Medien Wiki - User contributions [en]

IFD:M PM SoSe25

2025-03-20T15:44:05Z

Hesselmeier: /* Talk to me - Connected Things and Objects */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Talk to me – Connected Things and Objects''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 15.04.2025, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66166&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Talk to me - Connected Things and Objects==
Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:

''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''

Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab. A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The Fachmodul by Brian Larson Clark – Physical Computing: The Secret Lives of Networked Objects – as well as the Fachmodul by Jesus Velazquez Rodriguez – Tools, materials and approaches for FDM Rapid Prototyping - offers itself as a supplement to the project module.

Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects

The following teaching formats are offered:

'''Lecture:'''

The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.

'''Workshop: '''

There will be a two-day workshop accompanying the project module by Christoph Noe <nowiki>https://on-guitars.com/</nowiki> focussing on CNC / Shaper Origin. Participation is compulsory.

'''Consultations: '''

Individual projects and personal professional development can be discussed by appointment.

'''Excursion: '''

In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.

Prerequisite for participation in the project module is the completion of the accompanying subject module: - Physical Computing: Help! My Fridge is Smarter Than Me by Brian Larson Clark

'''Registration:'''

Registration via the BISON portal 

Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de 

'''Certificate of achievement:'''

- Regular attendance and participation

- Participation in excursions, interim and final presentations

- Participation in the jointly organised exhibition at the end of the semester

- The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period

The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.

==Admission requirements==
Prerequisite for participation in the project module is the completion of the accompanying subject module:

• xy by Brian Larson Clark

==Application and registration procedure==

*Registration via the BISON portal
*Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:30-12:45h, Marienstraße 7 B - Seminarroom 104

'''15.04.2025''' Welcome, Introduction, Course Organization

'''22.04.2025''' Talk to me I - History

'''29.04.2025''' Talk to me II - Now

'''06.05.2025''' free work (no official class)

'''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova

'''20.05.2025''' Projectwork

'''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe

'''03.12.2024''' free work (no official class)

'''27.05.2025''' Projectwork

'''03.06.2025''' Plenum 2, Midterm Presentations

'''11.-13.06.2025''' Excursion Haus Rosenbaum

'''17.06.2025''' individual consultations, Projectwork

'''24.06.2025''' individual consultations, Projectwork

'''01.07.2025''' Final Presentation

'''08.07.2025''' preparation summaery 2025

'''10.07.-13.07.2025''' Summaery 2025
==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost 
[https://www.figma.com/ Figma] 

==Literature==

*Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668
*Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X
*Vehicles: Experiments in Synthetic Psychology ISBN 0262521121
*Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405
*Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
*Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
*Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
*The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
*Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
*Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]

[[Category:WS 24]]
[[Category:Projektmodul]]

IFD:M PM SoSe25

2025-03-20T15:41:49Z

Hesselmeier: link update

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Talk to me – Connected Things and Objects''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:30-12:45; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 15.04.2025, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=66166&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Talk to me - Connected Things and Objects==
Talk to me is the title of an exhibition that was shown 14 years ago at the Museum of Modern Art. Here is a short extract:

''Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people.''

Some time has now passed and we will probably soon reach the figure of 50 billion when we look at the things and objects that are connected to the Internet. An unimaginable number and we ask ourselves who is actually communicating with whom in an ever-evolving world of networked objects and systems. In the project module - Talk to me - Connected Things and Objects, we would like to search for mysterious, playful, imaginative and ecological ways of dealing with things and objects that can create and translate possible tensions, expectations and disappointments on different levels. The focus is on discourse, questioning and discovering different forms of communication from a creative and artistic perspective. In the course of the project module, we will research, design and develop objects and things that communicate and exchange information in any form and relate to each other. Their autonomy and self-sufficiency are at the centre of their presence. Everything is possible, from nervous systems to fragile infrastructures and humorous individual characters. The project module is supported by practical insights into various production and manufacturing possibilities such as 3D printing, CNC and laser cutting from the BFFL, Bauhaus Form and Function Lab. A joint exhibition of the projects/objects/things is planned for Summaery 2025 and will be developed in the project module. The project module offers self-motivated and self-organised projects a place for discussion, production and debate. The specialised module by Brian Larson Clark - Physical Computing: Help! My Fridge is Smarter Than Me - offers itself as a supplement to the project module and participation is expected.

Keywords: interactive art, autonomy, self-life, unexpected events, sustainability, low power, LoRa, ultra-wideband technology, networks, objects

The following teaching formats are offered:

'''Lecture:'''

The lecture series deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.

'''Workshop: '''

There will be a two-day workshop accompanying the project module by Christoph Noe <nowiki>https://on-guitars.com/</nowiki> focussing on CNC / Shaper Origin. Participation is compulsory.

'''Consultations: '''

Individual projects and personal professional development can be discussed by appointment.

'''Excursion: '''

In order to explore the creative and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 11-13 June 2025. All students from the project module are invited to take part.

Prerequisite for participation in the project module is the completion of the accompanying subject module: - Physical Computing: Help! My Fridge is Smarter Than Me by Brian Larson Clark

'''Registration:'''

Registration via the BISON portal 

Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialised modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de 

'''Certificate of achievement:'''

- Regular attendance and participation

- Participation in excursions, interim and final presentations

- Participation in the jointly organised exhibition at the end of the semester

- The work/project must be presented in the joint final presentation of the Interface Design professorship at the end of the lecture period

The documentation of the projects/works takes place during the lecture-free period until the end of the semester and is expected as a work file and as a film in MP4 format.

==Admission requirements==
Prerequisite for participation in the project module is the completion of the accompanying subject module:

• xy by Brian Larson Clark

==Application and registration procedure==

*Registration via the BISON portal
*Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:30-12:45h, Marienstraße 7 B - Seminarroom 104

'''15.04.2025''' Welcome, Introduction, Course Organization

'''22.04.2025''' Talk to me I - History

'''29.04.2025''' Talk to me II - Now

'''06.05.2025''' free work (no official class)

'''13.05.2025''' Plenum 1, 17.00 - 18.00 Artist Talk: Lyoudmila Milanova

'''20.05.2025''' Projectwork

'''21.-22.05.2025''' Workshop: Shaper Origin by Christoph Noe

'''03.12.2024''' free work (no official class)

'''27.05.2025''' Projectwork

'''03.06.2025''' Plenum 2, Midterm Presentations

'''11.-13.06.2025''' Excursion Haus Rosenbaum

'''17.06.2025''' individual consultations, Projectwork

'''24.06.2025''' individual consultations, Projectwork

'''01.07.2025''' Final Presentation

'''08.07.2025''' preparation summaery 2025

'''10.07.-13.07.2025''' Summaery 2025
==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost 
[https://www.figma.com/ Figma] 

==Literature==

*Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, ISBN 3764365668
*Designing Objects in Motion / Kensho Miyoshi ISBN 303561931X
*Vehicles: Experiments in Synthetic Psychology ISBN 0262521121
*Dinge und Undinge: Phänomenologische Skizzen, Vilém Flusser ISBN 3446239405
*Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
*Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
*Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
*The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
*Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
*Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]

[[Category:WS 24]]
[[Category:Projektmodul]]

