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	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14669</id>
		<title>How can I Transmit via Satellite?</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14669"/>
		<updated>2010-08-28T16:57:26Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* &amp;quot;The Great Brazilian Sat-Hack Crackdown&amp;quot; */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==&#039;&#039;&#039;Send it via outer space&#039;&#039;&#039;==&lt;br /&gt;
&#039;&#039;Some thoughts and ideas on satellite transmission&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==How can I send via Satellite==&lt;br /&gt;
At HMKV Dortmund in the Workshop [[Satellite Border Footprint|Satellite/Border/Footprint]] the question came up if it would be possible to send directly to a satellite. During the workshop a lot of art projects were shown, that work with received satellite data. The shown projects update the already existing Artist Working With Satellites List by [[Max Neupert]]. [[Satellite Border Footprint/Lisa Parks|Lisa Parks]] showed satellite TV enthusiasts covering their whole house with sat dishes to receive a broad range of signals. She showed as well improvised, hand crafted dishes made of metal pots. So there are ways to receive.&lt;br /&gt;
But is it possible to send information directly via satellite in the context of an artistic project or open technology? Of course it is but realization depends on laws and at least on the budget. So what can one do? Collect information and calculate.....&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Transmission ==&lt;br /&gt;
&lt;br /&gt;
*Antennas, Receivers, Transmitters, Transponders and Encryption - technological basics&lt;br /&gt;
&lt;br /&gt;
*Transmitting/Receiving&lt;br /&gt;
&lt;br /&gt;
Sharing information via electro magnetic fields is a highly protected form of communication. A small number of frequencies can be received for several applications in everyday life e.g Radio(UHF), TV(UHF/Satellite), Internet 2.4 GHz. surveillance cameras 2.4 GHz, GPS,... Its allowed to send in some of those frequencies, like in the 2.4 Ghz frequency used for WiFi internet and other civil transmission. Most other Frequencies are forbidden for public use. Radio Amateurs or Ham Radio Amateurs have the right to use some. To become a Radio Amateur one has to pass a quite complex test on technology and laws of radio communication. Unlike the untested public radio user Ham Radio Amateurs are allowed to send on the frequencies they are receiving. The Ham Radio community is a world wide network based on private equipment reaching from very low level to highly advanced technology. Most of the Radio Amateurs search for signals coming from a far out place. The aim of transmission is as well to reach a far away receiver. If another amateur is found both exchange their radio amateur name via voice, talk a bit and log the contact. After a contact, most of Ham Radio Amateurs send each other postcards. Nowadays the internet is integrated in the  For special events Radio Amateurs search in cars with mobile systems for hidden transmitters. The Ham Radio communication structure is supported by several states in form of special activities e.g. satellite launches cause Radio Amateurs could act as a back up communication network in case of emergency or war. HISTORICAL EXAMPLE??? &lt;br /&gt;
The launched satellites are built by private initiatives. The history of home made Satellite goes back to 1960 when a team of 6 Radio Amateurs built a fully functional Satellite named [http://projectoscar.wordpress.com/project-oscar-history OSCAR 1]. The Satellite was launched in Space from WHERE??? and WHO LAUNCHED IT??? It was sending a coded hi from outer space to other [http://projectoscar.wordpress.com/project-oscar-history/oscar-i-newspaper-article Ham Radio Enthusiast]. Nowadays the small group developed into the international AMSAT community for amateur satellites. A Description of all AMSAT satellites and there frequencies as well as an explanation of the transmission process and the equipment is displayed on-line by the [http://www.amsat.org/amsat/intro/sats_faq.html#RTFToC19 AMSAT organisation].&lt;br /&gt;
&lt;br /&gt;
== Becoming a Ham Radio Amateur ==&lt;br /&gt;
One simple way to send via an satellite is to join the radio amateur community. Becoming a ham radio amateur is quite a hard work, but not very complicated. If you learned your lessons from a book, a [http://www.vth.de/shop/funk.html CD-ROM] or [http://www.dj4uf.de/lehrg/index.html on line] you can pass the test at your national agency, that is in charge for radio frequencies. In Germany this is the [http://www.bundesnetzagentur.de Bundesnetzagentur]. The dates for the test in different cities around Germany are sown [http://www.afup.a36.de/aktuell/termine.html here].&lt;br /&gt;
&lt;br /&gt;
== &amp;quot;The Great Brazilian Sat-Hack Crackdown&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.wired.com/politics/security/news/2009/04/fleetcom?currentPage=all#ixzz0xv7SpgIW Wired reports the arrest of 39 people in Brazil hijacking of U.S. military satellite transponders.]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This had been happening for more than five years,&amp;quot; says Celso Campos, of the Brazilian Federal Police. &amp;quot;Since the communication channel was open, not encrypted, lots of people used it to talk to each other.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Some recordings of the transmissions were recorded and uploaded to YouTube:&lt;br /&gt;
http://www.youtube.com/watch?v=s5jFWxGeqSk&lt;br /&gt;
http://www.youtube.com/watch?v=CnVYdByVvNc&lt;br /&gt;
&lt;br /&gt;
Brazilian filmmaker [http://www.imdb.com/name/nm1288848/ Bruno Vianna] just finished a documentary about this case, which is going to be released on September 15th.&lt;br /&gt;
&lt;br /&gt;
More information and recordings at the [http://bogotadeclaration.wordpress.com/2009/08/19/brazillions/ Bogota Declaration blog].&lt;br /&gt;
&lt;br /&gt;
== Satellite communication ==&lt;br /&gt;
Earth is covered by a dynamic shell of secret and official satellites. They are launched by states like China, USA, Japan, Russia, Germany, France, etc... for military and secret service applications. Beside official organisations like  NASA, ESA, DLR, etc... numerous private concerns launch satellites. Those satellites stream live TV casts, transmit TV shows, send SMS or email and transfer data or voice through outer space around the world. The owners of all existing satellites are shown here:............... &lt;br /&gt;
&lt;br /&gt;
== Buying Time on a Private Satellite ==&lt;br /&gt;
* &#039;&#039;&#039;Where can I buy?&#039;&#039;&#039;-------&#039;&#039;&#039;What can I send&#039;&#039;&#039;-------&#039;&#039;&#039;How much does it cost&#039;&#039;&#039;&lt;br /&gt;
* www.iridium.com   -------  SMS, voice, data ------- a phone is about 2000 euro&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Hacking the Signal==&lt;br /&gt;
* Transmitting to a Satellite &lt;br /&gt;
....&lt;br /&gt;
* Hardware/Architecture&lt;br /&gt;
...&lt;br /&gt;
* Source data &lt;br /&gt;
...&lt;br /&gt;
* Encoding&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Launch Your own Satellite ==&lt;br /&gt;
&lt;br /&gt;
* CubeSats&lt;br /&gt;
...&lt;br /&gt;
* How to Build a Satellite&lt;br /&gt;
....&lt;br /&gt;
*Does it has to be verified for space flight?&lt;br /&gt;
.....&lt;br /&gt;
* Where can I Launch it&lt;br /&gt;
....&lt;br /&gt;
* How much does a launch cost?&lt;br /&gt;
....&lt;br /&gt;
* Am I allowed to launch it?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*links&lt;br /&gt;
[http://www.youtube.com/watch?v=FI8syiZFtkw&amp;amp;feature=related] - send an sms via Iridium&lt;br /&gt;
&lt;br /&gt;
http://www.amsat.org/amsat/intro/using-ham-freqs.html&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14668</id>
		<title>How can I Transmit via Satellite?</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14668"/>
		<updated>2010-08-28T16:55:23Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* &amp;quot;The Great Brazilian Sat-Hack Crackdown&amp;quot; */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==&#039;&#039;&#039;Send it via outer space&#039;&#039;&#039;==&lt;br /&gt;
&#039;&#039;Some thoughts and ideas on satellite transmission&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==How can I send via Satellite==&lt;br /&gt;
At HMKV Dortmund in the Workshop [[Satellite Border Footprint|Satellite/Border/Footprint]] the question came up if it would be possible to send directly to a satellite. During the workshop a lot of art projects were shown, that work with received satellite data. The shown projects update the already existing Artist Working With Satellites List by [[Max Neupert]]. [[Satellite Border Footprint/Lisa Parks|Lisa Parks]] showed satellite TV enthusiasts covering their whole house with sat dishes to receive a broad range of signals. She showed as well improvised, hand crafted dishes made of metal pots. So there are ways to receive.&lt;br /&gt;
But is it possible to send information directly via satellite in the context of an artistic project or open technology? Of course it is but realization depends on laws and at least on the budget. So what can one do? Collect information and calculate.....&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Transmission ==&lt;br /&gt;
&lt;br /&gt;
*Antennas, Receivers, Transmitters, Transponders and Encryption - technological basics&lt;br /&gt;
&lt;br /&gt;
*Transmitting/Receiving&lt;br /&gt;
&lt;br /&gt;
Sharing information via electro magnetic fields is a highly protected form of communication. A small number of frequencies can be received for several applications in everyday life e.g Radio(UHF), TV(UHF/Satellite), Internet 2.4 GHz. surveillance cameras 2.4 GHz, GPS,... Its allowed to send in some of those frequencies, like in the 2.4 Ghz frequency used for WiFi internet and other civil transmission. Most other Frequencies are forbidden for public use. Radio Amateurs or Ham Radio Amateurs have the right to use some. To become a Radio Amateur one has to pass a quite complex test on technology and laws of radio communication. Unlike the untested public radio user Ham Radio Amateurs are allowed to send on the frequencies they are receiving. The Ham Radio community is a world wide network based on private equipment reaching from very low level to highly advanced technology. Most of the Radio Amateurs search for signals coming from a far out place. The aim of transmission is as well to reach a far away receiver. If another amateur is found both exchange their radio amateur name via voice, talk a bit and log the contact. After a contact, most of Ham Radio Amateurs send each other postcards. Nowadays the internet is integrated in the  For special events Radio Amateurs search in cars with mobile systems for hidden transmitters. The Ham Radio communication structure is supported by several states in form of special activities e.g. satellite launches cause Radio Amateurs could act as a back up communication network in case of emergency or war. HISTORICAL EXAMPLE??? &lt;br /&gt;
The launched satellites are built by private initiatives. The history of home made Satellite goes back to 1960 when a team of 6 Radio Amateurs built a fully functional Satellite named [http://projectoscar.wordpress.com/project-oscar-history OSCAR 1]. The Satellite was launched in Space from WHERE??? and WHO LAUNCHED IT??? It was sending a coded hi from outer space to other [http://projectoscar.wordpress.com/project-oscar-history/oscar-i-newspaper-article Ham Radio Enthusiast]. Nowadays the small group developed into the international AMSAT community for amateur satellites. A Description of all AMSAT satellites and there frequencies as well as an explanation of the transmission process and the equipment is displayed on-line by the [http://www.amsat.org/amsat/intro/sats_faq.html#RTFToC19 AMSAT organisation].&lt;br /&gt;
