https://www.uni-weimar.de/kunst-und-gestaltung/wiki/api.php?action=feedcontributions&feedformat=atom&user=Darsha 2026-04-29T03:29:04Z User contributions MediaWiki 1.39.6 https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104215 2019-02-07T09:47:07Z

<p>Darsha: /* Kurzbeschreibung */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''////////////////////////////////////////////////////////////////////English description below'''<br /> <br /> ==Kursbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104214 2019-02-07T09:41:55Z

<p>Darsha: </p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''////////////////////////////////////////////////////////////////////English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104213 2019-02-07T09:40:48Z

<p>Darsha: /* Anmeldung */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104212 2019-02-07T09:40:19Z

<p>Darsha: /* Registration */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104211 2019-02-07T09:39:22Z

<p>Darsha: /* Please Note */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;<br /> <br /> [[Category:Darsha Hewitt]] [[Category:Werkmodul]] [[Category:Fachmodul]] [[Category:SS19]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104210 2019-02-07T09:38:42Z

<p>Darsha: /* Course Description */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a bottom up manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal big-picture questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;<br /> <br /> [[Category:Darsha Hewitt]] [[Category:Werkmodul]] [[Category:Fachmodul]] [[Category:SS19]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104209 2019-02-07T09:35:12Z

<p>Darsha: </p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> '''Betreff:''' Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> '''Inhalt:'''&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a „bottom up“ manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal „big-picture“ questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;<br /> <br /> [[Category:Darsha Hewitt]] [[Category:Werkmodul]] [[Category:Fachmodul]] [[Category:SS19]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104208 2019-02-07T09:34:03Z

<p>Darsha: /* Anmeldung */</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> &quot;Betreff:&quot; Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> &quot;Inhalt:&quot;&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> <br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a „bottom up“ manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal „big-picture“ questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;<br /> <br /> [[Category:Darsha Hewitt]] [[Category:Werkmodul]] [[Category:Fachmodul]] [[Category:SS19]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Intermedial_Approaches&diff=104207 2019-02-07T09:29:08Z