Template:IFD SS25

2025-03-20T15:39:25Z

Hesselmeier: /* Sommersemester 2025 */

== Sommersemester 2025 ==
[[File:Curriculum Overview Summer Semester 2025.png|550px]] 
[[File:(Preliminary) Curriculum Overview Summer Semester 2025 Workfile.pdf|Curriculum Overview Winter Semester 2024_25 PDF]]

IFD Semester Course Presentation will take place on Wednesday, 05 April 2025 from 14:00 - 15:00 [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 on BigBlueButton] 
 
'''Projektmodule / Project Modules:'''
* [[IFD:M_PM_SoSe25|Talk to me – Connected Things and Objects]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
'''Fachmodule:'''
* [[IFD:DV_3DP_SoSe25|Tools, materials and approaches for FDM Rapid Prototyping]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:DV_PG_SoSe25|ML-based, Generative and Volumetric Imaging]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:BC_xyz_SoSe25|Physical Computing: The Secret Lives of Networked Objects]]'' (Fachmodul MFA) - Brian Larson Clark''
* [[IFD:KICAD_SoSe25|How the Electron goes from A to B - KiCAD Workshop]]'' (Fachmodul BA/MA) - Lotta Stöver''
* [[IFD:PC_AP_SoSe25|The Printed Circuit Board as an Artist Publication]]'' (Fachmodul BA/MA) - Lotta Stöver''
 
'''Kolloquium:'''
* [[IFD:Kolloq_SoSe25|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Lotta Stöver, Jesús Velázquez''
 
<noinclude>[[Category:SS25]]</noinclude>

IFD:SFIO WiSe24

2025-02-26T22:23:44Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Enacted photons - exploring light as an artistic medium''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 22 October 2024, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=64126&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Description==
Everything we know, we know through light - Peter Weibel, 2018

For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.

In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.

The following teaching formats are offered:

'''Lecture:'''

A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.

'''Artisttalk:'''

We will receive visits from interesting designers and artists who will give an insight into their work and working processes.

'''Excursion:'''

As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.

'''Consultation:'''

Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.

==Admission requirements==
Prerequisite for participation in the project module is the completion of the accompanying subject module:

• [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=64225&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark

==Application and registration procedure==

* Registration via the BISON portal
* Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''22.10.2024''' Welcome, Introduction, Course Organization

'''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum

'''29.10.2024''' Light I - Pioneers of light

'''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol

'''12.11.2024''' Light II - From pigment to light / Light and movement

'''19.11.2024''' Projectwork

'''26.11.2024''' Projectwork

'''03.12.2024''' free work (no official class)

'''10.12.2024''' Midterm Presentations

'''17.12.2024''' Artist Talk: Alexandre Saunnier

'''07.01.2025''' Projectwork

'''14.01.2025''' Artist Talk: Jaquline Hen

'''21.01.2025''' Projectwork

'''28.01.2025''' Projectwork, prepare exhibition

'''04.02.2025''' Exhibition, Setup, Opening, Final Presentation

'''07.02.-09.02.2024''' Exhibition, Winterwerkschau
==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost 
[https://www.figma.com/ Figma] 

==Literature==

* Light Art from Artificial Light, Light as a Medium in 20th and 21th Century Art, 2006 ISBN 3775717749
* Power! Light! - Kunstmuseum Wolfsburg [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1824105126 ISBN 9783960988502]
* Findings on Light, PARS, Hester Aardse and Astrid Alben, 2016
* Light Show (Mit Press), Cliff Lauson, 2013
* JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
* Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
* Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
* Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
* Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
* The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
* Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
* Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]

[[Category:WS 24]]
[[Category:Projektmodul]]

IFD:SFIO WiSe24

2024-11-09T10:58:09Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Enacted photons - exploring light as an artistic medium''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 22 October 2024, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=64126&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Description==
Everything we know, we know through light - Peter Weibel, 2018

For some people, light is information, for others it is a form of representation of power. Light can be a metaphor for spiritual revelation but also a triumph over darkness. Light is the smallest amount of energy that can be transported and for a large part of humanity, light stands for wisdom and enlightenment - a fascinating and powerful material for artists and designers.

In the project module Enacted photons - exploring light as an artistic medium, we will search for a mysterious, playful, humorous and imaginative approach to the medium of light. The question arises as to what artistic and creative possibilities open up when light - both in the visible and non-visible spectrum - is used experimentally. The aim of the project module is to explore and prototype new forms of interaction with the medium of light. In addition to a basic understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and human experience.

The following teaching formats are offered:

'''Lecture:'''

A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of objects, objects, artifacts and installation works and their interfaces that deal with the subject of light. The language of instruction is English.

'''Artisttalk:'''

We will receive visits from interesting designers and artists who will give an insight into their work and working processes.

'''Excursion:'''

As part of the project module, we will visit an exhibition that deals with the subject of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.

'''Consultation:'''

Individual projects and your own professional development can be discussed by appointment. At least 2 consultations should be attended.

==Admission requirements==
Prerequisite for participation in the project module is the completion of the accompanying subject module:

• [https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=64225&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung Physical Computing: Lighting the Way] by Brian Larson Clark

==Application and registration procedure==

* Registration via the BISON portal
* Please send a short letter of motivation explaining your interest in the course, your choice of accompanying specialized modules, as well as your level of knowledge and background to: martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''22.10.2024''' Welcome, Introduction, Course Organization

'''23.10.2024''' Exhibition Visit, Unna, Lichtkunst Zentrum

'''29.10.2024''' Light I - Pioneers of light

'''05.11.2024''' Introduction/Workshop Light: Ioannis Oriwol

'''12.11.2024''' Light II - From pigment to light / Light and movement

'''19.11.2024''' Projectwork

'''26.11.2024''' Projectwork

'''03.12.2024''' free work (no official class)

'''10.12.2024''' Midterm Presentations

'''17.12.2024''' Artist Talk: Alexandre Saunnier

'''07.01.2025''' Projectwork

'''14.01.2025''' Artist Talk: Jaquline Hen

'''21.01.2025''' Projectwork

'''28.01.2025''' Projectwork, prepare exhibition

'''04.02.2025''' Exhibition, Setup, Opening, Final Presentation

'''07.02.-09.02.2024''' Exhibition, Winterwerkschau
==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost 
[https://www.figma.com/ Figma] 

==Literature==

* Light Art from Artificial Light, Light as a Medium in 20th and 21th Century Art, 2006
* Power! Light! - Kunstmuseum Wolfsburg [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1824105126 ISBN 9783960988502]
* Findings on Light, PARS, Hester Aardse and Astrid Alben, 2016
* Light Show (Mit Press), Cliff Lauson, 2013
* JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
* Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
* Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
* Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
* Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
* The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
* Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
* Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]

[[Category:WS 24]]
[[Category:Projektmodul]]

File:Curriculum Overview Winter Semester 2024 25.pdf

2024-10-09T20:05:01Z

Hesselmeier:

== Copyright status: ==

== Source: ==

IFD:SFIO WiSe24

2024-09-02T21:21:23Z

Hesselmeier:

IFD:SFIO WiSe24

2024-09-02T21:18:32Z

Hesselmeier: /* Admission requirements */

IFD:SFIO SoSe24

2024-04-10T22:19:11Z

Hesselmeier: /* Platforms and Tools */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Sustainable Futures - Interactive Objects''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 16 April 2024, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=61941&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Description==
In the project module (Sustainable Futures - Interactive Objects), we will search for the mysterious, playful, humorous and imaginative use of renewable energies to enable artefacts to become self-sufficient. One focus is on generating energy with the help of the sun. The sun is the closest star to the earth and forms the centre of the solar system. Theoretically, it provides enough energy in one hour to cover the world's energy needs for a year. For this reason, the focus is on the discourse, questioning and discovery of this form of energy from a creative and artistic perspective.