&lt;br /&gt;
== Becoming a Ham Radio Amateur ==&lt;br /&gt;
One simple way to send via an satellite is to join the radio amateur community. Becoming a ham radio amateur is quite a hard work, but not very complicated. If you learned your lessons from a book, a [http://www.vth.de/shop/funk.html CD-ROM] or [http://www.dj4uf.de/lehrg/index.html on line] you can pass the test at your national agency, that is in charge for radio frequencies. In Germany this is the [http://www.bundesnetzagentur.de Bundesnetzagentur]. The dates for the test in different cities around Germany are sown [http://www.afup.a36.de/aktuell/termine.html here].&lt;br /&gt;
&lt;br /&gt;
== &amp;quot;The Great Brazilian Sat-Hack Crackdown&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.wired.com/politics/security/news/2009/04/fleetcom?currentPage=all#ixzz0xv7SpgIW Wired reports the arrest of 39 people in Brazil hijacking of U.S. military satellite transponders.]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This had been happening for more than five years,&amp;quot; says Celso Campos, of the Brazilian Federal Police. &amp;quot;Since the communication channel was open, not encrypted, lots of people used it to talk to each other.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Some recordings of the transmissions were recorded and uploaded to YouTube:&lt;br /&gt;
http://www.youtube.com/watch?v=s5jFWxGeqSk&lt;br /&gt;
http://www.youtube.com/watch?v=CnVYdByVvNc&lt;br /&gt;
&lt;br /&gt;
More information and recordings at the [http://bogotadeclaration.wordpress.com/2009/08/19/brazillions/ Bogota Declaration blog].&lt;br /&gt;
&lt;br /&gt;
== Satellite communication ==&lt;br /&gt;
Earth is covered by a dynamic shell of secret and official satellites. They are launched by states like China, USA, Japan, Russia, Germany, France, etc... for military and secret service applications. Beside official organisations like  NASA, ESA, DLR, etc... numerous private concerns launch satellites. Those satellites stream live TV casts, transmit TV shows, send SMS or email and transfer data or voice through outer space around the world. The owners of all existing satellites are shown here:............... &lt;br /&gt;
&lt;br /&gt;
== Buying Time on a Private Satellite ==&lt;br /&gt;
* &#039;&#039;&#039;Where can I buy?&#039;&#039;&#039;-------&#039;&#039;&#039;What can I send&#039;&#039;&#039;-------&#039;&#039;&#039;How much does it cost&#039;&#039;&#039;&lt;br /&gt;
* www.iridium.com   -------  SMS, voice, data ------- a phone is about 2000 euro&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Hacking the Signal==&lt;br /&gt;
* Transmitting to a Satellite &lt;br /&gt;
....&lt;br /&gt;
* Hardware/Architecture&lt;br /&gt;
...&lt;br /&gt;
* Source data &lt;br /&gt;
...&lt;br /&gt;
* Encoding&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Launch Your own Satellite ==&lt;br /&gt;
&lt;br /&gt;
* CubeSats&lt;br /&gt;
...&lt;br /&gt;
* How to Build a Satellite&lt;br /&gt;
....&lt;br /&gt;
*Does it has to be verified for space flight?&lt;br /&gt;
.....&lt;br /&gt;
* Where can I Launch it&lt;br /&gt;
....&lt;br /&gt;
* How much does a launch cost?&lt;br /&gt;
....&lt;br /&gt;
* Am I allowed to launch it?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*links&lt;br /&gt;
[http://www.youtube.com/watch?v=FI8syiZFtkw&amp;amp;feature=related] - send an sms via Iridium&lt;br /&gt;
&lt;br /&gt;
http://www.amsat.org/amsat/intro/using-ham-freqs.html&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14667</id>
		<title>How can I Transmit via Satellite?</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=How_can_I_Transmit_via_Satellite%3F&amp;diff=14667"/>
		<updated>2010-08-28T16:54:47Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Becoming a Ham Radio Amateur */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==&#039;&#039;&#039;Send it via outer space&#039;&#039;&#039;==&lt;br /&gt;
&#039;&#039;Some thoughts and ideas on satellite transmission&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==How can I send via Satellite==&lt;br /&gt;
At HMKV Dortmund in the Workshop [[Satellite Border Footprint|Satellite/Border/Footprint]] the question came up if it would be possible to send directly to a satellite. During the workshop a lot of art projects were shown, that work with received satellite data. The shown projects update the already existing Artist Working With Satellites List by [[Max Neupert]]. [[Satellite Border Footprint/Lisa Parks|Lisa Parks]] showed satellite TV enthusiasts covering their whole house with sat dishes to receive a broad range of signals. She showed as well improvised, hand crafted dishes made of metal pots. So there are ways to receive.&lt;br /&gt;
But is it possible to send information directly via satellite in the context of an artistic project or open technology? Of course it is but realization depends on laws and at least on the budget. So what can one do? Collect information and calculate.....&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Transmission ==&lt;br /&gt;
&lt;br /&gt;
*Antennas, Receivers, Transmitters, Transponders and Encryption - technological basics&lt;br /&gt;
&lt;br /&gt;
*Transmitting/Receiving&lt;br /&gt;
&lt;br /&gt;
Sharing information via electro magnetic fields is a highly protected form of communication. A small number of frequencies can be received for several applications in everyday life e.g Radio(UHF), TV(UHF/Satellite), Internet 2.4 GHz. surveillance cameras 2.4 GHz, GPS,... Its allowed to send in some of those frequencies, like in the 2.4 Ghz frequency used for WiFi internet and other civil transmission. Most other Frequencies are forbidden for public use. Radio Amateurs or Ham Radio Amateurs have the right to use some. To become a Radio Amateur one has to pass a quite complex test on technology and laws of radio communication. Unlike the untested public radio user Ham Radio Amateurs are allowed to send on the frequencies they are receiving. The Ham Radio community is a world wide network based on private equipment reaching from very low level to highly advanced technology. Most of the Radio Amateurs search for signals coming from a far out place. The aim of transmission is as well to reach a far away receiver. If another amateur is found both exchange their radio amateur name via voice, talk a bit and log the contact. After a contact, most of Ham Radio Amateurs send each other postcards. Nowadays the internet is integrated in the  For special events Radio Amateurs search in cars with mobile systems for hidden transmitters. The Ham Radio communication structure is supported by several states in form of special activities e.g. satellite launches cause Radio Amateurs could act as a back up communication network in case of emergency or war. HISTORICAL EXAMPLE??? &lt;br /&gt;
The launched satellites are built by private initiatives. The history of home made Satellite goes back to 1960 when a team of 6 Radio Amateurs built a fully functional Satellite named [http://projectoscar.wordpress.com/project-oscar-history OSCAR 1]. The Satellite was launched in Space from WHERE??? and WHO LAUNCHED IT??? It was sending a coded hi from outer space to other [http://projectoscar.wordpress.com/project-oscar-history/oscar-i-newspaper-article Ham Radio Enthusiast]. Nowadays the small group developed into the international AMSAT community for amateur satellites. A Description of all AMSAT satellites and there frequencies as well as an explanation of the transmission process and the equipment is displayed on-line by the [http://www.amsat.org/amsat/intro/sats_faq.html#RTFToC19 AMSAT organisation].&lt;br /&gt;
&lt;br /&gt;
== Becoming a Ham Radio Amateur ==&lt;br /&gt;
One simple way to send via an satellite is to join the radio amateur community. Becoming a ham radio amateur is quite a hard work, but not very complicated. If you learned your lessons from a book, a [http://www.vth.de/shop/funk.html CD-ROM] or [http://www.dj4uf.de/lehrg/index.html on line] you can pass the test at your national agency, that is in charge for radio frequencies. In Germany this is the [http://www.bundesnetzagentur.de Bundesnetzagentur]. The dates for the test in different cities around Germany are sown [http://www.afup.a36.de/aktuell/termine.html here].&lt;br /&gt;
&lt;br /&gt;
== &amp;quot;The Great Brazilian Sat-Hack Crackdown&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.wired.com/politics/security/news/2009/04/fleetcom?currentPage=all#ixzz0xv7SpgIW&lt;br /&gt;
 Wired reports the arrest of 39 people in Brazil hijacking of U.S. military satellite transponders.]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This had been happening for more than five years,&amp;quot; says Celso Campos, of the Brazilian Federal Police. &amp;quot;Since the communication channel was open, not encrypted, lots of people used it to talk to each other.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Some recordings of the transmissions were recorded and uploaded to YouTube:&lt;br /&gt;
http://www.youtube.com/watch?v=s5jFWxGeqSk&lt;br /&gt;
http://www.youtube.com/watch?v=CnVYdByVvNc&lt;br /&gt;
&lt;br /&gt;
More information and recordings at the [http://bogotadeclaration.wordpress.com/2009/08/19/brazillions/ Bogota Declaration blog].&lt;br /&gt;
&lt;br /&gt;
== Satellite communication ==&lt;br /&gt;
Earth is covered by a dynamic shell of secret and official satellites. They are launched by states like China, USA, Japan, Russia, Germany, France, etc... for military and secret service applications. Beside official organisations like  NASA, ESA, DLR, etc... numerous private concerns launch satellites. Those satellites stream live TV casts, transmit TV shows, send SMS or email and transfer data or voice through outer space around the world. The owners of all existing satellites are shown here:............... &lt;br /&gt;
&lt;br /&gt;
== Buying Time on a Private Satellite ==&lt;br /&gt;
* &#039;&#039;&#039;Where can I buy?&#039;&#039;&#039;-------&#039;&#039;&#039;What can I send&#039;&#039;&#039;-------&#039;&#039;&#039;How much does it cost&#039;&#039;&#039;&lt;br /&gt;
* www.iridium.com   -------  SMS, voice, data ------- a phone is about 2000 euro&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Hacking the Signal==&lt;br /&gt;
* Transmitting to a Satellite &lt;br /&gt;
....&lt;br /&gt;
* Hardware/Architecture&lt;br /&gt;
...&lt;br /&gt;
* Source data &lt;br /&gt;
...&lt;br /&gt;
* Encoding&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Launch Your own Satellite ==&lt;br /&gt;
&lt;br /&gt;
* CubeSats&lt;br /&gt;
...&lt;br /&gt;
* How to Build a Satellite&lt;br /&gt;
....&lt;br /&gt;
*Does it has to be verified for space flight?&lt;br /&gt;
.....&lt;br /&gt;
* Where can I Launch it&lt;br /&gt;
....&lt;br /&gt;
* How much does a launch cost?&lt;br /&gt;
....&lt;br /&gt;
* Am I allowed to launch it?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*links&lt;br /&gt;
[http://www.youtube.com/watch?v=FI8syiZFtkw&amp;amp;feature=related] - send an sms via Iridium&lt;br /&gt;
&lt;br /&gt;
http://www.amsat.org/amsat/intro/using-ham-freqs.html&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Space_Art&amp;diff=14666</id>
		<title>Space Art</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Space_Art&amp;diff=14666"/>
		<updated>2010-08-28T16:48:29Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Groups, institutions, collectives */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Artists ==&lt;br /&gt;
