Medien Wiki - User contributions [en]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Cornelius Jamilah

2013-04-29T16:04:56Z

Cornelio:

Question: "How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc."

Jamilah:

There's immediacy in film and video. We watch content and it registers in our mind as some kind of organized structure. We may not be able to interpret it one way or another but the image is received.

I'm interested in disfluency. When things don't quite add up. It really starts with language and my problem with it. It’s more that we’re conditioned by language and shifting from the common cultural mode of communicating is difficult since most of us have been brought up in a society that favors the external language mode instead of self-contained interior being with your sensations.

In Butoh you are just going deeper. It’s anarchy. You’re just letting things go through you. Most dance and theater is almost always on a word like level. I’m going to become anger—now express it. In Butoh you have the ability to become something without acting it but embodying it in someway.

In general, most people are compelled to find meaning in things classified as performance or art. Our bodies are complex entities and for some reason we neglect our senses. “What does it mean?” I’ve heard in the background from viewers of dance performances, art exhibitions, etc. Spending time watching documentation of performances by the Butoh troupe, Sankai Juku, I realize it defies description—verbal language. As I watch the dancers shift in to and out of and through space, it’s as if my brain is just operating in the mode of image thought and sensory thought, not language thought at all. Zen masters often say that you can’t talk about certain experiences, it’s not ineffable its just too intimate, internal to be restated in anyway.

In regards to transcontinental collaboration--creating true affective experiences can be achieved if that's the goal of the collaborators.

Cornelius:

The medium has a big influence on the message which is transported but the medium needs a message to become important.
In our case with transcontinental communication a perfect connection is important. Therefore we need great sound quality but also the quality of video is very important to avoid misunderstandings.

Question: "American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?"

Jamilah:

It makes me think that space is embodied. To hear a sound that doesn't seem to fit the location would trigger memory--the process of remembering a familiar sound, seeing an image of that sound. It may turn into an affective memory if we give it time. We trace the sound to a place from our past and perhaps relive that memory or experience the moment a little bit deeper.
The sonic environment can truly become something new.

Cornelius:

It is possible to give a space a different meaning. Normally sound is always linked to an image in a way that makes sense or seems to be logic. What you see is what you hear. It gets interesting if this relation stops.
In our example (exchanging sounds from recorded places in Weimar and San Diego):
For people who don't know either region, the transformed video could make sense.
The difference has to be immense to start thinking, or you would have to know the regions and its sounds you are seeing.
The switch of sounds can sharpen our awareness of listening.

Question: "How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?"

Jamilah:

The moment becomes uncanny.

Cornelius:

If the Sound from a device does not meet the listeners expectation, he first will be distracted. Then he will pay more attention to the content because he has to start thinking about what he is listening.

Mixed Videos:
[https://www.dropbox.com/s/tteh8zl9kl6kezb/Video%20SD%20-%20Audio%20W.mov]
[https://www.dropbox.com/s/hpmzlvf9l350xl9/Video%20W%20-%20Sound%20SD.mov]

Original Videos:
[https://www.dropbox.com/s/x5dr6n9z83177mr/otaylakes.mov]
[https://www.dropbox.com/s/i2qt0uwbpr623v9/Weimar%20movie.mov]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Cornelius Jamilah

2013-04-29T16:00:45Z

Cornelio:

Question: "How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc."

Jamilah:

There's immediacy in film and video. We watch content and it registers in our mind as some kind of organized structure. We may not be able to interpret it one way or another but the image is received.

I'm interested in disfluency. When things don't quite add up. It really starts with language and my problem with it. It’s more that we’re conditioned by language and shifting from the common cultural mode of communicating is difficult since most of us have been brought up in a society that favors the external language mode instead of self-contained interior being with your sensations.

In Butoh you are just going deeper. It’s anarchy. You’re just letting things go through you. Most dance and theater is almost always on a word like level. I’m going to become anger—now express it. In Butoh you have the ability to become something without acting it but embodying it in someway.