In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. This allows projects to emerge that pursue very different approaches and take their own positions. A joint exhibition of the objects is planned for Summaery 2024 and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.

Keywords: interactive art, sustainability, AI, renewable energies, movement, sound, solar energy, reactive objects, autonomy, self-life

The following teaching formats are offered:

'''Lecture:''' A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces that deal with the topic of solar energy. In addition, we will be visited by interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.

'''Workshop:''' Christoph Noe will offer a workshop to accompany the project module and will give us an insight into his working methods and production processes.

'''Artisttalk:''' We will receive visits from interesting designers and artists who will give an insight into their work and working processes.

'''Consultation:''' Individual projects and your own professional development can be discussed by appointment.

'''Excursion:''' In order to explore the design and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 17-21 June 2024. All students from the project module are invited to take part.

==Admission requirements==
Prerequisites for participation in the project module are the completion of two accompanying specialised modules in Interface Design. The following modules are offered:

• Physical Computing: Harvesting Sustainable Futures by Brian Larson Clark

• Solar Sound by Clemens Wegener

• Digital Realms: Photogrammetry and Sustainable Narratives by Jesús Velázquez

==Application and registration procedure==
• Registration via the BISON portal

• Please send a one-page letter of motivation explaining your interest in the course, your choice of accompanying modules, as well as your level of knowledge and background to:martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''16.04.2024''' Welcome, Introduction, Course Organization

'''23.04.2024''' sustainable futures 1: Solar Power - Solar Art a historical review

'''24.04.2024''' Workshop: Shaper Origin by Christoph Noe

'''30.04.2024''' Artist Talk: Alex Nathanson

'''07.05.2024''' Introduction 3d printing

'''14.05.2024''' sustainable futures 2: Interact with the sun

'''21.05.2024''' Project work

'''28.05.2024''' Project work

'''04.06.2024''' Midterm Presentations

'''11.06.2024''' Projectwork

<s>'''17.06.-21.06.2024''' Excursion, Haus Rosenbaum (not yet confirmed)</s>

'''25.06.2024''' free work (no official class)

'''02.07.2024''' Project work. prepare exhibition

'''09.07.2024''' Final Presentation

'''11.07.-14.07.2024''' Summaery 2024

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] Please [https://docs.google.com/presentation/d/1e-jNv9_8hyAdqz5ZreW_U1Atqbf64sK6WoO1mtlQjzU/present?slide=id.p CLICK HERE] to get an introduction to mattermost 
[https://www.figma.com/ Figma] 

==Literature==

*A History of Solar Power Art and Design / Alex Nathanson 2021 ISBN 9781003030683
*JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
*Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]
*Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
*Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
*Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659
*Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297
*Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641
*Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
*Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
*The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
*Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
*Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]
*Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746
*Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]
*Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1698857144 Link]

[[Category:SS23]]
[[Category:Projektmodul]]

IFD:SFIO SoSe24

2024-04-05T21:28:32Z

Hesselmeier:

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Sustainable Futures - Interactive Objects''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 16 April 2024, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=61941&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y BISON Course]'' 

==Description==
In the project module (Sustainable Futures - Interactive Objects), we will search for the mysterious, playful, humorous and imaginative use of renewable energies to enable artefacts to become self-sufficient. One focus is on generating energy with the help of the sun. The sun is the closest star to the earth and forms the centre of the solar system. Theoretically, it provides enough energy in one hour to cover the world's energy needs for a year. For this reason, the focus is on the discourse, questioning and discovery of this form of energy from a creative and artistic perspective.

In the course of the project module, we will design reactive and interactive objects that feed exclusively on solar energy. This can lead to uncontrollable, complex superimpositions that can astonish, surprise or even disturb us in their appearance, both visually and sonically. The independent life of things, their autonomy and self-sufficiency are at the centre of their presence. This allows projects to emerge that pursue very different approaches and take their own positions. A joint exhibition of the objects is planned for Summaery 2024 and will be developed in the project module. The project module is aimed at Bachelor's and Master's students and offers self-motivated and self-organised projects a place for discussion, production and debate.

Keywords: interactive art, sustainability, AI, renewable energies, movement, sound, solar energy, reactive objects, autonomy, self-life

The following teaching formats are offered:

'''Lecture:''' A lecture series is offered to accompany the professorship's Bachelor's and Master's projects. This deals with various creative and artistic positions and provides an insight into tools and methods for the conception and design of interactive and reactive objects, artefacts and their interfaces that deal with the topic of solar energy. In addition, we will be visited by interesting designers and artists who will give an insight into their work and working processes. The language of instruction will be English.

'''Workshop:''' Christoph Noe will offer a workshop to accompany the project module and will give us an insight into his working methods and production processes.

'''Artisttalk:''' We will receive visits from interesting designers and artists who will give an insight into their work and working processes.

'''Consultation:''' Individual projects and your own professional development can be discussed by appointment.

'''Excursion:''' In order to explore the design and artistic approaches under real conditions and to gain further impulses for the development of the project, we will go on an excursion from 17-21 June 2024. All students from the project module are invited to take part.

==Admission requirements==
Prerequisites for participation in the project module are the completion of two accompanying specialised modules in Interface Design. The following modules are offered:

• Physical Computing: Harvesting Sustainable Futures by Brian Larson Clark

• Solar Sound by Clemens Wegener

• Digital Realms: Photogrammetry and Sustainable Narratives by Jesús Velázquez

==Application and registration procedure==
• Registration via the BISON portal

• Please send a one-page letter of motivation explaining your interest in the course, your choice of accompanying modules, as well as your level of knowledge and background to:martin.hesselmeier@uni-weimar.de

==Eligible participants==
BFA MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture, BFA MFA Produkt-Design candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''16.04.2024''' Welcome, Introduction, Course Organization

'''23.04.2024''' sustainable futures 1: Solar Power - Solar Art a historical review

'''24.04.2024''' Workshop: Shaper Origin by Christoph Noe

'''30.04.2024''' Artist Talk: Alex Nathanson

'''07.05.2024''' Introduction 3d printing

'''14.05.2024''' sustainable futures 2: Interact with the sun

'''21.05.2024''' Project work

'''28.05.2024''' Project work

'''04.06.2024''' Midterm Presentations

'''11.06.2024''' Projectwork

'''17.06.-21.06.2024''' Excursion, Haus Rosenbaum (not yet confirmed)

'''25.06.2024''' free work (no official class)

'''02.07.2024''' Project work. prepare exhibition

'''09.07.2024''' Final Presentation

'''11.07.-14.07.2024''' Summaery 2024

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma] 

==Literature==

*A History of Solar Power Art and Design / Alex Nathanson 2021 ISBN 9781003030683
*JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
*Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]
*Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
*Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
*Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659
*Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297
*Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641
*Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
*Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
*The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
*Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
*Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]
*Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746
*Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]
*Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1698857144 Link]

[[Category:SS23]]
[[Category:Projektmodul]]

IFD:EH WiSe23

2024-03-26T15:29:00Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Enlightening Narratives - artistic approach to light, sound, perception and interaction''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 17 October 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=60082&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung#treeview BISON Course]'' 

==Description==
Light is and remains one of the most important elements for the existence of life on earth. Plants, animals and humans depend on it. Light is omnipresent, it makes things visible and is itself transparent. Light gives rooms stillness, creates spatial presence, makes space disappear. It is both a representation and a means of representation - a fascinating material for artists and designers. Digital technologies make it possible to think of light dynamically, responsively or interactively and challenge us to develop adequate new forms and ways of dealing with it. Sound plays a major role in this context. The question arises as to what artistic and design potentials arise when light can react to its environment in combination with sound.