&lt;br /&gt;
* [http://www.vdb.org/smackn.acgi$artistdetail?BEARL Liza Béar] *19__ [http://www.medienkunstnetz.de/artist/bear+sonnier+sharp/biography Media Art Net] NY based English cinematographer, video artist &amp;amp; writer; co-founded &#039;&#039;Avalanche&#039;&#039; magazine in the ‘70s, and later produced the TV show, &#039;&#039;Communications Update&#039;&#039;.   &lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com/ Send Receive I &amp;amp; Send Receive II] (1977) documentaries of the live performance connecting two dancers via satellite, &amp;lt;br&amp;gt;in collaboration with [http://keithsonnierstudio.com/fla/keith_sonnier_website.html Keith Sonnier] Liza&#039;s Blog claims that it is &amp;quot;the first interactive satellite transmission organized by artists&amp;quot;  &lt;br /&gt;
** [http://www.vdb.org/smackn.acgi$tapedetail?SATELLITET Satellite TV: Birth of an Industry] (1980)&lt;br /&gt;
* [http://www.kuckei-kuckei.de/artists/berg/berg.html Oliver van den Berg] *1967 is fascinated by space, media and military technology. He builds rockets, cameras and planetarium projectors in laser-cut plywood and metal, keeping a fretwork (jigsaw) appeal to it.&lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/26.html Raketennamen] (2004)  Rocket Names&lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/09.html Sternenprojektor] (2005) Star Projecter &lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/20.html Star Projector II] (2009) Star Projecter II&lt;br /&gt;
* [http://www.geobodies.org/ Ursula Biemann] *1955&lt;br /&gt;
** [http://geobodies.org/01_art_and_videos/2001_remote_sensing Remote Sensing] (2001) video essay, 53 MIN mapping the global sex trade ([http://www.youtube.com/user/geobodie YouTube]) &lt;br /&gt;
*[http://www.blasttheory.co.uk/bt/index.php Blast theory] (2005) Can you see me now?&lt;br /&gt;
* [http://www.sonambiente.net/en/04_artists/4M2bra_werk.html Jens Brand] *1968 built a device, called the G-Player with which he claims to read the earth&#039;s surface like a record, a satellites trajectory being the needle defining the position. Outcome is mostly noise.&lt;br /&gt;
** Gpod — GP4 (2006)&lt;br /&gt;
* [http://www.pierre-comte.com/ Pierre Comte] *1927&lt;br /&gt;
** Horus (1979)&lt;br /&gt;
** Signature terre (1989)&lt;br /&gt;
* [http://www.noordung.info Cosmokinetic Cabinet Noordung/Dunja Zupancic &amp;amp; Dragan Zivadinov ] und [http://www.postgravityart.org/ Post Gravity Art]&lt;br /&gt;
* [[wikipedia:Douglas Davis (artist)|Douglas Davis]] *1933, [http://www.heise.de/tp/r4/artikel/8/8116/1.html interview on telepolis], [http://www.feldmangallery.com/pages/exhsolo/exhdav77.html Gallery]&lt;br /&gt;
** [http://www.medienkunstnetz.de/works/seven-thoughts Seven Thoughts] (1976)&lt;br /&gt;
** [http://www.medienkunstnetz.de/artist/davis/biography The Last Nine Minutes], Live performance for international satellite telecast (1977)&lt;br /&gt;
* [http://www.medienkunstnetz.de/werke/microvenus/ Joe Davis] *1953&lt;br /&gt;
** Microvenus (1986)&lt;br /&gt;
* [http://backup.berebere.info/ Alejo Duque/Andrés Burbano/Camilo Martínez/Gabriel Zea BereBere (2007)]&lt;br /&gt;
* [http://www.olafureliasson.net Olafur Eliasson] *1967&lt;br /&gt;
** [http://www.art-magazin.de/kunst/12227/triennale_artissima_turin Your space embracer] (2004)&lt;br /&gt;
* [http://www.medienkunstnetz.de/kuenstler/fend/biografie Peter Fend] *1950&lt;br /&gt;
** Ocean Earth Construction and Development Corporation (1980)&lt;br /&gt;
* [http://on1.zkm.de/zkm/mnk/archiv/fleury Sylvie Fleury] *1961&lt;br /&gt;
** First Spaceship on Venus ()&lt;br /&gt;
** Vitteaux (2007) – A crashed UFO&lt;br /&gt;
* [http://www.medienkunstnetz.de/works/klangbruecke-koeln-sanfrancisco/ Bill Fontana] *1947&lt;br /&gt;
** [http://echosounddesign.com/media/Cologne_San_Francisco_Soundbridge.mp3 Satellite Soundbridge Köln-San Francisco 1987 (mp3)] (1987)&lt;br /&gt;
* [http://www.ecafe.com/ Kit Galloway and Sherrie Rabinowitz]&lt;br /&gt;
* [http://ensemble.va.com.au/Grayson/art/IntelligenceDraw.html Richard Grayson] *1958&lt;br /&gt;
** Intelligence (2004 - ongoing) drawings of horoscopes&lt;br /&gt;
* [http://www.aconnectiontoaremoteplace.net Joanna Griffin]&lt;br /&gt;
* [http://www.grueter.com/grueter.com/exhibitsons.html#14 Max Grüter] *1955&lt;br /&gt;
* [http://www.republik.com Ingo Günther] *1957&lt;br /&gt;
** K4(C3I) (1987) Satellite images projected on a block of marble&lt;br /&gt;
* [http://www.yolandeharris.net/ Yolande Harris] *1975&lt;br /&gt;
** [http://sunrunsun.nimk.nl Sun Run Sun: sonic navigations] (2008)&lt;br /&gt;
* Martin Heckmann *1966&lt;br /&gt;
** [http://www.satlandfilm.info/ Satland] (2006)&lt;br /&gt;
* [http://www.nelsonhenricks.com/satellite.html Nelson Henricks]&lt;br /&gt;
** Satellite (2004)&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] *1961&lt;br /&gt;
** Phantom Truck (2007) - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
* Eva and Franco Mattes a.k.a. 0100101110101101.ORG&lt;br /&gt;
** [http://www.0100101110101101.org/home/vopos VOPOS] A Self-surveillance System for Complete Digital Transparency&lt;br /&gt;
* [http://www.forschungsfloss.de/impact/index.html Agnes Meyer-Brandis] is mimicking scientific research: she interacts with the public when creating a meteor crater in space or practising movement in space-suits.&lt;br /&gt;
** mpact, public Meteorit-Watching (2009)&lt;br /&gt;
** Space Travelling for Beginners - a public moon walk workshop (2009)&lt;br /&gt;
* Myriel Milicevic*1974&lt;br /&gt;
** [http://neighbourhoodsatellites.com Neighbourhood Satellites] (local sensing, not remote sensing)&lt;br /&gt;
* [http://www.aleksandramir.info/ Aleksandra Mir] *1967&lt;br /&gt;
** [http://www.aleksandramir.info/projects/moon/moon.html First woman on the moon] (2001) a moon like surface at a beach to enact a moon landing with a female crew and specially designed wear.&lt;br /&gt;
** [http://www.aleksandramir.info/projects/gravity/gravity.html Gravity] (2006), a huge rocket build fom stuff found at a junk yard &lt;br /&gt;
* [http://www.paglen.com Trevor Paglen] *1974&lt;br /&gt;
** [http://www.appliedautonomy.com/terminalair/interface/terminalAir.html Terminal Air]&lt;br /&gt;
** [http://www.paglen.com/pages/projects/other_night/globe.html Active Military and Reconnaissance Satellites of the United States of America]&lt;br /&gt;
* Nam-June Paik *1932 †2006  pioneering in using satellites to broadcast &lt;br /&gt;
** [http://www.medienkunstnetz.de/werke/global-grove Global Grove] a transatlantic TV-show featuring John Cage, Josef Beuys, Merce Cunningham and others.&lt;br /&gt;
* Olaf Nicolai *1962&lt;br /&gt;
** [http://www.orbit.zkm.de/?q=node/58 The Tears of St. Lawrence: An Appointment to Watch Falling Stars] (2005) an invitation to watch a star shower – presenting the firmament like an art-event.&lt;br /&gt;
* Marko Peljhan *1969 &lt;br /&gt;
** [http://makrolab.ljudmila.org Makrolab]&lt;br /&gt;
** [http://arcticperspective.org Arctic Perspective]&lt;br /&gt;
* [[wikipedia:Sun Ra|Sun Ra]]&lt;br /&gt;
** [http://www.imdb.com/title/tt0072195 Space is the Place]&lt;br /&gt;
* [http://www.orbit.zkm.de/?q=node/164 Thomas Ruff]*1958&lt;br /&gt;
** [http://greg.org/archive/2008/04/23/thomas_ruffs_sterne_series.html Sternschnuppen]&lt;br /&gt;
* [http://www.tomsachs.org/work/apollo-lem Tom Sachs] *1966 is rebuilding American icons from plywood. The Apollo moon landing spacecraft is one such icon. Watch the video of the moon landing re-enactment quoting the original TV-footage of this historic event.&lt;br /&gt;
* [http://www.tomvansant.com Tom Van Sant] *1931&lt;br /&gt;
** Reflections from Earth (1980)&lt;br /&gt;
* [http://www.bitforms.com/bjoern-schuelke-gallery.html Björn Schülke] builds satellite shaped sculptures&lt;br /&gt;
** Space Observer (2010)&lt;br /&gt;
** Planet Space Rover (2004)&lt;br /&gt;
** Solar Kinetic Object #15 (2006)&lt;br /&gt;
** Observer #2 (2003)&lt;br /&gt;
* [[wikipedia:Willoughby Sharp|Willoughby Sharp]]* 1936 †2008&lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com Send/Receive Satellite Network II], &lt;br /&gt;
* [http://www.romansigner.ch Roman Signer] *1938 - A swiss artist who mixes performance with documentation, sculpture with video; one of his works, &#039;&#039;Moonflight&#039;&#039; involves visuals of the moon. (I am not sure if he is really a &amp;quot;Satellite Artist&amp;quot;. I know I am the &amp;quot;ETERNAL SCEPTIC&amp;quot; please someone delete my comments, they will unfortunately not self-destruct after you have read them, but I think we should look closer at our entries!-) BLR)&lt;br /&gt;
** [http://www.orbit.zkm.de/?q=node/223 Moonflight] (2002) An installation in which a camera in a mini-helicopter flies over a map of the moon and projects the images on the wall.&lt;br /&gt;
* [http://keithsonnierstudio.com/fla/keith_sonnier_website.html Keith Sonnier] *1941  American minimalist sculptur, working primarily with reflective metals, glass,performance, video and light; one of the first artists to use light in sculpture in the 1960s. &lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com/ Send/Receive Satellite Network] New York City - San Francisco Bay (1977)&lt;br /&gt;
* [[wikipedia:Brian Springer|Brian Springer]]*1959&lt;br /&gt;
** [http://www.medienkunstnetz.de/works/spin Media Art Net] *1959 recorded then unencrypted raw footage of transmissions from reporters to the TV-stations to be cut and edited. The revealing scenes in the election campaign show how the politicians try to use the media to bring their message across without answering the question.&lt;br /&gt;
** Feed (1992)&lt;br /&gt;
** [http://video.google.com/videoplay?docid=-7344181953466797353# Spin] (1995)&lt;br /&gt;
* [http://www.ours.ch Arthur Woods]*1948&lt;br /&gt;
** [http://www.cosmicdancer.com Cosmic Dancer]&lt;br /&gt;
&lt;br /&gt;
== Groups, institutions, collectives ==&lt;br /&gt;
* [http://alien.mur.at/rax/KUNSTFUNK/index.html BLIX (Robert Adrian X, Helmut Mark, Zelko Wiener, and others)]&lt;br /&gt;
* [http://projects.dorkbot.org/dorkbot-wiki/DorkbotMdeWiki/DeclaracionBogota Bogota Declaration] (2009)&lt;br /&gt;
* [http://www.irmielin.org/works/sputnik/ International Sputnik Day 2007]&lt;br /&gt;
* [http://www.rixc.lv RIXC, Riga]&lt;br /&gt;
** [http://acoustic.space.re-lab.net/lab/ Acoustic Space Lab] (2001)&lt;br /&gt;
* ZKM Karlsruhe&lt;br /&gt;
** [http://www.orbit.zkm.de/ Space Place]  (since 2006) &#039;&#039;&#039;Art in the Age of Orbitization - Gotchi Universe&#039;&#039;&#039;: A ZKM project intending “to develop a ZKM-satellite dedicated to the storage of and access to orbiting art.”&lt;br /&gt;
* [http://devolts.org/msst/ Movimento dos Sem-Satélites], the &amp;quot;satelliteless people movement,&amp;quot; inspired by the Brazillian [http://www.mst.org.br/ landless workers&#039; movement]. Mostly engaged into the critique of big media monopoly and grassroots floss activism.&lt;br /&gt;
&lt;br /&gt;
See also [[GPS]] for locative media artworks.&lt;br /&gt;
&lt;br /&gt;
[[Category:Satellite]]&lt;br /&gt;
[[Category:Satellite]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Space_Art&amp;diff=14665</id>
		<title>Space Art</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Space_Art&amp;diff=14665"/>
		<updated>2010-08-28T16:47:12Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Groups, institutions, collectives */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Artists ==&lt;br /&gt;
&lt;br /&gt;
