Medien Wiki - User contributions [en]

EKK:LoFi Sounds in HiFi Spaces

2013-06-07T05:49:35Z

Joe Cantrell:

[[:Category:Projektmodul|Projektmodul]] 
''Lecturers:'' [[Robin Minard]], [[/miller|Miller Puckette]], Katharina Rosenberger, [[/Shahrokh|Shahrokh Yadegari]], [[Ludger Hennig]], [[Max Neupert]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Date:'' Monday, 18:00 until 21:30 h (due to the time difference to San Diego) 
''Venue:'' [[Coudraystraße 13a]], SeaM Werkstattstudio 
''First meeting:'' 15.04.2013

==Description==
The sensation of space through spatialized sound may be influenced by sources that differ in their quality and quantity. Within this project, we will investigate ways to modify, expand or augment how space can be experienced through sound. The outcome may be, for instance, an electroacoustic composition, a simulation of spatial perception, sonic architecture or a set-design as a virtual or performative environment.

This project is the beginning of a long-term cooperation between the Bauhaus-Universität Weimar and the University of California in San Diego. Partners in Weimar are Prof. Robin Minard and Ludger Hennig from the Studio for Electroacoustic Music (SeaM) and Max Neupert (Medial Environments). Partners in San Diego are Prof. Miller Puckette (Computer Music), Prof. Katharina Rosenberger (Music) and Prof. Shahrokh Yadegari (Theatre and Dance). Telematic classes will allow students from both faculties to work together. Classes will take place in Weimar in the evening, mid-morning in San Diego. The cooperation is funded by the German Academic Exchange Service (DAAD).

===German description===
Die Wahrnehmung von Raum durch verräumlichten Klang, kann durch Klangquellen beeinflusst werden, welche sich in ihrer Qualität und Quantität unterscheiden. In diesem Projekt werden wir untersuchen, auf welche Art wir die Erfahrung von Raum durch den Klang verändern, erweitern oder verbessern können. Das Ergebnis kann beispielsweise eine elektroakustische Komposition, eine Simulation einer räumlichen Wahrnehmung, klangliche Architektur oder ein Bühnenbild als virtuelle oder performative Umgebung sein.

Dieses Projekt ist der Beginn einer langfristigen Zusammenarbeit zwischen der Bauhaus-Universität und der Universität von Kalifornien in San Diego. Partner aus Weimar sind Prof. Robin Minard und Ludger Hennig vom Studio für Elektoakustische Musik (SeaM) und Max Neupert (Gestaltung medialer Umgebungen). Partner aus San Diego sind Prof. Miller Puckette (Computermusik), Prof. Katharina Rosenberger (Musik) und Prof. Shahrokh Yadegari (Theater und Tanz). Gemeinsamer Unterricht mit einer Videoverbindung wird es den Studierenden beider Universitäten ermöglichen, zusammen zu arbeiten. Der Unterricht wird in Weimar am Abend und vormittags in San Diego stattfinden. Die Zusammenarbeit wird vom Deutschen Akademischen Austauschdienst (DAAD) gefördert.

===Werk/Fachmodule===
We recommend the Werk/Fachmodul [[GMU:Dataflow II]] and/or Ludger Hennigs soundscapes class along with this Project module.

==Assignments==
# [[/Making connection/]] due 04-22
# [[/Mingling sounds/]] due 04-29
# [[/Textualize ideas/]] due 05-06
# [[/Proposing concepts/]] due 05-13

==Evaluation==
Active participation, presentation, artistic examination, documentation, edits in the wiki.