<p>Darsha: Created page with &quot;&#039;&#039;Lecturer:&#039;&#039; Darsha Hewitt&lt;br&gt; &#039;&#039;Credits:&#039;&#039; 6 ECTS, 4 SWS&lt;br&gt; &#039;&#039;Date:&#039;&#039; 27.6.-7.7.&lt;br&gt; &#039;&#039;Venue:&#039;&#039; Marienstraße 5, Marienstraße 5/201|R...&quot;</p> <hr /> <div>''Lecturer:'' [[GMU:Darsha Hewitt|Darsha Hewitt]]&lt;br&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br&gt;<br /> ''Date:'' 27.6.-7.7.&lt;br&gt;<br /> ''Venue:'' [[Marienstraße 5]], [[Marienstraße 5/201|Raum 201]]&lt;br&gt;<br /> ''First meeting:'' Do.27. Juni 2019, um 09:15 Uhr<br /> <br /> '''English description below'''<br /> <br /> ==Kurzbeschreibung==<br /> '''Intermediale Ansätze zur experimentellen Praxis'''<br /> <br /> Das Ziel dieses Kurses ist es zu überlegen, wie interdisziplinäres arbeiten, eine experimentelle Medienkunstpraxis unterstützen und stärken kann. Die Arbeit nach einer bottom up Methode in einem Studio, Labor oder freiem Felde fördert Entdeckungen und erlaubt es, Risiken einzugehen und intuitiv mit Material, Gedanken und Konzepten zu arbeiten. Wenn man jedoch mit lebenden und unstable media experimentiert, öffnen sich Künstler_Innen dem Verhalten der Materie das manchmal außerhalb ihrer Kontrolle liegt - auf seltsame, wunderbare und verwirrende Weise!<br /> <br /> In diesem intensiven Workshop untersuchen wir, wie die Darstellung von Studioexperimenten und künstlerischer Forschung durch unterschiedliche Medienformate Vertrauen und abenteuerlustige Perspektiven auf die unbekannten Dimensionen einer experimentellen Kunstpraxis ermutigen kann. In interdisziplinären Ansätzen experimenteller Praktiken werden wir medienübergreifend arbeiten, um Fragen und Ideen des Großen Ganzen, die in den künstlerischen Prozess eingebettet sind, zu enthüllen und hervorzuheben. Wie wird Kunst umgewandelt, wenn Subjekt oder Thema der künstlerischen Arbeit durch ein anderes oder mehrere „Medienfenster“ betrachtet werden? Wie verändert die Umgestaltung künstlerischer Forschung von einem Format auf ein anderes die Interpretation der Arbeit im Darstellungskontext?<br /> <br /> Dieses Modul besteht aus Vorlesungen, Hands-on und Kollaborationsaktivitäten und einem Austausch, der sich um Projekte / Work-in-Progress die derzeit von den Studierenden verfolgt werden. <br /> <br /> '''Um erfolgreich teilnehmen zu können, müssen Sie Ihr eigenes Projekt im GMU-Wiki entwickeln und dokumentieren. Die Teilnahme an Sitzungen und Teilnahme ist obligatorisch.'''<br /> <br /> ==Zeitplan==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Bitte beachten Sie==<br /> Dieser Workshop ist begrenzt auf GMU Studierende&lt;br&gt;<br /> '''Anmeldeschluss ist der 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt steht ab dem 21.06.2019 für Fragen zum Kurs zur Verfügung, Anmeldungen (nur diese!) könne schon vorher gesendet werden.&lt;br&gt;<br /> <br /> ==Anmeldung==<br /> Anmeldung per E-Mail an darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> Bitte geben Sie folgende Informationen an:&lt;br&gt;<br /> Betreff: Intermediale approaches to Experimental Practices // Registration&lt;br&gt;<br /> Inhalt:&lt;br&gt;<br /> Vorname Familienname&lt;br&gt;<br /> Programm und Semester&lt;br&gt;<br /> Matrikelnummer&lt;br&gt; <br /> <br /> '''////////////////////////////////////////////////////////////////////'''<br /> ==Course Description==<br /> '''Intermedial Approaches to Experimental Practices'''<br /> <br /> The goal of this course is to consider how working interdisciplinarily can support and strengthen an experimental media art practice. Working in a „bottom up“ manner in a studio, lab or field setting encourages discovery and allows one to take risks, and work intuitively with material, thought and concepts. That said, when experimenting with living and unstable media, artists open themselves to material bevahiour that is sometimes out of their control - in weird, wonderful and confounding ways! <br /> <br /> In this intensive workshop, we look at how representing studio experiments and artistic research through varying media formats can encourage trust and adventurous perspectives towards the unknown dimensions of an experimental art practice. In Interdisciplinary Approaches to Experimental Practices we will work across mediums as a means to highlight and reveal „big-picture“ questions and ideas embedded in the artistic process. How is artwork transformed when a subject or topic of artistic research is observed through different or multiple media lenses? How does reframing artistic research from one format to another change how the work is interpreted in a presentation context? <br /> <br /> This Modul consists of lectures, hand-on collaborative activities and exchanges that revolve around projects/work in progress students are currently pursuing. <br /> <br /> '''In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Attendance to sessions and participation is mandatory.'''<br /> <br /> ==Schedule==<br /> '''27.06.: 9:15-12:30'''&lt;br&gt;<br /> '''28.06.: 9:15-16:45'''&lt;br&gt;<br /> '''29.06.: 9:15-16:45'''&lt;br&gt;<br /> '''30.06.: 9:15-16:45'''&lt;br&gt;<br /> <br /> '''04.07.: 9:15-16:45'''&lt;br&gt;<br /> '''05.07.: 9:15-16:45'''&lt;br&gt;<br /> '''06.07: 9:15-16:45'''&lt;br&gt;<br /> '''07.07.: 9:15-12:30'''&lt;br&gt;<br /> <br /> ==Please Note==<br /> This Workshop is limited to GMU Students&lt;br&gt;<br /> '''The course registration deadline is 24.06.2019'''&lt;br&gt;<br /> Darsha Hewitt will be available for questions about the course from 21.06.2019 onwards, registrations can be sent in advance.&lt;br&gt;<br /> <br /> ==Registration==<br /> Register via email to darsha.hewitt@uni-weimar.de &lt;br&gt;<br /> Please include the following information:&lt;br&gt;<br /> '''Subject:''' Intermedial Approaches to Experimental Practices/// Registration&lt;br&gt;<br /> '''Content:'''&lt;br&gt;<br /> Name, Surname&lt;br&gt;<br /> Program and semester (Studienprogramm und Fachsemester)&lt;br&gt;<br /> Matriculation number (Matrikelnummer)&lt;br&gt;<br /> <br /> [[Category:Darsha Hewitt]] [[Category:Werkmodul]] [[Category:Fachmodul]] [[Category:SS19]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=80074 2016-03-24T08:03:51Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (timetable will be updated soon) &lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking the GMU Project Module (GMU) have priority for this course, because this course is a requirement for those modules.<br /> <br /> 3 – Register via email before 14.03.2016 <br /> <br /> '''To:''' darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> '''Subject:''' Sensor HackLab /// Application&lt;br&gt;<br /> '''Content:''' <br /> * Name, Surname<br /> * program and semester (Studienprogramm und Fachsemester)<br /> * matriculation number (Matrikelnummer)<br /> * Valid email address @uni-weimar.de <br /> * Your project module<br /> * Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> <br /> The timetable will be updated soon.<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=80073 2016-03-24T08:03:18Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (timetable will be updated soon) &lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking the GMU Project Module (GMU) have priority for this course, because this course is a requirement for those modules.<br /> <br /> 3 – Register via email before 14.03.2016 <br /> <br /> '''To:''' darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> '''Subject:''' Sensor HackLab /// Application&lt;br&gt;<br /> '''Content:''' <br /> * Name, Surname<br /> * program and semester (Studienprogramm und Fachsemester)<br /> * matriculation number (Matrikelnummer)<br /> * Valid email address @uni-weimar.de <br /> * Your project module<br /> <br /> Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> <br /> The timetable will be updated soon.<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=80072 2016-03-24T08:02:58Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (timetable will be updated soon) &lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking the GMU Project Module (GMU) have priority for this course, because this course is a requirement for those modules.<br /> <br /> 3 – Register via email before 14.03.2016 <br /> '''To:''' darsha.hewitt@uni-weimar.de&lt;br&gt;<br /> '''Subject:''' Sensor HackLab /// Application&lt;br&gt;<br /> '''Content:''' <br /> * Name, Surname<br /> * program and semester (Studienprogramm und Fachsemester)<br /> * matriculation number (Matrikelnummer)<br /> * Valid email address @uni-weimar.de <br /> * Your project module<br /> <br /> Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> <br /> The timetable will be updated soon.<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=80071 2016-03-24T07:58:11Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (timetable will be updated soon) &lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking courses in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register via email before 14.03.2016 (darsha.hewitt@uni-weimar.de). Please include your program, semester of study and a brief statement of interest (why do you want to take this course?). Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> Note: Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> <br /> The timetable will be updated soon.<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=80070 2016-03-24T07:57:03Z

<p>Darsha: /* .·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (timetable will be updated soon) &lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking courses in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register via email before 14.03.2016 (darsha.hewitt@uni-weimar.de). Please include your program, semester of study and a brief statement of interest (why do you want to take this course?). Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> <br /> The timetable will be updated soon.<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' Applications from students that have signed up for the project module at GMU, will be favoured, because this course is a requirement for those modules.<br /> <br /> GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=79500 2016-03-09T14:13:38Z