* [http://www.vdb.org/smackn.acgi$artistdetail?BEARL Liza Béar] *19__ [http://www.medienkunstnetz.de/artist/bear+sonnier+sharp/biography Media Art Net] NY based English cinematographer, video artist &amp;amp; writer; co-founded &#039;&#039;Avalanche&#039;&#039; magazine in the ‘70s, and later produced the TV show, &#039;&#039;Communications Update&#039;&#039;.   &lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com/ Send Receive I &amp;amp; Send Receive II] (1977) documentaries of the live performance connecting two dancers via satellite, &amp;lt;br&amp;gt;in collaboration with [http://keithsonnierstudio.com/fla/keith_sonnier_website.html Keith Sonnier] Liza&#039;s Blog claims that it is &amp;quot;the first interactive satellite transmission organized by artists&amp;quot;  &lt;br /&gt;
** [http://www.vdb.org/smackn.acgi$tapedetail?SATELLITET Satellite TV: Birth of an Industry] (1980)&lt;br /&gt;
* [http://www.kuckei-kuckei.de/artists/berg/berg.html Oliver van den Berg] *1967 is fascinated by space, media and military technology. He builds rockets, cameras and planetarium projectors in laser-cut plywood and metal, keeping a fretwork (jigsaw) appeal to it.&lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/26.html Raketennamen] (2004)  Rocket Names&lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/09.html Sternenprojektor] (2005) Star Projecter &lt;br /&gt;
** [http://www.kuckei-kuckei.de/artists/berg/20.html Star Projector II] (2009) Star Projecter II&lt;br /&gt;
* [http://www.geobodies.org/ Ursula Biemann] *1955&lt;br /&gt;
** [http://geobodies.org/01_art_and_videos/2001_remote_sensing Remote Sensing] (2001) video essay, 53 MIN mapping the global sex trade ([http://www.youtube.com/user/geobodie YouTube]) &lt;br /&gt;
*[http://www.blasttheory.co.uk/bt/index.php Blast theory] (2005) Can you see me now?&lt;br /&gt;
* [http://www.sonambiente.net/en/04_artists/4M2bra_werk.html Jens Brand] *1968 built a device, called the G-Player with which he claims to read the earth&#039;s surface like a record, a satellites trajectory being the needle defining the position. Outcome is mostly noise.&lt;br /&gt;
** Gpod — GP4 (2006)&lt;br /&gt;
* [http://www.pierre-comte.com/ Pierre Comte] *1927&lt;br /&gt;
** Horus (1979)&lt;br /&gt;
** Signature terre (1989)&lt;br /&gt;
* [http://www.noordung.info Cosmokinetic Cabinet Noordung/Dunja Zupancic &amp;amp; Dragan Zivadinov ] und [http://www.postgravityart.org/ Post Gravity Art]&lt;br /&gt;
* [[wikipedia:Douglas Davis (artist)|Douglas Davis]] *1933, [http://www.heise.de/tp/r4/artikel/8/8116/1.html interview on telepolis], [http://www.feldmangallery.com/pages/exhsolo/exhdav77.html Gallery]&lt;br /&gt;
** [http://www.medienkunstnetz.de/works/seven-thoughts Seven Thoughts] (1976)&lt;br /&gt;
** [http://www.medienkunstnetz.de/artist/davis/biography The Last Nine Minutes], Live performance for international satellite telecast (1977)&lt;br /&gt;
* [http://www.medienkunstnetz.de/werke/microvenus/ Joe Davis] *1953&lt;br /&gt;
** Microvenus (1986)&lt;br /&gt;
* [http://backup.berebere.info/ Alejo Duque/Andrés Burbano/Camilo Martínez/Gabriel Zea BereBere (2007)]&lt;br /&gt;
* [http://www.olafureliasson.net Olafur Eliasson] *1967&lt;br /&gt;
** [http://www.art-magazin.de/kunst/12227/triennale_artissima_turin Your space embracer] (2004)&lt;br /&gt;
* [http://www.medienkunstnetz.de/kuenstler/fend/biografie Peter Fend] *1950&lt;br /&gt;
** Ocean Earth Construction and Development Corporation (1980)&lt;br /&gt;
* [http://on1.zkm.de/zkm/mnk/archiv/fleury Sylvie Fleury] *1961&lt;br /&gt;
** First Spaceship on Venus ()&lt;br /&gt;
** Vitteaux (2007) – A crashed UFO&lt;br /&gt;
* [http://www.medienkunstnetz.de/works/klangbruecke-koeln-sanfrancisco/ Bill Fontana] *1947&lt;br /&gt;
** [http://echosounddesign.com/media/Cologne_San_Francisco_Soundbridge.mp3 Satellite Soundbridge Köln-San Francisco 1987 (mp3)] (1987)&lt;br /&gt;
* [http://www.ecafe.com/ Kit Galloway and Sherrie Rabinowitz]&lt;br /&gt;
* [http://ensemble.va.com.au/Grayson/art/IntelligenceDraw.html Richard Grayson] *1958&lt;br /&gt;
** Intelligence (2004 - ongoing) drawings of horoscopes&lt;br /&gt;
* [http://www.aconnectiontoaremoteplace.net Joanna Griffin]&lt;br /&gt;
* [http://www.grueter.com/grueter.com/exhibitsons.html#14 Max Grüter] *1955&lt;br /&gt;
* [http://www.republik.com Ingo Günther] *1957&lt;br /&gt;
** K4(C3I) (1987) Satellite images projected on a block of marble&lt;br /&gt;
* [http://www.yolandeharris.net/ Yolande Harris] *1975&lt;br /&gt;
** [http://sunrunsun.nimk.nl Sun Run Sun: sonic navigations] (2008)&lt;br /&gt;
* Martin Heckmann *1966&lt;br /&gt;
** [http://www.satlandfilm.info/ Satland] (2006)&lt;br /&gt;
* [http://www.nelsonhenricks.com/satellite.html Nelson Henricks]&lt;br /&gt;
** Satellite (2004)&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] *1961&lt;br /&gt;
** Phantom Truck (2007) - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
* Eva and Franco Mattes a.k.a. 0100101110101101.ORG&lt;br /&gt;
** [http://www.0100101110101101.org/home/vopos VOPOS] A Self-surveillance System for Complete Digital Transparency&lt;br /&gt;
* [http://www.forschungsfloss.de/impact/index.html Agnes Meyer-Brandis] is mimicking scientific research: she interacts with the public when creating a meteor crater in space or practising movement in space-suits.&lt;br /&gt;
** mpact, public Meteorit-Watching (2009)&lt;br /&gt;
** Space Travelling for Beginners - a public moon walk workshop (2009)&lt;br /&gt;
* Myriel Milicevic*1974&lt;br /&gt;
** [http://neighbourhoodsatellites.com Neighbourhood Satellites] (local sensing, not remote sensing)&lt;br /&gt;
* [http://www.aleksandramir.info/ Aleksandra Mir] *1967&lt;br /&gt;
** [http://www.aleksandramir.info/projects/moon/moon.html First woman on the moon] (2001) a moon like surface at a beach to enact a moon landing with a female crew and specially designed wear.&lt;br /&gt;
** [http://www.aleksandramir.info/projects/gravity/gravity.html Gravity] (2006), a huge rocket build fom stuff found at a junk yard &lt;br /&gt;
* [http://www.paglen.com Trevor Paglen] *1974&lt;br /&gt;
** [http://www.appliedautonomy.com/terminalair/interface/terminalAir.html Terminal Air]&lt;br /&gt;
** [http://www.paglen.com/pages/projects/other_night/globe.html Active Military and Reconnaissance Satellites of the United States of America]&lt;br /&gt;
* Nam-June Paik *1932 †2006  pioneering in using satellites to broadcast &lt;br /&gt;
** [http://www.medienkunstnetz.de/werke/global-grove Global Grove] a transatlantic TV-show featuring John Cage, Josef Beuys, Merce Cunningham and others.&lt;br /&gt;
* Olaf Nicolai *1962&lt;br /&gt;
** [http://www.orbit.zkm.de/?q=node/58 The Tears of St. Lawrence: An Appointment to Watch Falling Stars] (2005) an invitation to watch a star shower – presenting the firmament like an art-event.&lt;br /&gt;
* Marko Peljhan *1969 &lt;br /&gt;
** [http://makrolab.ljudmila.org Makrolab]&lt;br /&gt;
** [http://arcticperspective.org Arctic Perspective]&lt;br /&gt;
* [[wikipedia:Sun Ra|Sun Ra]]&lt;br /&gt;
** [http://www.imdb.com/title/tt0072195 Space is the Place]&lt;br /&gt;
* [http://www.orbit.zkm.de/?q=node/164 Thomas Ruff]*1958&lt;br /&gt;
** [http://greg.org/archive/2008/04/23/thomas_ruffs_sterne_series.html Sternschnuppen]&lt;br /&gt;
* [http://www.tomsachs.org/work/apollo-lem Tom Sachs] *1966 is rebuilding American icons from plywood. The Apollo moon landing spacecraft is one such icon. Watch the video of the moon landing re-enactment quoting the original TV-footage of this historic event.&lt;br /&gt;
* [http://www.tomvansant.com Tom Van Sant] *1931&lt;br /&gt;
** Reflections from Earth (1980)&lt;br /&gt;
* [http://www.bitforms.com/bjoern-schuelke-gallery.html Björn Schülke] builds satellite shaped sculptures&lt;br /&gt;
** Space Observer (2010)&lt;br /&gt;
** Planet Space Rover (2004)&lt;br /&gt;
** Solar Kinetic Object #15 (2006)&lt;br /&gt;
** Observer #2 (2003)&lt;br /&gt;
* [[wikipedia:Willoughby Sharp|Willoughby Sharp]]* 1936 †2008&lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com Send/Receive Satellite Network II], &lt;br /&gt;
* [http://www.romansigner.ch Roman Signer] *1938 - A swiss artist who mixes performance with documentation, sculpture with video; one of his works, &#039;&#039;Moonflight&#039;&#039; involves visuals of the moon. (I am not sure if he is really a &amp;quot;Satellite Artist&amp;quot;. I know I am the &amp;quot;ETERNAL SCEPTIC&amp;quot; please someone delete my comments, they will unfortunately not self-destruct after you have read them, but I think we should look closer at our entries!-) BLR)&lt;br /&gt;
** [http://www.orbit.zkm.de/?q=node/223 Moonflight] (2002) An installation in which a camera in a mini-helicopter flies over a map of the moon and projects the images on the wall.&lt;br /&gt;
* [http://keithsonnierstudio.com/fla/keith_sonnier_website.html Keith Sonnier] *1941  American minimalist sculptur, working primarily with reflective metals, glass,performance, video and light; one of the first artists to use light in sculpture in the 1960s. &lt;br /&gt;
** [http://sendreceivesatellitenetwork.blogspot.com/ Send/Receive Satellite Network] New York City - San Francisco Bay (1977)&lt;br /&gt;
* [[wikipedia:Brian Springer|Brian Springer]]*1959&lt;br /&gt;
** [http://www.medienkunstnetz.de/works/spin Media Art Net] *1959 recorded then unencrypted raw footage of transmissions from reporters to the TV-stations to be cut and edited. The revealing scenes in the election campaign show how the politicians try to use the media to bring their message across without answering the question.&lt;br /&gt;
** Feed (1992)&lt;br /&gt;
** [http://video.google.com/videoplay?docid=-7344181953466797353# Spin] (1995)&lt;br /&gt;
* [http://www.ours.ch Arthur Woods]*1948&lt;br /&gt;
** [http://www.cosmicdancer.com Cosmic Dancer]&lt;br /&gt;
&lt;br /&gt;
== Groups, institutions, collectives ==&lt;br /&gt;
* [http://alien.mur.at/rax/KUNSTFUNK/index.html BLIX (Robert Adrian X, Helmut Mark, Zelko Wiener, and others)]&lt;br /&gt;
* [http://projects.dorkbot.org/dorkbot-wiki/DorkbotMdeWiki/DeclaracionBogota Bogota Declaration] (2009)&lt;br /&gt;
* [http://www.irmielin.org/works/sputnik/ International Sputnik Day 2007]&lt;br /&gt;
* [http://www.rixc.lv RIXC, Riga]&lt;br /&gt;
** [http://acoustic.space.re-lab.net/lab/ Acoustic Space Lab] (2001)&lt;br /&gt;
* ZKM Karlsruhe&lt;br /&gt;
** [http://www.orbit.zkm.de/ Space Place]  (since 2006) &#039;&#039;&#039;Art in the Age of Orbitization - Gotchi Universe&#039;&#039;&#039;: A ZKM project intending “to develop a ZKM-satellite dedicated to the storage of and access to orbiting art.”&lt;br /&gt;
* [http://devolts.org/msst/ Movimento dos Sem-Satélites], the &amp;quot;satelliteless people movement,&amp;quot; inspired by the Brazillian [http://www.mst.org.br/ landless workers&#039; movement]. Mostly engaged into media monopoly critique and grassroots activism.&lt;br /&gt;
&lt;br /&gt;
See also [[GPS]] for locative media artworks.&lt;br /&gt;
&lt;br /&gt;
[[Category:Satellite]]&lt;br /&gt;
[[Category:Satellite]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=14192</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=14192"/>
		<updated>2010-08-15T13:56:10Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Dish Geometry &amp;amp; Channel Surfing */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Template:User|B2kn}}&lt;br /&gt;
&lt;br /&gt;
[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Below, some very subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [[Satellite Border Footprint/Home is Where you get a Signal|drawing session]] with the [[Satellite Border Footprint/Büro für Unabwägbarkeiten|Büro für Unabwägbarkeiten]]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [[Satellite Border Footprint/SnowKrash|SnowKrash]] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their muting circuits.&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure of existence) ==&lt;br /&gt;