The aim of the project module is to explore and prototype new forms of interaction with light and sound. In addition to a fundamental understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and the human experience.

The term in the seminar title - Enlightening Narratives - artistic approach to light, sound, perception and interaction - can be understood to mean all things, objects, interventions, items, modules, artefacts and installation works and their interfaces that deal with the theme of light. In this project module, there will be space for creative and artistic concepts and their implementation that deal with the topic of light in the most diverse forms.

The following teaching formats are offered:

'''Lecture:''' A series of lectures is offered to accompany the bachelor's and master's projects of the professorship. This deals with various design and artistic positions and provides an insight into tools and methods for the conception and design of objects, artefacts and installation works and their interfaces that deal with the subject of light. The language of the course will be English.

'''Artisttalk:''' We will receive visits - in person as well as online - from interesting designers and artists who will give an insight into their work and working processes.

'''Consultation:''' Individual projects and professional development can be discussed by appointment. At least 2 consultations should be attended.

'''Exhibition visit:''' As part of the project module, we will visit an exhibition that deals with the theme of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.

==Admission requirements ==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. Please attend of the accompanying modules in Interface Design

'''Physical Computing: Designing Bright Ideas''' by Brian Larson Clark

'''Sound Source - Light Sink''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''16.04.2024''' Welcome, Introduction, Course Organization

'''23.04.2024''' sustainable futures 1: Solar Power - Solar Art a historical review

'''24.04.2024''' Workshop: Shaper Origin by Christoph Noe

'''30.04.2024''' Artist Talk: Alex Nathanson

'''07.05.2024''' Introduction 3d printing

'''14.05.2024''' sustainable futures 2: Interact with the sun

'''21.05.2024''' Project work

'''28.05.2024''' Project work

'''04.06.2024''' Midterm Presentations

'''11.06.2024''' Projectwork

'''17.06.-21.06.2024''' Excursion, Haus Rosenbaum

'''25.06.2024''' free work (no official class)

'''02.07.2024''' Project work. prepare exhibition

'''09.07.2024''' Final Presentation

'''11.07.-14.07.2024''' Summaery 2024

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma] 

== Literature ==

* A History of Solar Power Art and Design / Alex Nathanson 2021 ISBN 9781003030683
* JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
* Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]
* Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
* Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
* Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659
* Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297
* Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641
* Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
* Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
* The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
* Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
* Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]
* Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746
* Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]
* Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D1698857144 Link]

[[Category:SS23]]
[[Category:Projektmodul]]

IFD:EH WiSe23

2024-03-26T15:27:04Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Enlightening Narratives - artistic approach to light, sound, perception and interaction''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 17 October 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=60082&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung#treeview BISON Course]'' 

==Description==
Light is and remains one of the most important elements for the existence of life on earth. Plants, animals and humans depend on it. Light is omnipresent, it makes things visible and is itself transparent. Light gives rooms stillness, creates spatial presence, makes space disappear. It is both a representation and a means of representation - a fascinating material for artists and designers. Digital technologies make it possible to think of light dynamically, responsively or interactively and challenge us to develop adequate new forms and ways of dealing with it. Sound plays a major role in this context. The question arises as to what artistic and design potentials arise when light can react to its environment in combination with sound.

The aim of the project module is to explore and prototype new forms of interaction with light and sound. In addition to a fundamental understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and the human experience.

The term in the seminar title - Enlightening Narratives - artistic approach to light, sound, perception and interaction - can be understood to mean all things, objects, interventions, items, modules, artefacts and installation works and their interfaces that deal with the theme of light. In this project module, there will be space for creative and artistic concepts and their implementation that deal with the topic of light in the most diverse forms.

The following teaching formats are offered:

'''Lecture:''' A series of lectures is offered to accompany the bachelor's and master's projects of the professorship. This deals with various design and artistic positions and provides an insight into tools and methods for the conception and design of objects, artefacts and installation works and their interfaces that deal with the subject of light. The language of the course will be English.

'''Artisttalk:''' We will receive visits - in person as well as online - from interesting designers and artists who will give an insight into their work and working processes.

'''Consultation:''' Individual projects and professional development can be discussed by appointment. At least 2 consultations should be attended.

'''Exhibition visit:''' As part of the project module, we will visit an exhibition that deals with the theme of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.

==Admission requirements ==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. Please attend of the accompanying modules in Interface Design

'''Physical Computing: Designing Bright Ideas''' by Brian Larson Clark

'''Sound Source - Light Sink''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''16.04.2024''' Welcome, Introduction, Course Organization

'''23.04.2024''' sustainable futures 1: Solar Power - Solar Art a historical review

'''24.04.2024''' Workshop: Shaper Origin by Christoph Noe

'''30.04.2024''' Artist Talk: Alex Nathanson

'''07.05.2024''' Introduction 3d printing

'''14.05.2024''' sustainable futures 2: Interact with the sun

'''21.05.2024''' Project work

'''28.05.2024''' Project work

'''04.06.2024''' Midterm Presentations

'''11.06.2024''' Projectwork

'''17.06.-21.06.2024''' Excursion, Haus Rosenbaum

'''25.06.2024''' free work (no official class)

'''02.07.2024''' Project work. prepare exhibition

'''09.07.2024''' Final Presentation

'''11.07.-14.07.2024''' Summaery 2024

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma] 

== Literature ==

* A History of Solar Power Art and Design / Alex Nathanson 2021 ISBN 9781003030683
* JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
* Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]
* Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
* Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
* Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659
* Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297
* Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641
* Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
* Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
* The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
* Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
* Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]
* Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746
* Jeff Johnson: Designing with the Mind in Mind / 2014 [https://bibsearch.uni-weimar.de/id%7Bcolon%7D78591501X Link]
* Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303

[[Category:SS23]]
[[Category:Projektmodul]]

IFD:EH WiSe23

2024-03-26T15:25:16Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Enlightening Narratives - artistic approach to light, sound, perception and interaction''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 14 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 17 October 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=60082&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung#treeview BISON Course]'' 

==Description==
Light is and remains one of the most important elements for the existence of life on earth. Plants, animals and humans depend on it. Light is omnipresent, it makes things visible and is itself transparent. Light gives rooms stillness, creates spatial presence, makes space disappear. It is both a representation and a means of representation - a fascinating material for artists and designers. Digital technologies make it possible to think of light dynamically, responsively or interactively and challenge us to develop adequate new forms and ways of dealing with it. Sound plays a major role in this context. The question arises as to what artistic and design potentials arise when light can react to its environment in combination with sound.

