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GMU:Appropriation within Digital Worlds/Bora Bayindir

2018-10-14T23:23:36Z

Borabayindir:

==[[Bora Bayindir]: Turkish Culture in Germany - part 1 - Rap==
 
[[File:Senersen.jpg||750px]]
 

Turkish-German Rap
The Hip Hop genre in Germany has the impact of immigrants, mostly Turkish ones. Since the both parents were working in more than one job, it was hard for them to take care of the children. This led them to hangout in neighborhoods. On this project Ulas and I tried to research how this subculture has place in Germany.
With critical view, and humor i go through some of the famous examples from that genre. There are so many different examples but it is possible to track similarities in them.

The songs are :
- MC Bogy feat. Kool Savas "Schockwelle"
- Haftbefehl – 069
- Alpa Gun - Made in Türkiye ft. Sami 51
- EKO FRESH HALT DIE FRESSE 04 NR. 157

DESCRIPTION 
Between 1961-1973 Germany accepted Turkish immigrants as guest workers (Gastarbeiter). In the beginning, those workers were supposed to come to Germany and work for a while then go back to Turkey.
Some of them went back to Turkey and others stayed. After 1973, many Turkish people kept coming to Germany with the family connection, marriage, business or illegally.
In the last 57 years, the Turkish population in Germany has reached about 3-3.5 million. Now, there is the 3rd or 4th generation.

That migration has affected both of countries and still, it’s affecting. Cultural, political, economical cases cause/provide common productive language in media such as films, music. In Turkey, last 57 years, there have
been produced countless sounds, movies, documentaries, posters, ads etc.

[ video link ]
 

Documentation 
Movies:

Canım Kardeşim "My Dear Brother", Ertem Eğilmez, 1973
Baba "Father", Yılmaz Güney, 1971
Banker Bilo "Banker Bilo", Ertem Eğilmez, 1980
Almanya'da bir Türk kızı " A Turkish Girl in Germany", Oksal Pekmezoğlu, 1973
Almanya Acı Vatan "Deutschland Bitterland", Şerif Gören, 1979
Gurbetçi Şaban "Gastarbeiter Şaban", 1985
Polizei, Şerif Gören, 1988

GMU:Appropriation within Digital Worlds/Bora Bayindir

2018-10-14T18:37:13Z

Borabayindir: Created page with "==[[Bora Bayindir]: Turkish Culture in Germany - part 1 - Rap== 750px DESCRIPTION Between 1961-1973 Germany accepted Turkish immigrants a..."

==[[Bora Bayindir]: Turkish Culture in Germany - part 1 - Rap==
 
[[File:Senersen.jpg||750px]]
 

DESCRIPTION 
Between 1961-1973 Germany accepted Turkish immigrants as guest workers (Gastarbeiter). In the beginning, those workers were supposed to come to Germany and work for a while then go back to Turkey.
Some of them went back to Turkey and others stayed. After 1973, many Turkish people kept coming to Germany with the family connection, marriage, business or illegally.
In the last 57 years, the Turkish population in Germany has reached about 3-3.5 million. Now, there is the 3rd or 4th generation.

That migration has affected both of countries and still, it’s affecting. Cultural, political, economical cases cause/provide common productive language in media such as films, music. In Turkey, last 57 years, there have
been produced countless sounds, movies, documentaries, posters, ads etc.

[ video link ]
 

Documentation 
Movies:

Canım Kardeşim "My Dear Brother", Ertem Eğilmez, 1973
Baba "Father", Yılmaz Güney, 1971
Banker Bilo "Banker Bilo", Ertem Eğilmez, 1980
Almanya'da bir Türk kızı " A Turkish Girl in Germany", Oksal Pekmezoğlu, 1973
Almanya Acı Vatan "Deutschland Bitterland", Şerif Gören, 1979
Gurbetçi Şaban "Gastarbeiter Şaban", 1985
Polizei, Şerif Gören, 1988

File:Senersen.jpg

2018-10-14T18:10:46Z

Borabayindir: File uploaded with MsUpload

File uploaded with MsUpload

GMU:Appropriation within Digital Worlds

2018-10-14T17:55:45Z

Borabayindir: /* STUDENTWORKS */

Lecturer: [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Jörg_Brinkmann Jörg Brinkmann] 
Credits: 6 ECTS, 4 SWS 
Date: Thursdays, 17:00 - 20:30 
Venue: Performance Platform, Digital Bauhaus Lab (Room 001) 
First meeting: Thursday, April 12th 2018, 17:00 

 

'''DESCRIPTION''' 
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them.
The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts).
In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. A notable example are the Readymades of Marcel Duchamp.

But when is appropriation a homage, when is it art and when is it just plain plagiarism? And what are the effects of technology on this ongoing appropriation? Now that boundaries of authenticity and originality are even more blurred, artists (indeed anyone) can recycle and re-upload images, text and audio material more quickly and easily than ever before. Sampling, remixing and mashups proliferate online, and allow people to even adopt a social media profile that appropriates or parodies a well-known persona.