This reflection came to me when I was talking to [[Satellite Border Footprint/Lena Brüggemann|Lena]] and [[Satellite Border Footprint/Tatjana Vukelic|Tatjana]] over breakfast, and I hope it can be turned into a proper essay or a small exhibition. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s &#039;&#039;Hole-in-Space&#039;&#039;. As [[Satellite Border Footprint/Lisa Parks|Lisa]] reports [http://dx.doi.org/10.1080/10509200500486288 on her paper], even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by [[Satellite Border Footprint/Anselm Bauer|Anselm]].&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of [http://heine.nusa.co.za/Library/Radio/Radio%20Voice%20Procedures.htm radio voice procedures] to Francis Alÿs’ piece [http://delmuseoimaginario.blogspot.com/2009/02/francis-alys-fabiola.html Seven Lives of Garbage].&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal&amp;diff=13686</id>
		<title>Satellite Border Footprint/Home is Where you get a Signal</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal&amp;diff=13686"/>
		<updated>2010-08-06T23:08:56Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;A two hour scetch output by the &amp;quot;Büro für Unabwägbarkeiten&amp;quot; and Gabriel Menotti&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;if you have pictures showing the presentation on video and on the wall, please post!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[File:presentation with webcam.jpg|500px]] [[File:projector.pd]]&lt;br /&gt;
&lt;br /&gt;
== Home is Where you get a Signal ==&lt;br /&gt;
[[File:low resolution home is where you get a signal.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Used Antenna Electro Magnetic Shelter ==&lt;br /&gt;
[[File:low resolution used antenna electro magnetic shelter.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Universal Parabolic Hub ==&lt;br /&gt;
[[File:low resolution universal parabolic hub.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Signal Bouncing And Dish Space ==&lt;br /&gt;
[[File:low resolution signal bouncing and dish space.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Self Adjusting Antenna ==&lt;br /&gt;
[[File:low resolution self adjusting antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Sat Dish Objects ==&lt;br /&gt;
[[File:low resolution sat dish objects.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Random Ship Antenna ==&lt;br /&gt;
[[File:low resolution random ship antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Random Ballon Wave Translater ==&lt;br /&gt;
[[File:low resolution random ballon wave translater.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Radio Sensitive Jewellery ==&lt;br /&gt;
[[File:low resolution radio sensitive jewellery.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Parabolic Research Tent ==&lt;br /&gt;
[[File:low resolution parabolic research tent.jpg]]&lt;br /&gt;
&lt;br /&gt;
== No Control Transmission Balloons ==&lt;br /&gt;
[[File:low resolution no control transmission balloons.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Mylar Downlink Antenna ==&lt;br /&gt;
[[File:low resolution mylar downlink antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Mobile Parabolic Ball ==&lt;br /&gt;
[[File:low resolution mobile parabolic ball.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Island Signal Transmission ==&lt;br /&gt;
[[File:low resolution island signal transmission.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Fake Antenna to Catch Birds ==&lt;br /&gt;
[[File:low resolution fake antenna to catch birds.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Dish Iglu ==&lt;br /&gt;
[[File:low resolution dish iglu.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Discone Mist Fork for Biological Farming ==&lt;br /&gt;
[[File:low resolution discone mist fork for bio farming.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Discone Antenna Tent ==&lt;br /&gt;
[[File:low resolution discone antenna tent.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Cell Phone Jamming Pigeon ==&lt;br /&gt;
[[File:low resolution cell phone jamming pigeon.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Carry on Satellite Dish ==&lt;br /&gt;
[[File:low resolution carry on satellite dish.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna hat ==&lt;br /&gt;
[[File:low resolution antenna hat.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna Half Pipe and Metronome ==&lt;br /&gt;
[[File:low resolution antenna half pipe and metronome.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna Chair ==&lt;br /&gt;
[[File:low resolution antenna chair.jpg]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal&amp;diff=13685</id>
		<title>Satellite Border Footprint/Home is Where you get a Signal</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal&amp;diff=13685"/>
		<updated>2010-08-06T23:07:36Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;A two hour scetch output by the &amp;quot;Büro für Unabwägbarkeiten&amp;quot; and Gabriel Menotti&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;if you have pictures showing the presentation on video and on the wall, please post!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[File:presentation with webcam.jpg|500px]] [[File:projector.pd]]&lt;br /&gt;
&lt;br /&gt;
[[File:http://lh3.ggpht.com/_GD8C7xf3EI4/TFdUfDUHO0I/AAAAAAAAAGM/GhHumvvGR6I/s640/IMG_4715.JPG|500px]]&lt;br /&gt;
&lt;br /&gt;
== Home is Where you get a Signal ==&lt;br /&gt;
[[File:low resolution home is where you get a signal.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Used Antenna Electro Magnetic Shelter ==&lt;br /&gt;
[[File:low resolution used antenna electro magnetic shelter.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Universal Parabolic Hub ==&lt;br /&gt;
[[File:low resolution universal parabolic hub.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Signal Bouncing And Dish Space ==&lt;br /&gt;
[[File:low resolution signal bouncing and dish space.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Self Adjusting Antenna ==&lt;br /&gt;
[[File:low resolution self adjusting antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Sat Dish Objects ==&lt;br /&gt;
[[File:low resolution sat dish objects.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Random Ship Antenna ==&lt;br /&gt;
[[File:low resolution random ship antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Random Ballon Wave Translater ==&lt;br /&gt;
[[File:low resolution random ballon wave translater.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Radio Sensitive Jewellery ==&lt;br /&gt;
[[File:low resolution radio sensitive jewellery.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Parabolic Research Tent ==&lt;br /&gt;
[[File:low resolution parabolic research tent.jpg]]&lt;br /&gt;
&lt;br /&gt;
== No Control Transmission Balloons ==&lt;br /&gt;
[[File:low resolution no control transmission balloons.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Mylar Downlink Antenna ==&lt;br /&gt;
[[File:low resolution mylar downlink antenna.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Mobile Parabolic Ball ==&lt;br /&gt;
[[File:low resolution mobile parabolic ball.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Island Signal Transmission ==&lt;br /&gt;
[[File:low resolution island signal transmission.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Fake Antenna to Catch Birds ==&lt;br /&gt;
[[File:low resolution fake antenna to catch birds.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Dish Iglu ==&lt;br /&gt;
[[File:low resolution dish iglu.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Discone Mist Fork for Biological Farming ==&lt;br /&gt;
[[File:low resolution discone mist fork for bio farming.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Discone Antenna Tent ==&lt;br /&gt;
[[File:low resolution discone antenna tent.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Cell Phone Jamming Pigeon ==&lt;br /&gt;
[[File:low resolution cell phone jamming pigeon.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Carry on Satellite Dish ==&lt;br /&gt;
[[File:low resolution carry on satellite dish.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna hat ==&lt;br /&gt;
[[File:low resolution antenna hat.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna Half Pipe and Metronome ==&lt;br /&gt;
[[File:low resolution antenna half pipe and metronome.jpg]]&lt;br /&gt;
&lt;br /&gt;
== Antenna Chair ==&lt;br /&gt;
[[File:low resolution antenna chair.jpg]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13575</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13575"/>
		<updated>2010-08-06T14:00:50Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Pingback (the echo as a measure existence) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Below, some very subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/SnowKrash SnowKrash] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure of existence) ==&lt;br /&gt;
This reflection came to me when I was talking to [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Lena_Br%C3%BCggemann Lena] and [http://web.uni-weimar.de/medien/wiki/index.php5?title=Satellite_Border_Footprint/Tatjana_Vukelic&amp;amp;action=edit&amp;amp;redlink=1 Tatjana] over breakfast, and I hope it can be turned into a proper essay or a small exhibition. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s &#039;&#039;Hole-in-Space&#039;&#039;. As [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Lisa_Parks Lisa] reports [http://dx.doi.org/10.1080/10509200500486288 on her paper], even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Anselm_Bauer Anselm].&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of [http://heine.nusa.co.za/Library/Radio/Radio%20Voice%20Procedures.htm radio voice procedures] to Francis Alÿs’ piece [http://delmuseoimaginario.blogspot.com/2009/02/francis-alys-fabiola.html Seven Lives of Garbage].&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13574</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13574"/>
		<updated>2010-08-06T14:00:26Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Pingback (the echo as a measure existence) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Below, some very subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/SnowKrash SnowKrash] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure existence) ==&lt;br /&gt;
This reflection came to me when I was talking to [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Lena_Br%C3%BCggemann Lena] and [http://web.uni-weimar.de/medien/wiki/index.php5?title=Satellite_Border_Footprint/Tatjana_Vukelic&amp;amp;action=edit&amp;amp;redlink=1 Tatjana] over breakfast, and I hope it can be turned into a proper essay or a small exhibition. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s &#039;&#039;Hole-in-Space&#039;&#039;. As [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Lisa_Parks Lisa] reports [http://dx.doi.org/10.1080/10509200500486288 on her paper], even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Anselm_Bauer Anselm].&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of [http://heine.nusa.co.za/Library/Radio/Radio%20Voice%20Procedures.htm radio voice procedures] to Francis Alÿs’ piece [http://delmuseoimaginario.blogspot.com/2009/02/francis-alys-fabiola.html Seven Lives of Garbage].&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13573</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13573"/>
		<updated>2010-08-06T13:55:36Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Below, some very subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/SnowKrash SnowKrash] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure existence) ==&lt;br /&gt;
