Medien Wiki - User contributions [en]

Dania González Sanabria

2024-11-19T23:11:08Z

Fine6301: info

Project: Silent Stories

GMU:The Plant Plant

2024-11-19T23:10:24Z

Fine6301: create page

[[:Category:Fachmodul|Werk/Fachmodul]]

''Lecturer:'' [[Christian Doeller]], Klaus Fritze

''Credits:'' 6 [[ECTS]], 4 [[SWS]]

''Times:'' Thursday 13:30 - 17:00

''Venue:'' DIY Electronics Lab (B15 / K07), DIY BioLab (M5 / 202)

''First meeting:'' October 24, 13:30 @ Marienstraße 5, Room 204

[[File:Collage-plantplant.jpg|frameless|1073x1073px]]

Description:

How do plants perceive their environment, how do plants and environments interact? How can we turn these processes into an immersive experience, to what extent can our concepts and technologies do justice to the plant world?

In the agricultural industry, the combination of plant breeding and cybernetics is aimed at optimizing crops. Machine learning and robotics are used to achieve higher yields, disease resistance and climate adaptation.

In the seminar ‘The Plant Plant’, we invite you to put aside any productivity factors and hand over control to the plants. With the help of DIY sensors and microcontrollers, we attempt to measure interactions between plants and their environment and transform the collected real-time data into a dynamic spatial atmosphere. We draw inspiration from cybernetic control systems and provoke various types of feedback between plants, the environment and humans. In the process, we take a critical look at upcoming relationships and effects. Our aim is to collectively develop a speculative sensing space - a human-scale environment whose atmospheric parameters such as light, temperature and air circulation are regulated by our ‘green control center’.

This is a hands-on seminar. It includes three workshops in which we grow plants under different conditions, learn the basics of DIY electronics / sensor technologies and program control systems with Arduino / ESP32 microcontrollers, motor-driven devices and light sources. Furthermore, we discuss corresponding examples of artistic research in the context of media art.

Requirements for participation: Interest in exploring plant environments, enthusiasm for tinkering and experimenting with DIY electronics, commitment to group work and passion for creating speculative spaces of experience. No prior knowledge is necessary, participants need their own computer / laptop.

Please send your registration by Sunday (20 October) via e-mail, subject ‘The Plant Plant’, with a short letter of motivation (3-4 sentences) to christian.doeller@uni-weimar.de.

Participants:
*[[Hanna Bremerich]]
*[[Timo Buhl]]
*[[Fiene Freist]]
*[[Krittaporn Mahaweerarat]]
*[[Annika Müller und Lilli Endres]]
*[[Dania González Sanabria]]

Schedule:

'''October 24, 13:30, M5 Room 204'''

*first meeting

'''October 31 - free'''

'''November 1 - November 2, 10:00 - 16:00'''

*Two-day workshop @ DIY Electronics Lab (B15, basement) / DIY Biolab (M5, Room 201)

'''November 7, 13:30 - 17:00, DIY Electronics Lab'''

*discuss workshop results
*form working groups
* first brainstorm in groups
*networking & data exchange

Topics:
*Growth of plants under different conditions
*Hermetospheres / bottle gardens
* DIY Electronics: Basic Sensors
*DIY Electronics: Basic Actuators
*DIY Electronics: Microcontrollers (Arduino / ESP) and cybernetic control systems
*The basics of cybernetics, recursion, feedback
*Immersive "sensing spaces"

Technology:
*[https://github.com/diyElectronicsLab/ThePlantPlant The Plant Plant - GitHub Repo]

Artists:
*Philippe Parreno
*Ursula Damm
*Marco Barotti
*Cornelia Sollfrank
*Katja Tillbörger
*Robertina Šebjanič
*Agnes Meyer-Brandis
*Hicham Berrada
*Ingo Vetter, Annette Weisser
*Mel Chin
*...

