Medien Wiki - User contributions [en]

EKK:LoFi Sounds in HiFi Spaces/Bugs scored

2013-05-13T06:18:48Z

Ives:

==1x1/Bugs scored()==

(An electro-acoustic composition for live-audio-stream and two loudspeaker-orchestras.)

“The first step is an intuition and it comes with a burst, then difficulties arise – this thing gives out and then that - 'Bugs' - as such little faults and difficulties are called – show themselves, and months of intense watching, study and labor are requisite....” T.A. Edison

===Philosophy===

The term „Bug“ was already used in the 19th century for little faults in mechanical/electrical components. Later crackling noises on the phone were perceived as little animals, nibbling on the line. Computer pioneer Grace Hopper possibly used the word first for errors related to computers, as she publized the story, how a moth in a relay caused a malfunction of the computer Mark II, on 9th of september 1947. The moth was removed and taped to the journal, next to the entry „First actual case of bug being found“.

Today, bugs are omnipresent, considering humankind and technology. For software and hardware, total absence of errors is neither possible nor provable. Even expensive, manifold tested programs contain errors inevitably. So soft- and hardware, and even humans are at best considered stable or robust, when occurring errors are seldom and/or their aftereffects are rather harmless.

In our work „Bugs scored“, the metaphorical, technological bug meets its natural equivalent.

==Basic Idea==

We have a box filled with beetles here, and we want to do some tracking stuff with them to generate useful musical data.
All sounds and structure should be derived from these beetles, an interaction between spaces (Weimar - SanDiego) and technical „bugs“ (like delay, dropouts, feedback etc).

If we had a second trackable population on your side we could do a lot of interesting stuff, by exchanging/combining/mixing data for realtime-composition etc. But of course, this could be a little hard considering the time that is left for this semester.

Furthermore it would be somewhat exciting to derive pitch (and time) data from the beetles here and send it in realtime to SanDiego, for musicians to play it on instruments, which would then be sent back to Weimar for modulation etc. Mixed with the orginal/modulated beetle-sounds there are many possibilities.

Because we´re also not sure, if the part with the instruments is managable for now, we´re thinking about it in a more general way. What the actual project will be, depends on who will colaborate and what the implied possibilities are. So the result could be something like an audio-sculpture (a self-organizing sound system), a realtime-composition/improvisation (maybe with instrumentalists), or something in between. But we´re open and interested in your thoughts on what could be done with this setting.

===Setting===

So far, we have a box filled with beetles. There are several microphones and cameras built into it , so we have multiple audio-signals to playback/process/analyze and derive control-data from, and video-streams, which provide us with position/movement-data and thereby much more. In addition we have an Arduino for further sensoring and experimentation. Pd is our tool of choice.

*[https://soundcloud.com/hausdorf-workspace Here you can find some audible experiments we´ve already done with the current setup]

==Links==
*
*
*

==Literature==

* KybernEthik, Merve, Berlin 1993,Heinz von Foerster
* Wahrheit ist die Erfindung eines Lügners. Gespräche für Skeptiker. (Heinz . Foerster mit Bernhard Pörksen) Carl-Auer-Systeme Verlag
* Insect Media - An Archaeology of Animals and Technology, 2010, Jussi Parikka
* Insekten in der bildenden Kunst im Wandel der Zeiten in psychogenetischer Sicht, 1977Erwin Schimitschek

==Audio==

*DRadioWissen - Klang der Tiere [1] - Ein kurzer Beitrag über Derek Salomon.
*Macaulay Library der Cornell Universität New York. Tonaufnahmen von verschiedenen Tieren, viele Aufnahmen von Derek Salomon.

EKK:LoFi Sounds in HiFi Spaces/Bugs scored

2013-05-13T06:14:22Z

Ives:

==1x1/Bugs scored()==

(An electro-acoustic composition for live-audio-stream and two loudspeaker-orchestras.)

“The first step is an intuition and it comes with a burst, then difficulties arise – this thing gives out and then that - 'Bugs' - as such little faults and difficulties are called – show themselves, and months of intense watching, study and labor are requisite....” T.A. Edison

===Philosophy===

The term „Bug“ was already used in the 19th century for little faults in mechanical/electrical components. Later crackling noises on the phone were perceived as little animals, nibbling on the line. Computer pioneer Grace Hopper possibly used the word first for errors related to computers, as she publized the story, how a moth in a relay caused a malfunction of the computer Mark II, on 9th of september 1947. The moth was removed and taped to the journal, next to the entry „First actual case of bug being found“.

Today, bugs are omnipresent, considering humankind and technology. For software and hardware, total absence of errors is neither possible nor provable. Even expensive, manifold tested programs contain errors inevitably. So soft- and hardware, and even humans are at best considered stable or robust, when occurring errors are seldom and/or their aftereffects are rather harmless.

In our work „Bugs scored“, the metaphorical, technological bug meets its natural equivalent.

==Basic Idea==

We have a box filled with beetles here, and we want to do some tracking stuff with them to generate useful musical data.
All sounds and structure should be derived from these beetles, an interaction between spaces (Weimar - SanDiego) and technical „bugs“ (like delay, dropouts, feedback etc).

If we had a second trackable population on your side we could do a lot of interesting stuff, by exchanging/combining/mixing data for realtime-composition etc. But of course, this could be a little hard considering the time that is left for this semester.

Furthermore it would be somewhat exciting to derive pitch (and time) data from the beetles here and send it in realtime to SanDiego, for musicians to play it on instruments, which would then be sent back to Weimar for modulation etc. Mixed with the orginal/modulated beetle-sounds there are many possibilities.

Because we´re also not sure, if the part with the instruments is managable for now, we´re thinking about it in a more general way. What the actual project will be, depends on who will colaborate and what the implied possibilities are. So the result could be something like an audio-sculpture (a self-organizing sound system), a realtime-composition (maybe with instrumentalists), or something in between. But we´re open and interested in your thoughts on what could be done with this setting.

===Setting===

So far, we have a box filled with beetles. There are several microphones and cameras built into it , so we have multiple audio-signals to playback/process/analyze and derive control-data from, and video-streams, which provide us with position/movement-data and thereby much more. In addition we have an Arduino for further sensoring and experimentation. Pd is our tool of choice.

*[https://soundcloud.com/hausdorf-workspace Here you can find some audible experiments we´ve already done with the current setup]

==Links==
*
*
*

==Literature==

* KybernEthik, Merve, Berlin 1993,Heinz von Foerster
* Wahrheit ist die Erfindung eines Lügners. Gespräche für Skeptiker. (Heinz . Foerster mit Bernhard Pörksen) Carl-Auer-Systeme Verlag
* Insect Media - An Archaeology of Animals and Technology, 2010, Jussi Parikka
* Insekten in der bildenden Kunst im Wandel der Zeiten in psychogenetischer Sicht, 1977Erwin Schimitschek

==Audio==

*DRadioWissen - Klang der Tiere [1] - Ein kurzer Beitrag über Derek Salomon.
*Macaulay Library der Cornell Universität New York. Tonaufnahmen von verschiedenen Tieren, viele Aufnahmen von Derek Salomon.

