Medien Wiki - User contributions [en]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T11:26:59Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

* Polyrhythm [https://en.wikipedia.org/wiki/Polyrhythm]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

Colour Tracker [https://www.youtube.com/watch?v=pSb6nMVw4-8&list=LL&index=3] [https://www.youtube.com/watch?v=520LIom0U4k&list=LL&index=14]

Open Sound Control [https://www.youtube.com/watch?v=bupVHvMEAz0&list=LL&index=30]

Motion Capturing [https://www.youtube.com/watch?v=6t2MnoquWX4&list=LL&index=37]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T11:26:47Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T11:21:16Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication. This interest heightened after being introduced to MaxMSP and discovering the possibility of creating a colour tracker that was able to control audio by means of computer vision

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration/Setup==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

Although it wasn't possible to do a performance i would like to continue building on this project in the future. In regards to the colour tracking patch i will need to seriously improve it so that it can track multiple colours smoothly and in quick succession. I would also like to look into the possibility of using a physical instrument that is played through Max, creating a more engaged computer performance.

----

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T11:21:06Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean/Process

2021-06-17T10:21:57Z

Fionn McErlean:

'''28/06/2021'''

[[File:Quad.jpg|400px]]

I want to explore Samuel Becketts 1981 televised play 'Quad' which consists of four actors in the colours red, blue, white and yellow fixed in a loop. Each actor is accompanied by a sound, which creates no rhythm or melody. The actors walk in sync, and are bound together by invisible lines.
https://www.youtube.com/watch?v=LPJBIvv13Bc

To do this:

Explore ways to make the bodies movement trigger sounds (different sound for each person) I have seen people use a Kinect 2 running with MaxMSP to accomplish this. I will have to access four different coloured robes, all capable of producing a high contrast with the background.

'''01/06/2021'''

[[File:hhhnnn.PNG|400px]]

Kinect 2 has arrived in the mail today. I have found a video by an artists called Billy Bailey who uses the kinects built in sensors that create textures to track the human body and it's movements, using MaxMSP he transforms the body into a musical instrument. Could be an interesting direction to bring the project [https://www.youtube.com/watch?v=b3earG_fBNw&list=LL&index=83]

'''03/06/2021'''

First attempt at building a colour tracking patch. It works surprisingly well considering the lack of contrast in the video. I am unsure on how i can implement sound into this patch however or have the tracker trigger random sounds/noises

[[File:colourtracker.png|400px]]

[[File:ColourTracker.mp4]]

'''04/06/2021'''

[[File:quad_image.jpg|400px]]

An illustrated representation of the placement and movement of the figures. "''Once inside the square, they are condemned to monotonously and synchronously pace the respectively six steps of the lengthwise and diagonal lines it contains, in part accompanied by varying drumbeat rhythms. The mathematical precision and choreography is made possible by the exactness of the timing. Choreographic variation is confined to the number of performers, and the resultant changes in colour constellations''." "Rudolf Frieling"

'''05/06/2021'''

[[File:1_kwMvUWWaIWm25K7IMxCk0w.png|400px]]

Face Tracker by Myk Eff

'''06/06/2021'''

Potential filming spot

[[File:202082483_1024478724754878_5526707696573541993_n.jpg|400px]]

[[File:sun.png|400px]]

It could work well, just figuring out a placement for the camera and tracker is the issue. The space is extraordinarily awkward. There are many places i would like to shoot in but due to restrictions and a possible lockdown it's off limits for now

'''10/06/2021'''

[[File:bandicam 2021-06-16 00-07-48-687.mp4]]

Testing a motion tracking patch

'''12/06/2021'''

[[File:Colourclouds.jpg|400px]]

[[File:bandicam 2021-06-15 22-00-02-832.mp4]]

First test on a colour tracker that produces sounds. Although capable of tracking multiple colours at once producing individual sounds for each, the patch is extremely wonky. Using this video of the sky and clouds produced the best results.