The aim of the project module is to explore and prototype new forms of interaction with light and sound. In addition to a fundamental understanding of the physical phenomenon of light and its physiological effects, we want to explore the character of light and develop interesting connections between light and the human experience.

The term in the seminar title - Enlightening Narratives - artistic approach to light, sound, perception and interaction - can be understood to mean all things, objects, interventions, items, modules, artefacts and installation works and their interfaces that deal with the theme of light. In this project module, there will be space for creative and artistic concepts and their implementation that deal with the topic of light in the most diverse forms.

The following teaching formats are offered:

'''Lecture:''' A series of lectures is offered to accompany the bachelor's and master's projects of the professorship. This deals with various design and artistic positions and provides an insight into tools and methods for the conception and design of objects, artefacts and installation works and their interfaces that deal with the subject of light. The language of the course will be English.

'''Artisttalk:''' We will receive visits - in person as well as online - from interesting designers and artists who will give an insight into their work and working processes.

'''Consultation:''' Individual projects and professional development can be discussed by appointment. At least 2 consultations should be attended.

'''Exhibition visit:''' As part of the project module, we will visit an exhibition that deals with the theme of light. Afterwards, we will discuss and exchange ideas about the works and positions shown.

==Admission requirements ==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. Please attend of the accompanying modules in Interface Design

'''Physical Computing: Designing Bright Ideas''' by Brian Larson Clark

'''Sound Source - Light Sink''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 
==Syllabus (subject to change)==
09:15-12:30h, Marienstraße 7 B - Seminarroom 104

'''16.04.2024''' Welcome, Introduction, Course Organization

'''23.04.2024''' sustainable futures 1: Solar Power - Solar Art a historical review

'''24.04.2024''' Workshop: Shaper Origin by Christoph Noe

'''30.04.2024''' Artist Talk: Alex Nathanson

'''07.05.2024''' Introduction 3d printing

'''14.05.2024''' sustainable futures 2: Interact with the sun

'''21.05.2024''' Project work

'''28.05.2024''' Project work

'''04.06.2024''' Midterm Presentations

'''11.06.2024''' Projectwork

'''17.06.-21.06.2024''' Excursion, Haus Rosenbaum

'''25.06.2024''' free work (no official class)

'''02.07.2024''' Project work. prepare exhibition

'''09.07.2024''' Final Presentation

'''11.07.-14.07.2024''' Summaery 2024

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma] 

== Literature ==

* A History of Solar Power Art and Design / Alex Nathanson 2021 ISBN 9781003030683
* JunkBots, Bugbots, and Bots on Wheels: Building Simple Robots With BEAM Technology / David Hrynkiw [https://archive.org/details/junkbotsbugbotsb0000hryn/mode/2up Link]
* Energy and Civilization: A History / Vaclav Smil 2018 [https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link]
* Designing interactions / Bill Moggridge 2007, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D513816917 ISBN 9780262134743]
* Design noir : the secret life of electronic objects / Anthony Dunne and Fiona Raby 2001, [https://bibsearch.uni-weimar.de/id%7Bcolon%7D334152054 ISBN 3764365668]
* Solar Futures : how to design a post-fossil world with the sun / van Aubel, Marjan 2022 ISBN 9492852659
* Advanced Energy Harvesting Technologies / Zhu, Dibin 2022 ISBN 9783036538297
* Energy harvesting technologies / Priya, Shashank, Inman, Daniel J. [2009], © 2009 ISBN 9780387764641
* Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008 ISBN 9780387764641
* Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven / Davis, Douglas 1975 ISBN 3770108116
* The design of everyday things / Norman, Donald A. 1990 ISBN 0385267746
* Uncanny Interfaces / Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer, 2019 ISBN 9783864852176
* Parasitäre Strategien / Kunstforum, 185 [https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]
* Joseph Weizenbaum / Die Macht der Computer und die Ohnmacht der Vernunft 1978 ISBN 3518278746
* Jeff Johnson: Designing with the Mind in Mind / 2014
* Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines 2005 ISBN 9780123750303

[[Category:SS23]]
[[Category:Projektmodul]]

IFD:Kolloq SoSe23

2024-02-18T13:55:49Z

Hesselmeier: /* Anmeldung / Signup */

[[:Category:Kolloquium|Kolloquium]] / Colloquium'' 
''Instructors:'' Prof. [[Martin Hesselmeier]], [[Clemens Wegener]], [[Brian Larson Clark]], [[Jesús Velázquez]] 
''Credits:'' up to 6 [[ECTS]] (depending on the relevant study version), 3 [[SWS]] 
''Capacity:'' two presenters per session 
''Language:'' English/Deutsch 
''[[Zeitraster|Date]]:'' TBA 
''Location:'' Marienstrasse 7b, Room 104 
''First Meeting:'' See schedule below.

==Beschreibung / Description==
Das Interface-Design Kolloquium lädt unregelmäßig Mittwochs zu einem Vortrag in Präsenz von Studierenden oder Mitarbeitern ein. Im Anschluss wird über das Thema des Vortrags diskutiert.

''The Interface Design Colloquium invites students and staff to give a lecture on Wednesdays. The topic of the lecture is discussed afterwards.''

== Einschreibung / Enrollment ==
Der Besuch ist offen für alle IFD-Kandidaten und erfordert keine Anmeldung in BISON.

''Participation is open to all IFD Candidates and does not require registration in BISON.''

==Zielgruppe / Target Group==
Alle IFD Bachelor- und Master-Studenten, Thesiskandidaten und Mitarbeiter der Professur Interface-Design.

''All IFD bachelor and master students, thesis candidates and staff of the Professorship of Interface Design.''

== Hinweise für Vortragende / Notes for Presenters ==

Normalerweise gibt es zwei Redner pro Termin. Sie können Ihre Vortragssprache (Deutsch/Englisch) frei wählen. Es sind jedoch üblicherweise 40-60% fremdsprachige Teilnehmer anwesend, die i.d.R. besser Englisch als Deutsch verstehen. Die Präsentation sollte eine Dauer von etwa ~20 Minuten haben. Bitte haben Sie Verständnis dafür, wenn wir nach spätestens 30 Minuten abbrechen, denn wir möchten noch genügend Zeit für Feedback, Fragen und kurze Anschlussdiskussionen haben.

''Typically two presentations will take place per session. The language of your presentation (German/English) is up to you to decide, although a significant portion (40-60%) of participants are non-native German speakers.

The presentation should have a duration of about ~20 minutes. Please understand that we need to stop the talk after 30 minutes latest, in order to guarantee sufficient time for feedback, questions and short discussions.

==Anmeldung / Signup==
You will receive access to our coordination and organisation tool mattermost, for the times when the colloquium will take place.

Previous Semesters
* [[IFD:Kolloq WS22]]
* [[IFD:Kolloq WS21]]
* [[IFD:Kolloq SoS21]]
* [[IFD:Kolloq WS20]]
* [[IFD:Kolloq SoS20]]
* [[IFD:Kolloq WS19]]
* [[IFD:Kolloq SoS18]]
* [[IFD:Kolloq WS1718]]
* [[IFD:Kolloq SS17]]
* [[IFD:Kolloq WS16]]
* [[IFD:Kolloq SS16]]
* [[IFD:Kolloq WS15]]
* [[IFD:Kolloq SS15]]
* [[IFD:Kolloq WS14]]
* [[IFD:Kolloq SS14]]
* [[IFD:Kolloq WS13]]
* [[IFD:Kolloq SS12]]
* [[IFD:Kolloq WS12]]
* [[IFD:Kolloq SS13]]

==Links==

[[Category:SS23]]

IFD:EH SoSe23

2023-04-18T18:43:56Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Workshop by Ralf Schreiber, Marienstraße 7 B - Room 002 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Presentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

A History of Solar Power Art and Design / By Alex Nathanson 2021

Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D573771529/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-18T18:43:30Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Marienstraße 7 B - Seminarroom 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Workshop by Ralf Schreiber 26.-28.04.23 Marienstraße 7 B - Room 002 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Presentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

A History of Solar Power Art and Design / By Alex Nathanson 2021

Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D573771529/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-13T15:52:49Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Presentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

A History of Solar Power Art and Design / By Alex Nathanson 2021

Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D573771529/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-13T13:56:31Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

A History of Solar Power Art and Design / By Alex Nathanson 2021

Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D573771529/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-12T07:16:17Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Waves - the Art of the Electromagnetic Society / Hartware MedienKunstVerein 2008
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D573771529/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-06T09:37:58Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History /
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun /
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies /
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting /
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644 Link] 

Energy harvesting technologies /
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven /
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things /
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces /
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien /
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum /
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind /
2014

Gerhard M. Buurman / Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-06T09:35:38Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Micro Energy Harvesting
Briand, Danick, Yeatman, Eric, Roundy, Shad
2015
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1679566644] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

Template:IFD WS23

2023-04-04T17:30:48Z

Hesselmeier:

== Sommersemester 2023 ==
[[File:Curriculum Overview Summer Semester 2023.jpeg|550px]] 
[[:File:Curriculum Overview SS 2023.pdf]]

 


IFD Semester Course Presentation will take place on Monday, 3 April 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
IFD Semester Consultations will take place on Tuesday, 4 April 2023 at 10am-11am on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
 
Projektmodule / Project Modules:
* [[IFD:EH_SoSe23|Unplugged - exploring the artistic potentials with Energy Harvesting]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
Fachmodule:
* [[IFD:IAC_SoSe23|Paper, Ink and Electronics]]'' (Fachmodul BFA/MFA) - Clemens Wegener''
* [[IFD:PWMP_SoSe23|Photogrammetry Workflow for Media Practitioners]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:EH2_SoSe23|Energy Harvesting]]'' (Fachmodul MFA) - Brian Larson Clark''
 
Kolloquium:
* [[IFD:Kolloq_SoSe23|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''
 
<noinclude>[[Category:Template]]</noinclude>

File:Curriculum Overview SS 2023.pdf

2023-04-04T17:30:33Z

Hesselmeier: File uploaded with MsUpload

File uploaded with MsUpload

File:Curriculum Overview Summer Semester 2023.pdf

2023-04-04T17:29:19Z

Hesselmeier: MartinHesselmeier uploaded a new version of File:Curriculum Overview Summer Semester 2023.pdf

File uploaded with MsUpload

Template:IFD WS23

2023-04-04T17:28:08Z

Hesselmeier: /* Sommersemester 2023 */

== Sommersemester 2023 ==
[[File:Curriculum Overview Summer Semester 2023.jpeg|550px]] 
[[:File:Curriculum Overview Summer Semester 2023.pdf]]
[[:File:Curriculum Overview Summer Semester 2023.pdf]]

 


IFD Semester Course Presentation will take place on Monday, 3 April 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
IFD Semester Consultations will take place on Tuesday, 4 April 2023 at 10am-11am on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
 
Projektmodule / Project Modules:
* [[IFD:EH_SoSe23|Unplugged - exploring the artistic potentials with Energy Harvesting]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
Fachmodule:
* [[IFD:IAC_SoSe23|Paper, Ink and Electronics]]'' (Fachmodul BFA/MFA) - Clemens Wegener''
* [[IFD:PWMP_SoSe23|Photogrammetry Workflow for Media Practitioners]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:EH2_SoSe23|Energy Harvesting]]'' (Fachmodul MFA) - Brian Larson Clark''
 
Kolloquium:
* [[IFD:Kolloq_SoSe23|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''
 
<noinclude>[[Category:Template]]</noinclude>

File:Curriculum Overview Summer Semester 2023.pdf

2023-04-04T17:27:48Z

Hesselmeier: MartinHesselmeier uploaded a new version of File:Curriculum Overview Summer Semester 2023.pdf

File uploaded with MsUpload

File:Curriculum Overview Summer Semester 2023.pdf

2023-04-04T17:24:59Z

Hesselmeier: MartinHesselmeier uploaded a new version of File:Curriculum Overview Summer Semester 2023.pdf

File uploaded with MsUpload

IFD:EH SoSe23

2023-04-04T12:54:17Z

Hesselmeier: /* Description */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module.
“WILD WEAK ELECTRONICS“
minimal-energy concepts & underpowered electronic circuits

A workshop using only the weakest energy sources based on light, motion, electromagnetism and electrochemistry. By this I mean: tiny-solar-cells, electromagnetic waves, piezo-electronic, DIY potato batteries..

All these low energy sources are hardly usable for our everyday devices, because they need quite high, constant and stabilized currents for their reliable operation. Nevertheless, the study of low energy circuit design is rewarding because it reveals the primal, wild and chaotic nature of electricity.

In this hands-on workshop, we will craft and solder minimal electronic modules and electro-mechanical objects. These work with the weakest energy sources and create sounds or movements with a unique natural flow. Everything you build yourself can be combined with each other and thus invites you to experiment.

The workshop is also a basic introduction to analog and digital electronics. In addition to elementary oscillator and charging circuits, simple µ-controller circuits (based on Arduino) can also be built.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-04T12:51:30Z

Hesselmeier: /* Description */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a three-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:Kolloq SoSe23

2023-04-04T11:48:28Z

Hesselmeier: /* Anmeldung / Signup */

[[:Category:Kolloquium|Kolloquium]] / Colloquium'' 
''Instructors:'' Prof. [[Martin Hesselmeier]], [[Clemens Wegener]], [[Brian Larson Clark]], [[Jesús Velázquez]] 
''Credits:'' up to 6 [[ECTS]] (depending on the relevant study version), 3 [[SWS]] 
''Capacity:'' two presenters per session 
''Language:'' English/Deutsch 
''[[Zeitraster|Date]]:'' TBA 
''Location:'' Marienstrasse 7b, Room 104 
''First Meeting:'' See schedule below.

==Beschreibung / Description==
Das Interface-Design Kolloquium lädt unregelmäßig Mittwochs zu einem digitalen Vortrag aus der Praxis (von Studierenden, Gästen oder Mitarbeitern) ein. Im Anschluss wird über das Thema des Vortrags diskutiert.

''Interface Design students, guests and lecturers are invited to digitally present their works on selected Wednesdays. There will be a brief discussion afterwards.''

== Einschreibung / Enrollment ==
Der Besuch ist offen für alle IFD-Kandidaten und erfordert keine Anmeldung in BISON.

''Participation is open to all IFD Candidates and does not require registration in BISON.''

==Zielgruppe / Target Group==
Alle IFD Bachelor- und Master-Studenten, Thesiskandidaten und Mitarbeiter der Professur Interface-Design.

''All IFD bachelor and master students, thesis candidates and staff of the Professorship of Interface Design.''

== Hinweise für Vortragende / Notes for Presenters ==

Normalerweise gibt es zwei Redner pro Termin. Sie können Ihre Vortragssprache (Deutsch/Englisch) frei wählen. Es sind jedoch üblicherweise 40-60% fremdsprachige Teilnehmer anwesend, die i.d.R. besser Englisch als Deutsch verstehen. Die Präsentation sollte eine Dauer von etwa ~20 Minuten haben. Bitte haben Sie Verständnis dafür, wenn wir nach spätestens 30 Minuten abbrechen, denn wir möchten noch genügend Zeit für Feedback, Fragen und kurze Anschlussdiskussionen haben.

''Typically two presentations will take place per session. The language of your presentation (German/English) is up to you to decide, although a significant portion (40-60%) of participants are non-native German speakers.

The presentation should have a duration of about ~20 minutes. Please understand that we need to stop the talk after 30 minutes latest, in order to guarantee sufficient time for feedback, questions and short discussions.

==Anmeldung / Signup==

BITTE MINIMAL + MAXIMAL ZWEI VORTRÄGE PRO TERMIN!
DIE VERANSTALTUNG FINDET NUR STATT, WENN ES ZWEI VORTRÄGE GIBT!

# ''TBA'' Name, "Title" Name, "Title“ 

MINIMUM + MAXIMUM TWO PRESENTATIONS PER SESSION!
THE COLLOQUIUM WILL ONLY TAKE PLACE IF THERE ARE TWO PRESENTATIONS!

== Previous Semesters ==
* [[IFD:Kolloq WS22]]
* [[IFD:Kolloq WS21]]
* [[IFD:Kolloq SoS21]]
* [[IFD:Kolloq WS20]]
* [[IFD:Kolloq SoS20]]
* [[IFD:Kolloq WS19]]
* [[IFD:Kolloq SoS18]]
* [[IFD:Kolloq WS1718]]
* [[IFD:Kolloq SS17]]
* [[IFD:Kolloq WS16]]
* [[IFD:Kolloq SS16]]
* [[IFD:Kolloq WS15]]
* [[IFD:Kolloq SS15]]
* [[IFD:Kolloq WS14]]
* [[IFD:Kolloq SS14]]
* [[IFD:Kolloq WS13]]
* [[IFD:Kolloq SS12]]
* [[IFD:Kolloq WS12]]
* [[IFD:Kolloq SS13]]

==Links==

[[Category:SS22]]

IFD:EH SoSe23

2023-04-04T07:54:05Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-04T07:53:42Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023'''online / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-03T11:49:25Z

Hesselmeier: /* Literature */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

Template:IFD WS23

2023-04-03T09:22:23Z

Hesselmeier: /* Sommersemester 2023 */

== Sommersemester 2023 ==
[[File:Curriculum Overview Summer Semester 2023.jpeg|550px]] 
[[:File:Curriculum Overview Summer Semester 2023.pdf]]
 


IFD Semester Course Presentation will take place on Monday, 3 April 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
IFD Semester Consultations will take place on Tuesday, 4 April 2023 at 10am-11am on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
 
Projektmodule / Project Modules:
* [[IFD:EH_SoSe23|Unplugged - exploring the artistic potentials with Energy Harvesting]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
Fachmodule:
* [[IFD:IAC_SoSe23|Paper, Ink and Electronics]]'' (Fachmodul BFA/MFA) - Clemens Wegener''
* [[IFD:PWMP_SoSe23|Photogrammetry Workflow for Media Practitioners]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:EH2_SoSe23|Energy Harvesting]]'' (Fachmodul MFA) - Brian Larson Clark''
 
Kolloquium:
* [[IFD:Kolloq_SoSe23|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''
 
<noinclude>[[Category:Template]]</noinclude>

File:Curriculum Overview Summer Semester 2023.pdf

2023-04-03T09:19:13Z

Hesselmeier: File uploaded with MsUpload

File uploaded with MsUpload

IFD:EH SoSe23

2023-04-01T14:03:40Z

Hesselmeier: /* Application and registration procedure */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (deutsch, english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T14:02:58Z

Hesselmeier: /* Application and registration procedure */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter (german or english) of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T14:01:09Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30h, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30h, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 16h–17h / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:52:28Z

Hesselmeier: /* Admission requirements */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II: Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 4pm–5pm / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

Template:IFD WS23

2023-04-01T13:40:29Z

Hesselmeier: /* Sommersemester 2023 */

== Sommersemester 2023 ==



IFD Semester Course Presentation will take place on Monday, 3 April 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
IFD Semester Consultations will take place on Tuesday, 4 April 2023 at 10am-11am on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
 
Projektmodule / Project Modules:
* [[IFD:EH_SoSe23|Unplugged - exploring the artistic potentials with Energy Harvesting]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
Fachmodule:
* [[IFD:IAC_SoSe23|Paper, Ink and Electronics]]'' (Fachmodul BFA/MFA) - Clemens Wegener''
* [[IFD:PWMP_SoSe23|Photogrammetry Workflow for Media Practitioners]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:EH2_SoSe23|Energy Harvesting]]'' (Fachmodul MFA) - Brian Larson Clark''
 
Kolloquium:
* [[IFD:Kolloq_SoSe23|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''
 
<noinclude>[[Category:Template]]</noinclude>

Template:IFD WS23

2023-04-01T13:39:48Z

Hesselmeier: /* Sommersemester 2023 */

== Sommersemester 2023 ==
-->
[[File:Curriculum Overview Summer Semester 2023.jpeg|550px]] 

IFD Semester Course Presentation will take place on Monday, 3 April 2023 at 2pm-3pm on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
IFD Semester Consultations will take place on Tuesday, 4 April 2023 at 10am-11am on [https://meeting.uni-weimar.de/b/ann-wqr-akr-cj1 BigBlueButton] 
 
Projektmodule / Project Modules:
* [[IFD:EH_SoSe23|Unplugged - exploring the artistic potentials with Energy Harvesting]]'' (Projektmodul BFA, MFA) - Prof. Martin Hesselmeier''
 
Fachmodule:
* [[IFD:IAC_SoSe23|Paper, Ink and Electronics]]'' (Fachmodul BFA/MFA) - Clemens Wegener''
* [[IFD:PWMP_SoSe23|Photogrammetry Workflow for Media Practitioners]]'' (Fachmodul BFA/MFA) - Jesús Velázquez''
* [[IFD:EH2_SoSe23|Energy Harvesting]]'' (Fachmodul MFA) - Brian Larson Clark''
 
Kolloquium:
* [[IFD:Kolloq_SoSe23|Kolloquium]] ''- Prof. Martin Hesselmeier, Brian Clark, Clemens Wegener, Jesús Velázquez''
 
