px]]<br /> <br /> [[File:reizner_wheschematic.jpg]]<br /> [[File:reizner_wheoutput.jpg]]<br /> [[File:reizner_wherig.jpg]]<br /> [[File:reizner_wheserver.jpg]]<br /> [[File:reizner_whefootswitch.jpg]]<br /> [[File:reizner_whesetup.jpg]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38228 2012-02-02T12:55:44Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''&lt;br&gt;Jason M. Reizner<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_symbolsareyou.jpg|250x250px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38227 2012-02-02T12:54:59Z

<p>Jreizner: /* Interface Design - Zeitmaschinen */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_symbolsareyou.jpg|250x250px]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Reizner_symbolsareyou.jpg&diff=38223 2012-02-02T12:51:08Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38220 2012-02-02T12:50:17Z

<p>Jreizner: /* Interface Design - Zeitmaschinen - Jason Reizner */</p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:reizner_symbolsareyou.jpg]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38216 2012-02-02T12:48:04Z

<p>Jreizner: </p> <hr /> <div>====Interface Design - Zeitmaschinen====<br /> <br /> '''Walls Have Ears'''<br /> <br /> The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:testpilotA.jpg]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=38214 2012-02-02T12:45:23Z

<p>Jreizner: </p> <hr /> <div>The recent onslaught of QR technology has meant that the occurrence <br /> of visual signifiers which only machines can read and write is <br /> becoming increasingly commonplace in areas once solely the realm <br /> of the human-readable. Walls Have Ears is a generative installation <br /> that gently prods this brave new world of synthetic literacy by also <br /> engendering the machine with the ability to listen. Over the duration <br /> of Generative Art 2011 in Rome, the machine was continuously <br /> overhearing human presenters’ speech direct from the lectern.<br /> <br /> In much the same manner humans acquire a foreign spoken language, <br /> the most talented artificial speech-to-text transcription relies heavily <br /> on situated cognition, and as such, also exhibits the peculiar tendency <br /> to hear something other than what was actually said. Interpolating <br /> rhythm, cadence and context, the machine builds its own account of <br /> what has transpired, and leaves behind a document that is as elastic, <br /> disjointed and poetic as any narrative penned by a mere person.<br /> <br /> [[File:testpilotA.jpg]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112/Jason_Reizner_-_Walls_Have_Ears&diff=37787 2012-01-31T08:44:32Z

<p>Jreizner: Created page with &quot;File:testpilotA.jpg&quot;</p> <hr /> <div>[[File:testpilotA.jpg]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:ShowreelWS1112&diff=37782 2012-01-31T08:36:36Z