This reflection came to me when I was talking to Lena and Tatjana over breakfast, and I hope it can be turned into a proper essay. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s Hole-in-Space. As Lisa Parks reports on her paper, even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by Anselm.&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of voice procedures to Francis Alÿs’ piece Seven Lives of Garbage.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13572</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13572"/>
		<updated>2010-08-06T13:55:08Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Dish Geometry &amp;amp; Channel Surfing */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Some subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/SnowKrash SnowKrash] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure existence) ==&lt;br /&gt;
This reflection came to me when I was talking to Lena and Tatjana over breakfast, and I hope it can be turned into a proper essay. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s Hole-in-Space. As Lisa Parks reports on her paper, even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by Anselm.&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of voice procedures to Francis Alÿs’ piece Seven Lives of Garbage.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13571</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13571"/>
		<updated>2010-08-06T13:54:45Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Some subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of &#039;&#039;poetics of [http://en.wikipedia.org/wiki/Channel_surfing channel surfing]&#039;&#039;. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old [http://www.britishdowsers.org/learning/what_is_dowsing.shtml dowsing] to modern techniques such as [http://www.gearbox.mediashed.org/?section=tutorials&amp;amp;action=view&amp;amp;id=120 CCTV sniffing] (and, why not, the auditing of electromagnetic fields of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/SnowKrash SnowKrash] duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available [http://en.wikipedia.org/wiki/Free-to-air free-to-air signals] in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called &#039;&#039;noise&#039;&#039; – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Pingback (the echo as a measure existence) ==&lt;br /&gt;
This reflection came to me when I was talking to Lena and Tatjana over breakfast, and I hope it can be turned into a proper essay. I think we were discussing different forms of amateur radio. Lena explained that, once radio enthusiasts catch a transmission from a distant station (say, from another continent), they often send a postcard back to it, acknowledging date, time and place of reception.&lt;br /&gt;
&lt;br /&gt;
Being a postcard enthusiast myself, I was amazed by this very extravagant way of saying roger. Later on the day, it led me to think about how different systems of communication (in that case, radio transmission and snail mail) supplement each other in a media circuit. This interaction of different systems was also crucial for Galloway and Rabinowitz’s Hole-in-Space. As Lisa Parks reports on her paper, even thought it was live satellite transmission that created the sheer possibility of a transnational video window, the public occupation of this structure was caused by very traditional word of mouth.&lt;br /&gt;
&lt;br /&gt;
These “multimedia” crossovers seem to partake of the same ontological dynamics essential to any process of mediation. As an object, the existence of a satellite is self-evident in its physical structure. However, even if the satellite can be seen through a telescope, it does not mean it is working. The presence of the satellite as a mediatic object – a transmitter of video signals – is entirely relational. In as much as it can be inferred by calculus, satellite transmission can only be truly confirmed by another mediatic object, such as a television monitor. Thus, a mediatic entity is defined less by its own structure than by the responses it provokes in other ones.&lt;br /&gt;
&lt;br /&gt;
This takes us back to the foreign radio stations, whose presence can be felt in other territories in spite of their physical limits (a fact that can be used to circumvent political boundaries and regulations). In that sense, the postcards sent by listeners are a sort of second-order response, an echo that makes the station aware of its own existence (its “footprint”) abroad.&lt;br /&gt;
&lt;br /&gt;
As a measure of existence, these responses highlight the kinship between media and radar technologies. They also seem to have a kind of institutional value, legitimizing the station as a communication hub (like when broadcast ratings are used as an indicative of the importance of a given channel). One can think of different strategies used to stimulate them; examples that come to mind are 1) promotions used by magazines to disguise audience research; and 2) the reward offered in return of the boxes “from heaven” mentioned by Anselm.&lt;br /&gt;
&lt;br /&gt;
Considering these responses as part of the phatic dimensions of language, concerned with testing the channels and making them available for communication, it could be interesting to investigate their pure aesthetic qualities – from the lingo of voice procedures to Francis Alÿs’ piece Seven Lives of Garbage.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13570</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13570"/>
		<updated>2010-08-06T13:50:29Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Some subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Dish Geometry &amp;amp; Channel Surfing ==&lt;br /&gt;
&lt;br /&gt;
[http://www.vjtheory.net/web_texts/text_menotti.htm Once], I&#039;ve been interested in how the (historically defined) architecture of the movie theatre plays a huge role in creating a regime of experience that is considered intrinsic to the cinematographic medium. A similar inquiry was aroused by the formal simplicity of the satellite dish, whose [http://en.wikipedia.org/wiki/File:Parabolic_antenna_types.png pure geometry] is greatly responsible for the proper organization of video signal. I was curious to see how the intervention in the physical shape of the dish affected the audiovisual reception. I thought that this could lead to techniques for the meaningful modulation of the signal using the antenna itself.&lt;br /&gt;
&lt;br /&gt;
This curiosity led me to participate of the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/Home_is_Where_you_get_a_Signal drawing session] with the [http://web.uni-weimar.de/medien/wiki/Satellite_Border_Footprint/B%C3%BCro_f%C3%BCr_Unabw%C3%A4gbarkeiten Büro für Unabwägbarkeiten]. It proved to be a wonderful opportunity to imagine how the dish (and its [http://en.wikipedia.org/wiki/Feedhorn feedhorn]) could be employed either as a tool or as an occupiable construction. Most of the situations I came up with allowed the public to manipulate the dish according to certain physical parameters and constantly monitor the visual results of such interactions. In that sense, they were playful, pedagogic pieces, which promoted a general awareness of infrastructural aspects of media.&lt;br /&gt;
&lt;br /&gt;
However, once the satellite dish is disconnected from its normal architectural situation, there is nothing preventing it of becoming an instrument for performance. Thus, I feel that some of the pieces also suggested a sort of poetics of channel surfing. With this term, I’m implying all forms of manipulation of a reception device in search of particular signals. Primary examples of channel surfing would be scanning radio frequencies after a station; zapping through TV channels with a remote control; and even adjusting an antenna on the roof to increase the quality of the image. Of course, the list could be expanded to include more spatial forms of signal rummage, from centuries old dowsing to modern techniques such as CCTV sniffing (and, why not, the auditing of electromagnetic fields of the SnowKrash duo and the research-performances of the Büro).&lt;br /&gt;
&lt;br /&gt;
On the one hand, a poetics of channel surfing would turn all available free-to-air signals in an infinite source for image making. Collaterally, it would create opportunities to reveal the spaces in-between structured channels, foregrounding the natural patterns – often called noise – that video devices try to suppress with their placid blue screens.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Pingback ==&lt;br /&gt;
&lt;br /&gt;
the echo as a measure of pure presence.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13567</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13567"/>
		<updated>2010-08-06T13:45:47Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Some very subjective afterthoughts about the workshop, which could lead to long-term developments or other projects.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dish geometry&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Some thoughts to come about the satellite dish as an instrument for performance or human-occupiable construction.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pingback&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The echo as a measure of pure presence.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13527</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13527"/>
		<updated>2010-08-05T17:04:46Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Representation from orbital perspective */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. for the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
[[File:Satelliteborderfootprintworkshop.jpg|500px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/SnowKrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry L. Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal|Home is Where you get a Signal]] A two hour sketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
* [[GMU:GPS|Mapping]] micro crash-course by [[Max Neupert]]. Get the [[File:Excursion to Dortmund TV Tower.gpx]] to import this in Google Earth or [http://www.openstreetmap.org/user/panoramedia/traces/779674 view in Open Street Map].&lt;br /&gt;
* Some [http://picasaweb.google.com/gabriel.menotti/SatelliteBorderFootprint pictures] of the walk to the Florian tower and of the presentations&lt;br /&gt;
* [[How can I Transmit via Satellite?]] - some thoughts on a question that appeared during the workshop&lt;br /&gt;
* [[How to spot Iridium satellites with bare eyes]] - internet based weather and satellite prediction combined with three dimensional orientation in physical space&lt;br /&gt;
&lt;br /&gt;
== Satellite information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [[Suppliers#Electric and electronic parts]] consult this page if you want to buy electronics like GPS receivers/loggers&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
* [http://www.thisisrealart.com/#Astra/Documentary%20films/196/print/0 Satellites: A user manual] Beautiful infomercials by agency ThisIsRealArt. for Astra-SES.&lt;br /&gt;
*[http://www.satsignal.net/ www.satsignal.net] Huge collection of information about satellites and signals. Codes, decoding, software, mapping. Some of the software is commercial.&lt;br /&gt;
&lt;br /&gt;
=== Representation from orbital perspective ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames [http://en.wikipedia.org/wiki/Powers_of_ten Wikipedia]. Other earth [[Zoom]]s.&lt;br /&gt;