In general, most people are compelled to find meaning in things classified as performance or art. Our bodies are complex entities and for some reason we neglect our senses. “What does it mean?” I’ve heard in the background from viewers of dance performances, art exhibitions, etc. Spending time watching documentation of performances by the Butoh troupe, Sankai Juku, I realize it defies description—verbal language. As I watch the dancers shift in to and out of and through space, it’s as if my brain is just operating in the mode of image thought and sensory thought, not language thought at all. Zen masters often say that you can’t talk about certain experiences, it’s not ineffable its just too intimate, internal to be restated in anyway.

In regards to transcontinental collaboration--creating true affective experiences can be achieved if that's the goal of the collaborators.

Cornelius:

The medium has a big influence on the message which is transported but the medium needs a message to become important.

Question: "American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?"

Jamilah:

It makes me think that space is embodied. To hear a sound that doesn't seem to fit the location would trigger memory--the process of remembering a familiar sound, seeing an image of that sound. It may turn into an affective memory if we give it time. We trace the sound to a place from our past and perhaps relive that memory or experience the moment a little bit deeper.
The sonic environment can truly become something new.

Cornelius:

It is possible to give a space a different meaning. Normally sound is always linked to an image in a way that makes sense or seems to be logic. What you see is what you hear. It gets interesting if this relation stops.
In our example (exchanging sounds from recorded places in Weimar and San Diego):
For people who don't know either region, the transformed video could make sense.
The difference has to be immense to start thinking, or you would have to know the regions and its sounds you are seeing.
The switch of sounds can sharpen our awareness of listening.

Question: "How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?"

Jamilah:

The moment becomes uncanny.

Cornelius:

If the Sound from a device does not meet the listeners expectation, he first will be distracted. Then he will pay more attention to the content because he has to start thinking about what he is listening.

Mixed Videos:
[https://www.dropbox.com/s/tteh8zl9kl6kezb/Video%20SD%20-%20Audio%20W.mov]
[https://www.dropbox.com/s/hpmzlvf9l350xl9/Video%20W%20-%20Sound%20SD.mov]

Original Videos:
[https://www.dropbox.com/s/x5dr6n9z83177mr/otaylakes.mov]
[https://www.dropbox.com/s/i2qt0uwbpr623v9/Weimar%20movie.mov]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Cornelius Jamilah

2013-04-29T15:59:58Z

Cornelio:

Question: "How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc."

Jamilah:

There's immediacy in film and video. We watch content and it registers in our mind as some kind of organized structure. We may not be able to interpret it one way or another but the image is received.

I'm interested in disfluency. When things don't quite add up. It really starts with language and my problem with it. It’s more that we’re conditioned by language and shifting from the common cultural mode of communicating is difficult since most of us have been brought up in a society that favors the external language mode instead of self-contained interior being with your sensations.

In Butoh you are just going deeper. It’s anarchy. You’re just letting things go through you. Most dance and theater is almost always on a word like level. I’m going to become anger—now express it. In Butoh you have the ability to become something without acting it but embodying it in someway.

In general, most people are compelled to find meaning in things classified as performance or art. Our bodies are complex entities and for some reason we neglect our senses. “What does it mean?” I’ve heard in the background from viewers of dance performances, art exhibitions, etc. Spending time watching documentation of performances by the Butoh troupe, Sankai Juku, I realize it defies description—verbal language. As I watch the dancers shift in to and out of and through space, it’s as if my brain is just operating in the mode of image thought and sensory thought, not language thought at all. Zen masters often say that you can’t talk about certain experiences, it’s not ineffable its just too intimate, internal to be restated in anyway.

In regards to transcontinental collaboration--creating true affective experiences can be achieved if that's the goal of the collaborators.

Cornelius:

The medium has a big influence on the message which is transported but the medium needs a message to become important.

Question: "American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?"