<p>Jreizner: </p> <hr /> <div>[[File:Ifd_showreel_20120114b.png]]<br /> <br /> <br /> <br /> &lt;h3 style=&quot;color:#0083D6;&quot;&gt;INFOS&lt;/h3&gt;<br /> '''Präsentation WS 2011/12'''&lt;br&gt;<br /> Professur Interface Design&lt;br&gt;<br /> Prof. Dr. Jens Geelhaar, Frederic Gmeiner, Michael Markert, Gabriel Rausch, Martin Schied, <br /> <br /> '''03. Februar 2012'''<br /> '''11:00 - 17:00 Uhr'''&lt;br&gt;<br /> '''Audimax'''&lt;br&gt;<br /> Steubenstraße 6, Haus F<br /> <br /> Die Präsentation der Professur Interface Design bietet die Möglichkeit,&lt;br&gt; einen Einblick in die Semesterarbeiten und die Inhalte der angeboten Module zu&lt;br&gt; bekommen. Die Veranstaltung lädt nicht nur Studenten des Bereichs IFD &lt;br&gt;ein, sondern ist offen für alle Interessierten.<br /> <br /> <br /> <br /> &lt;h3 style=&quot;color:#0083D6;&quot;&gt;HOW TO...&lt;/h3&gt;<br /> [[/Wie stelle ich mein Projekt ins Wiki?/]]&lt;br&gt;<br /> <br /> Beispiel-Eintrag:&lt;br&gt;<br /> [[/Vorname Nachname - Projekttitel/]]<br /> <br /> <br /> &lt;h3 style=&quot;color:#0083D6;&quot;&gt;PROGRAMM&lt;/h3&gt;<br /> <br /> '''11:00 - 13:00 Block &quot;Projektmodule&quot;'''<br /> <br /> * Projektmodul 'Interaktive Bildmedien' (DEUTSCH)<br /> **[[/Reinhard &amp; Tobias &amp; Lydia &amp; Anastasiya - Weimarpedia Kids (Redesign) (15 min)/]]<br /> **[[/Sven &amp; Carlo - Weimarpedia Kids (Spiel und Spaß)/]]<br /> **[[/Juliane &amp; Alex - Weimarpedia Kids (neuer Inhalt) (5 min)/]]<br /> **[[/Melanie &amp; Christiane - IPad-Film kinderleicht?/]]<br /> <br /> * Projektmodul 'Zeitmaschinen' (ENGLISH)<br /> **[[/Claudia Heinze - Kreativrhythmus/]]<br /> **[[/Liana Chandra - Musical Movements/]]<br /> **[[/Dianna Mertz - In-Depth: Smart Containers/]]<br /> **[[/Yunshui Jin - Magic Wall/]]<br /> **[[/Jie Wang - Interactive Growing Plant/]]<br /> **[[/Yue Mao - Color your life/]]<br /> **[[/Xin Wang - &quot;talk&quot; to flower/]]<br /> **[[/Jelena Djokic - Vade Mecum (Zusammenarbeit)/]]<br /> **[[/Adriana Cabrera - BuildVille/]]<br /> **[[/Shayna Lauer - eswap/]]<br /> **[[/Patawat Phamuad - Relieve Climate/]]<br /> **[[/Sascha &amp; Sebastian &amp; Jonas - Isochronics/]]<br /> **[[/Jason Reizner - Walls Have Ears/]]<br /> <br /> '''Mittagspause'''<br /> <br /> <br /> '''13:45 - 15:00 Block &quot;Fachmodule&quot;'''<br /> <br /> * Fachmodul 'iOS Development II'<br /> **[[/Andreas - Game of Life/]]<br /> **[[/Antje - Projekttitel/]]<br /> **[[/Johannes - Museum/]]<br /> **[[/Stephan - Projekttitel/]]<br /> <br /> * Fachmodul 'Physical Computing'<br /> **[[/Vorname Nachname - Projekttitel/]]<br /> **[[/Yunshui Jin - 3D Scan/]]<br /> **[[/Julia Putscher &amp; Reinhard W. - EHP - Emotion Heartbeat Project/]] <br /> **[[/ Augusto Gandia - Trip Book/]] <br /> **[[/Jelena Djokic - Projekttitel/]]<br /> <br /> <br /> '''15:00 - 17:00 Block &quot;Werkmodule&quot;'''<br /> <br /> * Werkmodul 'Interface-Entwicklung für Fortgeschrittene'<br /> ** [[/Bastian Bischoff - Projekttitel/]]<br /> ** [[/Antje Danz - Projekttitel/]]<br /> ** [[/Georg Müller - Projekttitel/]]<br /> ** [[/Tobias Wolf - Projekttitel/]]<br /> ** [[/Daniel Schulz - Projekttitel/]]<br /> ** [[/Michel Buechner - Projekttitel/]]<br /> ** [[/Marcel Döpel - Projekttitel/]]<br /> ** [[/Johannes Altmann - Projekttitel/]]<br /> ** [[/Jan Grassegger &amp; Daniel Plath - Projekttitel/]]<br /> <br /> * Werkmodul 'Grundlagen Webentwicklung'<br /> **[[/Wiebke Jahns - &quot;This is what we mean, when we say...&quot;/]]<br /> **[[/Wünsche Hannes - Grat u Murdur/]]<br /> **[[/Christian Sohn - &quot;AbrakaHAMM - eine animierte Kinderkochshow&quot;/]]<br /> **[[/Marcus Glahn - Portfolio/]]<br /> **[[/Stepan Boldt - Pappwand/]]<br /> **[[/Lisa Fickenscher - ohrzucker/]]<br /> **[[/Florian Froger - Portfolio/]]<br /> **[[/Shayna Lauer - Portfolio/]]<br /> **[[/Martin Pabsdorf - Portfolio/]]<br /> * Werkmodul 'Grundlagen Elektronik'<br /> **[[/Vorname Nachname - Projekttitel/]]<br /> <br /> <br /> '''17:00 Schlusswort'''<br /> <br /> [[Category:Processing]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32382 2011-10-04T22:11:48Z

<p>Jreizner: </p> <hr /> <div>&lt;h3&gt;Whose Museum: an exhibition and collections platform&lt;br /&gt;<br /> Jason M. Reizner&lt;/h3&gt;<br /> <br /> ==View 0: Application Closed==<br /> [[File:0.icon.1.png]]<br /> <br /> ==View 1: Application Home==<br /> [[File:1.home.1.png]]<br /> <br /> ==View 2: News==<br /> [[File:2.news.1.png]]<br /> <br /> ==View 3: Events==<br /> [[File:3.events.1.png]]<br /> <br /> ==View 4.1: Collection Browser==<br /> [[File:4.collection.1.png]]<br /> <br /> ==View 4.2: Collection Item Viewer==<br /> [[File:4.collections.2.png]]<br /> <br /> ==View 5.1: Publications Browser==<br /> [[File:5.publications.1.png]]<br /> <br /> ==View 5.2: Publications Viewer==<br /> [[File:5.publications.2.png]]<br /> <br /> ==View 6: Contact Form==<br /> [[File:6.contact.1.png]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32381 2011-10-04T22:09:03Z