==Participants==
{| align="left" {{Template:Prettytable}}
|
:'''Weimar'''
* [[/Rico/]]
* [[/Alex/]]
* [[/Alice/]]
* [[/Jonas/]]
* [[/Andre/]]
* [[/Paul/]]
* [[/Ben/]]
* [[/Ludwigberger/]]
* [[/TimH/]]
* [[/Dorian/]]
* [[/Clemens/]]
* [[/Ives/]]
* [[/Cornelio/]]
* [[/Johannes/]]

* [[/Max/]] (you may use this as a template)
|
:'''San Diego'''
* [[/Brendan Bernhardt Gaffney/]]
* [[/Kevin/]]
* [[/Melanie/]]
* [[/Jeffrey/]]
* [[/Bo/]]
* [[/Andy/]]
* [[/Jamilah/]]
* [[/Marcelo/]]
* [[/Ryan Welsh/]]
* [[/ElisabetCurbelo/]]
* [[/Joe Cantrell/]]
* [[/czyskows/]]
* [[/NickDrashner/]]

* [[/miller/]]
* [[/Shahrokh/]]
* [[/CarolineMiller/]]
|}

===(Collaborative) Projects===
Please put setup and presentation time behind the project name, for instance: (5/10)
* [[/Convergence/]]
* [[/Wind stream/]]
* [[/Body Instrument/]] (5/10)
* [[/The Working System/]]
* [[/Expedition/]] (10/10) Start at 9:30am PST!
* [[/Immersive Collage/]]
* [[/Voice Matter/]]
* [[/Working with language/]]
* [[/Bugs scored/]]
* [[/Fugue of Spaces/]]
* [[/Mind VS Mind/]]

==Syllabus==
ISO Standard: MONTH/DAY
# 04/01 Only in San Diego (Easter Monday is holiday in Germany; Robin, Ludger and Max join via Skype/Google+ Hangout) faculty presentations about technical means and/or artistic issues. Introduction to the wiki.
# 04/08 Only in San Diego – faculty presentations continued. Miller - Rasberry Pi as an audio and video platform. Shahrokh - Mugic protocol; video walls
# 04/15 First joint class
# 04/22 Robin, Ludger and Max are in San Diego
# 04/29
# 05/06
# 05/13
# 05/20 Only in San Diego (Pentecost Monday in Germany)
# 05/27 Only in Weimar (Memorial day in the U.S.)
# 06/03
# '''06/07 (Friday!) Presentations'''
# 06/10 Final class together
# 06/17
# 06/24
# 07/01

==SAM connection==
We have two dedicated machines to facilitate the connection between the two places. In Weimar it is remote@141.54.193.23 (Linux Mint), in San Diego it is ideas@ideas-mac.ucsd.edu (OS X)

We run the SAM Server as well as SAMINPUT in the directory /home/remote/msp/sam/bin

./saminput -n "WeimarSending" -i "137.110.116.4" -p 7770 -c "1-2" -t 0
./sam -n 2 -r 44100 -p 256 -d alsa -o 7770 -j 4464 -f 0 -m 2

==Literature==
* Föllmer, Golo: Netzmusik, Wolke Verlag ISBN 3936000336
* LaBelle, Brandon: Background Noise ISBN 9780826418456
* LaBelle, Brandon: Site of Sound: Or Architecture and the Ear ISBN 978-0982743904
* Minard, Robin: Silent Music ISBN 978-3933257130
* Minard, Robin: Sound Installation Art
* Leitner, Bernard: Sound:Space ISBN 978-3893224449

Pd books:
{{Template:PdBooks}}

==Links==
* [https://groups.google.com/forum/#!forum/buw-ucsd-class Google Group BUW-UCSD-class]
* [https://puredata.info/docs/raspberry-pi Pure Data on the Raspberry Pi]

===Sending data over the network===
* [[OSC]]
* netsend/netreceive, netserver/netclient. In Pd look at <tt>mrpeach</tt> and <tt>iemnet libraries</tt>
* [http://ivl.calit2.net/wiki/index.php/StreamingGraphics Mugic]

===Sending Audio and Video over the Internet===
* [[wikipedia:Audio Video Bridging]] AVB is a set of standards for audio and video transmission by the IEEE

====Intended for Communcation====
* [http://www.skype.com Skype] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://tools.google.com/dlpage/hangoutplugin Google+ Hangout] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] (Seems to work best in Chome/Chromium)
* [http://www.oovoo.com ooVoo] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.voxox.com voxox] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://line.naver.jp/en LINE] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamviewer.com TeamViewer] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamspeak.com TeamSpeak] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