<p>Darsha: /* .·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Wednesdays 17:00-20:30&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking courses in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register via email before 14.03.2016 (darsha.hewitt@uni-weimar.de). Please include your program, semester of study and a brief statement of interest (why do you want to take this course?). Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to students enrolled in the GMU project module or one of the GMU Werk- and Fach-modules dedicated to bridging notions of sensing and performance together.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=79493 2016-03-09T13:48:52Z

<p>Darsha: /* .·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Wednesdays 17:00-20:30&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking courses in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register via email before 14.03.2016 (darsha.hewitt@uni-weimar.de). Please include your program, semester of study and a brief statement of interest (why do you want to take this course?). Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> <br /> '''Note:''' GMU is interested in projects that bridge notions of Sensing and Performance. <br /> Priority for this course will be given to GMU students - in particular, students who are also enrolled in Digital Puppetry Lab with Martin Schneider.<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Sensor_Hacklab&diff=79477 2016-03-09T13:09:40Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' '''t.b.a.'''&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Wednesdays 17:00-20:30&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 7b]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Wednesday, 13 April 17:00 - 20:30&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> Sensor HackLab proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> <br /> This course is best suited for students that have already taken an introduction to electronics course with the instructor.<br /> <br /> ~~<br /> <br /> Sensor HackLab schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung voN Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> <br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students taking courses in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register via email before 14.03.2016 (darsha.hewitt@uni-weimar.de). Please include your program, semester of study and a brief statement of interest (why do you want to take this course?). Students must also acknowledge that they have read the course description online and that they can commit to the class schedule (http://www.uni-weimar.de/medien/wiki/GMU:Sensor_Hacklab).<br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> <br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> <br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be taught in English<br /> <br /> [[Category:SS16]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Zeitplanung_Kurse/SS_2016&diff=77796 2016-01-22T11:53:41Z

<p>Darsha: </p> <hr /> <div>Kurse des Studiengangs Medienkunst/Mediengestaltung im [[:Category:SS15|Sommersemester 2016]]. Alle Kurse sollen ins offizielle [[Zeitraster]] passen.<br /> <br /> Werkmodule bitte mit [W], Fachmodule mit [F] und Projektmodule mit [P] kennzeichnen.<br /> <br /> == Mögliche Konflikte ==<br /> <br /> * Zwei Werk- oder Fachmodule finden gleichzeitig statt<br /> * Ein Projektmodul und ein Werk- oder Fachmodul finden gleichzeitig statt<br /> <br /> Weil die Studenten immer nur ein Projektmodul pro Semester absolvieren <br /> können, ist es ideal wenn Projektmodule zeitgleich stattfinden, <br /> so dass mehr Slots zur Verteilung der Werk- und Fachmodule verbleiben!<br /> <br /> ==Undergraduate (Bachelor)==<br /> ===Regelmäßige Kurse===<br /> ====Montag / Monday====<br /> <br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Dienstag / Tuesday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |-<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |[W]Habitats Ursula Damm<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |[W] Habitats Ursula Damm [W] [[GMU:Crypto Art|Crypto Art / Krypto-Kunst]] (GMU) Martin Schneider<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |[W] [[GMU:Crypto Art|Crypto Art / Krypto-Kunst]] (GMU) Martin Schneider<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Mittwoch / Wednesday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |Human and Non-Human Performances II<br /> |[[IFD:Kolloq]] (IFD)<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |Human and Non-Human Performances II<br /> |[[IFD:Kolloq]] (IFD)<br /> |<br /> |-<br /> |13:30 - 15:00<br /> |colspan=&quot;3&quot; align=&quot;center&quot;|''- Keine Lehrveranstaltungen / No Classes -''<br /> |-<br /> |15:15 - 16:45 <br /> |colspan=&quot;3&quot; align=&quot;center&quot;|''- Keine Lehrveranstaltungen / No Classes -''<br /> |-<br /> |17:00 - 18:30 <br /> | W/F - DIY Electronics - Darsha<br /> | <br /> |<br /> |-<br /> |19:00 - 20:30<br /> | W/F - DIY Electronics - Darsha<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Donnerstag /Thursday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> | W/F - Sensor HackLab - Darsha<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> | W/F - Sensor HackLab - Darsha<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |[W] [[GMU:Computing with Threads|Computing with Threads / Textiles Prozessieren]] (GMU) Martin Schneider<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> ||[W] [[GMU:Computing with Threads|Computing with Threads / Textiles Prozessieren]] (GMU) Martin Schneider<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Freitag / Friday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |<br /> | <br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ===Blockveranstaltungen, Workshops===<br /> Bitte nur Veranstaltungen eintragen, die wie Werkmodule angerechnet werden<br /> <br /> * ...<br /> * ...<br /> * ...<br /> <br /> == Graduate (Master) ==<br /> ===Regelmäßige Kurse===<br /> ====Montag / Monday====<br /> <br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Dienstag / Tuesday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |-<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30 <br /> |<br /> |<br /> |<br /> |-<br /> |13:30 - 15:00 <br /> |<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |[F] [[GMU:Crypto Art|Crypto Art / Krypto-Kunst]] (GMU) Martin Schneider<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> ||[F] [[GMU:Crypto Art|Crypto Art / Krypto-Kunst]] (GMU) Martin Schneider<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Mittwoch / Wednesday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |<br /> |<br /> |-<br /> |13:30 - 15:00<br /> |colspan=&quot;3&quot; align=&quot;center&quot;|''- Keine Lehrveranstaltungen - No Classes -''<br /> |-<br /> |15:15 - 16:45 <br /> |colspan=&quot;3&quot; align=&quot;center&quot;|''- Keine Lehrveranstaltungen - No Classes -''<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Donnerstag / Thursday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45<br /> |<br /> |[P] [[IFD:MasterprojectSS16|IFD Master Project]] (IFD) Michael Markert<br /> |<br /> |-<br /> |11:00 - 12:30<br /> |<br /> |[P] [[IFD:MasterprojectSS16|IFD Master Project]] (IFD) Michael Markert<br /> |<br /> |- <br /> |13:30 - 15:00<br /> ||[F] [[GMU:Computing with Threads|Computing with Threads / Textiles Prozessieren]] (GMU) Martin Schneider<br /> |[P] [[IFD:MasterprojectSS16|IFD Master Project]] (IFD) Michael Markert &lt;br/&gt;(irregulär)<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> ||[F] [[GMU:Computing with Threads|Computing with Threads / Textiles Prozessieren]] (GMU) Martin Schneider<br /> |[P] [[IFD:MasterprojectSS16|IFD Master Project]] (IFD) Michael Markert &lt;br/&gt;(irregulär)<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |[P] [[IFD:MasterprojectSS16|IFD Master Project]] (IFD) Michael Markert &lt;br/&gt;(irregulär)<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ====Freitag / Friday====<br /> <br /> {|align=&quot;left&quot; {{Prettytable}}<br /> |09:15 - 10:45 <br /> |<br /> |<br /> |<br /> |-<br /> |11:00 - 12:30 <br /> |<br /> |<br /> |<br /> |- <br /> |13:30 - 15:00<br /> |<br /> |<br /> |<br /> |-<br /> |15:15 - 16:45 <br /> |<br /> |<br /> |<br /> |-<br /> |17:00 - 18:30 <br /> |<br /> |<br /> |<br /> |-<br /> |19:00 - 20:30 <br /> |<br /> |<br /> |<br /> |}<br /> <br /> &lt;br clear=all/&gt;<br /> <br /> ===Blockveranstaltungen, Workshops===<br /> Bitte nur Veranstaltungen eintragen, die wie Werk- oder Fachmodule angerechnet werden<br /> <br /> * [[IFD:Medienkunstpreis2016]] (IFD) N.N.<br /> * ...<br /> * ...<br /> <br /> [[Category:Links to course pages]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=76462 2015-12-15T09:49:35Z