EKK:LoFi Sounds in HiFi Spaces/Making connection/LINE

2013-04-22T10:49:37Z

Ives:

==LINE==
Line is a free voice calling application for smart phones. Besides the trickiness of setting up an account the quality of the application is very impressive. It has not found much popularity in the United States or much of Europe but is very popular in countries like Japan, Taiwan, Thailand, Spain, and Switzerland among some others. The emojis and game attachments seem to be the draw among its users. The user has very little control over the settings of the application because it was meant for smart phone calling. The addition of PC/Mac devices is simply convenience because the accessibility does not improve much.

==USERNAME==
Ives and I first had trouble just getting in contract with each other because of the fact that Ives does not have a smart phone and you can not sign up from your computer only. He had to download an emulator and download the app and set up an account from his computer. A mobile phone number is needed to create an account which then requires authorization. Even after that, the profile that you have now created can not be seen by others until you make a username that people can search for which we did not figure out for quite some time.

[[File:LINEsettings.png|thumb|The voice settings for PC.]]

[[File:LINE.png|thumb|The individual call settings for PC.]]

==Sound Control==
The control that the user is given through line is actually non-existent. We believe that is because the application is based on its smart phone use where the control of levels during a voice call is just volume control. The user can not even select input or output settings or control the volume of the incoming call. All of this had be done through the computer settings. The configurations of input and output that we needed to do our testing proved to be a bit of a challenge because of these restrictions.

==Sound Quality==
Both of us were very impressed with the quality and latency of the call. Neither of us had a hard time hearing each other or experienced drop off through volume changes or latency. We found that the latency of the application was varying between 50-80 ms which we thought was pretty accurate considering the quality we were hearing. Our first attempt at measuring the latency was accomplished by looping the tone Ives was sending to me back to him through a hard patch from the line in to headphone jacks on my laptop. Considering my (Bo's) basic skills of sound design, once I downloaded SoundFlower we were able to patch the sound in a much cleaner, more efficient way. Since in our set up the sound was being sent from Germany to San Diego and then back to Germany where Ives used his own pd patch to read the latency, we had to split the time in half because of the round trip it was making.

[[File:noise-original.jpg|thumb|Original white noise spectrum over time.]]

[[File:noise-filtered.jpg|thumb|Same portion of noise after transmission.]]

==Exploration==
We were unsuccessful in our ways to use this software creatively because of our limited time working together and our feeling the quality of the call was good enough that any attempt at playing sound together would sync successfully instead of finding distinct sounds created through its short comings. The lack of user manipulation really left us with a clean and steady video call that would actually be useful in sharing clean sounds from one person to another in another country.

File:Noise-filtered.jpg

2013-04-22T10:44:23Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Noise-original.jpg

2013-04-22T10:36:37Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

EKK:LoFi Sounds in HiFi Spaces/Ives

2013-04-19T13:58:20Z

Ives: Created page with "Coming soon... I`m on Windows. mail: ives.schachtschabel@uni-weimar.de skype: ives.undso"

Coming soon...

I`m on Windows.

mail: ives.schachtschabel@uni-weimar.de

skype: ives.undso

EKK:LoFi Sounds in HiFi Spaces

2013-04-17T18:49:39Z

Ives: /* Weimar */

[[:Category:Projektmodul|Projektmodul]] 
''Lecturers:'' [[Robin Minard]], [[/miller|Miller Puckette]], Katharina Rosenberger, [[/Shahrokh|Shahrokh Yadegari]], [[Ludger Hennig]], [[Max Neupert]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Date:'' Monday, 18:00 until 21:30 h (due to the time difference to San Diego) 
''Venue:'' [[Coudraystraße 13a]], SeaM Werkstattstudio 
''First meeting:'' 15.04.2013

==Description==
The sensation of space through spatialized sound may be influenced by sources that differ in their quality and quantity. Within this project, we will investigate ways to modify, expand or augment how space can be experienced through sound. The outcome may be, for instance, an electroacoustic composition, a simulation of spatial perception, sonic architecture or a set-design as a virtual or performative environment.

This project is the beginning of a long-term cooperation between the Bauhaus-Universität Weimar and the University of California in San Diego. Partners in Weimar are Prof. Robin Minard and Ludger Hennig from the Studio for Electroacoustic Music (SeaM) and Max Neupert (Medial Environments). Partners in San Diego are Prof. Miller Puckette (Computer Music), Prof. Katharina Rosenberger (Music) and Prof. Shahrokh Yadegari (Theatre and Dance). Telematic classes will allow students from both faculties to work together. Classes will take place in Weimar in the evening, mid-morning in San Diego. The cooperation is funded by the German Academic Exchange Service (DAAD).

===German description===
Die Wahrnehmung von Raum durch verräumlichten Klang, kann durch Klangquellen beeinflusst werden, welche sich in ihrer Qualität und Quantität unterscheiden. In diesem Projekt werden wir untersuchen, auf welche Art wir die Erfahrung von Raum durch den Klang verändern, erweitern oder verbessern können. Das Ergebnis kann beispielsweise eine elektroakustische Komposition, eine Simulation einer räumlichen Wahrnehmung, klangliche Architektur oder ein Bühnenbild als virtuelle oder performative Umgebung sein.

Dieses Projekt ist der Beginn einer langfristigen Zusammenarbeit zwischen der Bauhaus-Universität und der Universität von Kalifornien in San Diego. Partner aus Weimar sind Prof. Robin Minard und Ludger Hennig vom Studio für Elektoakustische Musik (SeaM) und Max Neupert (Gestaltung medialer Umgebungen). Partner aus San Diego sind Prof. Miller Puckette (Computermusik), Prof. Katharina Rosenberger (Musik) und Prof. Shahrokh Yadegari (Theater und Tanz). Gemeinsamer Unterricht mit einer Videoverbindung wird es den Studierenden beider Universitäten ermöglichen, zusammen zu arbeiten. Der Unterricht wird in Weimar am Abend und vormittags in San Diego stattfinden. Die Zusammenarbeit wird vom Deutschen Akademischen Austauschdienst (DAAD) gefördert.

==Werk/Fachmodule==
We recommend the Werk/Fachmodul [[GMU:Dataflow II]] and/or Ludger Hennigs soundscapes class along with this Project module.