Jamilah:

It makes me think that space is embodied. To hear a sound that doesn't seem to fit the location would trigger memory--the process of remembering a familiar sound, seeing an image of that sound. It may turn into an affective memory if we give it time. We trace the sound to a place from our past and perhaps relive that memory or experience the moment a little bit deeper.
The sonic environment can truly become something new.

Cornelius:

It is possible to give a space a different meaning. Normally sound is always linked to an image in a way that makes sense or seems to be logic. What you see is what you hear. It gets interesting if this relation stops.
In our example (exchanging sounds from recorded places in Weimar and San Diego):
For people who don't know either region, the transformed video could make sense.
The difference has to be immense to start thinking, or you would have to know the regions and its sounds you are seeing.
The switch of sounds can sharpen our awareness of listening.

Question: "How does an instrument through which sound is transmitted shape our expectation and the perception of it (loudspeaker, telephone, alarm-clock), in other words, what if the expectation is not met, what impact can this have on our perception?"

Jamilah:

The moment becomes uncanny.

Cornelius:

If the Sound from a device does not meet the listeners expectation, he first will be distracted. Then he will pay more attention to the content because he has to start thinking about what he is listening.

If the
Mixed Videos:
[https://www.dropbox.com/s/tteh8zl9kl6kezb/Video%20SD%20-%20Audio%20W.mov]
[https://www.dropbox.com/s/hpmzlvf9l350xl9/Video%20W%20-%20Sound%20SD.mov]

Original Videos:
[https://www.dropbox.com/s/x5dr6n9z83177mr/otaylakes.mov]
[https://www.dropbox.com/s/i2qt0uwbpr623v9/Weimar%20movie.mov]

EKK:LoFi Sounds in HiFi Spaces/Mingling sounds/Cornelius Jamilah

2013-04-29T14:22:34Z

Cornelio:

"the medium is in the message"

There's immediacy in film and video. We watch content and it registers in our mind as some kind of organized structure. We may not be able to interpret it one way or another but the image is received.

I'm interested in disfluency. When things don't quite add up. It really starts with language and my problem with it. It’s more that we’re conditioned by language and shifting from the common cultural mode of communicating is difficult since most of us have been brought up in a society that favors the external language mode instead of self-contained interior being with your sensations.

In Butoh you are just going deeper. It’s anarchy. You’re just letting things go through you. Most dance and theater is almost always on a word like level. I’m going to become anger—now express it. In Butoh you have the ability to become something without acting it but embodying it in someway.

In general, most people are compelled to find meaning in things classified as performance or art. Our bodies are complex entities and for some reason we neglect our senses. “What does it mean?” I’ve heard in the background from viewers of dance performances, art exhibitions, etc. Spending time watching documentation of performances by the Butoh troupe, Sankai Juku, I realize it defies description—verbal language. As I watch the dancers shift in to and out of and through space, it’s as if my brain is just operating in the mode of image thought and sensory thought, not language thought at all. Zen masters often say that you can’t talk about certain experiences, it’s not ineffable its just too intimate, internal to be restated in anyway.

In regards to transcontinental collaboration--creating true affective experiences can be achieved if that's the goal of the collaborators.

"re: Bill Fontana"
It makes me think that space is embodied. To hear a sound that doesn't seem to fit the location would trigger memory--the process of remembering a familiar sound, seeing an image of that sound. It may turn into an affective memory if we give it time. We trace the sound to a place from our past and perhaps relive that memory or experience the moment a little bit deeper.
The sonic environment can truly become something new.

"instrument through which sound is transmitted..." The moment becomes uncanny.