'''14/06/2021'''

[[File:mp4_10951.jpg|400px]]

Unfortunately i could not get the actors required for the piece, but not to worry i have given my younger brother a fine deal to act in a solo performance. The recordings went better than anticipated, the red sheet created a high enough contrast with the background so that it was easy to track it's colour.

[[File:bandicam 2021-06-16 23-46-42-081.jpg|400px]]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T10:17:11Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T10:13:13Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T10:12:49Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T10:12:27Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T09:14:19Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T09:14:00Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T09:11:31Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T09:10:41Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication. This interest heightened after being introduced to MaxMSP and discovering the possibility of creating a colour tracker which was able to produce digital percussion.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration/Setup==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

Although it wasn't possible to do a performance i would like to continue building on this project in the future. In regards to the colour tracking patch i will need to seriously improve it so that it can track multiple colours smoothly and in quick succession.

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T09:06:06Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication. After learning about MaxMSP i became interested in exploring this concept by means of Colour Tracking and Audio Synthesis.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration/Setup==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

Although it wasn't possible to do a performance i would like to continue building on this project in the future. In regards to the colour tracking patch i will need to seriously improve it so that it can track multiple colours smoothly and in quick succession.

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Process

2021-06-17T08:56:59Z

Fionn McErlean:

'''28/06/2021'''

[[File:Quad.jpg|400px]]

I want to explore Samuel Becketts 1981 televised play 'Quad' which consists of four actors in the colours red, blue, white and yellow fixed in a loop. Each actor is accompanied by a sound, which creates no rhythm or melody. The actors walk in sync, and are bound together by invisible lines.
https://www.youtube.com/watch?v=LPJBIvv13Bc

To do this:

Explore ways to make the bodies movement trigger sounds (different sound for each person) I have seen people use a Kinect 2 running with MaxMSP to accomplish this. I will have to access four different coloured robes, all capable of producing a high contrast with the background.

'''01/06/2021'''

[[File:hhhnnn.PNG|400px]]

Kinect 2 has arrived in the mail today. I have found a video by an artists called Billy Bailey who uses the kinects built in sensors that create textures to track the human body and it's movements, using MaxMSP he transforms the body into a musical instrument. Could be an interesting direction to bring the project [https://www.youtube.com/watch?v=b3earG_fBNw&list=LL&index=83]

'''03/06/2021'''

First attempt at building a colour tracking patch. It works surprisingly well considering the lack of contrast in the video. I am unsure on how i can implement sound into this patch however or have the tracker trigger random sounds/noises

[[File:colourtracker.png|400px]]

[[File:ColourTracker.mp4]]

'''04/06/2021'''

[[File:quad_image.jpg|400px]]

An illustrated representation of the placement and movement of the figures. "Once inside the square, they are condemned to monotonously and synchronously pace the respectively six steps of the lengthwise and diagonal lines it contains, in part accompanied by varying drumbeat rhythms. The mathematical precision and choreography is made possible by the exactness of the timing. Choreographic variation is confined to the number of performers, and the resultant changes in colour constellations." "Rudolf Frieling"

'''05/06/2021'''

[[File:1_kwMvUWWaIWm25K7IMxCk0w.png|400px]]

Face Tracker by Myk Eff

'''06/06/2021'''

(more beckett research)

Potential filming spot

[[File:202082483_1024478724754878_5526707696573541993_n.jpg|400px]]

[[File:sun.png|400px]]

It could work well, just figuring out a placement for the camera and tracker is the issue. The space is extraordinarily awkward. There are many places i would like to shoot in but due to restrictions and a possible lockdown it's off limits for now

'''10/06/2021'''

[[File:bandicam 2021-06-16 00-07-48-687.mp4]]

Testing a motion tracking patch

'''12/06/2021'''

[[File:Colourclouds.jpg|400px]]

[[File:bandicam 2021-06-15 22-00-02-832.mp4]]

First test on a colour tracker that produces sounds. Although capable of tracking multiple colours at once producing individual sounds for each, the patch is extremely wonky. Using this video of the sky and clouds produced the best results.