Teleconferencing
* [http://www.polycom.com Polycom] [[File:Icon windows8 16x16.png]] System available in Weimar
* [http://www.radvision.com/Products/Video-Conference-Systems Radvision Scopia] [[File:Icon windows8 16x16.png]]
* [http://www.lifesize.com Livesize] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] System available in San Diego

Unidirectional only (aka streaming)
* [http://giss.tv Global Independent Streaming Support], [http://giss.tv/wiki/index.php/Main_Page G.I.S.S wiki]
* [http://www.ustream.tv Ustream]
* [http://www.justin.tv justin.tv]
* [http://www.shoutcast.com/ shoutcast] also as vst plugin availlable

====Intended for Performance/Creative Use====
* [http://code.sat.qc.ca/redmine/projects/scenic/wiki/Scenic_fr Scenic] Audio and video in high quality, as well as MIDI [[File:Icon newtux 16x16.png]]
* [http://netjack.sourceforge.net NetJack] a Realtime Audio Transport over a generic IP Network (last update 2010).
* [http://code.google.com/p/jacktrip JackTrip] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] a network extension for [http://jackaudio.org/ Jack Audio Connection Kit] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://code.google.com/p/streaming-audio Streaming Audio Manager (SAM)] by [https://ccrma.stanford.edu/~danielsm/research.html Michelle Daniels] the most current Jack based streaming solution [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://gstreamer.freedesktop.org GStreamer] and bindings for Pd: [http://umlaeute.mur.at/Members/zmoelnig/projects/pdgst PdGst] [[File:Icon newtux 16x16.png]]
* netsend~ for Max/MSP and Pd: [http://www.nullmedium.de/dev/netsend~ Olaf Matthes' Original Version] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]], [http://www.olivierguillerminet.com/portfolio/netsend Olivier Guillerminet's/Remu's Fork] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

===Performing Remotely===
* [http://www.netpd.org NetPd]
* [http://at.or.at/serendipd SerendiPd] collaborative patching

[[Category:SS13]]
[[Category:Projektmodul]]
[[Category:Robin Minard]]
[[Category:Miller Puckette]]
[[Category:Katharina Rosenberger]]
[[Category:Shahrokh Yadegari]]
[[Category:Ludger Hennig]]
[[Category:Max Neupert]]
[[Category:Pure Data]]
[[Category:Performance]]
[[Category:Community]]
[[Category:Max/MSP]]
[[Category:Telematic]]
[[Category:Coorperation]]

EKK:LoFi Sounds in HiFi Spaces/Working with language

2013-06-03T17:37:31Z

Joe Cantrell:

==Working with language==
This is more of a proposal of an explorative working topic than a sketch of a project.

I was getting interested into the impracticabilities that were introduced by the technical aspects of the medium that we used to speak to each other.

Designing a medium of communication in between two spaces by constraints in language, could be one topic of work. In particular, when using speech recognition software, a small and insufficient dictionary could come in place to recognize just some hundred words out of a pre-given story. Those words could then be used to trigger audio and video events, or even mechanical devices.

There is some speech recognition software API, that I managed to run on my computer

* [http://www.speech-recognition.de/matlab-examples2.html Speech recognition for Matlab]
* [http://cmusphinx.sourceforge.net/sphinx4/ Sphinx4 (java based)] (this is also available in C++)

As a starting point, I experimented with a small chat program that I manipulated. It now displays google keywords instead of the text that the user enters.

Please feel free to try it: [http://www.headphonica.com/OTHER/TPJO/suggestive_chat/chat.php Suggestive chat]

===Team===
* [[../Clemens/]]

----
Max' comments:

have you tried early chatbots like [[wikipedia:ELIZA|ELIZA]]? I was extremely impressed by the Installation [http://www.dieamme.de Die Amme] by Peter Dittmer, there might be a documentation on this somewhere.

