https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Jogo0931 2026-04-17T03:23:50Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:My_Computer,_Max,_and_I/Sandra_Anhalt&diff=109235 2019-05-29T10:32:49Z

<p>Jogo0931: </p> <hr /> <div>attempts to port the JUST DANCE music synthesis program to another tracking device; i.e. Kinect<br /> <br /> 1st attempt: to connect it via Synapes: no osc data can be received, so the bones stay static<br /> <br /> 2nd attempt: trying with nimate as another osc port</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:My_Computer,_Max,_and_I/Sandra_Anhalt&diff=109234 2019-05-29T10:31:35Z

<p>Jogo0931: Created page with &quot;attempts to port the JUST DANCE music synthesis program to another tracking device; i.e. Kinect 1st attempt: to connect it via Synapes: no osc data can be received, so the bo...&quot;</p> <hr /> <div>attempts to port the JUST DANCE music synthesis program to another tracking device; i.e. Kinect<br /> <br /> 1st attempt: to connect it via Synapes: no osc data can be received, so the bones stay static<br /> 2nd attempt: trying with nimate as another osc port</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/%27%27%27temporarily_under_construction%27%27%27&diff=109233 2019-05-29T10:26:26Z

<p>Jogo0931: Created blank page</p> <hr /> <div></div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt&diff=109232 2019-05-29T10:23:39Z

<p>Jogo0931: Replaced content with &quot; / &#039;&#039;&#039;temporarily under construction&#039;&#039;&#039;&quot;</p> <hr /> <div><br /> [[/ '''temporarily under construction''']]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt&diff=108454 2019-05-01T17:38:33Z

<p>Jogo0931: </p> <hr /> <div>'''JUST DANCE'''<br /> <br /> sound synthesis program controlled by movement<br /> <br /> <br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> <br /> [[:File:1st version.png]] - initial idea<br /> <br /> <br /> ===patches===<br /> <br /> * [[:Media:1sa connector.maxpat]]<br /> * [[:Media:2sa noisegenerator.maxpat]]<br /> * [[:Media:3sa player.maxpat]]<br /> * [[:Media:test.txt]]<br /> <br /> ===project documentation===<br /> * [[:Media:movement synthesizer.pdf]]<br /> <br /> ===manual===<br /> * [[:Media:manual.pdf]]<br /> <br /> ===sound sample===<br /> * [[:Media:sound_sample.mp3]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt&diff=108446 2019-05-01T13:07:27Z

<p>Jogo0931: </p> <hr /> <div>'''JUST DANCE'''<br /> <br /> sound synthesis program controlled by movement<br /> <br /> <br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> <br /> [[:File:1st version.png]] - initial idea<br /> <br /> <br /> ===patches===<br /> <br /> * [[:Media:1sa connector.maxpat]]<br /> * [[:Media:2sa noisegenerator.maxpat]]<br /> * [[:Media:3sa player.maxpat]]<br /> * [[:Media:test.txt]]<br /> <br /> ===project documentation===<br /> * [[:Media:movement synthesizer.pdf]]<br /> <br /> ===manual===<br /> * [[:File:manual.pdf]]<br /> <br /> ===sound sample===<br /> * [[:File:sound_sample.mp3]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Manual.pdf&diff=108445 2019-05-01T13:06:41Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Sound_sample.mp3&diff=108444 2019-05-01T13:02:27Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106423 2019-03-28T17:14:08Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> <br /> [[File:picture1.png]]<br /> <br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).<br /> <br /> [[File:Picture2.png|400px]]<br /> <br /> ''scene in Unity''<br /> <br /> [[File:Picture3.png|400px]]<br /> <br /> ''scene in Unity game view''<br /> <br /> Here, we had the plan to implement particle systems, mesh divider and fire trails to the spheres / fingertips. Certain auditive inputs were meant to trigger special visual effects in the background of the scene in the 3d space.<br /> <br /> [[File:Picture4.png|400px]]<br /> <br /> ''effect 1''<br /> <br /> [[File:Picture5.png|400px]]<br /> <br /> ''effect 2''<br /> <br /> As we did´t succeed to connect the fingertips of the hand (represented by six coloured spheres) as well as the two effects via osc protocol with the Leap Motion Controller we decided to change our path and try a graphical visual representation in Processing. Unfortunately, we also had osc connectivity issues here. Finally we dropped the vision of graphical, visual representation for the project and concentrated our energy on the design of the sound of the instrument.</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106422 2019-03-28T17:06:23Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> <br /> [[File:picture1.png]]<br /> <br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).<br /> <br /> [[File:Picture2.png|400px]]<br /> <br /> ''scene in Unity''<br /> <br /> [[File:Picture3.png|400px]]<br /> <br /> ''scene in Unity game view''<br /> <br /> Here, we had the plan to implement particle systems, mesh divider and fire trails to the spheres / fingertips. Certain auditive inputs were meant to trigger special visual effects in the background of the scene in the 3d space.<br /> <br /> [[File:Picture4.png|400px]]<br /> <br /> ''effect 1''<br /> <br /> [[File:Picture5.png|400px]]<br /> <br /> ''effect 2''<br /> <br /> As we did´t succeed to connect the fingertips of the hand (represented by six coloured spheres) as well as the two effects via osc protocol with the Leap Motion Controller we decided to change our path and try a graphical visual representation in Processing. Unfortunately, we also had Bosc connectivity issues here. Finally we dropped the vision of graphical, visual representation for the project and concentrated our energy on the design of the sound of the instrument.</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106421 2019-03-28T16:59:54Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> <br /> [[File:picture1.png]]<br /> <br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).<br /> <br /> [[File:Picture2.png|400px]]<br /> <br /> ''scene in Unity''<br /> <br /> [[File:Picture3.png|400px]]<br /> <br /> ''scene in Unity game view''<br /> <br /> Here, we had the plan to implement particle systems, mesh divider and fire trails to the spheres / fingertips. Certain auditive inputs were meant to trigger special visual effects in the background of the scene in the 3d space.<br /> <br /> [[File:Picture4.png|400px]]<br /> <br /> ''effect 1''<br /> <br /> [[File:Picture5.png|400px]]<br /> <br /> ''effect 2''</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Picture5.png&diff=106420 2019-03-28T16:59:25Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Picture4.png&diff=106419 2019-03-28T16:57:56Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106418 2019-03-28T16:56:07Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> <br /> [[File:picture1.png]]<br /> <br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).<br /> <br /> [[File:Picture2.png|400px]]<br /> <br /> ''scene in Unity''<br /> <br /> [[File:Picture3.png|400px]]<br /> <br /> ''scene in Unity game view''<br /> <br /> Here, we had the plan to implement particle systems, mesh divider and fire trails to the spheres / fingertips. Certain auditive inputs were meant to trigger special visual effects in the background of the scene in the 3d space.</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Picture3.png&diff=106417 2019-03-28T16:51:11Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106416 2019-03-28T16:47:59Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> <br /> [[File:picture1.png]]<br /> <br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).<br /> <br /> [[File:Picture2.png|400px]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Picture2.png&diff=106415 2019-03-28T16:47:07Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106414 2019-03-28T16:44:55Z