Mixed Videos:
[https://www.dropbox.com/s/tteh8zl9kl6kezb/Video%20SD%20-%20Audio%20W.mov]
[https://www.dropbox.com/s/hpmzlvf9l350xl9/Video%20W%20-%20Sound%20SD.mov]

Original Videos:
[https://www.dropbox.com/s/x5dr6n9z83177mr/otaylakes.mov]
[https://www.dropbox.com/s/i2qt0uwbpr623v9/Weimar%20movie.mov]

EKK:LoFi Sounds in HiFi Spaces/Cornelio

2013-04-22T09:27:20Z

Cornelio: Created page with "==Personal Information== My name is Cornelius Waiblinger and i am a Master student of "Media Art" at the Bauhaus University Weimar. I have been studying a Bachelor in "Digital Te..."

==Personal Information==
My name is Cornelius Waiblinger and i am a Master student of "Media Art" at the Bauhaus University Weimar.
I have been studying a Bachelor in "Digital Telivision/TV Production". Afterwards I have been working working for two years in TV/Movie Business. Then i decided to focus on my auditive Interests and came to Weimar for "Electroacustic Composition".
[[File:Cornelius.png|thumb]]

==Interests==
I have always been interested in creating music on computers. My main goal is to make atmospheres for movies but i am pretty open minded to everything concerning audio/video.

==Platforms==
I am working with Mac OS X. Skype: corneliuswaiblinger@hotmail.de

EKK:LoFi Sounds in HiFi Spaces

2013-04-22T09:26:25Z

Cornelio: /* Weimar */

[[:Category:Projektmodul|Projektmodul]] 
''Lecturers:'' [[Robin Minard]], [[/miller|Miller Puckette]], Katharina Rosenberger, [[/Shahrokh|Shahrokh Yadegari]], [[Ludger Hennig]], [[Max Neupert]] 
''Credits:'' 18 [[ECTS]], 16 [[SWS]] 
''Date:'' Monday, 18:00 until 21:30 h (due to the time difference to San Diego) 
''Venue:'' [[Coudraystraße 13a]], SeaM Werkstattstudio 
''First meeting:'' 15.04.2013

==Description==
The sensation of space through spatialized sound may be influenced by sources that differ in their quality and quantity. Within this project, we will investigate ways to modify, expand or augment how space can be experienced through sound. The outcome may be, for instance, an electroacoustic composition, a simulation of spatial perception, sonic architecture or a set-design as a virtual or performative environment.

This project is the beginning of a long-term cooperation between the Bauhaus-Universität Weimar and the University of California in San Diego. Partners in Weimar are Prof. Robin Minard and Ludger Hennig from the Studio for Electroacoustic Music (SeaM) and Max Neupert (Medial Environments). Partners in San Diego are Prof. Miller Puckette (Computer Music), Prof. Katharina Rosenberger (Music) and Prof. Shahrokh Yadegari (Theatre and Dance). Telematic classes will allow students from both faculties to work together. Classes will take place in Weimar in the evening, mid-morning in San Diego. The cooperation is funded by the German Academic Exchange Service (DAAD).

===German description===
Die Wahrnehmung von Raum durch verräumlichten Klang, kann durch Klangquellen beeinflusst werden, welche sich in ihrer Qualität und Quantität unterscheiden. In diesem Projekt werden wir untersuchen, auf welche Art wir die Erfahrung von Raum durch den Klang verändern, erweitern oder verbessern können. Das Ergebnis kann beispielsweise eine elektroakustische Komposition, eine Simulation einer räumlichen Wahrnehmung, klangliche Architektur oder ein Bühnenbild als virtuelle oder performative Umgebung sein.

Dieses Projekt ist der Beginn einer langfristigen Zusammenarbeit zwischen der Bauhaus-Universität und der Universität von Kalifornien in San Diego. Partner aus Weimar sind Prof. Robin Minard und Ludger Hennig vom Studio für Elektoakustische Musik (SeaM) und Max Neupert (Gestaltung medialer Umgebungen). Partner aus San Diego sind Prof. Miller Puckette (Computermusik), Prof. Katharina Rosenberger (Musik) und Prof. Shahrokh Yadegari (Theater und Tanz). Gemeinsamer Unterricht mit einer Videoverbindung wird es den Studierenden beider Universitäten ermöglichen, zusammen zu arbeiten. Der Unterricht wird in Weimar am Abend und vormittags in San Diego stattfinden. Die Zusammenarbeit wird vom Deutschen Akademischen Austauschdienst (DAAD) gefördert.