'''14/06/2021'''

[[File:mp4_10951.jpg|400px]]

Unfortunately i could not get the actors required for the piece, but not to worry i have given my younger brother a fine deal to act in a solo performance. The recordings went better than anticipated, the red sheet created a high enough contrast with the background so that it was easy to track it's colour.

[[File:bandicam 2021-06-16 23-46-42-081.jpg|400px]]

GMU:Max and I, Max and Me/Fionn McErlean/Process

2021-06-17T08:56:42Z

Fionn McErlean:

'''28/06/2021'''

[[File:Quad.jpg|400px]]

I want to explore Samuel Becketts 1981 televised play 'Quad' which consists of four actors in the colours red, blue, white and yellow fixed in a loop. Each actor is accompanied by a sound, which creates no rhythm or melody. The actors walk in sync, and are bound together by invisible lines.
https://www.youtube.com/watch?v=LPJBIvv13Bc

To do this:

Explore ways to make the bodies movement trigger sounds (different sound for each person) I have seen people use a Kinect 2 running with MaxMSP to accomplish this. I will have to access four different coloured robes, all capable of producing a high contrast with the background.

'''01/06/2021'''

[[File:hhhnnn.PNG|400px]]

Kinect 2 has arrived in the mail today. I have found a video by an artists called Billy Bailey who uses the kinects built in sensors that create textures to track the human body and it's movements, using MaxMSP he transforms the body into a musical instrument. Could be an interesting direction to bring the project [https://www.youtube.com/watch?v=b3earG_fBNw&list=LL&index=83]

'''03/06/2021'''

First attempt at building a colour tracking patch. It works surprisingly well considering the lack of contrast in the video. I am unsure on how i can implement sound into this patch however or have the tracker trigger random sounds/noises

[[File:colourtracker.png|400px]]

[[File:ColourTracker.mp4]]

'''04/06/2021'''

[[File:quad_image.jpg|400px]]

An illustrated representation of the placement and movement of the figures. "Once inside the square, they are condemned to monotonously and synchronously pace the respectively six steps of the lengthwise and diagonal lines it contains, in part accompanied by varying drumbeat rhythms. The mathematical precision and choreography is made possible by the exactness of the timing. Choreographic variation is confined to the number of performers, and the resultant changes in colour constellations." "Rudolf Frieling"

'''05/06/2021'''

[[File:1_kwMvUWWaIWm25K7IMxCk0w.png|400px]]

Face Tracker by Myk Eff

'''06/06/2021'''

(more beckett research)

Potential filming spot

[[File:202082483_1024478724754878_5526707696573541993_n.jpg|400px]]

[[File:sun.png|400px]]

It could work well, just figuring out a placement for the camera and tracker is the issue. The space is extraordinarily awkward. There are many places i would like to shoot in but due to restrictions and a possible lockdown it's off limits for now

'''10/06/2021'''

[[File:bandicam 2021-06-16 00-07-48-687.mp4]]

Testing a motion tracking patch

'''12/06/2021'''

[[File:Colourclouds.jpg|400px]]

[[File:bandicam 2021-06-15 22-00-02-832.mp4]]

First test on a colour tracker that produces sounds. Although capable of tracking multiple colours at once producing individual sounds for each, the patch is extremely wonky. Using this video of the sky and clouds produced the best results.

'''14/06/2021'''

[[File:mp4_10951.jpg|400px]]

Unfortunately i could not get the actors required for the piece, but not to worry i have given my younger brother a fine deal to act in a solo performance. The recordings went better than anticipated, the red sheet created a high enough contrast with the background so that it was easy to track it's colour.

[[File:bandicam 2021-06-16 23-46-42-081.jpg|400px]]

GMU:Max and I, Max and Me/Fionn McErlean/Process

2021-06-17T08:55:53Z

Fionn McErlean:

'''28/06/2021'''

[[File:Quad.jpg|400px]]

I want to explore Samuel Becketts 1981 televised play 'Quad' which consists of four actors in the colours red, blue, white and yellow fixed in a loop. Each actor is accompanied by a sound, which creates no rhythm or melody. The actors walk in sync, and are bound together by invisible lines.
https://www.youtube.com/watch?v=LPJBIvv13Bc

To do this:

Explore ways to make the bodies movement trigger sounds (different sound for each person) I have seen people use a Kinect 2 running with MaxMSP to accomplish this. I will have to access four different coloured robes, all capable of producing a high contrast with the background.