<p>Darsha: /* .·:*¨*:·.ParTiciPants.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: 20 OSCILLATORS<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SWITCH<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: CONCEPTUAL SENSOR<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English<br /> <br /> [[Category:WS15]]<br /> [[Category:Darsha Hewitt]]<br /> <br /> == .·:*¨*:·.ParTiciPants.·:*¨*:·. ==<br /> * [[/Christian Doeller/]]<br /> * [[/Your name here/]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=76461 2015-12-15T09:35:04Z

<p>Darsha: /* .·:*¨*:·.ParTiciPants.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: 20 OSCILLATORS<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SWITCH<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: CONCEPTUAL SENSOR<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English<br /> <br /> [[Category:WS15]]<br /> [[Category:Darsha Hewitt]]<br /> <br /> == .·:*¨*:·.ParTiciPants.·:*¨*:·. ==<br /> * [[/Christian Doeller/]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=76460 2015-12-15T09:32:34Z

<p>Darsha: /* .·:*¨*:·.L4ngUaGe.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: 20 OSCILLATORS<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SWITCH<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: CONCEPTUAL SENSOR<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English<br /> <br /> [[Category:WS15]]<br /> [[Category:Darsha Hewitt]]<br /> <br /> == .·:*¨*:·.ParTiciPants.·:*¨*:·. ==<br /> - Christian Doeller</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=74230 2015-10-19T12:01:51Z

<p>Darsha: /* .·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: 20 OSCILLATORS<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SWITCH<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: CONCEPTUAL SENSOR<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English<br /> <br /> [[Category:WS15]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=74229 2015-10-19T12:01:21Z

<p>Darsha: /* .·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: 20 OSCILLATORS<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SWITCH<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: CONCEPTUAL SWITCH<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English<br /> <br /> [[Category:WS15]]<br /> [[Category:Darsha Hewitt]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Lehrveranstaltungen/SS15&diff=73853 2015-09-16T16:03:27Z

<p>Darsha: /* Workshops */</p> <hr /> <div>===Projektmodule===<br /> * [[GMU:Human_and_Nonhuman_Performances]] – Prof. Ursula Damm<br /> <br /> ===Werk/Fachmodule===<br /> * [[GMU:Processing_im_Park]] – Martin Schneider<br /> * [[GMU:Wild_Type]] – Martin Schneider<br /> * [[GMU:The_Conceptual_Sensor]] – Darsha Hewitt<br /> * [[GMU:The_Unstrument]] – Darsha Hewitt<br /> * [[GMU:BioArt]] – Mindaugas Gapševičius<br /> <br /> ===Workshops===<br /> * more information coming soon...</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73852 2015-09-16T15:44:10Z

<p>Darsha: /* .·:*¨*:·.ImP0RtaNT.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*DiMenSioN.·:*¨*¨*:oF.·:*¨*:·.SoUNd.·:*¨*:·.!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – '''Register via email with letter of motivation before 13.10.2015''' (darsha.hewitt@uni-weimar.de) <br /> Include: <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Darsha_Hewitt&diff=73851 2015-09-16T15:39:58Z