==Werk/Fachmodule==
We recommend the Werk/Fachmodul [[GMU:Dataflow II]] and/or Ludger Hennigs soundscapes class along with this Project module.

==Assignments==
# [[/Making connection/]]

==Evaluation==
Active participation, presentation, artistic examination, documentation, edits in the wiki.

==Participants==
===Weimar===
* [[/Max/]] (you may use this as a template for your self-introduction)
* [[/Rico/]]
* [[/Alex/]]
* [[/Alice/]]
* [[/Jonas/]]
* [[/Andre/]]
* [[/Paul/]]
* [[/Ben/]]
* [[/Ludwigberger/]]
* [[/TimH/]]
* [[/Dorian/]]
* [[/Clemens/]]
* [[/Ives/]]
* [[/Cornelio/]]

===San Diego===
* [[/Brendan Bernhardt Gaffney/]]
* [[/Kevin/]]
* [[/Melanie/]]
* [[/Jeffrey/]]
* [[/Bo/]]
* [[/Andy/]]
* [[/Jamilah/]]
* [[/Marcelo/]]
* [[/Ryan Welsh/]]
* [[/ElisabetCurbelo/]]
* [[/Joe Cantrell/]]
* [[/czyskows/]]
* [[/miller/]]
* [[/NickDrashner/]]
* [[/Shahrokh/]]

* [[/CarolineMiller/]]

==Syllabus==
ISO Standard: MONTH/DAY
# 04/01 Only in San Diego (Easter Monday is holiday in Germany; Robin, Ludger and Max join via Skype/Google+ Hangout) faculty presentations about technical means and/or artistic issues. Introduction to the wiki.
# 04/08 Only in San Diego – faculty presentations continued. Miller - Rasberry Pi as an audio and video platform. Shahrokh - Mugic protocol; video walls
# 04/15 First joint class
# 04/22 Robin, Ludger and Max are in San Diego
# 04/29
# 05/06
# 05/13
# 05/20
# 05/27 Only in Weimar (Memorial day in the U.S.)
# 06/03
# 06/10
# 06/17
# 06/24
# 07/01

==Literature==
* Föllmer, Golo: Netzmusik, Wolke Verlag ISBN 3936000336
* LaBelle, Brandon: Background Noise ISBN 9780826418456
* LaBelle, Brandon: Site of Sound: Or Architecture and the Ear ISBN 978-0982743904
* Minard, Robin: Silent Music ISBN 978-3933257130
* Minard, Robin: Sound Installation Art
* Leitner, Bernard: Sound:Space ISBN 978-3893224449

Pd books:
{{Template:PdBooks}}

==Links==
* [https://groups.google.com/forum/#!forum/buw-ucsd-class Google Group BUW-UCSD-class]
* [https://puredata.info/docs/raspberry-pi Pure Data on the Raspberry Pi]

===Sending data over the network===
* [[OSC]]
* netsend/netreceive, netserver/netclient. In Pd look at <tt>mrpeach</tt> and <tt>iemnet libraries</tt>
* [http://ivl.calit2.net/wiki/index.php/StreamingGraphics Mugic]

===Sending Audio and Video over the Internet===
* [[wikipedia:Audio Video Bridging]] AVB is a set of standards for audio and video transmission by the IEEE

====Intended for Communcation====
* [http://www.skype.com Skype] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [https://tools.google.com/dlpage/hangoutplugin Google+ Hangout] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] (Seems to work best in Chome/Chromium)
* [http://www.oovoo.com ooVoo] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.voxox.com voxox] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://line.naver.jp/en LINE] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamviewer.com TeamViewer] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://www.teamspeak.com TeamSpeak] [[File:Icon newtux 16x16.png]] [[File:Icon android 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