In this course we will look at contemporary artistic strategies of appropriation. We will discuss artforms like Post-Internet art that embraces meme-culture, or music styles like Vapourwave that appropriates 1980s and 1990s styles of mood music.

We will investigate, question and challenge modern and historical concepts related to the topic and create artistic works that can be presented in the form of live performances, video works or installations. The course supports and excercises independent,
self-motivated work. Together, we will create an environment in which students can produce and discuss their own subjects related to the matter.

'''CRITERIA FOR PASSING''' 
In order to successfully participate you will have to develop and document your own project on the GMU Wiki. Also, regularly attend to the sessions and participation is mandatory.

'''LANGUAGE''' 
The course will be in English, unless all participants are speaking German.

== '''STUDENTWORKS''' ==
*[[/Ulas Yener|Ulas Yener]]
*[[/Suriñe G.-Pozuelo Iglesias|Suriñe G.-Pozuelo Iglesias]]
*[[/Lise Epinat|Lise Epinat]]
*[[/Holly Kempton|Holly Kempton]]
*[[Ruo-Jin Yen]]
*[[Eduardo Moreno]]
*[[Grace Quintero]]
*[[Sarah Pacheco Alvim]]
*[[Nicha Boonyawairote]]
*[[Marie Ebel]]
*[[Sarah Hermanutz]]
*[[Forat Elalfy]]
*[[Arina Mozzherikova]]
*[[Wisanu Phu-artdun]]
*[[Fabian Krzich]]
*[[/Bora Bayindir|Bora Bayindir]]

== '''12.04.2018''' ==
Introduction

== '''19.04.2018''' ==
Lecture

== '''26.04.2018''' ==
Student presentation

== '''03.05.2018''' ==
Workshop

== '''17.05.2018''' ==
'''Consultations (Marienstr. 5, Room 208)''' 
10:00 - 10:30 (Suriñe G.-Pozuelo Iglesias) 
10:30 - 11:00 (put your name here) 
11:00 - 11:30 Lise Epinat 
11:30 - 12:00 Forat Elalfy 
– 
13:00 - 13:30 Nicha Boonyawairote 
13:30 - 14:00 Marie Ebel 
14:00 - 14:30 Eduardo Moreno 
14:30 - 15:00 Grace Quintero 
– 
16:00 - 16:30 (put your name here) 
16:30 - 17:00 Sarah Alvim 
17:00 - 17:30 Arina Mozzherikova 
17:30 - 18:00 Sarah Hermanutz 
18:00 - 18:30 Rachel 
18:30 - 19:00 Fabian Krzich 

== '''24.05.2018''' ==
Lecture

== '''31.05.2018''' ==
Student presentation

== '''07.06.2018''' ==
Workshop

== '''14.06.2018''' ==
'''Consultations (Marienstr. 5, Room 208)''' 
11:00 - 11:30 Lise Epinat 
11:30 - 12:00 Holly Kempton 
– 
13:00 - 13:30 Sarah H 
13:30 - 14:00 
14:00 - 14:30 Chloe Yoon 
14:30 - 15:00 Wisanu Phu-artdun(Q) 
15:30 - 16:00 Grace Quintero 
16:00 - 16:30 Eduardo Moreno 
16:30 - 17:00 Sarah P. 
17:30 - 18:00 Nicha Boonyawairote 
18:00 - 18:30 Marie Ebel

== '''21.06.2018''' ==
lab time: working on your projects

== '''28.06.2018''' ==
lab time: working on your projects

== '''05.07.2018''' ==
lab time: working on your projects

== '''12.07.2018''' ==
Summaery Exhibition

== '''APPROPRIATION TOOLBOX''' ==

'''Software''' 
Audacity - free, open source, cross-platform audio software for multi-track recording and editing 
https://www.audacityteam.org 

OpenShot - free, open source, cross platform video Editor 
https://www.openshot.org 

GIMP - GNU Image Manipulation Program 
https://www.gimp.org 

Open Broadcaster Software - free and open-source streaming and recording program 
https://obsproject.com 

JDownloader - free, open-source download management tool 
http://jdownloader.org 

HandBrake – The open source video transcoder 
https://handbrake.fr 

Infovox iVox: The most natural sounding Text to Speech voices yet for Mac OS X 
http://www.assistiveware.com/product/infovox-ivox 

 

'''sources''' 
Internet Archive is a non-profit library of millions of free books, movies, software, music, websites, and more 
https://archive.org 

UbuWeb – All avant-garde. All the time. 
http://ubuweb.com 

Freesound: collaborative database of creative-commons licensed sound for musicians and sound lovers 
https://freesound.org 

Youtube – video-sharing website… 
https://www.youtube.com 

Know Your Meme: Internet Meme Database 
http://knowyourmeme.com 

[[Category:SS18]]
[[Category:Werkmodul]]
[[Category:Fachmodul]]
[[Category:Jörg Brinkmann]]