<p>Darsha: /* Darsha Hewitt */</p> <hr /> <div>== Darsha Hewitt ==<br /> <br /> [[Image:artcity.jpg|left|90px]]<br /> <br /> {|cellpadding=&quot;5&quot; style=&quot;background: #ffffcc&quot;<br /> !align=&quot;right&quot;|address:<br /> |Marienstraße 5<br /> |-<br /> !align=&quot;right&quot;| office:<br /> |Room 208<br /> |-<br /> !align=&quot;right&quot;|phone:<br /> | +49 (0)3643 / 58-3871<br /> |-<br /> !align=&quot;right&quot;|email:<br /> | darsha.hewitt [ät] uni-weimar.de <br /> |}<br /> Artistic Associate at [[GMU:Start|Faculty of Media / Media Environments]]&lt;br&gt;<br /> <br /> '''Research Interests'''&lt;br&gt;<br /> Do-It-Yourself Electronics, Open Hardware, Electromechanical Art,&lt;br&gt; <br /> Sound Art,Technical Drawing, Obsolete Technology,&lt;br&gt;<br /> Models of Empowerment in Media Arts Education&lt;br&gt;<br /> <br /> '''Teaching'''&lt;br&gt;<br /> [[:Category:Darsha Hewitt|Lectures + Workshops]]<br /> <br /> '''Online'''&lt;br&gt;<br /> [http://www.darsha.org darsha.org]&lt;br&gt;<br /> <br /> {{User|Darsha}}<br /> <br /> [[Category:Darsha Hewitt]]<br /> [[Category:DIY Electronics]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Lehrveranstaltungen/SS15&diff=73850 2015-09-16T15:37:52Z

<p>Darsha: /* Werk/Fachmodule */</p> <hr /> <div>===Projektmodule===<br /> * [[GMU:Human_and_Nonhuman_Performances]] – Prof. Ursula Damm<br /> <br /> ===Werk/Fachmodule===<br /> * [[GMU:Processing_im_Park]] – Martin Schneider<br /> * [[GMU:Wild_Type]] – Martin Schneider<br /> * [[GMU:The_Conceptual_Sensor]] – Darsha Hewitt<br /> * [[GMU:The_Unstrument]] – Darsha Hewitt<br /> * [[GMU:BioArt]] – Mindaugas Gapševičius<br /> <br /> ===Workshops===<br /> * [[GMU:Bio Games|Bio Games]] &amp;nbsp; &amp;nbsp; (03.-04.06.2015) – Lasse Scherffig, Thomas Hawranke <br /> * [[GMU:Composing_Collaborative_Choreographed_Interventions|CCCI + WoW]] (22.-26.06.2015) – Angela Washko <br /> <br /> [[Category:SS15]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Lehrveranstaltungen/SS15&diff=73849 2015-09-16T15:33:39Z

<p>Darsha: /* Projektmodule */</p> <hr /> <div>===Projektmodule===<br /> * [[GMU:Human_and_Nonhuman_Performances]] – Prof. Ursula Damm<br /> <br /> ===Werk/Fachmodule===<br /> * [[GMU:Bots n Plots|Bots n Plots]] – Martin Schneider<br /> * [[GMU:Introduction to Electronics|Introduction to Electronics]] – Darsha Hewitt<br /> * [[GMU:Dataflow I|Dataflow I]] – Mindaugas Gapševičius<br /> * [[GMU:3D + Printing|3D + Printing]] – David Hahlbrock<br /> <br /> ===Workshops===<br /> * [[GMU:Bio Games|Bio Games]] &amp;nbsp; &amp;nbsp; (03.-04.06.2015) – Lasse Scherffig, Thomas Hawranke <br /> * [[GMU:Composing_Collaborative_Choreographed_Interventions|CCCI + WoW]] (22.-26.06.2015) – Angela Washko <br /> <br /> [[Category:SS15]]</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:Start&diff=73848 2015-09-16T15:31:28Z