Teleconferencing
* [http://www.polycom.com Polycom] [[File:Icon windows8 16x16.png]] System available in Weimar
* [http://www.radvision.com/Products/Video-Conference-Systems Radvision Scopia] [[File:Icon windows8 16x16.png]]
* [http://www.lifesize.com Livesize] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]] System available in San Diego

Unidirectional only (aka streaming)
* [http://giss.tv Global Independent Streaming Support], [http://giss.tv/wiki/index.php/Main_Page G.I.S.S wiki]
* [http://www.ustream.tv Ustream]
* [http://www.justin.tv justin.tv]

====Intended for Performance/Creative Use====
* [http://code.sat.qc.ca/redmine/projects/scenic/wiki/Scenic_fr Scenic] Audio and video in high quality, as well as MIDI [[File:Icon newtux 16x16.png]]
* [http://code.google.com/p/jacktrip JackTrip] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] a network extension for [http://jackaudio.org/ Jack Audio Connection Kit] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://gstreamer.freedesktop.org GStreamer] and bindings for Pd: [http://umlaeute.mur.at/Members/zmoelnig/projects/pdgst PdGst] [[File:Icon newtux 16x16.png]]
* netsend~ for Max/MSP and Pd: [http://www.nullmedium.de/dev/netsend~ Olaf Matthes' Original Version] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]], [http://www.olivierguillerminet.com/portfolio/netsend Olivier Guillerminet's/Remu's Fork] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]
* [http://code.google.com/p/streaming-audio Streaming Audio Manager (SAM)] by [https://ccrma.stanford.edu/~danielsm/research.html Michelle Daniels] [[File:Icon newtux 16x16.png]] [[File:Icon apple 16x16.png]] [[File:Icon windows8 16x16.png]]

===Performing Remotely===
* [http://www.netpd.org NetPd]
* [http://at.or.at/serendipd SerendiPd] collaborative patching

User:Cornelio

2013-04-18T10:49:38Z

Cornelio:

User:Cornelio

2013-04-15T16:37:28Z

Cornelio:

User:Cornelio

2013-04-15T16:36:52Z

Cornelio:

==Personal Information==
My name is Cornelius Waiblinger and i am a Master student of "Media Art" at the Bauhaus University Weimar.
I have been studying a Bachelor in "Digital Telivision/TV Production". Afterwards I have been working working for two years in TV/Movie Business. Then i decided to focus on my auditive Interests and came to Weimar for "Electroacustic Composition".

==Interests==
I have always been interested in creating music on computers. My main goal is to make atmospheres for movies but i am pretty open minded to everything concerning audio/video.

==Platforms==
I am working with Mac OS X.

File:Cornelius.png

2013-04-15T16:34:07Z

Cornelio:

== Summary ==

== Copyright status: ==
Cornelius Waiblinger
== Licensing ==
{{self|c}}
== Source: ==
Cornelius Waiblinger

User:Cornelio

2013-04-15T16:31:15Z

Cornelio:

My name is Cornelius Waiblinger and i am a Master student of "Media Art" at the Bauhaus University Weimar.
I have been studying a Bachelor in "Digital Telivision/TV Production". Afterwards I have been working working for two years in TV/Movie Business. Then i decided to focus on my auditive Interests and came to Weimar for "Electroacustic Composition".

==Interests==
I have always been interested in creating music on computers. My main goal is to make atmospheres for movies but i am pretty open minded to everything concerning audio/video.

==Platforms==
I am working with Mac OS X.

[[File:Example.jpg]]

User:Cornelio

2013-04-15T16:25:45Z

Cornelio: Created page with "My name is Cornelius Waiblinger and i am a Master student of "Media Art" at the Bauhaus University Weimar. I have been studying a Bachelor in "Digital Telivision/TV Production". ..."