<p>Jogo0931: /* einhändig, zweistimmig */</p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> [[File:picture1.png]]<br /> <br /> As we got confronted with osc connectivity issues, we decided after a consultation with Jörg to go along with his suggestion to simplify the visualisation. Therefore we took six spheres in the Unity scene: one sphere represents the palm (purple); for the five fingertips we placed five coloured spheres into the scene as such: thumb (red), pointing finger (silver), middle finger (green), ring finger (yellow), little finger (white).</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106413 2019-03-28T16:38:08Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.<br /> [[File:picture1.png]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Picture1.png&diff=106412 2019-03-28T16:37:14Z

<p>Jogo0931: Jogo0931 uploaded a new version of File:Picture1.png</p> <hr /> <div>== Summary ==<br /> <br /> == Copyright status: ==<br /> <br /> == Source: ==</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106411 2019-03-28T16:33:01Z

<p>Jogo0931: </p> <hr /> <div><br /> == einhändig, zweistimmig ==<br /> <br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig, zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn/%27%27%27einh%C3%A4ndig,_zweistimmig%27%27%27&diff=106410 2019-03-28T16:31:32Z

<p>Jogo0931: Created page with &quot;&#039;&#039;&#039;einhändig, zweistimmig&#039;&#039;&#039; &#039;&#039; a gesturally controlled music synthesis program&#039;&#039; The project &#039;&#039;&#039;einhändig zweistimmig&#039;&#039;&#039; is a gesturally controlled music synthesis...&quot;</p> <hr /> <div>[['''einhändig, zweistimmig''']]<br /> <br /> '' a gesturally controlled music synthesis program''<br /> <br /> <br /> The project '''einhändig zweistimmig''' is a gesturally controlled music <br /> synthesis program which enables the user to play two voices simultaneously with one hand. <br /> But not only the pitch of the voices is changing with the position of the hand in the air, it is also the rythm and diverse effects which are influenced by the hand and finger movement which gets tracked by the leap motion controller. The project is about creating a tool which makes the immersion of your body into the instrument possible.<br /> <br /> <br /> ''attempts of visualisation''<br /> <br /> As we wished to provide not only an auditiv, immersive experience of the synthesiser to the user we had the goal to create a visualisation in a three dimensional space to suggest to the user an experience of fusion with the musical instrument at hand. We wished to create a playful, new experience for the user with the new instrument.<br /> First attempt was simply to represent the moving hand in the 3d space.</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers/Sandra_Anhalt_%26_Erkan_Rojahn&diff=106409 2019-03-28T16:02:35Z

<p>Jogo0931: Created page with &quot;&#039;&#039;&#039;Project by Erkan &amp; Sandra&#039;&#039;&#039; / &#039;&#039;&#039;einhändig, zweistimmig&#039;&#039;&#039; &quot;</p> <hr /> <div>'''Project by Erkan &amp; Sandra'''<br /> <br /> [[/ '''einhändig, zweistimmig''' ]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers&diff=106408 2019-03-28T16:01:18Z

