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GMU:Wetlands/Narrating the waters: Curatorial and Dramaturgical Perspectives

2025-11-03T18:54:36Z

AngelikiP:

Online meeting 27.10.2025_1st session
*https://us06web.zoom.us/rec/play/YnDHkiWz_zJgdn_lIG0Qu-YUstIgrA6Z71UbkSu4DlirUIwVkefe01B42Zz_g7NYZPCLEC5lvPvxV2vQ.LOfkr-r4D_e2YSAs?autoplay=true&startTime=1761552219000
*Passcode: H91^G7jQ
Here you find attached a short version of Angeliki's presentation on dramaturgy/curatorial perspectives re Wetlands here <nowiki>https://docs.google.com/presentation/d/13B2lozizyMlCPCz1ktQ_h6-aKcoHSg_4/edit?usp=sharing&ouid=109641301415041348216&rtpof=true&sd=true</nowiki>

===Homework===
DEADLINE friday 7th November for MIRO

Patrizia (Patti): As this is the first session in which you come together for this project, the exercise I propose to do is an act of positioning. Working and collaborating in large groups involves building a network of people, with their experiences, ideas, skills and knowledge. Especially at the beginning, it also requires each participants to position themselves within their context as well as in their group. Such an awareness allows us to think about our agencies as something that transcends our position into an enquiry of network connecting local contexts to global questions.

Positioning can mean many different things, but I think it is interesting to see how you understand this invitation. I invite you to work with a piece of A5 paper (or equivalent dimensions if you prefer to work in digital form) and then take a picture or screenshot and upload it to MIRO board.
*https://miro.com/welcomeonboard/b2JXUkg2anJNWTA4bHBCZXEwc2NDSjN5N1hMbjlGOTJwMXFNb29UYmF4ZU9VaGtHRnVrMllSL29IamEvTUtxYk9MVExVc2UzR05ZanBwKzA0WUlHQ2tQbnJOaWxJVTNyU2k5Z29UMUxhb3had0hoc2srY1FhRndwWkFYUmRkc3lNakdSWkpBejJWRjJhRnhhb1UwcS9BPT0hdjE=?share_link_id=104166266807

===References===
*The GEM ERASMUS, https://gem-project.eu/wp/
*Orientation in a Big World: On the Necessity of Horizonless Perspectives, https://www.e-flux.com/journal/101/273343/orientation-in-a-big-world-on-the-necessity-of-horizonless-perspectives
*Hydrocene,Eco-asthetics in the Age of Water by Bronwyn Bailey-Charteris <nowiki>https://drive.google.com/file/d/1MWlMZ20LNIwSwDd4ClUOYC_2hm1xbzg1/view?usp=sharing</nowiki>
*Natural capital and the political economy of wetlands by '''Marian Weber,''' Naomi Krogman, Lee Foote& Rebecca Rooney <nowiki>https://drive.google.com/file/d/1J1rGKOtkQcvL2PQbe6F1u0vSAmz0osjJ/view?usp=sharing</nowiki>

GMU talk:Wetlands/Narrating the waters: Curatorial and Dramaturgical Perspectives

2025-11-03T18:50:41Z

AngelikiP: Material_Presentation_1st session_Angeliki

Dear All, find attached a short version of my presentation on dramaturgy/curatorial perspectives re Wetlands here https://docs.google.com/presentation/d/13B2lozizyMlCPCz1ktQ_h6-aKcoHSg_4/edit?usp=sharing&ouid=109641301415041348216&rtpof=true&sd=true

Also here you can download the book on Hydrocene https://drive.google.com/file/d/1MWlMZ20LNIwSwDd4ClUOYC_2hm1xbzg1/view?usp=sharing and a paper about natural capital and the political economy of wetlands https://drive.google.com/file/d/1J1rGKOtkQcvL2PQbe6F1u0vSAmz0osjJ/view?usp=sharing

Best,
Angeliki

GMU:Wetlands

2025-10-24T19:26:27Z

AngelikiP: /* NKUA */

=== Fieldwork ===
* January 12-16th 2026, Psachna, Greece

=== Online sessions ===
Please join at https://us06web.zoom.us/j/88147828394?pwd=4XFVLT1jP4PBDOEgZNVK3bLr4U2q0T.1