==Assignments==
# [[/Making connection/]]

==Evaluation==
Active participation, presentation, artistic examination, documentation, edits in the wiki.

==Participants==
===Weimar===
* [[/Max/]] (you may use this as a template for your self-introduction)
* [[/Rico/]]
* [[/Alex/]]
* [[/Alice/]]
* [[/Jonas/]]
* [[/Andre/]]
* [[/Paul/]]
* [[/Markus/]]
* [[/Ben/]]
* [[/Ludwigberger/]]
* [[/TimH/]]
* [[/Dorian/]]
* [[/Clemens/]]
* [[/Ives/]]

===San Diego===
* [[/Brendan Bernhardt Gaffney/]]
* [[/Kevin/]]
* [[/Melanie/]]
* [[/Jeffrey/]]
* [[/Bo/]]
* [[/Andy/]]
* [[/Jamilah/]]
* [[/Marcelo/]]
* [[/Ryan Welsh/]]
* [[/ElisabetCurbelo/]]
* [[/Joe Cantrell/]]
* [[/czyskows/]]
* [[/miller/]]
* [[/NickDrashner/]]
* [[/Shahrokh/]]

* [[/CarolineMiller/]]

==Syllabus==
ISO Standard: MONTH/DAY
# 04/01 Only in San Diego (Easter Monday is holiday in Germany; Robin, Ludger and Max join via Skype/Google+ Hangout) faculty presentations about technical means and/or artistic issues. Introduction to the wiki.
# 04/08 Only in San Diego – faculty presentations continued. Miller - Rasberry Pi as an audio and video platform. Shahrokh - Mugic protocol; video walls
# 04/15 First joint class
# 04/22 Robin, Ludger and Max are in San Diego
# 04/29
# 05/06
# 05/13
# 05/20
# 05/27 Only in Weimar (Memorial day in the U.S.)
# 06/03
# 06/10
# 06/17
# 06/24
# 07/01

==Literature==
* Föllmer, Golo: Netzmusik, Wolke Verlag ISBN 3936000336
* LaBelle, Brandon: Background Noise ISBN 9780826418456
* LaBelle, Brandon: Site of Sound: Or Architecture and the Ear ISBN 978-0982743904
* Minard, Robin: Silent Music ISBN 978-3933257130
* Minard, Robin: Sound Installation Art
* Leitner, Bernard: Sound:Space ISBN 978-3893224449

Pd books:
{{Template:PdBooks}}

==Links==
* [https://groups.google.com/forum/?&fromgroups#!forum/buw-ucsd Google Group BUW-UCSD]
* [https://puredata.info/docs/raspberry-pi Pure Data on the Raspberry Pi]

===Sending data over the network===
* [[OSC]]
* netsend/netreceive, netserver/netclient. In Pd look at <tt>mrpeach</tt> and <tt>iemnet libraries</tt>
* [http://ivl.calit2.net/wiki/index.php/StreamingGraphics Mugic]

===Sending Audio and Video over the Internet===
* [[wikipedia:Audio Video Bridging]] AVB is a set of standards for audio and video transmission by the IEEE

====Intended for Communcation====
* [http://www.skype.com Skype] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://tools.google.com/dlpage/hangoutplugin Google+ Hangout] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] (Seems to work best in Chome/Chromium)
* [http://www.oovoo.com ooVoo] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.voxox.com voxox] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://line.naver.jp/en LINE] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamviewer.com teamviewer] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

Teleconferencing
* [http://www.polycom.com Polycom] [[File:Icon windows8 16x16.png]] System available in Weimar
* [http://www.radvision.com/Products/Video-Conference-Systems Radvision Scopia] [[File:Icon windows8 16x16.png]]
* [http://www.lifesize.com Livesize] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] System available in San Diego

Unidirectional only (aka streaming)
* [http://giss.tv Global Independent Streaming Support], [http://giss.tv/wiki/index.php/Main_Page G.I.S.S wiki]
* [http://www.ustream.tv Ustream]
* [http://www.justin.tv justin.tv]

====Intended for Performance/Creative Use====
* [http://code.sat.qc.ca/redmine/projects/scenic/wiki/Scenic_fr Scenic] Audio and video in high quality, as well as MIDI [[File:Icon newtux 16x16.png]]
* [http://code.google.com/p/jacktrip JackTrip] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] a network extension for [http://jackaudio.org/ Jack Audio Connection Kit] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://gstreamer.freedesktop.org GStreamer] and bindings for Pd: [http://umlaeute.mur.at/Members/zmoelnig/projects/pdgst PdGst] [[File:Icon newtux 16x16.png]]
* netsend~ for Max/MSP and Pd: [http://www.nullmedium.de/dev/netsend~ Olaf Matthes' Original Version] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]], [http://www.olivierguillerminet.com/2008/12/netsend Olivier Guillerminet's/Remu's Fork] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://ccrma.stanford.edu/~danielsm/research.html Michelle Daniels]' [http://code.google.com/p/streaming-audio Streaming Audio Manager (SAM)] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

===Performing Remotely===
* [http://www.netpd.org NetPd]
* [http://at.or.at/serendipd SerendiPd] collaborative patching

GMU:Dataflow II/Modules/Delay

2012-05-29T21:52:19Z

Ives: Created page with "==Delay== Delay is an audio effect which records an input signal to an audio storage medium, and then plays it back after a period of time. The delayed signal may either be play..."

==Delay==

Delay is an audio effect which records an input signal to an audio storage medium, and then plays it back after a period of time. The delayed signal may either be played back multiple times, or played back into the recording again, to create the sound of a repeating, decaying echo.

[[wikipedia:Delay_(audio_effect)]]

[[Media:b_delay~.zip]]

File:B delay~.zip

2012-05-29T21:51:50Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Dataflow II/Modules/Pitchshift

2012-05-29T21:44:52Z

Ives: Created page with "==Pitchshift== A Pitch shifter is an audio-tool for changing the pitch of a signal without affecting its playback-speed. wikipedia:Pitch Shifter Media:pitchshift~.zip"

==Pitchshift==

A Pitch shifter is an audio-tool for changing the pitch of a signal without affecting its playback-speed.