Literature:
*Donella Meadows''':''' ''Thinking in Systems. A Primer''
*Ludwig von Bertalaffny: ''General Systems Theory''
*Jagadish Chandra Bose Die Pflanzen Schrift und ihre Offenbarungen. https://books.google.de/books/about/Die_Pflanzen_Schrift_und_ihre_Offenbarun.html?id=n5sYAAAAIAAJ&redir_esc=y
*Gustav Theodor Fechner: Nanna: On the Mental Life of Plants https://www.amazon.de/Nanna-%C3%9Cber-das-Seelenleben-Pflanzen/dp/3843014280
*Peter Tompkins/Christopher Bird: The Secret Life of Plants https://www.amazon.de/Secret-Life-Plants-Fascinating-Emotional/dp/0060915870
*Floriane Koechlin: Plants whispers- A journey through new realms of science https://lenos.ch/buecher/plant-whispers/isbn:978-3-85787-939-5<nowiki/>Plants - sensing movement: https://academic.oup.com/plphys/article/187/3/1131/6359831
*Charles Darwin: '''The Power of Movements in plants''' (publ.1880) https://darwin-online.org.uk/EditorialIntroductions/Freeman_ThePowerofMovementinPlants.html
*Emanuelle Coccia: https://www.deutschlandfunk.de/emanuele-coccia-die-wurzeln-der-welt-pflanzen-atmen-aus-was-100.html
*Lynn Margulis: '''Symbiotic Planet:''' A New Look At Evolution (1999) https://www.amazon.de/Symbiotic-Planet-New-Look-Evolution/dp/0465072720<nowiki/>Movie: Symbiotic Earth: How Lynn Margulis rocked the boat and started a scientific revolution https://mubi.com/de/de/films/symbiotic-earth-how-lynn-margulis-rocked-the-boat-and-started-a-scientific-revolution

*...

Language & skill level:
*The module will be held in English, unless all participants are speaking German.
*No prior knowledge is required.

Criteria for passing:
*be on time, attend the classes, be active
*develop a prototype for The Plant Plant
*document your work on the wiki page

Annika Müller und Lilli Endres

2024-11-19T23:07:04Z

Fine6301: add info

GMU:The Plant Plant

2024-11-19T23:05:02Z

Fine6301: add page

[[:Category:Fachmodul|Werk/Fachmodul]]

''Lecturer:'' [[Christian Doeller]], Klaus Fritze

''Credits:'' 6 [[ECTS]], 4 [[SWS]]

''Times:'' Thursday 13:30 - 17:00

''Venue:'' DIY Electronics Lab (B15 / K07), DIY BioLab (M5 / 202)

''First meeting:'' October 24, 13:30 @ Marienstraße 5, Room 204

[[File:Collage-plantplant.jpg|frameless|1073x1073px]]

Description:

How do plants perceive their environment, how do plants and environments interact? How can we turn these processes into an immersive experience, to what extent can our concepts and technologies do justice to the plant world?

In the agricultural industry, the combination of plant breeding and cybernetics is aimed at optimizing crops. Machine learning and robotics are used to achieve higher yields, disease resistance and climate adaptation.

In the seminar ‘The Plant Plant’, we invite you to put aside any productivity factors and hand over control to the plants. With the help of DIY sensors and microcontrollers, we attempt to measure interactions between plants and their environment and transform the collected real-time data into a dynamic spatial atmosphere. We draw inspiration from cybernetic control systems and provoke various types of feedback between plants, the environment and humans. In the process, we take a critical look at upcoming relationships and effects. Our aim is to collectively develop a speculative sensing space - a human-scale environment whose atmospheric parameters such as light, temperature and air circulation are regulated by our ‘green control center’.

This is a hands-on seminar. It includes three workshops in which we grow plants under different conditions, learn the basics of DIY electronics / sensor technologies and program control systems with Arduino / ESP32 microcontrollers, motor-driven devices and light sources. Furthermore, we discuss corresponding examples of artistic research in the context of media art.

Requirements for participation: Interest in exploring plant environments, enthusiasm for tinkering and experimenting with DIY electronics, commitment to group work and passion for creating speculative spaces of experience. No prior knowledge is necessary, participants need their own computer / laptop.

Please send your registration by Sunday (20 October) via e-mail, subject ‘The Plant Plant’, with a short letter of motivation (3-4 sentences) to christian.doeller@uni-weimar.de.