<p>Darsha: /* SS 2015 – Aktuelle Lehrveranstaltungen – Current Courses */</p> <hr /> <div>&lt;div style=&quot;width:650px&quot;&gt;<br /> „...[es] sind die Bemühungen dessen, der, überflogen von Sternen, die Menschenwerk sind, .. , zeltlos in diesem bisher ungeahnten Sinne und damit auf das unheimlichste im Freien, mit seinem Dasein zur Sprache geht, wirklichkeitswund und Wirklichkeit suchend“ ''Paul Celan''<br /> <br /> ==News==<br /> * [http://www.uni-weimar.de/de/medien/forschung-und-kunst/digital-bauhaus-lab Digital Bauhaus Lab] expected to be inaugurated at June 25th 2015<br /> * Interactive Performance Platform with a markerless tracking system, high-speed video, sound, light and projections funded by the DFG<br /> * DAAD funded partnership with the University of California in San Diego starting now until 2016<br /> * We welcome Mindaugas Gapsevicius in our team<br /> <br /> ==Featured Projects==<br /> {|cellpadding=&quot;2px&quot; cellspacing=&quot;2px&quot; border=&quot;0&quot; style=&quot;margin:10px 10px 10px 0; font-size:0.8em; line-height: 1;&quot;<br /> |width=&quot;300px&quot;|[[File:Markt-und-Maus-2.jpg|300px|plug and pray|link=GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus]]<br /> <br /> &lt;b&gt;[[GMU:BFA_MFA_Finals#Stefan_Pach:_Markt_und_Maus |Markt und Maus]] &lt;/b&gt; (Market and Mouse) &lt;b&gt;[[Stefan_Pach |Stefan Pach]] &lt;/b&gt;<br /> <br /> &lt;i&gt;How can we make mice live by the rules of investment banking?&lt;/i&gt;<br /> <br /> To improve the understanding of the dynamics of finance markets the &quot;Market and Mouse&quot;-System tries to simulate a part of the fiscal universe. The main analysis focuses on the aspect of investment banking. This is the field with the biggest possible profit.&lt;br /&gt; &quot;Market and Mouse&quot; investigates how mice decide if they have to choose between high risk but high value options and less lucrative possibilities.<br /> &lt;br /&gt;<br /> &lt;br /&gt;<br /> <br /> |-<br /> |width=&quot;300px&quot;|[[File:super-boxen front.jpg|Synbio|link=GMU:Synthetic Biology]]<br /> |width=&quot;26px&quot;|<br /> |width=&quot;300px&quot;|[[File:Plug and pray.png|300px|plug and pray|link=Mental Radio Arbeiten#Jörg Brinkmann: plug and pray]]<br /> <br /> |-<br /> |Super Cell is a fictional supermarket website offering speculative products related to Synthetic Biology and our project for iGEM 2010. [[GMU:Synthetic Biology|Super Cell]]<br /> |<br /> |„You shall not make for yourself an idol...“<br /> <br /> ...just google it.<br /> <br /> plug &amp; pray is an interactive artwork that allows believers to pray through their computer. plug &amp; pray makes the search for God easier, with the help of the internet. plug &amp; pray works as if you were praying. Believers use the pray device that activates a google image search for the word „God“ on the act of praying. plug &amp; pray believers see the results of their prayers as spiritualized video, projected before their very eyes. [[Mental Radio Arbeiten#Jörg Brinkmann: plug and pray|Jörg Brinkmann: plug and pray]] <br /> |}<br /> <br /> Check out our archives with [[GMU:Works|student works]] and [[GMU:BFA MFA Finals|thesis works]] of BFA and MFA graduates. <br /> &lt;br /&gt;<br /> <br /> == Research and Teaching Faculty ==<br /> {|cellpadding=&quot;5&quot;<br /> |-<br /> |<br /> Professor&lt;br /&gt;'''[[User:Chefin|Ursula Damm]]'''&lt;br /&gt;<br /> Marienstraße 5, Raum 304&lt;br /&gt;<br /> 99423 Weimar&lt;br /&gt;<br /> Telefon:. +49 3643 / 58-3607&lt;br /&gt;<br /> E-Mail: ursula.damm [at] uni-weimar.de&lt;br /&gt;<br /> [http://www.ursuladamm.de ursuladamm.de]<br /> |<br /> Resarch Associate&lt;br /&gt;<br /> '''[[User:ms|Martin Schneider]]'''&lt;br /&gt;<br /> Marienstraße 5, Raum 208&lt;br /&gt;<br /> 99423 Weimar&lt;br /&gt;<br /> Telefon: +49 3643 / 58-3872&lt;br /&gt;<br /> E-Mail: martin.schneider [at] uni-weimar.de &lt;br /&gt;<br /> [http://www.bitcraftlab.com bitcraftlab.com] &lt;br /&gt;<br /> |-<br /> |<br /> Artistic Associate&lt;br /&gt;<br /> '''[[User:Darsha|Darsha Hewitt]]'''&lt;br /&gt;<br /> Marienstraße 5, Raum 201&lt;br /&gt;<br /> 99423 Weimar&lt;br /&gt;<br /> Telefon: +49 3643 / 58-3872&lt;br /&gt;<br /> E-Mail: darsha.hewitt [at] uni-weimar.de &lt;br /&gt;<br /> [http://www.darsha.org darsha.org] &lt;br /&gt;<br /> |<br /> Artistic Associate&lt;br /&gt;<br /> '''[[User:miga|Mindaugas Gapševičius]]'''&lt;br /&gt;<br /> Marienstraße 5, Raum 208&lt;br /&gt;<br /> 99423 Weimar &lt;br /&gt;<br /> Telefon: +49 3643 /58-3871 &lt;br /&gt;<br /> E-Mail: mindaugas.gapsevicius [at] uni-weimar.de &lt;br /&gt;<br /> [http://www.triple-double-u.com triple-double-u.com] &lt;br /&gt;<br /> |-<br /> |<br /> |}<br /> <br /> [[GMU:Personen|other staff]]<br /> &lt;br /&gt;<br /> <br /> == WS 2015/16 – Aktuelle Lehrveranstaltungen – Current Courses ==<br /> {{GMU:Lehrveranstaltungen/SS15}}<br /> <br /> == Lehrveranstaltungen (Archiv) – Previous Courses ==<br /> <br /> <br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | [[GMU:Lehrveranstaltungen/SS14|SS 2014]] <br /> | [[GMU:Lehrveranstaltungen/SS13|SS 2013]]<br /> | [[GMU:Lehrveranstaltungen/SS12|SS 2012]]<br /> | [[GMU:Lehrveranstaltungen/SS11|SS 2011]]<br /> | [[GMU:Lehrveranstaltungen/SS10|SS 2010]]<br /> | [[GMU:Lehrveranstaltungen/SS09|SS 2009]]<br /> | [[GMU:Lehrveranstaltungen/SS08|SS 2008]]<br /> |-<br /> | [[GMU:Lehrveranstaltungen/WS14|WS 2014]] <br /> | [[GMU:Lehrveranstaltungen/WS13|WS 2013]]<br /> | [[GMU:Lehrveranstaltungen/WS12|WS 2012]]<br /> | [[GMU:Lehrveranstaltungen/WS11|WS 2011]]<br /> | [[GMU:Lehrveranstaltungen/WS10|WS 2010]]<br /> | [[GMU:Lehrveranstaltungen/WS09|WS 2009]]<br /> | [[GMU:Lehrveranstaltungen/WS08|WS 2008]]<br /> |}<br /> <br /> == Equipment ==<br /> * [[GMU:Equipment|GMU Equipment]] – ''Equipment for Students of the Media Environments (GMU)''<br /> * [[Equipment|Mediapoint]] – ''Equipment for all Students of Media Art + Design''<br /> <br /> == Inside GMU ==<br /> * [[GMU:Mailinglist|GMU Mailingliste]] – ''sign up using the [http://listserv.uni-weimar.de/mailman/listinfo/gmu web-interface]<br /> * [[GMU:Links|GMU Linklist]]<br /> <br /> {{Template:Help}}<br /> <br /> &lt;/div&gt;</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73847 2015-09-16T15:28:48Z