<p>Jogo0931: /* Student works */</p> <hr /> <div>Lecturer: [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Jörg_Brinkmann Jörg Brinkmann]&lt;br&gt;<br /> Credits: 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> Date: Thursdays, 15:15 – 18:30&lt;br&gt; <br /> Venue: [[GMU:Performance Platform|Performance Platform]], Digital Bauhaus Lab (Room 001)&lt;br&gt;<br /> First meeting: Thursday, 18.10.2018, 15:15<br /> <br /> ==Description==<br /> How would you create an experience in VR? What works in VR and what doesn’t? <br /> When working with VR glasses you are confronted with an evolving medium that hasn’t found its language, yet<br /> <br /> In this class you will be introduced to the boundaries and experiment with the possibilities of VR. You will be working with Unity 3D, the HTC Vive VR Glasses, 360 Video and spatial audio <br /> <br /> This course is for MFA students only who already have experience in working with 3D Software <br /> <br /> Planned is an excursion to Panorama Bad Frankenhausen as well as a participation at a Symposium at the HKW (Haus der Kulturen der Welt) in Berlin in cooperation with the chair of Experimental Radio<br /> <br /> ==Criteria for passing==<br /> In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Also, regularly attend to the sessions and participation is mandatory. <br /> <br /> <br /> ==Student works ==<br /> * [[/Paul Polze/]]<br /> * [[/Sarah Hermanutz/]]<br /> * [[/Lefteris Krysalis/]]<br /> * [[/Carlos García Fernández/]]<br /> * [[/Tobias Zimmer/]]<br /> * [[/Gracia Quintero/]]<br /> * [[/Eduardo Moreno/]]<br /> * [[/Maximiliane Nirschl/]]<br /> * [[/Laura Dang/]]<br /> * [[/Lukas Krähn/]]<br /> * [[/Chanadda Janthivanont/]]<br /> *[[/Deniz Ekin Polat/]]<br /> *[[/Sandra Anhalt &amp; Erkan Rojahn/]]<br /> <br /> ==Syllabus==<br /> ===18.10.2018===<br /> Introduction<br /> <br /> ===25.10.2018===<br /> working with Unity 3D<br /> <br /> ===01.11.2018===<br /> working with Unity 3D<br /> <br /> ===08.11.201===<br /> working with Unity 3D and HTC VIVE<br /> <br /> ===15.11.2018===<br /> '''Excursion: Radiophonic Spaces Exhibition in Berlin'''&lt;br&gt;<br /> &lt;br&gt;<br /> '''15.11. Critical Experience Design (tbc)'''&lt;br&gt;<br /> 12:00 Erkundung Ausstellung Radiophonic Spaces im HKW&lt;br&gt;<br /> 17:00 Aktivierungsgespräch mit Danica Dakic und Jörg Brinkmann&lt;br&gt;<br /> &lt;br&gt;<br /> '''16.11. Topologie der Immersion'''&lt;br&gt;<br /> 11:00 Künstlerische Erkundung mit Cathy Robinson&lt;br&gt;<br /> 17:00 Aktivierungsgespräch mit Cathy Robinson und Paul Oomen&lt;br&gt;<br /> &lt;br&gt;<br /> '''17.11. Archivkonfrontationen'''&lt;br&gt;<br /> 12:00 Künstlerische Erkundung mit Christine Hill und Kaya Behkalam &lt;br&gt;<br /> 17:00 Gespräch mit Christine Hill und Kaya Behkalam&lt;br&gt;<br /> &lt;br&gt;<br /> '''18.11. (Name HKW / Marcus Gammel)'''&lt;br&gt;<br /> 12:00 Projektworkshop mit Astrid Drechsler, Jörg Brinkmann, Martin Hirsch&lt;br&gt;<br /> 17:00 Aktivierungsgespräch Marcus Gammel (DLF Kultur)<br /> <br /> ===22.11.2018===<br /> ---NO CLASS---<br /> <br /> ===29.11.2018===<br /> – present your homework &lt;br&gt;<br /> – introduction to 360 video<br /> <br /> ===06.12.2018===<br /> Photogrammetry<br /> <br /> ===13.12.2018===<br /> 360 sound<br /> <br /> ===20.12.2018===<br /> full body motion tracking with TheCaptury and Unity 3D<br /> <br /> ===10.01.2019===<br /> '''Excursion: Panorama Museum Bad Frankenhausen'''&lt;br&gt;<br /> &lt;br&gt;<br /> https://www.panorama-museum.de/en/<br /> <br /> ===17.01.2019===<br /> working with the Oculus Go<br /> <br /> ===23.01.2019, 7pm===<br /> '''Lecture: &quot;Immersive Storytelling” and the Operative Ontology of Stalinist Cinema'''&lt;br&gt;<br /> Salon des ehem. Palais Dürckheim, Cranachstraße 47, Weimar&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> <br /> https://ikkm-weimar.de/veranstaltungen/alle/immersive-storytelling-and-the-operative-ontology-of-stalinist-cinema/<br /> <br /> ===24.01.2019===<br /> Lab Time<br /> <br /> ===31.01.2019===<br /> '''Consultations (DBL)''' &lt;br&gt;&lt;br&gt;<br /> 10:00 - 10:30 (put your name here) &lt;br&gt;<br /> 10:30 - 11:00 (put your name here) &lt;br&gt;<br /> 11:00 - 11:30 Paul Polze &lt;br&gt;<br /> 11:30 - 12:00 Sarah H &lt;br&gt;<br /> 12:00 - 13:00 (break) &lt;br&gt;<br /> 13:00 - 13:30 Sandra &lt;br&gt;<br /> 13:30 - 14:00 (put your name here)&lt;br&gt;<br /> 14:00 - 14:30 Deniz Ekin Polat &lt;br&gt;<br /> 14:30 - 15:00 (put your name here) &lt;br&gt;<br /> 15:00 - 15:30 (put your name here)&lt;br&gt;<br /> 15:30 - 16:00 Maxi Nirschl &amp; Chanadda Janthivanont &amp; Carlos García Fernández &lt;br&gt;<br /> 16:00 - 16:30 Eduardo Moreno &lt;br&gt;<br /> 16:30 - 17:00 Grace Quintero &lt;br&gt;<br /> 17:00 - 17:30 Laura Dang &lt;br&gt;<br /> 17:30 - 18:00 (put your name here)<br /> <br /> ===VR TOOLBOX===<br /> <br /> '''Dropbox folder with our class material'''&lt;br&gt;<br /> https://www.dropbox.com/sh/jwlqv9burbx9rtg/AAAn5pDW3ZySCloULWuCsx5pa?dl=0&lt;br&gt;&lt;br&gt;<br /> <br /> '''Software'''&lt;br&gt;<br /> Unity 3D - cross-platform game engine &lt;br&gt;<br /> https://unity3d.com/de&lt;br&gt;<br /> <br /> Blender - open-source 3D modeller with many features &lt;br&gt;<br /> https://www.blender.org&lt;br&gt;<br /> <br /> Autodesk FBX Converter – convert OBJ, DAE, and 3DS files to or from multiple versions of the FBX format&lt;br&gt;<br /> https://www.autodesk.com/developer-network/platform-technologies/fbx-converter-archives &lt;br&gt;<br /> <br /> Meshmixer - &quot;Swiss Army Knife&quot; for 3D meshes &lt;br&gt;<br /> http://www.meshmixer.com &lt;br&gt;<br /> <br /> MeshLab - open source system for processing and editing 3D triangular meshes &lt;br&gt;<br /> http://www.meshlab.net &lt;br&gt;<br /> <br /> MakeHuman - open source tool for making 3D characters &lt;br&gt;<br /> http://www.makehumancommunity.org&lt;br&gt;<br /> <br /> Open Broadcaster Software - free and open-source streaming and recording program &lt;br&gt;<br /> https://obsproject.com&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''Online Tools'''&lt;br&gt;<br /> Mixamo - Rapidly create, rig and animate unique characters &lt;br&gt;<br /> https://www.mixamo.com &lt;br&gt;<br /> <br /> NormalMap-Online - create a normalmaps directly inside your browser&lt;br&gt;<br /> http://cpetry.github.io/NormalMap-Online/&lt;br&gt;<br /> <br /> Freesound - collaborative database of Creative Commons Licensed sounds&lt;br&gt;<br /> https://freesound.org&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''3D Models (for download and use)'''&lt;br&gt; <br /> http://www.myminifactory.com &lt;br&gt;<br /> http://www.sketchfab.com &lt;br&gt;<br /> http://www.thingiverse.com &lt;br&gt;<br /> http://www.turbosquid.com &lt;br&gt;<br /> http://www.lincoln3dscans.co.uk &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''Unity 3D Tutorials'''&lt;br&gt;<br /> Tutorials from the Unity 3D page &lt;br&gt; <br /> https://unity3d.com/de/learn/tutorials &lt;br&gt; &lt;br&gt;<br /> Brackeys Unity 3D Tutorials &lt;br&gt; <br /> https://www.youtube.com/user/Brackeys/videos &lt;br&gt; &lt;br&gt;<br /> <br /> <br /> <br /> <br /> <br /> '''Unity 3D Assets'''&lt;br&gt;<br /> Standard Assets &lt;br&gt; <br /> https://assetstore.unity.com/packages/essentials/asset-packs/standard-assets-32351 &lt;br&gt; &lt;br&gt;<br /> Free HDR Skyboxes &lt;br&gt; <br /> https://assetstore.unity.com/packages/2d/textures-materials/sky/free-hdr-sky-61217 &lt;br&gt; &lt;br&gt;<br /> <br /> '''Blender Tutorials'''&lt;br&gt;<br /> Blender Beginner Tutorial Series by Blender Guru &lt;br&gt;<br /> https://www.youtube.com/playlist?list=PLjEaoINr3zgHs8uzT3yqe4iHGfkCmMJ0P &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Interface and Navigation &lt;br&gt;<br /> https://www.youtube.com/watch?v=xT2mtoDnSzM &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Modeling - Creating a kitchen (ignore part 2) &lt;br&gt;<br /> https://www.blenderguru.com/tutorials/create-a-realistic-kitchen-part-1-of-2 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Modeling - Modeling a simple character &lt;br&gt;<br /> https://www.youtube.com/watch?v=DiIoWrOlIRw &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Materials - Basic properties of materials &lt;br&gt;<br /> https://www.youtube.com/watch?v=9AHxuoYyJJk &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Texturing - Applying textures to an object &lt;br&gt;<br /> https://www.youtube.com/watch?v=6gRUUeFteQg &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Rigging - Rigging a character &lt;br&gt;<br /> https://www.youtube.com/watch?v=cGvalWG8HBU&amp;t= &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Animation - 12 Principles of Animation &lt;br&gt;<br /> https://www.youtube.com/watch?v=uDqjIdI4bF4 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Animation - Animating a bouncing ball &lt;br&gt;<br /> https://www.youtube.com/watch?v=GUocrcIQfp4 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> <br /> [[Category:SS18]]<br /> [[Category:Werkmodul]]<br /> [[Category:Fachmodul]]<br /> [[Category:Jörg Brinkmann]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:VR_Experience_Designers&diff=106407 2019-03-28T16:00:24Z

