summaery2022: Projects
CAROLINE SINDERS: Can data collection itself function as an artwork? Can it act as a form of protest?
Project information
submitted by
Jenny Brockmann
Co-Authors
Studierende der Medienwissenschaften, Besucher:innen
Mentors
MFA Kunst und Dipl.-Ing. Arch. Jenny Brockmann, MFA Kunst/Technologie Caroline Sinders, BA Salma Pethö-Zayed, BA Paula Sawatzki
Faculty:
Media
Degree programme:
Media Studies (Bachelor of Arts (B.A.))
Type of project presentation
Performance
Semester
Summer semester 2022
- Schwanseestraße 143 - S143
(BMB lab - Raum 1.16) - Schwanseestraße 143 - S143
(BMB lab - Raum 1.16)
Project description
Caroline Sinders' performative workshop takes place within Jenny Brockmann's lecture "Forms and Formats of Performativity and Articulation" and focuses on collecting feminist data beginning with an introduction to machine learning, data, and design thinking, and leading into a collaborative and facilitated process with the objective of building a feminist data set from the ground up. Through the workshop we will explore the potential of data to disrupt larger systems by generating new forms of agency. The creation of this feminist data set will act as a means to combat bias and introduce the possibility of data collection as a feminist practice, aiming to produce a slice of data to intervene in larger civic and private networks.
Caroline Sinders is an award winning critical designer, researcher, and artist. She’s worked with the Tate Exchange at the Tate Modern, the United Nations, Ars Electronica’s AI Lab, the Harvard Kennedy School and others.
Exhibition Location / Event Location
Events
PERFORMANCE WORKSHOP CAROLINE SINDERS: Kann eine Datensammlung selbst als Kunstwerk funktionieren? Kann sie als eine Form des Protests fungieren?
- Begin: 17:00 pm
- End: 22:00 pm
- Location: BMB lab - Raum 1.16
Schwanseestraße 143 - S143, BMB lab - Raum 1.16