<p>Darsha: /* .·:*¨*:·.DeScRPTioN.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*DiMenSioN.·:*¨*¨*:oF.·:*¨*:·.SoUNd.·:*¨*:·.!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=73846 2015-09-16T15:28:35Z

<p>Darsha: /* .·:*¨*:·.DeScRPTioN.·:*¨*:·. */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRiPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: CONCEPTUAL SWITCH<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SENSOR<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: THE FUNNEST ELECTRONIC CIRCUIT IMAGINABLE<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=73845 2015-09-16T15:27:46Z

<p>Darsha: /* .·:*¨*:·.tHe.·:*¨*¨*c0nC3pTuaL·:*¨*:·.SeNSoR.·:*¨*:·.!.·: */</p> <hr /> <div>===.·:·.iMaginIng.·:*¨*¨*aNd*¨*:·.iNvEntiNg.·:*¨nEw*:·.¨*:·.M3cHaniSms·:*¨*:f0r·.*:·.iNterPreTinG*:·.·:*¨*Th3·:*¨3nVironMenT*!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> imagining and inventing new mechanisms for interpreting the environment<br /> <br /> This is a rigorous introduction to Do-It-Yourself Electronics. The Conceptual Sensor proposes an art-making methodology where concept and aesthetics emerge through hands-on investigation of electricity and the materiality of technology. Here, we will focus on building devices and prototypes that consider alternative ways of sensing and responding to the environment. We aim to go beyond the capabilities of consumer electronics made to measure the world by imagining technology that connects us to the environment (and the environment to us) in adventurous ways. <br /> <br /> This course takes a bottom-up approach to the electronic medium through techniques such as deconstruction; experimental circuit design; pattern recognition and reverse-engineering. By employing processes that make the hidden inner world of machines accessible, it also seeks to critique the economic systems embedded throughout electronic media and its impact on humans and nature.<br /> ~~<br /> Dieser Kurs ist eine rigorose Einführung in DIY Elektronik. The Conceptional Sensor schlägt den Pfad einer Kunstmethodik ein, aus der Konzept und Ästhetik aus einer haptischen Untersuchung vom Elektronik und der Materialität von Technik erwächst. Wir konzentrieren uns hier darauf Geräte und Prototypen zu bauen die alternative Möglichkeiten bereitstellen die Umwelt zu erfahren und darauf zu reagieren. Wir zielen darauf ab uns auf ein Abenteuer einzulassen die Grenzen und Möglichkeiten von Geräten, die gemacht sind die Welt zu quantifizieren, hinter uns zu lassen in dem wir Technologien entwickeln die uns mit der Umwelt (und die Umwelt mit uns) verbinden.<br /> <br /> Dieser Kurs basiert auf einem bottom-up Ansatz sich dem elektronischen Medium durch Dekonstruktivismus, experimentellem Schaltungsdesign, Erkennen von Mustern und Reverseengineering zu nähern. Der Kurs strebt auch nach einer Kritik in wirtschaftlichen Systemen integrierter elektronischer Medien und deren Einfluss auf Menschheit und Natur mittels Prozessen, die die verborgenen inneren Welten von Maschinen offenbaren. <br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 20€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 23.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: CONCEPTUAL SWITCH<br /> |-<br /> | 24.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 25.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 30.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: IMPROBABLE SENSOR<br /> |-<br /> | 31.10.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 01.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 20.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: THE FUNNEST ELECTRONIC CIRCUIT IMAGINABLE<br /> |-<br /> | 21.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 22.11.15<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 18.12.15<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Conceptual_Sensor&diff=73844 2015-09-16T15:07:33Z

<p>Darsha: </p> <hr /> <div>===.·:*¨*:·.tHe.·:*¨*¨*c0nC3pTuaL·:*¨*:·.SeNSoR.·:*¨*:·.!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 23 October 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73843 2015-09-16T15:01:00Z

<p>Darsha: /* .·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*: */</p> <hr /> <div>===.·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*DiMenSioN.·:*¨*¨*:oF.·:*¨*:·.SoUNd.·:*¨*:·.!.·:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73842 2015-09-16T14:59:31Z

<p>Darsha: /* Language */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == .·:*¨*:·.L4ngUaGe.·:*¨*:·. ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73841 2015-09-16T14:58:59Z

<p>Darsha: /* Eligible Participants */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==.·:*¨*:·.ELiGibl3 PARTIciPANTS.·:*¨*:·.==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73840 2015-09-16T14:58:05Z

<p>Darsha: /* Mailing List */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==.·:*¨*:·.mAiLinG liSt.·:*¨*:·.==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73839 2015-09-16T14:57:12Z

<p>Darsha: /* .·:*¨*:·.Course Timetable.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.C0uRs3 TiMetaBLe.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73838 2015-09-16T14:56:44Z

<p>Darsha: /* Grading */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.GraDiNg.·:*¨*:·.==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73837 2015-09-16T14:56:05Z

<p>Darsha: /* .·:*¨*:·.IMPORANT.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.ImP0RtaNT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==Grading==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73836 2015-09-16T14:55:42Z

<p>Darsha: /* .·:*¨*:·.Description.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.DeScRPTioN.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==Grading==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73835 2015-09-16T14:55:08Z

<p>Darsha: /* .·:*¨*:·.Course Timetable.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==Grading==<br /> * 1. Assignments 60%<br /> * 2. Attendance 20%<br /> * 3. Documentation 20%<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}<br /> <br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73834 2015-09-16T14:53:22Z

<p>Darsha: /* .·:*¨*:·.Description.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}<br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73833 2015-09-16T14:52:33Z