'''01/06/2021'''

[[File:hhhnnn.PNG|400px]]

Kinect 2 has arrived in the mail today. I have found a video by an artists called Billy Bailey who uses the kinects built in sensors that create textures to track the human body and it's movements, using MaxMSP he transforms the body into a musical instrument. Could be an interesting direction to bring the project [https://www.youtube.com/watch?v=b3earG_fBNw&list=LL&index=83]

'''03/06/2021'''

First attempt at building a colour tracking patch. It works surprisingly well considering the lack of contrast in the video. I am unsure on how i can implement sound into this patch however or have the tracker trigger random sounds/noises

[[File:colourtracker.png|400px]]

[[File:ColourTracker.mp4]]

'''04/06/2021'''

[[File:quad_image.jpg|400px]]

An illustrated representation of the placement and movement of the figures. "Once inside the square, they are condemned to monotonously and synchronously pace the respectively six steps of the lengthwise and diagonal lines it contains, in part accompanied by varying drumbeat rhythms. The mathematical precision and choreography is made possible by the exactness of the timing. Choreographic variation is confined to the number of performers, and the resultant changes in colour constellations." "Rudolf Frieling"

'''05/06/2021'''

[[File:1_kwMvUWWaIWm25K7IMxCk0w.png|400px]]

'''06/06/2021'''

(more beckett research)

Potential filming spot

[[File:202082483_1024478724754878_5526707696573541993_n.jpg|400px]]

[[File:sun.png|400px]]

It could work well, just figuring out a placement for the camera and tracker is the issue. The space is extraordinarily awkward. There are many places i would like to shoot in but due to restrictions and a possible lockdown it's off limits for now

'''10/06/2021'''

[[File:bandicam 2021-06-16 00-07-48-687.mp4]]

Testing a motion tracking patch

'''12/06/2021'''

[[File:Colourclouds.jpg|400px]]

[[File:bandicam 2021-06-15 22-00-02-832.mp4]]

First test on a colour tracker that produces sounds. Although capable of tracking multiple colours at once producing individual sounds for each, the patch is extremely wonky. Using this video of the sky and clouds produced the best results.

'''14/06/2021'''

[[File:mp4_10951.jpg|400px]]

Unfortunately i could not get the actors required for the piece, but not to worry i have given my younger brother a fine deal to act in a solo performance. The recordings went better than anticipated, the red sheet created a high enough contrast with the background so that it was easy to track it's colour.

[[File:bandicam 2021-06-16 23-46-42-081.jpg|400px]]

File:1 kwMvUWWaIWm25K7IMxCk0w.png

2021-06-17T08:55:39Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean/civ.jit.blobs

2021-06-17T08:53:41Z

Fionn McErlean:

[[File:bandicam 2021-06-16 23-56-43-268.jpg|400px]]

[[File:bandicam 2021-06-16 23-57-30-376.jpg|400px]]

Interesting research regarding cv.jit and computer vision[https://soundand.design/jitter-6-computer-vision-with-cv-jit-part-1-f751fdb2d6d6]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T08:52:18Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration/Setup==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

Although it wasn't possible to do a performance i would like to continue building on this project in the future. In regards to the colour tracking patch i will need to seriously improve it so that it can track multiple colours smoothly and in quick succession.