[[wikipedia:Pitch Shifter]]

[[Media:pitchshift~.zip]]

File:Pitchshift~.zip

2012-05-29T21:44:17Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Dataflow II/Modules

2012-05-29T21:30:01Z

Ives: /* Effects */

== Instruments ==
* Sampler
* Synthesizer

== Effects ==
* Flanger
* [[/WahWah/]]
* Hall/Reverb
* Chorus
* [[/Gate/Limiter/]]
* [[Delay]]
* [[/Compressor/]]
* Equalizer
* [[/Bitcrusher/]]
* [[/Pitch/]]
* [[Pitchshift]]
* Reverse
* Loopstation → Tommy

GMU:Dataflow II/Modules

2012-04-29T11:00:48Z

Ives: /* Effects */

== Instruments ==
* Sampler
* Synthesizer

== Effects ==
* Flanger → Martin
* WahWah → Martin
* Hall/Reverb
* Chorus
* Gate/Limiter
* Delay → Ives
* Compressor → Philipp
* Equalizer
* Bitcrusher → Tommy
* Pitch → Philipp
* Pitchshift → Ives
* Reverse
* Loopstation → Tommy

GMU:Spur, Weg, Vektor/vierte Aufgabe

2011-11-22T10:27:49Z

Ives:

== [[Daniel]]: [[/205 D R I V I N G S I M U L A T O R/]] ==
[[File:205erStart.jpg|thumb|205 Simulator]]

Mein PureData Patch bewegt mittels Reaktivision einen alten 205er über eine Rundstrecke.

 

== [[User:Nasnokksen|Lukas]]: [[/Geometric Toolbox/]] ==
[[File:snokksen04-02.JPG|thumb|tools]]
Mithilfe des digitalen Werkzeugkastens erlernen Kinder Zusammenhänge zwischen Formen, Farben, Bewegungen und Tönen.

 

== [[User:Lene|Lene]] & [[User:Phillip Klein|Phillip]]: [[/Gewürz, Land, Sound/]] ==
[[File:pk-zimt.jpg|thumb|Erkennst du den Geruch?]]
Die Welt mit anderen Augen, Ohren und Nasen entdecken!

 

== [[User:ives]]: [[/Computer-aided MauMau/]] ==
[[File:pik_A.png|thumb|MauMau?]]
„Are you serious?“

GMU:Spur, Weg, Vektor/vierte Aufgabe

2011-11-22T10:25:58Z

Ives:

GMU:Spur, Weg, Vektor/vierte Aufgabe/Computer-aided MauMau

2011-11-22T10:23:10Z

Ives: Created page with "By adding some fiducials of the „reacTIVision“ framework onto a self-created set of gamecards, I realized a semi-digital version of the classical german card game „MauMau..."

By adding some fiducials of the „reacTIVision“ framework onto a self-created set of gamecards, I realized a semi-digital version of the classical german card game „MauMau“.

[[File:Karo.gif|50px|]]
[[File:Herz.gif|50px|]]
[[File:Pik.gif|50px|]]
[[File:Kreuz.gif|50px|]]

There´s not much more to tell about it. It´s a card game, you know?

„reacTIVision“ recognizes the played cards and sends the information to Pd, were it is checked, if the turn is possible or not. According to this check, a graphical interpretation and some sounds are produced.

[[File:Pik__A.png|200px|card example]]
[[File:pd_maumau.gif|300px|representation in pd]]

[[File:maumau.zip]]

File:Maumau.zip

2011-11-22T10:21:58Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Pd maumau.gif

2011-11-22T10:17:52Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Kreuz.gif

2011-11-22T10:11:47Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Pik.gif

2011-11-22T10:11:32Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Herz.gif

2011-11-22T10:11:14Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Karo.gif

2011-11-22T10:10:00Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

File:Pik A.png

2011-11-22T09:38:23Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Spur, Weg, Vektor/dritte Aufgabe/Klotz 1.002 demo beta prototype

2011-11-09T23:48:11Z

Ives:

[[File:in_action.jpg|thumb|Der Klotz im Versuchsaufbau]][[File:von_vorne.jpg|thumb|Der Klotz]][[File:von_hinten.jpg|thumb|Das Innenleben]][[File:klotz1.002demobetaprototype.jpg|thumb|Das PD-Patch]]
'''Idee'''
 
Ein Zeichner zeichnet ein Bild indem er Punkte zu Linien, Linien zu Flächen und Flächen zu Körpern verbindet. Die Bewegungen, die sein Stift auf dem Papier macht, sind für den Klotz Grundlagen um aus diesen Bewegungen Töne, Klanglächen und musikalische Verläufe zu gewinnen. Während des Zeichenprozesses entsteht eine Symbiose aus Zeichnung und musikalischem Ausdruck.
 
 
 
 
'''Interface'''
 
Der Klotz 1.002 Prototyp ist eine Mischung aus Zeichentisch und Midicontroler. Der Klotz besteht aus einer auf einem Holzrahmen angebrachten Acrylglasplatte, 4 piezokeramischen Elementen, einer Hintergrundbeleuchtung und 4 Standfüßen.
 
 
 
 
 
 
 
 
'''Funktionsweise'''
 
An vier Stellen wird mit piezokeramischen Elementen der Druck des Stiftes auf die unter dem Papier befindliche Acrylglasplatte gemessen. Unser Patch "Klotz 1.002 demo beta prototype" wandelt diese Pegelinformationen in einzelnen Strängen in Midiinformationen um.
 
 
 
 
 
 
 
 
 
'''Das PD-Patch und seine Peripherie'''
 
Das für den Klotz entwickelte PureData-Patch funktioniert nur in Verbindung mit dem Klotz und einem Audiointerface mit 4 Eingängen. Über die adc~-Objekte werden die Audioinformationen in das Patch geholt. Das Objekt unsig~ wandelt die Pegelinformationen in Zahlen um. Über verschiedene Rechenoperationen und Objektanordnungen werden diese Werte midifähig gemacht und mit dem makenote-Objekt auf 4 verschiedene Midikanäle ausgegeben. Die gewonnenen Mididaten werden über LoopBe1 an Ableton Live weitergereicht, wo verschiedene Funktionen durch diese Midibefehle getriggert werden.
 
 
An Verbesserungen bezüglich der Skalierung und Interpretation der Piezo-Signale, der intuitiveren Bedienbarkeit, sowie an einigen anderen großen Kleinigkeiten wird gerade noch geforscht.

GMU:Spur, Weg, Vektor/dritte Aufgabe/Klotz 1.002 demo beta prototype

2011-11-09T23:44:39Z

Ives:

[[File:in_action.jpg|thumb|Der Klotz im Versuchsaufbau]][[File:von_vorne.jpg|thumb|Der Klotz]][[File:von_hinten.jpg|thumb|Das Innenleben]][[File:klotz1.002demobetaprototype.jpg|thumb|Das PD-Patch]]
'''Idee'''
 
Ein Zeichner zeichnet ein Bild indem er Punkte zu Linien, Linien zu Flächen und Flächen zu Körpern verbindet. Die Bewegungen, die sein Stift auf dem Papier macht, sind für den Klotz Grundlagen um aus diesen Bewegungen Töne, Klanglächen und musikalische Verläufe zu gewinnen. Während des Zeichenprozesses entsteht eine Symbiose aus Zeichnung und musikalischem Ausdruck.
 
 
 
 
'''Interface'''
 
Der Klotz 1.002 Prototyp ist eine Mischung aus Zeichentisch und Midicontroler. Der Klotz besteht aus einer auf einem Holzrahmen angebrachten Acrylglasplatte, 4 piezokeramischen Elementen, einer Hintergrundbeleuchtung und 4 Standfüßen.
 
 
 
 
 
 
 
 
'''Funktionsweise'''
 
An vier Stellen wird mit piezokeramischen Elementen der Druck des Stiftes auf die unter dem Papier befindliche Acrylglasplatte gemessen. Unser Patch "Klotz 1.002 demo beta prototype" wandelt diese Pegelinformationen in einzelnen Strängen in Midiinformationen um.
 
 
 
 
 
 
 
 
 
'''Das PD-Patch und seine Peripherie'''
 
Das für den Klotz entwickelte PureData-Patch funktioniert nur in Verbindung mit dem Klotz und einem Audiointerface mit 4 Eingängen. Über die adc~-Objekte werden die Audioinformationen in das Patch geholt. Das Objekt unsig~ wandelt die Pegelinformationen in Zahlen um. Über verschiedene Rechenoperationen und Objektanordnungen werden diese Werte midifähig gemacht und mit dem makenote-Objekt auf 4 verschiedene Midikanäle ausgegeben. Die gewonnenen Mididaten werden über LoopBe1 an Ableton Live weitergereicht, wo verschiedene Funktionen durch diese Midibefehle getriggert werden.
An Verbesserungen bezüglich der Interpretation und Skalierung der Piezo-Signale, der intuitiveren Bedienbarkeit, sowie an einigen anderen großen Kleinigkeiten wird gerade noch geforscht.

GMU:Spur, Weg, Vektor/zweite Aufgabe/Noise Map

2011-11-01T01:27:47Z

Ives: /* The answer? */

I started this project with this simple question:
===Where are silent places?===

The moment you arrive in a city you've never been before, tons of information about how and where to find the places you should be (to spend your money), are fighting for your attention. Probably it will never be any real problem to find the next best food opportunity or hardware store for example, or maybe even cultural places like museum or different kinds of venues. But where, and there is my question again, where are the silent places? I'm not talking about parks or green spaces in general, because most of the time they're full of people making noise, just as on the streets and public places. Don´t get me wrong, I like being outside, I like people. Sometimes I only would like to know, where you can go to find some peace and rest without too much distraction.

I live in Erfurt now, for about one year, and if I would know these silent places I probably wouldn't have to ask about. I only would mark their locations on the map, and i would be done here. But because of this lack of knowledge I decided to change the initial question, or better to answer it in a different way.

===The answer?===
[[File:ives_silentplaces_2.jpg|600px|Klein Venedig]]

If I could get to know the average volume of several places in this town, I would simultaneously isolate the low level areas. Following this thought, I picked some example positions, where I recorded one minute of the noise in the morning, the early afternoon an evening over 3 days. So I got 9 audio files for every position, from which I calculated the average. Unfortunately I don't have a standardized measurement microphone, so I had to assign the results to numbers on a relative scale from 1 to 9, where 1 equals about -68dB and 9 about -20dB, according to the sensitivity of my mic (Zoom H4). 

[[File:ives_silentplaces_OW.jpg|300px|Pampa]]

As a point of reference I took some recordings in the garden of my parent's house, which is situated in a village with only 200 inhabitants. As expected, with -58,3dB it's real quiet there, compared to Erfurt. It's a solid 2 on my relative scale. 

'''The other places I chose, and their average noise levels are:'''

[http://www.openstreetmap.org/?lat=50.9835064&lon=11.0247982&zoom=18 Klein Venedig] (small park region) 
[[File:ives_silentplaces_Klein Venedig.jpg|100px|Klein Venedig]] 
-53,39dB : scaled '''3''' 

[http://www.openstreetmap.org/browse/way/122237921 Krämerbrücke] (historical bridge) 
[[File:ives_silentplaces_Kraemerbruecke.jpg|100px|Krämerbrücke]] 
-50,40dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.9851836&lon=11.0258666&zoom=18 Schlüterstraße 3a] (in front of my flat) 
[[File:ives_silentplaces_Home.jpg|100px|Home]] 
-48,81dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.977704&lon=11.0287246&zoom=18 Fischmarkt] (smaller public place) 
[[File:ives_silentplaces_Fischmarkt.jpg|100px|Fischmarkt]] 
-48,52dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.9726678&lon=11.0377412&zoom=18 Bahnhof](main train station) 
[[File:ives_silentplaces_Bahnhof.jpg|100px|Bahnhof]] 
-44,14dB : scaled '''5''' 

[http://www.openstreetmap.org/?lat=50.9772082&lon=11.0239248&zoom=18 Domplatz] (large cathedral square) 
[[File:ives_silentplaces_Dom.jpg|100px|Domplatz]] 
-43,97dB : scaled '''5''' 

[http://www.openstreetmap.org/browse/node/1134148500 Anger] (the central public place) 
[[File:ives_silentplaces_Anger.jpg|100px|Anger]] 
-42,19dB : scaled '''5''' 

[http://www.openstreetmap.org/?lat=50.975416&lon=11.0420633&zoom=18 Stauffenbergallee] (main road) 
[[File:ives_silentplaces_Stauffenberg.jpg|100px|Staufenbergallee]] 
-37,09dB : scaled '''6''' 

[http://www.openstreetmap.org/browse/node/13889947 Juri-Gagarin-Ring] (main road) 
[[File:ives_silentplaces_Juri.jpg|100px|Juri Gagarin Ring]] 
-35,64dB : scaled '''6''' 

[http://www.openstreetmap.org/?lat=50.9866667&lon=11.0277026&zoom=18 Talknoten] (crossing of the two main roads) 
[[File:ives_silentplaces_Talknoten.jpg|100px|Talknoten]] 
-33,58dB : scaled '''7'''

I added the gained information to openstreetmap.org with the tag „noise“ and the relative volume level. Sure it will be deleted soon for inaccuracy, but however, I think the idea isn't that bad. 

 [[File:ives_talknoten.jpg|600px|JOSM Talknoten]] 

These places are only examples or a kind of starting point for further studies. If one would continue to examine volumes like that (better with standardized equipment), a noise map could be made up, giving a growing overview about our sound environment and of course, the silent places.

GMU:Spur, Weg, Vektor/zweite Aufgabe/Noise Map

2011-11-01T01:23:24Z

Ives: /* The answer? */

I started this project with this simple question:
===Where are silent places?===

The moment you arrive in a city you've never been before, tons of information about how and where to find the places you should be (to spend your money), are fighting for your attention. Probably it will never be any real problem to find the next best food opportunity or hardware store for example, or maybe even cultural places like museum or different kinds of venues. But where, and there is my question again, where are the silent places? I'm not talking about parks or green spaces in general, because most of the time they're full of people making noise, just as on the streets and public places. Don´t get me wrong, I like being outside, I like people. Sometimes I only would like to know, where you can go to find some peace and rest without too much distraction.

I live in Erfurt now, for about one year, and if I would know these silent places I probably wouldn't have to ask about. I only would mark their locations on the map, and i would be done here. But because of this lack of knowledge I decided to change the initial question, or better to answer it in a different way.

===The answer?===
[[File:ives_silentplaces_2.jpg|600px|Klein Venedig]]

If I could get to know the average volume of several places in this town, I would simultaneously isolate the low level areas. Following this thought, I picked some example positions, where I recorded one minute of the noise in the morning, the early afternoon an evening over 3 days. So I got 9 audio files for every position, from which I calculated the average. Unfortunately I don't have a standardized measurement microphone, so I had to assign the results to numbers on a relative scale from 1 to 9, where 1 equals about -68dB and 9 about -20dB, according to the sensitivity of my mic (Zoom H4). 
[[File:ives_silentplaces_OW.jpg|300px|Pampa]]

As a point of reference I took some recordings in the garden of my parent's house, which is situated in a village with only 200 inhabitants. As expected, with -58,3dB it's real quiet there, compared to Erfurt. It's a solid 2 on my relative scale. 

'''The other places I chose, and their average noise levels are:'''

[http://www.openstreetmap.org/?lat=50.9835064&lon=11.0247982&zoom=18 Klein Venedig] (small park region) 
[[File:ives_silentplaces_Klein Venedig.jpg|100px|Klein Venedig]] 
-53,39dB : scaled '''3''' 

[http://www.openstreetmap.org/browse/way/122237921 Krämerbrücke] (historical bridge) 
[[File:ives_silentplaces_Kraemerbruecke.jpg|100px|Krämerbrücke]] 
-50,40dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.9851836&lon=11.0258666&zoom=18 Schlüterstraße 3a] (in front of my flat) 
[[File:ives_silentplaces_Home.jpg|100px|Home]] 
-48,81dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.977704&lon=11.0287246&zoom=18 Fischmarkt] (smaller public place) 
[[File:ives_silentplaces_Fischmarkt.jpg|100px|Fischmarkt]] 
-48,52dB : scaled '''4''' 

[http://www.openstreetmap.org/?lat=50.9726678&lon=11.0377412&zoom=18 Bahnhof](main train station) 
[[File:ives_silentplaces_Bahnhof.jpg|100px|Bahnhof]] 
-44,14dB : scaled '''5''' 

[http://www.openstreetmap.org/?lat=50.9772082&lon=11.0239248&zoom=18 Domplatz] (large cathedral square) 
[[File:ives_silentplaces_Dom.jpg|100px|Domplatz]] 
-43,97dB : scaled '''5''' 

[http://www.openstreetmap.org/browse/node/1134148500 Anger] (the central public place) 
[[File:ives_silentplaces_Anger.jpg|100px|Anger]] 
-42,19dB : scaled '''5''' 

[http://www.openstreetmap.org/?lat=50.975416&lon=11.0420633&zoom=18 Stauffenbergallee] (main road) 
[[File:ives_silentplaces_Stauffenberg.jpg|100px|Staufenbergallee]] 
-37,09dB : scaled '''6''' 

[http://www.openstreetmap.org/browse/node/13889947 Juri-Gagarin-Ring] (main road) 
[[File:ives_silentplaces_Juri.jpg|100px|Juri Gagarin Ring]] 
-35,64dB : scaled '''6''' 

[http://www.openstreetmap.org/?lat=50.9866667&lon=11.0277026&zoom=18 Talknoten] (crossing of the two main roads) 
[[File:ives_silentplaces_Talknoten.jpg|100px|Talknoten]] 
-33,58dB : scaled '''7'''

I added the gained information to openstreetmap.org with the tag „noise“ and the relative volume level. Sure it will be deleted soon for inaccuracy, but however, I think the idea isn't that bad. 

 [[File:ives_talknoten.jpg|600px|JOSM Talknoten]] 

These places are only examples or a kind of starting point for further studies. If one would continue to examine volumes like that (better with standardized equipment), a noise map could be made up, giving a growing overview about our sound environment and of course, the silent places.

File:Ives silentplaces Juri.jpg

2011-11-01T00:53:42Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Stauffenberg.jpg

2011-11-01T00:53:24Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Dom.jpg

2011-11-01T00:53:01Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Bahnhof.jpg

2011-11-01T00:52:45Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Fischmarkt.jpg

2011-11-01T00:52:30Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Home.jpg

2011-11-01T00:51:47Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Kraemerbruecke.jpg

2011-11-01T00:51:28Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Klein Venedig.jpg

2011-11-01T00:51:11Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Anger.jpg

2011-11-01T00:41:33Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces OW.jpg

2011-11-01T00:08:54Z

Ives: uploaded a new version of "File:Ives silentplaces OW.jpg"

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces Talknoten.jpg

2011-11-01T00:06:32Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

File:Ives silentplaces OW.jpg

2011-11-01T00:05:36Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

GMU:Spur, Weg, Vektor/zweite Aufgabe/Noise Map

2011-11-01T00:04:59Z

Ives: /* The answer? */

I started this project with this simple question:
===Where are silent places?===

The moment you arrive in a city you've never been before, tons of information about how and where to find the places you should be (to spend your money), are fighting for your attention. Probably it will never be any real problem to find the next best food opportunity or hardware store for example, or maybe even cultural places like museum or different kinds of venues. But where, and there is my question again, where are the silent places? I'm not talking about parks or green spaces in general, because most of the time they're full of people making noise, just as on the streets and public places. Don´t get me wrong, I like being outside, I like people. Sometimes I only would like to know, where you can go to find some peace and rest without too much distraction.

I live in Erfurt now, for about one year, and if I would know these silent places I probably wouldn't have to ask about. I only would mark their locations on the map, and i would be done here. But because of this lack of knowledge I decided to change the initial question, or better to answer it in a different way.