<p>Jogo0931: /* Student works */</p> <hr /> <div>Lecturer: [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Jörg_Brinkmann Jörg Brinkmann]&lt;br&gt;<br /> Credits: 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> Date: Thursdays, 15:15 – 18:30&lt;br&gt; <br /> Venue: [[GMU:Performance Platform|Performance Platform]], Digital Bauhaus Lab (Room 001)&lt;br&gt;<br /> First meeting: Thursday, 18.10.2018, 15:15<br /> <br /> ==Description==<br /> How would you create an experience in VR? What works in VR and what doesn’t? <br /> When working with VR glasses you are confronted with an evolving medium that hasn’t found its language, yet<br /> <br /> In this class you will be introduced to the boundaries and experiment with the possibilities of VR. You will be working with Unity 3D, the HTC Vive VR Glasses, 360 Video and spatial audio <br /> <br /> This course is for MFA students only who already have experience in working with 3D Software <br /> <br /> Planned is an excursion to Panorama Bad Frankenhausen as well as a participation at a Symposium at the HKW (Haus der Kulturen der Welt) in Berlin in cooperation with the chair of Experimental Radio<br /> <br /> ==Criteria for passing==<br /> In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Also, regularly attend to the sessions and participation is mandatory. <br /> <br /> <br /> ==Student works ==<br /> * [[/Paul Polze/]]<br /> * [[/Sarah Hermanutz/]]<br /> * [[/Lefteris Krysalis/]]<br /> * [[/Carlos García Fernández/]]<br /> * [[/Tobias Zimmer/]]<br /> * [[/Gracia Quintero/]]<br /> * [[/Eduardo Moreno/]]<br /> * [[/Maximiliane Nirschl/]]<br /> * [[/Laura Dang/]]<br /> * [[/Lukas Krähn/]]<br /> * [[/Chanadda Janthivanont/]]<br /> *[[/Deniz Ekin Polat/]]<br /> *[[/Sandra Anhalt | Erkan Rojahn/]]<br /> <br /> ==Syllabus==<br /> ===18.10.2018===<br /> Introduction<br /> <br /> ===25.10.2018===<br /> working with Unity 3D<br /> <br /> ===01.11.2018===<br /> working with Unity 3D<br /> <br /> ===08.11.201===<br /> working with Unity 3D and HTC VIVE<br /> <br /> ===15.11.2018===<br /> '''Excursion: Radiophonic Spaces Exhibition in Berlin'''&lt;br&gt;<br /> &lt;br&gt;<br /> '''15.11. Critical Experience Design (tbc)'''&lt;br&gt;<br /> 12:00 Erkundung Ausstellung Radiophonic Spaces im HKW&lt;br&gt;<br /> 17:00 Aktivierungsgespräch mit Danica Dakic und Jörg Brinkmann&lt;br&gt;<br /> &lt;br&gt;<br /> '''16.11. Topologie der Immersion'''&lt;br&gt;<br /> 11:00 Künstlerische Erkundung mit Cathy Robinson&lt;br&gt;<br /> 17:00 Aktivierungsgespräch mit Cathy Robinson und Paul Oomen&lt;br&gt;<br /> &lt;br&gt;<br /> '''17.11. Archivkonfrontationen'''&lt;br&gt;<br /> 12:00 Künstlerische Erkundung mit Christine Hill und Kaya Behkalam &lt;br&gt;<br /> 17:00 Gespräch mit Christine Hill und Kaya Behkalam&lt;br&gt;<br /> &lt;br&gt;<br /> '''18.11. (Name HKW / Marcus Gammel)'''&lt;br&gt;<br /> 12:00 Projektworkshop mit Astrid Drechsler, Jörg Brinkmann, Martin Hirsch&lt;br&gt;<br /> 17:00 Aktivierungsgespräch Marcus Gammel (DLF Kultur)<br /> <br /> ===22.11.2018===<br /> ---NO CLASS---<br /> <br /> ===29.11.2018===<br /> – present your homework &lt;br&gt;<br /> – introduction to 360 video<br /> <br /> ===06.12.2018===<br /> Photogrammetry<br /> <br /> ===13.12.2018===<br /> 360 sound<br /> <br /> ===20.12.2018===<br /> full body motion tracking with TheCaptury and Unity 3D<br /> <br /> ===10.01.2019===<br /> '''Excursion: Panorama Museum Bad Frankenhausen'''&lt;br&gt;<br /> &lt;br&gt;<br /> https://www.panorama-museum.de/en/<br /> <br /> ===17.01.2019===<br /> working with the Oculus Go<br /> <br /> ===23.01.2019, 7pm===<br /> '''Lecture: &quot;Immersive Storytelling” and the Operative Ontology of Stalinist Cinema'''&lt;br&gt;<br /> Salon des ehem. Palais Dürckheim, Cranachstraße 47, Weimar&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> <br /> https://ikkm-weimar.de/veranstaltungen/alle/immersive-storytelling-and-the-operative-ontology-of-stalinist-cinema/<br /> <br /> ===24.01.2019===<br /> Lab Time<br /> <br /> ===31.01.2019===<br /> '''Consultations (DBL)''' &lt;br&gt;&lt;br&gt;<br /> 10:00 - 10:30 (put your name here) &lt;br&gt;<br /> 10:30 - 11:00 (put your name here) &lt;br&gt;<br /> 11:00 - 11:30 Paul Polze &lt;br&gt;<br /> 11:30 - 12:00 Sarah H &lt;br&gt;<br /> 12:00 - 13:00 (break) &lt;br&gt;<br /> 13:00 - 13:30 Sandra &lt;br&gt;<br /> 13:30 - 14:00 (put your name here)&lt;br&gt;<br /> 14:00 - 14:30 Deniz Ekin Polat &lt;br&gt;<br /> 14:30 - 15:00 (put your name here) &lt;br&gt;<br /> 15:00 - 15:30 (put your name here)&lt;br&gt;<br /> 15:30 - 16:00 Maxi Nirschl &amp; Chanadda Janthivanont &amp; Carlos García Fernández &lt;br&gt;<br /> 16:00 - 16:30 Eduardo Moreno &lt;br&gt;<br /> 16:30 - 17:00 Grace Quintero &lt;br&gt;<br /> 17:00 - 17:30 Laura Dang &lt;br&gt;<br /> 17:30 - 18:00 (put your name here)<br /> <br /> ===VR TOOLBOX===<br /> <br /> '''Dropbox folder with our class material'''&lt;br&gt;<br /> https://www.dropbox.com/sh/jwlqv9burbx9rtg/AAAn5pDW3ZySCloULWuCsx5pa?dl=0&lt;br&gt;&lt;br&gt;<br /> <br /> '''Software'''&lt;br&gt;<br /> Unity 3D - cross-platform game engine &lt;br&gt;<br /> https://unity3d.com/de&lt;br&gt;<br /> <br /> Blender - open-source 3D modeller with many features &lt;br&gt;<br /> https://www.blender.org&lt;br&gt;<br /> <br /> Autodesk FBX Converter – convert OBJ, DAE, and 3DS files to or from multiple versions of the FBX format&lt;br&gt;<br /> https://www.autodesk.com/developer-network/platform-technologies/fbx-converter-archives &lt;br&gt;<br /> <br /> Meshmixer - &quot;Swiss Army Knife&quot; for 3D meshes &lt;br&gt;<br /> http://www.meshmixer.com &lt;br&gt;<br /> <br /> MeshLab - open source system for processing and editing 3D triangular meshes &lt;br&gt;<br /> http://www.meshlab.net &lt;br&gt;<br /> <br /> MakeHuman - open source tool for making 3D characters &lt;br&gt;<br /> http://www.makehumancommunity.org&lt;br&gt;<br /> <br /> Open Broadcaster Software - free and open-source streaming and recording program &lt;br&gt;<br /> https://obsproject.com&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''Online Tools'''&lt;br&gt;<br /> Mixamo - Rapidly create, rig and animate unique characters &lt;br&gt;<br /> https://www.mixamo.com &lt;br&gt;<br /> <br /> NormalMap-Online - create a normalmaps directly inside your browser&lt;br&gt;<br /> http://cpetry.github.io/NormalMap-Online/&lt;br&gt;<br /> <br /> Freesound - collaborative database of Creative Commons Licensed sounds&lt;br&gt;<br /> https://freesound.org&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''3D Models (for download and use)'''&lt;br&gt; <br /> http://www.myminifactory.com &lt;br&gt;<br /> http://www.sketchfab.com &lt;br&gt;<br /> http://www.thingiverse.com &lt;br&gt;<br /> http://www.turbosquid.com &lt;br&gt;<br /> http://www.lincoln3dscans.co.uk &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> '''Unity 3D Tutorials'''&lt;br&gt;<br /> Tutorials from the Unity 3D page &lt;br&gt; <br /> https://unity3d.com/de/learn/tutorials &lt;br&gt; &lt;br&gt;<br /> Brackeys Unity 3D Tutorials &lt;br&gt; <br /> https://www.youtube.com/user/Brackeys/videos &lt;br&gt; &lt;br&gt;<br /> <br /> <br /> <br /> <br /> <br /> '''Unity 3D Assets'''&lt;br&gt;<br /> Standard Assets &lt;br&gt; <br /> https://assetstore.unity.com/packages/essentials/asset-packs/standard-assets-32351 &lt;br&gt; &lt;br&gt;<br /> Free HDR Skyboxes &lt;br&gt; <br /> https://assetstore.unity.com/packages/2d/textures-materials/sky/free-hdr-sky-61217 &lt;br&gt; &lt;br&gt;<br /> <br /> '''Blender Tutorials'''&lt;br&gt;<br /> Blender Beginner Tutorial Series by Blender Guru &lt;br&gt;<br /> https://www.youtube.com/playlist?list=PLjEaoINr3zgHs8uzT3yqe4iHGfkCmMJ0P &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Interface and Navigation &lt;br&gt;<br /> https://www.youtube.com/watch?v=xT2mtoDnSzM &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Modeling - Creating a kitchen (ignore part 2) &lt;br&gt;<br /> https://www.blenderguru.com/tutorials/create-a-realistic-kitchen-part-1-of-2 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Modeling - Modeling a simple character &lt;br&gt;<br /> https://www.youtube.com/watch?v=DiIoWrOlIRw &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Materials - Basic properties of materials &lt;br&gt;<br /> https://www.youtube.com/watch?v=9AHxuoYyJJk &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Texturing - Applying textures to an object &lt;br&gt;<br /> https://www.youtube.com/watch?v=6gRUUeFteQg &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Rigging - Rigging a character &lt;br&gt;<br /> https://www.youtube.com/watch?v=cGvalWG8HBU&amp;t= &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Animation - 12 Principles of Animation &lt;br&gt;<br /> https://www.youtube.com/watch?v=uDqjIdI4bF4 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Animation - Animating a bouncing ball &lt;br&gt;<br /> https://www.youtube.com/watch?v=GUocrcIQfp4 &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> <br /> [[Category:SS18]]<br /> [[Category:Werkmodul]]<br /> [[Category:Fachmodul]]<br /> [[Category:Jörg Brinkmann]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/%27%27%27JUST_DANCE%27%27%27&diff=106158 2019-03-22T18:22:21Z

<p>Jogo0931: be aware of how you move</p> <hr /> <div>'''JUST DANCE'''<br /> <br /> sound synthesis program controlled by movement<br /> <br /> <br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> <br /> [[:File:1st version.png]] - initial idea<br /> <br /> <br /> '''patches'''<br /> <br /> [[:Media:1sa_connector.maxpat]]<br /> <br /> [[:Media:2sa_noisegenerator.maxpat]]<br /> <br /> [[:Media:3sa_player.maxpat]]<br /> <br /> [[:Media:test.txt]]<br /> <br /> <br /> '''project documentation'''<br /> <br /> [[:Media:movement_synthesizer.pdf]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/%27%27%27JUST_DANCE%27%27%27&diff=106157 2019-03-22T18:14:34Z

<p>Jogo0931: </p> <hr /> <div>'''JUST DANCE'''<br /> <br /> sound synthesis program controlled by movement<br /> <br /> <br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> <br /> [[:File:1st version.png]] - initial idea<br /> <br /> <br /> '''patches'''<br /> <br /> [[:File:1sa_connector.maxpat]]<br /> <br /> [[:File:2sa_noisegenerator.maxpat]]<br /> <br /> [[:File:3sa_player.maxpat]]<br /> <br /> [[:File:test.txt]]<br /> <br /> <br /> '''project documentation'''<br /> <br /> [[:File:movement_synthesizer.pdf]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Movement_synthesizer.pdf&diff=106156 2019-03-22T18:12:50Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/%27%27%27JUST_DANCE%27%27%27&diff=106130 2019-03-22T16:03:25Z

<p>Jogo0931: </p> <hr /> <div>'''JUST DANCE'''<br /> <br /> idea is to convert movement to sound in a synthesizer<br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> <br /> [[:File:1st version.png]] - initial idea<br /> <br /> <br /> '''patches'''<br /> <br /> [[:File:1sa_connector.maxpat]]<br /> <br /> [[:File:2sa_noisegenerator.maxpat]]<br /> <br /> [[:File:3sa_player.maxpat]]<br /> <br /> [[:File:test.txt]]<br /> <br /> <br /> '''project documentation'''<br /> <br /> to be updated soon...</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Test.txt&diff=106129 2019-03-22T16:00:01Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:3sa_player.maxpat&diff=106128 2019-03-22T15:59:00Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:2sa_noisegenerator.maxpat&diff=106127 2019-03-22T15:57:57Z

<p>Jogo0931: File uploaded with MsUpload</p> <hr /> <div>File uploaded with MsUpload</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:1sa_connector.maxpat&diff=106126 2019-03-22T15:55:12Z

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Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/%27%27%27JUST_DANCE%27%27%27&diff=106125 2019-03-22T15:51:11Z

<p>Jogo0931: Created page with &quot;&#039;&#039;&#039;JUST DANCE&#039;&#039;&#039; idea is to convert movement to sound in a synthesizer 400px :File:1st version.png&quot;</p> <hr /> <div>'''JUST DANCE'''<br /> <br /> idea is to convert movement to sound in a synthesizer<br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> [[:File:1st version.png]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt&diff=106124 2019-03-22T15:51:01Z

<p>Jogo0931: </p> <hr /> <div>'''Project'''<br /> <br /> [[/ '''JUST DANCE''']]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Connecting_Max_to_the_World/Sandra_Anhalt/Initial_Idea&diff=106123 2019-03-22T15:48:31Z

<p>Jogo0931: </p> <hr /> <div>'''JUST DANCE'''<br /> <br /> idea is to convert movement to sound in a synthesizer<br /> <br /> [[File:diagram2.png|400px]]<br /> <br /> [[:File:1st version.png]]</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Diagram2.png&diff=106122 2019-03-22T15:45:06Z

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Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105708 2019-03-19T22:23:52Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> [[File:trailer.png|400px]]<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Multi-channel Installation | Exhibition Set Up'''<br /> <br /> <br /> [[File:exhbtnsetup.png|400px]]<br /> <br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> Breitz, Candice - Him<br /> https://vimeo.com/72198119<br /> <br /> Breitz, Candice - TLDR<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Exhbtnsetup.png&diff=105707 2019-03-19T22:20:42Z

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Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Exhibitionsetup.pdf&diff=105706 2019-03-19T22:16:55Z

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Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=File:Exhibitionsetup.png&diff=105705 2019-03-19T22:11:51Z

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Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105704 2019-03-19T22:10:11Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> [[File:trailer.png|400px]]<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Multi-channel Installation | Exhibition Set Up'''<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> Breitz, Candice - Him<br /> https://vimeo.com/72198119<br /> <br /> Breitz, Candice - TLDR<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105702 2019-03-19T21:48:29Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> [[File:trailer.png|400px]]<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> Breitz, Candice - Him<br /> https://vimeo.com/72198119<br /> <br /> Breitz, Candice - TLDR<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105701 2019-03-19T21:47:05Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [[File:trailer.png|400px]]<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> Breitz, Candice - Him<br /> https://vimeo.com/72198119<br /> <br /> Breitz, Candice - TLDR<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105698 2019-03-19T21:31:58Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> ''Breitz, Candice - Him''<br /> https://vimeo.com/72198119<br /> <br /> '' Breit, Candice - TLDR''<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105696 2019-03-19T21:28:09Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> ] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> ''Breitz, Candice - Him''<br /> https://vimeo.com/72198119<br /> <br /> '' Breit, Candice - TLDR''<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105695 2019-03-19T21:27:01Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> ] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> ''Candice Breitz - Him''<br /> https://vimeo.com/72198119<br /> <br /> ''Candice Breitz - TLDR''<br /> https://vimeo.com/273615691</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105694 2019-03-19T21:25:39Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> ] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> [https://vimeo.com/72198119] ''Candice Breitz - Him''<br /> <br /> https://vimeo.com/273615691 ''Candice Breitz - TLDR''</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105693 2019-03-19T21:23:26Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> ] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> <br /> [https://vimeo.com/72198119] ''Candice Breitz - Him''</div>

Jogo0931 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Bits,_Beats_%26_Pieces/Modern_Masculinities&diff=105692 2019-03-19T21:19:15Z