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T08:37:02Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

Colour Tracker [https://www.youtube.com/watch?v=pSb6nMVw4-8&list=LL&index=3] [https://www.youtube.com/watch?v=520LIom0U4k&list=LL&index=14]

Open Sound Control [https://www.youtube.com/watch?v=bupVHvMEAz0&list=LL&index=30]

Motion Capturing [https://www.youtube.com/watch?v=6t2MnoquWX4&list=LL&index=37]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T08:36:12Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

Colour Tracker [https://www.youtube.com/watch?v=pSb6nMVw4-8&list=LL&index=3] [https://www.youtube.com/watch?v=520LIom0U4k&list=LL&index=14]

Open Sound Control [https://www.youtube.com/watch?v=bupVHvMEAz0&list=LL&index=30]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T08:35:11Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

Colour Tracker [https://www.youtube.com/watch?v=pSb6nMVw4-8&list=LL&index=3] [https://www.youtube.com/watch?v=520LIom0U4k&list=LL&index=14]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T08:34:06Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

Colour Tracker [https://www.youtube.com/watch?v=pSb6nMVw4-8&list=LL&index=3]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T08:33:18Z

Fionn McErlean:

'''Work i'm exploring:'''

'''Artists using MaxMSP'''
* Student Felix Geith piece 'Soundscape Installation' sets to enhance augmented sounds which are present within the environment to begin with aka (Bedroom). Investigating the spatialisation of sounds.

* Zeynep Ayguler 'eye tracker' piece [https://www.youtube.com/watch?v=SswayKs9XtE]

* Another interesting piece using MaxMSP to play the paino [https://www.youtube.com/watch?v=Ejd-39TEf68]

* 'Light, Presence, Red and Blue' (created with MaxMSP and Ableton) [https://www.youtube.com/watch?v=b6BjaYXkjO0&list=LL&index=17]

* Artist Yingyi Feng creates an interactive sonification program to explore dance with colour [https://www.youtube.com/watch?v=JkluYYedjAM&list=LL&index=1&t=1s]

* Spectral Drone & Piano Seek [https://www.youtube.com/watch?v=eE9PQIUCFHw&list=LL&index=70&t=84s]

'''Personal + Related to my Practice'''

* Japanese artist Tokujin Yoshioka made a piece called 'Hermes' in 2009 which explores nature and automations co-existence [https://www.youtube.com/watch?v=gyNHJQzn3pw&list=LL&index=6]

* Multiple versions of Quad [https://www.youtube.com/watch?v=4ZDRfnICq9M&t=224s] [https://www.youtube.com/watch?v=34NNTgvUE7c] [https://www.youtube.com/watch?v=gXyIkFd4z5M&t=1330s]

* Marc Couroux 'The Extra Musical' [https://www.youtube.com/watch?v=azJEcDtnruQ&list=PLLznt1jrR1EaEUpb7gifxrzwMuawn8OiM&index=1]

* Samuel Beckett and Textual Dynamism [https://www.jstor.org/stable/43487406]

'''Tutorials'''

Arduino + Piezo Sensor [https://www.youtube.com/watch?v=UGybOTkSBI4&list=LL&index=1]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T08:31:11Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration/Setup==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

'''Finish'''

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Patch2

2021-06-17T08:30:15Z

Fionn McErlean:

[[File:bandicam 2021-06-17 09-20-51-014.mp4]]

This patch is much quicker at exchanging colours due to the introduction of a bang object

This is where i will continue my patch moving forward

[[:File:FinishedColourRed.maxpat]]

File:FinishedColourRed.maxpat

2021-06-17T08:30:07Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean/Patch

2021-06-17T08:29:16Z

Fionn McErlean:

[[File:bandicam 2021-06-17 01-49-38-630.jpg|400px]]

[[File:bandicam 2021-06-17 01-25-10-080.jpg|400px]]

[[:File:Colour_Tracker.maxpat]] (Patch from video)

File:Colour Tracker.maxpat

2021-06-17T08:29:01Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T08:28:16Z

Fionn McErlean: /* MaxPatch/Tests */

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]] (Future)

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

'''Finish'''

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Patch2

2021-06-17T08:27:53Z

Fionn McErlean:

[[File:bandicam 2021-06-17 09-20-51-014.mp4]]

This patch is much quicker at exchanging colours due to the introduction of a bang object

This is where i will continue my patch moving forward

GMU:Max and I, Max and Me/Fionn McErlean/Patch2

2021-06-17T08:27:05Z

Fionn McErlean:

[[File:bandicam 2021-06-17 09-20-51-014.mp4]]