Participants:
*[[Hanna Bremerich]]
*[[Timo Buhl]]
*[[Fiene Freist]]
*[[Krittaporn Mahaweerarat]]
*[[Annika Müller und Lilli Endres]]
*[[Annika Müller und Lilli Endres|Dania González Sanabria]]

Schedule:

'''October 24, 13:30, M5 Room 204'''

*first meeting

'''October 31 - free'''

'''November 1 - November 2, 10:00 - 16:00'''

*Two-day workshop @ DIY Electronics Lab (B15, basement) / DIY Biolab (M5, Room 201)

'''November 7, 13:30 - 17:00, DIY Electronics Lab'''

*discuss workshop results
*form working groups
* first brainstorm in groups
*networking & data exchange

Topics:
*Growth of plants under different conditions
*Hermetospheres / bottle gardens
* DIY Electronics: Basic Sensors
*DIY Electronics: Basic Actuators
*DIY Electronics: Microcontrollers (Arduino / ESP) and cybernetic control systems
*The basics of cybernetics, recursion, feedback
*Immersive "sensing spaces"

Technology:
*[https://github.com/diyElectronicsLab/ThePlantPlant The Plant Plant - GitHub Repo]

Artists:
*Philippe Parreno
*Ursula Damm
*Marco Barotti
*Cornelia Sollfrank
*Katja Tillbörger
*Robertina Šebjanič
*Agnes Meyer-Brandis
*Hicham Berrada
*Ingo Vetter, Annette Weisser
*Mel Chin
*...

Literature:
*Donella Meadows''':''' ''Thinking in Systems. A Primer''
*Ludwig von Bertalaffny: ''General Systems Theory''
*Jagadish Chandra Bose Die Pflanzen Schrift und ihre Offenbarungen. https://books.google.de/books/about/Die_Pflanzen_Schrift_und_ihre_Offenbarun.html?id=n5sYAAAAIAAJ&redir_esc=y
*Gustav Theodor Fechner: Nanna: On the Mental Life of Plants https://www.amazon.de/Nanna-%C3%9Cber-das-Seelenleben-Pflanzen/dp/3843014280
*Peter Tompkins/Christopher Bird: The Secret Life of Plants https://www.amazon.de/Secret-Life-Plants-Fascinating-Emotional/dp/0060915870
*Floriane Koechlin: Plants whispers- A journey through new realms of science https://lenos.ch/buecher/plant-whispers/isbn:978-3-85787-939-5<nowiki/>Plants - sensing movement: https://academic.oup.com/plphys/article/187/3/1131/6359831
*Charles Darwin: '''The Power of Movements in plants''' (publ.1880) https://darwin-online.org.uk/EditorialIntroductions/Freeman_ThePowerofMovementinPlants.html
*Emanuelle Coccia: https://www.deutschlandfunk.de/emanuele-coccia-die-wurzeln-der-welt-pflanzen-atmen-aus-was-100.html
*Lynn Margulis: '''Symbiotic Planet:''' A New Look At Evolution (1999) https://www.amazon.de/Symbiotic-Planet-New-Look-Evolution/dp/0465072720<nowiki/>Movie: Symbiotic Earth: How Lynn Margulis rocked the boat and started a scientific revolution https://mubi.com/de/de/films/symbiotic-earth-how-lynn-margulis-rocked-the-boat-and-started-a-scientific-revolution

*...

Language & skill level:
*The module will be held in English, unless all participants are speaking German.
*No prior knowledge is required.

Criteria for passing:
*be on time, attend the classes, be active
*develop a prototype for The Plant Plant
*document your work on the wiki page

GMU:The Plant Plant

2024-11-19T23:03:36Z

Fine6301: add extra page

[[:Category:Fachmodul|Werk/Fachmodul]]

''Lecturer:'' [[Christian Doeller]], Klaus Fritze

''Credits:'' 6 [[ECTS]], 4 [[SWS]]

''Times:'' Thursday 13:30 - 17:00

''Venue:'' DIY Electronics Lab (B15 / K07), DIY BioLab (M5 / 202)

''First meeting:'' October 24, 13:30 @ Marienstraße 5, Room 204

[[File:Collage-plantplant.jpg|frameless|1073x1073px]]

Description:

How do plants perceive their environment, how do plants and environments interact? How can we turn these processes into an immersive experience, to what extent can our concepts and technologies do justice to the plant world?

In the agricultural industry, the combination of plant breeding and cybernetics is aimed at optimizing crops. Machine learning and robotics are used to achieve higher yields, disease resistance and climate adaptation.

In the seminar ‘The Plant Plant’, we invite you to put aside any productivity factors and hand over control to the plants. With the help of DIY sensors and microcontrollers, we attempt to measure interactions between plants and their environment and transform the collected real-time data into a dynamic spatial atmosphere. We draw inspiration from cybernetic control systems and provoke various types of feedback between plants, the environment and humans. In the process, we take a critical look at upcoming relationships and effects. Our aim is to collectively develop a speculative sensing space - a human-scale environment whose atmospheric parameters such as light, temperature and air circulation are regulated by our ‘green control center’.