===The answer?===
[[File:ives_silentplaces_2.jpg|300px|Klein Venedig]]

If I could get to know the average volume of several places in this town, I would simultaneously isolate the low level areas. Following this thought, I picked some example positions, where I recorded one minute of the noise in the morning, the early afternoon an evening over 3 days. So I got 9 audio files for every position, from which I calculated the average. Unfortunately I don't have a standardized measurement microphone, so I had to assign the results to numbers on a relative scale from 1 to 9, where 1 equals about -68dB and 9 about -20dB, according to the sensitivity of my mic (Zoom H4). 
[[File:ives_silentplaces_OW.jpg|300px|Pampa]]

As a point of reference I took some recordings in the garden of my parent's house, which is situated in a village with only 200 inhabitants. As expected, with -58,3dB it's real quiet there, compared to Erfurt. It's a solid 2 on my relative scale. 
[[File:ives_silentplaces_Talknoten.jpg|300px|Sound Talknoten]]

'''The other places I chose, and their noise levels are:'''

Klein Venedig (small park region) 
:-53,39dB : scaled '''3''' 
Krämerbrücke (historical bridge) 
:-50,40dB : scaled '''4''' 
Schlüterstraße 3a (in front of my flat) 
:-48,81dB : scaled '''4''' 
Fischmarkt (smaller public place) 
:-48,52dB : scaled '''4''' 
Domplatz (large cathedral square) 
:-43,97dB : scaled '''5''' 
Anger (the central public place) 
:-42,19dB : scaled '''5''' 
Stauffenbergallee (main road) 
:-37,09dB : scaled '''6''' 
Juri-Gagarin-Ring (main road) 
:-35,64dB : scaled '''6''' 
Talknoten (crossing of the two) 
:-33,58dB : scaled '''7'''

 [[File:ives_talknoten.jpg|600px|JOSM Talknoten]] 

I added the gained information to the openstreetmap with the tag „noise“ and the relative volume level. Sure it will be deleted soon for inaccuracy, but however, I think the idea isn't that bad. 

These places are only examples or a kind of starting point for further studies. If one would continue to examine volumes like that (better with standardized equipment), a noise map could be made up, giving a growing overview about our sound environment and of course, the silent places.

File:Ives talknoten.jpg

2011-10-31T23:56:43Z

Ives:

== Summary ==

== Copyright status: ==

== Source: ==

GMU:Spur, Weg, Vektor/zweite Aufgabe/Noise Map

2011-10-31T23:55:22Z

Ives: Created page with "I started this project with this simple question: ===Where are silent places?=== The moment you arrive in a city you've never been before, tons of information about how and wher..."

I started this project with this simple question:
===Where are silent places?===

The moment you arrive in a city you've never been before, tons of information about how and where to find the places you should be (to spend your money), are fighting for your attention. Probably it will never be any real problem to find the next best food opportunity or hardware store for example, or maybe even cultural places like museum or different kinds of venues. But where, and there is my question again, where are the silent places? I'm not talking about parks or green spaces in general, because most of the time they're full of people making noise, just as on the streets and public places. Don´t get me wrong, I like being outside, I like people. Sometimes I only would like to know, where you can go to find some peace and rest without too much distraction.

I live in Erfurt now, for about one year, and if I would know these silent places I probably wouldn't have to ask about. I only would mark their locations on the map, and i would be done here. But because of this lack of knowledge I decided to change the initial question, or better to answer it in a different way.

===The answer?===
[[File:ives_silentplaces_2.jpg|300px|Klein Venedig]]

If I could get to know the average volume of several places in this town, I would simultaneously isolate the low level areas. Following this thought, I picked some example positions, where I recorded one minute of the noise in the morning, the early afternoon an evening over 3 days. So I got 9 audio files for every position, from which I calculated the average. Unfortunately I don't have a standardized measurement microphone, so I had to assign the results to numbers on a relative scale from 1 to 9, where 1 equals about -68dB and 9 about -20dB, according to the sensitivity of my mic (Zoom H4). 
[[File:ives_silentplaces_OW.jpg|300px|Pampa]]

As a point of reference I took some recordings in the garden of my parent's house, which is situated in a village with only 200 inhabitants. As expected, with -58,3dB it's real quiet there, compared to Erfurt. It's a solid 2 on my relative scale. 
[[File:ives_silentplaces_Talknoten.jpg|300px|Sound Talknoten]]

'''The other places I chose, and their noise levels are:'''

Klein Venedig (small park region) 
:-53,39dB : scaled 3 
Krämerbrücke (historical bridge) 
:-50,40dB : scaled 4 
Schlüterstraße 3a (in front of my flat) 
:-48,81dB : scaled 4 
Fischmarkt (smaller public place) 
:-48,52dB : scaled 4 
Domplatz (large cathedral square) 
:-43,97dB : scaled 5 
Anger (the central public place) 
:-42,19dB : scaled 5 
Stauffenbergallee (main road) 
:-37,09dB : scaled 6 
Juri-Gagarin-Ring (main road) 
:-35,64dB : scaled 6 
Talknoten (crossing of the two) 
:-33,58dB : scaled 7

I added the gained information to the openstreetmap with the tag „noise“ and the relative volume level. Sure it will be deleted soon for inaccuracy, but however, I think the idea isn't that bad. 
[[File:ives_talknoten.jpg|300px|JOSM Talknoten]]

These places are only examples or a kind of starting point for further studies. If one would continue to examine volumes like that (better with standardized equipment), a noise map could be made up, giving a growing overview about our sound environment and of course, the silent places.

File:Ives silentplaces 2.jpg

2011-10-31T23:16:49Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

GMU:Spur, Weg, Vektor/zweite Aufgabe

2011-10-31T22:59:47Z

Ives: /* ives: /Noise Map/ */

== [[User:Nasnokksen|Lukas]]: [[/Lost Buildings/]] ==
[[File:snokksen02r-08.jpg|thumb|alter kornspeicher]]
Zur Openstreetmap fügte ich verschiedene verlassene Gebäude und Ruinen aus dem Umkreis Weimar hinzu.

 

== [[Daniel]]: [[/TrashMap/]] ==
[[File:beginner.jpg|thumb|TrashMap]]
Ich fügte zur Openstreetmap vermüllte Gelände hinzu die langsam die Umwelt zerstören. Leider gibt es dafür kein Offizielles Tool. Ich möchte eine Lösung bieten!

 

== [[ives]]: [[/Noise Map/]] ==
[[File:ives_silentplaces_1.jpg|thumb|Talknoten]]

How noisy is my neighborhood?

 

== [[Lene]]: [[/The village where I was born/]] ==

Ein kleines Dorf in Hessen, mein Lebensmittelpunkt für zwanzig Jahre, einen Monat, drei Tage, drei Stunden und fünf Minuten.

 

== [[Georg]]: [[/5 Parkbänke/]] ==

Projekt zur Förderung des lokalen Film-Location-Tourismus: Ein Anfang.

 

== [[Hannes]]: [[/Eyes on Sky/]] ==
[[File:Kamera01.jpg|thumb|Eyes]]
Für alle die wissen wollen wann wir uns beobachtet fühlen müssen.