9:00-12:00 Berlin time
<br>10:00-13:00 Helsinki/Athens time

* October 27th 2025: Narrating the waters: Curatorial and Dramaturgical Perspectives, led by Prof. Angeliki Poulou
* November 3rd 2025: Interdisciplinary research and artistic practice: from sketch to interactive installation, led by Dr. Mindaugas Gapševičius
* November 7th 2025: Liquid flows and wet matter in Art & Science: Micro + Macro, led by Prof. Laura Beloff
* January 7th 2026: Questions and Answers

=== Faculty ===
* Prof. Angeliki Poulou, National and Kapodistrian University of Athens
* Prof. Laura Beloff, Aalto University
* Prof. Kerstin Ergenzinger, Bauhaus Universität Weimar
* Prof. Ursula Damm, Bauhaus Universität Weimar
* Dr. Mindaugas Gapševičius, Bauhaus Universität Weimar
* Felix Bonowski, Bauhaus Universität Weimar
* Prof. Dimitris Charitos, National and Kapodistrian University of Athens
* Prof. Alexandros Kontogeorgakopoulos, National and Kapodistrian University of Athens
* Prof. Katerina Antonopoulou, National and Kapodistrian University of Athens
* Prof.Orestis Karamanlis, National and Kapodistrian University of Athens
* Prof.Haris Rizopoulos, National and Kapodistrian University of Athens
* Prof.Nafisika Papageorgiou, National and Kapodistrian University of Athens

===Other Faculty===
* Iouiani Theona, Adjunct Professor, National and Kapodistrian University of Athens
* Chloe Pare-Anastasiadou, Post-dc researcher, Max Planche Institute
* Anna Pangalou, voice soloist performative artist
* Tanya Zervoudaki, Hellenic Centre for Marine Research
* Maria Koutsodimou, Hellenic Centre for Marine Research

The course investigates the intersection of art, science, and ecology through interdisciplinary research and artistic practice. Focusing on aquatic ecosystems, participants will develop artistic projects and embodied sensory experiences. Field work will take place in Psachna, Greece, with particular attention to the Kolovrechtis Wetland and the Chalcis Strait.

Students will engage with a variety of artistic and research methodologies - including storytelling, creative writing, interactive installations, and scientific approaches. The course fosters both experimental and reflective modes of knowledge production, supporting dialogue between disciplines and encouraging the development of new collaborations across ecology, digital media, and contemporary art.

Through embodied research, we will explore the ecological, generative, and disruptive dimensions of sensory perceptions - listening, seeing, smelling, tasting, touching, and beyond. Participants will be invited to:
* Develop curatorial, dramaturgical, or theoretical perspectives on aquatic environments;
* Create interactive installations as tools of artistic inquiry and as platforms to reimagine ecological interdependencies beyond human-centered perspectives;
* Critically examine technology, its entanglements with ecology, and its role in the climate crisis.

During the field work, students are expected to develop a small project, a prototype, or a component of a larger project. Emphasis will be placed on shared discussions, informed by lectures and supervision. Each participant (individually or in groups) will present their project at the end of the week and document it on a shared wiki platform.

The course is coordinated by the Acoustic Ecologies and Media Environments departments at Bauhaus Universität Weimar, hosted by DCARTS of the National and Kapodistrian University of Athens, with participation of the Department of Art and Media at Aalto University. It is offered within the framework of the Erasmus Blended Intensive Program and carries 6 ECTS credits.

=== Students ===
==== AALTO ====
*Aga (Doctoral student)
*Mari (Master students)
*Atso (Master student)
*Müge (Doctoral student)
*Lexi (Master student)

====BUW====
*Lilas Almalla
*Tim Auzinger
*Laura Eleana Bein
*Sabah Khaled Abouelhadid Elsay Hassan
*Zakhar Komarov-Zelinskii
*Viviane Morais Dantas
*Jan Laurenz Munske
*Radu Paul Simon Reinhardt
*Cosmo Niklas Schüppel
*Wiebke Stark
*Cristina Garcia Margarita

====NKUA====
* Anna-Maria Galani (PhD student)
* Alexandra Niaka (PhD student)
* Elena Novakovits (PhD student)
* Aria Saridi (PhD student)
* Yiannis Kranidiotis (PhD student)