This is a hands-on seminar. It includes three workshops in which we grow plants under different conditions, learn the basics of DIY electronics / sensor technologies and program control systems with Arduino / ESP32 microcontrollers, motor-driven devices and light sources. Furthermore, we discuss corresponding examples of artistic research in the context of media art.

Requirements for participation: Interest in exploring plant environments, enthusiasm for tinkering and experimenting with DIY electronics, commitment to group work and passion for creating speculative spaces of experience. No prior knowledge is necessary, participants need their own computer / laptop.

Please send your registration by Sunday (20 October) via e-mail, subject ‘The Plant Plant’, with a short letter of motivation (3-4 sentences) to christian.doeller@uni-weimar.de.

Participants:
*[[Hanna Bremerich]]
*[[Timo Buhl]]
*[[Fiene Freist]]
*[[Krittaporn Mahaweerarat]]
*[[Annika Müller und Lilli Endres]]
*Dania González Sanabria

Schedule:

'''October 24, 13:30, M5 Room 204'''

*first meeting

'''October 31 - free'''

'''November 1 - November 2, 10:00 - 16:00'''

*Two-day workshop @ DIY Electronics Lab (B15, basement) / DIY Biolab (M5, Room 201)

'''November 7, 13:30 - 17:00, DIY Electronics Lab'''

*discuss workshop results
*form working groups
* first brainstorm in groups
*networking & data exchange

Topics:
*Growth of plants under different conditions
*Hermetospheres / bottle gardens
* DIY Electronics: Basic Sensors
*DIY Electronics: Basic Actuators
*DIY Electronics: Microcontrollers (Arduino / ESP) and cybernetic control systems
*The basics of cybernetics, recursion, feedback
*Immersive "sensing spaces"

Technology:
*[https://github.com/diyElectronicsLab/ThePlantPlant The Plant Plant - GitHub Repo]

Artists:
*Philippe Parreno
*Ursula Damm
*Marco Barotti
*Cornelia Sollfrank
*Katja Tillbörger
*Robertina Šebjanič
*Agnes Meyer-Brandis
*Hicham Berrada
*Ingo Vetter, Annette Weisser
*Mel Chin
*...

Literature:
*Donella Meadows''':''' ''Thinking in Systems. A Primer''
*Ludwig von Bertalaffny: ''General Systems Theory''
*Jagadish Chandra Bose Die Pflanzen Schrift und ihre Offenbarungen. https://books.google.de/books/about/Die_Pflanzen_Schrift_und_ihre_Offenbarun.html?id=n5sYAAAAIAAJ&redir_esc=y
*Gustav Theodor Fechner: Nanna: On the Mental Life of Plants https://www.amazon.de/Nanna-%C3%9Cber-das-Seelenleben-Pflanzen/dp/3843014280
*Peter Tompkins/Christopher Bird: The Secret Life of Plants https://www.amazon.de/Secret-Life-Plants-Fascinating-Emotional/dp/0060915870
*Floriane Koechlin: Plants whispers- A journey through new realms of science https://lenos.ch/buecher/plant-whispers/isbn:978-3-85787-939-5<nowiki/>Plants - sensing movement: https://academic.oup.com/plphys/article/187/3/1131/6359831
*Charles Darwin: '''The Power of Movements in plants''' (publ.1880) https://darwin-online.org.uk/EditorialIntroductions/Freeman_ThePowerofMovementinPlants.html
*Emanuelle Coccia: https://www.deutschlandfunk.de/emanuele-coccia-die-wurzeln-der-welt-pflanzen-atmen-aus-was-100.html
*Lynn Margulis: '''Symbiotic Planet:''' A New Look At Evolution (1999) https://www.amazon.de/Symbiotic-Planet-New-Look-Evolution/dp/0465072720<nowiki/>Movie: Symbiotic Earth: How Lynn Margulis rocked the boat and started a scientific revolution https://mubi.com/de/de/films/symbiotic-earth-how-lynn-margulis-rocked-the-boat-and-started-a-scientific-revolution

*...

Language & skill level:
*The module will be held in English, unless all participants are speaking German.
*No prior knowledge is required.

Criteria for passing:
*be on time, attend the classes, be active
*develop a prototype for The Plant Plant
*document your work on the wiki page

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:18:33Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:Dania González Sanabria|left]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:Dania González Sanabria]]

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:18:16Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet: Dania González Sanabria

This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:Dania González Sanabria|left]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:Dania González Sanabria]]

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:12:23Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet: Dania González Sanabria

This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:|left]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:]]

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:11:17Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet: Dania González Sanabria

This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:|left]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:]]

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:09:33Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement:

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:|left]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|639x639px|The migrant's Cabinet:]]

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:08:06Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement:

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|538x538px|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|466x466px|The migrant's Cabinet:]]

File:Dania González Sanabria. Cabinet 2.jpg

2024-02-16T13:07:34Z

Fine6301:

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:05:49Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1108x1108px|The migrant's Cabinet: Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement:

The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:20240207 133939.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 3.jpg|The migrant's Cabinet:
File:The migrant's Cabinet- .jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
File:Dania González Sanabria. Cabinet 5.jpg|The migrant's Cabinet:
File:20240215 164347.jpg|The migrant's Cabinet:
</gallery>
[[File:20240215 164334.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|538x538px|The migrant's Cabinet:]]

File:20240215 164334.jpg

2024-02-16T13:05:03Z

Fine6301:

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:03:46Z

Fine6301:

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:03:03Z

Fine6301:

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T13:02:04Z

Fine6301:

Dania González Sanabria: The migrant's Cabinet.

2024-02-16T12:59:23Z

Fine6301: info

GMU:Design with Fungi

2024-02-16T12:56:33Z

Fine6301:

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T12:52:35Z

Fine6301:

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1225x1225px|The migrant's Cabinet:Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:Dania González Sanabria. Cabinet 1.jpg|[[Dania González Sanabria:The migrant's Cabinet.|Dania González Sanabria: The migrant's Cabinet.]]
File:Dania González Sanabria. Cabinet 3.jpg
File:The migrant's Cabinet- .jpg
File:Dania González Sanabria. Cabinet 4.jpg
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
</gallery>[[File:20240207 133939.jpg|alt=Dania González Sanabria:The migrant's Cabinet.|661x661px]]
[[File:20240215 164347.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|548x548px|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 5.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|702x702px|The migrant's Cabinet:]]

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T12:51:21Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1224x1224px|The migrant's Cabinet:Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:Dania González Sanabria. Cabinet 1.jpg|[[Dania González Sanabria:The migrant's Cabinet.|Dania González Sanabria: The migrant's Cabinet.]]
File:Dania González Sanabria. Cabinet 3.jpg
File:The migrant's Cabinet- .jpg
File:Dania González Sanabria. Cabinet 4.jpg
File:Dania González Sanabria. Cabinet 4.jpg|The migrant's Cabinet:
</gallery>[[File:20240207 133939.jpg|alt=Dania González Sanabria:The migrant's Cabinet.|657x657px]]
[[File:20240215 164347.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|548x548px|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 5.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|623x623px|The migrant's Cabinet:]]

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T12:49:50Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1224x1224px|The migrant's Cabinet:Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:Dania González Sanabria. Cabinet 1.jpg|[[Dania González Sanabria:The migrant's Cabinet.|Dania González Sanabria: The migrant's Cabinet.]]
File:Dania González Sanabria. Cabinet 3.jpg
File:The migrant's Cabinet- .jpg
File:Dania González Sanabria. Cabinet 4.jpg
</gallery>[[File:20240207 133939.jpg|alt=Dania González Sanabria:The migrant's Cabinet.|657x657px]]
[[File:20240215 164347.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|548x548px|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 5.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|623x623px|The migrant's Cabinet:]]

File:Dania González Sanabria. Cabinet 5.jpg

2024-02-16T12:49:12Z

Fine6301:

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T12:48:06Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1224x1224px|The migrant's Cabinet:Dania González Sanabria]]

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

<gallery>
File:Dania González Sanabria. Cabinet 1.jpg|[[Dania González Sanabria:The migrant's Cabinet.|Dania González Sanabria: The migrant's Cabinet.]]
File:Dania González Sanabria. Cabinet 3.jpg
File:The migrant's Cabinet- .jpg
File:Dania González Sanabria. Cabinet 4.jpg
</gallery>[[File:20240207 133939.jpg|alt=Dania González Sanabria:The migrant's Cabinet.|657x657px]]
[[File:20240215 164347.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|548x548px|The migrant's Cabinet:]]

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2024-02-16T12:46:13Z

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2024-02-16T12:43:15Z

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Dania González Sanabria:The migrant's Cabinet.

