Architecture Freehand Noted_between Analysis and Expression
© Alicja Anna Sloniec
Project information
submitted by
Dr. Sabine Zierold
Co-Authors
Sean Luca Bernhardt,
Henrik Bitz,
Clemens Brauburger,
Aline Bredemann,
Julius Tom Cramer,
Luca Discacciati,
Bruno Marius Johann,
Genilke,
Isabelle Grasbon,
Carla Marlena Graßhoff,
Amelie Viktoria Grund,
Annika Emilia Regina,
Harthun,
Justus Arno Maria,
Hassmann,
Tim Horlbeck,
Paul Anton Huth,
Eilom Keriakos,
Elisabeth Maria Knauff,
Jonathan Krebs,
Nina Lange,
Oskar Langenberg,
Jasmin Leibrich,
Leander Raphael Lieschke,
Eva Karoline Merz,
Pauline Franziska Miserski,
Rahel Anna Helene Nieber,
Lina Charis Pohlan,
Aaron Johann Rörich,
Maya Helene Schmitz,
Maja-Franziska Schönherr,
Anouk Seltmann,
Alicja Anna Sloniec,
Samuel Jakob Streich,
Thorben Norwin Stürmer,
Lea Carlotta Suhr,
Joy-Victoria Tardel,
Johanna Tripp,
Carlotta Urban,
Katharina Vogel,
Tadeusz Wache,
Leo Lenzer,
Levi Shahar,
Amelie Zillmann
Mentors
Dr. Sabine Zierold
Faculty:
Architecture and Urbanism
Degree programme:
Architecture (Bachelor of Science (B.Sc.))
Type of project presentation
Exhibition
Semester
Summer semester 2024
- Geschwister-Scholl-Straße 8 - Hauptgebäude / Main Building
Available during summaery opening hours
Project description
The course serves to deepen drawing skills. It focuses on training and sensitizing the eye and hand through intensive observation and recording of architectural situations in both landscape and urban spaces. Freehand drawing is the fundamental language of architects and designers. Free, measuring drawing captures the essential factors of space through construction, light and shadow, structures, proportions, and the choice of image section and format. The drawing also conveys atmosphere through the effects of materiality and surface. The search for one's own handwriting and suitable tools (pencil, ink pen, chalk, watercolor) aims at graphic and colorful expression, with which tension, contrast, and emphasis can be introduced into the drawing.
After the joint introduction, spaces and places in urban and landscape areas are visited and recorded through drawing as subjects of individual observation (e.g., buildings of Weimar Classicism and Modernism, landscape areas in the Park an der Ilm, and urban spaces). The influence of spatial situations and open space designs on the behavior of users and passersby is observed and can be incorporated into the freehand notation.