<p>Jogo0931: </p> <hr /> <div>[[:Media:bbp presentation.pdf]]<br /> <br /> [[File:modern masculinities.png|400px]]<br /> <br /> [[File:studio set up.JPG|400px]]<br /> <br /> studio set up - here with our first candidate David Dias<br /> <br /> <br /> '''Media'''<br /> <br /> [https://vimeo.com/325216704] ''Modern Masculinities - Video Installation''<br /> (PW:likeaman)<br /> <br /> [https://www.dropbox.com/s/xbnw6uohstx8tru/masculinity_i_1.2_01.mp3?dl=0] ''contribution for 48 hour broadcast of Bauhaus FM on January 29th 2019 - excerpt of roughly 11min of 1st interview''<br /> <br /> [https://www.dropbox.com/s/4voaqyzce6ovh3r/trailer_mobile.mp4?dl=0] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html<br /> ] ''Modern Masculinities - Trailer (as shown at presentation)''<br /> <br /> <br /> '''Theme'''<br /> <br /> “Our place in the gender order constrains our acts, but at the same time it is our acts (and those of others) that place us in the gender order and that bring the different aspects of gender into being. While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be”(Eckert, McConnell-Ginet, p. 263)<br /> <br /> For Simone de Beauvoir, women are not born, they are made. Under the light of gender construction, the same can be said of men. <br /> <br /> Such comprehension of gender development, or as for superstar gender theorist Judith Butler, Gender Performativity, highlights how the development of a certain way of being within gender for each individual is something influenced by either an array of societal expectations and repetitions, as well as individual personal development within or outside the traits or constraints of such characteristics. <br /> <br /> Modern Masculinities, a 4-channel video installation, intends to explore the palette of gender performativity through a conversation with men from a varied social and intercultural backgrounds, as an examination of the meeting points between embraced or denied characteristics, perceptions, and specially, potentialities of the rise of new comprehensions of possibilities of being a man in the 21st century. The piece, developed as a multi-channel installation as an artifact to stimulate the possibility of virtual encounters for reflecting modern masculinity, as expressed by some of the interviewed as still potentially hard to be discussed amongst other men, wether it happens through the refusal of expectations, or meeting points of individual journeys of gender development and comprehension of the role of men in contemporarity. <br /> <br /> As comprehended by gender theorist Robert Connell, it’s vital to portrait Masculinities as a wider palette of possibilities of performing masculinity outside of the Hegemonic Masculinity, as understood as pre-defined traits of masculinity - and the piece, for itself, a portrait of some masculinities outside of such hegemony. Through the inspiration of Language studies, a space for elaboration on masculinity is also an attempt to break the silence on male normativity and still predominant categorizing systems, also considering its importance on development on societal discourses and its influence on new possibilities of social construction. The ongoing project, which is expected to approach other interviews with men from other backgrounds, and be translated in a physical multi-channel installation, aims to take use of such medium as the possibilities of creating new associations between the topic and the viewers, getting inspiration by the comprehension of the possibilities of Expanded Cinema with either works from the likes of Malcom Le Grice, Carolee Schneeman and William Raban, or contemporary artists like Candice Breitz and Isaac Julien, also exploring the potential of new storytelling possibilities and the incorporation of such storytelling in the physical space. <br /> <br /> For a potential disposition of an exhibition room, a setting of the four-channels was thought considering the relationship between the different storytelling axis explored in each of the channels, comprehending different stages of gender comprehension, development and performance by the interviewed featured in the channel so far - Ettienne, from France; Ammar, from Sudan; David, from Brazil; Frederic, from Canada; and Clemens, from Germany.<br /> <br /> <br /> '''Summary'''<br /> <br /> The multi-channel installation can be summarized as reflections on masculinity by men with different sociocultural backgrounds, with an objective to investigate different approaches on the topic of masculinity filtered by various sociocultural and socioeconomic backgrounds. It attempts also bring forward and give room to a topic that many men don’t feel comfortable elaborating on and attempting to initiate a platform of cultural exchange to the topic at hand. We wish to shed light on the various points of views concerning this issue depending on cultural, socioeconomic background, upbringing, and so forth, certainly aware though, that the approach is not fully representative as we are talking to a selected demographic - young, well educated men pursuing their studies in western Europe. <br /> <br /> The decision on a classical studio setting for the recording sessions is in order to create a homogenic atosphere. This, in the edit, creates the impression of &quot;talking heads&quot; on a monochrome background. These heads simultaneously create a choir of chatter, freely associating on the given topic at hand. It is up to the spectator to later discover similarities, differences, humoristic approaches and so forth. By accumulating these expressions, as they are articulated and centered into a single screen, it will display the fact that many of the triggered thoughts are just birthed into the realm of consciousness as it seems they haven't had room, time and space to be elaborated on previously.<br /> <br /> <br /> '''Bibliographical References '''<br /> <br /> Rees, A.L.; White, Duncan; Ball, Steven; Curtis, David (editors): Expanded Cinema - Art, Performance, Film. London, 2011.<br /> <br /> Eckert, Penelope; McConnell-Ginet, Sally: Language and Gender, 2nd Edition. Melbourne, 2013. <br /> <br /> Cohan, Steve; Ina Rae, Hark: Screening the male, exploring masculinities in Hollywood Cinema. Oxford, 1994. <br /> <br /> Moore, Keith: Performance, Masculinity and Confrontation - How males learn manliness. 2012.<br /> <br /> Wetherell, Edley: Negotiating Hegemonic Masculinity - Imaginary positions and psycho-discursive Practices. 1999. <br /> <br /> Ho, Jonathan: Fetishizing Masculinity. Eindhoven, 2017. <br /> <br /> Vestoj n.7 - The journal of sartorial matters - On Masculinities - What makes a man?. Paris, 2016. <br /> <br /> Adbusters: Deeply Broken Men(#140, Vol. 26, No.6). Vancouver, November/December 2018.<br /> <br /> Friedman, Jaclyn: Building better man: how we can begin to redefine masculinity. On the Guardian. 12/03/2018, access on 11/12/2018. https://www.theguardian.com/world/2018/mar/12/masculinity-gender-men-sexual-assault-rape<br /> <br /> Orenstein, Peggy: We can’t just let boys be boys. On The New York Times. 29/09/2018, access on 14/12/2018. https://www.nytimes.com/2018/09/29/opinion/sunday/sex-education-ethics-assault-boys.html<br /> <br /> Ono, Yoko: The feminization of society. On The New York Times. 23/02/1972, access on 28/12/2018. https://www.nytimes.com/1972/02/23/archives/the-feminization-of-society.html</div>

Jogo0931