2024-02-16T12:39:41Z

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GMU:Design with Fungi

2024-02-16T12:28:42Z

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Dania González Sanabria:The migrant's Cabinet.

2024-02-16T11:10:21Z

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[[File:Dania González Sanabria. Cabinet 4.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet: Dania González Sanabria]]
[[File:The migrant's Cabinet- .jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 1.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 3.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|center|thumb|1000x1000px|The migrant's Cabinet:]]
The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T11:03:01Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet 4.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet: Dania González Sanabria]]
[[File:The migrant's Cabinet- .jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
[[File:Dania González Sanabria. Cabinet 1.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet|left|700x700px]]

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:57:28Z

Fine6301: info

File:Dania González Sanabria. Cabinet 3.jpg

2024-02-16T10:54:53Z

Fine6301:

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:51:21Z

Fine6301: info

[[File:Dania González Sanabria. Cabinet 4.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet: Dania González Sanabria]]
[[File:The migrant's Cabinet- .jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet|left|700x700px]]
[[File:Dania González Sanabria. Cabinet 1.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:|left|427x427px]]

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:35:34Z

Fine6301: image size

[[File:Dania González Sanabria. Cabinet 4.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet: Dania González Sanabria]]
[[File:The migrant's Cabinet- .jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]
The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet|left|700x700px]]
[[File:Dania González Sanabria. Cabinet 1.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]

File:The migrant's Cabinet- .jpg

2024-02-16T10:32:24Z

Fine6301:

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:30:27Z

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File:Dania González Sanabria. Cabinet 4.jpg

2024-02-16T10:28:34Z

Fine6301:

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:27:03Z

Fine6301: add text

The migrant's Cabinet:

This is a work in process composed of several components:

There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.

On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?

I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.

There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.

I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.[[File:Dania González Sanabria. Cabinet , images 2.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet]]
[[File:Dania González Sanabria. Cabinet 1.jpg|alt=The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for? I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself. There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes. Statement: The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities. I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.|thumb|The migrant's Cabinet:]]

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:25:26Z

Fine6301: more info

Dania González Sanabria:The migrant's Cabinet.

2024-02-16T10:22:50Z

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GMU:Design with Fungi

2024-02-16T10:16:45Z

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GMU:Design with Fungi

2024-02-11T14:53:25Z

Fine6301: title

GMU:Design with Fungi

2024-02-11T14:47:19Z

Fine6301: The migrant's Cabinet: This is a work in process composed of several components: There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold. On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers.

File:Dania González Sanabria. Cabinet , images 2.jpg

2024-02-11T14:45:43Z

Fine6301:

The migrant's Cabinet:
This is a work in process with several components:
There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.
On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?
I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.
There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement:
The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.
I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

File:Dania González Sanabria. Cabinet 1.jpg

2024-02-11T13:48:40Z

== Summary ==
The migrant's Cabinet:
This is a work in process composed of several components:
There is a world map globe, whose sphere has been replaced by a transparent acrylic one. Inside it I have grown slime mold.
On a linen flag hanging from a flagpole embedded in the wall, approximately 2 meters high, I am sewing with golden thread words that I extract from testimonies that I am collecting from Cuban migrants, printed on papers. These testimonies answer questions such as: When, how and where did you emigrate? by what route, route or routes? Why did you emigrate? What were you looking for? What were you escaping from? What are you still looking for?
I attach the pieces of paper with the testimonies to the linen in a branched manner, as if tracing map routes or webs of the slime mold itself.
There will also be three hemispheres, similar to the larger globe, with maps delicately engraved or printed on this transparent material. Inside, I will plant the slime mold samples in the place where Cuba is drawn on the map, feeding those organisms in the zones where other places are drawn (places in the world where the Cuban diaspora settles), creating the slime mold to "migrate" inside these small maps, emulating the Cuban migratory routes.

Statement:
The construction of this piece takes the testimonies, anecdotes and statements of Cuban migrants as guides to plant living organisms, and trace tissues, using the molds as a metaphorical image of migrant communities.
I intend to redraw the traces of displacements, ramifications and disintegrations configured by the Cuban migrant collectivity through expeditions detonated by necessity, hostilities and utopias, representing social, political, ethical and sentimental networks, interconnected in the same way microorganisms grow.

== Copyright status: ==
Created by the uploader
== Licensing ==
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== Source: ==
Dania González Sanabria. Bauhaus Public Art. ACC Galerie Weimar