This patch is much quicker at exchanging colours due to the introduction of a bang object

GMU:Max and I, Max and Me/Fionn McErlean/Patch2

2021-06-17T08:25:23Z

Fionn McErlean:

[[File:bandicam 2021-06-17 09-20-51-014.mp4]]

This colour tracker is already much

GMU:Max and I, Max and Me/Fionn McErlean/Patch2

2021-06-17T08:24:47Z

Fionn McErlean: Created page with "File:bandicam 2021-06-17 09-20-51-014.mp4"

[[File:bandicam 2021-06-17 09-20-51-014.mp4]]

File:Bandicam 2021-06-17 09-20-51-014.mp4

2021-06-17T08:24:37Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T08:24:18Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch2/]]

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

'''Finish'''

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T08:23:23Z

Fionn McErlean: /* MaxPatch/Tests */

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch/]] (current)

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

'''Finish'''

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Research

2021-06-17T00:52:51Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean/Patch

2021-06-17T00:51:06Z

Fionn McErlean:

[[File:bandicam 2021-06-17 01-49-38-630.jpg|400px]]

[[File:bandicam 2021-06-17 01-25-10-080.jpg|400px]]

File:Bandicam 2021-06-17 01-49-38-630.jpg

2021-06-17T00:51:01Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T00:29:02Z

Fionn McErlean:

== 'COURSE 1: A, A, A' (continuous experiment of Quad 1) ==

[[File:P1290979.JPG]]

==Concept==
This project explores Samuel Becketts 1981 televised play 'Quad 1' using Max MSP to further investigate the correlation between colour and percussion. One, then two, then three, then four figures create a sequence, each describing half or part of a Quad (an abbreviation for Quadrangle). The play is seen as one of Becketts most formal works, having been given multiple interpretations on what exactly it means. An example of this is in an Article by Baylee Brits called 'Ritual, Code, and Matheme in Samuel Beckett's Quad' she states that ''"Quad, brings together the representional conventions of ritual, computational code and matheme"'' [https://www.jstor.org/stable/10.2979/jmodelite.40.4.09] Baylee goes on to say that, Becketts plays during this period in his career all stem from his concept of the 'unword' which rebels against the use of linguistics/language.

After discovering Baylees article stating that Quad explores 'computational code' and Becketts 'unword' concept i have become interested in the idea of using technology as a means of communication.

{{#ev:youtube|m-evnoLuiKQ}}

==MaxPatch/Tests==

[[/Patch/]]

[[/civ.jit.blobs/]]

[[/jit.rgb2luma/]]

[[/jit.op + val/]]

[[/Finding_RED/]]

==Illustration==

[[File:Illuusstration.jpg|400px|800]]

==Where i Want to Bring this Project==

'''Finish'''

[[/Homework/]]

[[/Research/]]

[[/Process/]]

GMU:Max and I, Max and Me/Fionn McErlean/Patch

2021-06-17T00:25:37Z

Fionn McErlean:

[[File:bandicam 2021-06-17 01-22-26-533.jpg|400px]]

[[File:bandicam 2021-06-17 01-25-10-080.jpg|400px]]

File:Bandicam 2021-06-17 01-25-10-080.jpg

2021-06-17T00:25:33Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean/Patch

2021-06-17T00:23:31Z

Fionn McErlean: Created page with "400px"

[[File:bandicam 2021-06-17 01-22-26-533.jpg|400px]]

File:Bandicam 2021-06-17 01-22-26-533.jpg

2021-06-17T00:23:27Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T00:23:18Z

Fionn McErlean:

GMU:Max and I, Max and Me/Fionn McErlean/Finding RED

2021-06-17T00:12:31Z

Fionn McErlean: Created page with "400px"

[[File:bandicam 2021-06-17 01-10-51-129.jpg|400px]]

File:Bandicam 2021-06-17 01-10-51-129.jpg

2021-06-17T00:12:27Z

Fionn McErlean: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Max and I, Max and Me/Fionn McErlean

2021-06-17T00:12:12Z

Fionn McErlean: