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Albers & Valeza
is a project based on real-time composition for clarinet and live coding, situated within the overlapping fields of contemporary music and electronic arts.
Moving between sound and music like a magnifying glass over distortion and expansion. The performance responds to the specific possibilities and limitations of different sound bodies: the machine, the code, the human body, the instrument. Through their interaction, the work reveals how control, gesture, and algorithm intertwine within the act of composition.
Particular attention is given to the sonic space, as well as to the movement, density, and weight of sound.
The sonic material is composed of field recordings, digital transients, subterranean rumbles, and fragile, translucent shards—colliding, dissolving, and re-emerging.  

Monogong Betenzwar
This is this terms preliminary progress presentation of me "making music" without tying it to an external context, just things I feel I want to do - something I oddly feel I am not usually entiteled to in the artschool context.  Apart from celebrating that, this date serves as my first anchor to work towards and to try things and see how they feel in a live situation. Currently the material is closest to what I did as Monogong Betenzwar, so I gave that as a reference.
monogongbetenzwar.bandcamp.com