<p>Jreizner: </p> <hr /> <div>===Whose Museum: an exhibition and collections platform&lt;br /&gt;<br /> Jason M. Reizner===<br /> <br /> ==View 0: Application Closed==<br /> [[File:0.icon.1.png]]<br /> <br /> ==View 1: Application Home==<br /> [[File:1.home.1.png]]<br /> <br /> ==View 2: News==<br /> [[File:2.news.1.png]]<br /> <br /> ==View 3: Events==<br /> [[File:3.events.1.png]]<br /> <br /> ==View 4.1: Collection Browser==<br /> [[File:4.collection.1.png]]<br /> <br /> ==View 4.2: Collection Item Viewer==<br /> [[File:4.collections.2.png]]<br /> <br /> ==View 5.1: Publications Browser==<br /> [[File:5.publications.1.png]]<br /> <br /> ==View 5.2: Publications Viewer==<br /> [[File:5.publications.2.png]]<br /> <br /> ==View 6: Contact Form==<br /> [[File:6.contact.1.png]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32380 2011-10-04T22:06:52Z

<p>Jreizner: </p> <hr /> <div>===Whose Museum: an exhibition and collections platform===<br /> Jason M. Reizner<br /> <br /> ==View 0: Application Closed==<br /> [[File:0.icon.1.png]]<br /> <br /> ==View 1: Application Home==<br /> [[File:1.home.1.png]]<br /> <br /> ==View 2: News==<br /> [[File:2.news.1.png]]<br /> <br /> ==View 3: Events==<br /> [[File:3.events.1.png]]<br /> <br /> ==View 4.1: Collection Browser==<br /> [[File:4.collection.1.png]]<br /> <br /> ==View 4.2: Collection Item Viewer==<br /> [[File:4.collections.2.png]]<br /> <br /> ==View 5.1: Publications Browser==<br /> [[File:5.publications.1.png]]<br /> <br /> ==View 5.2: Publications Viewer==<br /> [[File:5.publications.2.png]]<br /> <br /> ==View 6: Contact Form==<br /> [[File:6.contact.1.png]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32379 2011-10-04T22:03:02Z

<p>Jreizner: </p> <hr /> <div>==View 0: Application Closed==<br /> [[File:0.icon.1.png]]<br /> <br /> ==View 1: Application Home==<br /> [[File:1.home.1.png]]<br /> <br /> ==View 2: News==<br /> [[File:2.news.1.png]]<br /> <br /> ==View 3: Events==<br /> [[File:3.events.1.png]]<br /> <br /> ==View 4.1: Collection Browser==<br /> [[File:4.collection.1.png]]<br /> <br /> ==View 4.2: Collection Item Viewer==<br /> [[File:4.collections.2.png]]<br /> <br /> ==View 5.1: Publications Browser==<br /> [[File:5.publications.1.png]]<br /> <br /> ==View 5.2: Publications Viewer==<br /> [[File:5.publications.2.png]]<br /> <br /> ==View 6: Contact Form==<br /> [[File:6.contact.1.png]]</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32378 2011-10-04T22:00:59Z

<p>Jreizner: </p> <hr /> <div>==View 0: Application Closed==<br /> [[File:0.icon.1.png]]<br /> <br /> ==View 1: Application Home==<br /> [[File:1.home.1.png]]<br /> <br /> ==View 2: News==<br /> [[File:2.news.1.png]]<br /> <br /> <br /> [[File:3.events.1.png]]<br /> View 3: Events<br /> <br /> [[File:4.collection.1.png]]<br /> View 4.1: Collection Browser<br /> <br /> [[File:4.collections.2.png]]<br /> View 4.2: Collection Item Viewer<br /> <br /> [[File:5.publications.1.png]]<br /> View 5.1: Publications Browser<br /> <br /> [[File:5.publications.2.png]]<br /> View 5.2: Publications Viewer<br /> <br /> [[File:6.contact.1.png]]<br /> View 6: Contact Form</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=IFD:IOSDev/Projects/jreizner&diff=32377 2011-10-04T21:59:11Z

<p>Jreizner: </p> <hr /> <div>[[File:0.icon.1.png]]<br /> View 0: Application Closed<br /> <br /> [[File:1.home.1.png]]<br /> View 1: Application Home<br /> <br /> [[File:2.news.1.png]]<br /> View 2: News<br /> <br /> [[File:3.events.1.png]]<br /> View 3: Events<br /> <br /> [[File:4.collection.1.png]]<br /> View 4.1: Collection Browser<br /> <br /> [[File:4.collections.2.png]]<br /> View 4.2: Collection Item Viewer<br /> <br /> [[File:5.publications.1.png]]<br /> View 5.1: Publications Browser<br /> <br /> [[File:5.publications.2.png]]<br /> View 5.2: Publications Viewer<br /> <br /> [[File:6.contact.1.png]]<br /> View 6: Contact Form</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:6.contact.1.png&diff=32376 2011-10-04T21:51:05Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:5.publications.2.png&diff=32375 2011-10-04T21:50:37Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:5.publications.1.png&diff=32374 2011-10-04T21:49:54Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:4.collections.2.png&diff=32373 2011-10-04T21:47:54Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:4.collection.1.png&diff=32372 2011-10-04T21:47:04Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:3.events.1.png&diff=32371 2011-10-04T21:46:31Z

<p>Jreizner: </p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jreizner