==Brendan's Really Important Contribution==
[http://learn.adafruit.com/pi-thermal-printer Thermal Printer and Raspberry Pi]

==Receipt printer available for Friday==
[http://bixolon.com/html/en/product/product_detail.xhtml?pgNum=&prod_id=3&large_cd=0001&small_cd= USB receipt printer]

EKK:LoFi Sounds in HiFi Spaces/Expedition

2013-05-06T15:05:46Z

Joe Cantrell:

===Concept:===

We're trying to find a way to create a small transatlantic installation with explores the aesthetic possibilities of the entanglement of physical objects and spaces with digital systems.

===Hard Workers:===

* [[../Joe Cantrell/]]
* [[../Andre/]]

===Status Quo:===
We have been exploring different possibilities that can be enacted in the limited digital and physical spaced allotted.

As the nature of our collaboration is deliberately exploratory, the specific aesthetics of the project will become finalized through the process of realization itself.

We have been investigating different ideas and materials including: fog as a material, blurred video projection, controlled feedback, connectivity/dependency

* Max/Msp Patch: [[Media:MaxpatchJoeC.jpg]]
* Realisation ideas: [[Media:Collab-AndreJoe.jpg]]

===Links:===

Some reference ideas -

* Anthony McCall: [http://www.fastcodesign.com/1672060/a-projector-and-a-fog-machine-create-startling-virtual-spaces#2]
* Ursula Scherrer/Kurt Laurenz: [http://www.youtube.com/watch?v=D2XKREI4ha0]
* Roberto Pugliese: [https://vimeo.com/44749480]
* Jim Campbell: [http://www.jimcampbell.tv/]

* album with some drawings: [http://www.yogile.com/fis5djo3#41m]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Andre Joe

2013-04-29T02:55:15Z

Joe Cantrell:

MINGLING SOUNDS ASSIGNMENT - ANDRE / JOE

==ANDRE'S TEXT==

...

==ANDRE'S VIDEO==
<videoflash type="vimeo">64984544|500|280</videoflash>

==JOE'S TEXT==
'''◦ How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

What stands out for me about McLuhan's text is how the effect of the unconsidered and accidental can often be as meaningful as intentional actions and ideation.

For example, the 1967 publication of McLuhan's collaboration with graphic designer Quentin Fiore contained a crucial and unexpected difference from the famed first chapter of ''Understanding Media.'' A typesetting error caused the last word of the title to be printed as as "massage" rather than "message". McLuhan was delighted at this turn of events and kept the mistake as part of the title. This inclusion of systemic error in the total consideration of meaning has obvious resonance for contemporary applications of digital technology and the embrace of digital errors.

Unintended contextual considerations also affect how the ideas surrounding media also change over time. For McLuhan, this can be seen in his depiction of cultural binaries ("civilized" vs. "tribal") as well how he assigns value to his constructions. When viewed though a contemporary lens, McLuhan's projections of cultural difference can seem problematic and for some may affect how his work should be approached.

For me, a consideration of McLuhan points up the significance of the unseen and unintended in the understanding and production of technologically mediated communication and expression.

'''◦ American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

To me, the idea of locational and temporal transference is always present in any recorded or technologically mediated sound production. As such, the idea of direct and literal translocation of a sonic (or any other) environment seems like an unreachable goal. In transferring one sonic experience to another, the aural situation is always propagated through recording, transmitting, and sound reproducing objects that change the nature and context of sound to such a degree that the exact nature of what is transmitted becomes unclear. I prefer to consider trans-localized sound as expanded collaborative sound spaces made through a collaborative effort between regional sonic events and performers, both human and technological.

'''◦ How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

The examples of sound producing objects given here seem to exemplify three distinct modes of listening: pleasure, communication, and sound of alarm or alertness.

For me, the aural expectations linked to any specific object are primarily culturally and contextually determined. For example, a wire recorder might provide vastly different expectation from those who know the function of the object and those who do not. As a result, meeting expectations implies determining and satisfying audience expectations. One approach to this dilemma is to include the personal experience and expectations of the artist as part of framework of the piece, so instead of attempting to presume a collective contextual and cultural association shared by an audience, a perspective is given that is grounded in the lived experience of the presenter and allows for varying levels of association and understanding by the audience.