* [[GMU:Works#Bernhard Hopfengärtner: HELLO WORLD!]]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_line Nazca lines] [http://en.wikipedia.org/wiki/Crop_circle crop circles]&lt;br /&gt;
*[http://diydrones.com/ www.diydrones.com] Resources for DIY Drones (Autonomous Robotic Vehicles) which can carry scan devices (e.g. cameras)&lt;br /&gt;
*[http://grassrootsmapping.org/ Grassroots Mapping], forms of not-so-remote sensing and low-tech mapmaking&lt;br /&gt;
&lt;br /&gt;
=== Satellite dishes ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
* [http://www.aoc.nrao.edu/epo/teachers/ittybitty/procedure.html The Itty Bitty Radio Telescope]  a DIY Radio Telescope made of a satellite dish&lt;br /&gt;
&lt;br /&gt;
=== Satellite Tracking ===&lt;br /&gt;
*[http://www.heavens-above.com/ Heavens Above] a homepage where you can find satellite passings in relation to your geocoordinates&lt;br /&gt;
*[http://science.nasa.gov/realtime/jtrack/ Nasa JTrack] a satellite tracking tool by NASA&lt;br /&gt;
*[http://www.n2yo.com/ Satellite tracking] Realtime satellite tracking, with maps and further informations about selected satellites.&lt;br /&gt;
&lt;br /&gt;
=== Balloon Information ===&lt;br /&gt;
* [http://space.1337arts.com/hardware 1337arts.com] Project Ikarus – low cost near space remote technology&lt;br /&gt;
* [http://weather.uwyo.edu/polar/balloon_traj.html University of Wyoming’s balloon trajectory website] Predict your balloon flight in google earth related to your geo-coordinates&lt;br /&gt;
* [http://www.telegraph.co.uk/news/newstopics/howaboutthat/5005022/Teens-capture-images-of-space-with-56-camera-and-balloon.html telegraph.co.uk] Article in the online edition of newspaper The Telegraph (UK): &#039;&#039;Teens capture images of space with 56 pounds camera and a balloon&#039;&#039;&lt;br /&gt;
* [http://www.hobbyspace.com/NearSpace/index.html#Balloons Hobbyspace.com] Near Space exploring with balloons on hobbyspace.com – a resource for amateur space action&lt;br /&gt;
* [http://www.jpaerospace.com/away5.html Away 5] – Advanced Balloon Platform&lt;br /&gt;
&lt;br /&gt;
=== Artists working with satellites ===&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://www.aleksandramir.info/ Aleksandra Mir], [http://www.aleksandramir.info/projects/gravity/gravity.html Work Gravity]&lt;br /&gt;
* [http://www.forschungsfloss.de/impact/index.html Agnes Meyer-Brandis]&lt;br /&gt;
* [http://www.medienkunstnetz.de/werke/global-grove Nam-June Paik]&lt;br /&gt;
* [http://www.orbit.zkm.de/?q=node/164 Thomas Ruff] [http://greg.org/archive/2008/04/23/thomas_ruffs_sterne_series.html Sternschnuppen]&lt;br /&gt;
* [http://www.medienkunstnetz.de/kuenstler/fend/biografie Peter Fend]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Brian_Springer Brian Springer], [http://www.medienkunstnetz.de/works/spin Media Art Net]&lt;br /&gt;
* [http://www.aconnectiontoaremoteplace.net Joanna Griffin]&lt;br /&gt;
* [http://www.tomsachs.org/work/apollo-lem Tom Sachs]&lt;br /&gt;
* [http://www.orbit.zkm.de/?q=node/58 Olaf Nicolai]&lt;br /&gt;
* [http://www.bitforms.com/bjoern-schuelke-gallery.html Björn Schülke]&lt;br /&gt;
* [http://www.ours.ch Arthur Woods], [http://www.cosmicdancer.com cosmic Dancer]&lt;br /&gt;
* [http://ensemble.va.com.au/Grayson/art/IntelligenceDraw.html Richard Grayson]&lt;br /&gt;
* [http://www.paglen.com Trevor Paglen]&lt;br /&gt;
* [http://www.orbit.zkm.de/?q=node/223 Roman Signer]&lt;br /&gt;
* [http://makrolab.ljudmila.org Marko Peljhan] Makrolab&lt;br /&gt;
* [http://www.vdb.org/smackn.acgi$artistdetail?BEARL Liza Bear], [http://www.medienkunstnetz.de/artist/bear+sonnier+sharp/biography Media Art Net]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Willoughby_Sharp Willoughby Sharp] [http://sendreceivesatellitenetwork.blogspot.com Send/Receive Satellite Network II], [http://www.heise.de/tp/r4/artikel/8/8116/1.html TP]&lt;br /&gt;
* [http://keithsonnierstudio.com/home.php Keith Sonnier], [http://www.vdb.org/smackn.acgi$tapedetail?SENDRECEIV vdb]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Douglas_Davis_%28artist%29 Douglas Davis], [http://www.medienkunstnetz.de/artist/davis/biography Media Art Net], [http://www.feldmangallery.com/pages/exhsolo/exhdav77.html Seven Thoughts]&lt;br /&gt;
* [http://www.medienkunstnetz.de/werke/microvenus/ Joe Davis]&lt;br /&gt;
* [http://www.sonambiente.net/en/04_artists/4M2bra_werk.html Jens Brand]&lt;br /&gt;
* [http://www.kuckei-kuckei.de/artists/berg/berg.html Oliver van den Berg]&lt;br /&gt;
* [http://www.olafureliasson.net Olafur Eliasson], [http://www.art-magazin.de/kunst/12227/triennale_artissima_turin Your space embracer]&lt;br /&gt;
* [http://www.0100101110101101.org/home/vopos Eva and Franco Mattes a.k.a. 0100101110101101.ORG]&lt;br /&gt;
* [http://neighbourhoodsatellites.com Myriel Milicevic: Neighbourhood Satellites (local sensing, not remote sensing)]&lt;br /&gt;
* [http://www.nelsonhenricks.com/satellite.html Nelson Henricks]&lt;br /&gt;
* [http://on1.zkm.de/zkm/mnk/archiv/fleury Sylvie Fleury]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Sun_Ra Sun Ra], [http://www.imdb.com/title/tt0072195 Space is the Place]&lt;br /&gt;
* [http://www.medienkunstnetz.de/works/klangbruecke-koeln-sanfrancisco/ Bill Fontana] [http://echosounddesign.com/media/Cologne_San_Francisco_Soundbridge.mp3 sound] Satellite Soundbridge Köln-San Francisco 87&lt;br /&gt;
* [http://www.yolandeharris.net/ Yolande Harris]  [http://sunrunsun.nimk.nl/ sunrunsun]&lt;br /&gt;
* [http://www.grueter.com/grueter.com/exhibitsons.html#14 Max Grüter]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
* [http://www.republik.com Ingo Günther], [http://refugee.net Refugee Republic]&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Books, readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map – The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit – Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. [http://www.scribd.com/doc/20343380/virilio-1992-big-optics-on-justifying-the-hypothetical-nature-of-art-and-the-non-identicality-within-the-object-world Big Optics] (scribd link)&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth: 1980 bis heute ISBN 3927789720&lt;br /&gt;
&lt;br /&gt;
[[Category:Linklist]]&lt;br /&gt;
[[Category:GPS]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13264</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13264"/>
		<updated>2010-08-03T06:51:11Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Books, readers */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. for the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
[[File:Satelliteborderfootprintworkshop.jpg|500px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
* [[GMU:GPS|Mapping]] mini-workshop by [[Max Neupert]] get the [[File:Excursion to Dortmund TV Tower.gpx]] to import this in Google Earth or [http://www.openstreetmap.org/user/panoramedia/traces/779674 view in Open Street Map].&lt;br /&gt;
* Some [http://picasaweb.google.com/gabriel.menotti/SatelliteBorderFootprint# pictures] of the walk to the Florian tower and of the presentations&lt;br /&gt;
&lt;br /&gt;
== Satellite information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [[Suppliers#Electric and electronic parts]] consult this page if you want to buy electronics like GPS recleivers&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
* [http://www.thisisrealart.com/#Astra/Documentary%20films/196/print/0 Satellites: A user manual] Beautiful infomercials by agency ThisIsRealArt. for Astra-SES.&lt;br /&gt;
&lt;br /&gt;
=== Artists working with satellites ===&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
=== Representation from orbital perspective ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames [http://en.wikipedia.org/wiki/Powers_of_ten Wikipedia]. Other earth [[Zoom]]s.&lt;br /&gt;
* [[GMU:Works#Bernhard Hopfengärtner: HELLO WORLD!]]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_line Nazca lines] [http://en.wikipedia.org/wiki/Crop_circle crop circles]&lt;br /&gt;
&lt;br /&gt;
=== Satellite dishes ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map – The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit – Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. [http://www.scribd.com/doc/20343380/virilio-1992-big-optics-on-justifying-the-hypothetical-nature-of-art-and-the-non-identicality-within-the-object-world Big Optics] (scribd link)&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth: 1980 bis heute ISBN 3927789720&lt;br /&gt;
&lt;br /&gt;
[[Category:Linklist]]&lt;br /&gt;
[[Category:GPS]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13263</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13263"/>
		<updated>2010-08-03T06:47:55Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Books, readers */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. for the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
[[File:Satelliteborderfootprintworkshop.jpg|500px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
* [[GMU:GPS|Mapping]] mini-workshop by [[Max Neupert]] get the [[File:Excursion to Dortmund TV Tower.gpx]] to import this in Google Earth or [http://www.openstreetmap.org/user/panoramedia/traces/779674 view in Open Street Map].&lt;br /&gt;
* Some [http://picasaweb.google.com/gabriel.menotti/SatelliteBorderFootprint# pictures] of the walk to the Florian tower and of the presentations&lt;br /&gt;
&lt;br /&gt;
== Satellite information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [[Suppliers#Electric and electronic parts]] consult this page if you want to buy electronics like GPS recleivers&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
* [http://www.thisisrealart.com/#Astra/Documentary%20films/196/print/0 Satellites: A user manual] Beautiful infomercials by agency ThisIsRealArt. for Astra-SES.&lt;br /&gt;
&lt;br /&gt;
=== Artists working with satellites ===&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
=== Representation from orbital perspective ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames [http://en.wikipedia.org/wiki/Powers_of_ten Wikipedia]. Other earth [[Zoom]]s.&lt;br /&gt;
* [[GMU:Works#Bernhard Hopfengärtner: HELLO WORLD!]]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_line Nazca lines] [http://en.wikipedia.org/wiki/Crop_circle crop circles]&lt;br /&gt;
&lt;br /&gt;
=== Satellite dishes ===&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map – The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit – Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. [20343380-virilio-1992-big-optics-on-justifying-the-hypothetical-nature-of-art-and-the-non-identicality-within-the-object-world.pdf Big Optics] (scribd link)&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth: 1980 bis heute ISBN 3927789720&lt;br /&gt;
&lt;br /&gt;
[[Category:Linklist]]&lt;br /&gt;
[[Category:GPS]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13254</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13254"/>
		<updated>2010-08-02T23:57:35Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dish geometry&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Some thoughts to come about the satellite dish as an instrument for performance or human-occupiable construction.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pingback&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The echo as a measure of pure presence.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13253</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13253"/>
		<updated>2010-08-02T23:57:15Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dish geometry&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Some thoughts to come about the satellite dish as an instrument for performance or human-occupiable construction.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pingback&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
The echo as a measure of pure presence.&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13252</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13252"/>
		<updated>2010-08-02T23:51:42Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;br /&gt;
&lt;br /&gt;
[[[dish geometry]]]&lt;br /&gt;
&lt;br /&gt;
[[[pingback]]]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13251</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13251"/>
		<updated>2010-08-02T23:48:56Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Workshop */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Satelliteborderfootprintworkshop.jpg|500px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
* [[GMU:GPS|Mapping]] mini-workshop by [[Max Neupert]] get the [[File:Excursion to Dortmund TV Tower.gpx]] to import this in Google Earth or [http://www.openstreetmap.org/user/panoramedia/traces/779674 view in Open Street Map].&lt;br /&gt;
* Some [http://picasaweb.google.com/gabriel.menotti/SatelliteBorderFootprint# pictures] of the walk to the Florian tower and of the presentations&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
* [http://www.thisisrealart.com/#Astra/Documentary%20films/196/print/0 Satellites: A user manual] Beautiful infomercials by agency ThisIsRealArt. for Astra-SES.&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames [http://en.wikipedia.org/wiki/Powers_of_ten Wikipedia]. Other earth [[Zoom]]s.&lt;br /&gt;
* [[GMU:Works#Bernhard Hopfengärtner: HELLO WORLD!]]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_line Nazca lines] [http://en.wikipedia.org/wiki/Crop_circle crop circles]&lt;br /&gt;
&lt;br /&gt;
== Satellite dishes ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map – The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit – Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find)&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth: 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13249</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13249"/>
		<updated>2010-08-02T23:41:23Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Books, Readers */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Satelliteborderfootprintworkshop.jpg|500px]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
* [[GMU:GPS|Mapping]] mini-workshop by [[Max Neupert]] get the [[File:Excursion to Dortmund TV Tower.gpx]] to import this in Google Earth or [http://www.openstreetmap.org/user/panoramedia/traces/779674 view in Open Street Map].&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames [http://en.wikipedia.org/wiki/Powers_of_ten Wikipedia]. Other earth [[Zoom]]s.&lt;br /&gt;
* [[GMU:Works#Bernhard Hopfengärtner: HELLO WORLD!]]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_line Nazca lines] [http://en.wikipedia.org/wiki/Crop_circle crop circles]&lt;br /&gt;
&lt;br /&gt;
== Satellite dishes ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map – The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit – Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find)&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth: 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13235</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13235"/>
		<updated>2010-08-02T23:00:05Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Representation from orbital perspective */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames&lt;br /&gt;
* [http://hello.w0r1d.net/ Hello, world! A visual code for Google Earth]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_lines Nazca lines] [http://en.wikipedia.org/wiki/Crop_circles crop circles]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Satellite dishes ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Internet] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13238</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13238"/>
		<updated>2010-08-02T22:57:42Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Representation from orbital perspective */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Satelliteborderfootprintworkshop.jpg|500px]]&lt;br /&gt;
Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames&lt;br /&gt;
* [http://hello.w0r1d.net/ Hello, world! A visual code for Google Earth]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_lines Nazca lines] [http://en.wikipedia.org/wiki/Crop_circles crop circles]&lt;br /&gt;
&lt;br /&gt;
== Satellite dishes ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13237</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13237"/>
		<updated>2010-08-02T22:57:07Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Satellite dishes */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Satelliteborderfootprintworkshop.jpg|500px]]&lt;br /&gt;
Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames&lt;br /&gt;
* [http://hello.w0r1d.net/ Hello, world! A visual code for Google Earth]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_lines Nazca lines] [http://en.wikipedia.org/wiki/Crop_circles crop circles]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Satellite dishes ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GXKo0ienGgg Satellite free-to-air DIY kit]&lt;br /&gt;
* [http://www.youtube.com/watch?v=tnY7UVyaFiQ How to Reverse-Engineer a Satellite TV Smart Card]&lt;br /&gt;
&lt;br /&gt;
* [http://www.youtube.com/watch?v=tWdgAMYjYSs The Max Headroom Incident] (don&#039;t know where this should go)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13234</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13234"/>
		<updated>2010-08-02T22:50:08Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Representation through and from orbital perspective */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames&lt;br /&gt;
* [http://hello.w0r1d.net/ Hello, world! A visual code for Google Earth]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_lines Nazca lines] [http://en.wikipedia.org/wiki/Crop_circles crop circles]&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13233</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13233"/>
		<updated>2010-08-02T22:49:10Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Artists working with satellites */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Representation through and from orbital perspective ==&lt;br /&gt;
* [http://www.youtube.com/watch?v=GjrOBWk-R4A Power of Ten], Charles and Ray Eames&lt;br /&gt;
* [http://hello.w0r1d.net/ Hello, world! A visual code for Google Earth]&lt;br /&gt;
* [http://www.todayandtomorrow.net/2009/03/27/dead-pixel-in-google-earth/ Dead pixel in Google Earth], Helmut Smits&lt;br /&gt;
&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Ley_line Ley lines], [http://en.wikipedia.org/wiki/Nazca_lines Nazca lines] [http://en.wikipedia.org/wiki/Crop_circles crop circles]&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13232</id>
		<title>Satellite Border Footprint</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint&amp;diff=13232"/>
		<updated>2010-08-02T22:34:31Z</updated>

		<summary type="html">&lt;p&gt;B2kn: /* Books, Readers */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Space to share information, links etc. at the [http://www.hmkv.de/satelliteborderfootprint/ Satellite/Border/Footprint Workshop by Lisa Parks] at the HMKV, organized by Francis Hunger&lt;br /&gt;
&lt;br /&gt;
== Participants ==&lt;br /&gt;
* [[/Lena Brüggemann]] (D)&lt;br /&gt;
* [[/Büro für Unabwägbarkeiten]] (D) [[/David Hahlbrock]], [[/Franziska Windisch]], [[/Anselm Bauer]]&lt;br /&gt;
* [[/Francis Hunger]], (D)&lt;br /&gt;
* [[/Frank Hoppe]] (D)&lt;br /&gt;
* [[/Elena Marcevska]] (UK/MAC)&lt;br /&gt;
* [[/Gabriel Menotti]] (UK/BR)&lt;br /&gt;
* [[/Max Neupert]] (D)&lt;br /&gt;
* [[/Lisa Parks]], (US) University of California, Santa Barbara&lt;br /&gt;
* [[/Snowcrash]] (D) [[/Ursel Quint]] &amp;amp; [[/Barry Roshto]]&lt;br /&gt;
* [[/Tatjana Vukelic]] (SER)&lt;br /&gt;
&lt;br /&gt;
== Workshop ==&lt;br /&gt;
* [[/Home is Where you get a Signal]] A two hour scketch output by the “Büro für Unabwägbarkeiten” and Gabriel Menotti&lt;br /&gt;
&lt;br /&gt;
== Satellite Information ==&lt;br /&gt;
* [[GMU:Space Is The Place|Space Is The Place]] A class by [[Max Neupert]] in the winter semester 2009&lt;br /&gt;
* [[Space linklist]] a list of space related links, artists, astronomy and satellite tracking&lt;br /&gt;
* [[Weather]] resources, forecasts, cloud satellite images and rain maps, not only for astronomy.&lt;br /&gt;
* [[GMU:GPS|GPS]] mapping websites, cartography and GPS artworks&lt;br /&gt;
* [http://www.lyngsat.com lyngsat.com] great resource about all satellites and their footprints&lt;br /&gt;
* [http://www.satbeams.com/footprints satbeams.com]&lt;br /&gt;
* [http://www.flickr.com/photos/michaelpaukner/4314987544/sizes/o/in/photostream Michael Paulkner] Infographic: satellites and their owners&lt;br /&gt;
* [http://www.vizworld.com/tag/satellite vizworld] collection of graphic visualizations about satellite technology&lt;br /&gt;
&lt;br /&gt;
== Artists working with satellites ==&lt;br /&gt;
* [[Space Linkliste#Artists]]&lt;br /&gt;
* [http://inigomanglano-ovalle.com Iñigo Manglano-Ovalle] Phantom Truck, 2007 - A mock up of the alledged chemical weapons factories on trucks presented by Colin Powell to the UN security council&lt;br /&gt;
&amp;lt;videoflash type=&amp;quot;youtube&amp;quot;&amp;gt;IlxL3OIlbnw|260|200&amp;lt;/videoflash&amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;
Ingo Günther talking about his work on satellite images (and globes)&lt;br /&gt;
&lt;br /&gt;
== Books, Readers ==&lt;br /&gt;
* [http://www.hmkv.de/satelliteborderfootprint/material.htm Material listing]&lt;br /&gt;
* Friedrich von Borries, Matthias Böttger, Florian Heilmeyer: TV Towers / Fernsehtürme: 8,559 Meters Politics and Architecture 8.559 Meter Politik und Architektur ISBN 3868590242&lt;br /&gt;
* Günther, Ingo: REPUBLIK.COM ISBN 3893229485 &lt;br /&gt;
* McCray, W. Patrick: Keep Watching the Skies, ISBN 0691128545&lt;br /&gt;
* Paglen, Trevor: Blank Spots On The Map - The Dark Goegraphy Of The Pentagon&#039;s Secret World ISBN 9780525951018&lt;br /&gt;
* Paglen, Trevor: I Could Tell You But Then You Would Have To Be Destroyed By Me - Emblems From The Pentagon&#039;s Black World ISBN 9781933633329&lt;br /&gt;
* Parks, Lisa: Cultures in Orbit - Satellites and the Televisual ISBN 978-0822334972&lt;br /&gt;
* Redfield, Peter: Space in the Tropics: From Convicts to Rockets in French Guiana ISBN 0520219856&lt;br /&gt;
* Virilio, Paul. [http://books.google.com/books?id=OF_cPrltMmsC&amp;amp;printsec=frontcover&amp;amp;dq=%22open+sky%22&amp;amp;hl=en&amp;amp;ei=kkJXTKbqKI2K4QaA95mnBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCkQ6AEwAA#v=onepage&amp;amp;q&amp;amp;f=false Open Sky], Verso, 1997, ISBN 1859841813, 9781859841815.&lt;br /&gt;
* Virilio, Paul. Big Optics (there is a pdf somewhere, I&#039;ll see if I can find&lt;br /&gt;
* Weibel, Peter (publisher): Ocean Earth : 1980 bis heute ISBN 3927789720&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
	<entry>
		<id>https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13231</id>
		<title>Satellite Border Footprint/Gabriel Menotti</title>
		<link rel="alternate" type="text/html" href="https://www.uni-weimar.de/kunst-und-gestaltung/wiki/index.php?title=Satellite_Border_Footprint/Gabriel_Menotti&amp;diff=13231"/>
		<updated>2010-08-02T22:22:39Z</updated>

		<summary type="html">&lt;p&gt;B2kn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[http://bogotissimo.com/b2kn site], [http://vimeo.com/b2kn vimeo]&lt;/div&gt;</summary>
		<author><name>B2kn</name></author>
	</entry>
</feed>