summaery2025: Projects

Project information

submitted by
Frederike Leonie Moormann

Co-Authors
Rhythmical Zones Projektmodul [Timm Albers, Nina Bendix Igleses Alicja Gaszta, Rieke Hettinger, Henriette Schmidt, Cosmo Schüppel, Sebastian Veloza Varela, Robin Wieber, Moritz Lang, Elijah Aran, Florencia Curci, Kerstin Ergenzinger] - Flow Follows Concrete Follows Flow||| Albers & Valeza – Clarinet and live electronics improvisation ||| Alicja Gaszta – to the birds i’ll never hear ||| Claudius Enno Seiter – proceed to seat ||| Elijah Aran – PET Resonances ||| Emily Thorwarth – Wie klingt die Natur, wenn sie wächst? ||| Fritzi Buhtz – zayton ||| Ion Wunderle – Tape Loop ||| Jenny Soggia – Sensing Structures ||| Lefteris Krysalis - Aphonic Echotopia ||| Leonie Brennsteiner – it was never quiet here/ tunes of the tree ||| Lukas Johnsen Lieps – O.M. ||| Marc André Schmidt – chambre isolée ||| Nicolas Quintero Mosquera – Casitis (Homesickness) ||| Nina Bendix Igleses – Zwischen Quelle und Klang. Or: How to listen to a stream? ||| Rieke Hettinger – Wir brauchen Verstärkung ||| Robin Wieber – Echoes of Ember ||| Sebastian Veloza Varela – Music to Freeze the Movement ||| Sophia Julienne Taube – Leben im Sterben ||| Steffen Rudolf – SSS (Symbols, Spirits and Space/ Sacred Spiral Staircase) ||| Tabe Grüninger – Can you feel the sound of my voice? ||| Timm Albers – Transient fragments ||| Wiebke Stark – When we can’t fall asleep, where do we go? ||| Wing Ching, Sorrel – Where the Sound Lands, Wo der Klang sich niederlässt ||| Yaman Sad Addin & Eric Beck – Breath in Motion. Following the Rhythm of Recovery ||| Yiming Han – You heard it, but what did you listen to? |||

Mentors
Nathalie Singer, Kerstin Ergenzinger, Robert Rehnig, Yue Wang, Marcin Pietruszewski, Eleftherios Krysalis, Jason Langheim, Frederike Moormann

Faculty:
Art and Design

Degree programme:
Media Art and Design (Bachelor of Fine Arts (B.F.A.)),
Media Art and Design - Study programme Integrated International Media Art and Design Studies (IIMDS) (Master of Fine Arts (M.F.A.) and Master of Arts (M.A.)),
Media Art and Design -Study programme Media Art und Design (MAD) (english) (Master of Fine Arts (M.F.A.)),
Media Art and Design - Study programme Media Art and Design (MAD) (english) (Master of Science (M.Sc.))

Type of project presentation
Exhibition

Semester
Sommersemester2025

• Coudraystraße 13A
  (SeaM & Eingangshalle)
• Marienstraße 5
  (Klanglabor, Radiostudio, Keller & Gänge)
• Marienstraße 14
  (Atelier Marc André Schmidt)
• Steubenstraße 8a - Limona
  (Glaskasten & Gänge)
• Goetheplatz 12 - Radio Lotte
  (https://maps.app.goo.gl/Go24XLEA9McWtgTo9, https://maps.app.goo.gl/Go24XLEA9McWtgTo9, https://maps.app.goo.gl/94VbNvyXvAbEt4J5A,)
• Marienstraße 18 - M18
  ((Baum im Innenhof) https://maps.app.goo.gl/VwMbesGezDUoD3o96?g_st=com.google.maps.preview.copy)

Available during summaery opening hours

Contributors:
Radio Lotte, bauhaus.fm

Project description

The "Mini-Soundfestival" is a constellation of sonic works presented by the students of Experimental Radio, Acoustic Ecology and Electroacoustic Music. It brings together works that were created in two project modules of this summer semester – “Sonar, Sanar y Soñar” (sound, healing and dreaming), and “Ryhtmical Zones”. Additionally, individual student projects of the winter semester’s project module “Towards an Ecology of Practices” will be shown, as well as projects of students at the SeaM.

How can we listen beyond the ear? How does sound feel? How do fluid structures, and invisible yet audible forces shape a city - Weimar? And how can we develop an ecological approach through sound? What influence do different frequencies and vibrations have on our bodies? What sounds are healing? Across multiple spaces and formats – from immersive multichannel compositions, sound sculptures, reflective listening stations to interventions in public space and broadcasts - this mini-festival explores how the human body and environments are shaped by sound, and sound shapes stories and perception. Each work invites audiences to a different facet of auditory experience. An accompanying live program consists of sound and listening walks, concerts, radio shows and transmission performances.

Listening becomes a form of attention, a tool for healing, a connector across bodies and spaces, and a way of relating to more-than-human ecologies.