==JOE VIDEO==
<videoflash type="youtube">HXC3LwJgoOE&|500|280</videoflash>

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Andre Joe

2013-04-29T02:42:29Z

Joe Cantrell: Created page with "MINGLING SOUNDS ASSIGNMENT - ANDRE / JOE ==ANDRE'S TEXT== ... ==ANDRE'S VIDEO== <videoflash type="vimeo">64984544|500|280</videoflash> ==JOE'S TEXT== '''◦ How does the se..."

MINGLING SOUNDS ASSIGNMENT - ANDRE / JOE

==ANDRE'S TEXT==

...

==ANDRE'S VIDEO==
<videoflash type="vimeo">64984544|500|280</videoflash>

==JOE'S TEXT==
'''◦ How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.'''

What stands out for me about McLuhan's works, is how the effect of the unconsidered can often be as meaningful as intentional actions and ideation.

The 1967 publication of McLuhan's collaboration with graphic designer Quentin Fiore contained a crucial and unexpected difference from the famed first chapter of Understanding Media. A typesetting error caused the last word of the title to be printed as as "massage" rather than "message". McLuhan was delighted at this turn of events and kept the error as part of the title. This inclusion of systemic error in the total consideration of meaning has obvious resonance for contemporary applications of digital technology and the embrace of digital errors.

Unintended contextual considerations also affect how the ideas surrounding media also change over time. For McLuhan, this can be seen in his depiction of cultural binaries ("civilized" vs. "tribal") as well how he assigns value to his constructions. When viewed though a contemporary lens, McLuhan's projections of cultural difference can seem problematic and for some many affect how his work should be approached.

For me, a consideration of McLuhan points up the significance of the unseen and unintended in the understanding and production technologically mediated communication and expression.

'''◦ American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?'''

To me, the idea of locational and temporal transference is always present in any recorded or technologically mediated sound production and therefore the idea of direct and literal translocation of sound (or any other) environment seems unattainable. In transferring one sonic experience to another, the aural situation is always propagated through recording, transmitting, and sound reproducing objects that change the nature and context of sound to such a degree that the exact nature of what is transmitted becomes unclear. I prefer to consider trans-localized sound as expanded collaborative sound spaces made as a collaboration between regional sonic events and performers, both human and technological.

'''◦ How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?'''

The three examples of sound producing objects given here seem to exemplify three distinct modes of listening: pleasure, communication, and sound of alarm or alertness.
For me, the aural expectations linked to any specific object are primarily culturally and contextually determined. For example, a wire recorder might provide vastly different interpretation from those who know the function of the object and those who do not. As a result, meeting expectations implies determining and meeting audience expectations. One approach to this dilemma is to include the personal experience and expectations of the artist as part of framework of the piece, so instead of attempting to presume a collective contextual and cultural association shared by the audience, a perspective is given that is grounded in the presenter and allows for varying levels of association and understanding by the audience.

==JOE VIDEO==
<videoflash type="youtube">HXC3LwJgoOE&|500|280</videoflash>

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-15T19:03:20Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

== '''···••• Interests •••···''' ==
I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|330</videoflash>

<videoflash type="vimeo">62481825|450|330</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

== '''···••• My Collaboration Interests •••···''' ==
No specific preferences as of yet.

== '''···••• Project Idea •••···''' ==
I am interested in using the mixer and video gear in the RML space to create interactive 'no-input' content that include both localized and long distance long distance controlled feedback generation.

I'm also curious to explore the aesthetic possibilities of extremely low bandwidth and resolution.

== '''···••• Platforms •••···''' ==
I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/MSP, Jitter, arduino, hacking things, breaking things.

Skype: helltoupe22
Google chat: joeleocantrell@gmail.com

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-08T02:14:02Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

== '''···••• Interests •••···''' ==
I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|330</videoflash>

<videoflash type="vimeo">62481825|450|275</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

== '''···••• My Collaboration Interests •••···''' ==
No specific preferences as of yet.

== '''···••• Project Idea •••···''' ==
Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

Something that uses the limitations of transmission to inform aesthetic values. E.g. - live transmissions of 4X8 pixels mapped out to one pixel per screen on video wall.

== '''···••• Platforms •••···''' ==
I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:15:37Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

== '''···••• Interests •••···''' ==

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|275</videoflash> <videoflash type="vimeo">62481825|450|275</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

== '''···••• My Collaboration Interests •••···''' ==

No specific preferences as of yet.

== '''···••• Project Idea •••···''' ==

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

== '''···••• Platforms •••···''' ==

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:13:29Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

== '''···••• Interests •••···''' ==

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|275</videoflash> <videoflash type="vimeo">62481825|450|275</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

==

'''···••• My Collaboration Interests •••···''' ==

No specific preferences as of yet.

== '''···••• Project Idea •••···''' ==

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

== '''···••• Platforms •••···''' ==

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:06:00Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|275</videoflash> <videoflash type="vimeo">62481825|450|275</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:04:34Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|250</videoflash> <videoflash type="vimeo">62481825|450|250</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:04:02Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|200</videoflash> <videoflash type="vimeo">62481825|450|200</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:03:25Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|450|230</videoflash> <videoflash type="vimeo">62481825|450|230</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T22:02:08Z

Joe Cantrell:

Hi!

I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|500|280</videoflash> <videoflash type="vimeo">62481825|500|280</videoflash>

You can see more at [http://www.2-3-2.com 2-3-2.com]

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T21:58:33Z

Joe Cantrell:

Hi!
I'm a digital artist/musician specializing in sound art, installations, and performances. I am currently pursuing a PhD in Integrative Studies at UCSD.

'''···••• Interests •••···'''

I am interested in the aesthetic possibilities of technological objects and practices, technological production, ownership, and obsolescence.

This boils down to four words: Machines. People. Noise. Trash.

Here are videos of a recent performance and media project:

<videoflash type="vimeo">62481823|500|280</videoflash>

<videoflash type="vimeo">62481825|500|280</videoflash>

'''···••• My Collaboration Interests •••···'''

No specific preferences as of yet.

'''···••• Project Idea •••···'''

Possibly something that uses the display and or mixing devices to generate content limited by software, i.e. some sort of long distance controlled feedback operation.

'''···••• Platforms •••···'''

I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, Jitter, arduino, hacking things, breaking things.

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T18:58:27Z

Joe Cantrell:

[[File:Mn venezia.png|thumb|That's a thumbnail with caption]]
Hi! I am a PhD student at UCSD in the Integrative Studies Focus.

==Interests==
Noise. Machines. People. Trash.

Let me show you a video which is about half a year old already, showing some experiments I do. Currently I work on bringing this to the next level.

<videoflash type="vimeo">62481823|500|280</videoflash>

===My collaboration interest===
Stuff.

==Project Idea==
If you already have a project idea go ahead and pitch it here.

==Platforms==
I hack things in OSX and sometime Windows even less Linux.
I'm familiar with Max/msp, arduino, breaking things.

EKK:LoFi Sounds in HiFi Spaces

2013-04-01T18:55:41Z

Joe Cantrell: /* San Diego */

[[:Category:Projektmodul|Projektmodul]] 
''Lecturers:'' [[Robin Minard]], Miller Puckette, Katharina Rosenberger, Shahrokh Yadegari, [[Ludger Hennig]], [[Max Neupert]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Date:'' Monday, 18:00 until 21:30 h (due to the time difference to San Diego) 
''Venue:'' [[Coudraystraße 13a]], SeaM Werkstattstudio 
''First meeting:'' 15.04.2013

==Description==
The sensation of space through spatialized sound may be influenced by sources that differ in their quality and quantity. Within this project, we will investigate ways to modify, expand or augment how space can be experienced through sound. The outcome may be, for instance, an electroacoustic composition, a simulation of spatial perception, sonic architecture or a set-design as a virtual or performative environment.

This project is the beginning of a long-term cooperation between the Bauhaus-Universität Weimar and the University of California in San Diego. Partners in Weimar are Prof. Robin Minard and Ludger Hennig from the Studio for Electroacoustic Music (SeaM) and Max Neupert (Medial Environments). Partners in San Diego are Prof. Miller Puckette (Computer Music), Prof. Katharina Rosenberger (Music) and Prof. Shahrokh Yadegari (Theatre and Dance). Telematic classes will allow students from both faculties to work together. Classes will take place in Weimar in the evening, mid-morning in San Diego. The cooperation is funded by the German Academic Exchange Service (DAAD).

===German description===
Die Wahrnehmung von Raum durch verräumlichten Klang, kann durch Klangquellen beeinflusst werden, welche sich in ihrer Qualität und Quantität unterscheiden. In diesem Projekt werden wir untersuchen, auf welche Art wir die Erfahrung von Raum durch den Klang verändern, erweitern oder verbessern können. Das Ergebnis kann beispielsweise eine elektroakustische Komposition, eine Simulation einer räumlichen Wahrnehmung, klangliche Architektur oder ein Bühnenbild als virtuelle oder performative Umgebung sein.

Dieses Projekt ist der Beginn einer langfristigen Zusammenarbeit zwischen der Bauhaus-Universität und der Universität von Kalifornien in San Diego. Partner aus Weimar sind Prof. Robin Minard und Ludger Hennig vom Studio für Elektoakustische Musik (SeaM) und Max Neupert (Gestaltung medialer Umgebungen). Partner aus San Diego sind Prof. Miller Puckette (Computermusik), Prof. Katharina Rosenberger (Musik) und Prof. Shahrokh Yadegari (Theater und Tanz). Gemeinsamer Unterricht mit einer Videoverbindung wird es den Studierenden beider Universitäten ermöglichen, zusammen zu arbeiten. Der Unterricht wird in Weimar am Abend und vormittags in San Diego stattfinden. Die Zusammenarbeit wird vom Deutschen Akademischen Austauschdienst (DAAD) gefördert.

==Topics==
* [[/Topic1/]]
* [[/Topic2/]]

==Admission requirements==
k.A.

==Registration procedure==
Please send your application by email with the Subject ''{{PAGENAME}}'' to: max.neupert (at) uni-weimar.de
* Name, Surname
* program and semester (Studienprogramm und Fachsemester)
* matriculation number (Matrikelnummer)
* Angabe der geltenden Prüfungsordnung
* Valid email address @uni-weimar.de (no other mailing addresses will be accepted) [[SCC-Services#E-Mail|Why?]]

Registration is not admission! We will conduct interviews. Details will be announced soon here.

==Evaluation==
Active participation, presentation, artistic examination, documentation, edits in the wiki.

==Eligible participants==
Undergraduates and graduates enrolled in the Faculties of Media, Gestaltung and in the MediaArchitecture program

==Participants==
===Weimar===
* [[/Max/]]
* [[/YourName/]] (Take a look at above example and add yourself here)
===San Diego===
* [[/Brendan Bernhard Gaffney/]]
* [[/Kevin/]]
* [[/Melanie/]]
* [[/Jeffery/]]
* [[/Bo/]]
* [[/Andy/]]
* [[/Jamilah/]]
* [[/Marcelo/]]
* [[/Ryan_Welsh/]]
* [[/Elisabetcurbelo/]]
* [[/CarolineMiller/]]
* [[/Joe_Cantrell/]]

==Syllabus==
ISO Standard: MONTH/DAY
# 04/01 Only in San Diego (Easter Monday is holiday in Germany; Robin, Ludger and Max join via Skype/Google+ Hangout) faculty presentations about technical means and/or artistic issues. Introduction to the wiki.
# 04/08 Only in San Diego – faculty resentations continued. Miller - Rasberry Pi as an audio and video platform. Shahrokh - Mugic protocol; video walls
# 04/15 First joint class
# 04/22 Robin, Ludger and Max are in San Diego
# 04/29
# 05/06
# 05/13
# 05/20
# 05/27 Only in Weimar (Memorial day in the U.S.)
# 06/03
# 06/10
# 06/17
# 06/24
# 07/01

==Literature==
* Föllmer, Golo: Netzmusik, Wolke Verlag ISBN 3936000336
* LaBelle, Brandon: Background Noise ISBN 9780826418456
* LaBelle, Brandon: Site of Sound: Or Architecture and the Ear ISBN 978-0982743904
* Minard, Robin: Silent Music ISBN 978-3933257130
* Minard, Robin: Sound Installation Art
* Leitner, Bernard: Sound:Space ISBN 978-3893224449

Pd books:
{{Template:PdBooks}}

==Links==
* [https://groups.google.com/forum/?&fromgroups#!forum/buw-ucsd Google Group BUW-UCSD]
* [https://puredata.info/docs/raspberry-pi Pure Data on the Raspberry Pi]

===Sending data over the network===
* [[OSC]]
* netsend, netreceive. In Pd look at mrpeach and iemnet libraries
* [http://ivl.calit2.net/wiki/index.php/StreamingGraphics Mugic]

===Sending Audio and Video over the Internet===
* [[wikipedia:Audio Video Bridging]] AVB is a set of standards for audio and video transmission by the IEEE

====Intended for Communcation====
* [http://www.skype.com Skype] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://tools.google.com/dlpage/hangoutplugin Google+ Hangout] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] (Seems to work best in Chome/Chromium)
* [http://www.oovoo.com ooVoo] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.voxox.com voxox] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamviewer.com teamviewer] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

Teleconferencing
* [http://www.polycom.com Polycom] [[File:Icon windows8 16x16.png]] System available in Weimar
* [http://www.radvision.com/Products/Video-Conference-Systems Radvision Scopia] [[File:Icon windows8 16x16.png]]
* [http://www.lifesize.com Livesize] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] System available in San Diego

Unidirectional only (aka streaming)
* [http://giss.tv Global Independent Streaming Support], [http://giss.tv/wiki/index.php/Main_Page G.I.S.S wiki]
* [http://www.ustream.tv Ustream]
* [http://www.justin.tv justin.tv]

====Intended for Performance/Creative Use====
* [http://code.sat.qc.ca/redmine/projects/scenic/wiki/Scenic_fr Scenic] Audio and video in high quality, as well as MIDI [[File:Icon newtux 16x16.png]]
* [http://code.google.com/p/jacktrip JackTrip] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]]
* [http://gstreamer.freedesktop.org GStreamer] and bindings for Pd: [http://umlaeute.mur.at/Members/zmoelnig/projects/pdgst PdGst] [[File:Icon newtux 16x16.png]]
* netsend~ for Max/MSP and Pd: [http://www.nullmedium.de/dev/netsend~ Olaf Matthes' Original Version] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]], [http://www.olivierguillerminet.com/2008/12/netsend Olivier Guillerminet's/Remu's Fork] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://ccrma.stanford.edu/~danielsm/research.html Michelle Daniels] is working on something...

===Performing Remotely===
* [http://www.netpd.org NetPd]
* [http://at.or.at/serendipd SerendiPd] collaborative patching

EKK:LoFi Sounds in HiFi Spaces/Joe Cantrell

2013-04-01T18:51:42Z

Joe Cantrell: Created page with "That's a thumbnail with caption Hi! I am a PhD student at UCSD in the Integrative Studies Focus. ==Interests== Noise. Machines. People. Trash. L..."

[[File:Mn venezia.png|thumb|That's a thumbnail with caption]]
Hi! I am a PhD student at UCSD in the Integrative Studies Focus.

==Interests==
Noise. Machines. People. Trash.

Let me show you a video which is about half a year old already, showing some experiments I do. Currently I work on bringing this to the next level.

<videoflash type="vimeo">62481823|500|280</videoflash>

===My collaboration interest===
Stuff.

==Project Idea==
If you already have a project idea go ahead and pitch it here.

==Platforms==
My main platform is currently OS X, but I just got my Raspberry Pi and I am an Android user as well.