<p>Darsha: /* .·:*¨*:·.Course Timetable.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}<br /> ==Mailing List==<br /> Once you are registered for the course you must sign up for the GMU mailing list: http://www.uni-weimar.de/medien/wiki/GMU:Mailinglist<br /> <br /> ==Eligible Participants==<br /> BA + MA: <br /> * Medienkunst und Gestaltung<br /> * Medienarchitektur <br /> * Visuelle Kommunication <br /> * Productdesign<br /> * Medienwissenschaften<br /> Note: Priority is given to Medienkunst und Gestaltung students<br /> <br /> == Language ==<br /> <br /> The course will be in taught in English</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73832 2015-09-16T14:49:36Z

<p>Darsha: /* .·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*: */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00&lt;br /&gt;<br /> ''Course Hashtag:'' #wemakemachinesnotart<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73831 2015-09-16T14:48:20Z

<p>Darsha: /* .·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73830 2015-09-16T14:48:04Z

<p>Darsha: /* .·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·.==<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73829 2015-09-16T14:46:05Z

<p>Darsha: /* .·:*¨*:·.Course Timetable.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> ==.·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·.==<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL<br /> |-<br /> |}</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73828 2015-09-16T14:45:21Z

<p>Darsha: /* .·:*¨*:·.Description.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60% <br /> * Participation: 40%<br /> <br /> ==.·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·.==<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}</div>

Darsha https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=GMU:The_Unstrument&diff=73827 2015-09-16T14:44:20Z

<p>Darsha: /* .·:*¨*:·.Description.·:*¨*:·. */</p> <hr /> <div>===.·:*¨*:·..·:*¨*:·.ExPeriMenTing.·:*¨*:·..·:WiTh.·:*¨*:·.tHe.·:*¨*¨*PhYsicAL·:*¨*:·.·:*¨*¨*:DiMenSioN.·:*¨*¨*:oF.·:*¨*:·..·:*¨*:·..·:*¨*:·.SoUNd.·:*¨*:·.!.·:*¨*:===<br /> [[:Category:Fachmodul|Fachmodul]]/[[:Category:Werkmodul|Werkmodul]]&lt;br /&gt;<br /> ''Lecturer:'' [[:Category:Darsha_Hewitt|Darsha Hewitt]]&lt;br /&gt;<br /> ''Credits:'' 6 [[ECTS]], 4 [[SWS]]&lt;br /&gt;<br /> ''Date:'' Blockmodul (see timetable below)&lt;br /&gt;<br /> ''Venue:'' [[Marienstraße 5]], Room 201&lt;br /&gt;<br /> ''First meeting:'' Friday, 8 January, at 10:00 - 15:00<br /> <br /> ===.·:*¨*:·.Description.·:*¨*:·.===<br /> The Unstrument emphasizes the physical aspect of sound through exercises that look at how various forms of waves in space intersect with bodies and inhabit objects and environments. This course aims to draw out a variety of critical positions through the act of listening, making matter resonate and deconstructing the idea of noise. Here, sound is a medium meant to be explored as a raw material for art-making that includes installation, performance, do-it-yourself (DIY) electronics and happenings.<br /> <br /> * Assignments: 60%<br /> * Participation: 40% (20% in class exchange/20% documentation)<br /> <br /> ==.·:*¨*:·.Course hashtag #wemakemachinesnotart.·:*¨*:·.==<br /> <br /> The Unstrument legt ein Hauptaugenmerk auf die Ergründung physikalischer Aspekte von Klang und wie dessen unterschiedliche Wellenformen mit Körpern im Raum interagieren und diesen Raum und darin befindliche Objekte beeinflussen.<br /> Dieser Kurs zielt darauf ab durch den Vorgang des Hörens, den Akt Materie in Schwingung zu versetzen als auch Dekonstruktivismus der Vorstellung von Noise unterschiedliche kritische Positionen zu skizzieren. Hier soll Klang auf seine Nutzbarkeit als Rohmaterial für Kunst, die Installation, Performance, DIY Elektronik und Happenings einschliesst, untersucht werden.<br /> <br /> * Antragen: 60%<br /> * Teilnahme: 40%<br /> <br /> ==.·:*¨*:·.IMPORANT.·:*¨*:·.==<br /> 1 - This is a studio course where students are given time and space in class to develop their work. Presence is taken very seriously. Late arrivals and absence are not tolerated.<br /> <br /> 2 – Students studying in Media Arts Environments (GMU) have priority for this course<br /> <br /> 3 – Register with letter of motivation via email before 13.10.2015 (darsha.hewitt@uni-weimar.de) that includes <br /> * Your program, semester of study <br /> * A brief statement of interest <br /> * A statement acknowledging that they have read the course description and can commit to the class schedule <br /> <br /> 4 – There is at 15€ material fee for this course<br /> <br /> <br /> * This is a block module course condensed into three weeks - students please ensure you are available for the dates outlined below.<br /> <br /> ==.·:*¨*:·.Course Timetable.·:*¨*:·.==<br /> '''Subject to change'''<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> | 08.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | LECTURE DAY: The Experimental Loud Speaker<br /> |-<br /> | 09.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> | STUDIO DAY<br /> |-<br /> | 10.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 1<br /> |STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 15.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | LECTURE DAY: WAVES<br /> |-<br /> | 16.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY<br /> |-<br /> | 17.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 2<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 22.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | LECTURE DAY: VIBRATIONS<br /> |-<br /> | 23.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY<br /> |-<br /> | 24.01.16<br /> | 10:00 - 15:00<br /> | BLOCK 3<br /> | STUDIO DAY + ASSIGNMENT PRESENTATION (20%)<br /> |-<br /> | 26.02.16<br /> | ~<br /> | ~<br /> | SUBMIT FINAL DOCUMENTATION/SUPPORT MATERIAL (20%)<br /> |-<br /> |}</div>

Darsha