<noinclude>[[Category:Template]]</noinclude>

IFD:EH SoSe23

2023-04-01T13:38:25Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online Time: 4pm–5pm / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:37:19Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 
 
'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:36:46Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' summaery 2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:35:40Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

'''02.05.2023''' in-person / Energy Harvesting I, Solar Power

'''09.05.2023''' online / Energy Harvesting II, Movement and Vibrations

'''10.05.2023''' online / Artisttalk: Pascal Glissmann, Martina Höfflin

'''16.05.2023''' in-person / Artisttalk: Lyoudmila Milanova

'''23.05.2023''' in-person / Energy Harvesting III

'''30.05.2023''' in person / Midterm Präsentations

'''05.06.-09.06.2023''' in-person / Excursion, Information: TBA

'''13.06.2023''' self-study

'''20.06.2023''' online / Project work

'''27.06.2023''' in-person / Project work

'''04.07.2023''' online / Project work

'''11.07.2023''' in-person / Final Presentations

'''13.-16.07.2023''' in-person / summaery

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:27:52Z

Hesselmeier:

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' 09:15-12:30 in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

02.05.2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:27:14Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

==Syllabus Timeline==
'''18.04.2023''' 09:15-12:30 in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

02.05.2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:26:33Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''in-person:''' 09:15-12:30, Room Marienstraße 7 B - Seminarraum 104 
'''online:''' 09:15-12:30, BigBlueButton

'''18.04.2023''' 09:15-12:30 in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

02.05.2023

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:25:06Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
in-person: Room Marienstraße 7 B - Seminarraum 104 
online: BigBlueButton

'''18.04.2023''' 09:15-12:30 in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.2023''' Room TBA / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]

IFD:EH SoSe23

2023-04-01T13:21:37Z

Hesselmeier: /* Syllabus (subject to change) */

[[:Category:Projektmodul|Projektmodul]] '' / Project Module'' 
'''Unplugged - exploring the artistic potentials with Energy Harvesting''' 
''Instructor:'' Prof. [[Martin Hesselmeier]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Capacity:'' max. 16 students 
''Language:'' english, deutsch 
''[[Zeitraster|Date]]:'' Plenum: Tuesdays, 09:15-12:30; Consultations by appointment 
''Location:'' Online/Marienstraße 7b,104 
''First Meeting:'' 18 April 2023, 09:15 (More information regarding the first meeting will be sent to accepted participants by email.) 
''BISON Course ID: ''[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=57894&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung&noDBAction=y&init=y 323120025] 

==Description==
The project module deals with the topic of energy. This is necessary when something is set in motion, accelerated, lifted, heated or illuminated. It is explicitly about its extraction, storage and the experimental creative and artistic handling of it. Literally, if we consider natural resources, we are surrounded by energy.

Every mass around us, regardless of its form, has energy and everything that has energy vibrates.
Energy harvesting is the collection and storage of small amounts of electrical energy from sources such as light, movement, heat and vibration. A topic that could not be more relevant. The focus is on discussing, questioning and discovering this technical development from a design and artistic point of view, rather than on its efficient use and conversion into electrical energy. We want to work on and realise this in an exemplary and prototypical way. The term in the seminar title - Unplugged: exploring the artistic potentials with Energy Harvesting - can be understood to mean all things, objects, items, modules, artefacts and installation works and their interfaces that deal with the topic of Energy Harvesting.

In this project module, there will be space for creative and artistic concepts and their implementation that deal with the omnipresent existence of potential energy in our everyday lives. Various energy potentials will be investigated and experimentally transformed into new forms of expression. In this way, projects can emerge that pursue very different approaches and take their own positions.

Following teaching formats are offered:

'''Lecture'''
A lecture series is offered to accompany the Bachelor's and Master's projects of the professorship. This deals with different design and artistic positions and gives an insight into tools and methods for the conception and design of objects, artefacts and installative works and their interfaces, which deal with the topic of energy harvesting. In addition, we will receive visits from interesting designers and artists who will give an insight into their work and working processes. The language of the course will be English.

'''Workshop'''
Ralf Schreiber will offer a two-day workshop to accompany the project module. Information will follow.

'''Consultation'''
By appointment, the individual projects as well as one's own professional development can be discussed. At least 2 consultations should be attended.

'''Excursion'''
To sharpen the view and to get further impulses for the development of the project, we will undertake an excursion over several days in June 2023. All students from the project module are invited to participate.

==Admission requirements==
Enrollment in MKG/MAD MFA or MediaArchitecture MSc programs, or with instructor permission. 
Please attend of the accompanying modules in Interface Design 
'''Physical Computing II:''' '''Energy Harvesting''' by Brian Larson Clark 
'''Paper, Ink and Electronics''' by Clemens Wegener

==Application and registration procedure==
Registration via the BISON Portal

Please send a one-page letter of motivation outlining your interest in the course, as well as
your level of knowledge and background to : martin.hesselmeier@uni-weimar.de

==Eligible participants==
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture candidates 

==Syllabus (subject to change)==
'''18.04.2023''' 09:15-12:30 in-person / Welcome, Introduction, Course Organization

'''26.04.2023 - 28.04.202'''3 in-person / Workshop by Ralf Schreiber 26.-28.04.23 
26.04.23 15h-19h 
27.04.23 10h-16h 
28.04.23 10h-16h 

==Literature==
Energy and Civilization: A History
Vaclav Smil
2018
[https://vk.com/doc278943367_497548835?hash=QWByKnV11ndLDZ6BM53rqULW4alZuJRh5Fhjnr58Z1P Link] 

Solar Futures : how to design a post-fossil world with the sun
van Aubel, Marjan
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1816712035 Link] 

Advanced Energy Harvesting Technologies
Zhu, Dibin
2022
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1832375269 Link] 

Energy harvesting technologies
Priya, Shashank, Inman, Daniel J.
[2009], © 2009
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D1663715815 Link] 

Vom Experiment zur Idee : die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie ; Analysen, Dokumente, Zukunftsperspektiven
Davis, Douglas
1975
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D038961180/g=g4&fy=1000100020242024&ft=2&fb=10002024&fd=local&fp=0&fs=0&ff=0 Link] 

The design of everyday things
Norman, Donald A.
1990
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D117538914 Link] 

Uncanny Interfaces
Hg. Konstantin Daniel Haensch, Lara Nelke, Matthias Planitzer,
2019

Parasitäre Strategien
Kunstforum, 185
[https://www.kunstforum.de/artikel/parasitare-strategien-2/ Link]

Joseph Weizenbaum
Die Macht der Computer und die Ohnmacht der Vernunft
1978
[https://bibsearch.uni-weimar.de/id%7Bcolon%7D01548114X Link] 

Marshall McLuhan - The Medium is The Massage
1967
[https://archive.org/details/pdfy-vNiFct6b-L5ucJEa/mode/2up Link]

Jeff Johnson: Designing with the Mind in Mind
2014

Gerhard M. Buurman: Total Interaction – Theory and Practice of a New Paradigm for the Design Disciplines
2005

==Platforms and Tools==
This Wiki 
[https://meeting.uni-weimar.de/ BigBlueButton] 
[https://raindrop.io/ Raindrop] 
[https://mattermost.com/ Mattermost] 
[https://www.figma.com/ Figma]