 

== [[User:Philipp|Philipp]]: [[/Galerien in Weimar/]] ==

[[File:ACC.jpg|thumb|ACC-Galerie am Burgplatz]]
Ich seh gern Kunst, seh ungern ungesehene Kunst.

 

== [[Magda]]: [[/ Eating Animals /]] ==
[[File:Animalsaremyfriends.jpg|thumb|"Animals are my friends... and I don't eat my friends." George Bernard Shaw]]
Veganen Alltag in Weimar ent-schweren. Geschichte eines Ernüchterung

File:Ives silentplaces 1.jpg

2011-10-31T22:57:37Z

Ives:

== Summary ==

== Copyright status: ==

== Licensing ==
{{self|c}}
== Source: ==

GMU:Spur, Weg, Vektor/zweite Aufgabe

2011-10-31T22:55:27Z

Ives: /* ives: /Noise Map/ */

== [[User:Nasnokksen|Lukas]]: [[/Lost Buildings/]] ==
[[File:snokksen02r-08.jpg|thumb|alter kornspeicher]]
Zur Openstreetmap fügte ich verschiedene verlassene Gebäude und Ruinen aus dem Umkreis Weimar hinzu.

 

== [[Daniel]]: [[/TrashMap/]] ==
[[File:beginner.jpg|thumb|TrashMap]]
Ich fügte zur Openstreetmap vermüllte Gelände hinzu die langsam die Umwelt zerstören. Leider gibt es dafür kein Offizielles Tool. Ich möchte eine Lösung bieten!

 

== [[ives]]: [[/Noise Map/]] ==
[[File:ives_silentplaces_1|thumb|Talknoten]]

How noisy is my neighborhood?

 

== [[Lene]]: [[/The village where I was born/]] ==

Ein kleines Dorf in Hessen, mein Lebensmittelpunkt für zwanzig Jahre, einen Monat, drei Tage, drei Stunden und fünf Minuten.

 

== [[Georg]]: [[/5 Parkbänke/]] ==

Projekt zur Förderung des lokalen Film-Location-Tourismus: Ein Anfang.

 

== [[Hannes]]: [[/Eyes on Sky/]] ==
[[File:Kamera01.jpg|thumb|Eyes]]
Für alle die wissen wollen wann wir uns beobachtet fühlen müssen.

 

== [[User:Philipp|Philipp]]: [[/Galerien in Weimar/]] ==

[[File:ACC.jpg|thumb|ACC-Galerie am Burgplatz]]
Ich seh gern Kunst, seh ungern ungesehene Kunst.

 

== [[Magda]]: [[/ Eating Animals /]] ==
[[File:Animalsaremyfriends.jpg|thumb|"Animals are my friends... and I don't eat my friends." George Bernard Shaw]]
Veganen Alltag in Weimar ent-schweren. Geschichte eines Ernüchterung

GMU:Spur, Weg, Vektor/zweite Aufgabe

2011-10-29T12:18:26Z

Ives:

GMU:Spur, Weg, Vektor/erste Aufgabe/me and my pillow

2011-10-24T22:49:25Z

Ives:

'''this is my pillow.''' 

[[File:ives_pillow.jpg|600px]] 

we´re best friends for like 5 years now. i do assure it a warm place on my bed or sometimes my chair and it returns a reliable amount of comfort and body heat conservation. it´s as simple as a friendship can be. 
_________________________________________________________________

almost every morning, when i wake up, i find imprints of that pillow on my skin. mostly on my face, but also sometimes on parts of my body i never understood how they got there. whatever - you know, it´s a corduroy pillow, with that typical striped pattern on its surface, and according to that it transfers this structure onto me - just like a stamp. well, now it is less my intention to take this to its possible extremes, than rather concentrate on this kind of romantic, everyday normal relationship we share, without influencing the whole randomlike process too much. just trusting - reality will do its underrated art, like usual.

the first nights went less successful. only a few red stains could be found on my cheek, forehead and neck, without the distinct pattern i wanted to show. i realized that i had to use my experiences in "getting stamped more reliable", by having a really hard day.

so, it was friday when i struggled myself out of bed about 5 in the morning. after university, where i had to walk for hours without any understandable reasons, i started drinking in the afternoon - and continued, while having long and tiring controversies about principles of perception related to reality. art ain´t a pony yard, right? well, about half past 4 i wobbly navigated a toothbrush into my mouth, preparing for the ultimately human-pillow-fusion, which i was going to experince.
then, i went to sleep and... 

[[File:ives_melting.jpg|400px]]

...we melted into each other. 

[[File:ives_stripes.jpg|200px]] [[File:ives_stripes-close.jpg|200px]] [[File:ives_stripes-profil.jpg|200px]] 
'''me and my pillow'''

GMU:Spur, Weg, Vektor/erste Aufgabe/me and my pillow

2011-10-24T22:48:47Z

Ives:

'''this is my pillow.''' 

[[File:ives_pillow.jpg|600px]] 

we´re best friends for like 5 years now. i do assure it a warm place on my bed or sometimes my chair and it returns a reliable amount of comfort and body heat conservation. it´s as simple as a friendship can be. 
_________________________________________________________________

almost every morning, when i wake up, i find imprints of that pillow on my skin. mostly on my face, but also sometimes on parts of my body i never understood how they got there. whatever - you know, it´s a corduroy pillow, with that typical striped pattern on its surface, and according to that it transfers this structure onto me - just like a stamp. well, now it is less my intention to take this to its possible extremes, than rather concentrate on this kind of romantic, everyday normal relationship we share, without influencing the whole randomlike process too much. just trusting - reality will do its underrated art, like usual.

the first nights went less successful. only a few red stains could be found on my cheek, forehead and neck, without the distinct pattern i wanted to show. i realized that i had to use my experiences in "getting stamped more reliable", by having a really hard day.

so, it was friday when i struggled myself out of bed about 5 in the morning. after university, where i had to walk for hours without any understandable reasons, i started drinking in the afternoon - and continued, while having long and tiring controversies about principles of perception related to reality. art ain´t a pony yard, right? well, about half past 4 i wobbly navigated a toothbrush into my mouth, preparing for the ultimately human-pillow-fusion, which i was going to experince.
then, i went to sleep and... 

[[File:ives_melting.jpg|400px]]

... we melted into each other. 

[[File:ives_stripes.jpg|200px]] [[File:ives_stripes-close.jpg|200px]] [[File:ives_stripes-profil.jpg|200px]] 
'''me and my pillow'''

GMU:Spur, Weg, Vektor/erste Aufgabe/me and my pillow

2011-10-24T22:48:22Z

Ives: